Annual Report 11/12 Contents

Welcome from our Chairman 3 Foreword from our Artistic Director 4 About Our Work 5 Artistic Programme 6 Awards 11 Touring 12 Breakin’ Convention 14 Developing Audiences 15 Connect 17 Our Supporters 19 Commercial Activity 20 , photo by Angela Sterling Angela by photo , Financial Position 21 Concertante , photo by Richard Haughton Richard by photo , DESH This page: Dutch National Ballet’s Ballet’s National Dutch page: This Front cover: ’s Khan’s Akram cover: Front 3 Sir David Bell Chairman Photo: Bill Knight Bill Photo:

Welcome to this year’s annual report - a summary of Sadler’s Wells’ achievements in 2011/12. I am enormously proud that, in the year that increased pressure on arts funding really came to be felt, 677 performances were presented on the stages of Sadler’s Wells, the Peacock Theatre and the Lilian Baylis Studio. Proof that the public appetite for dance is as strong as ever, and a welcome contrast to the media’s gloomy predictions for the arts in this age of austerity.

Walking around Sadler’s Wells one can feel an extraordinary sense of energy and purpose, something I am sure the redoubtable Lilian Baylis would be very happy to see. Indeed, the spirit of that remarkable woman really appears to live on in the work that Sadler’s Wells does with the local community - this year’s mainstage project Sum of Parts, organised by the Creative Learning Department, was a triumphant success and for me it represented exactly what Sadler’s Wells is all about - inclusivity, artistry and a sense of community - both in terms of its place within the local area and its role in the UK dance scene.

Unique projects like Sum of Parts are made possible by the team of extraordinary people at Sadler’s Wells, so I would particularly like to thank those who work so hard behind the scenes to make this theatre absolutely one of a kind – one that has grown from an original ambition to be the dance house for London into one of the most respected venues on the world stage.

Sir David Bell

4 Alistair Spalding Artistic Director & Chief Executive Photo: Hugo Glendinning Hugo Photo:

For me, this past year has been all about the success of extraordinarily satisfying so it was wonderful to see Russell our Associate Artists. When I took over as Artistic Director Maliphant working with hip hop dancers for the first time, in 2004 I was determined that Sadler’s Wells should be a working with performers from Korea, place for supporting and nurturing dance talent, Japan and Europe in TeZukA and Fabulous Beast’s somewhere that would not only reflect the international Michael Keegan-Dolan working closely with musician and dance landscape but would contribute something back to composer Liam O’Maonlai to create a beautiful unison it by allowing new ideas to grow and flourish. 2011/12 has between music and dance. We could see this approach seen an astonishing number of Sadler’s Wells productions working particularly successfully in UNDANCE, a presented here in London but also around the world. This collaboration between Wayne McGregor, visual artist Mark year works by our Associate Artists have travelled from Wallinger and composer Mark-Anthony Turnage, where New York to Wellington, Serbia to Tokyo, taking the name Wallinger created a kind of scenario for the work by setting of Sadler’s Wells far beyond the leafy borders of Rosebery both McGregor and Turnage tasks to which they Avenue. responded musically and choreographically.

Here in London it has been a delight to see so many of our Our Gala event in February was enormously successful shows enjoying huge success with both audiences and and I would like to thank everyone who made the event so critics. Akram Khan’s DESH very deservedly picked up the special. By showcasing our Associates and other artists Best New Production award at the Olivier’s and I must who are at the heart of Sadler’s Wells we raised £200,000 agree wholeheartedly with the many who described the to reinvest in commissioning new work, supporting work as a masterpiece. established and emerging artists and our creative learning programme. I was extremely proud to present ’s 6000 miles away at Sadler’s Wells. It has been five years since I hope you enjoy reading through these highlights from the Sylvie began her relationship with Sadler’s Wells, working year gone by and I look forward to seeing you at the with Russell Maliphant and since then she has continued theatre in 2012/13. to seek out new challenges and collaborate with some of the most exciting choreographers of our time. 6000 miles away is a testament to her artistry as a performer and an enabler of new ideas.

In many ways this has been the year of collaborations. I have always believed in the ‘Diaghilev’ approach of introducing choreographers to artists of different disciplines - the results can be exciting, challenging and Alistair Spalding CBE 5 ABOUT OUR WORK

813 performances in London and on tour Income from artistic programme: 71% of income generated £16 million through artistic programme Almost 674,000 Of 106 productions on our stages in 2011/12, 34% tickets sold in the UK were either produced or commissioned by Sadler’s Wells and on tour

2011/12 was an extremely busy year on all three of our stages, with new Sadler’s Wells productions and commissions from our Associate Artists accounting for a significant proportion of the annual programme. These include a groundbreaking collaboration between choreographer Wayne McGregor, composer Mark- Anthony Turnage and visual artist Mark Wallinger, UNDANCE, Fabulous Beast Artistic Director Michael , Quarters Four in Anatomie Keegan Dolan’s contemporary dance to traditional Irish music show Rian and the Clod Ensemble’s spectacular An Vason Manuel Anatomie in Four Quarters, which completely reconfigured the Sadler’s Wells auditorium. Ensemble’s Clod by photo

Sadler’s Wells productions continue to be enormously successful both at home and overseas, with the recently created Producing & Touring Department responsible for ensuring our productions have a long life outside London. , Of the 11 productions we toured in 2011/12, eight were by Sadler’s Wells Associate Artists. See pages 12 and 13 for full touring information. Fuge Grosse Dutch National Ballet’s Ballet’s National Dutch Fatauros Jorge by photo Our Resident Companies Our Associate Artists New Adventures BalletBoyz Russell Maliphant Wayne McGregor | Random Dance Wayne McGregor ZooNation Sidi Larbi Cherkaoui Kate Prince Jonzi D Nitin Sawhney Sylvie Guillem Hofesh Shechter Michael Hulls Jasmin Vardimon Akram Khan 6 ARTISTIC PROGRAMME NEW COMMISSIONS AND PRODUCTIONS

677 performances at Sadler’s Wells, the Peacock Theatre and the Lilian Baylis Studio

128 artists commissioned 12 Sadler’s Wells productions 24 Sadler’s Wells commissions DESH Akram Khan’s full-length solo work, co-produced by Sadler’s Wells, was a runaway critical and commercial success and heralded as a masterpiece by critics. It returns to Sadler’s Wells in autumn 2012. , photo by Lesley Leslie-Spinks Lesley by photo , DESH was nominated for, and subsequently went on to win, the Olivier Award for Best New

6000 miles away miles 6000 Dance Production.

