Sample Thesis Title with a Concise and Accurate

Total Page:16

File Type:pdf, Size:1020Kb

Sample Thesis Title with a Concise and Accurate LOCALITIES OF SYMBOLIC EXPRESSION AND MEANING: TEMPLES AND SHRINES OF KYOTO, JAPAN by Emily Ann Teresa Laninga B.A., The University of British Columbia, 2009 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE COLLEGE OF GRADUATE STUDIES (Interdisciplinary Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Okanagan) June 2013 © Emily Ann Teresa Laninga, 2013 Abstract Cultural practices are maintained by passing knowledge down throughout the generations, yet they also are simultaneously in a process of transition. Influenced by societal requirements, specific aspects of culture are taught and learned. Over time, some qualities are altered, adapted, dismissed, or are auxiliary to the creation of new practices. A prime example of this process is Japanese culture and its symbolic meanings in relation to Shinto shrines and Buddhist temples; milieus which are sacred spaces that contain polysemic modes of symbolic expression. In this thesis, I examine a variety of customs where localities of temples and shrines act as multifaceted outlets of symbolic expression and meaning for the people who visit them. In particular, I am interested in exploring how people use objects and view actions that occur within the context of shrines and temples. Objects are physical, material artifacts that are representative of something, some examples of objects being architecture, artwork, statues and monuments, or a talisman. Actions take place as a physical means of representation, acted out in order to initiate a desired effect; such actions include ritual behaviors, ceremony, dance and offerings. By analyzing objects and actions, this thesis shows how people’s interactions within shrines and temples not only mark these locations as meaningful places, but reveal how people’s understandings of the meanings of symbolic forms within these sites are changing in contemporary times. This thesis is shaped from data collected using participant observation, open-ended interviews, questionnaires, and photo journaling during a four month period of fieldwork (Mid-September 2011 until early January 2012) in the city of Kyoto, Japan. My research suggests that, as Japanese society continues to change, contemporary Japanese youth are losing some traditional knowledge of symbolic representations found at shrine and temple sites, signifying a general gap in traditional knowledge between generations. This indicates that ii symbolic forms are either changing, or possibly that the youth of today are not learning about current or past symbolic meanings in the first place. Moreover, the reasons for visiting temple and shrines are increasingly due to specifically non-religious purposes such as tourism or entertainment. iii Preface This research required an ethics approval, which was provided by the UBC Okanagan Behavioural Research and Ethics Board, certificate number: H11-01589. iv Table of Contents Abstract .......................................................................................................................................... ii Preface ........................................................................................................................................... iv Table of Contents ...........................................................................................................................v List of Tables .............................................................................................................................. viii List of Figures ............................................................................................................................... ix Abbreviations and Conventions ................................................................................................ xii Glossary ...................................................................................................................................... xiii Acknowledgements ................................................................................................................... xvii Dedication ................................................................................................................................. xviii Chapter 1: Introduction ...............................................................................................................1 1.1 Background and Setting of Study ................................................................................... 1 1.2 Quick Introduction to Shinto and Buddhist Presence in Japan ....................................... 3 1.3 Structure of the Thesis .................................................................................................... 6 Chapter 2: Methodology...............................................................................................................9 2.1 Research Design.............................................................................................................. 9 2.2 Study Area .................................................................................................................... 12 2.3 Data Collection and Analysis........................................................................................ 12 2.4 Limitations .................................................................................................................... 15 Chapter 3: Matters of Meaning .................................................................................................17 3.1 Symbolism .................................................................................................................... 18 3.2 Interpretation ................................................................................................................. 22 3.3 Context .......................................................................................................................... 26 v 3.4 Experience..................................................................................................................... 29 Chapter 4: Matters of Place .......................................................................................................33 4.1 Spaces and Places ......................................................................................................... 33 4.2 Landscapes: Meaning in and from Place ...................................................................... 36 4.3 Embodiment of Place .................................................................................................... 