3°3 Weeds – Opening Credits the Video Consists in the Opening
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Invasive Weeds of the Appalachian Region
$10 $10 PB1785 PB1785 Invasive Weeds Invasive Weeds of the of the Appalachian Appalachian Region Region i TABLE OF CONTENTS Acknowledgments……………………………………...i How to use this guide…………………………………ii IPM decision aid………………………………………..1 Invasive weeds Grasses …………………………………………..5 Broadleaves…………………………………….18 Vines………………………………………………35 Shrubs/trees……………………………………48 Parasitic plants………………………………..70 Herbicide chart………………………………………….72 Bibliography……………………………………………..73 Index………………………………………………………..76 AUTHORS Rebecca M. Koepke-Hill, Extension Assistant, The University of Tennessee Gregory R. Armel, Assistant Professor, Extension Specialist for Invasive Weeds, The University of Tennessee Robert J. Richardson, Assistant Professor and Extension Weed Specialist, North Caro- lina State University G. Neil Rhodes, Jr., Professor and Extension Weed Specialist, The University of Ten- nessee ACKNOWLEDGEMENTS The authors would like to thank all the individuals and organizations who have contributed their time, advice, financial support, and photos to the crea- tion of this guide. We would like to specifically thank the USDA, CSREES, and The Southern Region IPM Center for their extensive support of this pro- ject. COVER PHOTO CREDITS ii 1. Wavyleaf basketgrass - Geoffery Mason 2. Bamboo - Shawn Askew 3. Giant hogweed - Antonio DiTommaso 4. Japanese barberry - Leslie Merhoff 5. Mimosa - Becky Koepke-Hill 6. Periwinkle - Dan Tenaglia 7. Porcelainberry - Randy Prostak 8. Cogongrass - James Miller 9. Kudzu - Shawn Askew Photo credit note: Numbers in parenthesis following photo captions refer to the num- bered photographer list on the back cover. HOW TO USE THIS GUIDE Tabs: Blank tabs can be found at the top of each page. These can be custom- ized with pen or marker to best suit your method of organization. Examples: Infestation present On bordering land No concern Uncontrolled Treatment initiated Controlled Large infestation Medium infestation Small infestation Control Methods: Each mechanical control method is represented by an icon. -
~'Fhetattzl£Il'
JANUARY 2017 ~'fHETATTZl£Il' . ~ .. , . ' JOURNAL OF THE HISTORY GUILD OF DALY CITY ..COLMA I GREETINGS FROM PRESIDENT MARK For our fIrst meeting ofthe new year, we welcome back DAYTIME longtime Guilder and old friend Neil Fahy, who will discuss the geology of Daly City and the surrounding area. Neil is a HISTORY MEETING retired geologist by profession and authority on the various SUNDAY, JANUARY 15TH, 2 PM strata that makeup Daly City. He will share his knowledge of 101 Lake Merced Blvd. Daly City, Doelger Center Cafe the area and explain about past earthquakes that have had an impact in the area going back thousands of years to the more recent ones that many of us remember all too well. Come LIVING ON THE EDGE prepared with any questions you might have except, of course, An Introduction to the Geology of Daly City for exactly when the 'big one' might hit as nobody knows for certain. If you haven't already had a chance to return your 2017 dues, we certainly hope that you will shortly. It is your support, and only your support, that allows us to pay the bills and keep the Guild running. Operating a museum is not cheap, and we always do the best that we can on a shoestring budget. Perhaps you might like to consider renewing your membership at a different level of support. We have various categories to recognize your generosity, and at the end ofthe day it all goes toward sustaining the Guild. Whatever level of support is right for you we certainly appreciate your membership and regard for all that we do to preserve local history. -
VIRUSES in WEEDS in Dioscorea YAM FIELDS in NIGERIA
African Crop Science Journal, Vol. 22, No. 2, pp. 109 - 115 ISSN 1021-9730/2014 $4.00 Printed in Uganda. All rights reserved © 2014, African Crop Science Society VIRUSES IN WEEDS IN Dioscorea YAM FIELDS IN NIGERIA S. ASALA1,2,4, M.D. ALEGBEJO1, B.D. KASHINA1, O.O. BANWO1 and C.P. SHINGGU3 1Department of Crop Protection, Ahmadu Bello University, Zaria, Nigeria 2International Institute of Tropical Agriculture, PMB 5320, Ibadan, Nigeria 3Department of Agronomy, Ahmadu Bello University, Zaria, Nigeria 4Department of Crop Science, Faculty of Agriculture, University of Abuja, Abuja, Nigeria Corresponding author: [email protected] (Received 13 March, 2014; accepted 13 April, 2014) ABSTRACT The presence of viruses in yam leaves and the presence of weeds in close proximity to yam fields have been shown to be associated with diminished tuber yield. But the precise role of weeds as alternative hosts of viruses infecting yam has not been systematically studied. Therefore, leaf samples of weeds were collected from Dioscorea yam fields in FCT-Abuja, and five States of the Guinea Savanna agro-ecological zone of Nigeria in 2009 and 2010, and analysed by Enzyme-Linked Immuno-absorbance Assay (ELISA) and Polymerase Chain Reaction for viruses. Fifty-four and 70% of samples collected during the two years, respectively, were infected with Yam mosaic virus, Cucumber mosaic virus, Cowpea mild mottle virus, Pepper venial mosaic virus, Telfeiria mosaic virus, Cowpea yellow mosaic virus and Badnavirus (DaBV). The weeds and viruses were Hibiscus esculentus Moench (YMV, CMV and CPMMV), Amaranthus spinosus Linn (CMV, YMV), Physalis angulata L (YMV, CMV), Procumbane Linn (CMV), Phyllanthus amarus Shum (YMV, CMV, CPMMV), Ludwigia abyssinica A. -