“The most urgent, beautiful and confident work of Akram Khan’s Sylvie Guillem’s Guillem’s Sylvie career” 6000 miles away THE GUARDIAN The world premiere of Sylvie Guillem’s 6000 miles away generated extremely positive reviews. The evening featured two brand new works created for Guillem by two of today’s most significant contemporary choreographers – William Forsythe and Mats Ek – as well as Jiri Kylián’s 27’52”.

We are extremely proud that Sylvie Guillem received an Olivier Award nomination for 6000 miles away at Sadler’s Wells. , photo by Richard Haughton Richard by photo ,

“Sylvie Guillem is quite simply a DESH dancer unlike any other there has ever been”

DAILY TELEGRAPH Khan’s Akram 7

The Rodin Project British Dance Edition was hosted in London for the first time in February 2012, here at Sadler’s Wells. As part of BDE, Russell Maliphant unveiled his latest work inspired by the sculptor Auguste Rodin. Exploring the movement possibilities of different dance styles, Maliphant worked with performers from both contemporary and hip hop dance backgrounds, as well as using a stage design made up of raised platforms - marking the first use of set in a full-length Maliphant work. The piece returns in the autumn of 2012.

“The dancers hang, slide, tumble and contort themselves, while the choreography shapes a language of delight from a vocabulary of Phillipe Laurent by photo , Project Rodin The torment” EVENING STANDARD Russell Maliphant’s Maliphant’s Russell

UNDANCE UNDANCE, which premiered at Sadler’s Wells in December 2011, was a groundbreaking collaboration between prolific composer Mark- Anthony Turnage, Olivier Award-winning , photo by Ros Kavanagh Ros by photo , Rian choreographer Wayne McGregor and Turner Prize-winning visual artist Mark Wallinger. It marks the first in a planned Composer Series of Sadler’s Wells’ commissions, which take as their starting point the work of a living composer. Michael Keegan Dolan’s Dolan’s Keegan Michael “Dance that is at once vividly present and Rian also reverberating on the retina and in our This co-production between Sadler’s Wells consciousness... stimulating to eye and and Fabulous Beast was a fascinating hybrid mind” of Irish and world dance that the Arts Desk FINANCIAL TIMES described as “a heart-lifting and ingeniously ingenuous Irish dance night that brought Sadler’s Wells to its feet in full-throated roaring”. Inspired by Liam Ó

Maonlaí’s beautiful score, which mixes Celtic , UNDANCE sounds with elements of world music, Fabulous Beast’s Michael Keegan-Dolan created a moving celebration of Irish traditions with global influences. The work premiered in Dublin before its London premiere at Sadler’s Wells, with international

touring planned for 2012. Wallinger’s & McGregor Turnage, Deepres Ravi by photo 8 Presenting the very best companies from around the world

wrote “Britain sees so absurdly little of the great man’s work…Van Manen is one of the great masters”. Sadler’s Wells in the West End The Peacock Theatre continues to play a vital part in our activities, presenting longer-running, more commercial dance for a West End audience. The Peacock Theatre has developed its own identity within the Sadler’s Wells brand, acting as the only venue dedicated exclusively to dance in London’s West End.

We were thrilled to welcome South African dance show

, photo by Herman Sorgeloos Herman by photo , Bartók/Mikrokosmos UMOJA back to London after its enormously successful debut in 2000; the pulsating musical celebration of South Rosas’ Rosas’ African song and dance ran for three weeks at the Rosas retrospective Peacock Theatre in February 2012. One of the Peacock Theatre’s biggest success stories, Havana Rakatan, Anne Teresa de Keersmaeker’s Rosas has had a long returned for its fifth season, proving as wildly popular as relationship with Sadler’s Wells. In April 2011 we ever and in spring 2011 the hugely popular The Merchants presented a retrospective of four of De Keersmaeker’s of Bollywood returned for a second West End run after its early works. Critics praised the works, with the Evening critically acclaimed international tour. Standard commenting that: “Anne Teresa De Keersmaeker’s artistry and intelligence can’t be It was an honour to welcome back our Resident Dance overstated”. Company ZooNation, who returned to the Peacock Theatre FELA! with their second full-length work Some Like It Hip Hop. Our major show for summer 2011 was the triple Tony We were proud to present the premiere of ZooNation’s first Award-winning FELA!, which originally premiered at the full-scale show, Into the Hoods, at the Peacock Theatre in National Theatre in 2010. The production was supported 2006 and see the show develop into the long-running by a major London and home counties-wide marketing West End smash that it became. So we were delighted to campaign, attracting a very broad audience and high- work with the company once again on their follow-up profile media attention. production and to see that more than live up to the hype, with multiple award nominations including two Oliviers and “Sadler’s Wells seems a far more natural home for a South Bank Award. Some Like It Hip Hop returns to the FELA! than the National. For although this Peacock Theatre in corybantic show combines dance, theatre and September 2012 music and enjoyed a sell-out run in SE1 last winter, before touring the its best moments are those of booty-shaking, hip- UK. wiggling and pelvis-grinding glory.” EVENING STANDARD “Zany and zippy, hilarious and Dutch National Ballet heartwarming. A WINNER” The Netherlands’ leading company of international ballet

THE TIMES on Prince Simon by photo , Hop Hip It Like Some dancers returned to Sadler’s Wells in May 2011 for the first Some Like it Hip time since 2006, to present a programme entirely Hop dedicated to the work of Hans van Manen. The Guardian ZooNation’s 9 Introducing New Work to London

