Lalo Schifrin

Total Page:16

File Type:pdf, Size:1020Kb

Lalo Schifrin Lalo Schifrin The Dissection And Reconstruction Of Music From The Past As Performed By The Inmates Of Lalo Schifrin's Demented Ensemble As A Tribute To The Memory Of The Marquis De Sade mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Dissection And Reconstruction Of Music From The Past As Performed By The Inmates Of Lalo Schifrin's Demented Ensemble As A Tribute To The Memory Of The Marquis De Sade Country: Japan Released: 2008 MP3 version RAR size: 1828 mb FLAC version RAR size: 1751 mb WMA version RAR size: 1841 mb Rating: 4.6 Votes: 848 Other Formats: RA MP4 DXD MMF DMF ASF AIFF Tracklist 1 Old Laces 4:20 2 The Wig 2:40 3 The Blues For Johann Sebastian 3:05 4 Renaissance 3:15 5 Beneath A Weeping Willow Shade 2:30 6 Versailles Promenade 3:55 7 Troubadour 3:00 8 Marquis De Sade 2:45 9 Aria 2:30 10 Bossa Antique 3:26 Companies, etc. Distributed By – Universal Music Distribution Phonographic Copyright (p) – The Verve Music Group Copyright (c) – The Verve Music Group Credits Arranged By, Conductor – Lalo Schifrin Bass – Richard Davis Cello – George Ricci Design [Cover] – Acy Lehman Drums – Grady Tate Engineer – Rudy Van Gelder Flute [Tenor & Alto] – Jerome Richardson Flute, Flute [Alto] – Romeo Penque French Horn – James Buffington*, Ray Alonge, Richard Berg Guitar – Gene Bertoncini Guitar [Classic], Electric Guitar – Gene Bertoncini Harp – Gloria Agostini Leader, Piano, Harpsichord – Lalo Schifrin Producer – Creed Taylor Saxophone – Jerome Richardson Trombone – J. J. Johnson*, Kai Winding, Thomas Mitchell, Urbie Green Trumpet – Clark Terry, Ernie Royal, Snooky Young*, Jimmy Maxwell Tuba – Don Butterfield Violin – Alfred Brown, Christopher Williams , Gene Orloff, Harry Lookofsky Vocals – Rose Marie Jun (tracks: 4, 5, 9) Notes Recorded April 27 and 28, 1966 at Van Gelder Studios, Englewood Cliffs, New Jersey. Barcode and Other Identifiers Barcode: 4988005516985 Other versions Category Artist Title (Format) Label Category Country Year The Dissection And Reconstruction Of Music From The Past As Performed By The Lalo Verve V6-8654 Inmates Of Lalo Schifrin's V6-8654 US 1966 Schifrin Records Demented Ensemble As A Tribute To The Memory Of The Marquis De Sade (LP, Album) The Dissection And Reconstruction Of Music From The Past As Performed By The Lalo Verve V-8654 Inmates Of Lalo Schifrin's V-8654 US 1966 Schifrin Records Demented Ensemble As A Tribute To The Memory Of The Marquis De Sade (LP, Mono, Gat) The Dissection And Reconstruction Of Music From The Past As Performed By The Lalo Verve New V6-8654 Inmates Of Lalo Schifrin's V6-8654 1966 Schifrin Records Zealand Demented Ensemble As A Tribute To The Memory Of The Marquis De Sade (LP, Album) 2332 089 Lalo Blues For Johann Sebastian (LP, Verve 2332 089 Italy Unknown A Schifrin Album, RE) Records A The Dissection And Reconstruction Of Music From The Past As Performed By The Lalo Verve V-8654 Inmates Of Lalo Schifrin's V-8654 US 1966 Schifrin Records Demented Ensemble As A Tribute To The Memory Of The Marquis De Sade (LP, Mono, Promo, Gat) Related Music albums to The Dissection And Reconstruction Of Music From The Past As Performed By The Inmates Of Lalo Schifrin's Demented Ensemble As A Tribute To The Memory Of The Marquis De Sade by Lalo Schifrin 1. Lalo Schifrin - Der Mann Mit Der Todeskralle 2. Lalo Schifrin - Enter The Dragon (Original Sound Track From The Motion Picture) 3. Lalo Schifrin - Flamingo / Turning Point 4. Lalo Schifrin - Lalo Schifrin 5. Lalo Schifrin - Towering Toccata 6. Lalo Schifrin - Brubaker 7. Lalo Schifrin and John E. Davis - The Best Of Mission: Impossible - Then And Now 8. Johnny Williams, Lalo Schifrin - Diamond Head/ Gone With The Wave 9. Lalo Schifrin & Andy Garfield - Spooks (The Original Score) 10. Lalo Schifrin - Mannix.