Texto Completo (Pdf)
ISSN 2173-5123 Enfoques morales vs. enfoques estéticos en la narración audiovisual. El caso de Weeds Moral vs. Aesthetic Approaches to Audiovisual Narration. The Case Of Weeds Recibido: 31 de octubre de 2012 Aceptado: 29 de diciembre de 2012 Gemma Argüello Manresa 1 Universidad Nacional Autónoma de México [email protected] Resumen Este trabajo tiene como objetivo encontrar las consecuencias que tiene el análisis narrativo de un corpus de material audiovisual televisivo en la discusión filosófica entre autonomismo y moralismo en estética. El debate entre estas dos posturas implica el cuestionamiento de si el defecto moral de una obra se convierte en un defecto estético. Se analizará la serie televisiva Weeds (Kohan, cr., 2005-2012), en la cual la protagonista desafía los valores morales convencionales por medio de la comedia. A través del exploración del contenido narrativo de la serie se mostrará si es posible establecer un juicio y goce estético independiente de las cuestiones morales presentes en su contenido. Palabras clave Estética, moralidad, goce estético, juicio, drogas. Abstract This work aims to find the implications narrative analysis of a corpus of audiovisual television series have in the philosophical discussion between autonomism and moralism in aesthetics. The debate between the two positions involves the question of whether the moral fault of a work becomes an aesthetic defect. It will analyze the TV series Weeds (Kohan, cr. 2005-2012), in which the protagonist defies conventional moral values through comedy. Through the exploration of the narrative content of the series it will be shown if it is possible to establish an independent aesthetic judgment and joy from the moral issues in their content. -
Weed Management in Texas Cotton
Dept. of Soil & Weed Crop Sciences Management in Texas Cotton 1 Weed Management in Texas Cotton Joshua McGinty, Ph.D ‐ Assistant Professor and Extension Agronomist, Corpus Christi, TX Emi Kimura, Ph.D. ‐ Assistant Professor and Extension Agronomist, Vernon, TX Pete Dotray, Ph.D. ‐ Professor and Extension Weed Control Specialist, Lubbock, TX Gaylon Morgan, Ph.D. ‐ Professor and State Extension Cotton Specialist, College Station, TX Seth Byrd, Ph.D. – Assistant Professor and Extension Cotton Specialist, Lubbock, TX Contents GENERAL PRACTICES ..................................................................................................................................... 3 HERBICIDE RESISTANCE ................................................................................................................................. 3 Table 1. Mechanism of action of herbicides labelled for use in cotton ........................................................ 5 CULTURAL CONTROL ..................................................................................................................................... 6 PREPLANT BURNDOWN ................................................................................................................................ 8 WEED MANAGEMENT AT PLANTING ............................................................................................................ 8 POSTEMERGENCE WEED CONTROL .............................................................................................................. 8 POST‐HARVEST WEED -
Shameless Television: Gendering Transnational Narratives
This is a repository copy of Shameless television: gendering transnational narratives. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/129509/ Version: Accepted Version Article: Johnson, B orcid.org/0000-0001-7808-568X and Minor, L (2019) Shameless television: gendering transnational narratives. Feminist Media Studies, 19 (3). pp. 364-379. ISSN 1468-0777 https://doi.org/10.1080/14680777.2018.1468795 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Shameless Television: Gendering Transnational Narratives Beth Johnson ([email protected]) and Laura Minor ([email protected]) School of Media and Communication, University of Leeds, Leeds, UK Abstract The UK television drama Shameless (Channel 4, 2004-2011) ran for eleven series, ending with its 138th episode in 2011. The closing episode did not only mark an end, however, but also a beginning - of a US remake on Showtime (2011-). Eight series down the line and carrying the weight of critical acclaim, this article works to consider the textual representations and formal constructions of gender through the process of adaptation. -