We are committed to presenting and developing cutting-edge new work from around the world. As well as our own commissioned productions, often created with support from the Jerwood Charitable Foundation, we take pride in seeking out some of the most exciting new names in dance from around the world and bringing them to London. This year those names included Daniel Linehan and cult choreographer Dave St Pierre. Jerwood Studio at Sadler’s Wells 2011 this original initiative is the only one of its kind in the UK, and involves artists coming together to work for a The Jerwood Studio is a major creative initiative developed fortnight each summer over four years, to examine, by Sadler’s Wells and funded by the Jerwood Charitable debate and refine their understanding of the art and craft Foundation, established in 2006 to allow artists the of choreography. Working with renowned choreographer freedom to explore ideas with collaborators outside of and writer Jonathan Burrows fifteen young tightly scheduled production processes. Now well in its choreographers were selected via an open call, and the stride, the research and development opportunities first year proved a resounding success. The final strand, created by the Jerwood Studio have given rise to a wide and only public element of the Jerwood Studio, is a series range of productions and fruitful connections over the past of talks under the banner body:language, which takes six years. The Jerwood Studio has been developed and is place each autumn in the Lilian Baylis Studio. directed by Emma Gladstone, Artistic Programmer and Producer at Sadler’s Wells. Works programmed in 2011 that benefitted from the Jerwood Studio included Clod Ensemble’s An Anatomie in The two main strands of activities are cross-art form Four Quarters, Hofesh Shechter’s Political Mother, Sidi collaborations, practical studio research time exploring Larbi Cherkaoui’s Dunas with Maria Pagés, and Martin fresh ideas, that run throughout the year, and the Creed’s Work No 1020. pioneering Sadler’s Wells Summer University. Launched in , photo by Jason Somma Jason by photo , Montage for Three & Not About Everything About Not & Three for Montage Daniel Linehan’s Linehan’s Daniel 10 , photo by Dave St Pierre St Dave by photo , Un peu de tendresse bordel de merde! de bordel tendresse de peu Un Dave St Pierre’s Pierre’s St Dave Dave St Pierre “Nudity and mock masturbation splits the critics and the audience as enfant terrible of choreography Radical Canadian choreographer Dave St Pierre brought premieres new show. To one critic, it was moving his company to Sadler’s Wells for the first time in June and tender, ‘truly remarkable and not to be missed’; 2011 to present Un peu de tendresse bordel de merde! to another, ‘a heap of ordure so ripe you could The production, which came with well-publicised fertilise your petunias with it’...it was certainly a warnings of its explicit adult material, generated an performance to remember.” enormous amount of coverage in mainstream media, THE GUARDIAN provoking much debate about the moral role of theatre in society. Daniel Linehan “I’m surprised people are so interested in the nudity The PARTS-trained New York choreographer made his as I’m certainly not the first choreographer to use it debut in London with Montage for Three & Not About on stage. Choreographers have been doing this for Everything. Linehan has established a solid reputation in more than 40 years. I don’t know why it’s still so the US and in Europe as an exciting new voice in modern shocking.” Dave St Pierre dance. His debut in the Lilian Baylis Studio was extremely well received and Sadler’s Wells is keen to continue supporting Linehan, who returns in May 2012. 11 Awards Olivier Awards Best New Dance Production - NOMINATIONS DESH by Akram Khan Company at Sadler’s Wells (subsequently won the award in April 2012) Gardenia by Les Ballets C de la B at Sadler’s Wells Some Like It Hip Hop by ZooNation at the Peacock Theatre

Outstanding Achievement in Opera - NOMINATIONS Mark-Anthony Turnage for his composition of Anna Nicole at the Royal Opera House and Twice Through The Heart at Sadler’s Wells , photo by Lesley Leslie-Spinks Lesley by photo , Critics Circle National Dance Awards 6000 miles away miles 6000

Outstanding Female Performance (Modern) - WINNER

Sylvie Guillem’s Guillem’s Sylvie Sylvie Guillem for 6000 miles away

Outstanding Achievement in Dance - Best Modern Choreography - WINNER NOMINATIONS Akram Khan for Vertical Road Sylvie Guillem for her performance in her production of 6000 miles away at Sadler’s Wells Outstanding Male Performance (Modern) - Tommy Franzén for his performance in ZooNation’s WINNER Some Like It Hip Hop at the Peacock Theatre Sidi Larbi Cherkaoui for Dunas Luk Monsaert Luk , photo by by photo , Gardenia Les Ballets C de la B’s B’s la de C Ballets Les 12 Touring

CONFLUENCE 28 cities Jun 11 Luminato Festival, Toronto, Canada Dec 11 Bruges Festival, Belgium 11 productions Jan 12 Les Théâtres de la Ville de Luxembourg, Luxembourg

136 performances EONNAGATA Jun 11 Chekhov International Theater Festival, Moscow, Russia Nov 11 Japan Performing Arts Foundation, Tokyo, Total audience of Japan 131,597 HAVANA RAKATAN It is now seven years since the premiere of Sadler’s Wells’ Jun 11 Sydney Opera House, Australia first productions, zero degrees and PUSH, which Sep 11 Theatre Carre, Amsterdam, The Netherlands established our new agenda to focus on producing and developing new dance works, as well as receiving them. We are proud that 2011/12 has seen many new Sadler’s Wells works appearing not only here in London but also touring across the globe.

Sadler’s Wells touring shows in 2011/12 included new productions such as Sylvie Guillem’s 6000 miles away and Russell Maliphant’s The Rodin Project as well as major successes commissioned in previous years.

6000 MILES AWAY Jul 11 Athens Festival, Greece Sep 11 Esplanade, Singapore Oct 11 Tokyo Bunka Kaitan, Tokyo, Japan Jan 12 Holland Dance Festival, The Hague, Netherlands Mar 12 Oyssud, Blagnac, France Mar 12 Théâtre des Champs-Elysées, Paris, France AFTERLIGHT , photo by Hugo Glendinning Hugo by photo , AfterLight Apr 11 Les Théâtres de la Ville de Luxembourg, Luxembourg Apr 11 Festspielhaus, St Polten, Austria Apr 11 Trafo Theatre, Budapest, Hungary Jan 12 Staatsoper, Munich, Germany Russell Maliphant’s Maliphant’s Russell 13 , photo by Hugo Glendinning Hugo by photo , TeZukA Sidi Larbi Cherkaoui’s Cherkaoui’s Larbi Sidi PUSH SUTRA Apr 11 Teatro Grande, Brescia, Italy Jun 11 Tanec Praha, Prague, Czech Republic May 11 Teatr Wiekli, Lodz, Poland Jul 11 Internationaler Tanzsommer Innsbruck, Austria Oct 11 Festspielhaus, St Polten, Austria Mar 12 Abu Dhabi Festival, United Arab Emirates Oct 11 Marinsky Theatre, St Petersburg, Russia Mar 12 Belgrade Dance Festival, Serbia TEZUKA Sep 11 deSingel, Antwerp, Belgium RIAN Oct 11 Festspielhaus, St Polten, Austria Oct 11 Dublin Theatre Festival, Ireland Feb 12 Equilibrio, Roma, Italy Feb 12 Hong Kong Festival, Hong Kong THE RODIN PROJECT Feb 12 Bunkamura, Tokyo, Japan Mar 12 New Zealand International Arts Festival, Feb 12 Théâtre des Champs-Elysées, Paris, France Wellington, New Zealand Feb 12 Centre d’art et de culture, Meudon, France Mar 12 Les Théâtres de la Ville de Luxembourg, Feb 12 Festspielhaus, St Polten, Austria Luxembourg Feb 12 Lawrence Batley Theatre , Huddersfield, UK Mar 12 Lakeside, Nottingham, UK Mar 12 The Point, Eastleigh, UK Mar 12 Baerum Kulturhus, Oslo, Norway 14

