Tossups by Caltech DJ Funky Leff and the Engineers (R
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Abound to Each Other
PAGE 12 THE RETRIEVER FEATURES October 31,-1995 Pub Parades Pizza and Pals Tim Marshallsay moment it is MTV. A few watch with by Constable called "Haywain and Retriever Contributor interest as someone unknown brings Fries" hidden somewhere. A sign us his latest release, which, although warns of an impending price increase There are deafening howls of unintelligible, appears to be about for certain items that came back into laughter from the front of the room sex, judging by the number of but- effect back in August. The sign stands where the TV hangs, as the huge, tocks on the screen — all spinning at sentry by the stacks of trays (card- inanely grinning woman glides a rate that would baffle Kepler. board or plastic), invariably wet. through the studio audience as if on Noise begets noise, so those shout- The Pub's staff stand in front of the wheels. She is clad in a red, crushed ing to make themselves heard are, at griddle, and behind the glass counter velvet dress that conceals her legs the same time, drowning out some- — it's panes as steamy with conden- and seems to eliminate friction. My one else. Conversations are staccato sation as an English bathroom in grandmother had an armchair with fragments, with lives of their own: January. The grill staff have a thank- the same pattern, material, size, and "... didn't do the homework ..."; "... less task that they handle with great shape. This is Carnie. This is free should've pulled Benitez while he aplomb. Students in a hurry, and fac- hour. -
Jonathan Dodoo Ub4731bbf10583
JONATHAN DODOO UB4731BBF10583 PRACTICAL APPROACH TOWARDS MONEY AND CAPITAL MARKET A Final Thesis Presented to The Academic Department Of the School of Business and Economics In Partial Fulfillments of the Requirements For the Bachelor Degree in Business Administration ATLANTIC INTERNATIONAL UNIVERSITY HAWAII, USA SEPTEMBER 2007 1 TABLE OF CONTENS 1. INTRODUCTIONC……………………………………………………3-4 2. DESCRIPTION………………………………………….……….…….5-12 3. GENERAL ANALYSIS…………………………………………..….13-16 4. ACTUALIZATION…………………………………………….…….17-34 5. GENERAL RECOMMENDATIONS…………………………...….35-37 6. CONCLUSION……………………………………………………...38-41 7. BIBLIOGRAPIES……………………………………….….………42-43. 2 INTRODUCTION The money market is the global financial market for short-term borrowing and lending. It provides short-term liquid funding for the global financial system. The money market is a sector of the capital market where short-term obligations such as Treasury bills, commercial paper and bankers' acceptances are bought and sold. A money market consists of financial institutions and dealers in money or credit who wish to either borrow or lend. Participants borrow and lend for short periods of time, typically up to thirteen months. Money market trades in short term financial instrument commonly called "paper". This contrasts with the capital market for longer-term funding, which is supplied by bonds and equity. Money is a medium of exchange which ensures the success of exchange by being the one item on offer that is ALWAYS acceptable. Money is necessary because human beings must exchange to live together in peace, and to prosper. How important was the discovery of the idea of money? Look around you. That covers the concept or idea of money. But an idea, as such, does not exist as a physical entity. -
