Formato De Catalogacion Por Genero Material Audiovisual
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Daz Dillinger, O.G. [Snoop (Daz):] Yeah, What I'ma Do Right Here Is Take My Time, and Dedicating This One to My Niggas Resting in Peace, and My Niggas Behind the Wall
Daz Dillinger, O.G. [Snoop (Daz):] Yeah, what I'ma do right here is take my time, and dedicating this one to my niggas resting in peace, and my niggas behind the wall. See you when I get there, you know what I'm saying? (really doe) So drip with me as I go down memory lane. Boy it's a loony where the grass is greener, (1-8-7 ain't shit but a misdemeanor). I've seen a lot of niggas come up, but few niggas done up, some rest in peace, with their khakis heavy squeezed. But it's a East Side thang, a hoo ride thang, ('cause if we bang to the boogie than we boogie to the bang). I bring you the motherfucking .38, (just get the MC and the homie Nate). So we can slide, slide, slipperdy slide, as I take you on a trip nigga ride (East Side). [Nate (Daz):] Do you remember back on the East Side? Where all us niggas used to love to ride. We didn't care what we did, time was nothing to us we were just kids. Times are different now, but you still get stuck, I'm not a kid no more, I just don't give a fuck. So if you're thinking about coming and stepping to me, keep this in mind: I'm a motherfucking O.G. [Snoop:] Lets speed the clock up and pass some time, June 17th, 1979. That's my first time being arrested, I know I did the crime, but I ain't going to confess to this shit. -
WTC SUMMER HOMEWORK Read Charting the History of British Music Video (MM66), by Emily Caston. (BELOW) Answer the Following Quest
WTC SUMMER HOMEWORK Read Charting the History of British Music Video (MM66), by Emily Caston. (BELOW) Answer the following questions, drawing on the article for information and ideas. 1. According to the article’s writer, Emily Caston, how significant was MTV in the development of British music video production? 2. What criteria did Emily Caston and her team use for selecting music videos for their 6-DVD box set? What are your thoughts about the criteria? What music videos do you know that you would include in such a selection? 3. Bohemian Rhapsody is often quoted as being the first British music video. The article argues otherwise. Why is that? Why was ‘Bo-Rhap’ not included in the box set? 4. The box set is made up of six different categories: performance; concept; dance; stories; wit; portraits. If you were putting together a selection of videos, what categories would you choose to use? 5. The article ends by noting that videos are now consumed by millions globally, ‘uncurated on mobile platforms’. What might be the significance of a curated collection in light of these consumption patterns? Curating your own collection Imagine that you have been given the chance to curate a selection of music videos to represent your experience of secondary school, from the moment you joined until the end of Year 11. Select five videos that you want to include in your selection. Outline in writing what is significant about each video, both as an art form in its own right, and in relation to your time at secondary school. -
Death Row Records
The New Kings of Hip-Hop Death Row Records “You are now about to witness the strength of street knowledge.” —N.W.A. Contents Letter from the Director ................................................................................................... 4 Mandate .......................................................................................................................... 5 Background ...................................................................................................................... 7 Topics for Discussion ..................................................................................................... 10 East Coast vs. West Coast .................................................................................... 10 Internal Struggles................................................................................................. 11 Turmoil in Los Angeles ........................................................................................ 12 Positions ........................................................................................................................ 14 Letter from the Director Dear Delegates, Welcome to WUMUNS XII! I am a part of the class of 2022 here at Washington University in St. Louis, and I’ll be serving as your director. Though I haven’t officially declared a major yet, I’m planning on double majoring in political science and finance. I’ve been involved with Model UN since my freshman year of high school, and I have been an active participant ever since. I am also involved -
Scott Myrick Overview Resume