Performed to over 5,000 people

45 international artists

900 project participants 215 UK artists

This choreographic development course, which called on the teaching expertise of choreographers Jasmin Vardimon and Jonzi D, resulted in five emergent hip hop choreographers producing new work all of which went on to be programmed in the 2012 Breakin’ Convention festival and tour. Open Art Surgery This workshop and performance opportunity is for artists

photo by www-simonkanephotography-co-uk by photo interested in exploring creative ideas in hip hop theatre. Previously a Jonzi D Projects event, Breakin’ Convention’s first Surgery saw a significant increase in interest from participants and audience attendance. Open Art Surgery

Jonzi Surgery, Surgery, Jonzi showcased one-off performances and works in progress from emcees, dancers, beatboxers and musicians Breakin’ Convention collaborating with one another, some meeting each other International Festival for the first time during the course of the week. Breakin’ Convention, a Sadler’s Wells Project led by Associate Artist Jonzi D, continued in developing and Jonzi D’s Surgeries have long been a breeding ground for supporting hip hop culture through its annual festival and creating new and emerging pieces of hip hop theatre work professional development work. with some pieces progressing to fully polished productions premiering at Breakin’ Convention, such as Returning to Sadler’s Wells for the eighth year in 2011, Ella Mesma in Evol (Breakin’ Convention 2011) and Shock Breakin’ Convention International Festival of Hip Hop and Breaker of Flawless in Manipulation (Breakin’ Dance Theatre continues to deliver the very best in UK and Convention 2008). international hip hop dance, with top price tickets still fixed at just £20. Performers in the 2011 festival included Pierre Hip Hop Hospital Rigal (France) , Tabu Flo (Uganda), Boy Blue (UK) and Hip Hop Hospital, funded by Children in Need and The Chicago Footwork (USA). Breakin’ Convention continues Austin & Hope Pilkington Trust, brings hip hop culture to to be as popular as ever, acting as one of the UK’s highest children’s hospital wards, giving the chance to learn hip profile hip hop events, with tickets always selling out. hop history and to rap, record, sketch, paint and DJ, or Alongside the performances, Breakin’ Convention offers get behind the camera with a film-maker. The Hip Hop workshops, film screenings and foyer events. Hospital project was delivered in two children’s hospitals in 2011 and there are plans to raise more funds to deliver this Breakin’ Convention offers a year round programme of hip again over the next three years. hop related events and activities, alongside the festival’s national tour. Highlights in 2011/12 include: breakinconvention.com A new version of the website was launched in April 2011 Back to the Lab with the aim of making it more news and content Back to the Lab is a new initiative from Breakin’ orientated, showcasing information on artists and videos Convention for 2011, aimed at experienced hip hop from past festivals. In the year 11/12, Facebook fans choreographers and designed to explore new ways of increased by 150%, Twitter followers by 200% and approaching choreography, direction and staging. The YouTube video views up by 630%. artists, hand-picked by Breakin’ Convention in 2011 were: Ivan Blackstock, Toby Gornaik, Ashley Jack, Simeon Qsyea and Botis Seva. 15

DEVELOPING AUDIENCES

Digital Seminar In July 2011 Sadler’s Wells presented a Digital Seminar on the role of video in the communication strategy of small and mid-sized arts and non-profit organisations. Presented with support from the Paul Hamlyn Foundation, the half-day event offered a chance to gain insights and practical advice from digital video experts through two panel discussions and Q&A sessions. Speakers included:

• Maya Gabrielle (Digital Content Producer, National Theatre) • Kate Vogel (Producer, Tate Media) • Patrick Johnston (Head of Business Development EMR , photo by Tristram Kenton Tristram by photo , Digital)

FELA! • Tom Laidlaw (CEO Videojug) We believe there is no typical ‘Sadler’s Wells audience’ - • Richard Cohen (CEO of lovelive, previously MD of Kyte) the breadth of our programming, from hip hop to ballet, • David Kaplowitz (filmmaker) tanztheater to flamenco, attracts people from a diverse range of backgrounds with a wide range of interests. The seminar was extremely well attended and is available to view in its entirety on our YouTube channel. One of our key strategies in building this audience and encouraging a healthy return-rate is our multi-buy offer. “Audiences at Sadler’s Wells have doubled in the This allows customers to make savings on ticket prices past five years, largely down to digital’s ability to when booking for two or more shows, therefore enabling reach more and more people, enhance word of audiences to book for something that they might not mouth and visually ‘sample’ the product online” ordinarily see, at minimal financial risk. Kingsley Jayasekera, Director of Communications and Digital Strategy In 2011/12 we sold over 51,000 Latitude multibuy tickets Sadler’s Wells returned for the fourth year to the stunning outdoor location of the Waterfront Stage at the Latitude Digital strategy Festival, with an enthusiastically received mixed bill We continue to invest in digital media as a key strand of watched by an audience of over 4,000 people. The our communications. Our new show page design for programme seeks to share the rich mix of styles and artists www.sadlerswells.com went live in July 2011. The new presented at Sadler’s Wells, opening our reach to an even design integrates video directly into the show page, wider audience. Shows presented at Latitude by Sadler’s contributing to a rise in video plays on the site. We also Wells in 2011 included ZooNation's Some Like It Hip Hop, continue to see a rise in mobile use of the site, which is up Finnish choreographer Tommi Kitti, and Fela! from 5.71% to 15.5%.

