The Broken Shore Peter Temple
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Westonian Magazine in THIS ISSUE: BEHIND the NUMBERS Annual Report for 2016–2017
WINTER 2018 The Westonian Magazine IN THIS ISSUE: BEHIND THE NUMBERS Annual Report for 2016–2017 The [R]evolution of Science at Westtown FIG. 1 Mission-Based Science Meets the 21st Century The Westonian, a magazine for alumni, parents, and friends, is published by Westtown School. Its mission is “to capture the life of the school, to celebrate the impact that our students, faculty, and alumni have on our world, and to serve as a forum for connection, exploration, and conversation.” We publish issues in Winter and Summer. We welcome letters to the editor. You may send them to our home address or to [email protected]. HEAD OF SCHOOL Jeff DeVuono James Perkins ’56 Victoria H. Jueds Jacob Dresden ’62, Keith Reeves ’84 Co-Associate Clerk Anne Roche CONNECT BOARD OF TRUSTEES Diana Evans ’95 Kevin Roose ’05 Amy Taylor Brooks ’88 Jonathan W. Evans ’73, Daryl Shore ’99 Martha Brown Clerk Michael Sicoli ’88 Bryans ’68 Susan Carney Fahey Danielle Toaltoan ’03 Beah Burger- Davis Henderson ’62 Charlotte Triefus facebook.com/westtownschool Lenehan ’02 Gary M. Holloway, Jr. Kristen Waterfield twitter.com/westtownschool Luis Castillo ’80 Sydney Howe-Barksdale Robert McLear Edward C. Winslow III ’64 vimeo.com/westtownschool Michelle B. Caughey ’71, Ann Hutton Brenda Perkins ’75, Maximillian Yeh ’87 instagram.com/westtownschool Co-Associate Clerk Jess Lord ’90 Recording Clerk WINTER 2018 The Westonian Magazine Editor Lynette Assarsson, Associate Director FEATURES of Communications Manager of The (R)evolution of Web Features Greg Cross, 16 Science at -
JM Coetzee and Mathematics Peter Johnston
1 'Presences of the Infinite': J. M. Coetzee and Mathematics Peter Johnston PhD Royal Holloway University of London 2 Declaration of Authorship I, Peter Johnston, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Dated: 3 Abstract This thesis articulates the resonances between J. M. Coetzee's lifelong engagement with mathematics and his practice as a novelist, critic, and poet. Though the critical discourse surrounding Coetzee's literary work continues to flourish, and though the basic details of his background in mathematics are now widely acknowledged, his inheritance from that background has not yet been the subject of a comprehensive and mathematically- literate account. In providing such an account, I propose that these two strands of his intellectual trajectory not only developed in parallel, but together engendered several of the characteristic qualities of his finest work. The structure of the thesis is essentially thematic, but is also broadly chronological. Chapter 1 focuses on Coetzee's poetry, charting the increasing involvement of mathematical concepts and methods in his practice and poetics between 1958 and 1979. Chapter 2 situates his master's thesis alongside archival materials from the early stages of his academic career, and thus traces the development of his philosophical interest in the migration of quantificatory metaphors into other conceptual domains. Concentrating on his doctoral thesis and a series of contemporaneous reviews, essays, and lecture notes, Chapter 3 details the calculated ambivalence with which he therein articulates, adopts, and challenges various statistical methods designed to disclose objective truth. -
ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
Book History in Australia Since 1950 Katherine Bode Preprint: Chapter 1
Book History in Australia since 1950 Katherine Bode Preprint: Chapter 1, Oxford History of the Novel in English: The Novel in Australia, Canada, New Zealand and the South Pacific since 1950. Edited by Coral Howells, Paul Sharrad and Gerry Turcotte. Oxford: Oxford University Press, 2017. Publication of Australian novels and discussion of this phenomenon have long been sites for the expression of wider tensions between national identity and overseas influence characteristic of postcolonial societies. Australian novel publishing since 1950 can be roughly divided into three periods, characterized by the specific, and changing, relationship between national and non-national influences. In the first, the 1950s and 1960s, British companies dominated the publication of Australian novels, and publishing decisions were predominantly made overseas. Yet a local industry also emerged, driven by often contradictory impulses of national sentiment, and demand for American-style pulp fiction. In the second period, the 1970s and 1980s, cultural nationalist policies and broad social changes supported the growth of a vibrant local publishing industry. At the same time, the significant economic and logistical challenges of local publishing led to closures and mergers, and—along with the increasing globalization of publishing—enabled the entry of large, multinational enterprises into the market. This latter trend, and the processes of globalization and deregulation, continued in the final period, since the 1990s. Nevertheless, these decades have also witnessed the ongoing development and consolidation of local publishing of Australian novels— including in new forms of e-publishing and self-publishing—as well as continued government and social support for this activity, and for Australian literature more broadly. -
