A Walk with Palladio“ Is Effective from 26Th APRIL 2008 Until 2Nd NOVEMBER Farming Building Were Kept
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Palladio – Villen Und Kirchen Im Veneto
Detailprogramm: Palladio Palladio – Villen und Kirchen im Veneto © PHOTOMDP/Shutterstock Sie sehen Beispiele aller großen Werkgruppen und Formen Andrea Palladios: die herrlichen Villen auf dem Festland, von der berühmten Rotonda zur prachtvoll ausgemalten Villa in Maser, die Stadthäuser in Vicenza sowie die Kirchen in Venedig, die den Hauptwerken Tizians gegenübergestellt werden, um Palladios Werk in seiner Zeit besser zu verstehen. Die Reise ist für den Experten ebenso interessant wie für den Laien, der mit Architektur als künstlerischem Ausdruck bisher wenig Berührung hatte. Termin: 26.05.2019 Dauer: 8 Tage Preis: ab 1.895 € 1 Detailprogramm: Palladio Höhepunkte der Reise Palladio-Kirchen in Venedig und Meisterwerke Tizians Canal Grande im Privatboot erleben Bürgerhäuser und Villen in Vicenza Ihre Reiseleitung Dr. Christoph Ulmer War viele Jahre in der Denkmalpflege für die Erhaltung der Villen tätig und hat ein Buch zu Palladios Gesamtwerk veröffentlicht. Ihr Reiseverlauf 2 Detailprogramm: Palladio 1.Tag: Anreise nach Venedig Fahrt nach Venedig. Check-in im Hotel und Abendessen in einem Restaurant. 2. Tag: Architektur Venedigs Führung zum Ensemble des Markusplatzes, Dogenpalast und Markusdom, zum typisch Venezianischen in der Architektur und Palladios Erbe. Fahrt auf dem Canal Grande mit Erklärung der Paläste im privaten Boot. 3. Tag: Palladio-Kirchen und Accademia Besuch der beiden Kirchen von Palladio: San Giorgio Maggiore, ein komplexes Spiel des Manierismus, und Il Redentore, einem wegweisenden Bau für den Barock. Zum Vergleich sehen Sie die Marienkirche der Salute, ein schönes Beispiel für Palladios Wirkung. Am Nachmittag dann Tizian in der Frari und der Galleria dell’Accademia. 4. Tag: Brenta-Villen | Monselice Bootsfahrt von Venedig nach Fusina und weiter mit dem Bus zur Villa Foscari, »La Malcontenta« in Mira, mit dem wohl schönsten Profanraum der Welt. -
Construction, Management and Visualization of 3D Models of Large Archeological and Architectural Sites for E-Heritage Gis Systems
CONSTRUCTION, MANAGEMENT AND VISUALIZATION OF 3D MODELS OF LARGE ARCHEOLOGICAL AND ARCHITECTURAL SITES FOR E-HERITAGE GIS SYSTEMS Fabrizio I. APOLLONIO 1, Benedetto BENEDETTI 2, Marco GAIANI 1, Simone BALDISSINI 3 1DAPT- University of Bologna Viale Risorgimento 2, 40136 Bologna, Italy - [email protected]; [email protected] 2Scuola Normale Superiore Piazza dei Cavalieri 20, 56100 Pisa, Italy - [email protected] 3Centro Internazionale di Studi di Architettura Andrea Palladio Contra' Porti 11, 36100 Vicenza, Italy - [email protected] Keywords : 3D-GIS; 3D reality-based modeling; semantic modeling; real-time rendering; virtual heritage Abstract : In this paper we present an integrated system developed in order to record, construct, pre-process, manage, visualize and visually navigate 3D models reality based of large archeological and architectural sites for eHeritage GIS systems. The framework integrates structured geometrical and documentary information resulting from multiple sources with the aim to enhance the knowledge of those sites within the frame of its historical evolution and its institutional management in a 3D GIS/DB. The developed applications were designed for different types of users, with a largely scalable interface, able to support different output devices and to work at different levels of iconicity. The system allows a full comprehension of the buildings in their own context, permitting to discover unknown relationships, to evaluate their architectural occupancy and to quickly access a complex system -
