Greg Johns (Artist) 5 2.4 Stakeholder and Community Engagement 5

Item 7.6 – Murray Street Upgrade Stage 5 Update

ATTACHMENT 1 Plan of Proposed Works

TOWN OF GAWLER ATTACHMENTS UNDER SEPARATE COVER - PART 4 INFRASTRUCTURE & ENVIRONMENTAL SERVICES Page 1 of 50 12 APRIL 2016 Attachment 1

TOWN OF GAWLER ATTACHMENTS UNDER SEPARATE COVER - PART 4 INFRASTRUCTURE & ENVIRONMENTAL SERVICES Page 2 of 50 12 APRIL 2016 Core 1: Core 2: Core 3: Core 4:

Core 5: Core 6: Core 7: Core 8:

Core Results:

Core Location Asphalt Thickness (mm) Comments Core 1 CH 75 Crown Location 110 Core 2 CH 85 Edge Carriageway (2.5m offset from kerb) 175 Core 3 CH 130 Crown Location 100 Core 4 CH 140 Edge Carriageway (2.5m offset from kerb) 150 Core 5 CH 170 Crown Location 100 Core 6 CH 205 Edge Carriageway (2.5m offset from kerb) 150 Core 7 CH 225 Edge Carriageway (2.5m offset from kerb) 190 Core 8 CH 255 Crown Location 80

TOWN OF GAWLER ATTACHMENTS UNDER SEPARATE COVER - PART 4 INFRASTRUCTURE & ENVIRONMENTAL SERVICES Page 3 of 50 12 APRIL 2016 Item 7.7 – Southern Gateway Entrance Statement Sculpture Project Update

ATTACHMENT 1 Arts SA Public Art and Design Major Commission Funding Application – Supporting Report – Gawler’s Southern Gateway Entrance Statement

TOWN OF GAWLER ATTACHMENTS UNDER SEPARATE COVER - PART 4 INFRASTRUCTURE & ENVIRONMENTAL SERVICES Page 4 of 50 12 APRIL 2016 Attachment 1

Arts SA - Public Art and Design Major Commission Funding Application

Supporting Report

Gawler’s Southern Gateway Entrance Statement

April 2014

TOWN OF GAWLER ATTACHMENTS UNDER SEPARATE COVER - PART 4 INFRASTRUCTURE & ENVIRONMENTAL SERVICES Page 5 of 50 12 APRIL 2016 Contents

1. Introduction 3

2. Project History 3 2.1 Conceptual Rationale 3 2.2 Artist selection process 4 2.3 Biographical information – Greg Johns (Artist) 5 2.4 Stakeholder and community engagement 5

3. Subject Land and Locality 6 3.1 Subject land 6 3.2 Locality 7

4. Sculpture – Landlines 8

5. Budget 12

6. Project Management 12

7. Timeline 13

List of Figures

Figure 1 - Subject land Figure 2 - Aerial view of the two sculptures Figure 3 - Aerial view of the sculpture on the western side of Main North Road Figure 4 - View driving north along Main North Road Figure 5 - View driving along Main North Road looking north Figure 6 - View driving along Main North Road looking north-west Figure 7 - View driving along Main North Road looking west Figure 8 - View driving along Main North Road looking north-east Figure 9 - View driving along Main North Road looking south-east

List of Tables

Table 1 - Itemised budget Table 2 - Strategic funding partners financial contributions

List of Appendices

Appendix 1 - Hemisphere Designs landscape philosophy Appendix 2 - Project Definition Statement – Artist Brief Appendix 3 - Greg Johns Curriculum Vitae Appendix 4 - Stakeholder letters of support . Devine Group . Lanser Communities . Urban Renewal Authority . Member for Light - Mr Tony Piccolo MP . Regional Development Australia - Barossa Appendix 5 - Landlines community information flyer Appendix 6 - Town of Gawler Development Plan Open Space Zone Desired Character Statement Appendix 7 - Landlines sculpture “digital drive through” Appendix 8 - Landlines concept plan, photos of marquette and technical drawings

TOWN OF GAWLER ATTACHMENTS UNDER SEPARATE COVER - PART 4 INFRASTRUCTURE & ENVIRONMENTAL SERVICES Page 6 of 50 12 APRIL 2016 1. Introduction

The Town of Gawler is applying to Arts SA under the 2014 Public Art and Design Major Commission Funding for a grant to support the construction of a piece of public art, located along Main North Road at Evanston South.

This sculpture, aptly titled Landlines, has been designed to visually separate the Town of Gawler from the northern suburbs of Adelaide and to celebrate the town’s history. It has been design by world renowned and local artist Greg Johns to evoke an appreciation of Gawler’s indigenous, agricultural and industrial history and its importance in the development of the state.

Council considers this project to be a fantastic opportunity to showcase a local artist at a highly visible location, with both daily commuters, interstate travellers and international visitors able view the sculpture when accessing the northern areas of the state, such as the Barossa Valley wine region - one the state’s major tourism destinations.

Council believes this project will not only create an iconic entrance statement, one which symbolises the cultural, social and environmental fabric of the township and its importance to the state, but represents a significant investment in civic pride which will lead to an enhancement of Gawler’s corporate image more generally.

2. Project History

2.1 Conceptual Rationale

This application is the result of over four years of planning and development, commencing in 2009 when Council engaged Hemisphere Designs an Adelaide based landscape architect to create a landscape concept for the southern approach to Gawler.

The southern approach to the Town of Gawler captures many of the quintessential qualities of “Best of Town and Country” which is aptly defined through the unique nature of its topography, panoramic views and pastoral land uses, which separate the town physically and culturally from the northern suburbs of Adelaide.

This landscape concept was intended to reinforce the existing landscape by creating a sense of departure from northern Adelaide and an arrival into a new landscape of broad vistas and open plains used for agriculture.

This project incorporated land on either side of Main North Road stretching from Dalkeith Road to the Gawler Bypass Road which had been rezoned to Open Space as part of negotiations with developers involved in the New Southern Urban Areas Development Plan Amendment.

As part of this landscape concept an opportunity was identified for a piece of public art to be incorporated as an entrance statement, please refer to Hemispheres Designs Landscape Philosophy in Appendix 1.

TOWN OF GAWLER ATTACHMENTS UNDER SEPARATE COVER - PART 4 INFRASTRUCTURE & ENVIRONMENTAL SERVICES Page 7 of 50 12 APRIL 2016 2.2 Artist Selection Process

In accordance with best practice, Council applied to, and was successful in acquiring $6,000 from Arts SA to commission artists to develop artistic concepts for a piece of public art to be used as an entrance statement.

To ensure these concepts were of a high standard and conducted in an open and transparent manner, artists were invited via a public call to submit expressions of interest for the development of concepts. Please refer to Appendix 2 for a copy of the artist brief.

These expressions of interest were accompanied by:-  A short statement (2 x A4 page maximum) expressing their design rationale, initial response to the site, including the intended approach to this opportunity  A capability statement highlighting relevant experience and addressing the selection criteria  Images of relevant examples of work; and an image list indicating materials, dimensions and collaborative partner

Every expression of interest was then assessed against the following criteria:-  Artistic merit evident by past work in the visual material submitted  Relevance of past work and artistic skill to the project  Demonstrated ability to work on significant projects within timelines and budgets  Previous relevant experience in the public realm  Ability to develop concepts and communicate ideas  Demonstrated ability to create work that engages with a broad public  Demonstrated ability to work on permanent and durable work  Experience with materials of relevance to the required project outcomes  Demonstrated appreciation of project requirements  Experience responding to complex project briefs.

As a result of this selection process three artists (Greg Johns, Joe Felber and Trevor Wren) were engaged by Council to develop concept proposals.

All artists were then allowed 6 weeks to prepare concept proposals, which included:-  Site plans indicating the proposed location of the work/s  Sketches, drawings and/or models  Written response and conceptual rationale  Indicative implementation cost

All artists were then required to present their proposals, detailing the rationale and philosophy behind their concepts.

As a result of the selection process Greg Johns and his design “Landlines” was selected as the successful design, having drawn a positive response from the community and stakeholders at the 2011 Gawler Show - suggesting the concept promoted Gawler’s identity and commercial sustainability.

TOWN OF GAWLER ATTACHMENTS UNDER SEPARATE COVER - PART 4 INFRASTRUCTURE & ENVIRONMENTAL SERVICES Page 8 of 50 12 APRIL 2016 2.3 Biographical Information – Greg Johns (Artist)

Greg Johns is a world renowned and fulltime artist with over 37 years’ experience in major sculptural projects, having undertaken projects in Australia, Spain, England, Singapore, Korea, and New Zealand.

In 2001 he acquired 400 acres of land at Palmer in South Australia to establish an independent sculpture landscape and address environmental issues. A second major monograph, written by John Neylon, will be published this year.

Please refer to Attachment 3 for a full copy of Greg Johns Curriculum Vitae.

2.4 Stakeholder and Community Engagement

Since 2011 Council staff have been working in partnership with the artist to confirm all project costs and have liaised with both adjoining land owners and developers to develop strategic funding partnerships, please refer to Appendix 4 for letters of support. In addition an information flyer and the landlines marquette was on display at the Gawler Show in 2011, where the community was asked to provide comment. Please refer to Appendix 5 for a copy of the landlines community information flyer.

All land owners and developers have agreed to funding terms with all providing a level of both in-kind and cash contributions towards the project. Please refer to Section 5.

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3. Subject Land and Locality

3.1 Subject Land

The sculpture will be located within the Town of Gawler on land either side of Main North Road at Evanston South, which is highly visible to passing traffic and forms an integral part of the open space network for adjoining communities.

