David Cronenberg and Collaborators: Selected Bibliography

The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how all topics and themes relate to the Higher Learning event.

Case Study ()

Beard, William. The Artist as Monster: The Cinema of David Cronenberg. : Press, 2001.

Beaty, Bart. David Cronenberg’s . Toronto: University of Toronto Press, 2008.

Bernardini, Craig. “David Cronenberg, George A. Romero, and the Twilight of the (North) American Horror .” in American : The Genre at the Turn of the Millennium. Steffen Hantke (ed). Jackson: University Press of Mississippi, 2010. 161-192.

Bordwell, David and Kristin Thompson. “Cronenberg’s Violent Reversals.” in Minding Movies: Observations on the Art, Craft, and Business of . Chicago: The University of Chicago Press, 2011. 196-202.

Browning, Mark. David Cronenberg: Author or Film-Maker? Bristol: Intellect Books, 2007.

Campbell, Mary B. “Biological Alchemy and the Films of David Cronenberg.” in Planks of Reason: Essays on the Horror Film, edited by Barry Keith Grant and Christopher Sharrett. Toronto: Scarecrow Press, 2004. 333–345.

Celeste, Reni. “In the Web of David Cronenberg: Spider and the New Auteurism.” CineAction 65 (2005): 2–5.

Creed, Barbara. “Woman as Montrous Womb: .” in The Monstrous-Feminine: Film, Feminism, Psychoanalysis. New York: Routledge, 1993. 43–58.

Cronenberg, David. Chromosomes: A Project. Torino, Italy: Volumina, 2008.

---. The Strange Objects of David Cronenberg's Desire: An Exhibition of Drawings, Objects and Creatures

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David Cronenberg and Collaborators: Selected Bibliography

from the Films of David Cronenberg. Tokyo: Seibu Department Stores Ltd., 1993.

---. David Cronenberg: Collected Screenplays. London: Faber, 2002.

---. Red Cars. Torino, Italy: Volumina, 2005.

---, and Serge Grünberg. David Cronenberg: Interviews with Serge Grünberg. Translated by Claudine Paquot. London: Plexus, 2006.

---, and Chris Rodley. Cronenberg on Cronenberg. London: Faber and Faber, 1997.

Dompierre, Louise. Prent/Cronenberg: Crime Against Nature. Toronto: The Power Plant, 1987.

Drew, Wayne. David Cronenberg. London: British Film Institute, 1984.

Film Festival Rotterdam. David Cronenberg: Transformatie van een horrorfilmer/A Horrorfilmer in Transformation . Rotterdam: Rotterdam, 1990.

Forman, Murray. “Boys Will Be Boys: David Cronenberg’s Crash Course in Heavy Mettle.” in Ladies and Gentlemen, Boys and Girls: Gender in Film at the End of the Twentieth Century. Murray Pomerance (ed). Albany: State University of New York Press, 2001. 109-127.

Grant, Michael. The Modern Fantastic: The Films of David Cronenberg. Westport, CT: Praeger, 2000.

Handling, Piers. The Shape of Rage: The Films of David Cronenberg. Toronto: General Pub. Co., 1983.

Hantke, Steffen. “Genre and Authorship in David Cronenberg’s Naked Lunch.” in Twentieth-Century American Fiction On Screen. R. Barton Palmer (ed). Cambridge, U.K: Cambridge University Press, 2007. 164-178.

Kauffman, Linda S. “Visceral Cinema: David Cronenberg.” in Bad Girls and Sick Boys: Fantasies in Contemporary Art and Culture. Berkeley: University of California Press, 1998. 115-145.

Lucas, Tim. : Studies in the Horror Film . Lakewood, CO: Centipede Press, 2008.

MacInnis, Allan. “Sex, Science and the ‘Female Monstrous’: Wood Contra Cronenberg, Revisited.” CineAction 88 (2012): 34-43.

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David Cronenberg and Collaborators: Selected Bibliography

Mathijs, Ernest. The Cinema of David Cronenberg: From Baron of Blood to Cultural Hero. London: Wallflower Press, 2008.