Recommended publications
  • Robert GADEN: Slim GAILLARD
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN
    [Show full text]
  • Clarence Williams
    MUNI 2017-2 – Flute 1-2 Shooting the Pistol (Clarence Williams) 1:26 / 1:17 Clarence Williams Orchestra: Ed Allen-co; Charlie Irvis-tb; possibly Arville Harris-cl, as; Alberto Socarras-fl; Clarence Williams-p; Cyrus St. Clair-tu New York, July 1927 78 Paramount 12517, matrix number 2837-2 / CD Frog DGF37 3 I’ll Take Romance (Ben Oakland) 2:39 Bud Shank-fl; Len Mercer and His Strings Bud Shank With Len Mercer Strings: Giulio Libano (trumpet) Appio Squajella (flute, French horn) Glauco Masetti (alto sax) Bud Shank (alto sax, flute) Eraldo Volonte (tenor sax) Fausto Pepetti (baritone sax) Bruno De Filippi (guitar) Don Prell (bass) Jimmy Pratt (drums) with unidentified harp and strings, Len Mercer (arranger, conductor) Milan, Italy, April 4 & 5, 1958 LP World Pacific WP-1251, Music (It) EPM 20096, LPM 2052 4-5 What’ll I Do (Irving Berlin) 1:26 / 1:23 Bud Shank-fl; Bob Cooper-ob; Bud Shank - Bob Cooper Quintet: Bud Shank (alto sax, flute) Bob Cooper (tenor sax, oboe) Howard Roberts (guitar) Don Prell (bass) Chuck Flores (drums) Capitol Studios, Hollywood, CA, first session, November 29, 1956 LP Pacific Jazz X-634, PJ 1226, matr. ST-1894 / CD Mosaic MS-010 6-7 Flute Bag (Rufus Harley) 2:06 / 2:15 Herbie Mann.fl; Rufus Harley-bagpipes; Roy Ayers (vibes) Oliver Collins (piano) James Glenn (bass) Billy Abner (drums) "Village Theatre", NYC, 2nd show, June 3, 1967 LP Atlantic SD 1497, matr. 12589 8-10 Moment’s Notice (John Coltrane) 4:58 / 1:04 / 0:52 Hubert Laws-fl; Ronnie Laws-ts; Bob James-p, elp, arranger; Gene Bertoncini-g; Ron Carter-b; Steve
    [Show full text]
  • Jazz at the Crossroads)
    MUSIC 127A: 1959 (Jazz at the Crossroads) Professor Anthony Davis Rather than present a chronological account of the development of Jazz, this course will focus on the year 1959 in Jazz, a year of profound change in the music and in our society. In 1959, Jazz is at a crossroads with musicians searching for new directions after the innovations of the late 1940s’ Bebop. Musical figures such as Miles Davis and John Coltrane begin to forge a new direction in music building on their previous success earlier in the fifties. The recording Kind of Blue debuts in 1959 documenting the work of Miles Davis’ legendary sextet with John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers and Jimmy Cobb and reflects a new direction in the music with the introduction of a modal approach to composition and improvisation. John Coltrane records Giant Steps the culmination of the harmonic intricacies of Bebop and at the same time the beginning of something new. Ornette Coleman arrives in New York and records The Shape of Jazz to Come, an LP that presents a radical departure from the orthodoxies of Be-Bop. Dave Brubeck records Time Out, a record featuring a new approach to rhythmic structure in the music. Charles Mingus records Mingus Ah Um, establishing Mingus as a pre-eminent composer in Jazz. Bill Evans forms his trio with Scott LaFaro and Paul Motian transforming the interaction and function of the rhythm section. The quiet revolution in music reflects a world that is profoundly changed. The movement for Civil Rights has begun. The Birmingham boycott and the Supreme Court decision Brown vs.