Figure 1 – Subject land

This section of land was rezoned to open space as part of the negotiations with developers involved in the New Southern Areas Development Plan Amendment and forms part of a much larger area which stretches from Dalkeith Road to the Gawler Bypass.

As part of the investigations associated with the New Southern Areas Development Plan Amendment, which sought to increase residential land supply in the Council area and Northern Adelaide, it was acknowledged that Main North Road defines Gawler’s southern approach and that it should be developed to reflect the community’s desire to preserve the towns identity.

It was therefore decided that an urban policy response was required, one which would ensure development directly abutting Main North Road would be designed and located to be complementary to the existing and proposed rural landscape, and to create a greenbelt between Gawler and Munno Para.

It was therefore considered desirable for the character of the land immediately adjacent both sides of Main North Road to be retained as open and non-residential. As such urban design policies were created to encourage the use of this land for public infrastructure, such as 6

TOWN OF GAWLER ATTACHMENTS UNDER SEPARATE COVER - PART 4 INFRASTRUCTURE & ENVIRONMENTAL SERVICES Page 10 of 50 12 APRIL 2016 stormwater wetlands and detention basins, aquifer storage and recharge (ASR), woodlots, and other open facilities.

Whilst is was acknowledged that landscape planning, design and infrastructure placement could be combined to produce the transition from rural to urban and vice versa, this was to be reinforced through public art, and that the form and materials used had the potential to make a statement about concepts such as the town’s history, future, identity or other symbolic messages. Please refer to Appendix 6 for the Desired Further Character Statement developed for this Open Space Zone and included in the Town of Gawler Development Plan.

3.2 Locality

The Town of Gawler is located 42 km north of Adelaide and has a population of over 20,000 people, which is expected to reach 50,000 by 2030.

The town’s history is closely aligned with that of the state, as it was the only other town planned by Colonel Light. Gawler is also the state’s first country town and the local community wants to hold on to its historic tradition and character by reinforcing its distinctiveness and strong point of difference with the urban appearance that defines the northern suburbs.

Historically, the town’s strategic location underpinned the state economically and provided salvation during its fledgling and formative years, as it was a critical service centre to the copper mining communities located in Kapunda and Burra in the states lower and mid north.

Gawler was and continues to be a major regional and cultural centre for the towns to the north of Adelaide. While it initially supported the mining industry it now supports the wine and agricultural industries located in the Barossa Valley.

As a result Gawler’s southern entrance is a critical and historic location for the town, as it marks the transition from the urban environment of Northern Adelaide and the rural hinterlands, and is considered the gateway to the world renowned Barossa Valley wine region.

Whilst the metropolitan area has grown to Gawler’s Council boundaries, Gawler’s character has been retained through the creation of a ‘green belt’ (essentially the rural locality of Kudla) between it and Munno Para. This green belt provides an open character with distant views over paddocks and the Mount Lofty Ranges escarpment, and importantly, it provides a sense of detachment from the metropolitan sprawl. The rural green belt has traditionally had the effect of providing motorists with a sense The rural green belt has traditionally had the effect of providing motorists with a sense departure from metropolitan Adelaide and a sense of arrival to Gawler. This is particularly the case as the built up area of the town is largely out-of-sight along Main North Road. The urban area of the township is only evident once vehicles take the exit ramp into the town.

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The landlines sculpture, which has been granted Development Plan Consent, consists of 50 individually spade shaped elements arranged in single file and aligned in the two “snake” like forms separated by Main North Road. Please refer to Figures 2-9, Appendix 7 for a digital “drive through” of the proposed sculpture and Appendix 8 for the concept plan, photos of the marquette and all other technical drawings.

Figure 2 – Aerial view of the two sculptures

Figure 3 – Aerial view of the sculpture on the western side of Main North Road

TOWN OF GAWLER ATTACHMENTS UNDER SEPARATE COVER - PART 4 INFRASTRUCTURE & ENVIRONMENTAL SERVICES Page 12 of 50 12 APRIL 2016 Figure 4 – View driving north along Main North Road

Figure 5 – View driving along Main North Road looking north

Figure 6 – View driving along Main North Road looking north-west

TOWN OF GAWLER ATTACHMENTS UNDER SEPARATE COVER - PART 4 INFRASTRUCTURE & ENVIRONMENTAL SERVICES Page 13 of 50 12 APRIL 2016 Figure 7 – View driving along Main North Road looking west

Figure 8 – View driving along Main North Road looking north-east

Figure 9 – View driving along Main North Road looking south-east

TOWN OF GAWLER ATTACHMENTS UNDER SEPARATE COVER - PART 4 INFRASTRUCTURE & ENVIRONMENTAL SERVICES Page 14 of 50 12 APRIL 2016 The sculpture will be constructed from 6 millimetre corten steel, with the 50 individual components ranging from 1.5 to 2.7 metres in height and located on top of a 1.2 to 1.5 metre earth mound. The total height of the structure will range from 2.7 to 4.2 metres and cover a distance of approximately 80 metres.

Landlines aims to capture Gawler’s unique sense of place and give sensitive consideration to the area’s low open landscape and big expansive vistas. The robust form, materials and detail draws on forms that evoke an understanding of Gawler’s agricultural and industrial history, while also providing reference in different ways to the first people of the Adelaide Plains.

Designed and positioned to engage in many ways, it is a sculptural work which will reveal different qualities such as a marker to passing traffic, a welcome and entry statement, and a series of play objects for children residing in the adjoining new communities.

For the traveller the repetitive forms and its spaces will provide the illusion of movement. For a moment, on approach, it is a solid compressed and long object that snakes and hugs the earth. Seconds later however, before disappearing completely, it will visually break-up to reveal its true form individual elements wandering across the landscape in single file. Specifically each sculptural work comprises 25 earth coloured elements that will stretch out over 80 metres, enough for the passing motorist to read that sculptural work, but also to reveal its landscape setting and backdrop.

The individual pieces’ forms have been influenced by the shapes of ploughshares, scales of snakes, anthills, and family groups traveling by foot. Within each is a negative circular shape. The repetition and change in diameter of this shape reinforces the wave like motion created by the overall work and introduces an element where children running in between the shapes will be an enticed to play traditional games like chasey and hide and seek.

Landlines is intended to be an exciting contemporary entrance statement, powered by local aspirations that also reflect the historical and contemporary qualities of Gawler and its future directions.

Landlines – The driving strength

Please refer to comments below made by the artist Greg Johns in relation to his sculpture and the importance of this project.

“Landlines” draws on two major sources for its design. Early on I looked at the aerial plough patterns which were made by farmers preparing the land for crops; this activity clearly has impacted on the site significantly. I then looked closely at the shape of plough blades as a symbol of that farming activity. At the same time I also considered the shape of ant nests, a form I have always enjoyed. So, from two different angles conceptually the work evolved. Other people have commented how the work has a sense of a group of people “snaking” their way across the landscape. There is no literal connection snake wise to the town of Gawler. There are subtle references here to Aboriginal culture [connections to walking the land and “reading” forms such as ant nests] The work importantly appears and disappears in the landscape, appearing to be a substantial form when you first approach it in a car and then disappearing when you are right alongside it to allow the backdrop of the landscape to dominate [a subtle but strong acknowledgement of Aboriginal and environmental values]. Much of my sculpture draws conceptually on two stories - one European and one pre – European [landscape and Aboriginal influences]. My forms arise out of both of these influences. Ken Scarlett, Australias best known and recognised authority on sculpture has recognised that I have developed a sense of sculpture which is indeed Australian. This has on a deep conceptual level not occurred in Australian sculpture before.

TOWN OF GAWLER ATTACHMENTS UNDER SEPARATE COVER - PART 4 INFRASTRUCTURE & ENVIRONMENTAL SERVICES Page 15 of 50 12 APRIL 2016 The concept is very important to this work. On a pragmatic level the notion of entry is also important to the work. Cars would pass between two large “snake” like forms. Importantly these forms will also change dramatically, looking like compressed structures initially as you approach and then extending out into long forms as one drives alongside. The involvement of passing traffic is a significant part of the concept.

Historically, through the use of the plough shapes, there is a strong reference to the agricultural history of the area. There is also a subtle but significant reference to aboriginal culture through the ant hill shapes [involvement with the land] and a sense of people walking across the landscape [the wandering “snake” like forms]. Ecologically the planting of a large number of grasses indigenous to the area is a very significant part of this commission – Gawler has only three percent of its original bio – diversity surviving. The sculptures are surrounded by a sea of these grasses. This was discussed at great length with Barry Rolton, a member of council, who has excellent environmental knowledge. We are both excited about the prospect of this restoration of indigenous grasses. There is a symbiotic relationship between the sculptures and the grasses.

The solution I provided for this work is significantly different to most of my previous sculpture. I have used multiple units and forms that I have never used before. To drive between this two forms would be a dramatic experience, to drive alongside them over hundreds of metres seeing how the change and unfold from the initial viewing of what appears to be a single work would be engaging. One form is elevated on a hill like mound, this would significantly increase the dramatic impact of the work.

The works, over 50 of them extend over hundreds of metres, we have, in terms of the spaces between them, looked at these in relation to the speed of the cars. On the Northern side we have created a mound to increase the elevation of the pieces and thus their physical interaction with passing traffic. At the same time this work deliberately engages with the horizontal nature of the Australian landscape, arising from the ground to a maximum height in the centre and then descending back into the ground – again a relationship with the land is implied. The traffic will over the full length of the piece have a real experience of it, seeing it initially as a more solid like sculpture, then seeing many separate elements appear in a long weaving form. When you are right alongside the works they will disappear to reveal the background landscape. The work deliberately engages the whole landscape as part of the conceptual quality of the work. Passing between the two forms will provide a dramatic sense of entry to Gawler.