Our series of ‘Behind The Scenes’ videos continue to be an extremely popular feature, offering an insight into the creation of many of the works in our season. In 2011/12 these included Wayne McGregor’s FAR, ZooNation’s Some Like It Hip Hop and Connect’s Sum of Parts as well as R&D work from the Jerwood Studio. 16

Over 22,000 followers

Over 200,000 people subscribed to our e-mailing list More than 4,000 subscribers on & more than 6,000,000 www.sadlerswells.com received over video views to date 10,000 visits per day Over 12,000 likes

LondonDance.com Sadler’s Wells Local Created through a partnership between Arts Council Now in its third year, Sadler’s Wells Local continues to offer England and Sadler’s Wells to provide dance information reduced-price tickets for Sadler’s Wells and Peacock for London, LondonDance.com has become an Theatre shows to select charities, voluntary, youth, indispensable resource for comprehensive information housing and tenant organisations in the local boroughs of about dance in London in its 10 years online. After a Islington and Camden. complete redesign a new version of the site was launched in December 2011, resulting in increased page views and In 2011/12 Sadler’s Wells Local: an improved user experience. TheSpace.org Included 45 Sadler’s Wells, Peacock Sadler’s Wells was thrilled to become a part of The Space Theatre and Lilian Baylis Studio shows in March 2012. Designed to operate as a new way to access and experience all of the arts online, for free, The Connected with 192 charities, Space will showcase many of the extraordinary arts events taking place in the capital during the cultural voluntary, youth, housing and tenant Olympiad, including our forthcoming British Bollywood organisations in Islington and Camden musical Wah! Wah! Girls. Global Dance Contest Global Dance Contest, our annual search for new dance talent, reached the end of its planned three-year period in 2011, receiving 608 entries from 54 countries over three years. The winner, Ihsan Rustem, will see his work State of Matter presented at Sadler’s Wells Sampled in June 2012, performed by Northwest Dance Project from Portland, USA. 17 CONNECT SADLER’S WELLS IN THE COMMUNITY

Sadler’s Wells’ creative learning programme, Connect, Sum of Parts ensures that the work programmed on the theatre’s stages is supported by dynamic creative engagement and Connect’s major work for 2011/12 was Sum of Parts, a six audience development activity. month project to create a mainstage community performance featuring performers of all ages and backgrounds working with six choreographers of world Over 16,000 attendances renown to music by Associate Artist Nitin Sawhney. The production, which saw a cast of 200 performers drawn across 371 sessions from local schools, youth clubs and community groups working with our Associate Artists, was an enormous success and marks a trend we want to continue, with Watched by over 30 schools similar works planned for 2012/13 and 2013/14. and youth dance companies Director’s Conversations In 2011/12 Connect added a new strand of work linked to key programming topics: Director’s Conversations. These take place in the Lilian Baylis Studio, and offer an opportunity for audiences to hear first-hand discussions between Sadler’s Wells Artistic Director Alistair Spalding and artists regarding their work. All conversations offer live subtitling to give deaf, deafened and hard of hearing people access to the discussion. , photo by Belinda Lawley Belinda by photo , Parts of Sum Connect’s Connect’s 18

Access London Youth Dance The interpretation programme was expanded in 2011/12, Pan-regional working in 2011/12 included continued including pre and post show talks, workshops, BSL leadership for the London Youth Dance project. A highlight interpreted and audio described performances and talks. of the programme included the annual London Youth Sadler’s Wells presented six assisted performances and Dance weekend at The Scoop at Tower Bridge in July seven BSL interpreted talks. featuring 1,200 young dancers which attracted audiences of around 4,000; delivering signature development Connect Festival projects to support emerging youth dance groups; nurturing the next generation of dance professionals The Connect Festival in March provided an opportunity for through the Aspire programme and a choreographic over 2000 people to participate, learn, watch, review and award, Blueprint Bursary and the ongoing delivery of the discuss dance. The programme included two youth zone on LondonDance.com. international collaborations: a creative learning commission uniting Jasmin Vardimon Company and young women from Kolkata Sanved, India; while Theatre Studies students from Central St Martin’s and Rose Bruford College worked with French architecture and theatre students on a project inspired by Russell Maliphant’s The Rodin Project, a joint production from Sadler’s Wells and Theatre Chaillot, Paris. Over 60s The Over 60s programme continues to flourish through the weekly Arts Club, weekly outreach dance classes in two venues and the renowned Company of Elders who toured a programme of work created in collaboration with New Adventures, Hofesh Shechter Company and Wayne McGregor | Random Dance to UK venues, Holland and Austria. , photo by Belinda Lawley Belinda by photo , Parts of Sum Connect’s Connect’s 19 OUR SUPPORTERS

Sponsorship and Trust & Foundations fundraising represented the biggest donations accounted for 7.9% area of growth for us. of Sadler’s Wells’ annual revenue We are grateful for the support provided by the following grant-making bodies:

Our fundraising gala raised over • The 29th May 1961 Charitable Trust • Aspect Charitable Trust £200,000 • The Austin & Hope Pilkington Trust • City Bridge Trust • Daiwa Anglo-Japanese Foundation • The Edwin Fox Foundation • Garfield Weston Foundation • Goethe-Institut London • The Henry Moore Foundation Despite the challenging economic environment, 2011/12 • Jerwood Charitable Foundation was one of the most successful years for fundraising for • John Lyon’s Charity Sadler’s Wells. This was a direct result of the commitment • The Mactaggart Third Fund and generosity of our major donors and patrons as well as • Millichope Foundation support from several charitable trusts and corporate • The Mirisch and Lebenheim Charitable Foundation supporters. Sponsorship and donations accounted for • The Monument Trust 7.9% of total revenue generated in the year. • PRS for Music Foundation • Quercus Trust Support was secured for our general operating costs and • The Rayne Foundation three areas of our work in particular; namely, the • Sir Siegmund Warburg’s Voluntary Settlement commissioning of new work, our creative learning and community programme and our support for young talent Corporate support came largely from two production and emerging artists. sponsors - American Express and Outset in partnership with Northern Trust - who supported Sadler’s Wells’ new Individual support included: commissions – DESH and UNDANCE respectively. • Major gifts from a number of donors for general operating support and for our new commissioning fund Bloomberg, Man Group and Palamon Capital Partners • Production support specifically for Sylvie Guillem’s 6000 renewed their corporate memberships, providing financial miles away and the Tanztheater Wuppertal Pina Bausch support in return for corporate hospitality and employee World Cities 2012 season engagement opportunities. • The patrons and members programme which remained steady at about 400 members In addition to corporate sponsorship we continue to grow • Our fundraising gala, which attracted over 300 our support from Embassies for our international supporters and raised £200,000 in net income presentations. In 2011/12 we secured support from the • Our young patron programme which achieved modest Netherlands and Spanish Embassies and the Taipei but steady growth Representative Office. • Donations with online ticket bookings provided a new source of income with over a fifth of customers making a donation with their purchases. 20 COMMERCIAL ACTIVITY

