Trinity University; and the University of the Incarnate Word, Represented by Their Faculty/SCI Members David Heuser, Timothy Kramer, and Ken Metz, Respectively

CITY OF SAN ANTONIO PHIL HARDBERGER MAYOR

Welcome 1Bienvenidos!

As the Mayor of the City of San Antonio, on behalf of my colleagues and the citizens of San Antonio, I am pleased and honored to bestow greetings to everyone attending the Society of Composers, Inc. conference. We are delighted to host your event.

San Antonio is the seventh largest city and very proud of the distinction that we have earned as one of the most unique and charming cities in the country. While you are here for business, please take time to enjoy the various sights and sounds that draw over 21 million visitors annually to San Antonio year after year. From the historic Alamo to the famous River Walk, we have a multitude of choices for everyone. I hope you have a memorable stay and a productive meeting.

Thanks to each of you for your visit and please plan to return.

Sincerely, -·~

'Society of Composers, Inc.

On behalf of the Society of Composers, Incorporated, welcome to our 2006 National Conference!

This year's event is a new endeavor for us: a National Conference without an official host institution, and a conference chair planning the event from 1,300 miles away.

Our host this year is a consortium of San Antonio Universities: The University of Texas at San Antonio; Trinity University; and The University of The Incarnate Word, represented by their faculty/SCI members David Heuser, Timothy Kramer, and Ken Metz, respectively.

We owe a huge debt of gratitude to the faculty, administrators, and students of these institutions for their support of this conference through allowing us to use their facilities, and by the contributions of their performing faculty and ensembles.

I could not have begun to organize this conference without the constant and generous help and support on the ground here in San Antonio. Please, when you see David, Tim, and Ken, or any of their colleagues, thank them profusely for the work they have put in to this event.

Our General Manager, Gerald Warfield, contributed greatly to the organization of this conference, handling the details of registration, the printing of the program book and biographical notes, and, as always, dispensing sage advice--all while attending to the day-to-day details of running SCI.

Another unusual aspect of this event is its co-location with the national conference of the College Music Soci ety, with which organization we have conferenced before. We are programming several CMS-composer works on our concerts as well as presenting workshops and lecture/demonstrations by colleagues who are on the CMS program. I wish to thank Tayloe Harding, President of CMS and SCI member, for his invitation to co-confer ence, as well as Dennis Kam and Stella Sung, who coordinated the CMS concert events.

Special thanks are due ASCAP and Fran Richards for their generous sponsorship of the joint SCI/CMS/Phi Kappa Lambda/ATMI Thursday-evening reception. We are most grateful to ASCAP for their continued sponsor ship of our yearly Student Commissioning Competition.

San Antonio is a wonderful location for a conference! We've scheduled plenty of social events/receptions for catching up with your colleagues and relaxing a bit from the full plate of conference activities. I hope you enjoy your experience at this Festival of New Music and New Ideas from our fellow SCI members and from our CMS guests.

Tom Wells President, SCI U1SA The University of Texas at San Antonio Department of Music

September 2006

Dear SCI National and CMS Participants,

On behalf of the UTSA Department of Music: Welcome to San Antonio!

I am encouraged that several of San Antonio's music institutions are collaborating in the hosting of this conference. UTSA President Ricardo Romo and Fine Arts Dean Daniel Gelo join me in wishing you all a productive, interesting, and inspiring event. Your presence here demonstrates that the study, programming, and performing of new works is a critical responsibility of all musicians, especially those of us in higher education. We must seek, teach, and present the good and current creative works alongside the inheritance of great music that has stood the test of time.

While I have your attention for a few more seconds, may I ask you whether or not you, as Charles Ives is quoted by Nicolas Slonimsky, confuse beauty in music "with something that lets the ears lie back in an easy chair?" Or, perhaps you are able to transcend the difference we sometimes put between beauty and musical profundity, making these two admirable traits less mutually exclusive. This question is more than about beauty being "in the eye of the beholder." This question is about your strength and ability to define and compel beauty in all of its sonic power in every composition, interpretation, and research work you undertake.

What you do on a daily basis is quite a job, and I thank you for it. I sincerely hope you look back on your time here as both enjoyable and productive, and that this conference informs and inspires your future work in the areas of composition, performance, teaching, and research.

