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As General Managers of Public Radio Stations That Serve Millions of Americans in Communities Large and Small, Urban and Rural And;
As General Managers of Public Radio stations that serve millions of Americans in communities large and small, urban and rural and; As Producers of local, regional and national content aired by stations throughout the nation committed to telling the evolving story of America, its proud history, and its committed citizens; We are writing to express our grave concern regarding the House legislation that would prohibit stations from using any Federal funds to pay for national programming and would eliminate CPB’s Program Fund. By prohibiting the use of Federal funds in any national programming, and in particular, by eliminating the CPB Program Fund, millions of Americans will be deprived of critical national and international news, information and cultural programming that cannot be found elsewhere. Local public radio stations will no longer reliably provide the community information and context so necessary to cities and towns challenged by change and faltering economies. Institutions and projects at risk include: - Radio Bilingüe’s national program service, public radio’s principal source of Latino programming - Koahnik Public Media’ Native Voice 1, public radio’s principal source of Native American programming - Youth Media, the California-based media network of young audio and video producers and a key source of a youth voice in the mass media - The Public Insight Network, American Public media’s expanding project to bring citizen experts into public radio journalism - Independent producers who depend upon the Program Fund for money to support production of series such as StoryCorps and This I Believe - Independent organizations dedicated to innovation, training, and excellence in journalism such as the Public Radio Exchange and the Association of Independents in Radio. -
SCENE ONE (An Empty Stage. There Is a Podium and a Projector Screen
SCENE ONE (An empty stage. There is a podium and a projector screen emblazoned with the logo “WELLSTONE PROJECT.” A spotlight comes up on STEPHEN, who stands at the podium, dressed in formal attire. He carries a drink in his hand.) STEPHEN Thank you all for being here tonight – for your support – for honoring my brother’s life and legacy. (as HE speaks, the screen behind him flashes a portrait of Paul Wellstone) It would mean the world to them – Paul, and Sheila (the screen flashes a photo of Paul and Sheila together) – to see you all here tonight. (he sips his drink liberally and shakes himself out) I just want to apologize in advance – I never had my brother’s knack for public speaking. (HE chuckles nervously) But I always said… I always said my brother had a way of bringing people together… Sometimes in ways we might not expect. But – (the screen flashes a photo of a beach in Maryland) One way or another, it all leads back… to this. (without looking backward, the screen raises out of view, and the set changes to the beach seen in the photo, complete with a sunbathing SHEILA, reclining on a beach chair, reading a book) The beaches our parents took us to as kids… I haven’t set foot here in years, but I can still see it all like it was yesterday. (HE mimes to various parts of the set) The stand where they used to sell popsicles on hot days. (another) And over there, see? That’s where I built the biggest sandcastle you’d ever seen… Until Paul stepped in it. -
National Endowment for the Arts Annual Report 1990
National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................ -
Art Garfunkel in Conversation About His Long-Awaited Memoir, WHAT IS IT ALL but LUMINOUS: Notes from an Underground Man
-----DRAFT-----5 FOR IMMEDIATE RELEASE Grand Performances and Scripps Presents, in partnership with SAG-AFTRA Present: Art Garfunkel in conversation about his long-awaited memoir, WHAT IS IT ALL BUT LUMINOUS: Notes from an Underground Man Exclusive Interview, Friday, October 13— @ California Plaza Los Angeles, California-----September 2017-----Grand Performances and Scripps Presents in partnership with SAG-AFTRA present a special literary event with the extraordinary vocalist and icon Art Garfunkel. Garfunkel is one half of what is arguably the most famous musical duo of all time, Simon & Garfunkel. In his only Los Angeles appearance in support of the book’s publication, Garfunkel will sit down with award-winning journalist, Alex Cohen of KPCC for a candid conversation about the memoir the New York Daily News describes as, “Witty, candid and wildly imaginative...a highly intelligent man trying to make sense of his extraordinary life.” This special evening at the Grand Performances stage located at California Plaza (350 S. Grand Avenue) promises to provide intimate and behind-the-scenes perspective on Mr. Garfunkel’s longtime partnership with Paul Simon during one of a generation’s most vibrant musical eras. THIS IS A TICKETED EVENT. Ticket packages include 2 tickets plus a book and 1 ticket plus a book; all books will be signed in advance by Mr. Garfunkel Book and ticket packages can be purchased at: grandperformances.org/garfunkel About the Author Art Garfunkel attended Columbia University, where he earned a master’s degree in mathematics. He performed with Paul Simon as Simon & Garfunkel from 1963 to 1970. Garfunkel, with Paul Simon, has been the recipient of six Grammys, the Grammy Lifetime Achievement Award, and in 1990 was inducted into the Rock & Roll Hall of Fame. -