Ancient Battles Guido Beltramini
Ancient Battles Guido Beltramini In 1575 Palladio published an illustrated Italian edition of Julius Caesar’s Commentaries. Five years later, his death halted the publication of Polybius’ Histories, which included forty-three engravings showing armies deployed at various battles: from Cannae to Zamas, Mantinea and Cynoscephalae. At the height of his career, Palladio invested time, energy and money into two publishing ventures far removed from architecture. In fact the two publications were part of a world of military matters which had attracted Palladio’s interest since his youth, when it formed an integral part of his education undertaken by Giangiorgio Trissino. As John Hale has shown, sixteenth-century Venice was one of the most active centres in Europe for military publications dealing with matters such as fortifications, tactics, artillery, fencing and even medicine. The distinguishing element in the Venetian production of such books was the widespread belief in the importance of the example of the Classical Greek and Roman writers, shared by men of letters and professional soldiers. This was combined with particular care shown towards the reader. The books were supplemented with tables of contents, indices, marginal notes and even accompanied by the publication of compendia illustrating the texts, such as the series entitled Gioie (‘Gems’) which Gabriele Giolito published from 1557 to 1570 (Hale 1980, pp. 257-268). Fig 1: Valerio Chiericati, manuscript of Della Many of the leading players in this milieu were linked to Trissino, albeit Milizia. Venice, Museo Correr, MS 883 in different ways: cultivated soldiers like Giovan Jacopo Leonardi, the Vicentine Valerio Chiericati (fig. -
Is There a Printer's Copy of Gian Giorgio Trissino's Sophonisba?
Is There a Printer’s Copy of Gian Giorgio Trissino’s Sophonisba? Diego Perotti Abstract This essay examines the manuscript Additional 26873 housed in the British Library. After clarifying its physical features, it then explores various hypotheses as to its origins and its intended use. Finally, the essay collates the codex with Gian Giorgio Trissino’s first edition of the Sophonisba in order to establish the tragedy’s different drafts and the role of the manu- script in the scholarly edition’s plan. The manuscript classified as Additional 26873 (Hereafter La) is housed at the British Library in London and described in the online catalogue as follows: “Ital. Vellum; xvith cent. Injured by fire. Octavo. Giovanni Giorgio Trissino: Sophonisba: a tragedy”. A few details may be added. La is part of a larger collection comprising Additional 26789–26876: eighty-eight items composed in various languages (English, French, Italian, Latin, Portuguese, Spanish), many of which have been damaged to different degrees by fire and damp. The scribe has been identified as Ludovico degli Arrighi (1475–1527), the well-known calligrapher from Vicenza (Veneto, northern-east Italy) who later turned into a typographer, active between his hometown and Rome during the first quarter of the sixteenth century.1 Arrighi’s renowned handwriting, defined as corsivo lodoviciano (Ludovico’s italic), is a calligraphic italic based on the cancelleresca, well distinguished from the latter by the use of upright capitals characterized by long ascend- ers/descenders with curved ends, the lack of ties between characters, the greater space between transcriptional lines, and capital letters slightly 1. -