Mixology Shaken Or Stirred? Olive Or Onion? Martini Cocktail Sipping Is an Art Developed Over Time
Vol: XXXVI Wednesday, April 3, 2002 INSIDI: THIS WI;I;K ^ PHOTO BY SOFIA PANNO Various dancers from all the participating tribes and nations in this event; Blood Tribe, Peigan Nation and Blackfoot Nation performing a dance together. LCC celebrates flboriginal Ruiareness Day BY SOFIA PANNO president. the weather," said Gretta Old Shoes, Endeawour Staff The Rocky Lake Singers and Blood Tribe member and first-year Drummers entertained the crowd student at LCC. gathered around Centre Core with their Events such as this help both aboriginal As Lethbridge Community College traditional singing and drum playing, as and non-aboriginal communities better First Nations and Aboriginal Awareness did the exhibition dancers with their understand each other. Day commenced, the beat of the drums unique choreography. "It's very heart-warming to see students and the echoes from the singing flowed According to native peoples' culture from LCC take in our free event because through LCC's hallways on March 27, and beliefs passed down from one that's our main purpose, to share our 2002. generation to the next, song and dance is aboriginal culture," said David. "Our theme was building used to honour various members of a LCC First Nations Club members relationships," said Salene David, First tribe. Some songs honour the warriors indicate that awareness of native peoples' Nations Club member/volunteer. while others, the women of the tribe. current needs at LCC is a necessary step, According to the club's president Bill Canku Ota, an online newsletter in understanding them and their culture. Healy, the LGC First Nations Club Piita celebrating Native America explains the "We [the native peoples] have been Pawanii Learning Society is responsible Midewiwin Code for Long Life and here since the college has been opened for the organizing of this year's event. -
KMFDM What Do You Know, Deutschland? Mp3, Flac, Wma
KMFDM What Do You Know, Deutschland? mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: What Do You Know, Deutschland? Country: US Released: 1991 Style: Industrial MP3 version RAR size: 1769 mb FLAC version RAR size: 1775 mb WMA version RAR size: 1358 mb Rating: 4.3 Votes: 448 Other Formats: ASF MP1 FLAC AHX DMF WAV VQF Tracklist 1 Kickin' Ass 4:08 2 Me I Funk 8:24 3 What Do You Know? 5:36 4 Conillon 6:03 5 Itchy Bitchy 3:38 6 Deutsche Schuld 4:49 7 Sieg Sieg 5:36 8 Positiv 3:32 9 Lufthans 4:49 10 Itchy Bitchy (Dance Version) 3:58 11 The Unrestrained Use Of Excessive Force 7:12 Companies, etc. Phonographic Copyright (p) – Wax Trax! Records, Inc. Copyright (c) – Freibank Credits Performer – En-Esch*, Jr. Blackmale, Nainz Watts*, Sasha Konietzko* Producer – KMFDM Written By – Blackmale/Blackmale (tracks: 9), Konietzko/Watts (tracks: 1 to 4, 6 to 8, 11), Konietzko/Watts/Blackmale (tracks: 5, 10) Written-By – Blackmale* (tracks: 5, 9, 10), Watts* (tracks: 1 to 8, 10, 11), Konietzko* (tracks: 1 to 8, 10, 11) Notes This is a reissue of KMFDM's first European release. Comes in a jewel case with a six panel folder. Recorded at The Building Site & Zitty Sound, Hamburg, West Germany. Published by Freibank. © Freibank ℗ Wax Trax Records Inc. Manufactured, marketed & distributed by Wax Trax Records. Printed in Canada. Made in U.S.A. by P.D.O. Kein Mehrheit Für Die Mitleid. "No pity for the majority." The durations on the back cover are incorrect: 1) 4:01, 2) 8:14, 3) 6:25, 4) 5:50, 5) 3:33, 6) 4:45, 7) 5:33, 8) 3:25, 9) 4:48, 10) 4:00, 11) 7:03 Below are the correct durations. -
