The Art of Surprising Duos
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Abound to Each Other
PAGE 12 THE RETRIEVER FEATURES October 31,-1995 Pub Parades Pizza and Pals Tim Marshallsay moment it is MTV. A few watch with by Constable called "Haywain and Retriever Contributor interest as someone unknown brings Fries" hidden somewhere. A sign us his latest release, which, although warns of an impending price increase There are deafening howls of unintelligible, appears to be about for certain items that came back into laughter from the front of the room sex, judging by the number of but- effect back in August. The sign stands where the TV hangs, as the huge, tocks on the screen — all spinning at sentry by the stacks of trays (card- inanely grinning woman glides a rate that would baffle Kepler. board or plastic), invariably wet. through the studio audience as if on Noise begets noise, so those shout- The Pub's staff stand in front of the wheels. She is clad in a red, crushed ing to make themselves heard are, at griddle, and behind the glass counter velvet dress that conceals her legs the same time, drowning out some- — it's panes as steamy with conden- and seems to eliminate friction. My one else. Conversations are staccato sation as an English bathroom in grandmother had an armchair with fragments, with lives of their own: January. The grill staff have a thank- the same pattern, material, size, and "... didn't do the homework ..."; "... less task that they handle with great shape. This is Carnie. This is free should've pulled Benitez while he aplomb. Students in a hurry, and fac- hour. -
Mixology Shaken Or Stirred? Olive Or Onion? Martini Cocktail Sipping Is an Art Developed Over Time
Vol: XXXVI Wednesday, April 3, 2002 INSIDI: THIS WI;I;K ^ PHOTO BY SOFIA PANNO Various dancers from all the participating tribes and nations in this event; Blood Tribe, Peigan Nation and Blackfoot Nation performing a dance together. LCC celebrates flboriginal Ruiareness Day BY SOFIA PANNO president. the weather," said Gretta Old Shoes, Endeawour Staff The Rocky Lake Singers and Blood Tribe member and first-year Drummers entertained the crowd student at LCC. gathered around Centre Core with their Events such as this help both aboriginal As Lethbridge Community College traditional singing and drum playing, as and non-aboriginal communities better First Nations and Aboriginal Awareness did the exhibition dancers with their understand each other. Day commenced, the beat of the drums unique choreography. "It's very heart-warming to see students and the echoes from the singing flowed According to native peoples' culture from LCC take in our free event because through LCC's hallways on March 27, and beliefs passed down from one that's our main purpose, to share our 2002. generation to the next, song and dance is aboriginal culture," said David. "Our theme was building used to honour various members of a LCC First Nations Club members relationships," said Salene David, First tribe. Some songs honour the warriors indicate that awareness of native peoples' Nations Club member/volunteer. while others, the women of the tribe. current needs at LCC is a necessary step, According to the club's president Bill Canku Ota, an online newsletter in understanding them and their culture. Healy, the LGC First Nations Club Piita celebrating Native America explains the "We [the native peoples] have been Pawanii Learning Society is responsible Midewiwin Code for Long Life and here since the college has been opened for the organizing of this year's event. -
KMFDM What Do You Know, Deutschland? Mp3, Flac, Wma