39 Chapter 5: Sacred Spaces, Symbolic Places .............................................................................44 5.1 Architecture................................................................................................................... 44 5.2 At a Shinto Shrine ......................................................................................................... 47 5.3 At a Buddhist Temple ................................................................................................... 53 5.4 Purification and Calming the Mind............................................................................... 56 5.5 Symbolic Connection to Physical Location .................................................................. 60 5.6 Effect on Behaviour ...................................................................................................... 65 5.7 Extensions of Sacred Space and Place .......................................................................... 66 Chapter 6: Varieties of Symbolic Expression ...........................................................................70 6.1 Actions .......................................................................................................................... 71 6.1.1 Honouring the Dragon .............................................................................................. 72 6.1.2 Taro Stalks and Vegetables ....................................................................................... 75 6.1.3 Omikoshi Matsuri ..................................................................................................... 79 6.1.4 Seven-Five-Three ...................................................................................................... 83 6.1.5 The New Year ........................................................................................................... 84 6.2 Objects .......................................................................................................................... 85 6.2.1 Animals ..................................................................................................................... 86 6.2.2 Amulets and Talisman .............................................................................................. 89 vi 6.2.3 Fortune Telling.......................................................................................................... 98 6.2.4 Incense .................................................................................................................... 103 6.2.5 Daruma .................................................................................................................... 105 6.2.6 Hamaya ................................................................................................................... 107 6.2.7 Healing and Protective Figures ............................................................................... 108 6.2.8 Offerings ................................................................................................................
Recommended publications
  • Portfolio of Original Compositions
    PORTFOLIO OF ORIGINAL COMPOSITIONS A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2020 GUILLAUME DUJAT DES ALLIMES School of Arts, Languages and Cultures Table of Contents List of Figures ...................................................................................................................................... 5 List of Tables ....................................................................................................................................... 6 Abstract ............................................................................................................................................... 7 Declaration .......................................................................................................................................... 8 Copyright statement ............................................................................................................................ 8 Portfolio of musical works ................................................................................................................... 9 Musical appendix ................................................................................................................................ 9 Folder content ................................................................................................................................... 10 File layout ....................................................................................................................................
    [Show full text]
  • The Reliquaries of Hyrule: a Semiotic and Iconographic Analysis of Sacred Architecture Within Ocarina of Time
    Press Start The Reliquaries of Hyrule The Reliquaries of Hyrule: A Semiotic and Iconographic Analysis of Sacred Architecture Within Ocarina of Time Jared Hansen University of Oregon Abstract This study is a semiotic and iconographic analysis of the sacred architecture in The Legend of Zelda: Ocarina of Time (Nintendo, 1998). Through an analysis of the visual elements of the game, the researcher found evidence of visual metaphors that coded three temples as sacred spaces. This coding of the temples is accomplished through the symbolism of progression that matches the design of shrines and cathedrals, drawing on iconography and other symbolism associated with Shinto, Buddhist, and Christian sacred architecture. Such indications of sacred spaces highlight the ways in which these virtual environments are designed to symbolize the progression of the player from secular to sacred, much like the player’s progression from zero to hero. By using the architecture and symbolism of the three aforementioned belief systems, Ocarina of Time signifies these temples as reliquaries—that is, sacred places that house reverential items as part of the apotheosis of the player. Keywords Art history; The Legend of Zelda; sacred space; symbolism; temple. Press Start 2021 | Volume 7 | Issue 1 ISSN: 2055-8198 URL: http://press-start.gla.ac.uk Press Start is an open access student journal that publishes the best undergraduate and postgraduate research, essays and dissertations from across the multidisciplinary subject of game studies. Press Start is published by HATII at the University of Glasgow. Hansen The Reliquaries of Hyrule Introduction The video game experiences that I remember and treasure most are the feelings I have within the virtual environments.