McKellar, Don. “Children of .” Sight and Sound 9.7 (1999): 58-59.

Morris, Peter. David Cronenberg: A Delicate Balance. Toronto: ECW Press, 1994.

Parker, Andrew. “Grafting David Cronenberg: Monstrosity, AIDS Media, National/Sexual Difference.” in Media Spectacles. Marjorie Garber, Jann Matlock and Rebecca L. Walkowitz (eds). New York: Routledge, 1993. 209–231.

Pepe, Michael. “Lefties and Hippies and Yuppies, Oh My! David Cronenberg’s Revisited.” CineAction 88 (2012): 26-33.

Pike, David L. “The Anxiety of Influence: David Cronenberg and the Canadian Imagination.” in Canadian Cinema since the : At . Toronto: University of Toronto Press, 2012. 48-78.

---. “Cronenberg’s Mutant Progeny: Genre Film-making around the Turn of the Millennium” in Canadian Cinema since the 1980s: At the Heart of the World. Toronto: University of Toronto Press, 2012. 171-203.

Player, Mark. “Rogue Vehicles: David Cronenberg’s Fast Company and the Tax Shelter Period.” CineAction 87 (2012): 36–39.

Ramsay, Christine. “Male Horror: On David Cronenberg.” in Boys: Masculinities in Contemporary Culture. Paul Smith (ed). Boulder, CO: Westview Press, 1996. 81-95.

Riches, Simon. The Philosophy of David Cronenberg. Lexington: University Press of Kentucky, 2012.

Rodley, Chris. Cronenberg on Cronenberg. London: Faber and Faber, 1997.

Shaviro, Steven. “Bodies of Fear: David Cronenberg.” in The Cinematic Body. Minneapolis: University of Minnesota Press, 1993: 127–157.

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David Cronenberg and Collaborators: Selected Bibliography

Siegler, Elijah. “David Cronenberg: The Secular Auteur as Critic of .” in Journal of the American Academy of Religion 80. 4 (2012): 1–15.

Sinclair, Iain. Crash: David Cronenberg's Post-Mortem on J.G. Ballard's ‘Trajectory of Fate’. London: British Film Institute, 1999.

Théberge, Paul. “‘These are My Nightmares’: Music and Sound in the Films of David Cronenberg.” in Off the Planet: Music, Sound, and Science Fiction Cinema. Philip Hayward (ed). Eastleigh, U.K: John Libbey Publishing, 2004. 129–148.

Wilson, Scott. The Politics of Insects: David Cronenberg's Cinema of Confrontation. New York: Continuum, 2011.

Wood, Robin. “Introduction.” in The American Nightmare: Essays on the Horror Film. Andrew Britton, Richard Lippe, Tony Williams and Robin Wood (eds). Toronto: Festival of Festivals, 1979. 7–28.

Young, Susie Sau-Fong. “Forget Baudrillard: the Horrors of ‘Pleasure’ and the Pleasures of ‘Horror’ in David Cronenberg’s Videodrome.” in Canada’s Best Feautres: Critical Essays on 15 Feature Films. Eugene P. Walz (ed). Amsterdam: Rodopi, 2002. 147–172.

Cult Cinema

Cline, John, and Robert G. Weiner. From the Arthouse to the Grindhouse: Highbrow and Lowbrow Transgression in Cinema's First Century. Lanham, MD: Scarecrow Press, 2010.

Hoberman, J. and Jonathan Rosenbaum. Midnight Movies. New York: Harper & Row, 1983.

Mathijas, Ernest and Xavier Mendik. BFI Screen Guides: 100 Cult Films. London, U.K: Palgrave Macmillan, 2011.

Mathijs, Ernest and Jamie Sexton. Cult Cinema: An Introduction. Chichester, U.K: Wiley-Blackwell, 2011.

Mathijs, Ernest and Xavier Mendik. The Reader. Maidenhead, U.K: Open University Press/McGraw-Hill Education, 2008.