Podcast Directory of Influencers
The Ultimate Directory of Podcasters 670 OF THE WORLD’S LEADING PODCASTERS Who Can Make You Famous By Featuring YOU On Their High-Visibility Platforms Brought to you by & And Ken D Foster k Page 3 1. Have I already been a guest on other shows? 3. Do I have my own show, or a substantial online presence, and Let’s face it, you wouldn’t have wanted your first TV interview have I already connected with, featured, or had a podcaster on to be with Oprah during her prime, or your first radio interview my show? with Howard Stern during his. The podcasters featured within these pages are the true icons of the podcasting world. You When seeking to connect with podcasters, it is certainly easier have ONE shot to get it right. Mess it up and not only will to do so if you’re an influencer in your own right, have existing you never be invited back to their show, given that the world relationships with other podcasters and/or have a platform that of podcasters is tight, word will spread about your rivals theirs. Few, however, will meet one, let alone all three, of appearance and the odds of being invited onto others’ shows these criteria. There is, however, an easy solution. Rather than will be dramatically reduced. wait for someone to come to your door and ‘anoint’ you as being ready to get onto the influencer playing field, take matters into Recommendation: Cut your teeth on shows with significantly your own hands and start embodying the character traits, and less reach before reaching out for those featured in this replicating the actions, of influencers you admire. -
Appendix G: Mailing List
Appendix G: Mailing List Appendix G / Mailing List 187 Appendix G: Mailing List The following is an initial list of government offices, private organizations, and individuals who will receive notice of the availablity of this CCP. We continue to add to this list and expect to mail several thousand notices or summary CCPs. Elected Officials Sen. Mark Dayton Sen. Norm Coleman Rep. Jim Ramstad Rep. John Kline Rep. Mark Kennedy Rep. Betty McCollum Rep. Martin Sabo Rep. Collin Peterson Rep. Gil Gutknecht Gov. Tim Pawlenty Local Government City of Bloomington City of Arden Hills City of Eden Prairie City of Eagan City of Burnsville City of Savage City of Shakopee City of Chanhassen City of Chaska City of Carver City of Jordon Hennepin County Dakota County Carver County Scott County Sibley County Le Sueur County Rice County Waseca County Steel County Blue Earth County Nicollet County Ramsey County Appendix G / Mailing List 189 Washington County Chisago County Hennepin County Park District Metropolitan Airports Commission Hennepin County Soil and Water Conservation District Dakota County Soil and Water Conservation District Carver County Soil and Water Conservation District Scott County Soil and Water Conservation District Sibley County Soil and Water Conservation District Le Sueur County Soil and Water Conservation District Rice County Soil and Water Conservation District Waseca County Soil and Water Conservation District Steel County Soil and Water Conservation District Blue Earth County Soil and Water Conservation District Nicollet County Soil -
A Prairie Home Companion”: First Broadcast (July 6, 1974) Added to the National Registry: 2003 Essay by Chuck Howell (Guest Post)*
“A Prairie Home Companion”: First Broadcast (July 6, 1974) Added to the National Registry: 2003 Essay by Chuck Howell (guest post)* Garrison Keillor “Well, it's been a quiet week in Lake Wobegon, Minnesota, my hometown, out on the edge of the prairie.” On July 6, 1974, before a crowd of maybe a dozen people (certainly less than 20), a live radio variety program went on the air from the campus of Macalester College in St. Paul, MN. It was called “A Prairie Home Companion,” a name which at once evoked a sense of place and a time now past--recalling the “Little House on the Prairie” books, the once popular magazine “The Ladies Home Companion” or “The Prairie Farmer,” the oldest agricultural publication in America (founded 1841). The “Prairie Farmer” later bought WLS radio in Chicago from