Movie Museum REVISED NOVEMBER 2013 COMING ATTRACTIONS
Movie Museum REVISED NOVEMBER 2013 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY 2 Hawaii Premieres! Hawaii Premiere! 2 Hawaii Premieres! Veterans Day HAPPINESS NEVER LIFE BEGINS TODAY BEHIND THE DECEPTIVE PRACTICE: Hawaii Premiere! COMES ALONE aka La vida empieza hoy CANDELABRA The Mysteries and Mentors DOG NAIL CLIPPER (2012-France) (2010-Spain) (2013-US) of Ricky Jay aka Koirankynnen leikkaaja French w/Eng subtitles, w.s. Spanish w/Eng subtitles, w.s. in widescreen (2012-US) in widescreen (2004-Finland) Gad Elmaleh, Sophie Marceau. with Pilar Bardem. with Michael Douglas, Matt Documentary on world- Finnish w/Eng subtitles, ws 12:00, 3:45 & 7:30pm only 12:00, 3:45 & 9:15pm only Damon, Scott Bakula, Debbie renowned magician Ricky Jay. with Peter Franzén. ---------------------------------- ---------------------------------- Reynolds, Rob Lowe. 12:00, 3:45 & 7:30pm only 12 & 8pm only LIFE BEGINS TODAY HACHI-KO ---------------------------------- ---------------------------------- aka La vida empieza hoy (1987-Japan) Directed by HAPPINESS NEVER HACHI-KO (2010-Spain) in Japanese with English Steven Soderbergh. COMES ALONE (1987-Japan) Spanish w/Eng subtitles, w.s. subtitles & in widescreen (2012-France) Japanese w/Eng subtitles, ws with Pilar Bardem. with Kaoru Yachigusa. 12:00, 2:15, 4:30, 6:45 French w/Eng subtitles, w.s. with Kaoru Yachigusa. 2:00 & 5:45pm only 1:45, 5:30 & 7:30pm & 9:00pm 1:45 & 5:30pm only 2, 4 & 6pm 7 8 9 10 11 Hawaii Premiere! Hawaii Premiere! 2 Hawaii Premieres! ROMAN DE GARE 1 LITRE OF TEARS I HIRED A CONTRACT LACKAWANNA BLUES JACK IRISH: (2007-France) Ichi rittoru no namida KILLER (2005-US) in widescreen BAD DEBTS French w/Eng subtitles & ws. -
Reading Group Notes
TEXT PUBLISHING melbourne australia Reading Group Notes Truth Peter Temple PAPERBACK ISBN 978-1-921520-71-6 RRP AUS $32.95, NZ $37.00 HARDBACK ISBN 978-1-921520-91-4 RRP AUS $45.00, NZ $50.00 Fiction Praise for Truth colleagues scheme and jostle, he finds all the certainties ‘[Temple] is the man who has transfigured the crime of his life are crumbling. novel and made it the pretext for an art that repudiates Truth is a novel about a man, a family, a city. It is about genre.’ Peter Craven, Weekend Australian violence, murder, love, corruption, honour and deceit. ‘Truth succeeds as...one of the best pieces of modern And it is about truth. Australian fiction this decade, if not for many decades.’ Courier Mail Truth is a companion piece of sorts, to Temple’s The Broken Shore. The protagonist here is Detective ‘Truth is a novel of rare power and much of that potency Inspector Stephen Villani, friend and former colleague of lies in its silences. The blank spaces occupy almost as The Broken Shore’s hero Joe Cashin. much of its pages as the print. The dialogue conveys only that which is necessary, sometimes not even that. Set predominantly in Melbourne, the ongoing theme The bareness of the bones reveals the soul. Propelled is that there is something rotten in the state of Victoria, forward by the momentum of the story, we cling to and in Villani’s life. It begins with Villani driving between fragments of veracity from which it is engineered.’ two shocking cases, and ends in devastating bushfire. -
Dialogue 2019
Dialogue 2019 CAE Book Groups Catalogue CAE BOOK GROUPS 253 FLINDERS LANE, MELBOURNE CAE.EDU.AU / 03 9652 0611 Contents 4 5 3 Join or Start a Growing Up, Book Discussion Service. 