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The Dial and Transcendentalist Music Criticism” by WESLEY T
The ‘yearnings of the heart to the Infinite’: The Dial and Transcendentalist Music Criticism” by WESLEY T. MOTT “When my hoe tinkled against the stones, that music echoed to the woods and the sky . and I remembered with as much pity as pride, if I remembered at all, my acquaintances who had gone to the city to attend the oratorios.” So wrote contrary Henry Thoreau in “Walden” (1854; [Princeton UP, 1971], p. 159). His literary acquaintances, in fact, had made important contributions to the emergence of music criticism in Boston a decade earlier in the Transcendentalist periodical, the Dial. Published from 1840 to 1844 and edited by Margaret Fuller and Ralph Waldo Emerson, the Dial promised readers in the first issue to give voice to a “new spirit” and to “new views and the dreams of youth,” to aid “the progress of a revolution . united only in a common love of truth, and love of its work” (the Dial, 4 vols. [rpt. New York: Russell & Russell, 1961], 1:1-2. The definitive study is Joel Myerson, The New England Transcendentalists and the Dial: A History of the Magazine and Its Contributors [Rutherford, NJ: Fairleigh Dickinson UP, 1980]). Featuring poetry, essays, reviews, and translations on an eclectic range of literary, philosophical, theological, and aesthetic topics, the Dial published only four articles substantially about music: one by John Sullivan Dwight, one by John Francis Tuckerman, and two by Fuller (excluding her lengthy study Romaic and Rhine Ballads [3:137-80] and brief commentary scattered in review articles). Each wrote one installment of an annual Dial feature for 1840-42—a review of the previous winter’s concerts in Boston. -
Tennessee Williams' "Plastic Theater" a Formulation of Dramaturgy for "The American Method" Theater
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2015 Tennessee Williams' "Plastic Theater" A Formulation of Dramaturgy for "The American Method" Theater Peter A. Philips Follow this and additional works at: https://scholarworks.umt.edu/etd Part of the Theatre and Performance Studies Commons Let us know how access to this document benefits ou.y Recommended Citation Philips, Peter A., "Tennessee Williams' "Plastic Theater" A Formulation of Dramaturgy for "The American Method" Theater" (2015). Graduate Student Theses, Dissertations, & Professional Papers. 4471. https://scholarworks.umt.edu/etd/4471 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Contents Acknowledgements ...............................................................................................1 Preface ....................................................................................................................2 Introduction ...........................................................................................................5 Chapter Synopsis .........................................................................................7 Chapter 1. Tennessee Williams: A -
Henry James , Edited by Daniel Karlin Frontmatter More Information
Cambridge University Press 978-1-107-00398-9 — The Bostonians Henry James , Edited by Daniel Karlin Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-00398-9 — The Bostonians Henry James , Edited by Daniel Karlin Frontmatter More Information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-00398-9 — The Bostonians Henry James , Edited by Daniel Karlin Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES general editors Michael Anesko, Pennsylvania State University Tamara L. Follini, University of Cambridge Philip Horne, University College London Adrian Poole, University of Cambridge advisory board Martha Banta, University of California, Los Angeles Ian F. A. Bell, Keele University Gert Buelens, Universiteit Gent Susan M. Grifn, University of Louisville Julie Rivkin, Connecticut College John Carlos Rowe, University of Southern California Ruth Bernard Yeazell, Yale University Greg Zacharias, Creighton University © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-00398-9 — The Bostonians Henry James , Edited by Daniel Karlin Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES 1 Roderick Hudson 23 A Landscape Painter and Other 2 The American Tales, 1864–1869 3 Watch and Ward 24 A Passionate Pilgrim and Other 4 The Europeans -
Henry James , Edited by Adrian Poole Frontmatter More Information
Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES general editors Michael Anesko, Pennsylvania State University Tamara L. Follini, University of Cambridge Philip Horne, University College London Adrian Poole, University of Cambridge advisory board Martha Banta, University of California, Los Angeles Ian F. A. Bell, Keele University Gert Buelens, Universiteit Gent Susan M. Grifn, University of Louisville Julie Rivkin, Connecticut College John Carlos Rowe, University of Southern California Ruth Bernard Yeazell, Yale University Greg Zacharias, Creighton University © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES 1 Roderick Hudson 23 A Landscape Painter and Other Tales, 2 The American 1864–1869 3 Watch and Ward 24 A Passionate -
Journals of Ralph Waldo Emerson 1820-1872
lil p lip m mi: Ealpi) ^alUa emeraum* COMPLETE WORKS. Centenary EdittOH. 12 vols., crown 8vo. With Portraits, and copious notes by Ed- ward Waldo Emerson. Price per volume, $1.75. 1. Nature, Addresses, and Lectures. 3. Essays : First Series. 3. Essays : Second Series. 4. Representative Men. 5. English Traits. 6. Conduct of Life. 7. Society and Solitude. 8. Letters and Social Aims. 9. Poems, xo. Lectures and Biographical Sketches, 11. Miscellanies. 13. Natural History of Intellect, and other Papers. With a General Index to Emerson's Collected Works. Riverside Edition. With 2 Portraits. la vols., each, i2mo. gilt top, $1.75; the set, $31.00. Little Classic Edition. 13 vols. , in arrangement and coo- tents identical with Riverside Edition, except that vol. la is without index. Each, i8mo, $1.25 ; the set, $15 00. POEMS. Household Edition. With Portrait. lamo, $1.50} full gilt, $2.00. ESSAYS. First and Second Series. In Cambridge Classics. Crown 8vo, $1.00. NATURE, LECTURES, AND ADDRESSES, together with REPRESENTATIVE MEN. In Cambridge Classics. Crown 8vo, f i.oo. PARNASSUS. A collection of Poetry edited by Mr. Emer- son., Introductory Essay. Hoitsekold Edition. i2mo, 1^1.50, Holiday Edition. Svo, $3.00. EMERSON BIRTHDAY BOOK. With Portrait and Illus- trations. i8mo, $1.00. EMERSON CALENDAR BOOK. 32mo, parchment-paper, 35 cents. CORRESPONDENCE OF CARLYLE AND EMERSON. 834-1872. Edited by Charles Eliot Norton. 2 ols. crown Svo, gilt top, $4.00. Library Edition. 2 vols. i2mo, gilt top, S3.00. CORRESPONDENCE OF JOHN STERLING AND EMER- SON. Edited, with a sketch of Sterling's life, by Ed- ward Waldo Emerson. -
William James and His Individual Crisis HARRY MADDUX [email protected]
Department of Languages, Literature & Philosophy Languages, Literature & Philosophy Working Papers Tennessee State University Year 2007 William James and His Individual Crisis HARRY MADDUX [email protected] This paper is posted at E-Research@Tennessee State University. http://e-research.tnstate.edu/llp wp/2 William James and the Individual 1 William James and His Individual Crisis I. Introduction Students of William James have long commented on how critical periods of his life compelled crucial developments in his philosophical thought. Ralph Barton Perry was the first to capitalize upon this recognition, with his examination of how James’s depression resulted in a very practical and highly personalized belief in the necessity of action as the only viable response to the Darwinian “process of the universe” (Perry 1: 322). Charlene Seigfried posits that, in addition to this seminal event, James likely faced two other crises. In 1895, he turned from psychological studies to specifically philosophical issues (William James’s Radical Reconstruction 12). In 1908-1909, these endeavors forced him to “give up ‘intellectualistic logic’” entirely and depend on a reconstructed “rational strand” in order to answer the old question (first posed in The Principles of Psychology) of how many consciousnesses can be at the same time one consciousness (13). Such insights have enriched and enlivened James studies, but the generalized conclusion they indicate—that James’s philosophy was an intensely lived but largely successful experience—deserves reevaluation. The first part of this judgment is accurate; the second is far less so. James’s first crisis was without doubt a lonely experience precipitated by questions of his responsibility to society and his place among others’ lives (Perry 1: 322). -
Great Plains National Instructional Television Library the POLICY BOARD of the Greatplains National Instructional Television Library
