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1 IMAGES // FROM LEFT TO RIGHT Bergen Pines Annual Report, 1930, Detail First A.M.E. Zion Church, founded 1834, Detail Bergen Pines hospital patients, circa 1930s , Detail Portrait of Joseph Kingsland, Jr, circa 1856, Detail Bergen Pines hospital Iron Lung machine, circa 1930s, Detail COVER IMAGE Yarn Reel, circa 1920 Made by Brown & Sharpe Mfg. Co., Detail 35 in 350: The Story of New Jersey Introduction ONCEIVED OVER A YEAR AGO by Harry Weil, In addition, we benefited from the enthusiastic involvement the exhibition 35 in 350: The Story of New Jersey creates of civic, community, and religious leaders including Rabbi Israel fascinating connections between material culture S. Dresner; Randy George, Mayor of North Haledon; Mohamed and storytelling. What are the objects in our lives el Filali; United States Congressman Rodney P. Frelinghuysen; that are the most meaningful and indispensible? Reverend Dr. Douglas L. Maven; Jimmy Richardson; and William What are the stories that uniquely define us as residents of New Paterson University President Kathleen Waldron. This exhibition Jersey? These questions were posed to over twenty individuals and significantly broadened our perspective on the “Garden State” organizations from as near as neighboring Paterson and as far as by involving diverse communities and individuals in compelling, the Atlantic City Boardwalk. Through the participants’ thoughtful unprecedented, and frequently unexpected ways. selections, we identified thirty-five objects, places, or experiences that I’m extremely grateful to Harry Weil for conceiving of this tell the story of New Jersey. exhibition. His ambitious vision and keen interest were matched by Time and place are fundamental aspects of storytelling. tremendous energy that brought this exhibition to fruition. I would Fairytales begin with “Once upon a time” to transport the reader also like to thank Program Assistant Emily Johnsen and Visual both in geographic and temporal space. Many ancient myths and Resources Curator Heidi Rempel for their critical support of this legends involve a journey from one destination to another, sometimes endeavor. Graphic designer Thomas Uhlein invested his creative even backward or forward in time. However, the protagonists often talents and eye for detail to produce this refined publication. The find themselves drawn inexorably to a specific place or time. It would catalogue was made possible by a grant from the New Jersey Council seem that we are hardwired to find a connection to a location, whether for the Humanities, a state partner of the National Endowment for the it is our hometown or adopted home, yet our own sense of connection Humanities. I extend special gratitude to Associate Provost Stephen may vary substantially. For some, New Jersey is a physical place Hahn, the College of Arts and Communication Dean Daryl Joseph where we live or work, defined primarily by its geographical features Moore, and Associate Dean Imafidon Olaye for their encouragement and its suitability for livelihood. For others, it assumes a psychological and support of the University Galleries. On behalf of the University or emotional “state” of mind, embedded with memories and cultural Galleries, I sincerely appreciate all those who contributed to the or historical ties. These distinct perspectives co-exist within the engaging dialogue that shaped this dynamic exhibition. • confines of this exhibition. In weaving the story of New Jersey, the University Galleries are Kristen Evangelista grateful for all the participants who have invested significant time, Director, University Galleries energy, and insight in this exhibition. Some are familiar neighbors such as the Paterson Museum and the American Labor Museum/ Botto House National Landmark. We have also been fortunate to foster new relationships with nearby organizations such as the A.M.E. Zion Church, Hamilton Partnership for Paterson, and the Friends of the Hinchliffe Stadium. And we reached further across the state to historic sites, museums, libraries, schools, community organizations, and businesses including the Fritz Behnke Historical Museum of Paramus, Thomas Edison National Historical Park, Fosterfields Living Historical Farm, James Candy Company, Kingsland Manor, Korean Community Center, Mahwah Museum, New Beginnings (Gramon Family of Schools), the Oradell Public Library, Sand Hill Indian Historical Association, and the Rutherford Free Public Library. PHOTO, left Hobart Manor, 2005 4 Detail 5 INSTALLATION VIEW 35 in 350: The Story of New Jersey 6 7 The ache for home lives in all of us, the safe place where we can go as we are and not be questioned.” and book, A History of the World in 100 Objects, featuring works rows of trees wildly plucking red apples to be turned into apple pie or chosen by Neil MacGregor, Director of the British Museum, dating applesauce, or simply to be enjoyed sliced with peanut