1. World Heritage Property Data
Periodic Report - Second Cycle Section II-City of Vicenza and the Palladian Villas of the Veneto 1. World Heritage Property Data Villa Forni Cerato, 45.653 / 11.561 2.23 0 2.23 1996 Montecchio Precalcino , 1.1 - Name of World Heritage Property Province of Vicenza , Veneto City of Vicenza and the Palladian Villas of the Veneto Region , Italy Comment Villa Godi 45.746 / 11.529 4.66 0 4.66 1996 Committee Decision 20COM VIIC: The name of the property Malinverni, Lonedo di Lugo was changed to “The City of Vicenza and the Palladian Villas Vicentino , of the Veneto” . (Note: "The") Province of Vicenza , Veneto Region , Italy 1.2 - World Heritage Property Details Villa Pisani Ferri, 45.359 / 11.369 1.6 0 1.6 1996 State(s) Party(ies) Bagnolo di Lonigo , Province Italy of Vicenza , Veneto Region , Type of Property Italy cultural Villa Pojana, 45.282 / 11.501 6.14 0 6.14 1996 Identification Number Poiana Maggiore , 712bis Province of Vicenza , Veneto Year of inscription on the World Heritage List Region , Italy 1994, 1996 Villa Saraceno, 45.311 / 11.587 0.59 0 0.59 1996 Agugliaro , Province of 1.3 - Geographic Information Table Vicenza , Veneto Name Coordinates Property Buffer Total Inscription Region , Italy (latitude/longitude) (ha) zone (ha) year Villa Thiene, 45.573 / 11.63 0.38 0 0.38 1996 (ha) Quinto Vicentino , 0 / 0 ? ? ? Province of Vicenza , Veneto 0 / 0 ? ? ? Region , Italy City of Vicenza 45.549 / 11.549 218 0 218 1994 Villa Trissino, 45.428 / 11.414 3.78 0 3.78 1996 (including 23 Sarego , Province buildings of Vicenza , constructed -
Schede Di Presentazione Delle Ville Venete Proposte Per L’Inserimento Negli Itinerari Di Visita Culturale
Villa di Montruglio Via Montruglio 9 36024 Mossano (VI) Cod Fisc: 94025480271 Tel: 0444/1836858 Fax: 0444/776138 Allegato alla Relazione dell’Associazione Ville Venete alla Direzione Regionale del Turismo 19 Dicembre 2008 SCHEDE DI PRESENTAZIONE DELLE VILLE VENETE PROPOSTE PER L’INSERIMENTO NEGLI ITINERARI DI VISITA CULTURALE 1. ELENCO DELLE VILLE VENETE PROPOSTE PER L’INSERIMENTO NEGLI ITINERARI DI VISITA CULTURALE PROVINCIA PADOVA 1. Ca' Marcello – Levada di Piombino Dese 2. Castello del Catajo – Battaglia Terme 3. Castello di San Pelagio – Terradura di Due Carrare 4. Giardini di Villa Emo – Rivella 5. Giardini di Villa Pizzoni Ardemani - Valsanzibio di Galzignano Terme 6. Villa Contarini – Piazzola sul Brenta 7. Villa Cornaro – Piombino Dese 8. Villa Emo Capodilista “la Montecchia” – Selvazzano Dentro 9. Villa Pisani Bolognesi Scalabrin – Vescovana PROVINCIA ROVIGO 10. Villa Badoer “la Badoera" – Fratta Polesine PROVINCIA TREVISO 11. Castello di Roncade – Roncade 12. Villa di Maser – Maser 13. Villa Emo – Fanzolo di Vedelago 14. Villa Tiepolo Passi – Carbonera PROVINCIA VENEZIA 15. Museo Nazionale di Villa Pisani – Stra 16. Villa Foscari "la Malcontenta" – Malcontenta 17. Villa Foscarini Rossi – Stra 18. Villa Widmann Rezzonico Foscari – Mira PROVINCIA VERONA 19. Giardino di Villa Giusti – Verona 20. Villa Arvedi – Grezzana 21. Villa La Mattarana - Verona 22. Villa Sagramoso Perez Pompei – Illasi PROVINCIA VICENZA 23. Castello Porto Colleoni Thiene – Thiene 24. Villa Almerico Capra detta "la Rotonda" – Vicenza 25. Villa Caldogno – Caldogno 26. Villa Cordellina Lombardi – Montecchio Maggiore 27. Villa da Schio – Costozza di Longare 28. Villa di Montruglio – Mossano 29. Villa Fracanzan Piovene – Orgiano 30. Villa Godi Malinverni – Lugo di Vicenza 31. Villa Loschi Zileri – Monteviale 32. -