KMFDM What Do You Know, Deutschland? mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: What Do You Know, Deutschland? Country: US Released: 1991 Style: Industrial MP3 version RAR size: 1769 mb FLAC version RAR size: 1775 mb WMA version RAR size: 1358 mb Rating: 4.3 Votes: 448 Other Formats: ASF MP1 FLAC AHX DMF WAV VQF Tracklist 1 Kickin' Ass 4:08 2 Me I Funk 8:24 3 What Do You Know? 5:36 4 Conillon 6:03 5 Itchy Bitchy 3:38 6 Deutsche Schuld 4:49 7 Sieg Sieg 5:36 8 Positiv 3:32 9 Lufthans 4:49 10 Itchy Bitchy (Dance Version) 3:58 11 The Unrestrained Use Of Excessive Force 7:12 Companies, etc. Phonographic Copyright (p) – Wax Trax! Records, Inc. Copyright (c) – Freibank Credits Performer – En-Esch*, Jr. Blackmale, Nainz Watts*, Sasha Konietzko* Producer – KMFDM Written By – Blackmale/Blackmale (tracks: 9), Konietzko/Watts (tracks: 1 to 4, 6 to 8, 11), Konietzko/Watts/Blackmale (tracks: 5, 10) Written-By – Blackmale* (tracks: 5, 9, 10), Watts* (tracks: 1 to 8, 10, 11), Konietzko* (tracks: 1 to 8, 10, 11) Notes This is a reissue of KMFDM's first European release. Comes in a jewel case with a six panel folder. Recorded at The Building Site & Zitty Sound, Hamburg, West Germany. Published by Freibank. © Freibank ℗ Wax Trax Records Inc. Manufactured, marketed & distributed by Wax Trax Records. Printed in Canada. Made in U.S.A. by P.D.O. Kein Mehrheit Für Die Mitleid. "No pity for the majority." The durations on the back cover are incorrect: 1) 4:01, 2) 8:14, 3) 6:25, 4) 5:50, 5) 3:33, 6) 4:45, 7) 5:33, 8) 3:25, 9) 4:48, 10) 4:00, 11) 7:03 Below are the correct durations. -
KMFDM UAIOE Mp3, Flac, Wma
KMFDM UAIOE mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: UAIOE Country: US Released: 2006 Style: Industrial, Dub, Ragga, Leftfield MP3 version RAR size: 1664 mb FLAC version RAR size: 1255 mb WMA version RAR size: 1753 mb Rating: 4.5 Votes: 185 Other Formats: XM DMF MOD MP1 AUD ADX MP3 Tracklist Hide Credits 1 Murder 3:21 2 UAIOE 3:57 Loving Can Be An Art (Saturation Mix) 3 4:13 Written-By, Composed By – Raymond Watts More & Faster 243 4 2:54 Producer – F.M. Einheit 5 Rip The System (Duck & Cover Mix) 3:20 6 Thrash Up! 3:16 7 En Esch 3:19 8 Ganja Rock 5:04 Thumb Thumb 9 3:56 Written-By, Composed By – Raymond Watts Companies, etc. Recorded At – M.O.B. Studio Mixed At – M.O.B. Studio Phonographic Copyright (p) – Metropolis Records Phonographic Copyright (p) – KMFDM Inc. Copyright (c) – Metropolis Records Copyright (c) – KMFDM Inc. Published By – KMFDM Ent. US Credits Artwork [Digital Rendering] – Brutefish Backing Vocals – Sigrid Meyer Bass, Vocals, Guitar, Synthesizer, Programmed By, Written-By, Composed By – Sascha Konietzko Cover – Brute! Drums – Rudolph Naomi Engineer – Blank Fontana, Nick Head Guitar, Vocals, Programmed By, Written-By, Composed By – En Esch Layout – Justin Gammon Management [Project] – Patrick Volkmar, Vibrent Management Mixed By – Adrian Sherwood (tracks: 3, 4), KMFDM (tracks: 1, 9), Nick Head (tracks: 2, 5 to 8) Photography By – Alice Turzynski, Fritz Brinckmanniherz* Producer – KMFDM (tracks: 1 to 3, 5 to 9) Remastered By [Digitally Re-eq'd And Remastered By] – Rick Fisher, Sascha Konietzko Vocals – Morgan Adjei (tracks: 1, 3, 8) Notes Recorded and mixed at M.O.B. -
Black Monday Magazine
5333 north lincoln avenue #3n chicago illinois 60625 black mon day START v1.4 day mon black :::BLACK MONDAY V1.4::: controlled bleeding noise unit advertise (it’s very affordable!) windsdieddownadifferen controlled bleedingnoiseunitadvertise (it’s advertise (it’s very affordable!) windsdieddownadifferent advertise kindofcopthetablesecular (it’s my lifewiththethrillkillkult sistermachinegunslaveunitkraftwelt beautyw acumen alienfaktor battery collide controlledbleedingnoiseunitadvert noise unit advertise (it’s very affordable!) windsdieddownadifferent noise unitadvertise kindofcoptheta (it’s able!) vault.9rosettastoneseveredheadstherazorskylinegrotuskmfdm grotusdown kmfdm a different kind my of verylife affordable!) mechanism insight23 christanaloguevampirerodentsadvertise (it’s cop with the thrill the kill table kult secularsister machine mechanism gun insightslave unit23 kraftchristwelt analogu e beauty vampire wired rodents under advertise the noise (it’s very affordable!) advertise (it’s very vault.9 affordable!) rosetta stone16 volt christ analogue vampire rodents advertise (it’s very affordable!) vault.9rosetta stone christ analoguevampirerodentsadvertise (it’s kraftwelt beauty wired under the noise advertise (it’s very affordable!) 16volt kraftwelt beautywiredunderthenoiseadvertise (it’s slave unit kraftwelt beauty wired under the noise advertise (it’s very affordable! slave unitkraftweltbeautywired under thenoiseadvertise (it’s pire rodents advertise (it’s very affordable!) vault.9rosettastoneseveredheads pire rodentsadvertise -