Respectfully yours,

Gene Dowdy, Chair, UTSA Department of Music

6900 North Loop 1604 West• Sa n Antonio, Texas 78249-0645 • (210) 458-4354 • (2 10) 458-4381 fax ONE TRINITY PLACE SAN ANTONIO , TX 78212 -7200 ® www trinity.edu TRINITY UNIVERSITY 1/10!9998201vo c OFFICE OF THE VIC E PRESIOENT FOR ACADEMIC AFFA1RS & OEAN Of THE FACULT Y 12101 .,~~-8L3-l fJ>

July 22, 2006 Professor Thomas Wells, President Society of Composers, Inc. The Ohio State University

Dear SCI members: On behalf of Trinity University, it gives me great pleasure to welcome you to our campus and to San Antonio. Trinity is a private, primarily undergraduate institution with approximately 2400 students. Our new music and art building, where your events are taking place, was formally dedicated only a couple of months ago, on May 11, 2006. Housing 11 full-time music faculty members, and 21 part-time instructors, the Smith Music Building offers many ways for Trinity students to get involved with music. We offer degrees in Performance, Composition, and Music Education, as well as the more general B.A. in Music that many of our majors pursue. Please take a moment, while you are here, to walk around and see how well the Smith Music Building blends in with the lovely oak trees and attractive brick architecture that give our can1pus its essential character. Trinity believes deeply in the central role of music and art in a liberal arts education. For this reason, we feel privileged to serve as a host institution for portions of the SCI National Conference. We also welcome other members of the College Music Society, the Association for Technology in Music Instruction, and Pi Kappa Lambda who are holding conferences in conjunction with SCI. Please enjoy your time in San Antonio.

Sincerely, ~~cht-- Michael Fischer Vice President for Academic Affairs and Dean of the Faculty UNIVERSITY OF THE INCARNATE~

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Dear CoH;Cagut:s:

cm.bf$M1f of the Univmity of~ l~e 'Word? [want to extmd a wm:m. Satl A.noonio we}Q}JM to all of ynu. Wr: 1re qui~ proud ofdre acoomp~entJ of oor own~ . ftwulty bmhJding ·~ta.lent m1ll ~vity th.~· bring to working witb our •~d5~ And. u. an insti.t~tioo w~ value our iibmtl ...~ roots~ an.d mus.ic: ~ucmion is :a: $~g pm1 of tbm ttadi.ooa. Afli we ulebrate o:m l2S1lii aim:iv~y this y~~ we are gm~l !W ~11 of ·ttre joy .and ent:et:Uimnent ·the arts 'have provided us • lneam~ Worn and in S.m Antonio.

\Ve Me pl~~ to lmv~ you in . ~ A~io Ind oo om cmnpcm md b¢W yu~ w:UJ enjoy yoo:r ~~Y bm'(;!, By th~ way, fire heewmem origin ofthe Sm Antonio River. called too Blue 11:ole Sprin& fa on oor campus! .Best wi~ on ~~~I oon;f-eren.ce•

Dr·. .~e.~J J. Ilt)y1e Vktei Pr(3mooi for Aca.demic and Student Affilirs The Society of Composers, Incorporated

is a professional society dedicated to the promotion of composition, performance, understanding and dissemination of new and contemporary music. Members include composers and performers both in and outside of academia interest ed in addressing concerns for national and regional support of compositional activities. The organizational body of the Society is comprised of a National Council: co-chairs who represent regional activities, and the Executive Committee.

SCI Officers

National Council (2005-06) Thomas Wells, President, The Ohio State University David Gompper, President Emeritus, University of Iowa Greg Steinke, President Emeritus Beth Wiemann, University of Maine (1) Scott Brickman, University of Maine (1) Anneliese Weibel, SUNY-Stony Brook (2) Daniel Weymouth, SUNY-Stony Brook (2) Bruno Amato, Peabody Conservatory (3) Harvey Stokes, Hampton University (3) Mark Engebretson, University of North Carolina, Greensboro (4) Michael Timpson, University of South Florida (4) Dan McCarthy, University of Akron (5) Frank Felice, Butler University (5) Sam Magrill, University of Central Oklahoma (6) Ken Metz, University of the Incarnate Word (6) Bruce Reiprich, Northern Arizona State University (7) Glenn Hackbarth, Arizona State University (7) Charles Argersinger, Washington State University (8) Patrick Williams, University of Montana (8) Glen Hackbarth, Student National Conference Host, Arizona State University Executive Committee James Sain, Chairman, University of Florida William Ryan, Chairman Emeritus, Suffolk Community College Samuel J. Hamm, Editor, Newsletter, Rocky Mountain College Bruce J. Taub, Editor, Journal of Music Scores John Bilotta, Editor, SCION Kari Juusela, SCI/ASCAP Student Composition Commission, Berkelee College Richard Brooks, Producer, CD Series Geoff Kidde, Submissions Coordinator Nick Demos, Student Chapter Representative, Georgia State University Dan Perttu, Student Representative, The Ohio State University Matthew McCabe, Web Content Manager, University of Florida Mike Mcferron, Webmaster, Lewis University Terry Winter Owens, Independent Composers Representative Ronald Keith Parks, Member and Media Relations, Winthrop University Thomas Wells, Coordinator, COMPOSERVER, The Ohio State University Phillip Schroeder, Producer, Performers CD Series, Henderson State University Gerald Warfield; General Manager AS~ CAP