KMFDM UAIOE Mp3, Flac, Wma
KMFDM UAIOE mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: UAIOE Country: US Released: 2006 Style: Industrial, Dub, Ragga, Leftfield MP3 version RAR size: 1664 mb FLAC version RAR size: 1255 mb WMA version RAR size: 1753 mb Rating: 4.5 Votes: 185 Other Formats: XM DMF MOD MP1 AUD ADX MP3 Tracklist Hide Credits 1 Murder 3:21 2 UAIOE 3:57 Loving Can Be An Art (Saturation Mix) 3 4:13 Written-By, Composed By – Raymond Watts More & Faster 243 4 2:54 Producer – F.M. Einheit 5 Rip The System (Duck & Cover Mix) 3:20 6 Thrash Up! 3:16 7 En Esch 3:19 8 Ganja Rock 5:04 Thumb Thumb 9 3:56 Written-By, Composed By – Raymond Watts Companies, etc. Recorded At – M.O.B. Studio Mixed At – M.O.B. Studio Phonographic Copyright (p) – Metropolis Records Phonographic Copyright (p) – KMFDM Inc. Copyright (c) – Metropolis Records Copyright (c) – KMFDM Inc. Published By – KMFDM Ent. US Credits Artwork [Digital Rendering] – Brutefish Backing Vocals – Sigrid Meyer Bass, Vocals, Guitar, Synthesizer, Programmed By, Written-By, Composed By – Sascha Konietzko Cover – Brute! Drums – Rudolph Naomi Engineer – Blank Fontana, Nick Head Guitar, Vocals, Programmed By, Written-By, Composed By – En Esch Layout – Justin Gammon Management [Project] – Patrick Volkmar, Vibrent Management Mixed By – Adrian Sherwood (tracks: 3, 4), KMFDM (tracks: 1, 9), Nick Head (tracks: 2, 5 to 8) Photography By – Alice Turzynski, Fritz Brinckmanniherz* Producer – KMFDM (tracks: 1 to 3, 5 to 9) Remastered By [Digitally Re-eq'd And Remastered By] – Rick Fisher, Sascha Konietzko Vocals – Morgan Adjei (tracks: 1, 3, 8) Notes Recorded and mixed at M.O.B. -
Black Monday Magazine
5333 north lincoln avenue #3n chicago illinois 60625 black mon day START v1.4 day mon black :::BLACK MONDAY V1.4::: controlled bleeding noise unit advertise (it’s very affordable!) windsdieddownadifferen controlled bleedingnoiseunitadvertise (it’s advertise (it’s very affordable!) windsdieddownadifferent advertise kindofcopthetablesecular (it’s my lifewiththethrillkillkult sistermachinegunslaveunitkraftwelt beautyw acumen alienfaktor battery collide controlledbleedingnoiseunitadvert noise unit advertise (it’s very affordable!) windsdieddownadifferent noise unitadvertise kindofcoptheta (it’s able!) vault.9rosettastoneseveredheadstherazorskylinegrotuskmfdm grotusdown kmfdm a different kind my of verylife affordable!) mechanism insight23 christanaloguevampirerodentsadvertise (it’s cop with the thrill the kill table kult secularsister machine mechanism gun insightslave unit23 kraftchristwelt analogu e beauty vampire wired rodents under advertise the noise (it’s very affordable!) advertise (it’s very vault.9 affordable!) rosetta stone16 volt christ analogue vampire rodents advertise (it’s very affordable!) vault.9rosetta stone christ analoguevampirerodentsadvertise (it’s kraftwelt beauty wired under the noise advertise (it’s very affordable!) 16volt kraftwelt beautywiredunderthenoiseadvertise (it’s slave unit kraftwelt beauty wired under the noise advertise (it’s very affordable! slave unitkraftweltbeautywired under thenoiseadvertise (it’s pire rodents advertise (it’s very affordable!) vault.9rosettastoneseveredheads pire rodentsadvertise -
Project Pitchfork Lacuna Coil Helium Vola Funker Vogt KMFDM Schandmaul Sara Noxx Whispers in the Shadow