butter. Maya Angelou from two million years ago to the present, which ran the gamut of Like the medley of objects in the exhibition, memories do creativity and innovation (including a Prehistoric hand axe, a solar not necessarily have a particular rhyme or reason, or any obvious powered lamp, Native American buckskin and ancient Chinese transition from one to the next. This does not diminish their value. tomb figurines) and (2) an online platform, A History of the World, On the contrary, memories are treasured because they allow us to developed in partnership with schools, cultural institutions, and the return home. As fantasy author Tad Williams writes, “Never make ow would an exhibition about “home” be general public across the United Kingdom, to which individuals your home in a place. Make a home for yourself inside your own organized? The answer largely depends on contributed stories about what objects they believed were important head. You’ll find what you need to furnish it — memory, friends how you define home. Is it the roof over your in human history. More recently, in the 2013 exhibition Masterpieces you can trust, love of learning, and other such things. That way it head? Is it the people who share a space? What of Everyday New York: Objects As Story, at The New School, faculty will go with you wherever you journey.” The home he speaks of is about the associations made in adoptive homes, participants selected objects to retell the “biography” of New York not necessarily a physical place, but rather something that is part or the longing for a lost homeland? While these are not intended as City, emphasizing the city’s incredible diversity. 35 in 350 is similar to of us, made tangible only by the memories we hold. Perhaps then, rhetorical questions, they also do not have easy answers. Defining both of these exhibitions as it explores how objects, people, and places to answer the questions that opened this essay, home is best defined “home” is dependent on many things, including the culture, context, can all embody a sense of connectivity among varied audiences. as a sense of security, of ease and deep affection. Memories are the and location where someone grows up. While I get a little weepy 35 in 350 also prompted me to reflect on my own personal vehicles that allow home to always be close by. Home is where you thinking of the “Home Sweet Home” cross-stitch that my mother connection to New Jersey. While it was never my home, it was a place are unabashedly yourself. It can be found in the pews of a church, an crafted, which still hangs in the apartment where I grew up, others I had visited throughout my childhood and worked in at the start of ice cream shop on the boardwalk, or even while driving down the may not be as sentimental. my professional career. When I began thinking about objects that highway. And home is sometimes the sensation of being struck by the 35 in 350 was organized with some open-endedness about could represent my associations with the state, suddenly memories beauty of the natural world, wonderfully illustrated in this exhibition what constitutes home. A broad line of inquiry was the starting surged in and flooded my mind with glimpses of the past. These are by the photos of High Mountain Preserve, selected by Mayor of point for what became a yearlong investigation, made even more just a few of them: North Haledon Randy George, or an 18th century print of Passaic complex by all the enthusiasm and recommendations we received NJ Transit Ticket: As an adjunct professor in the Department Falls, lent by the Hamilton Partnership for Paterson. While the area for celebrities or landmarks that should be included. How could a of Art at William Paterson, much of my tenure was spent riding on surrounding these wonders developed by way of industrialization single exhibition encapsulate the stories of the many millions who public transit from Port Authority, my only way to reach campus. A and then by the growth of the suburbs, their ability to awe and inspire have called “The Garden State” home and whose life experience NJ Transit ticket represents, not only my lifeline between work and visitors has never ceased. would we highlight? We had to cast a wide net, reaching out to a home, but also time spent with colleagues hauling across state lines, From immigrants establishing themselves in a new land to diverse range of communities and organizations. The final selection sharing stories about students, offering and receiving career advice, those who seem to have always been here, the participants in 35 in of objects represents numerous social, cultural, religious and political and building our personal connections and community. 350 reveal the many ways in which people consider New Jersey their perspectives from across the state. As such, you will discover pieces An In-ground Pool: I grew up in a small apartment in Brooklyn home.

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