Sears, Roebuck & Co. and gave its name to the powerful clear channel station, which blanketed the middle third of the country from 1928 until its sale in 1959. The creator and host of the program, Garrison Keillor, later confided that he had no nostalgic intent, but took the name from “The Prairie Home Cemetery” in Moorhead, MN. His explanation is both self-effacing and humorous, much like the program he went on to host, with some sabbaticals and detours, for the next 42 years. Origins Gary Edward “Garrison” Keillor was born in Anoka, MN on August 7, 1942 and raised in nearby Brooklyn Park. His family were not (contrary to popular opinion) Lutherans, instead belonging to a strict fundamentalist religious sect known as the Plymouth Brethren. -
Barbara Cochran
Cochran Rethinking Public Media: More Local, More Inclusive, More Interactive More Inclusive, Local, More More Rethinking Media: Public Rethinking PUBLIC MEDIA More Local, More Inclusive, More Interactive A WHITE PAPER BY BARBARA COCHRAN Communications and Society Program 10-021 Communications and Society Program A project of the Aspen Institute Communications and Society Program A project of the Aspen Institute Communications and Society Program and the John S. and James L. Knight Foundation. and the John S. and James L. Knight Foundation. Rethinking Public Media: More Local, More Inclusive, More Interactive A White Paper on the Public Media Recommendations of the Knight Commission on the Information Needs of Communities in a Democracy written by Barbara Cochran Communications and Society Program December 2010 The Aspen Institute and the John S. and James L. Knight Foundation invite you to join the public dialogue around the Knight Commission’s recommendations at www.knightcomm.org or by using Twitter hashtag #knightcomm. Copyright 2010 by The Aspen Institute The Aspen Institute One Dupont Circle, NW Suite 700 Washington, D.C. 20036 Published in the United States of America in 2010 by The Aspen Institute All rights reserved Printed in the United States of America ISBN: 0-89843-536-6 10/021 Individuals are encouraged to cite this paper and its contents. In doing so, please include the following attribution: The Aspen Institute Communications and Society Program,Rethinking Public Media: More Local, More Inclusive, More Interactive, Washington, D.C.: The Aspen Institute, December 2010. For more information, contact: The Aspen Institute Communications and Society Program One Dupont Circle, NW Suite 700 Washington, D.C. -
Volume 15 | Issue 11 NOVEMBER 2013 from the Chief Executive Officer
VOLUME 15 | ISSUE 11 NOVEMBER 2013 From the Chief Executive Officer NOVEMBER 2013 s regular readers complaining that they hadn’t received VOLUME 15 | ISSUE 11 of this column Dimensions. During the entire 2012 calendar know, I like year, we received only 84 such calls and A publication for the WHRO community in Hampton to use this emails. Roads, VA Aspace each month to feature a new, really Our staff members immediately attempted We appreciate the support of all of our members, to reach the Sandston Distribution Center to and thank each and every one of you! special program, or Bert Schmidt to invite you to an inquire about the cause for the delay, and to WHRO maintains an open meeting policy for our upcoming community try to find a workable solution. I’m sorry to Board of Directors and Community Advisory Board. event, or just tell you something interesting report that thus far, they have received no Members of the public are welcome to attend and ob- response. In fact, they have yet to reach a serve these meetings. To find out when and where these you might not know about WHRO. meetings are held, consult the “Inside WHRO” section live employee. of our website, whro.org, or call 757.889.9420. This month, I want to let you know about a problem we’ve been having, and what we’ve Preparing Dimensions two weeks earlier isn’t PRESIDENT & CHIEF EXECUTIVE OFFICER been doing to try to correct it. an option, as the majority of the information Bert Schmidt 757.889.9410 comes from our national program partners A bit of background: last year, the US Postal – PBS and others – who provide their DEVELOPMENT OFFICER Service announced that it would close the schedules as close to air time as possible, to Jan Johnson 757.889.9358 processing center in Norfolk, and process ensure the programming is as current and DIRECTOR, CORPORATE SUPPORT Hampton Roads’ mail at the Postal Services timely as possible. -
Paul Jacobs • Christoph Bull • Frederick Swann • Craig Williams FEB