FRANCES RICHARD Vice President & Director of Concert Music

August 7, 2006

Dear SCI Colleagues,

Although I cannot attend the conference this year, I wish to extend best wishes to all for an informative and inspiring conference. I commend you all to my wonderful colleague, Cia Toscanini, who will be with you in San Antonio, and encourage you to make the opportunity to meet and chat with her. She has worked by my side at ASCAP for the past 20 years, and I know of no stronger advocate for composers, nor a finer ambassador for AS CAP.

Congratulations to the winners of this year's ASCAP/SCI Competition, and to the hard working panel of judges upon whose good judgment we depend.

Although I will not here the premieres of the winning composers commissioned for this year's conference, I send my best wishes for the best possible performances and reception from the audiences assembled.

We are very proud of our association with SCI over the past many years, and look forward to our continued strong ties. With best wishes to all, to the faculty members, the speakers, the distinguished guests, and last, but never least, to the gifted students who follow our great tradition and represent the hopeful and exciting future.

With kindest regards and love to all, Fran

Frances Richard

AMERICAN SOCIETY OF COMPOSERS, AUTHORS & PUBLISHERS ASCAP BUILDING, ONE LINCOLN PLAZA, NEW YORK, NEW YORK 10023 212.621.6327 FAX: 212.621.6504 EMAIL:[email protected] SCI/ASCAP STUDENT COMPOSITION COMMISSION

The Society of Composers, Inc., in conjunction with ASCAP, has been sponsoring an annual competition in which commissions are awarded to three student composers. 2006 marks the ninth year of this important collaboration. Students enrolled in a college/university composition program, or those studying privately with a recognized composer, are eligible to apply. The winners are selected from a pool of finalists from each region, and their music is subsequently premiered at a National Conference and recorded. The 1st place winner receives a $1250 cash award, a recording in the SCI CD series, and a score publication in the SCI Journal of Music Series. The 2nd place winner receives $750 and an SCI CD series recording. The 3rd place winner receives $500 and an SCI CD series recording.

Previous Winners of the SCI/ASCAP Student Composition Commission:

1998 Howard Yermish, Stefan Freund & Emily Doolittle 1999 Steven Ricks, Chihchun Lee & Jennifer Blair Furr 2000 Lansing McLoskey, Karim Al-Zand & Ching-chu Hu 2001 Ceiri Torjussen, Moiya Callahan & Mei-Fang Lin 2002 Jennifer Walshe, Geof Holbrook & Mark Volker 2003 Orianna Webb, Jeff Myers & Dimitri Papageorgiou 2004 Grace Choi, Douglas O'Grady & Carl Schimmel 2005 Matt Tommasini, Eric Lindsay, Andrew Norman, Jay Wadley

This year, 222 students entered the competition. From those entrants, twenty-seven finalists were chosen, three from each of the nine regions (Region V was divided into two sections due to the large size of its membership). Two outside judges adjudicated the scores from each region. I'd like to give a huge thank you to the SCI composers who donated their expertise and time adjudicating this year's regional entries. The judges were: Elizabeth Vercoe, Ken Ueno, Terry Winter Owens, Cort Lippe, Judith Shatin, Bruce Mahin, Chihchun Lee, Ron Parks, Marilyn Shrode, Mark Sullivan, James Chaudoir, George Arasimovicz, Kurt Stallman, Daniel Adams, Donald Womack, Liviu Marinescu, Brian Belet, Robert Hutchinson.

The final round ofjudging will occur at this year's National Conference in San Antonio. The final-round judges are: Dorothy Hindman, Elliot Schwartz, James Paul Sain and Kari Henrik Juusela.

Below is a list of this year's regional winners. Congratulations to all of them and also to their composition teachers.