This work is very different to most of my work. It is a very site specific work. I have used over 50 elements [not something I have previously done in a public work]. I have never used this form before. The work too works in a subtle but substantial way with the surrounding landscape, working with it, not attempting to dominate over it. The inclusion of the surrounding landscape [the works disappear when you are right alongside it allowing the background landscape to dominate] is very much part of the work. I have not made a work before in the public realm which engages the physical landscape in this particular manner as part of the work. At the same time the work at other points of engagement is substantial in feel [when you first see it, it appears as a more solid structure].

5. Budget

The total cost of the project is estimated at $1,320,000 with Council resolving at its meeting on 28 February 2012 to provide up to $200,000 from its Community Infrastructure Fund to assist with implementing the project.

In addition Lanser Communities and the Urban Renewal Authority (land owners) have agreed to provide in-kind support in the form of landscaping (earthworks) to ensure the

TOWN OF GAWLER ATTACHMENTS UNDER SEPARATE COVER - PART 4 INFRASTRUCTURE & ENVIRONMENTAL SERVICES Page 16 of 50 12 APRIL 2016 sculpture integrates with, and links into the adjoining residential developments to form an integral part of the open space network envisaged as part of the rezoning of this land from rural to residential. Council has estimated this to be worth $1,000,000.

As indicated below there is a shortfall of $100,000 between the cash and in-kind support provided by Council and all relevant land owners/developers. If successful, the $100,000 grant provided by Arts SA will represent 7.5% of the total project cost.

ITEM CONTRACTOR COST

Site Preparation Swanbury Penglase $27,854

Fabrication Demill Engineering $135,400

Transport & Installation Demill Engineering $31,245 Lancer Communities & Landscaping Urban Renewal Authority $1,000,000

Foundations Frank Perrotta $29,809

Project Management Town of Gawler $25,500

Artist Fee Greg Johns $70,192

Total $1,320,000 Table 1 – Itemised budget

FUNDING SOURCE IN-KIND CASH TOTAL

Town of Gawler $20,000 $200,000 $220,000

Lanser Communities $500,000 0 $500,000

Urban Renewal Authority $500,000 0 $500,000

Arts SA Major Commission Grant 0 $100,000 $100,000

TOTAL $1,020,000 $300,000 $1,320,000 Table 2 – Strategic funding partners financial contributions

Disclaimer: If the TOG Southern Gateway Entrance Grant Application is successful it will be required to re-confirm the budget and funding sources.

6. Project Management

The project will be managed by the Town of Gawler, with Greg Johns engaged to undertake the construction, transport and installation of the sculpture.

TOWN OF GAWLER ATTACHMENTS UNDER SEPARATE COVER - PART 4 INFRASTRUCTURE & ENVIRONMENTAL SERVICES Page 17 of 50 12 APRIL 2016 7. Timeline

If the Town of Gawler is successful in winning Major Commission Funding it is anticipated that work will commence in July 2014, with the project expected to be completed by December 2015. DRAFT SOUTHERN GATEWAY PROJECT TIMELINE (16/4/2014)

2014 2015 2016 TASK RES START END J F M A M J J A S O N D J F M A M J J A S O N D J F M A M J J A S PLANNING APPLICATION - Lodgement GAW 1 March 14 7 March 14 - Approval GAW 7 March 14 15 April 14 ARTS-SA SUBMISSION - Lodgement of Proposal GAW 1 March 14 24 April 14 - Results GAW 27 May 14 1 June 14 PARTY ENDORSEMENT - Lanser GAW 16 Oct 14 16 Nov 14 - Devine GAW 16 Oct 14 16 Nov 14 - URA GAW 16 Oct 14 16 Nov 14 COUNCIL ENDORSEMENT - Report to Council for endorsement GAW 18 Dec14 18 Dec 14 COMPLETE AGREEMENT - Written agreement with Greg Jones GAW 18 Dec 14 18 Jan 15 COMMENCE MANUFACTURING - Prepare 1:1 Templates GJ 1 Feb 15 30 Feb 15 - Order Materials (Dennis Miller) GJ 1 Feb 15 30 Mar 15 - Manufacturing (Dennis Miller) GJ 1 April 15 30 Apr 15 ON-SITE CONSTRUCTION - Site Preparation GJ 1 Feb 15 30 Feb 15 - Site Layout GJ 1 Feb 15 30 Feb 15

TOWN OF GAWLER ATTACHMENTS UNDER SEPARATE COVER - PART 4 INFRASTRUCTURE & ENVIRONMENTAL SERVICES Page 18 of 50 12 APRIL 2016 - Tree Removal GJ 1 Feb 15 30 Feb 15 - Mound & Power–West Area (Lanser) LANS 1 Feb 15 30 Mar 15 - Mound & Power–Eastern Area (URA) URA 01 Aug 15 30 Sept 15 - Footings GJ 1 Oct 15 30 Oct 15 - Installation GJ 1 Nov 15 30 Nov 15 - Landscaping LANS/URA 1 Dec 15 30 Feb 16 LAUNCH

TOWN OF GAWLER ATTACHMENTS UNDER SEPARATE COVER - PART 4 INFRASTRUCTURE & ENVIRONMENTAL SERVICES Page 19 of 50 12 APRIL 2016 APPENDIX 1 Landscape Philosophy Prepared by Hemisphere Designs

TOWN OF GAWLER ATTACHMENTS UNDER SEPARATE COVER - PART 4 INFRASTRUCTURE & ENVIRONMENTAL SERVICES Page 20 of 50 12 APRIL 2016 Hemisphere Design’s - Landscape Philosophy

When viewing the Gawler township and the wider landscape from an aerial perspective, the pattern of land use activities creates an image of the evolution of Gawler as the ‘town and country’ experience. The patterning of the fields and urban development creates an image which could be interpreted as a cubist painting, with rectangular forms and shapes layered over each other in a patchwork or mosaic fashion. This image could been captured and used as a design theme which is broadly illustrated through a stencilled layering of steel forms against simple backdrops, potentially creating vertical entry statements which silhouette and frame space. These vertical entry statements can be visible during the day, and possibly illuminated at night, and would be of a scale suitable for traffic moving at a high speed. They would be located at strategic locations, for example at the Council’s boundary at Dalkeith Road and at the intersection of Main North Road and Tiver Road.

The celebration of the ‘journey’ and ‘arrival’ at the township can be announced at the western bypass underpass where the stencilled forms of the entry statement can be mounted to the existing underpass walls. Creative lighting can amplify the silhouette effect of the stencilled forms at night. The experience of ‘country’ south of the township will be highlighted by creating expansive views over the landscape of pastoral fields through the removal of existing boundary plantings. Occasional groups of new feature tree planting of an exotic tree species will frame views to the hills and generate a ‘less is more’ outcome that promotes the ‘country’ character of the surrounding landscape.

The future development of open space between Tiver Road and the western bypass either side of Main North Road will provide opportunities for recreational activity. Future open space on land to the west of Main North Road is to include broad areas of dryland grass, path networks and new native tree and shrub planting, allowing this passive recreational landscape to be sensitively integrated with the existing rural environment. Native grasses and bands of trees are proposed, planted in an arrangement that loosely interprets the grid pattern of ‘field cropping’. A seasonal creek creates the opportunity for the establishment of a watercourse linear trail that links the future open space with the existing path network running into the town and towards the school.

Land to the eastern side of Main North Road, between Tiver Road and the western bypass, is to contain a more structured recreational landscape. Active open space facilities and ovals are proposed to strengthen the existing recreational hub centred around Immanuel Lutheran School. The development of a detention basin and possible wetland presents opportunities for a bold, artistic statement. Opportunities exist for smaller pocket parks for playspace, picnicking opportunities and shared paths for walking and cycling. A mixture of both native and exotic tree plantings will create a more formal, ordered landscape.

An artist should be commissioned to develop a signature piece of artwork which complements the landscape concept. The art piece may be a stand alone signature piece or may influence and modify either the entry statements or proposed structure planting of feature trees.

The landscape design concept recognises the need to improve the gateway experience at the light industrial uses and commercial activities which front Main North Road. The concept proposes the formalising of footpaths and the installation of kerb/water tables to delineate the road pavement.

The rationalisation of signage and A Frames, and the strategic placement of entry statement features and new tree and shrub plantings, will assist in structuring and improving the presentation of these nodal points along the gateway.