    [Show full text]
  • Department of Architecture
    建築学セミナー Introduction to Architecture [Instructor] Hiroki Suzuki, Tatsuya Hayashi [Credits] 2 [Semester] 1st year Spring-Fall-Wed 1 [Course code] T1N001001 [Room] Respective laboratories *Please check the bulletin board of Department of Architecture , that will noticed where the lecture is held [Course objectives] Students and faculty members think together about study methods and attitudes as well as how to be aware of and interested in issues in the Department of Architecture. In particular, this course aims to teach the basic understanding of the fields of urban environmental and architectural planning as well as building structure design and to facilitate forming the basis of communication between the students and faculty members, by exposing the students in class in seminar format to educational research contents in each educational research field of the Department of Architecture. [Plans and Contents] Groups of about 10 students each will be formed. Each group will take a class in seminar format covering a total of four educational research fields and spend three to four weeks per field. The three to four week-long seminar for each field will be planned according to the characteristics of educational research in each field. [Textbooks and Reference Books] Not particularly [Evaluation] The grade will be determined by the average score ( if absent or not turned in) of exercises to be occasionally given during the lecture hours. Students will not be graded if they do not meet the rule of the Faculty of Engineering on the number of attendance days. [Remarks] Students will be assigned to their group in the first week.
    [Show full text]
  • Turystyka Kulturowa. Czasopismo Naukowe
    ISSN 1689-4642 Spis treści Artykuły ............................................................................................................. 7 Joanna Kowalczyk-Anioł, Ali Afshar Gentryfikacja turystyczna jako narzędzie rozwoju miasta. Przykład Meszhed w Iranie ....... 7 Rafał G. Nowicki Partycypacja turystów i mieszkańców miejscowości turystycznych w procesie ochrony zabytków architektury....................................................................................................... 26 Andrzej Moniak, Michał Suszczewicz Przestrzeń kulturowa i niechciane dziedzictwo garnizonów poradzieckich na pograniczu Polski i Niemiec ............................................................................................................... 40 Petr Bujok, Martin Klempa, Dominik Niemiec, Jakub Ryba, Michal Porzer Dziedzictwo przemysłowe firmy „Baťa” w mieście Zlín (Republika Czeska) ................... 54 Małgorzata Gałązka, Monika Gałązka Shintō jako walor turystyczny ........................................................................................... 67 Joanna Roszak, Grzegorz Godlewski Chronotop Lubelszczyzny. Ocena atrakcyjności regionu dla turystyki literackiej z wykorzystaniem bonitacji punktowej ............................................................................. 85 Nikoloz Kavelashvili Protecting the Past for Today: Development of Georgia’s Heritage Tourism ..................... 97 Recenzja ......................................................................................................... 110 Czajkowski Szymon
    [Show full text]
  • Description of Fences
    Equestrian Park Equestrian 馬事公苑 馬術 / Sports équestres Parc Equestre Jumping Team 障害馬術団体 / Saut d'obstacles par équipes SAT 7 AUG 2021 Jump-Off) ジャンプオフ / Barrage Description of Fences フェンスの説明 / Description des obstacles Fence 1 – The Great Wave off Kanagawa. Hokusai. Author: (Katsushika Hokusai) Original Title: (Kanagawa-oki nami ura) Year: 1829 – 1832 Base/stand: Colour-engraved upon a wooden block. Japanese ukiyo-e master. The Great Wave is the most recognized piece by Japanese painter Katsushika Hokusai, who specializes in ukiyo-e. Published between 1830 and 1833 during the Edo period, it forms part of the collection “Thirty-six views of Mount Fuji”, even though Mount Fuji is the smallest element. The wave references the relentless force of nature, the sea, and the importance this event has in Japan’s economy and its cultural development, given the country is formed by 4 islands. EQUO JUMPTEAM----------FNL-0002RR--_03B 1 Report Created SAT 7 AUG 2021 16 :45 Page 1/7 Equestrian Park Equestrian 馬事公苑 馬術 / Sports équestres Parc Equestre Jumping Team 障害馬術団体 / Saut d'obstacles par équipes SAT 7 AUG 2021 Jump-Off) ジャンプオフ / Barrage Fence 4 – Mascot of the Tokyo 2020 Olympics Japanese illustrator Ryo Taniguchi. Manga and gamer references are seen, in representation of the Japanese contemporary visual culture and with a character design inspired by the Tokyo 2020 Olympic Games’ Logo. The pair of futuristic characters combine tradition and innovation. The name of the Olympics mascot, Miraitowa, fuses the Japanese words for future and eternity. Someity, the Paralympics mascot, is derived from Somei-yoshino, a type of cherry blossom, cherry blossom variety "Someiyoshino" and is a play on words with the English phrase “So mighty”.