SCI/ASCAP Student Competition Regional Winners Region I: 1. Maxwell Dulaney, Huayruro - David Rakowski, Composition Teacher 2. Jonathan Blumhofer, String Quartet no. I - Jan Swafford, Composition Teacher 3. Jeremy Sagala, spaces=between=time - Martin Boykan, Composition Teacher

Region II: 1. Andrian Pertout, La fior en la colina - Brenton Broads tock, Composition Teacher Co2. Ryan Carter, Gravity Modulations - Daniel Weymouth, Composition Teacher Co2. Kar Young, How Perfumes are Transmitted by Feathery Telegraph - Paul Lansky, Steve Mackey and Barbara White, Composition Teachers Region III: 1. Juan Gendelman, Patagonia Norte - Lawrence Moss, Composition Teacher 2. Andrew McPherson, Pillars - Jay Reise, Composition Teacher 3. Peter Swendsen, Shaking Leaves- Judith Shatin, Composition Teacher

Region IV: 1. Chia-yu Hsu, Zhi - Stephen Jaffe and Scott Lindroth, Composition Teachers 2. Ya-Ting Lee, Ritual - Ladislav Kubik, Composition Teacher 3. Carlo Frizzo, Jazz Tango - Dinos Constantinides, Composition Teacher

Region V (East): 1. Ming-Hsiu Yen, Sorrowful Beauty- Tania Leon and Michael Colgrass, Composition Teachers Co2. Glenn Crytzer, In Stride - Margaret Brouwer, Composition Teacher Co2. Christopher Dietz, Caldera - Michael Daugherty, Composition Teacher

Region V (West): 1. Eun Young Lee, Nok-du-kkot - Bernard Rands, Composition Teacher 2. Erin Gee, Mouthpiece VII - Beat Furrer, Composition Teacher 3. Fusun Koksal, Quartet for Oboe, Violin, Viola and 'Cello -Marta Ptaszynska, Composition Teacher

Region VI: Col. Pui-shan Cheung, The Dragon - Chen Yi and James Mobberly, Composition Teachers Co 1. Hu Xiao-ou, Mo Xie - Chen Yi and Jam es Mobberly, Composition Teachers 3. Takuma Itoh, Night Signals - Shih-hui Chen, Composition Teacher

Region VII: 1. Hermes Camacho, Cold Winter - Daniel Kellogg and Richard Toensing, Composition Teachers 2. Tasos Stylianou, STOES - Morris Rosenzweig, Composition Teacher 3. Jeffrey Holmes, Rays of Twilight - Donald Crockett, Composition Teacher

Region VIII: 1. Carolyn O'Brien, Conveyance - Pablo Ortiz and Yu-hui Chang, Composition Teachers 2. Nathan Davis, Into the Wind - Ross Bauer, Composition Teacher 3. Aaron Einbond, Leaping Lizards - Jorge Liderman, Composition Teacher 2006 NATIONAL AT A GLANCE

WEDNESDAY, September 13, 2006 Travis Park United Methodist Church 10:30 GENERAL BUSINESS MEETING AND KEYNOTE SPEECH by Elliott Schwartz

1:00 PAPERS I: Juusela, Miles, Banks 2:30 PANEL I: Professional Development. Fleisher, Chair 4:00 LECTURE/RECITAL I: Overtone Singing. Hinds

8:00 CONCERT I: Electroacoustic +Instrumental: Browning, Steinberg, Mason, Stanojevic, Park, Stallman RECEPTION I TO FOLLOW THURSDAY, September 14, 2006 The University of The Incarnate Word 8:30 PANEL II: The Pedagogy of Composition. Sullivan, Chair 10:00 CONCERT II: Guest Artists Tracy Rhodus, Soprano; Victoria Bass, Violoncello Perttu, Kramer, Fleisher, Lennerd, McCullough, Heinick, Maki

1:00 CONCERT III: Bevelander, Magrill, Austin, Lombardi, Mishell, Schwartz 3:30 WORKSHOP/PRESENTATION: Music Business/Music Industry. Harrington 5:30 BUSINESS MEETING for members of the SCI Executive Committee and Nat'l. Council THURSDAY EVENING The University of Texas at San Antonio

8:00 CONCERT IV: Vercoe, Lindsay, Bestor, Koykkar, Adams, Gottschalk, Meyn RECEPTION II: CROWNE PLAZA HOTEL, Downtown San Antonio. SCI/CMS/ATMI/ PKL FRIDAY, September 15, 2006 Trinity University

8:30 TECHNOLOGY WORKSHOP: McCabe, Park

10:00 CONCERT V: Hindman, Mitchell, Kreck, Power, Martin, Chaudoir, Richards

1:00 CONCERT VI: SCI PERFORMERS CD SERIES #2: Vocal Works Eustis, Best, Puccinelli, performers; al-Zand, Davis, Fleisher, Honour, Waters, White