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APPENDIX 2

Project Definition Statement – Artist Brief

TOWN OF GAWLER ATTACHMENTS UNDER SEPARATE COVER - PART 4 INFRASTRUCTURE & ENVIRONMENTAL SERVICES Page 22 of 50 12 APRIL 2016 APPENDIX 3 Greg Johns - Curriculum Vitae

TOWN OF GAWLER ATTACHMENTS UNDER SEPARATE COVER - PART 4 INFRASTRUCTURE & ENVIRONMENTAL SERVICES Page 23 of 50 12 APRIL 2016 Greg Johns - Curriculum Vitae

Training & Qualifications

1975-78 Trained at S.A. School of Art and completed Diploma of Fine Arts, working full time as a sculptor Since 1978 Member of New York Sculptors' Guild 1990-1994 Committee member of Collaborations (Linking Art and Architecture) Exhibiting with the New Art Centre in London, the New York Sculptors' Guild in New York and the Robert Steele Gallery in New York Helpman Academy Mentor for young artist. November 2008 Establishing major sculpture landscape at Palmer S.A. - International Opening, with twenty permanent sculptures, engaging the Australian landscape, placed over 400 acres. 2008 - 2009 Mentor for young artists, University S.A 2009 Invited sculptor for Master Class, Tom Bass School of Sculpture in Sydney

Art Prizes / Competitions

1980 Whyalla Sculpture Prize 1980 V.A.B. Grant 1981, 1983, 1986 & 1988 S.A. n Art's Grant - part assistance to work & travel in the U.S.A. and Europe 1990, 1993, 1996 & 1997 Artist in Residence at Rhode Island School of Art 1991 Happy Valley Community Art's Grant to design a Children's Sculptural Playground 1991 S.A. Art's Grant to exhibit 3 works at Emil Leonard Gallery in New York. 1993 First Prize, REDAS International Sculpture Competition in Singapore. 1993 Art and Architecture Prize in S.A. 1992 & 1994 Hakone Sculpture Competition, Japan. 1994 Award of Merit R.A.I.A. (S.A. Chapter) short listed for National Award 1994 Commendation Art and Architecture R.A.I.A. (S.A. Chapter) 1995 Award of Merit, B.H.P. Colourbond Steel Award, R.A.I.A. (S.A. Chapter) Collaboration Award 1995 Artists/Architecture Team at Swallowcliffe Primary School, Award of Merit R.A.I.A 1995 New Building (Collaborative Award) at Swallowcliffe Primary School 1995 Civic Award (S.A.) Collaborative Award, Swallowcliffe Primary School

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1995 C.E.A.D. Award (National) Australia Council - Collaborative Award at Swallowcliff Primary School 1997 Australia Grant to develop new studio work 1997 State and National Heart Awards for design of playground space – Finalist, Kowloon Station Commission, Hong Kong 2001 National Finalist, Woollahra Sculpture Prize for small sculpture 2000 Award of Merit, Collaborative with TECTVS Architects for renovation of Dawson home 2001 Stonnington Landscaping Award, Melbourne Joint award for sculpture "Origin" and to Landscape Architects for surrounding landscaping 2004 Selected sculptor for focal sculpture for entry to Shanghai Art Fair 2004 Waterhouse prize for sculpture - natural history award 2004 Lempriere Sculpture prize Finalist Palmer Sculpture Landscape, nominated for 2 S.A. Great Awards in the Arts and Environmental areas. 2005 Invited Australian artist for Pocheon Sculpture Symposium, Korea 2003 & 2005 Selected finalist for McClelland Museum Australian Sculpture Survey/Prize. 2005 Finalist Kajima Sculpture Competition, Tokyo, Japan. 2008 Invited Artist, "Contempora", Victoria 2008 Invited Artist, "Sculpture by the Sea", Western Australia 2008 Distinguished Invited Artist, "Sculpture By the Sea", Sydney 2009 Invited Artist, Mt Gambier Limestone Sculpture Symposium 2009 Invited Artist, Sculpture by the Sea, Aarhus, Denmark 2009 Invited Artist, “Sculpture by the Sea”, Cottesloe, W.A 2010 Brighton Jetty Sculpture Prize 2010 Invited Artist, “Artscape”, Byron Bay, N.S.W 2010 Invited Artist, Sculpture by the Sea, Cottesloe, W.A 2010 Invited Artist, Australian Masters, Solander Gallery, Canberra 2011 Lorne Sculpture Prize, including one month residency at the National Sculpture Factory, Cork, Ireland

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1980 Bonython Gallery, Adelaide 1981 Roundspace Gallery, Adelaide 1983 Robin Gibson Gallery, Sydney; Bonython Gallery, Adelaide 1987 Bonython-Meadmore Gallery; Robin Gibson Gallery, Sydney 1991 Bonython-Meadmore Gallery, Adelaide, Survey Exhibition 1978-1991 Solander Gallery, Canberra, Survey Exhibition 1992 Bonython-Meadmore Gallery, Adelaide- Festival Exhibition, 3 large outdoor sculptures, Bridge Street Gallery, Sydney 1993 Greenaway Gallery, Adelaide 1994 Solander Gallery, Canberra 1976-1994 Meridian Gallery, Melbourne, Survey Exhibition 1978-1991 Carrick Hill Sculpture Park S.A. Survey Exhibition 1995 Singapore, Anima Gallery at the Australian High Commission 1996 Robin Gibson Gallery, Sydney Greenaway Gallery, Adelaide 1997 New York, Robert Steele Gallery 1998 Greenaway Gallery 1999 Robin Gibson Gallery, Sydney. 2000 Aptos Cruz Gallery, Adelaide, 25 year Retrospect. Australian Art Resources, Melbourne 2001 A Small Sculpture Garden - Opening of a sculpture garden at the artist’s studio with permanent and changing pieces New York- Robert Steele Gallery Robin Gibson Gallery, Sydney B.M.G. Gallery, Adelaide 2002 Australian Art Resources, Melbourne Aptos Cruz Gallery, Adelaide 2003 Australian Art Resources, Sydney Gomboc Gallery, Western Australia B.M.G. Gallery, Adelaide 2004 Australian Art Resources, Melbourne Aptos Cruz Gallery Adelaide 2005 Australian Art Resources, Sydney 2006-2007 Thirty year Retrospective at McClelland Museum Victoria B.M.G. Gallery 2006 Adelaide Festival Exhibition Australian Art Resources, Melbourne 2007 Drill Hall Gallery, Australian National University, Canberra, 30 year Retrospective Australian Art Resources, Sydney 2008 Australian Art Resources, Melbourne

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Solo Exhibitions continued

2010 B.M.G. Gallery, Adelaide Australian Art Resources, Melbourne 2012 B.M.G. Gallery, Adelaide – to be held National Sculpture Factory, Cork, Island – to be held

Group Exhibitions – Selected

1977 Art in Architecture, Festival Theatre, Adelaide 1977-78 Young Artists, Festival Theatre, Adelaide 1978 Mildura 1980 Adelaide Festival 1981 First Australian Sculpture Tiennial, Melbourne Young S.A. n Contemporaries, Wollongong Tamworth 1982 S.A. n Sculptors, Royal Society Mildura Triennial Adelaide Festival Recent S.A. Sculpture, Art Gallery of S.A Bonython-Meadmore Gallery Mixed Exhibition, Adelaide 1983 Ideas on Ice, E.A.F. Adelaide. 1984 Art Walk, Adelaide Festival of Arts 1985 Postcard Exhibition, E.A.F. Adelaide Mildura Triennial 1986 Inaugural Exhibition, Carrick Hill Sculpture Park, Adelaide Bonython-Meadmore Gallery, Festival Exhibition, Adelaide Artzone Exhibition I and II 1987 C.A.C. Members' Exhibition 1988 Mildura; Adelaide Festival "In the Making" Bicentenial Sculpture Exhibition, Sculpture Park 88, Gosford Bonython-Meadmore Gallery, Festival Exhibition World Expo 1988, large sculpture "Rhythmic Circle" Brisbane, large steel commissioned sculpture "Continuous Division" 1989 Roche Court Sculpture Garden, Winterslow, Wiltshire, U.K Adelaide Week in Himeji Exhibition-Adelaide and Himeji, Japan New York Sculptors' Guild Annual Exhibition Bonython-Meadmore Gallery, Sydney-Opening Exhibition "Echoes of Tiananmen" Exhibition, Artzone 1990 Festival Exhibition, Royal Society Roche Court Sculpture Garden, Winterslow, Wiltshire, U.K Second Australian Contemporary Art Fair, Melbourne Adelaide-Christchurch Exhibition, Christchurch, N.Z. 1991 Roche Court Sculpture Garden, Winterslow, Wiltshire, U.K New York Sculptors' Guild Annual Exhibition New York Sculptors' Guild Exhibition, Cast Iron Gallery N.Y Emil Leonard Gallery, N.Y Clarendon Life Festival, S.A. Aptoz Cruz Gallery, Adelaide-Sculpture Exhibition

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1992 Roche Court Sculpture Garden, Winterslow, Wiltshire, U.K Emil Leonard Gallery, N.Y Adelaide Festival - Real and Forged, Contemporary Australian Metal New York Sculptors' Guild Exhibitions during the International Sculpture Conference Philadelphia New York Sculptors' Guild Exhibition Alice Art Prize 1993 Bridge Street Gallery, Sydney, 10th Anniversary Exhibition New York Sculptors' Guild Exhibition, Cast Iron Gallery, N.Y. and Kyoto, Japan Roche Court Sculpture Garden, Winterslow, Wiltshire, U.K Asia Art Fair, Singapore REDAS Sculpture Exhibition, Singapore Aspects of Love, Exhibition, Kenhurst Gallery, N.S.W Post Script - Meridan Gallery, Melbourne Greenaway Gallery 1994 Art Fair, Melbourne New York Sculptors' Guild Annual Exhibition Alice Prize Exhibition Meridian Gallery, Melbourne 1995 Roche Court Sculpture Garden, Winterslow, Wiltshire U.K "Floating Exhibition" - New York Sculptors' Guild, N.Y Sculpture 7-Robin Gibson Gallery, Sydney Sculpture 95 - S.A Sculptors, Royal Society Gallery 1996 Stamford Museum, U.S.A Roche Court Sculpture Garden, Winterslow, Wiltshire U.K New York Sculptors' Guild Annual Exhibition Royal Society Historical Exhibition, 1945-1996 Sculpture 8 - Robin Gibson Gallery, Sydney 1997 Roche Court Sculpture Garden, Winterslow, Wiltshire U.K Sculpture 9 - Robin Gibson Gallery, Sydney 1998 Robert Steele Gallery, New York Roche Court Sculptural Garden. Winterslow, Wiltshire U.K Sculpture 10 - Robin Gibson Gallery, Sydney Australian Contemporary Art Fair, Melbourne New York Sculptors Guild Sixtieth Anniversary Exhibition Directors Choice, Gallery 101, Melbourne C.A.C. Members Show, Adelaide 1999 Volume and Form, International Exhibition, Singapore. Roche Court Sculpture Garden, Wiltshire England Art Gallery of S.A., Moet- Chandon Purchases Exhibition. New York Sculptors Guild at Grounds for Sculpture, New Jersey U.S.A Sculpture 11-Robin Gibson Gallery, Sydney The Artists Table-Adelaide Central School of Art C.A.C. Members Show, Adelaide