DANCE Feature Films: Award Shows: Katy Perry: Part Of Me 2010 VMAs - Opening Number Jack and Jill 2010 AMAs - Katy Perry “Firework” La La Land 2011 Grammys - KP “Teenage Dream” Birds Of Prey - Harley Quinn 2012 Grammys - KP “Part Of Me” 2012 VMAs - Taylor Swift “WANEGBT” 2012 AMAs - Taylor Swift “IKYWT” Tour: 2013 Grammys - TS “WANEGBT” Katy Perry California Dreams Tour 2013 Brit Awards - TS “IKYWT” Taylor Swift Red Tour 2013 Billboard Awards - TS “22” Katy Perry Prismatic Tour 2013 MTV VMAs - KP “Roar” Demi Lovato Tell Me You Love Me Tour 2013 AMAs - KP “Unconditionally” 2013 NRJ Awards - KP “Unconditionally” 2014 Grammys - KP “Dark Horse" Television: 2017 Grammys - KP “CTTR” Jerry Lewis Telethon 2017 MTV Movie Awards - Opening DWTS Jason Derulo House - Bombshells Glee - Saturday Night Fever Music Videos: VH1 Divas Taylor Swift - 22 DWTS Selena Gomez Taylor Swift - Red Disney’s Shake It Up Katy Perry - This Is How We Do Glee - Starships & Pinball Wizard X Factor DWTS “Heavy Metal Lover” Stage: Gilmore Girls - Netflix Rock In Rio Brazil - Katy Perry Greatest Hits - Coolio Obama Presidential Campaign Katy Perry Super Bowl Halftime Show Jessie & The ToyBoys - Jingle Ball SNL - Katy Perry Capital FM Ball - Taylor Swift & KP The Voice - Berlin iTunes Festival - Katy Perry DWTS Season 24 Finale iHeart Radio - Katy Perry Lip Sync Battle - Season 3-5 Rock in Rio Brazil - Katy Perry Prismatic CMA Country Christmas MET Opera “The Merry Widow” Curb Your Enthusiasm - “Fatwa” Swansea Festival - Demi Lovato Nickelodeon - “Its On” Rock In Rio Lisbon -
Rupaul's Drag Race
HALLELOO! “RUPAUL’S DRAG RACE” RETURNS TO LOGO FOR A NEW SEASON OF OUTRAGEOUS REALITY COMPETITION IN JANUARY 2012 The Nation’s Most Elite Drag Performers Compete for $100,000 Cash and the Title of “America’s Next Drag Superstar” To Tweet This Release: http://logo.to/s6k7Wu NEW YORK - November 14, 2011 – RuPaul and Logo are prepping an all-new squad of 13 lucky contestants who will vie for the crown, an unprecedented $100,000 cash prize and the coveted title of “America's Next Drag Superstar.” Logo’s smash-hit reality competition show “RuPaul’s Drag Race” returns January 2012. Over three trail-blazing seasons, “RuPaul’s Drag Race” has taken the country by storm, evolving from a cult hit to a certified pop culture phenomenon. With a devoted and diverse following ranging from soccer moms to Hollywood royalty, “RuPaul’s Drag Race” has become appointment television for viewers who can’t get enough of the outlandish fun, drama, “eleganza” and most of all, heart that comes with the show. "We challenged ourselves to make TV's most outrageous show even more outrageous,” said Executive Producer, RuPaul. “And I'm happy to report we've succeeded." This season, a new crop of top-tier drag hopefuls are strapping on their helmets and revving their engines for the most competitive drag race and biggest grand prize yet. The following are the 13 season four “RuPaul’s Drag Race” contestants: · Alisa Summers Tampa, FL #DragRaceAlisaSummers, @alisasummers · Chad Michaels San Diego, CA #DragRaceChadMichaels, @chadmichaels1 · Dida Ritz Chicago, IL #DragRaceDidaRitz, @HelloDiDa · Jiggly Caliente Queens, NY #DragRaceJigglyCaliente, @JigglyCaliente · Kenya Michaels Dorado, Puerto Rico #DragRaceKenyaMichaels, @Kenya_Michaels · Lashauwn Beyond Tampa, FL #DragRaceLashauwnBeyond, @LashauwnBeyond · Latrice Royale Ft. -
Annual AT&T San Jose Jazz Summer Fest Friday, August 12
***For Immediate Release*** 22nd Annual AT&T San Jose Jazz Summer Fest Friday, August 12 - Sunday, August 14, 2011 Plaza de Cesar Chavez Park, Downtown San Jose, CA Ticket Info: www.jazzfest.sanjosejazz.org Tickets: $15 - $20, Children Under 12 Free "The annual San Jose Jazz [Summer Fest] has grown to become one of the premier music events in this country. San Jose Jazz has also created many educational programs that have helped over 100,000 students to learn about music, and to become better musicians and better people." -Quincy Jones "Folks from all around the Bay Area flock to this giant block party… There's something ritualesque about the San Jose Jazz [Summer Fest.]" -Richard Scheinan, San Jose Mercury News "San Jose Jazz deserves a good deal of credit for spotting some of the region's most exciting artists long before they're headliners." -Andy Gilbert, San Jose Mercury News "Over 1,000 artists and 100,000 music lovers converge on San Jose for a weekend of jazz, funk, fusion, blues, salsa, Latin, R&B, electronica and many other forms of contemporary music." -KQED "…the festival continues to up the ante with the roster of about 80 performers that encompasses everything from marquee names to unique up and comers, and both national and local acts...." -Heather Zimmerman, Silicon Valley Community Newspapers San Jose, CA - June 15, 2011 - San Jose Jazz continues its rich tradition of presenting some of today's most distinguished artists and hottest jazz upstarts at the 22nd San Jose Jazz Summer Fest from Friday, August 12 through Sunday, August 14, 2011 at Plaza de Cesar Chavez Park in downtown San Jose, CA. -
G-Eazy & DJ Paul Star in the Movie Tunnel Vision October/November 2017 in the BAY AREA YOUR VIEW IS UNLIMITED