527 Collins Street Introduction CAE Book Group Moving On Contact Us 11 Level 2, 253 Flinders Lane Exceptional Women Melbourne VIC 3000 17 P (03) 9652 0611 Artist, 23 E [email protected] Maker, Thinker Relationships W www.cae.edu.au 31 45 Keep informed about upcoming Step Back in Time Families literary events, book reviews, book and movie giveaways and lots more. Email [email protected] to receive regular 38 email updates. Grand VIsions Start your own group 62 See page 4 for more information about Surviving, starting a group. Prevailing Join an existing group 55 70 Some of our existing groups are looking Journeys Dark Deeds for new members. Please contact CAE Book Groups, and we will help you find 78 82 87 a group in your area. Index by Index by Index by Author Title Large Type 87 91 Index by Enrolment Form Box Number 3 Introduction Centre for Adult Education CAE is a leading provider of Adult and Community Education and Theme Icons has been providing lifelong learning opportunities to Victorians for 70 years. CAE has a strong focus on delivering nationally F Fiction Large Print recognised and accredited training as well as non accredited L Nonfiction short courses, and connects with the community through socially N Adapted Books inclusive practices that recognise diversity and creativity. Located S Short Stories Book Group Favourite in the heart of the arts and café area of Melbourne’s CBD, CAE µ offers a vibrant and supportive adult learning environment, flexible learning options, skills recognition, practical training and supervised work placements. -
Inquiry Into the Australian Film and Television Industry
Australian Broadcasting Corporation Submission to the House of Representatives Standing Committee on Communications and the Arts Inquiry into the Australian Film and Television Industry March 2017 1 ABC Submission on the House of Representatives Inquiry into the Australian Film and TV industry ABC Submission to the House of Representatives Standing Committee on Communications and the Arts Inquiry into the Australian Film and Television Industry March 2017 Executive Summary The ABC is a proud investor in and contributor to Australian screen content, and regards this commitment as fundamental to the Corporation’s Charter and a key tenant of its social contract with the Australian public. Over the last 60 years, the ABC’s contribution to the screen industry has delivered significant cultural and economic benefit to Australia. Today, the Corporation is an integral part of the Australian television and film environment; fostering creative talent, working in close partnership with the production industry, and creating and commissioning programs that resonate with the Australian people. Over the last two decades the ABC, along with media organisations worldwide, has borne witness to increasingly rapid technological change, greater competition from international players, rising production costs and audience fragmentation. All of these elements have coalesced to have an impact on the economics of producing Australian content, which threaten the growth and sustainability of the industry. In turn, without recourse this situation will ensure there will be further diminution of Australian voices and content on Australian screens. 1 ABC Submission on the House of Representatives Inquiry into the Australian Film and TV industry A flourishing artistic and cultural environment helps sustain a distinctive and cohesive society. -
By Production
Strictly embargoed until 10.45pm AEDT Wednesday 7 December 2016 6TH AACTA AWARDS PRESENTED BY FOXTEL All Winners – by Production TELEVISION THE BEAUTIFUL LIE – 9 Nominations, 1 Win AACTA Award for Best Telefeature or Mini Series AACTA Award for Best Lead Actress in a Television Drama – Sarah Snook AACTA Award for Best Guest or Supporting Actress in a Television Drama – Celia Pacquola (Episode 3) AACTA Award for Best Screenplay in Television (Episode 3) AACTA Award for Best Cinematography in Television (Episode 3) AACTA Award for Best Editing in Television (Episode 6) AACTA Award for Best Sound in Television (Episode 6) AACTA Award for Best Production Design in Television (Episode 3) AACTA Award for Best Costume Design in Television (Episode 3) THE KETTERING INCIDENT – 8 Nominations, 3 Wins AACTA Award for Best Telefeature or Mini Series AACTA Award for Best Lead Actress in a Television Drama – Elizabeth Debicki AACTA Award for Best Guest or Supporting Actress in a Television Drama – Sacha Horler (Episode 3) AACTA Award for Best Guest or Supporting Actress in a Television Drama – Sianoa Smit- McPhee (Episode 1) AACTA Award for Best Direction in a Television Drama or Comedy (Episode 1) AACTA Award for Best Screenplay in Television (Episode 1) AACTA Award for Best Cinematography in Television (Episode 3) AACTA Award for Best Original Music Score in Television (Episode 1) RAKE – 7 Nominations, 2 Wins AACTA Award for Best Television Drama Series AACTA Award for Best Lead Actor in a Television Drama – Richard Roxburgh AACTA -
PETER Temple