KMFDM Retro Mp3, Flac, Wma
KMFDM Retro mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Retro Country: US Released: 1998 Style: Industrial MP3 version RAR size: 1774 mb FLAC version RAR size: 1693 mb WMA version RAR size: 1826 mb Rating: 4.4 Votes: 276 Other Formats: MP4 AHX TTA MMF MP2 AC3 MP1 Tracklist 1 Power 5:26 2 Juke-Joint Jezebel 5:39 3 Brute 4:24 4 A Drug Against War 3:43 5 Light 6:05 6 Money 5:27 7 Vogue 4:03 8 Godlike-Doglike 5:36 9 Virus-Pestilence 5:07 10 Liebeslied-Leibesleid 4:38 11 More & Faster 2:52 12 Rip The System 3:16 13 What Do You Know, Deutschland? 5:33 14 Don't Blow Your Top 3:38 Companies, etc. Published By – KMFDM Ent. US Published By – Les Editions Confidentielles Published By – Freibank Musikverlage Phonographic Copyright (p) – Wax Trax! Records, Inc. Copyright (c) – Wax Trax! Records, Inc. Manufactured By – TVT Records Distributed By – TVT Records Pressed By – WEA Mfg. Olyphant – X6223 Credits Written-By – Shepard* (tracks: 4, 5), Esch* (tracks: 2 to 14), Schulz* (tracks: 1 to 10), Durante* (tracks: 4, 5), Watts* (tracks: 2, 3, 13, 14), Konietzko* Notes Track 1 taken from Xtort. Tracks 2 and 3 taken from Nihil. Tracks 4 and 5 taken from Angst. Tracks 6 and 7 taken from Money. Tracks 8 to 10 taken from Naïve/Hell To Go. Tracks 11 and 12 taken UAIOE. Track 13 taken from What Do You Know, Deutschland?. Track 14 taken from Don't Blow Your Top. Tracks 1 to 7 published by KMFDM Ent. -
Melissa Etheridge
Kink Toronto • Sextreme Fest • Indie Week esented by PinkPlayMags www.thebuzzmag.ca Pr MELISSA ETHERIDGE For daily and weekly event listings visit ...Rock and Soul October 2017 / November 2017 Issue #021 The Editor Greetings and salutations! Publisher + Creative Director Yowsa, what was that September? Toronto broke record high Antoine Elhashem temperatures throughout the tail end of summer and into early fall. Now as temps eventually begin to chill down, it’s the Editor-in-Chief Bryen Dunn perfect time to gather indoors and listen to live music, right? In this, our special Music Issue, we’ve got you covered with Art Director where your dancing shoes should be taking you. Mychol Scully General Manager Our cover feature is on none other than famed musician, Kim Dobie Melissa Etheridge. This lady has been kicking it for nearly Sales Representatives three decades, and on her latest album release, “Memphis Carolyn Burtch, Michael Wile Rock and Soul” she goes back to the roots of rock and Events Editor: soul music by honouring some of the greats. We also chat Sherry Sylvain about her “Know Label” cannabis-infused wines that she’s producing out of California. Fans can hear her live onstage at Counsel Jerry Herszkopf Law Casino Niagara, October 19 and 20. Columnists Our other two features are written by guest contributors, Suzie Cat Grant, Paul Bellini, Boyd Kodak, Raymond Helkio Sultress and Danny Danger. Suzie looks at the upcoming Feature Writers Sextreme Fest party happening at the Opera House on Bryen Dunn, Suzie Beaulieu , theBUZZ Editorial Staff October 30. Just in time for Halloween this goth-industrial- Cover Photo: Creative Commons rave showcase features Combichrist, Christian Death, En Eschm, Wiccid, and the legendary Lords Of Acid. -
The New Soul of an Old Machine | 80S Essentials, Industrial Revolution