    [Show full text]
  • Representations of Pleasure and Worship in Sankei Mandara Talia J
    Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively).
    [Show full text]
  • The Turret Clock Keeper's Handbook Chris Mckay
    The Turret Clock Keeper’s Handbook (New Revised Edition) A Practical Guide for those who Look after a Turret Clock Written and Illustrated by Chris McKay [ ] Copyright © 0 by Chris McKay All rights reserved Self-Published by the Author Produced by CreateSpace North Charleston SC USA ISBN-:978-97708 ISBN-0:9770 [ ] CONTENTS Introduction ...............................................................................................................................11 Acknowledgements .................................................................................................................. 12 The Author ............................................................................................................................... 12 Turret clocks— A Brief History .............................................................................................. 12 A Typical Turret Clock Installation.......................................................................................... 14 How a Turret Clock Works....................................................................................................... 16 Looking After a Turret Clock .................................................................................................. 9 Basic safety... a brief introduction................................................................................... 9 Manual winding .............................................................................................................. 9 Winding groups .............................................................................................................
    [Show full text]
  • Roll with Your Heart: We Love Daruma Brand and Website Launch
    March 1, 2009 Roll with Your Heart: We Love Daruma Brand and Website Launch MarchForth International Ltd. Summary MarchForth International Ltd. is proud to announce the launch of the ‘We Love Daruma’ brand and complementary website ( www.welovedaruma.com ) on March 1, 2009. MarchForth International Ltd. is proud to announce the launch of the ‘We Love Daruma’ brand and complementary website ( www.welovedaruma.com ) on March 1, 2009. Daruma is a guardian of our hopes, dreams, and wishes. As he focuses on your goal, Daruma’s eye never blinks. He reminds us not to, either. Dear to the hearts of the Japanese people, Daruma reflects their determined spirit and peaceful outlook on life. Daruma’s Zen roots go back 1500 years, to Bodhidharma, founder of Zen Buddhism. The traditional Daruma doll represents the silhouette of Bodhidharma in deep meditation. Today, Daruma dolls are exchanged as gifts to mark occasions of all kinds, and millions keep a Daruma on hand for its motivational power and as a symbol of love and hope. While the Daruma tradition is deep-rooted in Japan, it is still not well-known outside of it. We created the We Love Daruma brand and website to spread Daruma’s optimistic and inspiring energy around the world. The timing, we feel, could not be more pertinent. Daruma’s positive force is just as valuable in good times as in difficult ones, but our current economic climate has made the need to focus our energies all the more essential. The tools of success are within all of us, but as we go about our hectic lives, we could all use a little encouragement and support.
    [Show full text]
  • 251St Edition November 2014
    251st Edition November 2014 たかさきしこくさいこうりゅうきょうかい Takasaki International Relations Society 高崎市国際交流協会 TAKASAKI CITY Core City Takasaki City: Population: 375, 240 Area: 459.41 km² Registered Foreign Residents: There are 4,035 foreign residents from around 60 different countries residing in Takasaki City from China, Philippines, the Koreas etc… (as at 30th Sept 2014) =Information from the TIRS= walk along the hill’s nature trails, or enjoy a coffee Dance of the World with a view. Date: Saturday 29th November, 1:30pm-4pm Dokutsu Kannon & Tokumei-en Gardens (mid-late Place : Takasaki University of Economics Nov) Address : Ishihara-machi 2857 (Kaminamie-machi 1300), Mitsuogi Kaikan. Tokumei-en is one of the most spectacular Japa- Details : Foreign guests will perform their dance fol- nese gardens in the northern Kanto area. Enjoy a lowed by a mini lesson for participants. Light re- stroll or a rest in the gardens. Enter the cave to see freshments will be served. 33 kinds of statue of the Goddess of Mercy in an Dances : Salsa and dances from Sri Lanka and amazing 400m long tunnel. There’s a small, quirky Cameroon. manga museum too. Cost: ¥1000 per person Entrance: ¥800 yen (adults), ¥400 yen (children). Sign up : Call the TIRS office (details at bottom) Shorinzan Daruma Temple (late Nov-early Dec) from 10am on Wednesday 29th October (first 50 The home of Takasaki’s famous Daruma Doll, the people only). temple grounds are adorned with gorgeous au- tumn foliage as red as the Darumas themselves. Haruna Shrine (mid Oct-early Nov) Gunma Bar Association Legal Counseling Beautiful all year round, it’s not surprising Haruna Date: Sunday 16th November 2014, 1pm-5pm Shrine is also spectacular in the fall.