Vicenza, Italia Settentrionale) (Decapoda, Stomatopoda, Isopoda)
CCITTÀITTÀ DDII MMONTECCHIOONTECCHIO MAGGIOREMAGGIORE MMUSEOUSEO DDII AARCHEOLOGIARCHEOLOGIA E SCIENZESCIENZE NNATURALIATURALI ““G.G. ZZANNATO”ANNATO” CLLAUDIOAUDIO BEESCHINSCHIN, ANNTONIOTONIO DE ANNGELIGELI, ANNDREADREA CHHECCHIECCHI, GIIANNINOANNINO ZAARANTONELLORANTONELLO CCROSTACEIROSTACEI DELDEL GGIACIMENTOIACIMENTO EEOCENICOOCENICO DDII GGROLAROLA PPRESSORESSO SSPAGNAGOPAGNAGO DDII CORNEDOCORNEDO VICENTINOVICENTINO ((VICENZA,VICENZA, ITALIAITALIA SETTENTRIONALE)SETTENTRIONALE) ((DECAPODA,DECAPODA, STOMATOPODA,STOMATOPODA, ISOPODA)ISOPODA) MONTECCHIO MAGGIORE (VICENZA) 2012 Iniziativa realizzata con il contributo della Regione del Veneto Museo di Archeologia e Scienze Naturali “G. Zannato” Sistema Museale Agno-Chiampo Città di Montecchio Maggiore Associazione Amici del Museo Zannato Montecchio Maggiore Copyright © Museo di Archeologia e Scienze Naturali “G. Zannato” Piazza Marconi, 15 36075 Montecchio Maggiore (Vicenza) Tel.-Fax 0444 492565 E-mail: [email protected] ISBN 978-88-900625-2-0 Casa editrice Cooperativa Tipografica Operai - Vicenza Le riproduzioni dei beni di proprietà dello Stato Italiano sono state realizzate su concessione del Ministero per i Beni e le Attività Culturali; è vietata l’ulteriore riproduzione e duplicazione con qualsiasi mezzo. In copertina: disegni di A. De Angeli ©. Claudio BesChin, antonio de angeli, andrea CheCChi, giannino Zarantonello CROSTACEI DEL GIACIMENTO EOCENICO DI GROLA PRESSO SPAGNAGO DI CORNEDO VICENTINO (VICENZA, ITALIA SETTENTRIONALE) (DECAPODA, STOMATOPODA, ISOPODA) -
TITOLO NOME CITTA' Arch. AGOSTINI GRAZIANO MONTICELLO CONTE
TITOLO NOME CITTA’ arch. AGOSTINI GRAZIANO MONTICELLO CONTE OTTO arch. ALBIERO ALBERTO VICENZA arch. ARNALDI ADELINA VICENZA arch. BALASSO ROMOLO THIENE arch. BARBIERI LUIGI ROMANO VICENZA arch. BASSO ALESSANDRO VICENZA arch. BATTISTIN DANIELE VALDAGNO arch. BENETTI ANGELO MONTECCHIO MAGGIORE arch. BOLCATO CLAUDIO CHIAMPO arch. BONATO FLAVIO SCHIO arch. BRUNELLO OSCAR BRENDOLA arch. BRUSCHI LORENZO PIACENZA arch. BULGARELLI LINDA GIOVANNA VALDAGNO arch. CAILOTTO SANTE TRISSINO arch. CALDERATO CLAUDIO MONTORSO VICENTINO arch. CAPPELLUTI PAOLA MONTECCHIO MAGGIORE - ALTE arch. CASTEGNARO LUCILLO MONTECCHIO MAGGIORE arch. CATTAPAN NAZZARENO VALDAGNO arch. CATTELAN GIORGIO LAIVES arch. CAVAZZA CIPRIANO ARZIGNANO arch. CERATO TIBERIO SCHIO arch. CESCA MICHELA PIEVE DI SOLIGO arch. CONCATO ROMINA TRISSINO arch. DALLE MESE NADIA ARZIGNANO arch. DANIELI GIANLUCA ARZIGNANO arch. DONATACCI CLAUDIO VICENZA arch. ERSEGHE ALBERTO VICENZA arch. FANELLI PAOLO PIACENZA arch. FAORO GIOVANNI VENEZIA arch. FERIN LUCIANO MONTECCHIO MAGGIORE arch. FOCHESATO RENATA VICENZA arch. FOLLESA MASSIMO MARIA TRISSINO arch. FORADINI PAOLO POIANA M. arch. FORTUNA MAURIZIO CREAZZO arch. FOSSOLINI GUSTAVO Sovizzo arch. FRIGO LORENZO ARZIGNANO arch. GALLIOZZI FRANCESCA BASSANO DEL GRAPPA arch. GALLO ETTORE MONTECCHIO MAGGIORE arch. GAROFOLO JURIS PADOVA arch. GAVAZZO GIUSEPPE TORRI DI QUARTESOLO arch. GENERO GIORGIO GRISIGNANO DI ZOCCO arch. GLERIA GIOVANNI BATTISTA VICENZA arch. GRAZIANO AGOSTINI MONTIELLO CONTE OTTO arch. GUGOLE MIRKO CHIAMPO arch. GUIOTTO ENZO VALDAGNO arch. LODI EMANUELA VICENZA arch. LOVISON OSCAR JOSE' ALTAVILLA VICENTINA arch. MARAN ROBERTO VICENZA arch. MARANGON PAOLO TRISSINO arch. MARANGON SERGIO VALDAGNO arch. MARCONI FRANCESCO TRENTO arch. MARTIN ENRICA ISOLA VICENTINA arch. MARZOTTO RUGGERO VICENZA arch. MASIERO GABRIELE TRISSINO arch. MASSIGNAN ANGELO CREAZZO arch. MIOTTO AGOSTINO VICENZA arch. MOLINARO DANIELE CORNEDO VICENTINO arch. -