Telotte, J.P. The Cult Film Experience: Beyond All Reason. Austin: University of Texas Press, 1991.

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David Cronenberg and Collaborators: Selected Bibliography

Canadian and Québécois Cinema (History and Theory)

Alemany-Galway, Mary. A Postmodern Cinema: The Voice of the Other in Canadian Film. Lanham, MD: Scarecrow Press, 2002.

Armatage, Kay. Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press, 1999.

Beard, William, and Jerry White. North of Everything: English-Canadian Cinema Since 1980. Edmonton: University of Press, 2002.

Chang, Elaine K. Reel Asian: Asian Canada on Screen. Toronto: Coach House Books, 2007.

Coulombe, Michel, and Marcel Jean. Le dictionnaire du cinéma québécois. Montréal: Boréal, 1991.

Dorland, Michael. The Cultural Industries in Canada: Problems, Policies, and Prospects. Toronto: J. Lorimer & Co., 1996.

Elder, Bruce. Image and Identity: Reflections on Canadian Film and Culture. Waterloo: Wilfrid Laurier University Press, 1989.

Evans, Gary. In the National Interest: A Chronicle of the National Film Board of Canada from 1949 to 1989. Toronto: University of Toronto Press, 1991.

Pevere, Geoff, Piers Handling, Steve Gravestock, and Kate Lawrie Van de Ven (eds). Toronto on Film. Toronto: Toronto International Film Festival, 2009.

Pike, David L. Canadian Cinema Since the 1980s: At the Heart of the World. Toronto: University of Toronto Press, 2012.

Harcourt, Peter. Movies and Mythologies: Towards a . Toronto: Canadian Broadcasting Corporation, 1977.

Leach, Jim. Film in Canada. Don Mills: Oxford University Press, 2011.

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David Cronenberg and Collaborators: Selected Bibliography

Lerner, Loren R. Canadian Film and Video: A Bibliography and Guide to the Literature. Toronto: University of Toronto Press, 1997.

Loiselle, André and Tom McSorley. Self Portraits: The Cinemas of Canada Since Téléfilm. Ottawa: Canadian Film Institute/Institut canadien du film, 2006.

Mackenzie, Scott. “National Identity, Canadian Cinema, and Multiculturalism.” Canadian Aesthetics Journal 4 (Summer 1999). Accessed August 20, 2012. http://www.uqtr.ca/AE/vol_4/scott(frame).htm

Melnyk, George. One Hundred Years of Canadian Cinema. Toronto: University of Toronto Press, 2004.

---. The Young, the Restless, and the Dead: Interviews with Canadian Filmmakers. Waterloo: Wilfrid Laurier University Press, 2008.

---, and Brenda Austin-Smith. The Gendered Screen: Canadian Women Filmmakers. Waterloo: Wilfrid Laurier University Press, 2010.

Monk, Katherine. Weird Sex & Snowshoes: And Other Canadian Film Phenomena. : Raincoast Books, 2001.

Morris, Peter. Embattled Shadows: A History of Canadian Cinema, 1895-1939. Montréal: McGill-Queen’s University Press, 1992.

Pratley, Gerald. Torn Sprockets: The Uncertain Projection of the Canadian Film. Newark: University of Delaware Press, 1987.

Rist, Peter. Guide to the Cinema(s) of Canada. Wesport, CT: Greenwood Publishing Group, 2001.

Vanstone, Gail. D Is for Daring: The Women Behind the Films of Studio D. Toronto: Sumach Press, 2007.

Véronneau, Pierre and Piers Handling. Self Portrait: Essays on the Canadian and Cinemas. Ottawa: Canadian Film Institute, 1980.

Walz, Eugene P. Canada's Best Features: Critical Essays on 15 Canadian Films. Amsterdam: Rodopi, 2002.

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David Cronenberg and Collaborators: Selected Bibliography

Waugh, Thomas. The Romance of Transgression in Canada: Queering Sexualities, Nations, Cinemas. Montréal: McGill-Queen's University Press, 2006.