    [Show full text]
  • The Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2013 Foxfire: the Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the American Literature Commons, and the Asian Studies Commons Recommended Citation Persinger, Allan, "Foxfire: the Selected Poems of Yosa Buson, a Translation" (2013). Theses and Dissertations. 748. https://dc.uwm.edu/etd/748 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2013 ABSTRACT FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger The University of Wisconsin-Milwaukee, 2013 Under the Supervision of Professor Kimberly M. Blaeser My dissertation is a creative translation from Japanese into English of the poetry of Yosa Buson, an 18th century (1716 – 1783) poet. Buson is considered to be one of the most important of the Edo Era poets and is still influential in modern Japanese literature. By taking account of Japanese culture, identity and aesthetics the dissertation project bridges the gap between American and Japanese poetics, while at the same time revealing the complexity of thought in Buson's poetry and bringing the target audience closer to the text of a powerful and mov- ing writer.
    [Show full text]
  • Salvation and Sovereignty Syllabus KCJS
    KCJS Salvation and Sovereignty Syllabus Salvation and Sovereignty: Buddhism and Shinto in Japanese History Seminar Spring 2019 Course Syllabus Instructor: Adam Lyons Email: [email protected] Course Time: Wed./Fri. 1:10-2:40 PM Location: KCJS Classroom Instructor Office Hour: Wed./Fri. aFter class and by appointment. Course Description and Goals This course draws on the rich resources of Kyoto to consider the place of Buddhism and Shinto in Japanese history. In addition to traditional reading assignments and classroom discussion, we will conduct multiple research expeditions to museums and signiFicant religious and cultural sites in and around Kyoto. Although there are common misconceptions that hold Buddhism to be a “world- renouncing” religion and Shinto to be a Form oF nature worship, this course places an emphasis on the political dimension oF these traditions to pursue a more nuanced understanding of Buddhism and Shinto. We will explore how Buddhism and Shinto have been driving forces in Japanese history—with many oF the most powerFul institutions based right here in Kyoto. By the end of the course, students should be able to articulate the political signiFicance oF Buddhist and Shinto institutions and ideas. Students should also reFine their grasp oF the relationship between the social and the ideological in light oF the course’s themes: kingship/cosmology, and voluntary political associations/salvation. They should ultimately gain the ability to deconstruct ahistorical representations of Buddhism and Shinto as static and monolithic, and they can also expect to cultivate a Familiarity with some oF the major figures, sects, and concepts of Japanese religious history.
    [Show full text]
  • Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2014 Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Laura Nuffer University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, and the Medieval Studies Commons Recommended Citation Nuffer, Laura, "Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan" (2014). Publicly Accessible Penn Dissertations. 1389. https://repository.upenn.edu/edissertations/1389 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1389 For more information, please contact [email protected]. Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Abstract Interspecies marriage (irui kon'in) has long been a central theme in Japanese literature and folklore. Frequently dismissed as fairytales, stories of interspecies marriage illuminate contemporaneous conceptions of the animal-human boundary and the anxieties surrounding it. This dissertation contributes to the emerging field of animal studies yb examining otogizoshi (Muromachi/early Edo illustrated narrative fiction) concerning elationshipsr between human women and male mice. The earliest of these is Nezumi no soshi ("The Tale of the Mouse"), a fifteenth century ko-e ("small scroll") attributed to court painter Tosa Mitsunobu. Nezumi no soshi was followed roughly a century later by a group of tales collectively named after their protagonist, the mouse Gon no Kami. Unlike Nezumi no soshi, which focuses on the grief of the woman who has unwittingly married a mouse, the Gon no Kami tales contain pronounced comic elements and devote attention to the mouse-groom's perspective.
    [Show full text]