Vicenza Convention
ITALIA with friends - Webinar Series Vicenza Unesco World Heritage site – city of the architect Andrea Palladio Wednesday 1st July 2020 - 18.30 - Partner List - • Vicenza E’ Tourism Board: who and where we are • Giovanna Parise – Sweet Hotel • Stefano Compagnone - Best Western 3 Torri Hotel • Denise Lappo – Viest Hotel • Lorenzo Cogo – El Coq Restaurant • Jacopo Poli – Poli Distilleries • Maddalena Dal Porto - Girolibero • Carolina Valmarana - Villa Valmarana ai Nani • Davide Perone - Villa Godi Malinverni VICENZA E’ TOURISM BOARD - Who we are - VICENZA E’ is a Destination Management Organisation (DMO) that deals with: • Tourism Promotion • Marketing • Tourist Welcoming Our assistance is free – we are an official Visitor Bureau VICENZA E’ TOURISM BOARD - Where we are - VICENZA lies right in the heart of the Veneto region BY PLANE VERONA “CATULLO” (km 45) VENEZIA “MARCO POLO” (km 70) VENEZIA-TREVISO (km 60) MILANO “ORIO AL SERIO” (km 120) MILANO LINATE (km 200) MILANO MALPENSA (km 250) BY TRAIN VICENZA – VENICE 45 min VICENZA – VERONA 30 min VICENZA – MILANO 2 h VICENZA – FIRENZE 2 h 30 min VICENZA - ROMA 4 h VICENZA E’ TOURISM BOARD - Where we are - VICENZA - City of the architect Andrea Palladio Vicenza and its villas have been included in the UNESCO World Heritage List in 1994 and 1996 respectively. No less than 16 of the 23 villas designed by the great architect Andrea Palladio are found in the Vicenza territory. The One Hundred Eleventh Congress of the United States of America declared him the "Father of American Architecture" (Congressional Resolution no. 259 of 6 December 2010). His style is known worldwide as “Palladianism”. -
Branko Mitrović Andrea Palladio's Villa Cornaro in Piombino Dese
Branko Mitroviü Andrea Palladio’s Villa Cornaro in Piombino Dese As for many of Palladio’s buildings, modern surveys of the Villa Cornaro in Piombino Dese do not exist, are incomplete, omit information about important aspects such as the use of the classical orders, or have been published without dimensions indicated in the plans. The analysis presented here is based on a June 2003 survey of the villa made by Steve Wassell, Tim Ross, Melanie Burke, and author Branko Mitroviü. In his treatise, Palladio listed his preferred room types: circular, square or rectangular with length-to-width ratios 2/1, 3/2, 4/3, 5/3 or 2/1. Half a century ago, this kind of speculative search for the comprehensive interpretation of Palladio’s proportional system received great impetus from Rudolf Wittkower’s Architectural Principles in the Age of Humanism. It is, however, important to differentiate between the derivation of certain proportional rules and their explanation. Wittkower asserted that the use of ornamentation—and especially the orders—did not matter in Palladio’s design process. Refuting this theory, Mitroviü argues that Palladio, in the early 1550, formulated a very different approach to the use of the orders, combining the principle of preferred room proportions and the use of a columnar system to determine the placement of walls. The proportions of the main sala and porticos are derived on the basis of the proportional rules for the order used; the proportions of the side rooms on the basis of preferred ratios. Ultimately, the result is that the mathematics of the orders became decisive for Palladio’s design principles and the use of proportions from the early 1550s. -