2:30 PANEL III: WOMENS ISSUES. Austin, Chair. Mitchell, Stanojevic, Slayton

4:00 CONCERT VII: SCI PERFORMERS CD SERIES #1. Works for Piano. Jeri-Mae Astolfi. Lombardi, Batzner, Wang, Sorkin, Callender, Barnes, Coleman, Holliday, Gallagher, Timpson, Kramer

8:00 CONCERT VIII: Beecher, Tommasini, Kim, Metz, Lefkowitz, Phillips RECEPTION III TO FOLLOW SATURDAY, September 16, 2006 The University of Texas at San Antonio

8:30 PAPERS II: COMPOSERS on COMPOSERS and COMPOSING Variego, Johnson, Webber 10:30 CONCERT IX: Duo Contemporain; Sain, Russo, He, Constantinides, Norman, Engebretson

1:00 LECTURE/RECITAL II: A Century of New and Renewed Music by Women Composers Kobayashi, Gray 2:30 PRESENTATION: Into the Light: LIVE! The Music of Women Composers; Mishell 3:30 CONCERT X: Electroacoustic Music. Wells, Fogelsanger, Bennett, Choi, Karaca, Nelson

5:15 BANQUET: Karam's Mexican Dining Room, 121 N Zarzamora 8:00 CONCERT XI: Wicks, Peterson, Kramer, Alon, Heuser, Parks, Bilotta, Crabtree, Bahr

RECEPTION IV TO FOLLOW e nes ay, eptem er , Travis Park United Methodist Church

10:30 GENERAL BUSINESS MEETING KEYNOTE SPEECH: Elliott Schwartz, (Bowdoin College) former President of SCI, former President of CMS

1:00 PAPERS I

Kari Juusela: Hip-Hop to Bach Steven Miles: Experimental Music and Communicative Action Dwight Banks: Witold Lutoslawski

2:30 PANEL I: Professional Development

Robert Fleisher, Chair

Panelists: Gretchen Foley, Tayloe Harding, David Heuser, Deron McGee, Cynthia McGregor, Elliot Schwartz

4:00 LECTURE/RECITAL I: Stuart Hinds: Overtone Singing

1 Wednesday, September 13, 2006 Travis Park United Methodist Church

8:00 CONCERT I: ELECTROACOUSTIC +INSTRUMENTAL

Zack Browning Network Slammer Chih-hsien Chien, Flute

Paul Steinberg Mending the Circle Larisa Montanaro, Soprano

Charles Norman Mason Entanglements Karen Bentley Pollick, Violin; Dennis Parker, Violoncello

Vera Stanojevic Voyage Vera Stanojevic, Piano

Joowon Park Snapshots Carlos Esparza, Bass Clarinet

Kurt Stallman For Bass and Tape Victoria Bass, Violoncello

RECEPTION TO FOLLOW

2 Thursday, September 14, 2006 The University of The Incarnate Word

8:30 PANEL II UIW Library Auditorium

What's Said Unteachable? Perspectives on the Pedagogy of Composition Mark Sullivan, Chair

Panelists: Robert Rollin, Kari Juusela, John Beall, Patricia Morehead, Daniel Adams, Craig Weston, Mike Murray, Justin Freer.

10:00 CONCERT II Our Lady's Chapel

Featured Artists Tracy Rhodus, Soprano Victoria Bass, Violoncello with Sharon Hesse, Piano, and James Hill, Soprano Saxophone

Daniel Perttu. Reflecting Pool

Timothy Kramer Vanishing Perspectives

Robert Fleisher Ma Mere

Troy Leonerd Piece for Unaccompanied Violoncello

Ms. Bass

Thomas McCullough On Afterlife and Love

David G. Heinick Birdsongs

Ms. Rhodus

David Maki Reco-nation

Ms. Rhodus; James Hill, Soprano Saxophone

3 Thursday, September 14, 2006 The University of The Incarnate Word

1:00 CONCERT III Our Lady's Chapel

Brian Bevelander Songs on Texts by Paul Eluard 1. The Abyss; 2. To Marc Chagall; 3. Here; 4. The Movement ofEvening Renee Clair, Mezzo Soprano; Brian Bevelander, Piano

Samuel Magrill Tess Variations Tess Remy-Schumacher, Violoncello

Elizebeth Austin Sonnets from the Portuguese Linda McNeil, Soprano; Carolyn True, Piano

Paul Lombardi Nocturne Kevin Richmond, Piano

Elliott Schwartz Souvenir Elliott Schwartz, Piano; James Hill, Soprano Saxophone

Kathryn Mishell Quintet Robert Rudie, Violin, Aurelien Petllot, Viola, Benjamin Westney, Cello, Megan Meisenbach, Flute, Kathryn Mishell, Piano

