Annual Report 11/12 Contents
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Eonnagata Written and Performed by Sylvie Guillem, Robert Lepage, Russell Maliphant
© Érick Labbé Sadler’s Wells, London in association with Ex Machina & Sylvie Guillem Presents Eonnagata written and performed by Sylvie Guillem, Robert Lepage, Russell Maliphant Presented with the support of Rolex Career diplomat, part-time soldier and amateur spy, Charles de Beaumont, Chevalier d’Éon, was familiar with both honour and defeat, with glory as well as exile. Beyond the romance of his life, what stands out is his extraordinary audacity. Éon was probably the first spy to use cross-dressing in the pursuit of his duties. This earned him a variety of enemies, including Louis XVI, who forced him to wear a dress all the time. Eventually people no longer knew whether he was a man or a woman. The creators of Eonnagata asked the question differently. What if Charles de Beaumont was both man and woman? Midway between theatre and dance, Eonnagata pits the fan against the sword, the courtesan against the swordsman. But it also explores the embodying of one sex by the other in what is more an investigation of gender than of sexuality. The work draws on Onnagata, a Kabuki theatre technique that enables actors to represent women in a highly stylized fashion, shedding new light on the Chevalier d’Éon and revealing that his enigma is perhaps the mystery of human identity itself. The nonconformism of Charles de Beaumont quickly struck a chord with the creators of Eonnagata. Sylvie Guillem is a celebrated rebel of classical ballet who converted to contemporary dance. In the last few years she has dazzled audiences in London, Tokyo, Sydney and Paris with her grace, energy, precision and humour in shows such as Push and Sacred Monsters. -
A Study on the Gender Imbalance Among Professional Choreographers Working in the Fields of Classical Ballet and Contemporary Dance
Where are the female choreographers? A study on the gender imbalance among professional choreographers working in the fields of classical ballet and contemporary dance. Jessica Teague August 2016 This Dissertation is submitted to City University as part of the requirements for the award of MA Culture, Policy and Management 1 Abstract The dissertation investigates the lack of women working as professional choreographers in both the UK and the wider international dance sector. Although dance as an art form within western cultures is often perceived as ‘the art of women,’ it is predominately men who are conceptualising the works and choreographing the movement. This study focuses on understanding the phenomenon that leads female choreographers to be less likely to produce works for leading dance companies and venues than their male counterparts. The research investigates the current scope of the gender imbalance in the professional choreographic field, the reasons for the imbalance and provides theories as to why the imbalance is more pronounced in the classical ballet sector compared to the contemporary dance field. The research draws together experiences and statistical evidence from two significant branches of the artistic process; the choreographers involved in creating dance and the Gatekeepers and organisations that commission them. Key issues surrounding the problem are identified and assessed through qualitative data drawn from interviews with nine professional female choreographers. A statistical analysis of the repertoire choices of 32 leading international dance companies quantifies and compares the severity of the gender imbalance at the highest professional level. The data indicates that the scope of the phenomenon affects not only the UK but also the majority of the Western world. -
Sadler's Wells Spring / Summer 2017
Spring / Summer 2017 1 Contents 01 A message from Alistair Spalding 02 Associate Artists and Companies 03 Artists' development 04 Sadler’s Wells Theatre 14 Supporting Young Artists 25 Enjoy More of Sadler’s Wells 26 Calendar 29 How to Book 30 Planning Your Journey 36 Lilian Baylis Studio 42 London International Mime Festival 44 The Peacock 48 Family Shows 51 Sadler's Wells on Tour 52 Talks, Classes and Assisted Performances 54 Patrons' Events 55 Join us Save 20% when you book Family Friendly two or more shows at the Performances and activities same time Available on all with this symbol are suitable shows displaying this symbol. for most ages. Age guidance Discount is automatically is given for some shows added in your online basket. where relevant. This offer is available until 31 January 2017. Assisted performances: Terms and conditions apply: Look for these symbols, sadlerswells.com/save or visit sadlerswells.com/ assistedshows New ways to save from 1 February 2017 Our ‘Save BSL Interpreted 20%’ scheme is changing, with new discounts, and new ways of obtaining the discount. Audio Described For details: AD sadlerswells.com/save Transaction charges apply This brochure is available £3 for telephone bookings, in a large print version. £1.95 for concessionary and online bookings. No charge when booking in person. 2 A message from Alistair Spalding Welcome to our Spring/Summer 2017 In March, we are presenting Tree season. I often say that, at Sadler’s of Codes, another Sadler’s Wells Wells, our commitment is to the artist co-production. Choreographed by rather than the work. -