    [Show full text]
  • Aaron SACHS: Frank SACKENHEIM: Erna SACK: Fats SADI
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Aaron SACHS: "Clarinet & Co" Phil Sunkel, Bernie Glow -tp; Frank Rehak -tb; AARON SACHS -cl,ts; Gene Allen -bs; Nat Pierce - p; Aaron Bell -b; Osie Johnson -d; recorded February 18 and 21, 1957 in New York 33134 RONDO BLUES 3.45 Rama RLP 1004 33135 JUST SICK BLUES 2.54 --- 33136 BLUE SOPHISTICATE 4.02 --- 33137 CONVERSATION 2.39 --- 33138 MONA'S KIMONA 4.01 --- 33139 COUNTRYFIELD 3.46 --- 33140 WIGGINS 3.26 --- Aaron Sachs -cl,ts; Hal Overton -p; Jimmy Raney -g; Aaron Bell -b; Osie Johnson -d; recorded March 04, 1957 in New York 33141 GORME HAS HER DAY 3.07 --- 33142 I CAN'T BELIEVE 2.58 --- 33143 HAL'S LOFT 2.43 --- 33144 NANCY 3.22 --- ------------------------------------------ Frank SACKENHEIM: "WDR3:Jazz.Cologne" Frank Sackenheim Trio: Frank Sackenheim -ts; Henning Gailing -b; Jonas Burgwinkel -d; recorded July 10, 2005 in Funkhaus Wallrafplatz, Köln 77097 DEIN IST MEIN GANZES HERZ 7.55 Aircheck 77098 L.O.V.E. 5.22 --- 77099 RED ROSES 8.16 --- 77100 SPEAK LOW 11.40 --- 77101 ICH BIN VON KOPF BIS FUSS AUF LIEBE EINGESTELLT 7.53 --- 77102 GAMES THAT LOVERS PLAY 8.05 --- ------------------------------------------ Erna SACK: Sopran: Kammersängerin Erna Sack mit Orchester; Dirigent: Hans Bund; recorded August 30, 1934 in Berlin 107685 WENN SICH EINE SCHÖNE FRAU VERLIEBT 3.30 19991-1 Tel A1676 Sopran: Kammersängerin Erna Sack mit Orchester; Dirigent: Hans Bund; recorded October 1934 in Berlin 107121 ICH BIN VERLIEBT 3.32 19990 --- aus der Operette "Clivia" Erna Sack war eine der bedeutendsten Sopranistinnen Deutschlands im 20.