80s Essentials, Industrial Revolution [Because the decade was a formative time for so much more than just our beloved heavy metal, today we're pleased to present you with a look at fifteen essential industrial albums from the 1980s.] I’m neither historian nor sociologist enough to speak to the politico- economic milieu that shaped industrial music’s formative clatterings, but a few general observations may suffice. The advanced industrial world was hardly being ground in the same way as by the ravenous gears of the late- eighteenth/early-nineteenth century Industrial Revolution (cf. Friedrich Engels on The Condition of the Working Class in England), but the 1970s and ‘80s saw an increasingly aggressive attack on the social welfare state that had so flourished in the three or four decades since the end of World War II. The elections of Margaret Thatcher, Ronald Reagan, and Helmut Kohl (in Britain, the U.S., and West Germany, respectively) ushered in an era of neoliberal government retrenchment that would largely define the domestic political debate in the years to follow, while throwing the (often uneasy) balance between capital and labor into disrepair throughout the rich world. Reagan’s tough-talking rhetoric meant that many of the signs of rapprochement and detente that had offered brief glimmers of, if not hope, then perhaps bleakly muted optimism in the 1970s gave way to a renewed era of Cold War stridency and military hand-wringing. In many ways, then, the same social, political, economic, and cultural context that led to the development of punk’s disaffected worldview and heavy metal’s increasingly doom-saying weightiness would also provide grist for the eternally wending mill of nascent musical experimentalism that gradually coalesced into industrial music. -
October 19-25, 2017 FACEBOOK.COM/WHATZUPFTWAYNE • What’S Happening at Sweetwater? Artist Events, Workshops, Camps, and More!
OCTOBER 19-25, 2017 FACEBOOK.COM/WHATZUPFTWAYNE • WWW.WHATZUP.COM What’s happening at Sweetwater? Artist events, workshops, camps, and more! FREE Pro Tools Master Class OPEN MIC Roll up your sleeves and get hands-on as you learn from Pro Tools expert, and NIGHT professional recording engineer, Nathan Heironimus, right here at Sweetwater. 7–8:30PM every third Monday of the month November 9–11 | 9AM–6PM $995 per person This is a free, family-friendly, all ages event. Bring your acoustic instruments, your voice, and plenty of friends to Sweetwater’s Crescendo Club stage for a great night of local music and entertainment. Buy. Sell. Trade. Play. FREE Have some old gear and looking to upgrade? Bring it in to Sweetwater’s Gear Exchange and get 5–8PM every second and your hands on great gear and incredible prices! fourth Tuesday of the month FREE Hurry in, items move fast! Guitars • Pedals • Amps • Keyboards & More* 7–8:30PM every last Check out Gear Exchange, just inside Sweetwater. Thursday of the month DRUM CIRCLE FREE 7–8PM every first Tuesday of the month *While supplies last Don’t miss any of these events! Check out Sweetwater.com/Events to learn more and to register! Music Store Community Events Music Lessons Sweetwater.com • (260) 432-8176 • 5501 US Hwy 30 W • Fort Wayne, IN 2 ----------------------------------------------------------------------------------- www.whatzup.com ------------------------------------------------------------October 19, 2017 whatzup Volume 22, Number 12 s local kids from 8 to 80 gear up for the coming weekend’s big Fright Night activi- ties, there’s much to see and do in and around the Fort Wayne area that has noth- ing at all to do with spooks and goblins and ghouls and jack-o-lanterns. -
1/99: Industria
1 yötän tekstiä taitto-ohjelmaan tutun lehden Mikä on parempi maailma? Kuka määrittelee Stiimoilta jälleen kerran. Olen epäuskoinen paremmuuden? Jos humanisteja on uskominen, niin ja hämilläni. Minun ei pitänyt enää olla tärkeintä lienee ihmisen kehittyminen paremmaksi. tässä tilanteessa, avaamassa ikkunaa mieleeni, kir- Jos rahaa on uskominen, niin tärkeintä on jatkuva joittamassa pääkirjoitusta kellon tikittäessä vääjää- kasvu, jolla taataan kaikki muu. Jos pientä ihmistä mättömästi eteenpäin ja univelan painaessa silmiä on uskominen, niin tärkeintä lienee mukava sänky kiinni. ja pari ystävällistä sanaa. Olen tullut siihen johtopäätökseen, että olen Noista kolmesta, sinänsä osittain ristiriitaisesta kai liian heikko päästämään Alkorytmiä vapaaseen päämäärästä nykyinen ihmiskunta tuntuu puskevan pudotukseen. Se olisi teko, jota sekä lehti että kilta