Maximising potential commercial income to support our When not used for the artistic programme Sadler’s Wells artistic programme is particularly important with the current offers the theatre facilities to commercial clients for a range financial pressures. Sadler’s Wells works hard to generate of conferences and events. In 2011/12 this contributed income commercially whilst also seeking to offer the best £0.4million. Clients in this year included TEDxObserver, customer experience possible. We are also committed to Accenture and Cancer Research. operating as sustainably as we can. Sustainability Catering & Events Sadler’s Wells continues to make a concerted effort to Sadler’s Wells operates an in house catering facility. This reduce waste and limit negative effect on the environment. enables the theatre to offer a service that is both responsive In 2011/12 we have achieved a 37% reduction in our to customer needs, as well as ensuring the maximum mains water consumption, which is an approximate financial benefit can be taken to support the artistic saving of 8185m3. Overall Sadler’s Wells now recycles programme. During the year the contribution was in the 80% of all waste. order of £0.5million. The quality of the customer experience in our theatres is very important to us. We have worked hard this year to improve the quality of the food offered and increase the service standards, particularly at the bars. Fundraising Gala, photo by Belinda Lawley Belinda by photo Gala, Fundraising 21 FINANCIAL POSITION

SWT Income 2011/12 Statutory Accounts

Trading & Other £2.6m

ACE £2.3m

Fundraising £1.8m

Theatre Presentations £16.1m

Sadler’s Wells derives some 90% of its £22.8million There was an operating surplus of £0.2million in turnover from earned income; the remaining 10% in unrestricted funds This was taken to reserves, in order to support from Arts Council England. Despite this heavy help protect and sustain the charity in future years. reliance on earned income, in a challenging economic climate Sadler’s Wells broke even overall. There was a net outflow of £0.3million in restricted funds. This reflects the expenditure of funds received in previous years for specific purposes.

SWT Expenditure 2011/12 Statutory Accounts

Trading & Other £1.5m

Fundraising £0.4m

Theatre Running £4.6m

Theatre Presentations £16.4m

Sadler’s Wells Supporters

We would like to thank all those who generously support the theatre’s activities

Individuals Mr and Mrs George Loudon Torsten Thiele The Rosebery Group Trusts And Foundations Lindy Mason E. G. Tomsett Severine Balick Avant-Guardians Barbara and Karsten Moller Constanze von Unruh Thomas Bentz Major Partners Anonymous Guardians Georgia Oetker Sandra Waterman Amanda Cupples The 29th May 1961 Charitable David and Primrose Bell Lady Solti Richard Wilson OBE Mindy Davidowski Trust Angela Bernstein CBE Constanze von Unruh Melanie and Keith Young Ayelet Elstein Dame Hilda Bracket Trust The Deborah Loeb Ian Forde The Deborah Loeb Brice Foundation C ommissioning Patrons Opening Night Patrons Maria Galluccio Brice Foundation Marco Compagnoni Anonymous Anonymous Robert Glick The Edwin Fox Foundation Ann and Martin Smith Mr Andrew Arends Nancy and Richard Balaban John E Haines Esmée Fairbairn Foundation The Ulrich Family and Ms Frances Murphy Henry C Beck Jr Charitable Trust Faizal Khan Garfield Weston Foundation Jane Attias R. Borzello and Diala Khlat Jerwood Charitable Foundation A rtistic Director’s Circle Mr and Mrs Sekhar Bahadur The Camden Trust LYKOURIA John Lyon’s Charity Anonymous G. P. and J. M. Batchelar Jenny Brend Juan Carlos Machuca The Mirisch and Lebenheim Paola Bergamaschi-Broyd The Bell Cohen Charitable Trust Denise Cohen Charitable Trust Alessandra Masoero Charitable Foundation and Richard Broyd Kristina Borsy and Nick Turdean Geoffrey Collens Nina Miall The Monument Trust Jules and Cheryl Burns Mrs Pamela Brand-Field John Crisp Erdem Moralioglu Quercus Trust Lloyd and Sarah Dorfman José and Meg Breña Albert and Lyn Fuss John and Louise Newton The Rayne Foundation Barbara and Karsten Moller Helen Buck Mina Gerowin and Jeffrey Zulema Quintans Sir Siegmund Warburg’s Sir Christopher Ondaatje Nica Burns Herrmann Michael Rangos Voluntary Settlement Lady Solti Dorothy Marie Burwell Karine Giannamore Karim Saddi Tony Oakley Estate Gary Carter and Marius De Vos Neil Griffiths-Lambeth Eliot Sandiford The Wolfson Foundation Major Project Support Sarah and Philippe Chappatte Ms Jeannette Grohe and Beth Serota Angela Bernstein CBE Helen Chung-Halpern Dr Azhic Basirov Tom Sitton Partners The Deborah Loeb and Abel Halpern Stephen and Jennifer Harper Polly Stokes Aspect Charitable Trust Brice Foundation Andrew Cracknell Janet Hiebert Natalie Wills The Austin and Hope Sue Butcher Kathleen Crook and Elizabeth Holt Johanna Wilson Pilkington Trust Simon and Virginia Robertson James Penturn Mr and Mrs T S Lee Jonathan Wood The City Bridge Trust Robin Saunders Toni Cupal and Alison LeMaire Nick Wood The Daiwa Anglo-Japanese Richard Wilson OBE Michelangelo Volpi Mr and Mrs George Loudon Foundation Andrew Davenport Stuart Lucas Performance Members Goethe-Institut London Season Patrons John Drewitt Harry and Fiona MacAuslan Anonymous Henry Moore Foundation Lauren and Michael Clancy Sarah and Louis Elson Arela Natas Gill Acham The Mactaggart Third Fund Charles Glanville Piers Fallowfield-Cooper Elizabeth Nolan Andrew Barnett The Millichope Foundation Jack and Linda Keenan Juliana Farha and Kit Malthouse Georgia Oetker Carol Brigstocke PRS for Music Foundation Samuel and Nina Wisnia Celeste Fenichel Dave Plummer and Lesley Whitby Jennifer Brophy The Robert Gavron Susan Gibson Peter B Rea Kendall Duesbury Charitable Trust New Production Patrons Christopher Gorman-Evans Nigel Roberts Caroline Duggan Peter and Sally Cadbury The Richard Grand Foundation Alastair Sharp Major Dafydd Edwards Corporate Sabine Chappard Jan Grandison David and Dee Dee Simpson Paola Ferretti-Johnson The Robert Gavron Lettie Hart Constance Slaughter Peter and Judith Foy Corporate Partners Charitable Trust Rick and Janeen Haythornthwaite Brian D Smith Anne Greene American Express Dr Haruko Ichinose Leili Huth Lee Snowden Sarah Griffin Bloomberg Carol Lake Beryl Jones Halkyard Alistair Spalding Claudia Hamilton Rolex John and Susan Lazar Joyce Kan Stuart and Louise Spence Sue Hammerson CBE Alexander Mayr Anne Kauder Stuart Stanley Michael Holter Corporate Sponsors Frank and Helen Neale Latifa Kosta Katja Tangen Sandrine Jensen Bennetts Associates Dominic Palfreyman Stéphane Lapiquonne Allen Thomas and Eugene Leahy and Clifford Chance Robin Pauley Addy Loudiadis Jane Simpson Helmert Robbertsen Frederick’s Restaurant Jan & Michael Topham Lindy Mason Lan Tu Gerald Lidstone Laurent-Perrier Joanne and Nick Young Robert and Kate McGuire Anna Valentine and Eric Longstaff Man Group plc Jenny Noe-Nordberg Jonathan Berger Dr Patrick Maher Outset in partnership Project Support Mr and Mrs C Norton Margarita Vlahopoulou Henderson Murray with Northern Trust Jane Attias Midge and Simon Palley John Voss Anthony and Alison Nathan Palamon Capital Partners Mr and Mrs Sekhar Bahadur Dr Elizabeth Parker Linda and Stephen Waterhouse Sally Pasmore José and Meg Breña The Porter Foundation Gerry and Ruth Weiss Andrew Pollard Corporate Supporters Jennifer Brophy Kerri Ratcliffe and Geraldine Ravet Bibendum Helen Buck Doug Henderson The American Friends Clare Rehill Criterion Ices Limited Gary Carter and Marius De Vos Ross Roberts David Bernstein Isla Smith The Zetter Hotel and Restaurant Helen Chung-Halpern Kristina Rogge Bertina Ceccarelli Alison Smyth and Abel Halpern Dee Salvest Robert Clauser Mark Soundy Embassies / Geoffrey Collens Anoush Sarkissian-Katz Elizabeth Deforest Scott David Taylor Government Agencies Andrew Cracknell His Excellency Ghassan I Shakar Amanda Haynes-Dale Bonnie J Ward Embassy of the Kingdom Kathleen Crook and Kaveh and Cora Sheibani Michelle Herbert Susan and Charles Whiddington of the Netherlands James Penturn Amanda Sieff Colin and Dee McKechnie Institut Français de Andrew Davenport Claire Sohn Jerome Priest Royaume-Uni Celeste Fenichel Plev Spine Celia Rodrigues (Chair) Office for Cultural and Scientific Joachim Fleury Christopher and Fiona Steane and Mark Rodrigues Affairs, Embassy of Spain Charles Glanville Tanya and David Steyn Wenke Thoman Sterns Taipei Representative Office Leili Huth Paula and David Swift Monica Voldstad in the UK