APRIL / MAI 09 AUSGABE 19 - JAHRGANG 4 PROJECT PITCHFORK LACUNA COIL HELIUM VOLA FUNKER VOGT KMFDM SCHANDMAUL SARA NOXX WHISPERS IN THE SHADOW TIS ZUM SCHANDMAUL LACUNA COIL HELIUM VOLA GRA MITNEHMEN EDITORIAL INHALT Der Winterschlaf ist nun endlich vorbei und der 5 Tourdaten Frühling lockt auch jeden noch so Tiefschwarzen 5 Kolumne Schementhemen ins Sonnenlicht. Große Events werfen ihre Schat- 7 Soundcheck ....in diesen Läden gibt es das NEGAtief ten, wie z.B. das WGT in Leipzig, in dessen Rah- 8 Festival: Gothika Messe Media Markt: Aschaffenburg, Augsburg, Bad Dürrheim, Bo- men wir auch wieder mit einem Stand vertreten chum, Chemnitz, Dessau, Dresden-Nickern, Duisburg, Flensburg, 9 Club: Dust and Dawn Goslar, Groß Gaglow, Günthersdorf, Heide, Heilbronn, Herzo- sein werden. Übrigens: Wer schnell genug vorbei Wendlingen genrath, Hildesheim, Kaiserslautern, Karlsruhe, Koblenz, Krems, schaut, erhält auch wieder, wie letztes Jahr eine 33 Label: Prussia Records Leoben, Limburg, Linz, Magdeburg, Memmingen, München, Gratiskompilation. Der Dark Alliance Sampler 36 Festival: Rock Area Festival Nürnberg-Kleinreuth, Oldenburg, Pforzheim, Porta Westfalica, enthält Songbeiträge der interessantesten 50 Hörspiel: Sacred 2 Reutlingen, Saarbrücken ,Sindelfingen, Stuttgart, Trier, Viernheim, Newcomer und Neuveröffentlichungen dieser Vössendorf, Weiterstadt, Wien, Wien Hietzing, Wiesbaden Tage. Bereits im letzten Jahr war die Auflage 56 Arts of Erebus Saturn: Augsburg, Bad Oeynhausen, Bergisch Gladbach, von 10000 Umsonstsamplern innerhalb der er- 19 Caisaron Braunschweig, Bremen, Darmstadt, Dortmund, Dresden, sten beiden Tage vergriffen. Wir freuen uns auf 58 Dead Guitars Düsseldorf, Erfurt, Essen, Euskirchen, Frankfurt, Gelsenkirchen, alle Fälle wieder auf Euren Besuch und viele 21 Excubitors Gelsenkirchen, Göttingen, Graz, Hagen, Halle, Hamburg, Hamm, Hanau, Hannover, Ingolstadt, Kaiserslautern, Karls- inspirierende Gespräche. -
A Journal of the Radical Gothic
issue #1 gracelessa journal of the radical gothic And the ground we walk is sacred And every object lives And every word we speak Will punish or forgive And the light inside your body Will shine through history Set fire to every prison Set every dead man free “The Sound Of Freedom” Swans cover photograph by Holger Karas GRACELESS Issue one, published in February 2011 Contributors and Editors: Libby Bulloff (www.exoskeletoncabaret. com), Kathleen Chausse, Jenly, Enola Dismay, Johann Elser, Holger Karas (www. seventh-sin.de), Margaret Killjoy (www. birdsbeforethestorm.net). Graceless can be contacted at: www.graceless.info [email protected] This work is licensed under the Creative Commons Attribution-NonCommercial- ShareAlike 3.0 Unported License. To view a copy of this license, visit http:// creativecommons.org/licenses/by-nc-sa/3.0/ or send a letter to: Creative Commons 171 Second Street, Suite 300 San Francisco, California, 94105 USA What this license means is that you are free (and encouraged) to take any content from Graceless and re-use it in part or whole, or make your own work that incorporates ours, as long as you: attribute the creator of the work, share the work with the same license, and are using the product non-commercially. Note that there is a photograph that is marked as copyright to its creator, which was used with permission and may not be included in derivative works. We have chosen a Creative Commons licensing because we believe in free cultural exchange but intend to limit the power of capitalism to co-opt our work for its twisted ends. -