PDF Download Little Boxes Ebook, Epub
LITTLE BOXES PDF, EPUB, EBOOK Caroline Casey | 208 pages | 29 Aug 2017 | Coffee House Press | 9781566894722 | English | MN, United States Little Boxes PDF Book Little boxes on the hillside, Little boxes made of ticky tacky Little boxes on the hillside, Little boxes all the same, There's a pink one and a green one And a blue one and a yellow one And they're all made out of ticky tacky And they all look just the same. Be Kind To Your Parents. Provide song facts, names, places and other worthy info that may give readers a perfect insight on the song's meaning. Does it mean anything special hidden between the lines to you? Edit page. Go and do it people, don't let money run your life, its all a big con to keep the people dumbed down. Movie Player. Ask us or our community about the part of the song that interests you We will try to respond as soon as possible. Yvette Nailor. New York: Norton. Julie Hays. In the second and third seasons, different artists performed Little Boxes in the introduction sequence of each episode. We just try to fit in and by the process lose our uniqueness and come out looking just like everybody else. We become made of ticky tacky and we will raise our children the same. Post my meaning Write my explanation new To explain lyrics, select line or word and click "Explain". Awards 5 nominations. View 10 more explanations. Make sure you've read our simple tips Hey! Make sure you've read our simple tips Hey! Mack : Come on Clark, you can tell me. -
The Revenge of Jenji Kohan
ThThe Reveevengnge of Jenjnji KoKohanan Smart. Funny. Obsessive. Subversive. How the creator of the hit TV shows Weeds and Orange Is the New Black smoked the doubters and got the last laugh By Paul Hond enji Kohan ’91CC is a rare bird among With the latest season of Orange in the can, the television showrunners: blue-haired and building is quiet today, and Kohan is relaxed. Her female, a punkish Jewish earth mother with private offi ce exudes warmth and comfort, as does a darkly comic vision so basic to her nature Kohan herself. Her hair is the vivid indigo of blue that the goblin of political correctness velvet. Her cat-eye glasses could have been teleported Jshrinks in her presence. As a writer, she is fearless. from a 1962 mahjong game. Objects on her desk She will go there, and keep going. attest to a fondness for thrift-shop fl otsam and novelty “I fi nd the funny in everything, especially the inap- doodads: two Magic 8 Balls, a Weeds condom, and a propriate,” she says. “Maybe it’s my survival technique.” beanbag emblazoned with an unprintable four-letter Kohan’s company, Tilted Productions, is based in word starting with the letter C. central Los Angeles, in a Spanish Colonial–style build- Life wasn’t always this good. “I spent the fi rst part of ing of pink stucco, arched windows, and iron grillwork. my life very frustrated, feeling patronized, and fi ghting Built in 1926 as the Masque Playhouse, it was later injustice, and it doesn’t work when you’re young,” renamed the Hayworth Theatre (legend has it that Kohan says, seated in an armchair with her feet tucked Rita Hayworth’s father once ran a dance studio there). -
PRODUCTION BIOGRAPHIES COURTNEY KEMP AGBOH (Creator, Showrunner, Executive Producer)
PRODUCTION BIOGRAPHIES COURTNEY KEMP AGBOH (Creator, Showrunner, Executive Producer) Courtney Kemp Agboh started her career in the magazine world, publishing articles in GQ, Vibe, and Marie Claire. She then left New York to pursue television writing, starting out in comedy on “The Bernie Mac Show” (Fox), and transitioning into one-hour drama, with stints on “Eli Stone” (ABC) and “The Good Wife” (CBS), among others. She is the creator and show runner of “Power,” which in its first season doubled viewership from its premiere episode to its finale and generated the largest concentration of African American viewership of any scripted premium series since 2006. Kemp Agboh holds a B.A. from Brown University in English Literature and received her M.A. in English literature from Columbia University. She lives in Los Angeles. DAVID KNOLLER (Executive Producer, Director Episodes 203, 205) Working first as an actor in theater, television and film, David Knoller segued into live television producing, while still directing theater and teaching acting in the Los Angeles area. He produced Specials for CBS and HBO, and was soon asked to join Home Box Office as an executive. While at HBO, David produced the concert feature film Martin Lawrence: You So Crazy and the award winning mini-series “America’s Dream” with Danny Glover and Wesley Snipes. David also oversaw the productions of HBO’s “Comic Relief,” “One Night Stand,” “Women of the Night,” “Dream On” and “Larry Sanders,” along with pilots and series for its upstart HBO Independent Productions, which included FOX’s “Roc,” “Down The Shore” and “Martin”. -
2C Minutes CD.Pdf