Sadler’s Wells Foundation and Trust

Sadler’s Wells Chairman José Breña Lady Panufnik Sadler’s Wells Trust Foundation Sir David Bell Nica Burns Celia Rodrigues Steph Charalambous Dr Maggie Semple OBE Chairman Marco Compagnoni President Vice Chairman Valerie Colgan Sir David Bell Joachim Fleury Lady Solti Harry MacAuslan Celeste Fenichel Honorary Clerk Robert Glick Joachim Fleury Kathy Honeywood Directors Carol Lake Hon. Vice President Governors Ian Jentle Rab Bennetts OBE Harry MacAuslan Ian Albery Monique Bahadur Martin Klute Clerk to the Foundation Sue Butcher Robin Pauley Rab Bennetts OBE Barbara Kahn Moller Alistair Spalding Robin Saunders Kristina Borsy Annie Norton Sandi Ulrich

If you would like to know more about supporting Sadler’s Wells, please contact the Development Office on 020 7863 8134 or [email protected] Sadler’s Wells Staff

Chief Executive and Artistic Director Publications Editor Deputy House Managers STAGE Alistair Spalding Sally Harper Dara Brooks, Larry Harrison, Executive Director Publications Officer Janine Kaufman, Marcella Santese Administrator Laura Stevenson Siew Lee Khaw Front of House Sales Administrator Tom Hares Finance Director Editorial Officer Chris Harmer SADLER’S WELLS THEATRE Mark Rhodes George Acock Performance Cashiers Technical Manager Director of Communications Head of Press Dara Brooks, Robert Churchill, Christian Wallace & Digital Strategy Abigail Desch Chris Harmer, Larry Harrison-Mateeba, Senior Technician Kingsley Jayasekera Press Officers Kurt Muda Ali Low Director of Development Caroline Ansdell, Maxim Bendall, Front of House Sales Assistants Technicians Georgie Shields Rob James Marie-Claire Adriaenessens, Emili Astrom, Graham Cutting, Neil McGovern, Executive Producer Press Office Co-ordinator Lisa Beck, Claire Bracewell, Lorea Burge, Sam McLeod Suzanne Walker Eugénie Dunster Abigail Carter, Jane Chan, James Clayton, PEACOCK THEATRE Director of Programme Management Web Manager Jonas Falter, Evie Fordham, Polly Frame, Technical Manager Katy Arnander Mark Doerfel Gigi Giannella, Luca Guarnier, Martin Andrew Gorman Director of Visitor Services & Estates Multimedia Officer Harper, Anna Harrison, Geber Sandoval Senior Technician Britannia Morton Robin Clark Heredia, Vera Hochkofler, Amy Hyde, Laura Wareham Director of Technical & Production Web Editor (LondonDance.com) Katsura Isobe, Luke Kearney, Alice Technician Emma Wilson Carmel Smith Kilkenny, Ewa Lamond, Marine Laventure, Dave Judd Co-Directors of Creative Learning Web Assistant (LondonDance.com) Ljiljana Lemajic, Wing Li, Vivien Loh, LILIAN BAYLIS STUDIO Jane Hackett Sarah Golding On Yee Lo, Claire Marty, Takeshi Technical Manager Fiona Ross Matsumoto, Tim Mays, Manuela Mocanu, Roman Bezdyk Artistic Programmer and Producer DEVELOPMENT Rhiannon Montagu-Harrison, Thomas Senior Technician