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Group Exhibitions – Selected continued

2000 Encounters- Bahrain, International Exhibition Roche Court Sculpture Garden, Wiltshire, England Senses- Kuwait, International Exhibition New York Sculptors Guild at Chesterwood, U.S.A Sculpture 12- Robin Gibson Gallery, Sydney. Robert Steele Gallery, New York. Chemistry Exhibition, State Gallery of S.A New York Sculptors Guild at the Arts Centre, New York State Australian Contemporary Art Fair, Melbourne Garden Exhibition, Central School of Art, Adelaide C.A.C. Members Show, Adelaide 2001 Robert Steele Gallery, New York Roche Court Sculpture Garden, Wiltshire, England Sculpture 13 - Robin Gibson Gallery, Sydney 2001 An Art Odyssey, Adelaide, S.A Easter Sculpture Exhibition, Qdos Gallery, Victoria Garden Exhibition, Central School of Art, S.A C.A.C. Members Show, Adelaide 2002 Roche Court Sculpture Garden, Wiltshire, England Robert Steele Gallery, New York - major international show Axia Gallery, Melbourne Focus on Sculpture. Australian Art Resources, Sydney, Opening Group Exhibition Toorak Festival of Sculpture, Melbourne Sculpture by the Sea, Sydney Viz Biz Exhibition, Adelaide Festival Centre, Adelaide Bella Cosa S.A.L.A. Exhibition C.A.C. Members Show, Adelaide Campbelltown Sculpture Show, Sydney Melbourne International Art Fair 2003 Roche Court Sculpture Garden, Wiltshire, England Sculpture Survey, Gomboc Gallery, W.A., invited artist in focus New York Budget Art Fair McClelland Gallery Survey of Australian Sculpture Exhibition 6" Exhibition, Defiance Gallery, Sydney 12" exhibition, B.M.G. Gallery, Adelaide C.A.C. Members Exhibition Australian Art Resources, Sydney Waterhouse Prize Exhibition, Adelaide

2004 Palmer Inaugural Sculpture Exhibition, Palmer, S.A Adelaide Festival of Arts Zoo Walk Exhibition, Adelaide Fringe Toorak Festival of Sculpture, Melbourne Roche Court Sculpture Garden, England Shanghai Art Fair - China Sculpture by the Sea - Sydney Sculpture by the Sea Indoor Exhibition, Sydney Robert Steele Gallery Sculpture Exhibition New York

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Fleurieu Heritage Exhibition S.A. Qdos Gallery Easter Exhibition, - Victoria Tangibility Metal Exhibition, Pt. Pirie, S.A Sculpture in the Bush, - Victoria Waterhouse Prize Exhibition (SA, VIC, N.S.W) Belalie Gallery, Jamestown, S.A Norwood Sculpture Exhibition, S.A 2005 Contempora 2, Festival of Sculpture Docklands, Victoria Lempriere Sculpture Prize Exhibition Roche Court Sculpture Garden, England McClelland Museum Survey of Australian Sculpture Robert Steele Gallery, New York, International Sculpture Exhibition Sculpture by the Sea – Sydney 2006 Roche Court Sculpture Garden, England. Sculpture by The Sea, Perth, WA - invited artist Palmer Sculpture Biennial, S.A. Adelaide Central Sculpture Exhibition Sculpture On The Cliffs Elliston, S.A. - invited artist. One Exhibition, Drill Hall, S.A. Pembroke School - invited artist Scotch College Art Exhibition - featured artist Fleuria Biennial, S.A. Palimpsest 2006 - major work on Lake Mungo and installation at Palmer, S.A Sculpture in Norwood, S.A 2007 Roche Court Sculpture Garden, England, exhibition of large sculpture, "Guardian Figure Waterhouse Prize Exhibition, Adelaide, S.A River Murray Art Prize Exhibition Lorne Sculpture Exhibition 2008 Roche Court sculpture Garden, England, exhibition of large sculpture, "Guardian Figure" Palmer Sculpture Biennial, South Australia Contempora, Victoria – invited sculptor Terra Australis, Murray Bridge Regional Gallery Sculpture by The Sea, Western Australia – invited artist Sculpture by The Sea, Bondi – invited distinguished artist Arid Lands Sculpture exhibition, Port Augusta, S.A Heysen Sculpture Biennial S.A. Hinterland – touring exhibition in S.A. of Palmer Sculpture Biennial Fleuria Biennial Sculpture Exhibition Norwood Sculpture Exhibition, S.A. Indoor Sculpture Exhibition Sculpture by the Sea, Bondi Palmer Touring Exhibition, country South Australia

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Group Exhibitions – Selected continued

2009 Sculpture 2009, Globe Gallery, Sydney Sculpture by the Sea, Aarhus, Denmark Indoor Exhibition, Sculpture by the Sea, Aarhus, Denmark Roche Court Sculpture Garden, England “Fresh Air” sculpture exhibition, England Sculpture by the Sea, Cottesloe, Western Australia Indoor exhibition, Sculpture by The Sea, Cottesloe, W.A Palimpsest 2009, Palmer, South Australia Sculpture on the Cliffs, Elliston, South Australia. Palmer Touring Exhibition, country South Australia River Murray Art Prize Exhibition Lorne Sculpture Exhibition, Victoria Sculpture by the Sea, Bondi, Sydney Inside Exhibition, Sculpture by the Sea, Bondi, Sydney Object +Construct, Australian Art Resources, Melbourne 2010 Australian Masters Exhibition, Solander Gallery, A.C.T Heysen Sculpture Biennial Sculpture by the Sea, Cottesloe, W.A New Art Centre Sculpture Park, England Palmer Sculpture Biennial, Palmer, S.A Intangibles in Terra Australis, Sala Kubo – Kuxta Museum, San Sebastian Brighton Jetty Sculpture Exhibition Sculpture by the Sea, Bondi, Sydney Artscape, Byron Bay, N.S.W McClelland Museum, Survey of Australian Sculpture, Victoria Arid Lands Sculpture exhibition, Arid Botanic Gardens, Pt. Augusta

2011 New Art Centre Sculpture Park, England Grove Exhibition, international exhibition, England Brighton Jetty Sculpture Exhibition Sculpture in Central Otago, New Zealand Sculpture by the Sea, Cottesloe, W.A McClelland Museum, Survey of Australian Sculpture, Victoria Solander Gallery, A.C.T. 37 year Survey Show. Approach to the Landscape exhibition, Axia Gallery, Melbourne Lorne Sculpture Exhibition, Victoria Sculpture11, Fleuriu Art Prize, Goolwa, S.A 2012 New Art Centre Sculpture Park, England Sculpture by the Sea, Cottesloe, W.A Palmer Sculpture Biennial, Palmer S.A Brighton Jetty Sculpture Exhibition Heysen Sculpture biennial McClelland Museum Contemporary Sculpture Exhibition

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2002 Bella Cosa Gallery- Landscape Connections, exhibition with Ken Orchard 2007 Murray Bridge Regional Gallery - Towards the Land, exhibition with Gavin Malone 2008 “Towards the Land” – Adelaide Festival Centre”, with Gavin Malone

Solo Exhibitions of Large Sculptures

1977 "Step-down", 3.3m x 12m x 3.3m -The Institute of Technology, Pooraka 1979 "Dual", 19m x 3.6m x 7m - Adelaide University 1982 "Rhythmic Circle", 3.3 x 3.3m x 1.8m - Adelaide Festival of Arts 1983-84 "Rhythmic Circle", 3.3 x 3.3m x 1.8m - State Gallery of S.A. and Bonython- Meadmore Gallery 1988 "Pattern 1", 3.5m x 3.5 x 2m - BMG Fine Art 1988-89 "Shield 1" - BMG Fine Art 1991-2000 "Pattern 1" - Kenhurst Gallery, N.S.W 1992-2000 "Guardian Figures" - Kenhurst Gallery, N.S.W "Shield 1" - Aptoz Cruz Gallery, S.A 1993, 1994 & 1995 "Returning Figure" - Greenaway Gallery, Adelaide The Barossa Festival, S.A. 1993 1995-1996 "Voyagers (To the Horizon)" - Aptoz Cruz Gallery, S.A 1996 "Floating Figure" - Waite Institute "Flying Figure" - Greenaway Gallery, Adelaide 1997 "Entrance Figures" - State Administration Building 1998-99 "Excavator I," - Greenaway Gallery, Adelaide 1998 "Into the Out and Back - Sub- Urban", Marion Council 2000 Coriole Music Festival 2000-2006 Aptos Cruz Gallery, Adelaide - major works 2001-2002 B.M.G. Gallery, Adelaide. Major work, "Floating Figure" 2002 University of SA Art Museum - 3 large scale sculptures 2003 Pilgrims Lane, Adelaide, three major works 2001-2008 Palmer Sculpture and Environmental Landscape -major collection of large scale sculptures - 11 sculptures Fleurieu Biennale, 2005 - Bella Cosa Sculpture show 2007–2009 “Guardian Figure”, New Art Centre Sculpture Garden, England 2008-2012 “Fractal Figure”, B.M.G. gallery courtyard 2008 “Wavering Figure”, New Art Centre Sculpture Garden, England 2009 Old Fella Cyborg, New Art Centre, England 2010 “Trans Figure”, New Art Centre, England