SUMMARY INDEX FOR PUBLIC WORKS/CIP & LAND USE COMMITTEE April 24, 2017 ITEM ACTION PAGE 1. Call to Order Convened at 5:00 p.m. 1 2. RollCall Quorum Present 1 3. Approval of Agenda Approved as amended 1-2 4. Approval of Consent Agenda Approved as amended 2 5. Approval of Minutes- April10, 2017 Approved as presented 2 CONSENT AGENDA LISTING Listed 2-3 6. Traffic Signal Cabinets 9. DeFouri/Guadalupe Bridge Improvements 10. Fort Marcy/Majors Field Bridge Replacement CONSENT AGENDA DISCUSSION 7. School Flasher Connect System Approved 3-4 PUBLIC HEARING 11. Accessory Dwelling Unit Ordinance Amendment Discussion 4-14 12. Matters from Staff None 14 13. Matters from the Committee None 14 14. Matters from the Chair Comments 14 15. Next Meeting: May 8, 2017 14 16. Adjournment Adjourned at 7:26 p.m. 14-15 Public Works/CIP &Land Use Committee April24, 2017 PageD MINUTES OF THE CITY OF SANTA FE PUBLIC WORKS/CIP & LAND USE COMMITTEE Monday, April24, 2017 1. CALL TO ORDER A regular meeting of the Public Works/CIP & Land Use Committee was called to order on the above date by Councilor Peter N. lves, Chair at approximately 5:00p.m. in City Council Chambers, City Hall, 200 Lincoln Avenue, Santa Fe, New Mexico. 2. ROLLCALL Roll Call indicated the presence of a quorum as follows: MEMBERS PRESENT: Councilor Peter N. lves, Chair Councilor Christopher M. Rivera Councilor Renee D. Villarreal MEMBERS EXCUSED: Councilor Joseph M. Maestas Councilor Ronald S. Trujillo STAFF PRESENT: John Romero, Acting Public Works Director Bobbi Huseman, Public Works Staff OTHERS PRESENT: Carl Boaz, Stenographer NOTE: All items in the Committee packet for all agenda items were incorporated herewith by reference. -
Ironic (In)Authenticity
Emmanuel College Ironic (In)authenticity A Class Based Theoretical Account of Contemporary Indie Culture Brian W. Westerlind Research Submission for Distinction in the Field of Communication, Media, and Cultural Studies Facuity Advisor: Dr. Christopher Craig 25 April 2013 © Brian W. Westerlind Abstract In this study I explore indie culture specifically as a manifestation of Zizek's cultural capitalism in which we are encouraged to consume in order to do culture and capitalism "better." In this sense, indie positions itself as a means to do authentic culture independently of the "mainstream," which it subsequently positions as an impure and inauthentic cultural space contaminated by corporate interests, conformity, and mindlessness. However, the dialectic relationship between indie and the mainstream reveals that indie instead functions as a culturally superior position of consumption of and within mass culture. Through analysis of both the dominant narrative of indie culture as well as the ironic indie subject, I demonstrate how indie functions as a position of (upper) middle class consumption that upholds class distinction while repressing antagonistic voices that challenge the very exploitive social structure upon which indie finds its articulation and with which it is aligned. Introduction I was recently working on this project at a chain coffee house when a single line from an exchange between the barista and another customer cut through my own thought. The customer, a 20-something female who wore a frayed leather jacket (perhaps frayed at home) and loud- patterned leggings (definitely factory made) said in a light ironic tone: "everyone's so alternative, and we're all the same, and it's great." This sentiment epitomizes indie culture today. -
“Good Shit Lollipop”
“GOOD SHIT LOLLIPOP” Episode # 1003 Written By Roberto Benabib Directed By Craig Zisk GREEN – 4 th REVISED 3/29/05 (pp. 8, 8A) YELLOW – 3 RD REVISED 3/24/05 PINK – 2 ND REVISED 3/23/05 BLUE – 1 ST REVISED 03/21/05 WHITE Production Draft 3/17/05 Copyright © 2005 Lions Gate Television Inc. ALL RIGHTS RESERVED. No portion of this script may be performed, published, sold or distributed by any means, or quoted or published in any medium, including any website, without prior written consent. Disposal of this script copy does not alter any of the restrictions set forth above. WEEDS Episode #1003 – GOOD SHIT LOLLIPOP CAST LIST Nancy Botwin ..........................................................................Mary-Louise Parker Celia Hodes .............................................................................Elizabeth Perkins Doug Wilson ............................................................................Kevin Nealon Heylia James ...........................................................................Tonye Patano Conrad Conrad Shepard ...........................................................Romany Malco Silas Botwin.............................................................................Hunter Parrish Shane Botwin ..........................................................................Alex Gould Dean Hodes.............................................................................Andy Milder Isabel Hodes ...........................................................................Allie Grant Vaneeta...................................................................................Indigo