Emma Gladstone Montagu-Harrison, Matthew Moore Michael Rodgers

Executive Assistant Head of Individual Giving & Trusts Halushka, Katarzyna Mucha, Albukhari

Nadine Pain Tamzin Golding Muda, Agata Paradnia, Paula Patritti, TICKET OFFICE

Miranda Schnitger (maternity cover) Manager, Corporate Partnerships Elizabeth Peck, Athina Pogonidou, Jamie

Quinn, Amina Rafi, Thomas Reid, Klara Nick Marsden Ticket Sales Manager PROGRAMMING Development Officer, Riessner, Sophie Roberts, Maria Valdivia Zahir Jaffer Syndicates & Special Projects Rossel, Kate Sandison, Alessandro Ticket Office Systems Manager Programming Manager Lauren Burles Santese, Marcella Santese, Rosa Brian Kearney Anneliese Graham Development Co-ordinator, Saunders, Johanna Schade, Ticket Office Supervisors Projects Manager Trusts & Foundations Dorit Schwartz, Bishwo Shahi, Prabin Barbara Birch, Mark Hammond, Emily Jameson Cecelia Lagier Tamang, Suzuko Tanoiri, Dusica Abigail Parker Programming Co-ordinator Development Co-ordinator, Thornbury, Noreen Townsend, Calvert Memberships & Ticketing Jemma Robinson Individual Giving Watson, Kat Wieszczek, Magda Services Administrator Anna Clark Wieszczek, Robert Charles Wilkes, Ritchie Dach BREAKIN’ CONVENTION Georgina Wood, Jairo Zaldua Ticket Office Assistants Artistic Director VISITOR SERVICES & ESTATES Receptionist Robert Allen, Clare Bracewell, Richard Jonzi D Joann Peek Cross, Sara Gilbert, Shauna Gogerly, General Manager Head of Catering & Events Stage Door Keepers Jake Harders, Elspeth Harrison, Emma Ponsford Zuzana Galikova Claudia Adamson, Marie-Claire Tim Hudson, Paula Jones, Ian Marshall, Projects Manager Development Head Chef Adriaenessens, Joel Cottrell, Mark Duff, Ros Moore, Paula Patritti, Matt Phillips, Peter Maniam Kenny Warren Luther Dyer, Brandon Force, Lee Knight, Jemma Robinson, Nicola Salt, Pauline Digital Communications Officer Sous Chef Tina Ramdeen, Ludmila Rusiecka, Scullion, Cameron Slater, Ben Stanley, Dave Barros Zsuzsanna Guber Neeraj Singh, Rosannah Smith Sandra Wellstead Festival & Projects Co-ordinator Senior Chef de Partie Housekeeping Manager Michelle Norton Krisztian Kyala Howard Clark Sadler’s Wells Associate Artists

Chef de Partie Cleaning and Housekeeping Balletboyz

PRODUCING & TOURING Jozsef Lakatos Supervisors Matthew Bourne

Events Manager Fabian Arias Sidi Larbi Cherkaoui

Tour Producer Georgie Mackie Ken Debidin Jonzi D

Housekeeping Dawn Prentice Events Co-ordinator Sylvie Guillem Interim Producer Alessio Romani Jeffrey Balighot, Fortunato Carian, Michael Hulls Louise Shand-Brown Events Assistant Kelly Dago, Jesiel Da Silva, Akissi Kouassi, Akram Khan Production Manager Rosie Legg Abe Lambert, Jose Lary Legario, Oumar- Russell Maliphant Adam Carrée Catering Operations Manager Florent Sam, Mercan Sahin, Celestin Trah, Wayne McGregor Production Accountant Leigh Edmonson Amani Yoboue Kate Prince Nanette Daniels Assistant Catering Operations Nitin Sawhney Producing & Touring Co-ordinators Manager IT Hofesh Shechter Fanny Bannet Justin Rogers Jasmin Vardimon Sandra Castell-Garcia Catering Administrator Head of IT Christopher Wheeldon Janet Sutton Kieron Mohindra CONNECT Bars Supervisors IT Systems & Network Manager Resident Companies Loretano Cerro, Sandra Pinto Raymond Neequaye Wayne McGregor I Random Dance Creative Learning Manager General Assistant IT Systems Administrator New Adventures Rachel Evans Faye Blackman-Davor Ray Wei Long Ho ZooNation Creative Learning Project Manager Engineering Manager Sarah Baker Ashley Hard PERSONNEL Sadler’s Wells and the Peacock Theatre are non- Access Officer Visitor Services & smoking theatres. Mobile phones must be switched Sarah Howard Estates Co-ordinator Head of Personnel off before entering the auditorium. Photography and Connect & London Youth Lucy Hickman Clair Kelly the use of audio or visual recording equipment are Dance Co-ordinator Facilities Manager – The Place Personnel Officer prohibited in the theatre. Hannah Dye Roy Adkins Hannah Nicholson Connect Co-ordinator Maintenance Technician – The Place Administrative Apprentice The information in this programme was correct Molly Sanders Barry Daley India Yates at the time of going to print and may be subject Connect Projects Administrator Maintenance Technician – Peacock to change. Patience Ofosu-Asaa Theatre FINANCE Daniel Knapton Technical Lighting Supplier COMMUNICATIONS Senior Building Services Technician Financial Controller Ilia Constantinides Paul Warren Marketing Manager Building Services Technicians Show Accountant Sammie Squire Richard Emmett, Wayne Lawrence, Lorne Cuthbert Interim Marketing Manager Ghion Mekonnen, Win Tun Finance Officer Lucy White Security Officers Monisola Samuel Marketing Officer Beverley Dixon, Emmanuel Yaokumah Finance Assistant Glen McColm Senior House Manager Sheena Patel Marketing Assistant Marguerite Bullard Sally Daniels House Manager Audience Development Hannah Sless Bid Mosaku

Correct as at 31 March 2012

Graphic Design by Jon Ashby for Cantate / John Good Ltd 24

www.sadlerswells.com 0844 4124300

@sadlers_wells

sadlerswells