---, Ezra Winton, and Michael B. Baker. : Activist Documentary at the National Film Board of Canada. Montréal: McGill-Queen’s University Press, 2010.

White, Jerry. The . London: Wallflower, 2006.

Adaptation Studies

Boozer, Jack (ed). Authorship in Film Adaptation. Austin, TX: University of Austin Press, 2008.

Cahir, Linda Constanzo. Literature Into Film: Theory and Practical Approaches. Jefferson, NC: McFarland & Co., 2006.

Carroll, Rachel (ed). Adaptation in Contemporary Culture: Textual Infidelities. New York: Continuum, 2009.

Cartmell, Deborah and Imelda Whelehan (eds). Adaptation: from Text to Screen, Screen to Text. New York: Routledge, 2002.

Cartmell, Deborah (ed). A Companion to Literature, Film, and Adaptation. Malden, MA: Wiley & Sons, 2012.

Constandinides, Costas. From Film Adaptation to Post-Celluloid Adaptation: Rethinking the Transition of Popular Narratives and Characters Across Old and New Media. New York: Continuum, 2010.

Mireia, Aragay (ed). Books in Motion: Adaptation, Intertextuality, Authorship. Amsterdam: Rodopi, 2005.

Naremore, James. Film Adaptation. New Brunswick, NJ: Rutgers University Press, 2000.

Rothwell, Kenneth S. A History of Shakespeare on Screen: A Century of Film and Television. Cambridge: Cambridge University Press, 1999.

Stratyner, Leslie and James R. Keller (eds). Fantasy Fiction into Film: Essays. Jefferson, NC: McFarland & Co., 2007.

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David Cronenberg and Collaborators: Selected Bibliography

Telotte, J.P. and Gerald Duchovnay (eds). , Television, and Adaptation Across the Screens. New York: Routledge, 2012.

Walker, Elsie. “Pop Goes the Shakespeare: Baz Luhrmann’s William Shakespeare’s Romeo and Juliet.” in The Literature/Film Reader: Issues of Adaptation. James M. Welsh and Peter Lev (eds). Lanham, MD: Scarecrow Press, 2007. 125-148.

Welsh, James M. and Peter Lev (eds). The Literature/Film Reader: Issues of Adaptation. Lanham, MD: Scarecrow Press, 2007.

Makeup Design for Film – History and Practice

Corson, Richard. Stage Makeup. 9th Edition. Boston: Allyn & Bacon, 2000.

Davis, Gretchen and Mindy Hall. The Makeup Artist Handbook: Techniques for Film, Television, Photography, and Theatre. Amsterdam and Boston: Focal Press/Elsevier, 2008.

Debreceni, Todd. Special Makeup Effects for Stage and Screen: Making and Applying Prosthetics. Amsterdam and Boston: Elsevier, 2009.

Delamar, Penny. The Complete Make-Up Artist: Working in Film, Television, and Theatre. Illinois, Northwestern University Press, 2002.

Kehoe, Vincent. The Technique of the Professional Makeup Artist. Boston, MA: Focal Press, 2008.

LoBrutto, Vincent. The Filmmaker's Guide to Production Design. New York: Allworth Press, 2002.

Morawetz, Thomas. Making Faces, Playing : Identity and the Art of Transformational Makeup. Austin: University of Texas Press, 2001.

Pinteau, Pascal. Special Effects: An Oral History--Interviews with 37 Masters Spanning 100 Years. New York: Abrams 2005.

Rickitt, Richard. Special Effects: The History and Technique. New York: Billboard Books, 2000.

Ririnui, Jana and Desmond Murray. Makeup is Art. London: Carlton Books, 2013.

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David Cronenberg and Collaborators: Selected Bibliography

Sasaki, Yuko. A Complete Guide to Special Effects Makeup: Conceptual Creations by Japanese Makeup Artsits. Timonium, MD: Diamond Comic Distributors, 2008.

Svitil, Torene and Amy Dunkleberger. So You Want to Work in Set Design, Costuming, or Make-up? Berkeley Heights, NJ: Enslow Publishers, 2008.