REPOR T RESUMES ED 019 007 EM 006 677 THE 1968 CATALOG OF RECORDED TELEVISION COURSES AVAILABLE FROM NATIONAL GREAT PLAINS INSTRUCTIONAL TELEVISION LIBRARY. NEBRASKA UNIV., LINCON EDRS PRICE MF -$0.50 HC -$4.64 114P. DESCRIPTORS- *INSTRUCTIONAL TELEVISION, *TELECOURSES, *TELEVISED INSTRUCION, AUDIOVISUAL AIDS, EDUCATIONAL TELEVISION, *CATALOGS SECONDARY EDUCATION, ELEMENTARY EDUCATION, HIGHEREDUCATION, PARENT EDUCATION, ADULT EDUCATION, ENRICHRENT ACTIVITIES, INTENDED FOR USE BY ADMINISTRATORS AND PLANNERS, THIS GUIDE DESCRIBES COURSES AVAILABLE FROM THE GREAT PLAINS ITV LIBRARY. FIVE INDICES ARE INCLUDED, ONE CLASSIFYING ELEMENTARY, JUNIOR HIGH, SECONDARY AND ADULT COURSES BY SUBJECT, ANOTHER LISTS THEM BY GRADE LEVEL. A THIRD LISTS COLLEGE COURSES BY SUBJECT, ANOTHER DESCRIBES INSERVICE TEACHER - TRAINING MATERIALS. A FINAL. ALPHABETIZED INDEX LISTS ALL COURSES CURRENTLY AVAILABLE FROM THE GREAT PLAINS LIBRARY INCLUDING FORD FOUNDATION KINESCOPES. LEASING AND PURCHASING COSTS ARE GIVEN, AS WELL AS PREVIEWING POLICIES AND ORDERING INFORMATION. (JM) U.S. DEPARTMENT OF HEALTH, EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION POSITION OR POLICY. 1`, s0 SES ELEMENTARY SECONDARY COLLEGE Great Plains National Instructional Television Library THE POLICY BOARD of the GreatPlains National Instructional Television Library Though television is a relative youngster in the field of education, its usefulness in schools and colleges has become evident in thousands of classrooms across the United States. Educational institutions employing instruction by television have found recorded telecourses from Great Plains National Instructional Television Library playing a significant role in their curricular planning. -
Philosophy of Anti-Slavery
Nathaniel Adam Tobias Coleman [email protected] • http://natcphd.me PHIL3061: The philosophy of anti-slavery Slavery. It was wrong, wasn't it? That much we know. Yet, why was it wrong? The societies that benefitted from slavery had to be convinced that it was wrong. Indeed, they had to be persuaded to give it up. Moreover, for them, it was not enough that the case for slavery was shown to be unsound; they wanted to hear the case against slavery. Although we don't need to be persuaded by the case against slavery, we struggle to explain exactly what that case is. For this reason, we will revisit, analyse, and evaluate some of the arguments historically used to explain the wrongness of slavery. To do this, we shall focus on a period of time that we might call 'the longer eighteenth century of British abolitionism': it begins with the Germantown Protest of 1688 and ends, 150 years later, with the final emancipation of all persons enslaved-as-negro in the British Empire, in 1838. However, we frame our investigation by the anglophone world established by British imperialism, not because Britain's abolition of negro slavery was the first—no, that occurred in St-Domingue (later Haiti), in 1793—but rather because Britain currently enjoys (deservedly or not) special moral praise for its 'leading' contribution to the emancipation of all persons enslaved-as-negro, across all the European empires. Ultimately, by evaluating the arguments of (1) European abolitionists, (2) enslaved Africans, and (3) Haitian revolutionaries, we will grasp the place that these arguments occupy in the broader philosophical debate among three major moral theories: (a) the utilitarian idea that a policy is wrong, if its painful results outweigh its pleasurable results, (b) the theory of natural rights, according to which a policy is wrong, if it violates a person's human right, and (c) the theory of human flourishing, according to which a policy is wrong, if it corrupts a person's character. -
Elizabeth Jordan, Henry James, and the New Woman Journalist James Hunter Plummer University of Nebraska-Lincoln
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: English, Department of Department of English 5-2017 A City Room of One's Own: Elizabeth Jordan, Henry James, and the New Woman Journalist James Hunter Plummer University of Nebraska-Lincoln Follow this and additional works at: http://digitalcommons.unl.edu/englishdiss Part of the American Literature Commons, History of Gender Commons, Journalism Studies Commons, Literature in English, British Isles Commons, Literature in English, North America Commons, Women's History Commons, and the Women's Studies Commons Plummer, James Hunter, "A City Room of One's Own: Elizabeth Jordan, Henry James, and the New Woman Journalist" (2017). Dissertations, Theses, and Student Research: Department of English. 124. http://digitalcommons.unl.edu/englishdiss/124 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. A CITY ROOM OF ONE’S OWN: ELIZABETH JORDAN, HENRY JAMES, AND THE NEW WOMAN JOURNALIST by James Hunter Plummer A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: English Under the Supervision of Professor Melissa Homestead Lincoln, Nebraska May, 2017 A CITY ROOM OF ONE’S OWN: ELIZABETH JORDAN, HENRY JAMES, AND THE NEW WOMAN JOURNALIST Hunter Plummer, M.A. University of Nebraska, 2017 Advisor: Melissa Homestead This thesis considers the portrayal of the female journalist in the works of Elizabeth Jordan and Henry James. -
A072d7cb17b564d401082d34b5