STREET CONSEQUENCES MAGAZINE Exclusive Pull up a seat as Antonio Servidio take us through his life as a Legitimate Hustler & Executive Producer of the movie “Tunnel Vision” Featuring 90’s Bay Area Rappers Street Consequences Presents E-40, Too Short, B-Legit, Spice 1 & The New Talent of Rappers KB, Keak Da Sneak, Rappin 4-Tay Mac Fair & TRAP Q&A with T. A. Corleone Meet the Ladies of Street Consequences G-Eazy & DJ Paul star in the movie Tunnel Vision October/November 2017 IN THE BAY AREA YOUR VIEW IS UNLIMITED October/November 2017 2 October /November 2017 Contents Publisher’s Word Exclusive Interview with Antonio Servidio Featuring the Bay Area Rappers Meet the Ladies of Street Consequences Street Consequences presents new talent of Rappers October/November 2017 3 Publisher’s Words Street Consequences What are the Street Consequences of today’s hustling life- style’s ? Do you know? Do you have any idea? Street Con- sequences Magazine is just what you need. As you read federal inmates whose stories should give you knowledge on just what the street Consequences are. Some of the arti- cles in this magazine are from real people who are in jail because of these Street Consequences. You will also read their opinion on politics and their beliefs on what we, as people, need to do to chance and make a better future for the up-coming youth of today. Stories in this magazine are from big timer in the games to small street level drug dealers and regular people too, Hopefully this magazine will open up your eyes and ears to the things that are going on around you, and have to make a decision that will make you not enter into the game that will leave you dead or in jail. -
The Cinematic Worlds of Michael Jackson
MA 330.004 / MA430.005 /AMST 341.002 Fall 2016 Revised: 10-7-16 The Cinematic Worlds of Michael Jackson Course Description: From his early years as a child star on the Chitlin’ Circuit and at Motown Records, through the concert rehearsal documentary This is It (released shortly after his death in 2009), Michael Jackson left a rich legacy of recorded music, televised performances, and short films (a description he preferred to “music video”). In this course we’ll look at Jackson’s artistic work as key to his vast influence on popular culture over the past 50 years. While we will emphasize the short films he starred in (of which Thriller is perhaps the most famous), we will also listen to his music, view his concert footage and TV appearances (including some rare interviews) and explore the few feature films in which he appeared as an actor/singer/dancer (The Wiz, Moonwalker). We’ll read from a growing body of scholarly writing on Jackson’s cultural significance, noting the ways he drew from a very diverse performance and musical traditions—including minstrelsy, the work of dance/choreography pioneers like Fred Astaire and Gene Kelly, and soul/funk legends like James Brown and Jackie Wilson—to craft a style uniquely his own. Crucially, we will ask how Jackson’s shifting public persona destabilize categories of gender, sexuality, and race----in a manner that was very different from his contemporaries: notably, the recently-deceased David Bowie and Prince. Elevated to superstardom and then made an object of the voracious cultural appetite for scandal, Michael Jackson is now increasingly regarded as a singularly influential figure in the history of popular music and culture. -
Rock & Keyser Roll Final 3.13.21
ROCK and KEYSER ROLL Music In My Life My Life In Music Dedicated to all the venues, bookers, house and stage managers, sound and lighting techs, promoters, publicists, photographers and videographers and roadies who have supported me and the bands I have represented over the past four plus decades. It is an honor and a privilege to work with so many highly talented musicians. I am filled with gratitude for the road I have traveled, and look forward to many more years of helping to bring live music to the world! Cover photo J.C. Juanis Cover lettering Mike Dolgushkin © 2021 Music has always been my passion. As a young guy I remember riding the #37 bus downtown to stop at the record store to pick up the latest albums. From my hometown of Baltimore I listened to WCAO radio Top 40 hits, and watched The Buddy Deane Dance Party every day after school. My early musical heroes were Dion, Paul Anka, Neil Sedaka, Little Eva, Ray Charles, Chubby Checker, Gene Pitney, Roy Orbison, The Four Tops and, Stevie Wonder…. My parents were also music fans. Here are few photos from back in their day…. Debbie Reynolds ? My mom My dad (dark suit) watching Eddie Fisher at Grossinger’s Resort in the Catskills circa 1958 After dinner with Harpo Marx and his wife at their Hollywood home, Harpo serenaded circa 1963 My first foray into the music world happened on my last day of 4th grade at Liberty School #64. Dr. Carlin, the music teacher, came into our classroom. He told us that next year, in 5th grade, we could be in the school orchestra. -