Swinfield, Rosemarie. Stage Makeup: Step-by-Step. Cincinnati, OH: Betterway Books, 1994.

Thudium, Laura. Stage Makeup: The Actor’s Complete Guide to Today’s Techniques and Materials. New York: Back Stage Books, 1999.

Timpone, Anthony. Men, Makeup, and Monsters: 's Masters of Illusion and FX. New York: St. Martin's Griffin, 1996.

Film Financing and Producing

Alberstat, Philip. The Insider’s Guide to Film Finance. Oxford: Focal, 2004.

Appleton, Dina and Daniel Yankelevits. Hollywood Dealmaking: Negotiating Talent Agreements for Film, TV and New Media. 2nd ed. New York: Skyhorse Publishing, Inc., 2011.

Dean, Carole Lee. The Art of Film Funding, 2nd ed. : Michael Wiese Productions, 2012.

Erickson, J. Gunnar Erickson et al. The Independent Film Producer’s Survival Guide: A Business and Legal Sourcebook. 3rd ed. New York: Schirmer Trade Books, 2009.

Lee Jr., John J. and Anne Marie Gillen. The Producer’s Business Handbook: The Roadmap for the Balanced Film Producer. Burlington, MA: Focal Press, 2011.

Levinson, Louise. Filmmakers and Financing: Business Plans for Independents. Burlington, MA: Focal Press, 2010.

Moore, Schuyler M. The Biz: The Basic Business, Legal, and Financial Aspects of the . 4th ed. Los Angeles: Silman-James Press, 2011.

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David Cronenberg and Collaborators: Selected Bibliography

Ryan, Maureen. Producer to Producer: A Step-By-Step Guide to Low Budgets Independent Film Producing. Studio City, CA: Michael Wiese Productions, 2010.

Turman, Lawrence. So You Want to be a Producer. New York: Three Rivers Press, 2005.

David Cronenberg – TIFF Film Reference Library Film File Clippings

Colapinto, John. “Horror Show.” Saturday Night (October 1986): 40-50.

Cornenberg, David. “The night Attila met the antichrist, she was shocked and he was outraged.” (May 14, 1977): 14.

Czarnecki, Mark. “A vivid obsession with sex and death.” Maclean’s (February 14, 1983): 61-64.

Govier, Katherine. “Middle-class shivers.” Toronto Life (July 1979): 50+.

Groen, Rick. “Of bugs and blobs and dueling dualities.” The Globe and Mail (January 11, 1992): C7.

Harkness, John. “The word, the flesh and the films of David Cronenberg.” Cinema Canada (June 1983): 23-24.

Haslett Cuff, John. “The alien vision of David Cronenberg.” The Globe and Mail (June 5, 1987): C9.

Hoberman, J. “Tech It or Leave It.” The Village Voice (February 15, 1983): 50.

McCraken, Melinda. “…while Cronenberg takes a weird look at life.” The Globe and Mail (March 1, 1969): 2.

Rickey, Carrie. “Make Mine Cronenberg.” The Village Voice (February 1, 1983): 62-65.

Snider, Norman. “Just two innocent Canadian boys in wicked Hollywood.” Saturday Night (July 1974): 17-22.

Sammon, Paul M. “David Cronenberg.” Cinefantastique 10.4 (Spring 1981): 21-34.

Scott, Jay. “Cronenberg bright, gentle a master of gore.” The Globe and Mail (February 1, 1983): 13.

Stanbrook, Alan. “Cronenberg’s Creative Cancers.” Sight & Sound 58.1 (Winter 1988/1989): 54-55.

Sutton, Martin. “Schlock! Horror! The Films of David Cronenberg.” Films and Filming 337 (October 1982): 15-21+.

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David Cronenberg and Collaborators: Selected Bibliography

Testa, Bart. “Hommage to a master of horror.” The Globe and Mail (September 10, 1983): 18.

---. “The King of Blood.” Fanfare (May 31, 1978): 10-11.

Tuchman, Mitch. “Fish gotta swim…” Monthly Film Bulletin 51.605 (June 1984).

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