    [Show full text]
  • Dizzy Gillespie and the Big Band: GILLESPIANA (Verve V6-8394)
    JAMU 20150422-2 –Dizzy Gillespie-Lalo Schifrin suites (ukázky) Dizzy Gillespie and His Orchestra: A PORTRAIT OF DUKE ELLINGTON (Verve V6-8386) A1 In A Mellow Tone 3:44 A2 Things Ain't What They Used To Be 4:50 A3 Serenade To Sweden 4:23 A4 Chelsea Bridge 2:34 A5 Upper Manhatten Medical Group 3:05 A6 Do Nothin' Till You Hear From Me 2:38 B1 Caravan 5:18 B2 Sophisticated Lady 3:19 B3 Johnny Come Lately 3:35 B4 Perdido 4:47 B5 Come Sunday 2:56 Trumpet – Dizzy Gillespie Trombone – Bennie Green French Horn – Joe Singer, Ray Alonge, Richard Berg Tuba – Jay McAllister Flute – Robert DiDomenica Woodwind – Ernest Bright, John Murtaugh, Paul Richie, Stan Webb Vibraphone – George Devens Piano, Celeste – Hank Jones Bass – George Duvivier Drums – Charlie Persip Arranged By – Clare Fisher Recorded on 27-28 April, 1960 in NYC. Dizzy Gillespie and the Big Band: GILLESPIANA (Verve V6-8394) A1 Prelude 5:52 A2 Blues 11:16 A3 Panamericana 4:39 B1 Africana 7:31 B2 Toccata 12:01 Trumpet – Clark Terry, Dizzy Gillespie, Ernie Royal, Joe Wilder, John Frosk Trombone – Britt Woodman, Frank Rehak, Paul Faulise, Urbie Green Horns – Al Richman, Gunther Schuller, James Buffington, Julius Watkins, Morris Secon, William Lister Tuba – Don Butterfield Saxophone – Leo Wright Piano, Written-By, Arranged By – Lalo Schifrin Bass – Art Davis Drums – Chuck Lampkin Bongos – Jack Del Rio Congas – Candido Timbales, Timpani – Willie Rodriguez Recorded November 14-15, 1960 in New York Dizzy Gillespie and the Big Band: CARNEGIE HALL CONCERT (Verve V6-8423) A1 Manteca 6:22 A2 This Is
    [Show full text]
  • Dizzy Gillespie - Buddy Rich
    MUNI 20070503 Dizzy Gillespie - Buddy Rich 1. Ow! (Dizzy Gillespie) 3:02 Dizzy Gillespie and His Orchestra : Dizzy Gillespie, Dave Burns, Elmon Wright, Matthew McKay, Ray Orr-tp; Taswell Baird, William Shepherd-tb; John Brown, Howard Johnson-as; James Moody, Joe Gazles-ts; Cecil Payne-bs; Milt Jackson-vib; John Lewis-p; John Collins-g; Ray Brown-b; Joe Harris-dr. New York, August 22, 1947. Victor 20-2480/D7-VB-1542-1. [RCA 07863 66528 2] 2. Manteca (Dizzy Gillespie-Walter “Gil” Fuller-Chano Pozo) 3:08 Dizzy Gillespie and His Orchestra : Dizzy Gillespie, Dave Burns, Elmon Wright, Lamar Wright, Jr., Benny Bailey-tp; William Shepherd, Ted Kelly-tb; John Brown, Howard Johnson-as; Joe Gayles, „Big Nick“ Nicholas-ts; Cecil Payne-bs; John Lewis-p; Al McKibbon-b; Kenny Clarke-dr; Chano Pozo-conga, bongos, voc. New York, December 30, 1947. Victor 20-3023/D7-VB-3080-1. [RCA 07863 66528 2] 3. Cubana Bop (George Russell-Dizzy Gillespie) 3:20 Dizzy Gillespie and His Orchestra : same personnel. New York, December 22, 1947. Victor 20-3145/D7-VB-2935-1. [RCA 07863 66528 2] 4. Gillespiana – 1. Prelude (Boris “Lalo” Schifrin) 5:56 Dizzy Gillespie and His Orchestra : John Frosk, Dizzy Gillespie, Ernie Royal, Clark Terry, Joe Wilder-tp; Urbie Green, Frank Rehak, Britt Woodman-tb; Paul Faulise-btb; Jammes BufFington, Al Richman, Gunther Schuller, Julius Watkins-h; Don ButterField-tu; Leo Wright-Fl, as; Lalo SchiFrin-p; Art Davis-b; Jack Del Rio-bongos; Candido Camero-conga; Willie Rodriguez-timb; Chuck Lampkin-dr. New York, November 14-15, 1960.