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Collections

 Harris Museum and Art Gallery, Preston,  Kidd Collection, Adelaide England  Tweddell Collection, Adelaide  Amnesty International, Australia  Nicholas Collection, N.S.W  Abteiberg Museum, Germany  O’Connor Collection U.S.A  Royal Meridian Hotel, Bahrain  Cousins Collection, N.SW  Tulloch Collection, England  Chadstone Shopping Centre, Victoria  Cohn Collection, New York  Thyer Collection, Adelaide  Fuchs Collection, U.S.A  Caff Collection, England  Fraser Collection, France  Ziegler Collection, Melbourne  Mattern Collection, Conneticut, U.S.A  Adler Collection, Adelaide  Wing Tai Collection, Singapore  Bankers Trust Collection, Maritime Trade  Maeda Environmental Art Co. Collection, Towers, Sydney Japan  Riverbank Collection, Adelaide  Pyramid Hill Sculpture Park, Hamilton,  City of Marion Collection Ohio, U.S.A  Arts S.A. Collection  Australian National University  T.A.B. Collection, Sydney  Art Gallery of S.A  33 York St. Sydney Collection  Glenelg Council, S.A  Guilford Bell & Graham Fischer Architects  Carrick Hill Sculpture Park, S.A. - State  BT Funds Management Collection  Watergardens, Victoria  Whyalla Arts Council, S.A  Mistletoe Winery, N.S.W  Artbank Collection  Shoreman Park Collection  Benalla Gallery, Victoria  Maroondah City Council  Commonwealth Bank Collection, Adelaide  Deutsche Asset Management  Adelaide University Collection  HSBC  St. Vincent's Hospital Collection, Sydney  Bluescope Steel Limited  Holmes a Court Collection  Probuild  Sculpture Park 1988, Gallery 460, N.S.W  Mullins Collection  Mt. Lofty Botanical Gardens Collection,  Australian National University S.A 330 Collins Street, Melbourne  Pembroke School, Adelaide  Palmer Environmental/Sculptural  City of Brisbane Council Landscape - 10 Major works  Manchester Unity-Hibernian Collection,  Lord Harwood Collection, England Adelaide  Crown Casino, Southbank, Melbourne  Tasmanian University Collection, Hobart  Crown Casino Hotel, Melbourne  Port Pirie Council Collection, S.A  Clarke Collection, England  Wyatt Benevolent Trust Collection,  Barry Somerstein Collection, Florida, Adelaide U.S.A  S.A.N.T.O.S. Collection, Adelaide  Neil Collection, Victoria  Olivet House Collection, Adelaide  Pocheon City Collection, Korea  Bailleu Myer Collection, Melbourne  Diario Ibiza Collection, Spain  Gandel Collection, Melbourne  Caton Collection, N.S.W  Kym Bonython Collection, Adelaide  Philip Adams Collection  Faulding Collection, Adelaide, U.S.A.  Fresh Water Collection, Southbank, England Melbourne  Knutson Collection, U.S.A. and Australia  Poole Shopping Centre, Poole, England Waite Institute Collection, S.A  Cross collection, Adelaide  Diana Laidlaw, Honourable Minister for the  Armitage Collection, Adelaide Arts  Fraid Collection, Melbourne  Collection, Adelaide  F.K.P. Collection, Melbourne  Best Collection, Jersey, Channel Islands  Docklands Collection, Melbourne  Banks Collection, Melbourne  City of Port Adelaide Collection  Spivakowsky Collection, Melbourne  Macquarie University Collection  City of Port Adelaide Enfield 29

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New South Wales, S.A., Victoria, A.C.T. Western Australia, New Zealand, United States of America, England and Singapore.

Commissions

1978 Glenelg Council - "Rhythm", large scale steel sculpture 1983 Commonwealth Bank, Adelaide - "Guardian Figure II" 1980 Benalla Gallery, Victoria - "Guardian Figure I" 1984 Pembroke School, Adelaide - "Entrances", large scale steel sculpture Bicentennial Sculpture Park, Gosford, N.S.W. - "The Dance Continues", large scale steel sculpture, commissioned for opening of the park 1987 Mt. Lofty Botanic Gardens, S.A. - "Guardian Figure I", large scale steel sculpture 1988 & 1989 Manchester Unity-Hibernian Building, Adelaide - "Forgotten Remembered Figures" 1989 Tasmanian University Centenary, Hobart -"Passage" 1989 Port Pirie Sculpture Competition - "Timepiece" 1989 & 1990 Wyatt Building Commission - "Shrine II" 1989 & 1990 St. Vincent's Private Hospital, Sydney - "Shrine I" 1990 Underwood and Underwood Architects, Wangaratta - "Dual Column" Rick Bzowy Architects, S.A. - collaborative commission to design and construct a staircase and balustrading 1991-1992 Kenhurst Sculpture Park, N.S.W. - "Guardian Figures", large scale steel sculpture Adelaide Magistrates Court Building, design of exterior sculptural railing to be constructed 1993 Henley Beach Catholic Church 1993 Seaford Housing Estate, three sculptural walls 1993 Blue Iguana Bar, Adelaide, design of front bar 1993, 1994 & 1995 REDAS Sculpture Commission, Singapore - "Guardian Figure" large scale steel sculpture 1994 Mt. Lofty Botanic Gardens, S.A., large work with peace theme 1994 Swallowcliff Primary School, Munno Para S.A., gates and railings with Mariajana Tadjic 1994 New Works Design Studio, Adelaide, counter 1994 Rosanas Fashion Boutique, counter 1994 & 1995 Mr and Mrs Gandel, Melbourne - "Guardian Figure", large scale steel sculpture 1996 Mr and Mrs Knutson, Adelaide - "Grounded Figure", large version

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1996 T.E.C.T.V.S. Architects, sculptural balustrading, private residence 1995 & 1996 Mt. Lofty Botanic Gardens S.A., Sculptural gates and railings for entrance 1995 Serpentine Reserve - Equal Access Playspace

1995 Utah Building Co-op, Balustrading 1996 & 1997 Faulding Headquarters, Adelaide - "Pattern III", large scale work 1997 Pure Pac Pharmaceuticals Co. Ltd., Elizabeth, New Jersey, U.S.A 1997 Faulding Pharmaceuticals, PLC/DBL, Warwick, U.K 1996 & 1997 Dieter Sczesny Architecture, balustrading, private residence 1997 & 1998 Nepenthe Winery, S.A., large scale sculpture 1998 Arboretum Garden, Waite Institute, sculptural environment, Adelaide Office of Diana Laidlaw, Hon. Minister for the Arts 1996 & 1997 Banks, "Grounded Figure", large version, private commission 1998 Mrs and Mr Spivakowsky, "From the Centre". 1999 Regent Gardens Commission, "Returning Figure", large sculpture and balustrading Entrance to Cleland Nat. Park, Mt. Lofty, S.A 1999 Courtyard of Faulding Headquarters, Adelaide, large scale sculpture," Returning Figure III" Henric Nicholas, "Silent Figure IV" for Glen Murcett 1999 House, Blue Mountains, N.S.W 1999 Chadstone Shopping Centre Commission, Melbourne - Major Commission, large scale sculpture, "Origin" 1999-2000 Northgate Reserve Commission, Adelaide, large scale sculpture 1999 T.E.C.T.V.S. Architects, "Entrances", Sculpture for private residence 2000 Entrance to Mt. Lofty Summit, S.A 2000 Mr and Mrs Thyer, "The Dance Continues" 2000 Deidre But-Hussain, "From the Centre" 2000 Rosie Johnson, "From the Centre" 2000 Mornington Peninsular Commission, Vic. - "To the Centre", large scale sculpture 2000-2001 Domain I-Con Sculpture Commission, Adelaide - large scale commission

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2001 Riverbank, Adelaide - Major commission, "Fractal Mandala", large scale sculpture 2002 Waterways Commission, Melbourne - 5" Excavator" figures for environmental project, Melbourne 2002-2003 "To the Centre"- Major Commission for private collection, Melbourne 2002 "Pattern 111"- Commission for private collection, Melbourne, "Fractal Mandala"- Smaller version for foyer of 33 York St. Sydney 2002-2004 "Australian National University", Major Commission for the H.C. Coombs extension 2003-2004 "Guardian Figure" - Private Commission, Melbourne 330 Collins Street Commission, Melbourne Major Commission 2003 Maroondah City Council, Victoria 2003-2004 Crown Casino, Southbank, Melbourne 2003-2004 Casino Hotel, Melbourne 2003-2004 Mullins Commission, Adelaide 2003 Mistletoe Winery, N.S.W 2003-2004 Bell Memorial Garden, Adelaide - 3 pieces 2003-2004 Tanunda Commissions 2004-2005 Spanish Commissions, 2 major sculptures, a major installation work and 1 human scale Sculpture for Ibiza - major commission 2004-2005 150th Democracy Commission, Norwood, S.A. Major Commission 2004-2005 Elizabeth City Centre Shopping Centre Commission, major work "Returning Column". 2005 Caton Commission 2005 Pocheon City Commission for Sculpture Park, Pocheon Lake, Korea 2004–2006 Fresh Water Commission, Southbank, Melbourne, "Whirling Mandala", 2 metre high 2006 "To the Centre" Commission - large scale piece, Melbourne 2006 Mt. Lofty Botanic Gardens, large piece, "Guardian Figures" 2006 "Family I" - private commission, S.A - installation work. 2007 Palmerston Commission, New Zealand, major public sculpture. 2006-2007 Lochiel Park Commission, Adelaide, S.A. with Gavin Malone, Karl Tefler 2007 "Swirling Mandala [Cataclysm]" - major commission for Melbourne 2008 "Landscape Mandala" commission - major commission, Sydney, Australia