THE LIFE AND WORK OF LUTHER ORLANDO EMERSON 1 820- 1915 by KA IN S. BLAND FORD A thesis Prese nted to the Faculty of t he Department o f Mus i c o f Christopher Newport Un iversity I n par t i a l fulfi l l me n t of the Requireme nts f or the Degre e Ba c he l or o f Mus i c Apri l, 1994 CAPTAINJOHN SMITH LffiRARY CHRISTOPHER NEWPORT UNIVERSITY NEWPORT NEWS. VIRGINIA Approved by Director /'p, v Hines, Ph .D . /71c~ « . 2~:r4 -~ Ma rk U. Re i me r D.M . Reader ABSTRACT Luther Orlando Emerson (1820-1915), along with many other New England composers, was a pioneer in the field of music education. Compiler and composer of music for churches, singing schools, choral societies, and public schools, and through his work at music conventions, and teaching positions in various institutes throughout Massachusetts, Emerson played a maj or role in the promotion of music education for the masses. Widely popular in his day, Emerson made great contributions in sacred music, as he was devoted to elevating the standards and general character of church music. The objective of this thesis is to explore the life and work of this most .prolific, nineteenth-century composer. The content of the first chapter is the early life of Emerson: his home life, early musical experiences, and his early education. The second chapter's subjects are his formal music education, beginning professional work in teaching and conventions, and his first books. The subjects of the third chapter are Emerson's main convention work and his later life. -
The American Transcendentalists
THE AMERICAN TRANSCENDENTALISTS ESSENTIAL WRITINGS Edited and with an Introduction by Lawrence Buell THE MODERN LIBRARY NEW YORK CONTENTS INTRODUCTION xi A NOTE ON THE TEXTS xxix I. ANTICIPATIONS 1.. MARY MOODY EMERSON, Letters to a Future Transcendentalist (1817-51) 3 2. SAMUEL TAYLOR COLERIDGE, Reason Versus Understanding (1825,1829) 9 3. WILLIAM ELLERY CHANNING, Humanity's Likeness to God (1828) 11 4. THOMAS CARLYLE, The Age of Machinery (1829) 16 5. RALPH WALDO EMERSON, A Young Minister Refuses to Perform a Crucial Duty (1832) 20 6. FREDERIC HENRY HEDGE, The Significance of Kantian Philosophy (1834) 23 7. GEORGE RIPLEY, Victor Cousin and the Future of American Philosophy (1838) 25 II. MANIFESTOS AND DEFINITIONS 1. RALPH WALDO EMERSON, Nature(\836) 31 vi • Contents Contents • vii 2. AMOS BRONSON ALCOTT, from The Doctrine and Discipline of Human 2. Ralph Waldo Emerson Declines George Ripley's Invitation to Join Culture(1836) 68 Brook Farm (1840) 201 3. ORESTES BROWNSON, The Reconciliation of God, Humanity, State, 3. RALPH WALDO EMERSON, "Self-Reliance" (1841) 208 and Church (1836) 76 4. ELIZABETH PALMER PEABODY, from "Plan of the West Roxbury 4. RALPH WALDO EMERSON, "The American Scholar" (1837) 82 Community" (1842) 232 5. CHRISTOPHER PEARSE CRANCH, from "Transcendentalism" (1839) 100 5. GEORGE RIPLEY et al, Brook Farm's (First Published) Constitution (1844) 235 6. GEORGE RIPLEY, Letter of Intent to Resign (1840) 103 6. THEODORE PARKER, from "A Sermon of Merchants" (1846) 244 7. RALPH WALDO EMERSON, "The Transcendentalist" (1841) 107 7. MARGARET FULLER, On the Italian Revolution (1847-50) 251 8. CHARLES DICKENS, On Boston Transcendentalism (1842) 123 8. -
Emerson Society Papers
Volume 27, number 1 spring 2016 EmErson sociEty PaPErs choral setting of Emerson’s “Boston Hymn” Premieres at symphony Hall WESLEY T. M OTT Worcester Polytechnic Institute Ralph Waldo Emerson enjoyed concerts by the Handel and Emerson composed the poem at the urging of his friend Haydn Society (H+H) in Boston and deeply admired both the music critic John Sullivan Dwight for the Grand namesake composers.1 H+H reciprocated on June 18, 2015, Jubilee Concert celebrating President Lincoln’s Emancipa- tion Proclamation, at the Boston Music Hall on New Year’s placing Emerson at the center of the finale of its ambitious 3 2014–2015 Bicentennial season at Symphony Hall. Day 1863. Ticket proceeds, the broadside declared, would Gabriela Lena Frank (b. 1972), award-winning com- benefit freed slaves. The twenty-nine listed supporters of the poser-in-residence for both the Houston and the Detroit event were prominent abolitionists and civic and cultural Symphony Orchestras, was commissioned by H+H and the luminaries including H. W. Longfellow, former mayor Josiah Library of Congress to arrange Emerson’s poem “Boston Quincy Jr., Edward E. Hale, Francis Parkman, James T. Hymn” for chorus and chamber ensemble.2 Her My Angel, Fields, Dial contributor and businessman S. G. Ward, his name is freedom premiered in a program titled “Handel R. W. Emerson, J. M. Forbes (railroad magnate and future + Haydn Sings” conducted by H+H artistic director Harry father-in-law to Emerson’s younger daughter Edith), Christophers. Works by Handel, Samuel Webbe, Gwyneth Charles E. Norton, O. W. Holmes, J.