3:30 WORKSHOP/PRESENTATION on THE MUSIC INDUSTRY E. Michael Harrington (Belmont University) UIW Library Auditorium

5:30 BUSINESS MEETING:Members of the SCI National Council and Executive Committee. Paloma Blanca Restaurant

4 Thursday, September 14, 2006 , The University of Texas at San Antonio

8:00 CONCERT IV Recital Hall, Department of Music The University of Texas at San Antonio

Elizabeth Vercoe Changes The University of Texas at San Antonio Orchestra Eugene Dowdy, Conductor

Eric Lindsay Coronary Dance ofthe Destructive Sense Second-Place Winner, SCI/ASCAP Student Composition Commission The UTSA Wind Ensemble Robert Rustowicz, Conductor

Charles Bestor O/Times and Their Places Linda Poetschke, Soprano; Christine Debus, Piano

Joseph Koykkar Musica per Due Sole Nero (Jessica Johnson, Piano; Anthony Di Sanza, Percussion)

Daniel Adams Resonant Canvass

Arthur Gottschalk Celtic Drumline

Till M. Meyn Groovelocity

The UTSA Percussion Ensemble Sherry Rubins, Director

9:30 RECEPTION II: SCI/CMS/Pi Kappa Lambda/ ATMI CROWNE PLAZA HOTEL, DOWNTOWN SAN ANTONIO

5 Friday, September 15, 2006 Trinity University

8:30 TECHNOLOGY WORKSHOP Joo Won Park, Matthew McCabe

10:00 CONCERTV Ruth Taylor Recital Hall

Dorothy Hindman Monumenti Karen Bentley Pollick, Violin; Dennis Parker, Violoncello

Janice Mitchell Speechscape Richard Nunemaker, Saxophone

Lothar Kreck Sonata Concertante Catherine Lysinger, Violoncello; Elisabeth Morrow, Piano

Richard Power An Unspoken Labyrinth of Questions Richard Power, Baritone Saxophone

Theresa Martin Sonata for Clarinet and Piano I. Meeting; II. Parting; III. Reflecting Theresa Martin, Clarinet; Ezra Donner, Piano

James Chaudoir Five Pages for Solo Alto Recorder James Chaudoir, Alto Recorder

Paul Richards Hypercube Kevin Robert Orr, Piano; Kenneth Broadway, Percussion

6 ,Friday, September 15, 2006 · Trinity University ·

1:00 CONCERT VI Ruth Taylor Recital Hall

Works from SCI Performers Series CD #3

Lynn Eustis, Soprano Robert Best, Baritone Eliva Puccinelli, Piano

Karim al-Zand The Sky with all its Stars Mr. Best, Ms. Puccinelli

Douglas Davis Family Portraits Ms. Eustis, Ms. Puccinelli

Robert Fleisher Three Songs from Carl Sandburg s Prarie Ms. Eustis, Ms. Puccinelli

Eric Honour The Bait Ms. Eustis, Ms. Puccinelli

J. Kevin Waters Spring Mr. Best, Ms. Puccinelli

John White Two Blake Songs Mr. Best, Ms. Puccinelli

I John White Flower Songs ~ Ms. Eustis, Ms. Puccinelli

2:30 PANEL III: Womens Issues in Music Composition

Elizabeth Austin, Chair

Panelists: Janice Mitchell, Vera Stanojevic, Michael Slayton

7 Friday, September 15, 2006 Trinity University

4:00 CONCERT VII Ruth Taylor Recital Hall

Works from SCI Performers Series CD #2

Jeri-Mae Astolfi, Pianist

Paul Lombardi Elegy (1998)

J.C. Batzner Deconstructionist Preludes

Wang An-Ming Danse chinoise

Suzanne Sorkin Falling Through Crimson and Lead

Clifton Callender Patty, My Dear

Larry Barnes Toccata: Act of War

Michael Coleman Two Bagatelles

Kent Holliday Tango Exotica

INTERMISSION

Jack Gallagher Nocturne

Michael Timpson R.I.P

Timothy Kramer Der Virtuos

Silentium Capriccioso Introduzione Passagio chromatico Scherzo Fuga de! diavolo Adagio Forte vivace Adagio con sentimento Fortissimo vivacissimo Piano Finale furioso Smorzando Bravo - Bravissimo Maestoso

8 8:00 CONCERT VIII Ruth Taylor Recital Hall

Lembit Beecher Rain Down Carolyn True, Piano; Sherry Rubins, Percussion

Matthew Tommasini Thus, Consider This First-Place Winner, SCI/ASCAP Student Composition Commission Trinity University Chorus, Scott McPherson, Director