Sadler's Wells Spring 2019 Large Print Brochure
1 Sadler’s Wells Spring 2019 2 A message from Alistair Spalding Having celebrated the 20th anniversary of our current theatre building in 2018, we enter 2019 with a renewed sense of purpose. How do we respond to what’s happening around us? How do we keep innovating in dance? How do we stay relevant to you, our audience? We do this by remaining receptive and keeping alive the local, national and international conversations and mutual learning we share with the artists, partners and communities we work with. By being European and global at the same time. And by holding onto all the diverse and novel perspectives we continue to bring to our stages for people to be inspired, entertained and provoked. This approach underpins decisions on the work that we produce, support and invest in. Over and over again, we choose to collaborate with inquisitive, outward- 3 looking artists of different backgrounds and experiences, who possess an inclusive worldview. This spring season is a case in point, filled as it is with new creative partnerships involving artists from all over the world. Vessel is an extraordinary and visually stunning collaboration between French-Belgian choreographer Damien Jalet and Japanese sculptor Kohei Nawa. Inspired by the myth of Theseus and the Minotaur, The Thread sees our Associate Artist Russell Maliphant work with Greek composer Vangelis, as well as another of our Associate Artists, lighting designer Michael Hulls. In La Fiesta, flamenco star Israel Galván brings together dancers, musicians and singers of different genres, including a sarod player and a Tunisian singer. -
Sadlers-Wells Mark-Morris Program V3.Pdf
Welcome Photo: Cameron Slater Welcome to Sadler’s Wells and to these UK premiere filled singing is perfectly suited to the heart-breaking performances of Layla and Majnun by Mark Morris events we see unfold on stage. The result is truly Dance Group. exceptional and utterly breath-taking, and I am proud that Sadler’s Wells is a co-commissioner of the work. Based on the Azerbaijani opera of the same name composed by Uzeyir Hajibeyli at the beginning of the I hope you enjoy the show. 20th century, Layla and Majnun was born out of a collaboration involving Mark Morris, the late Howard Hodgkin and the Silkroad Ensemble. It is an incredibly moving interpretation of an ancient love story that was described by Byron as the “Romeo and Juliet of the East” – beautifully told through the dancers’ movements and the equally arresting music played and sung live by the award-winning musical collective Alistair Spalding CBE founded by cellist Yo-Yo Ma. Artistic Director and Chief Executive Morris is an absolute master of translating the musicality of the piece into the physicality of the choreography, while the expressive and emotion- Front cover photo: Susana Millman Supporting Sadler’s Wells At Sadler’s Wells, we support the creation and presentation of contemporary dance from around the world, irrespective of genre, and always to the highest possible standards. None of this would be possible without donations from the public and the generosity of our members and private supporters. As a registered charity, we fundraise so that we can do more of: • presenting -
SW Elixir Festival Programme.Pdf
Welcome runs across the weekend with performances by a total of 20 non-professional older adult dance groups from across the UK and Europe. In our Rosebery room, the Elixir Conference sees international speakers discuss the value of older dancers, the role of heritage in contemporary dance and how we can change people’s perception of age through participation and performance opportunities for older adults. This year’s festival is part of DANCE ON, PASS ON, DREAM ON (DOPODO), a partnership formed by Sadler’s Wells and other dance organisations from eight different European countries, funded by the European Union’s Creative Europe programme. The initiative aims to Photo: Cameron Slater challenge preconceived notions about age and promote a model of sustainable career and audience participation Welcome to Sadler’s Wells and the second Elixir that values older people on stage and, generally, in Festival. Following the success of our inaugural edition society. Through DOPODO, we are excited to present in 2014, I am delighted to bring back the festival this Berlin-based company Dance On Ensemble, performing year with performances and events taking place 7 Dialogues by Matteo Fargion in the Lilian Baylis Studio throughout the building across four days. on the final two days of the festival. Elixir was born out of the desire to address the false Besides a chance to see great performances, this is perception of dance being the preserve of the young. an opportunity for both dance practitioners and our Irrespective of background and age, everybody can audiences to celebrate the contribution made by older dance – and whatever an older dancer may lack in dance artists, and think together about what more we physical prowess is more than outweighed by the can do to harness their immensely valuable experience interpretive nuance of their performance, acquired and knowledge. -