The Art of Surprising Duos
proudly presents Ungewöhnliche Zeiten eröffnen Möglichkeiten jenseits des Standards. Wenn das Bekannte nicht möglich ist, ist es eine gute Zeit Ungewöhnliches zu präsentieren und die Räume hinter den sich öffnenden Türen zu betreten. Zeit für ein Denken abseits der bekannten Schubladen. Ein LUDENSMOVENDO Theater Special Offer In Zeiten von ungenauen Lockerungen möchten wir Theatern ein besonderes Angebot machen. Solange nicht mit vollen Häusern kalkuliert werden kann und auf den Bühnen keine Orchester oder Ensemble-Theater-Produktionen angeboten werden können, Solange überlegt werden muss, welches Angebot an hochwertigen Künstlern vor einem wegen der Einschränkungen halb vollen Saal Sinn macht. Solange beim Publikum die Sehnsucht nach Kultur im Theater auf neue Art entflammt ist, möchten wir das Fenster nutzen, um ungewöhnliche Musik-Duos vorzustellen, die das Publikum auf ihre jeweils sehr spezielle Art überraschen, unterhalten und inspirieren. Seien Sie gespannt auf je ein Duo aus den Stilrichtungen v Electronic/Rock n`Roll/Chansons Mona Mur & En Esch v Singer/Songwriter/Country Hanna Fearns & Ken Stringfellow v Jazz Roman & Julian Wasserfuhr v Klassik & Improvisation Sachiko Furuhata & Benedikt ter Braak Foto by Jan Riephoff "Strange and scary Rock n Roll Cabaret" "Halb Marlene Dietrich, halb Black Sabbath" (beide Nemesis to Go, OK) "Wie Ilse Werner auf Elektro-Drogen" (Westzeit) “.. ein schwüler Trip durch eine musikalische Landschaft tiefschwarz wie Tricky, wie eine Alptraum-Version von Donna Summer ...das Modern Jazz Quartet gone Stoner-Techno.“ (THE WIRE) 2 “Mona Mur und En Esch erzeugen das Feeling eines Brecht’schen Punk Cabarets viel effektiver als die Dresden Dolls es je hingekriegt haben. Zeigt der Auftritt nach außen einen Hauch kühle Zurückhaltung, so spürt man kochende Leidenschaften gleich unter der Oberfläche. -
KMFDM Retro Mp3, Flac, Wma
KMFDM Retro mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Retro Country: US Released: 1998 Style: Industrial MP3 version RAR size: 1774 mb FLAC version RAR size: 1693 mb WMA version RAR size: 1826 mb Rating: 4.4 Votes: 276 Other Formats: MP4 AHX TTA MMF MP2 AC3 MP1 Tracklist 1 Power 5:26 2 Juke-Joint Jezebel 5:39 3 Brute 4:24 4 A Drug Against War 3:43 5 Light 6:05 6 Money 5:27 7 Vogue 4:03 8 Godlike-Doglike 5:36 9 Virus-Pestilence 5:07 10 Liebeslied-Leibesleid 4:38 11 More & Faster 2:52 12 Rip The System 3:16 13 What Do You Know, Deutschland? 5:33 14 Don't Blow Your Top 3:38 Companies, etc. Published By – KMFDM Ent. US Published By – Les Editions Confidentielles Published By – Freibank Musikverlage Phonographic Copyright (p) – Wax Trax! Records, Inc. Copyright (c) – Wax Trax! Records, Inc. Manufactured By – TVT Records Distributed By – TVT Records Pressed By – WEA Mfg. Olyphant – X6223 Credits Written-By – Shepard* (tracks: 4, 5), Esch* (tracks: 2 to 14), Schulz* (tracks: 1 to 10), Durante* (tracks: 4, 5), Watts* (tracks: 2, 3, 13, 14), Konietzko* Notes Track 1 taken from Xtort. Tracks 2 and 3 taken from Nihil. Tracks 4 and 5 taken from Angst. Tracks 6 and 7 taken from Money. Tracks 8 to 10 taken from Naïve/Hell To Go. Tracks 11 and 12 taken UAIOE. Track 13 taken from What Do You Know, Deutschland?. Track 14 taken from Don't Blow Your Top. Tracks 1 to 7 published by KMFDM Ent. -