MisookKim Seven Little Pieces for Two Pianos The Hudson Duo Terry Lynn Hudson; Andrew Hudson, Pianos

Ken Metz Three Bird Songs Chia-wei Lee, Baritone; Irina Khovanskaya , Piano

David Lefkowitz Duo The Hudson Duo

Mark Phillips Bushwhacked! The Ohio University New Music Ensemble, Mark Phillips, Director TBA

RECEPTION TO FOLLOW

9 Saturday, September 16, 2006 The University of Texas at San Antonio

8:30 PAPERS II: COMPOSERS on COMPOSERS on COMPOSING Jorge Variego: Astor Piazzola Donivan Johnson: Helmut Lachenmann John Webber: The Morality of Composing

10:30 CONCERT IX: Duo Contemporain James Hill, Saxophone Thomas Wells, Piano

James Paul Sain Distopia I. Emphatic; II. Languid; III. Flash

Mark Engebretson SaxMax James Hill, Alto Saxophone; Mark Engebretson, Electronics

Dinos Constantinides Impressions II

Tadd Russo Schizologue James Hill, Baritone Saxophone

Andrew Norman The Garden ofFollies Third-Place Winner, SCI/ASCAP Student Composition Commission I. Spandrels; II. Crossed Paths; III. Blue Mountain Thoughts; IV. The Fourth Act; V. Regarding Crystals

He Jian-jun Sonata for Alto Saxophone and Piano I. Lento-Allegro; II. Larghetto; III. Vivace

10 Saturday, September 16, 2006 The University of Texas at San Antonio

1:00 LECTURE/RECITAL II A Century of New and Renewed Music by Women Composers The Kobayashi/Gray Duo: Laura Kobayashi, Violin; Susan Gray, Piano

Florence Price (1887-1953) The Deserted Garden (n.d., pub. 1953)

Vitezslava Kapralova (1915-1940) Elegie (1939)

Grazyna Bacewicz ( 1909-1969) Sonata No. 3 (1947) I. Moderato-Allegro non troppo

Meira Warshauer (contemporary, n.d.) Bracha (A Blessing) (1993)

Elisenda Fabregas (b. 1955) Sonata No. 1 (1994) I. Allegro

Emma Lou Diemer (b. 1927) Before Spring (1997)

11 Saturday, September 16, 2006 The University of Texas at San Antonio

2:30 PRESENTATION

Into the Light: LIVE! A Live Version of Kathryn Mish ell's Weekly Radio Program on Women Composers Kathryn Mishell

3:30 CONCERT X: ELECTROACOUSTIC MUSIC

Thomas Wells Kisa

Allen Fogelsanger Dr. Einsteins Closet

Bruce Bennett Stretch

Kyung-mee Choi Onomatopoeic Mimesis

Igor Karaca Phantom Wings

Jon Christopher Nelson L 'Horologue imaginaire

5:15 BANQUET at KARAM'S MEXICAN DINING ROOM 121 North Zarzamora St.

12 Saturday, September 16, 2006 The University of Texas at San Antonio

8:00 CONCERT XI Recital Hall, Department of Music The University of Texas at San Antonio

Christopher M. Wicks Psalm 126; Psalm 148 from Three Psalms The UTSA Concert Choir, John Silantien, Conductor; Geoffrey Waite, Piano

Tom Peterson A Gentle Whisper

Timothy Kramer Lux Aeterna The UTSA Concert Choir, John Silantien, Conductor

Aaron Alon Hibakucha Rita Linard, Flute

David Heuser 0 The White Towns Michael Burgess, Tenor; Geoffrey Waite, Piano

Ronald Keith Parks Counterpoints UTSA Flute Ensemble, Rita Linard, Director

John G. Bilotta Fire in Spring Rita Linard, Flute; David Herbert, Oboe

John M. Crabtree Something More Than Sky The UTSA Women's Choir, Gary Mabry, Conductor; Geoffrey Waite, Piano

Jason Bahr When Are We Going? The UTSA Women's Choir, Gary Mabry, Conductor; Geoffrey Waite, Organ

RECEPTION TO FOLLOW

13 GETTING AROUND Red Roof Inn to Travis Park Church

FROM: Red Roof Inn, 1011 East Houston TO: Travis Park United Methodist Church, 230 East Travis Street

Head NORTHWEST from East Houston Street Keep going straight to go on 3rd Street Turn LEFT on to Avanue E Turn RIGHT on to East Travis Street End at Travis Park United Methodist Church, 230 E. Travis Street

14 GETTING AROUND Red Roof Inn to The University of the Incarnate Word

FROM: Red Roof Inn, 1011 E. Houston TO: The University of the Incarnate Word

Go East on EAST HOUSTON ST. toward LIVEOAK

Turn Left onto LIVE OAK

Merge onto US-281 via the ramp on the left

Take the HILDEBRAND AVE. Exit.