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Commissions continued

2008 "Wavering Circle" - Private commission for large sculpture, Victoria 2009 “Wreck of The Admella” commission, Mt Gambier, S.A 2009 Docklands Commission, 50 sculptural gates Melbourne F.K.P. Foyer commission with Stephen Newton, Queen Street Melbourne 2010-2011 Lightsview Commission, Adelaide, major commission, 7 works “Guardian Figure” Commission, England, large work, 2010 Entrance to Gawler Commission, large scale installation work 2011 “Returning Figure” Commission” N.S.W “Pattern – Patterns” Commission, Victoria Docklands Commission, 2008 – 2011, 5 sculptural gates

Private Commissions

S.A, New South Wales, Victoria and the United States of America

Publications

1977 Art in Architecture Catalogue, Festival Theatre, Adelaide 1978 Guardian Newspaper 20 & 23 August October 1978 The Advertiser - photograph "Rhythm" being installed 1980 Whyalla News 29 September - photograph "Space" 1981 First Australian Sculpture Triennial Catalogue S.A n Young Contemporaries Catalogue Wollongong Gallery 3 – 22 February The Advertiser - review Neville Weston 24 June 1982 The Advertiser - "Rhythmic Circle", photograph/article March S.A n Sculptors, Catalogue, Royal Society 17 October Recent S.A n Sculpture Catalogue 10 December 82-25 April 83 Art Gallery S.A Mildura Catalogue 1983 The Australian 3 August - Peter Ward Bonython Gallery Catalogue Robin Gibson Gallery Catalogue Words and Visions 12 1984 Greg Johns - "Selected Maquettes", 8 page b/w catalogue 1984 "Art and Australia" - photograph Autumn Artists and Galleries of Australia - Max Germaine 1985 Mildura Catalogue 1986 Catalogue, Inaugural Exhibition Carrick Hill Sculpture Park

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1995 The Straits Times, Singapore 21 April, article/photographs on installation of large sculpture "Guardian Figure" and exhibition The Advertiser, Adelaide 31 May, article/photograph on installation of Singapore sculpture 1987 The Advertiser review 18 March, article/photograph 25 March The Australian review Elwynn Lynn 23-24 May 1987 "Art and Australia" photograph spring The Daily Telegraph, Sydney, article/photograph 25 September 1987 Gosford Star June Central Coast Express 22 July The Coast Trader 9 September "Art in Australia" (publication for Secondary Schools) The Australian, article/photograph 20 November "Heavy Metal" - short video, including interview on completed work and the making of full and smaller scale work in South Australia/N.S.W. produced by Leonie Barter The News Adelaide photograph/story "The Dance Continues" 14 December 1988 Mildura Catalogue, Bicentennial Sculpture Park Catalogue, Gosford, N.S.W "Look" Art Gallery Society of New South Wales Magazine, February 1988, large colour photograph of "The Dance Continues" "Building and Architecture", Vol. 15 No. 1 - front cover photograph of "Guardian Figure" and major article/photograph Sculpture and Industry

1988 "Kalori" Magazine - front cover "The Dance Continues" and short story World Expo 1988 Sculpture Exhibition Catalogue Australian Artists' Index - Jan McDonald "Craft Arts" Magazine May/July, article on Sculpture Park 1988 and commentary on works (includes colour photograph "The Dance Continues" and comments on the work) 1988 "Art Monthly" July - photograph on main entrance of World Expo, including "Continuous Division" The Sun Chronicle (U.S.A.) 8 September - photograph/article The Sun (Australia) 19 September - World Expo sculptures to be retained for Brisbane (photograph "Continuous Division") 1989 "The Australian Garden Journal" Vol 8 No. 4, photograph/article on Bicentenial Sculpture Park "Artlink" Vol. 9 No. 3 - Port Pirie Commission The Advertiser, 28 December - photograph/article on the installation of "Forgotten Remembered Figures" in the Manchester Unity Building "Art and Australia" - summer 1989, full page colour advertisement (photograph "La Mer") The Recorder, Port Pirie, 20 December - front page photographs and story on erection of large sculpture "Timepiece"

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1990 Sunday Telegraph (London) - photograph, commentary on "Continuous Division"in Roche Court Sculpture Exhibition "New Art Four" - profiles of Australian Artists "Artists and Galleries of Australia" - Max Germaine 1991 Survey Exhibition Catalogue - Greg Johns 1978-1990 The Advertiser, 15 March - review by John Emery, of Survey Exhibition Catalogues for Roche Court Sculpture Garden, England and New York Sculptors' Guild Annual Exhibition, N.Y. "Art and Australia" - inside cover advertisement for Survey Exhibition (photograph "Guardian Figures") "The City is a Gallery" - booklet of tours of public sculptures in Brisbane's inner city "Art and Australia", Spring 1991 - gallery commentary, photograph of "Entrance Figure" Canberra Times 25 September - review by Sasha Grisham of Selected Works 1978-1991 (photograph "From the Centre") "S.A. Crafts" No. 3 - article by Richard Brecknock "Adelaide Magistrates Court Redevelopment - A Collaborative Approach" "Carrick Hill, the Artful Garden" - booklet on Carrick Hill Sculpture Collection Contemporary Art Centre Broadsheet - Artisans and Architects by Noris Ioannou 1992 Real and Forged - Jam Factory, Adelaide Festival Exhibition Catalogue Roche Court Sculpture Garden, England New York Sculptors' Guild Catalogue, for the International Sculpture Conference, Philadelphia 1993 "S.A n Homes" - photograph and commentary on staircase designed and constructed for house designed by architect Rick Bzowy Roche Court Sculpture Garden Catalogue, England New York Sculptors' Guild Catalogue, for exhibition at

1993 Cast Iron Gallery, N.Y. and Kyoto Gallery, Japan "New Sculpture - Profiles in Contemporary Australian Sculpture" by Neville Drury "Contemporary Sculpture in Australian Gardens" by Ken Scarrlett "Architect Australia" - July/August "Architect, S.A." - photograph of sculptural door Steel Profile Magazine - B.H.P "Vogue Living" - June/July Messenger Newspapers, 28 July The Advertiser, 8 September - review Adam Dutkiewicz Adelaide Review, October - review by John Neylon 1994 Architecture S.A. Awards Issue - photograph/commentary on bar design for Blue Iguana Restaurant "Encyclopaedia of Australian Art" - A. McCulloch, S. McCulloch Canberra Times, August - review by Sonia Barren The Advertiser, review by Adam Dutkiewicz

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Adelaide Review, December - review by John Neylon 1995 The Strait Times, Singapore 21 April - article/photograph on installation of large sculpture "Guardian Figure" and exhibition The Advertiser, 31 May article/photograph on installation of Singapore sculpture "Who's Who of Australian Visual Artists" by D.W. Thorpe "Public Sculpture in Australia" by Michael Hedger 1996 University of Adelaide Collection Monument Magazine No. 12 - photograph Magistrates Court railings Architect S.A. (autumn), Sculptural Process - photograph/articles "Adelaide's Architecture and Art", a walking book - M Queale and N.Leria Catalogue for New York Sculptors' Guild exhibition at Stamford Museum, U.S.A The Courier, 18 September - photograph/article on opening of Mt. Lofty Gates 1997 The Advertiser, 7.2.97 - photograph/commentary on large Faulding sculpture, "Pattern III" 1998 Art and Australia, No. 4, photograph "The Dance Continues" Artlink Mag. "An Artist Speaks Out"- by G. Johns. New York Sculptors Guild sixtieth anniversary exhibit Cat. 1999 Adelaide Review, January, review by John Neylon of 98 Greenaway Show The Australian, 10-11 April, Review section, commentary on "The Dance Continues" by Giles Auty Volume and Form Exhibition catalogue, Singapore. Volume and Form, "On Sculpture" Booklet of Commentary/Reviews on Volume and Form Exhibition The Straits Times, Singapore, photo of 'Horizon Figure', Volume and Form Exhibition. The Straits Times, Singapore, 26 June, photo, "Excavator". Shin Nichi Ho newspaper, Japan, 31-99, photo of" Horizon Figure" The Advertiser, 4 September, photo, commentary on" Origin" commission for Melbourne Summer Exhibition Cat Grounds for Sculpture, Sculpture Park, U.S.A The Age, 24 November, photo of "Origin" at Chadstone.