The New Soul of an Old Machine | 80S Essentials, Industrial Revolution
80s Essentials, Industrial Revolution [Because the decade was a formative time for so much more than just our beloved heavy metal, today we're pleased to present you with a look at fifteen essential industrial albums from the 1980s.] I’m neither historian nor sociologist enough to speak to the politico- economic milieu that shaped industrial music’s formative clatterings, but a few general observations may suffice. The advanced industrial world was hardly being ground in the same way as by the ravenous gears of the late- eighteenth/early-nineteenth century Industrial Revolution (cf. Friedrich Engels on The Condition of the Working Class in England), but the 1970s and ‘80s saw an increasingly aggressive attack on the social welfare state that had so flourished in the three or four decades since the end of World War II. The elections of Margaret Thatcher, Ronald Reagan, and Helmut Kohl (in Britain, the U.S., and West Germany, respectively) ushered in an era of neoliberal government retrenchment that would largely define the domestic political debate in the years to follow, while throwing the (often uneasy) balance between capital and labor into disrepair throughout the rich world. Reagan’s tough-talking rhetoric meant that many of the signs of rapprochement and detente that had offered brief glimmers of, if not hope, then perhaps bleakly muted optimism in the 1970s gave way to a renewed era of Cold War stridency and military hand-wringing. In many ways, then, the same social, political, economic, and cultural context that led to the development of punk’s disaffected worldview and heavy metal’s increasingly doom-saying weightiness would also provide grist for the eternally wending mill of nascent musical experimentalism that gradually coalesced into industrial music. -
1/99: Industria
1 yötän tekstiä taitto-ohjelmaan tutun lehden Mikä on parempi maailma? Kuka määrittelee Stiimoilta jälleen kerran. Olen epäuskoinen paremmuuden? Jos humanisteja on uskominen, niin ja hämilläni. Minun ei pitänyt enää olla tärkeintä lienee ihmisen kehittyminen paremmaksi. tässä tilanteessa, avaamassa ikkunaa mieleeni, kir- Jos rahaa on uskominen, niin tärkeintä on jatkuva joittamassa pääkirjoitusta kellon tikittäessä vääjää- kasvu, jolla taataan kaikki muu. Jos pientä ihmistä mättömästi eteenpäin ja univelan painaessa silmiä on uskominen, niin tärkeintä lienee mukava sänky kiinni. ja pari ystävällistä sanaa. Olen tullut siihen johtopäätökseen, että olen Noista kolmesta, sinänsä osittain ristiriitaisesta kai liian heikko päästämään Alkorytmiä vapaaseen päämäärästä nykyinen ihmiskunta tuntuu puskevan pudotukseen. Se olisi teko, jota sekä lehti että kilta kohti rahan määrittelemää maailmaa. Koska raha kaipaisivat. Mutta rohkeiden tekojen sijaan minä maailmaa pyörittää ja niin edelleen. Mutta jos ru- pelkään menettäväni kauan ja hartaasti vaalimani peaa miettimään rahaa, osakkeita, sopimuksia, op- rakkaani ja jätän toimimatta. tioita, futuureja ja tietoa konkreettisina asioina eli Odotan, kuten tarinoiden neidot, ritari pelo- papereina, bitteinä tai kädenpuristuksina, niin huo- tonta, joka karauttaisi ratsullaan paikalle ja ratkai- maa niiden olevan selviytymisen kannalta sangen sisi kaikki ongelmat. Valitettavasti odotukseni lie- turhia. Pääkirjoitus nee turha ja siksi minun tulisi karaistua toimimaan. Tällainen nihilistinen asenne johtaa helposti