“Where a good crime can be had by all” ISSUE #285 OCTOBER 2009 PEter TEmpLE bestselling author of The Broken Shore (winner of the Duncan Lawrie Dagger) and its sequel Truth will be in-store to sign copies on Thurs 29 October @ 12.30pm Peter MILne reCommends... Scottish author Philip Kerr Bill JAMES has won the world’s most Off-Street Parking 224pp Tp $27.95 lucrative crime fiction prize, Detective Constable Sharon Mayfield is on routine the RBA International Prize surveillance when she spots, outside his house, a dead for Crime Writing, for his man in a car. The locks had been sealed with superglue novel If the Dead Rise and Claude Huddart’s face has been mutilated. As with Not. Kerr’s book beat more most murders, there’s a jigsaw puzzle to be solved. than 160 others to land the But here the pieces don’t fit. Why is an informant, €125,000 (A$209,500) prize. Jeremy Dince, if that is his real name, being almost The book is the last in his exceptionally polite and helpful? And there’s just series of ‘Berlin noir’ novels something that doesn’t feel right about the grieving featuring detective Bernie Alice Huddart. Then there’s the younger and more Gunther, and covering a period that includes sinister Philip Otton, acquaintance of the bereaved Hitler’s rise to power and postwar Germany’s struggle Alice, and known to both Blenny and Dince. Sharon to come to terms with its past. The author said he was cannot fathom why she is being warned off and cannot work out the connection surprised at the size of the prize: “I recently got a prize between the protagonists until her police officer boyfriend Luke drops strange in France which was a few bottles of wine.” hints about the case and about her commanding officers. -
London 2020 Rights Guide Fiction & Non-Fiction Contents
LONDON 2020 RIGHTS GUIDE FICTION & NON-FICTION CONTENTS FICTION General Fiction Literary Fiction Harlequin Fiction Crime & Thriller Sci-Fi & Fantasy NON-FICTION General Non-fiction Cookery & Lifestyle True Crime Biography & Autobiography Sport History & Popular Science Health & Wellbeing SUB-AGENTS GENERAL ENQUIRIES If you are interested in any of the titles in this Rights Guide or would like further information, please contact us: Elizabeth O’Donnell International Rights Manager HarperCollins Publishers (ANZ) t: +61 2 9952 5475 e: [email protected] HarperCollins Publishers Australia Level 13, 201 Elizabeth Street, Sydney NSW 2000 PO Box A565, Sydney South NSW 1235 AUSTRALIA FICTION TITLES GENERAL FICTION GENERAL FICTION It’s New Year’s Eve. Three thirty-something women – Aimee, JOY. MAGIC. WONDER. FATE. Every lost soul can be NOT BAD Melinda and Lou - best friends for decades, let off illegal BOY found again. Fates can be changed. Bad can become good. PEOPLE Chinese lanterns filled with resolutions: for meaning, for SWALLOWS True love conquers all. There is a fine line between magic and freedom, for money. As the glowing paper bags float away, madness and all should be encouraged in moderation. Home BRANDY there’s a bright flare in the distance. It could be a sign of luck UNIVERSE is always the first and final poem. SCOTT – or the start of a complete nightmare that will upend their TRENT Brisbane, 1983: A lost father, a mute brother, a mum in jail, friendships, families and careers. Three friends, thirty years DALTON a heroin dealer for a stepfather and a notorious crim for a of shared secrets, one The day after their ceremony, the newspapers report a small babysitter. -
International Thrillers
Africa and The Middle East Asia —Djinn Patrol on the Purple Line by Deepa —The English Teacher by Yiftach R. Atir (Israel) Anappara (India) International —The Mask of Ra by P.C. Doherty —The Red Lotus by Chris Bohjalian (Vietnam) (Ancient Egypt; Chief Judge Amerotke #1) —Night Heron by Adam Brookes (Beijing, China) Thrillers —The Fist of God by Frederick Forsyth (Baghdad, —Bangkok 8 by John Burdett(Bangkok, Iraq) Thailand; —The Saturday Morning Murder by Batya Gur Sonchai Jitpleecheep Series #1) (Israel; Michael Ohayon #1) —Sacred Games by Vikram Chandra (India) —The Little Drummer Girl by John Le Carré —Death Notice by Zhou Haohui (Chengdu, (Palestine) China) —City of Secrets by Stewart O’Nan (Jerusalem, —The Devotion of Suspect X by Keigo Higashino Israel) (Japan; Detective Galileo #1) —Ivory by Tony Park (Botswana) —Star of the North by D.B. John —The Missing American by Kwei Quartey (Ghana) —A Quiet Place by Seichō Matsumoto (Japan) —The Twelfth Imam by Joel Rosenberg (Iran) —The Skull Mantra by Eliot Pattison(Tibet; Inspector Shan Tao Yun #1) Australia —Shinju by Laura Joh Rowland (Feudal Japan; Sano Ichiro #1) —The Dragon Man by Garry Disher (Melbourne; —Flower Net by Lisa See (China; Red Princess #1) Hal Challis #1) —Last Days in Shanghai by Casey Walker (China) —Cocaine Blues by Kerry Greenwood (Melbourne; Phryne Fisher #1) —Six Four by Hideo Yokoyama (Japan) —The Dry by Jane Harper (Australia; Aaron Falk #1) North and South America —Crucifixion Creek by Barry Maitland (Sydney; —In the Shadow of the Glacier by Vicki Delany Belltree