Four Books on Architecture
Villa Godi Malinverni The first villa of Andrea Palladio (1542) Lugo di Vicenza www.villagodi.com – [email protected] 0445.860561 -339.3429942 Villa Godi Malinverni villagodi 1 Andrea Palladio (1508-1580) Andrea Palladio was born in Padua in 1508, son of Pietro della Gondola who was a mill worker. After moving to Vicenza at a young age, Andrea took a job in the very active workshop of the so-called Pedemuro who specialized in cutting marble and sculpture. It was during this time of apprentice that Andrea got “noticed” by Giangiorgio Trissino, an aristocrat and refined intellectual of the Venetian Mainland. Trissino decided to assign Andrea the commission of restoring his wonderful Villa Cricoli, located just outside Vicenza. He also decided to take Andrea to Rome for his very first time. Thank to the ancient roman buildings that he could see not only in Rome, but also in Vicenza, Verona and Padua, and through the experience of the works of some of the most prominent architects such as Giulio Romano, Michele Sanmicheli, Sebastiano Serlio and 2 Jacopo Sansovino, Andrea was able to develop his own original style that we can still admire in some of his important works such as Villa Almerico, known as “La Rotonda” and Villa Barbaro in Maser, which was frescoed by Veronese. 3 The Architecture Villa Godi Malinverni is the very first villa Palladio realized, as quoted in his Four Books on Architecture. The commissioner and owner of the property was Gerolamo Godi, who had it built for his father Antonio as announced on a relief set just above the loggia by the entrance. -
Villa Caldogno Si Trova Nel Comune Agricolo Omonimo, Una Decina Di
Villa Caldogno si trova nel comune agricolo omonimo, una decina di chilometri a nord di Vicenza, poco distante dalla statale 46 del Pasubio, in una zona di bellezza rurale ben conservata. Il committente, Losco Caldogno, è un nobile vicentino affermatosi nel commercio della seta: ricevuta in eredità una tenuta agricola, decide di ristrutturare la fattoria affidandosi a un architetto che ha già dato buona prova di sé con certi suoi parenti, i Godi di Lugo di Vicenza (Villa Godi). Quando riceve l'incarico Andrea Palladio ha 34 anni ed è ancora ancora legato alla bottega di Girolamo Pittoni e Giacomo da Porlezza, ma opera in modo sempre più autonomo e personale. Il progetto non risulta incluso nei Quattro Libri dell'Architettura, l'opera del 1570 che riassume il pensiero del grande architetto, ma porta verosimilmente la sua firma per le analogie con edifici contemporanei di sicura paternità (villa Saraceno e villa Muzani). L'edificio ha pianta molto lineare, dettata dalle murature preesistenti, con vano centrale passante e ambienti laterali; una semplicità, che viene però stemperata dalla decorazione ad affresco del 1570, per mano del Fasolo e dello Zelotti, con belle scene conviviali d'atmosfera rinascimentale. Villa Caldogno è una delle architetture palladiane di più felice realtà odierna: sede della biblioteca comunale, offre i suoi spazi di rappresentanza a manifestazioni culturali ed eventi mondani. Da segnalare, anche, il recente recupero del giardino e della peschiera, oltre che un interessante intervento di architettura contemporanea sulla barchessa*, oggi adibita a spazio espositivo. Per un parallelo stilistico, nello stesso anno Palladio progetta Palazzo Thiene, villa Gazzotti, villa Pisani, villa Thiene e villa Valmarana.