kohti rahan määrittelemää maailmaa. Koska raha kaipaisivat. Mutta rohkeiden tekojen sijaan minä maailmaa pyörittää ja niin edelleen. Mutta jos ru- pelkään menettäväni kauan ja hartaasti vaalimani peaa miettimään rahaa, osakkeita, sopimuksia, op- rakkaani ja jätän toimimatta. tioita, futuureja ja tietoa konkreettisina asioina eli Odotan, kuten tarinoiden neidot, ritari pelo- papereina, bitteinä tai kädenpuristuksina, niin huo- tonta, joka karauttaisi ratsullaan paikalle ja ratkai- maa niiden olevan selviytymisen kannalta sangen sisi kaikki ongelmat. Valitettavasti odotukseni lie- turhia. Pääkirjoitus nee turha ja siksi minun tulisi karaistua toimimaan. Tällainen nihilistinen asenne johtaa helposti -
Performing History, Troubling Reference Tracking the Screen Re
Performing History, Troubling Reference Tracking the Screen Re-enactment Megan Carrigy Submitted in fulfillment of the requirements of the degree of Doctor of Philosophy School of English, Media and Performing Arts University of New South Wales 2011 Abstract While the re-enactment is a form of historical representation that has not received the serious critical attention it deserves, it continues to be a pervasive form of historical representation in film and television. It plays a key role in a number of genres (most notably the documentary, the docudrama, and the biopic) and frequently appears in less expected locations (including video installations, remakes and police procedural television). While re-enactments pre-date cinema, it is cinema—and the technically reproducible image more generally—that has played a crucial role in the development of the re-enactment as both a form of historical representation and a genre. This thesis explores the pervasiveness of the re-enactment in film and other screen based media, tracking its evolution, its mobility and its adaptability in a range of genres and institutional contexts. This thesis argues that in all its diverse manifestations, the re-enactment is always caught between two agendas. On the one hand it sets out to take things literally, to repeat things as they happened, and on the other seeks to foreground itself as a re- enactment, which requires that it self-reflexively foregrounds its theatrical, performative nature. Focussing on the tension between these two agendas, this thesis builds a ‘back history’ for the re-enactment and pursues its dispersal into areas where its persistence has not typically been acknowledged. -
KMFDM Juke-Joint Jezebel (The Giorgio Moroder Mixes) Mp3, Flac, Wma
KMFDM Juke-Joint Jezebel (The Giorgio Moroder Mixes) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Juke-Joint Jezebel (The Giorgio Moroder Mixes) Country: Japan Released: 1995 Style: House, Industrial MP3 version RAR size: 1921 mb FLAC version RAR size: 1986 mb WMA version RAR size: 1551 mb Rating: 4.8 Votes: 973 Other Formats: VOC MOD VQF VOX MMF AAC WAV Tracklist Hide Credits Juke-Joint Jezebel (Poly-Matrix) (Radio Edit) 1 4:17 Remix – Chris Cox, Giorgio Moroder 2 Juke-Joint Jezebel (Original Single Edit) (Radio Edit) 4:09 Juke-Joint Jezebel (Metropolis) 3 5:16 Remix – Chris Cox, Giorgio Moroder Juke-Joint Jezebel (Paradox) 4 4:30 Remix – Chris Cox, Giorgio Moroder Juke-Joint Jezebel (Poly-Matrix X-Tended) 5 6:15 Remix – Chris Cox, Giorgio Moroder 6 Kraut 4:58 Companies, etc. Mastered At – A&M Mastering Studios Recorded At – Studio X/Bad Animals Mixed At – Studio X/Bad Animals Credits Artwork – BRUTE! Engineer [Assistant] – Sam Hofstedt Engineer, Mixed By, Producer – Chris Shepard Mastered By – David Collins* Mixed By, Producer – KMFDM Producer, Mixed By – Sascha Konietzko Typography [Type] – Chris Zander , Greg Knoll* Notes All tracks recorded and mixed at Studio X / Bad Animals, Seattle Mastered at A&M Mastering Studios, L.A. Kraut is a non-album track. This Release is under licence from Wax Trax!/TVT records for Polystar. Other versions Category Artist Title (Format) Label Category Country Year Wax Trax! Juke-Joint Jezebel (CD, TVT 8727-2 KMFDM Records, TVT TVT 8727-2 US 1995 Single) Records Juke-Joint