Go to the bottom of the hill. This is the corner of BROADWAY AND HILDEBRAND

Park in the lot at the International Conference Center at the corner of 281 and Hildebrand. A shuttle will take you to the University.

See Incarnate Word Campus Map on next page.

15 GETTING AROUND Campus Map, The University of the Incarnate Word

Our Lady's Chapel

16 GETTING AROUND Red Roof Inn to The University of Texas at San Antonio From: Red Roof Inn to UTSA Take the first entrance into UTSA Go East on East Houston, under Interstate 37 It's the first right AFTER the traffic light Make a LEFT on the access road and Take 137 North at at Valero Way at UTSA Blvd. Exit 137 onto 110 West Enter the first parking lot. Park in Exit 110 West onto UTSA Blvd. Student B spaces with guest permit. ' GETTING AROUND Campus Map, The University of Texas at San Anton io

The Music Department is in the Arts Building (Building 8) , the first building on your right as you walk up the hill from the parking lot.

18 GETTING AROUND UTSA to Crowne Plaza Hotel SCl/CMS/ATMl/PKL Reception

UTSA to CROWNE PLAZA HOTEL 6. Continue on McDermott Fwy. - go 0.3 mi 1. Head EAST from N TX-1604-LOOP W - go 0.3 mi 7. Take 1-10 E exit 557 -go 12 mi 2. Bear LEFT into the N TX-1604-LOOPW entry ramp - go 0.4 mi 8. Take the Frio St. exit 569B to Downtown - go 0.1 mi 3. Take the Frontage Road exit- go 0.1 mi 9. Turn RIGHT at N. Frio St. - go 0.7 mi. 4. Continue on N TX-1604-LOOP W - go 0.3 mi. 10. Turn LEFT at W. Martin St. - go 0.5 mi 5. Bear RIGHT toward McDermott Fwy. - go 0.1 mi 11. Turn RIGHT at Rossy St. - go 247 feet 12. Bear LEFT at W. Pecan St. - go 0.1 mi GETTING AROUND UTSA to BANQUET at Karam's Mexican Dining Room

Take UTSA Boulevard to IlOE

Follow I lOE and exit at Exit 568

Turn right on Culebra Rd. Continue .6 mi.

Turn left on to Zarzamora St. Continue 1.1 mi.

KARAM'S MEXICAN DINING 121 N. Zarzamora St. (210) 433-0111

20 :GETTING AROUND ------I

Red Roof Inn to Trinity University I ! ------~------~~~----~---~------~------~-- _i RED ROOF INN to TRINITY UNIVERSITY Head EAST from East Houston Street Exit at Hildebrand Avenue. Turn LEFT Turn LEFT at Live Oak St. At the second stoplight, turn LEFT on Stadium Drive Bear LEFT into the 1-37 N entry ramp Continue on US-281 N

Directions to the Parking Lots:

At the bottom of the hill, veer right and follow Stadium Drive up another hill. At the light you will see the main entrance to Trinity University and the Coates University Center on your right. Turn LEFT into the Alamo Staium Parking Lot.

OR:

On Friday evening, you may park in the other two lots on cam pus. At the bottom of the hill, veer right. The first right goes into the Laurie Auditorium drive. Follow the drive to the back ~ of the Auditorium to the parking lot. At the bottom of the hill, veer right. Then take the second right into the music faculty parking lot

The Smith Music Building and Ruth Taylor Recital Hall are located directly across the street from the Alamo Stadium Parking Lot. The main entrance of the music building faces south toward the center of campus. If you park in the Laurie Auditorium lot, you will need to walk south around either side of the Auditorium to find the Music Building. If you park in the Music Faculty lot, you are only a few steps away from the back of the Recital Hall.

21 GETTING AROUND Campus Map, Trinity University

Trinity University Department of Music

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I ______SlNY'~f1~1S3 ~ , 0 -BTAINING -~RECORDINGS , ' '

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Recordings of works performed on the SCI 2006 National Conference may be obtained from the host institu tions: The University of Texas at San Antonio; Trinity University, and The University of the Incarnate Word. Details of costs will be handled by each institution individually.

Contacts: UTSA: Professor David Heuser David.Heuser.utsa.edu Trinity University: Professor Timothy Kramer [email protected] UIW: Professor Ken Metz [email protected]