AMERICAN COMPOSERS FESTIVAL 2016 ORGAN SPLENDOR Paul Jacobs • Christoph Bull • Frederick Swann • Craig Williams FEB. 4-6 classical series SEGERSTROM CENTER FOR THE ARTS RENÉE AND HENRY SEGERSTROM CONCERT HALL presents 2015-16 HAL & JEANETTE SEGERSTROM FAMILY FOUNDATION CLASSICAL SERIES Performance begins at 8 p.m. Preview talk with Alan Chapman begins at 7 p.m. CARL ST.CLAIR • CONDUCTOR | PAUL JACOBS • FESTIVAL CURATOR AND ORGAN CHRISTOPH BULL • ORGAN | PACIFIC CHORALE — JOHN ALEXANDER • ARTISTIC DIRECTOR AMERICAN COMPOSERS FESTIVAL 2016 Organ Splendor Wayne Oquin (b. 1977) Resilience for Organ and Orchestra (WORLD PREMIERE) Paul Jacobs Morten Lauridsen (b. 1943) Lux Aeterna Introitus In Te, Domine, Speravi O Nata Lux Veni, Sancte Spiritus Agnus Dei Christoph Bull Pacific Chorale INTERMISSION William Bolcom (b. 1938) Humoresk for Organ and Orchestra Christoph Bull Stephen Paulus (1949–2014) Pilgrims’ Hymn Pacific Chorale Concerto No. 4 for Organ and Orchestra I. Robust II. Soaring III. Whirling; with Agitation Paul Jacobs The 2016 American Composers Festival is supported by PACIFIC SYMPHONY PROUDLY RECOGNIZES ITS OFFICIAL PARTNERS Official Hotel Official Television Station ACF Media Sponsor Official Classical Radio Station The Saturday, Feb. 5, performance is being recorded for broadcast on Sunday, March 13, at 7 p.m. on Classical KUSC. 2 • Pacific Symphony NOTES by michael clive What to Listen For Critics praise Oquin for his spiritually intense musical expression, which connects listeners with inner emotions while reaching outward for the eternal. The San Francisco Examiner, in a review of Oquin’s Reverie, noted that “The dreamlike spirit of the title was established by the composer through tones and chords sustained for considerable duration. -
St-Paul-Hotel-Wedding-Venue-Capacity.Jpg.Pdf
usiness and leisure travelers know us for our trademark style, sophistication and elegance. Meeting and social planners know us for our impeccable service. Locally we are known as nothing less than an icon. B The Saint Paul Hotel is Minnesota’s landmark hotel — classic, wonderful and truly one-of-a-kind. HIGHLIGHTS & AMENITIES Since 1910, the historic Saint Paul Hotel has been the premier choice for out-of-town visitors, weddings, business and social events. Overlooking beautiful Rice Park and historic Landmark Center, we are conveniently located in the heart of Saint Paul’s business, entertainment, arts and cultural districts. HIGHLIGHTS • 254 lavishly appointed guestrooms and suites with standard wireless internet, most overlooking Rice Park or Landmark Center. • Stunning panoramic views from our rooftop Fitness Center. • Elegantly designed event spaces for up to 350 guests. • Luxurious private suites for smaller gatherings. • Experienced meeting, wedding and event planners who will assist you to create the perfect, customized wedding or event. • M ST. Cafe offers contemporary cuisine in a sophisticated-yet- casual atmosphere. Open for breakfast, lunch and Sunday brunch. • The St. Paul Grill, an East Coast inspired grill and bar, features award-winning cuisine and spectacular views of Rice Park and our English garden. Open for lunch, dinner and Sunday brunch. • Our Lobby Bar serves cocktails, appetizers, lighter fare and desserts. • In Room Dining features a tantalizing array of appetizers, entrées, snacks, cocktails, specialty coffees and desserts available 24 hours to enjoy from the comfort and privacy of your room. • Awarded Four Diamond status by American Automobile Association consecutively for over 30 years. -
Steerage Song Program
Theater Latté Da in partnership with Minnesota Public Radio presents by Peter Rothstein and Dan Chouinard Mike Wangen Elizabeth R. MacNally Lighting Designer Stage Manager Rick Polenek Michael Hanisch Prop Designer Video Designer Dan Chouinard Music Director Peter Rothstein* Director Opening Night: Thursday, June 2, 2011 * Member of Stage Directors and Choreographers Society Theater Latté Da gratefully acknowledges the generous support of This activity is made possible in part by a grant from the Minnesota State Arts Board, through an appropriation by the Minnesota State Legislature and a grant from the This presentation of Steerage Song is supported in part by National Endowment for the Arts. the National Fund of New Musicals, a program of the National Alliance for Musical Theatre – www.namt.org the Ensemble Sasha Andreev Dennis Curley Jake Ingbar Braxton Baker Dylan Fresco Natalie Nowytski John Bitterman Jennifer Grimm Amy Stockhaus Erin Capello Jay Hornbacher the Musicians Dan Chouinard .......................................................................Accordion, Piano and Tuba Dirk Freymuth ................................................................................... Guitar and Bouzouki Laura MacKenzie ................................................................ Flutes, Pipes and Concertina Dale Mendenhall ................................................................................................ Clarinet Peter Ostroushko .............................................................................Violin and Mandolin