Sadler's Wells Annual Review 2016
Annual Review 2016 –17 Contents 03 Chairman’s message 04 Artistic Director and Chief Executive’s message 06 Highlights 2016–17 08 Working with artists 10 Producing and presenting great dance 18 Forging strategic partnerships 22 Touring our productions 24 Nurturing talent 28 National Youth Dance Company 30 New Wave Associates 32 Summer University 34 Wild Card 36 Breakin’ Convention 38 Engaging audiences 40 Dance for all 44 Reaching our audiences 46 Making it happen 48 Fundraising 50 Our people and places 51 Advancing equality 51 Providing opportunities 52 Generating income 52 Sustainable development 54 How we are funded 55 Financial performance 56 Sadler’s Wells Trust and Foundation, Ambassadors, Artists and Companies, Co-producers 57 Support 58 Sadler’s Wells staff 60 Photography credits 2 Chairman’s message It is with great pleasure that I introduce Sadler’s Wells’ Annual Review for 2016–17, my first as Chairman. I was thrilled to take over from Sir David Bell in November 2016, at a time when Sadler’s Wells is going from strength to strength. Over the period of this review, Sadler’s Wells continued to produce and present the best dance from the UK and around the world, with more than 900 performances given to a total audience of nearly 700,000 worldwide. Our programme of participatory activities saw over 36,000 people from the local area and beyond, young and old, take part in events including talks, workshops and special projects, such as our community production Home Turf, which featured a cast of almost 100, ranging in age from 6 to 88. -
Annual Review 2013–14
Annual Review 2013 –14 1 Contents 03 Chairman’s Message 04 Chief Executive and Artistic Director’s Message 06 We Are Sadler’s Wells 08 About Sadler’s Wells 12 Higlights 2013 –14 14 Associate Artists 16 Associate Artists’ Portraits 34 Artistic Programme 37 A Look Back At Our Artistic Programme 40 On Tour 42 Producing and Touring New Work 45 Sadler’s Wells Cross Country 46 International Touring 48 Nurturing Talent 51 New Wave Associates 52 Wild Card 55 Summer University 56 Creative Learning and Community 58 Capturing Imaginations 61 Arts in Education 62 Making Connections 64 Creative Learning and Participation 68 Our Audience 71 Reaching Wide Audiences 72 Dance For Everyone 74 How We Make it Happen 76 More Support = More Sadler’s Wells 80 Visitor Services and Operations 83 The Engine Behind The Curtain 84 Financial Performance 87 Support 2 1 Chairman’s Message In April 2013 a new book called Sadler’s Wells dance house, written by Sarah Crompton of The Daily Telegraph, was published by Oberon Books. The opening chapter describes the Sadler’s Wells press conference, in March 2005, at which Alistair Spalding declared his ambition to create a national theatre for dance. Over ten chapters the book charts the careers of our Associate Artists, who are some of the world’s leading choreographers, and traces Sadler’s Wells’ transformation into a creative powerhouse – a place that not only receives work, but also commissions and encourages it. In the final chapter, Sarah Crompton concludes: “In sticking to his guns, Spalding has fulfilled many of the aims he outlined in 2005. -
Annual Report 10/11 Contents
Annual Report 10/11 Contents Foreword by Sir David Bell 3 Foreword by Alistair Spalding 4 About Our Work 5 Artistic Programme 6 Developing Audiences 14 Connect 16 Our Supporters 18 Our People 19 Commercial Activity 20 Financial Position 21 Supporters List 22 Staff List 23 3 Sir David Bell Chairman It almost goes without saying that the past year has been difficult financially not just within the arts but for all businesses. At Sadler’s Wells we feel we have done extremely well to ride this wave, with healthy ticket sales and an increased number of shows. But we are only too aware that the immediate future is very uncertain in the face of the continuing problems in financial markets, which make it more than usually hard to predict consumer spending. The fortunes of Sadler’s Wells took a huge step forward when Alistair Spalding took to the helm in 2004 and it is the hard work of Alistair and all his team that has enabled Sadler’s Wells to flourish even in the current financial climate. The decision to dedicate Sadler’s Wells to becoming the UK’s premier dance house has resulted in countless awards for its own productions, a dramatic increase in ticket sales and this year we have presented more Sadler’s Wells productions at venues around the world than at any other time. It speaks volumes that the five artists who joined as associates in 2004 have stayed with us over the past seven years and that our stable of dance talent now includes 14 artists and three resident companies. -