    [Show full text]
  • Harold MABERN: Teo MACERO
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Harold MABERN: "Workin' And Wailin'" Virgil Jones -tp,flh; George Coleman -ts; Harold Mabern -p; Buster Williams -b; Leo Morris -d; recorded June 30, 1969 in New York Leo Morris aka Idris Muhammad 101615 A TIME FOR LOVE 4.54 Prest PR7687 101616 WALTZING WESTWARD 9.26 --- 101617 I CAN'T UNDERSTAND WHAT I SEE IN YOU 8.33 --- 101618 STROZIER'S MODE 7.58 --- 101619 BLUES FOR PHINEAS 5.11 --- "Greasy Kid Stuff" Lee Morgan -tp; Hubert Laws -fl,ts; Harold Mabern -p; Boogaloo Joe Jones -g; Buster Williams -b; Idriss Muhammad -d; recorded January 26, 1970 in New York 101620 I WANT YOU BACK 5.30 Prest PR7764 101621 GREASY KID STUFF 8.23 --- 101622 ALEX THE GREAT 7.20 --- 101623 XKE 6.52 --- 101624 JOHN NEELY - BEAUTIFUL PEOPLE 8.33 --- 101625 I HAVEN'T GOT ANYTHING BETTER TO DO 6.04 --- "Remy Martin's New Years Special" James Moody Trio: Harold Mabern -p; Todd Coleman -b; Edward Gladden -d; recorded December 31, 1984 in Sweet Basil, New York it's the rhythm section of James Moody Quartet 99565 YOU DON'T KNOW WHAT LOVE IS 13.59 Aircheck 99566 THERE'S NO GREEATER LOVE 10.14 --- 99567 ALL BLUES 11.54 --- 99568 STRIKE UP THE BAND 13.05 --- "Lookin' On The Bright Side" Harold Mabern -p; Christian McBride -b; Jack DeJohnette -d; recorded February and March 1993 in New York 87461 LOOK ON THE BRIGHT SIDE 5.37 DIW 614 87462 MOMENT'S NOTICE 5.25 --- 87463 BIG TIME COOPER 8.04 --- 87464 AU PRIVAVE
    [Show full text]
  • Catalogo Xpress
    Descrizione LP Casa discografica Label Codice AA VV: Dixieland Time 1ducale jazzDJZ 35912001 AA VV: Esquire's all american hot jazz 1rca victorLPM 3404012002 AA VV: History of classics jazz 5riversideRB 00512003 AA VV: Jazz and hot dance in Italy 1919-48 1harlequinHQ 207812004 AA VV: Jazz in the movies 1milanA 37012005 AA VV: Swing street 4columbiaJSN 604212006 AA VV: The Changing face of Harlem 2savoySJL 220812007 AA VV: The Ellingtonians 1pausaPR 903312008 AA VV: The golden book of classic swing 3brunswich87 097 9912009 AA VV: The golden book of classic swing (vol. II) 3brunswich87 094 9612010 AA VV: The Royal Jazz Band 1up internationalLPUP 506712011 AA VV: A bag of sleepers (volume 1) - Friday night 1arcadia200312012 AA VV: A bag of sleepers (volume 2) - Hot licks 1arcadia200412013 AA VV: Tommy Dorsey a Tribute 1sounds greatSG 801412014 Abeel Dave, Tailgate King Joe, Wix Tommy, Goodwin Ralph, Calla Ernie, Price Jay: A night with The Knights - The Knights of Dixieland 1 jazzology J 004 12015 Adams Pepper, Byrd Donald, Jones Elvin, Watkins Doug, Timmons Bobby: 10 to 4 at the 5-Spot 1 riverside SMJ 6129 12016 Adderley Cannonball: Cannonball and Eight Giants 2 milestone HB 6077 12017 Adderley Cannonball: Coast to Coast 2 milestone HB 6030 12018 Adderley Cannonball: Discoveries 1 savoy SJL 1195 12019 Adderley Cannonball: Live in Paris April 23, 1966 1 ulysse AROC 50709 12020 Adderley Cannonball: The Cannonball Adderley Quintet Plus 1 riverside OJC 306 12021 Adderley Cannonball: The Sextet 1 milestone NM 3004 12022 Adderley Cannonball, Adderley
    [Show full text]
  • Jazz Elements in Three Works for Solo Horn
    UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ Compositional Trends in Solo Horn Works by Horn Performers (1970–2005): A Survey and Catalog A document submitted to the Division of Graduate Studies and Research of the University of Cincinnati in partial fulfillment of the requirements of the degree of DOCTOR OF MUSICAL ARTS in the Division of Performance Studies of the College-Conservatory of Music 2008 by Kimberly D. Rooney B.M., University of Missouri-Columbia, 2002 M.M., University of Cincinnati, 2004 Committee Chair: Dr. bruce d. mcclung ABSTRACT A survey of solo horn works composed in the late twentieth century exhibits the strong influence of horn performers on the instrument’s expanding solo repertoire. Hornists such as Jeffrey Agrell, David Amram, Paul Basler, Randall Faust, Lowell Greer, Douglas Hill, Lowell Shaw, Jeffrey Snedeker, and many others have contributed worthwhile new works to the horn repertoire. These works take advantage of recent compositional trends in order to showcase the full spectrum of musical possibilities available to the modern hornist. The goal of this study is to draw attention to the large body of horn solo repertoire that has been composed by hornists from 1970 to 2005, to explore the technical challenges it poses, to consider common trends among the works of several hornist-composers, and to encourage performance of this repertoire. Chapter One provides an overview of the project and examines the relevant existing research.
    [Show full text]
  • Discographie Leader/Co-Leader
    Discographie Leader/Co-Leader 1947-1953 Urbanity Clef/Mercury NYC, September-October, 1947° & September 4, 1953¹. Tracks: Blues For Lady Day°; The Night We Called It A Day°; Yesterdays°; You're Blasé°; Tea For Two°; The Blue Room°; Thad's Pad¹; Things Are So Pretty In The Spring¹; Little Girl Blue¹; Odd Number¹. Personnel: Hank Jones: piano; Ray Brown¹: bass; Johnny Smith¹: guitar. Note: Reissued on Verve. 1955 The Trio Savoy NYC, August 4, 1955. Tracks: My Hearts Are Young; We Could Make Such Beautiful Music Together; We're All Together; Cyrano; Odd Number; There's A Small Hotel; My Funny Valentine; Now's The Time. Personnel: Hank Jones: piano; Wendell Marshall: bass; Kenny Clarke: drums. Note: Also issued as The Jazz Trio of Hank Jones. Quartet/Quintet Savoy NYC, November 1, 1955. Tracks: Almost Like Being In Love; An Evening At Papa Joe's; And Then Some; Summer's Gone; Don't Blame Me. Personnel: Donald Byrd: trumpet; Matty Dice: trumpet; Hank Jones: piano; Eddie Jones: bass; Kenny Clarke: drums. Bluebird Savoy NYC, November 1 & 3 & 29 & December 20, 1955. Tracks: Little Girl Blue; Bluebird; How High The Moon; Hank's Pranks; Alpha; Wine And Brandy. Personnel: Joe Wilder, Donald Byrd, Matty Dice: trumpet; Jerome Richardson: tenor sax, flute; Herbie Mann: flute; Hank Jones: piano; Wendell Marshall: bass; Eddie Jones: bass; Kenny Clarke: drums. 1956 Have You Met Hank Jones? Savoy NYC, July 9 & August 8 & 20, 1956. Tracks: Teddy's Dream; It Had To Be You; Gone With The Wind; Heart And Soul; But Not For Me; Have You Met Miss Jones?; You Don't Know What Love Is; How About You?; Body And Soul; Let's Fall In Love; Kanakee Shout; Solo Blues.