1999 DB Magazine 6-19 October Review of Artists Table show. The Advertiser, 27 November, photo of "Origin" and commentary. Art Monthly, review of Volume and Form Exhibition, Singapore, by Ken Scarlett, December 2000 Hills and Valley Messenger, 12 January Bahrain News, February. Sunday Mail, photo, story on "Returning Figure". The Advertiser, Review on 25 Year Survey Show at Aptos Cruz Gallery. The Advertiser, 16 September Review of Chemistry Group Show, S.A. Art Gallery 36

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Publications continued

2000 Standard Messenger, 19 July, photo, commentary "Horizon Gates" being installed at Northgate. Hills and Valley Messenger, 2 August, photo, commentary Sunday Mail 13 February, photo, commentary "Sculpture" July/August, international magazine, feature on installation of "Origin" Craft Arts International No 49 - feature on installation of "Origin" at Chadstone. Catalogue to New York Sculptors Guild Exhibition at Chesterwood Museum, U.S.A Catalogue to Chemistry Exhibition at State Gallery of S.A The Advertiser, 16 September, commentary on "Chemistry" exhibition

2001 The Sun-Herald, 12 August. Photo, commentary on Robin Gibson Exhibition Australian Art Collector, photo of "Excavator" for B.MG exhibition

2002 Major book, "Horizon" Greg Johns, sculptures 1977-2002 by John Neylon. "Sculpture" magazine, U.S.A., article/review of New York exhibition The Making of The Marion Icon - video by Ashley Starkey on the making of "From the Horizon - To the Horizon" The making of "Fractal Mandala"- A video by Ashley Starkey "Sculpture by the Sea" Catalogue Catalogue for solo show at Australian Art Resources The Murray Standard, Palmer sculpture, 11 July The Guardian, Photo of "From the Horizon- To the Horizon" 25 July Adelaide Matters, 25 years of Johns The Courier, 14 August, article photo Adelaide Matters, Man of Steel article. Over The Hills and Plains, Art Meets the Environment, the Palmer sculpture, Volume 4. No. 4 The Advertiser, photo, article on major book, 25 October Australian Art Collector, October - December 2002, photo of "Fractal Mandala". Catalogue for the Melbourne International Art Fair 2003 World Sculpture News- review of "Horizon" Greg Johns sculptures, 1977-2002. Catalogue McClelland Gallery's "Survey of Australian Sculpture" The Advertiser, 2011 September, "Pilgrim Lane sculptures". The Adelaide Review, July, review of Greg Johns/Ken Orchard Exhibition.

2003 The Advertiser, Monday 30 June, photo, major article, Greg Johns, Ken Orchard at Palmer Australian Art Review, "Palmer Landscapes", Margot Osborne review of Greg Johns/Ken Orchard Exhibition.

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English magazine" The Architects Journal","MetalWorks" article on Corten Steels use in sculpture, photo of "Silent Figure '. Art and Australia, ad/photo for Palmer Exhibition Australian Art Collector, article Greg Johns/ Ken Orchard at Palmer. Ad/photo of "Whirling Mandala" Palmer Sculptural/Environmental Landscape - booklet. Catalogue with photos for Australian Art Resources Sydney Exhibition 2004 Adelaide Matters, May Edition. Catalogue for Inaugural Palmer Exhibition, Essay by John Neylon Palmer Sculptural/ Environmental Landscape D.V.D. by Kaye and Barry Wraith 2004 Catalogue for Solo Exhibition at Australian Art Resources Melbourne Waterhouse Natural History Prize Catalogue Sculpture by the Sea Catalogue Catalogues for Shanghai Art Fair Elgee Park Sculpture in the Landscape Book Waterhouse Natural 2005 The Adelaide Review, 15 April, Margot Osborne, "The Problem with Adelaide’s Public Art" The Advertiser, "Organic Feel for Steel, Patrick McDonald. Diario de Ibiza, Spain - Spanish Commission installation, 27 June The Australian Financial Review, 5 August, Ibiza commission. The Adelaide Review, 19 August, review of sculpture at Palmer by John Neylon. The Adelaide Review 8 October, The Backyard Gallery- by Louise Nunn. McClelland Museum Contemporary Sculpture Survey Catalogue Pocheon Sculpture Symposium Catalogue, Korea "Returning Figures", film by Ashley Starkey on the Spanish Commission. The Sydney Morning Herald, 8 & 9 October, review of Australian Art Resources Show by john McDonald 2006 Catalogue for B.M.G. Adelaide Festival Exhibition. The Adelaide Review, 10-23 March, review of B.M.G. solo Adelaide Festival Show by John Neylon. The Advertiser, March 2011 "Field of Dreams" - By Deborah Bogle, Sculpture at Palmer, 2006 Bienniale. The Adelaide Review, 7-20 April, Palmer 06 by John Neylon The Advertiser Review, 15 April, Adelaide Central Exhibition and commentary on public art by Margot Osborne Artdate, April & May - Palmer 2006 by Rick Clise Catalogue for Solo show at Australian Art Resources, Melbourne

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2007 The Advertiser, 17 January, installation of major sculpture at Mt. Lofty Botanic gardens. The Advertiser, "The Lie of the Land" by Margot Osborne, 20 January 2007. The Canberra Times - review of thirty year retrospective at the Drill Hall Gallery, June 14. 2007 The Advertiser, "Man of Steel Bound For Sydney", 5 December 2007. 2008 24 page booklet, “New Sculpture”, for solo show with Australian Art Resources Sculpture by the Sea catalogue, Cottesloe, W.A Sculpture by the Sea catalogue, Bondi Palmer Sculpture Biennial catalogue Australian Art Review, Nov – January 2008 & 2009 “Fragile Landscape; Tough Sculpture”, Major article by Ken Scarlett on Palmer Sculptures Art Monthly, December – February. “Palmer Dreaming” – commentary on opening of Greg Johns permanent collection at Palmer. 2009 “Engaging The Land”- D.V.D. by Ashley Starkey on Palmer Sculpture Landscape. “Journey of a Public Sculpture”, the making of “Land Mandala” for Cammeray, Sydney- D.V.D. by Ashley Starkey Australia Art Review, August - October, Sculpture by the Sea, Cottesloe –review by Ken Scarlett Art Monthly, August 2009, Sculpture by the Sea, Aarhus, Denmark, review by Ken Scarlett. A.B.C. Sunday Arts programme and A.B.C. Arts online – short film on Palmer sculptures by David Batty. 2009 Pamphlet on Greg Johns sculpture collection at Palmer Sculpture Landscape. Sculpture by the Sea catalogue, Bondi Sculpture by the Sea catalogue, Cottesloe 2010 Sculpture magazine, U.S.A., June edition, feature article on Greg Johns sculpture by Ken Scarlett. Palmer Sculpture Biennial catalogue Art Show/exploring Asia- Pacific Arts – short film Greg Johns sculpture, including the sculptures at Palmer. Art versus Nature – commentary on Palmer Sculpture Biennial 2010 by John Neylon Adelaide Review, April 2010 – review by John Neylon of B.M.G. exhibition “Landings” booklet, Australian Art Resources exhibition Sculpture by the Sea catalogue, Cottesloe Sculpture by the Sea catalogue, Bondi, Sydney “Landings” – second major monograph by John Neylon to be published McClelland survey of Australian sculpture catalogue Artefact magazine, Arts S.A – feature article Australian Art Review, Aug – Oct, Private sculpture collections in Australia by Ken Scarlett. “Dancing with Steel” by John Neylon, Australian and Decorative Fine Arts Societies magazine 39

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2011 Adelaide Art Review, February 2011, “Australian Art makes A Splash in Europe”. “Approach to the Landscape” exhibition cat., Axia Gallery, Melbourne Sculpture by the Sea Cat., Cottesloe, W. A. “Sculpture in Central Otago” Cat, New Zealand “Sculpture at The Grove Sculpture” exhibition” catalogue, England. “Lorne Sculpture Catalogue”

2011 “Mentors and disciples”, The Protégé, Adelaide Art Review, July ‘Public works, Greg Johns, “Guardian Figures”, Weekend Australian, 20 & 21 August 2011 “Sculpture” magazine, America, review of McClelland survey of Australian sculpture exhibition, November “Landings” – film by Ashley Starkey on the “Landings” commission 2012 “The Palmer Sculpture landscape – The first decade” – a film by Ashley Starkey

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Stakeholder Letters of Support

1. Devine Group 2. Lanser Communities 3. Urban Renewal Authority 4. Member for Light – Mr Tony Piccolo MP 5. Regional Development Australia – Barossa

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APPENDIX 5

Landlines Community Information Flyer

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Town of Gawler Development Plan – Open Space Zone Desired Character Statement

TOWN OF GAWLER ATTACHMENTS UNDER SEPARATE COVER - PART 4 INFRASTRUCTURE & ENVIRONMENTAL SERVICES Page 47 of 50 12 APRIL 2016 Town of Gawler Development Plan Open Space Zone - Main North Road

A country experience south of Gawler will be provided by creating expansive views over the landscape to cropped and open paddocks and the Adelaide hills face through the removal of existing boundary tree plantations and restrictions on buildings and structures close to Main North Road.

Occasional groups of new feature tree plantings will frame views to the hills and farmland towards Gawler River and the Adelaide Plains. All other plantings, earthworks, buildings and structures will use minimal vertical elements so to promote both an alternative distinctive urban character and reinforce the surrounding landscape and distant views. Fencing will be low and open in style. The zone will provide for recreation activities within a specific and structured landscape framework.

On the western side of Main North Road will be broad areas of natural grasslands, path networks and new native tree and shrub planting, allowing this passive recreational landscape to be sensitively integrated with the new urban environment adjoining while applying a design that draws on the area’s original open landscape structure and agricultural land use. Native grasslands and bands of trees will be planted in an arrangement that loosely interprets the grid pattern of ‘field cropping’. A seasonal creek will provide a watercourse linear trail that links the open space with the existing path network running west into Evanston Gardens and east towards Trinity College.

The eastern side of Main North Road provides a more structured recreational landscape. Active open space facilities are proposed to strengthen the existing recreational hub around Trinity College. A detention basin and wetland will provide contrasting landscape elements. Opportunities exist for smaller pocket parks for playspace, picnicking opportunities and shared paths for walking and cycling. A mixture of both native and exotic tree plantings will create a more formal, ordered landscape.

Artwork will complement the landscape concept either as a stand alone signature piece or to influence and modify either the entry statements or proposed structural planting of feature trees.

Celebration of the ‘journey’ and ‘arrival/departure’ at the township will be announced at the southern bypass underpass where images can be mounted to existing underpass walls.

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