Welcome to Sadler's Wells
Welcome to Sadler’s Wells Welcome to these world premiere performances of Atomos. Wayne McGregor has consistently explored the relationship between the dancing body and scientific and cognitive research, and in this new work he has turned to one of the smallest of life’s component parts to influence and inform the making process. What this will produce is tantalising, and we won’t really find out until these opening performances. What we do know is that we will see another set of ambitious collaborations including music from A Winged Victory for the Sullen played live for these performances, and groundbreaking wearable technologies designed by Studio XO. We also know that we will see all of this set in the remarkable dances of Random Photo: Hugo Glendinning Dance Company. I would like to thank the The Monument Trust and our major donors for supporting co-productions and new commissions at Sadler’s Wells. I hope you enjoy this evening’s performance. Alistair Spalding CBE Chief Executive & Artistic Director Front cover photo: Rick Guest with Olivia Pomp Wayne McGregor | Random Dance Concept, Direction & Set Wayne McGregor Atomos is co-produced by Sadler’s Wells; Peak Performances Choreography Wayne McGregor in @ Montclair State University, New Jersey, USA; Movimentos collaboration with the dancers Festwochen der Autostadt in Wolfsburg, Germany; Festival Montpellier Danse 2014. Music A Winged Victory For The Sullen Atomos is co-commissioned by Fondazione I Teatri, Lighting Design Lucy Carter Reggio Emilia, Italy; Trinity Laban Conservatoire of Film & Set Photography Ravi Deepres Music and Dance, London, UK. Costume Design Studio XO Atomos is supported by The Idlewild Trust. -
SUTRA Version 10 – 25 March 2009
MARKETING AND PRESS PACK FOR SUTRA Version 10 – 25 March 2009 Sutra © Hugo Glendinning Content 1. Crediting 2. Brochure Copy 3. Sample Press release 4. Basic information 5. Biographies 6. Tour Schedule 2008 7. Press quotes 8. Press reviews 9. Press features 10. Merchandise For further information contact: Dawn Prentice, Sutra Touring Sadler’s Wells, Rosebery Avenue London EC1R 4TN T: +44 (0)20 7863 8107 E: [email protected] Page 1 of 21 Important note All copy must be used as provided. No changes or translations are permitted without the agreement of Sadler’s Wells. All information contained in this document, along with high resolution images, can be downloaded from www.sadlerswells.com/sutra_tour_marketing All marketing materials, audience programmes and press releases must be proofed by Sadler’s Wells before going to print. Please send all proofs, allowing adequate time for approval, to [email protected] ADDITIONAL RESOURCES FOR USE IN AUDIENCE PROGRAMMES CAN BE FOUND AT http://www.sadlerswells.com/sutra_tour_marketing/sutra_programme.asp 1. Crediting (Advance publicity & press release only) The following credits must appear on all advance publicity including posters, venue/festival brochures and press releases: Sidi Larbi Cherkaoui / Sadler's Wells London Sutra Sidi Larbi Cherkaoui / Antony Gormley Szymon Brzóska with monks from the Shaolin Temple Direction & Choreography: Sidi Larbi Cherkaoui Visual creation and Design*: Antony Gormley Music: Szymon Brzóska A Sadler’s Wells Production Co-produced with Athens -
Balletboyz Deluxe Welcome to Deluxe, a Programme of Brand-New Dance Made by Choreographers and Composers Working with Us for the Very First Time
BalletBoyz Deluxe Welcome to Deluxe, a programme of brand-new dance made by choreographers and composers working with us for the very first time. Following the extraordinary circumstances we have all found ourselves in this spring, we understand that this is not how you expected to see our latest show. Although we’re devastated that we’re unable to perform Deluxe in theatres, we’re delighted that we have been able to work out a way for you to enjoy it from the comfort of your own home. When we do return to the stage, hopefully later this year, we hope that you will come and see us live! It is such a thrill to be challenged in the studio, to find new ways of expressing an idea and to learn new techniques. For Deluxe, we wanted to find new voices to develop and work with the BalletBoyz dancers. Maxine Doyle and Xie Xin have taken the work of the company in new, more physical and thought-provoking directions. Over the last 20 years we have always thrived on the thrill of new collaborations and that continues to shape our creative decisions. The point of being a repertoire company, and not choreographer-led, is precisely to be able to change direction, take risks with fresh ideas, discover new voices and reveal unexpected outcomes. Despite doing this for 20 years, we are always looking for something original. We met Xie Xin when the company was on tour in China and managed to get ourselves invited to her Shanghai studio. There she spent a little time working with the dancers and getting to know the company.