    [Show full text]
  • The Jazz Review
    THE JAZZ REVIEW CD The Style of John Coltrane Part II Don Redman: Jazz Composer-Arranger Wayne Shorter Muddy Waters Barnewe're proud to say... y KesseMM l• ^ firsMetronomt placee 1956,195 and Playbo7 yan polld 195s 8 Down Beat, recordexclusivelsy for Contemporary I —and has since 1953! MUSIC TO LISTEN TO BARNEY KESSEL BY "to swing or not to swing" CONTEMPORARY C3521 ',ys^.v,,,„;.;; ••• • Barney Kessel Vol. 3 contemporary C3513 Barney's first CR album, with Barney & quintet featuring Barney in a free-wheeling ses- Barney and his arrangements Bud Shank or Buddy Collette Bob Cooper, oboe & tenor sax, sion with "Sweets" Edison, Bill of standards for woodwind or- featured on alto sax & flute, on 12 favorites like My Old Perkins, Georgie Auld, Red chestra. Laura, Makin' Whoo- Red Mitchell, Claude William- Flame, Speak Low, Love Is Mitchell, Jimmie Rowles, pee, Carioca, Indian Summer, son, Shelly Manne, etc. C3511 Here To Stay, etc. C3512 Shelly Manne, etc. C3513 etc. C3521 & Stereo S7001 THDE rOU WUIIEIS IDE MUM! MINET KESSEL WITH SHOD BUSK & JUS nam CONTTMFOBARY C3s$6 CARMEN M Barney, with Shelly Manne & Barney, Shelly and Ray again Great standards from the hit The first modern jazz album Ray Brown (who also were 1st demonstrate their supremacy, movie done in modern_ jazz of an opera—Barney's adapta• in the '56, '57, and '58 Down Volar e,Be Deedle Dee Do, The Runniri Wild, Sweet Sue, etc., tion of Bizet's music with or• Beat, Metronome, Playboy Merry Go Round Broke Down, with Art Pepper, Joe Gordon, chestra & stars like Previn, polls).
    [Show full text]
  • A Study of the Bohemian Contributions to Horn Pedagogy
    “The Singing Style of the Bohemians” – A Study of the Bohemian Contributions to Horn Pedagogy, Including Western Perspectives on Czech Horn Playing and an Analysis of the Teachings of Zdeněk Divoký at the Prague Academy of Performing Arts D.M.A. DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Tiffany N. Damicone, B.M., M.M. Graduate Program in Music The Ohio State University 2013 D.M.A. DocumentCommittee: Bruce Henniss, Advisor Joseph Duchi Charles Atkinson Kimberly Arcoleo Copyright by Tiffany N. Damicone 2013 Abstract This study presents the pedagogical methods of Horn Professor Zdeněk Divoký at the Prague Academy of Performing Arts and defines indicators of a Czech Republic nationalistic style of horn playing by comparing specific techniques observed in Prague with the standard horn pedagogy in the West. The results of observations and interviews suggest contradicting perspectives between the perceived and actual current traditions in the Czech Horn School. In addition, an examination of available scholarly articles, books, and recordings reveals key players and innovations within the horn traditions in the Czech Republic that provide context for the developments of these techniques. As an outcome of these interviews and observations the document presents indicators for Czech style including, but not limited to: phrasing, vibrato, tonal concepts, articulations, ear- training, dynamics, left hand technique, and exercises for embouchure development. The art of horn playing continues to develop as globalization creates an environment of collaboration. This research aims to extend an invitation to Czech scholars and pedagogues to share their core methods and philosophies with English-speaking audiences.
    [Show full text]