Nomination Press Release
Brian Boyle, Supervising Producer Outstanding Voice-Over Nahnatchka Khan, Supervising Producer Performance Kara Vallow, Producer American Masters • Jerome Robbins: Diana Ritchey, Animation Producer Something To Dance About • PBS • Caleb Meurer, Director Thirteen/WNET American Masters Ron Hughart, Supervising Director Ron Rifkin as Narrator Anthony Lioi, Supervising Director Family Guy • I Dream of Jesus • FOX • Fox Mike Mayfield, Assistant Director/Timer Television Animation Seth MacFarlane as Peter Griffin Robot Chicken • Robot Chicken: Star Wars Episode II • Cartoon Network • Robot Chicken • Robot Chicken: Star Wars ShadowMachine Episode II • Cartoon Network • Seth Green, Executive Producer/Written ShadowMachine by/Directed by Seth Green as Robot Chicken Nerd, Bob Matthew Senreich, Executive Producer/Written by Goldstein, Ponda Baba, Anakin Skywalker, Keith Crofford, Executive Producer Imperial Officer Mike Lazzo, Executive Producer The Simpsons • Eeny Teeny Maya, Moe • Alex Bulkley, Producer FOX • Gracie Films in Association with 20th Corey Campodonico, Producer Century Fox Television Hank Azaria as Moe Syzlak Ollie Green, Producer Douglas Goldstein, Head Writer The Simpsons • The Burns And The Bees • Tom Root, Head Writer FOX • Gracie Films in Association with 20th Hugh Davidson, Written by Century Fox Television Harry Shearer as Mr. Burns, Smithers, Kent Mike Fasolo, Written by Brockman, Lenny Breckin Meyer, Written by Dan Milano, Written by The Simpsons • Father Knows Worst • FOX • Gracie Films in Association with 20th Kevin Shinick, -
AXS TV Canada Schedule for Mon. March 20, 2017 to Sun. March 26, 2017
AXS TV Canada Schedule for Mon. March 20, 2017 to Sun. March 26, 2017 Monday March 20, 2017 6:10 PM ET / 3:10 PM PT 8:00 AM ET / 5:00 AM PT Rock Legends Nothing But Videos Billy Idol - English rock musician, Billy Idol first achieved fame in the punk rock era as a member Nothing But Videos is a collection of some of the biggest artists today. Catch some of the best of the band Generation X as well as creating a successful name for himself as a solo artist. Using music videos during this special presentation. interviews, news archive and performance this episode reveals the unique aspect of this iconic artist. 8:30 AM ET / 5:30 AM PT The Big Interview 7:00 PM ET / 4:00 PM PT Oliver Stone - Dan Rather sits down with Academy Award winning director Oliver Stone. From his Nothing But Trailers service in Vietnam, to his brief time behind bars in an American prison, Stone talks about how Sometimes the best part of the movie is the preview! So AXS TV presents Nothing But Trailers. his personal experiences shaped his legendary film making career. See the best trailers, old and new, in AXS TV’s collection. 9:30 AM ET / 6:30 AM PT 9:00 PM ET / 6:00 PM PT The Big Interview The Musical Mojo Of Dr. John - Celebrating Mac & His Music Gregg Allman - A conversation with the music legend known as one of the architects of southern Equal parts musician, singer, songwriter, hustler, and shaman, Dr. -
Filed 8/19/03 Brumflield V. Death Row Records CA2/2 NOT to BE PUBLISHED in the OFFICIAL REPORTS
Filed 8/19/03 Brumflield v. Death Row Records CA2/2 NOT TO BE PUBLISHED IN THE OFFICIAL REPORTS California Rules of Court, rule 977(a), prohibits courts and parties from citing or relying on opinions not certified for publication or ordered published, except as specified by rule 977(b). This opinion has not been certified for publication or ordered published for purposes of rule 977. IN THE COURT OF APPEAL OF THE STATE OF CALIFORNIA SECOND APPELLATE DISTRICT DIVISION TWO LAMONT BRUMFIELD et al., B149561 Plaintiffs and Appellants, (Los Angeles County Super. Ct. No. BC135461) v. DEATH ROW RECORDS, INC., et al., Defendants and Appellants. APPEAL from the judgment and order of the Superior Court of Los Angeles County. Emilie H. Elias, Judge. Affirmed. Christensen, Miller, Fink, Jacobs, Glaser, Weil & Shapiro, Sean Riley and Steven L. Weinberg for Defendants and Appellants. Esner & Chang, Stuart B. Esner and Andrew N. Chang for Plaintiffs and Appellants. * * * * * * Death Row Records, Inc. (hereafter Death Row Records), and its owner Marion Knight (hereafter Knight; sometimes collectively referred to as Death Row) appeal from a judgment entered after a jury found Death Row liable for: (1) interference with contract; (2) interference with prospective economic advantage; and (3) false promise. The jury awarded plaintiffs Lamont and Kenneth Brumfield (individually, Lamont and Kenneth, collectively the Brumfields) $14,344,000. The trial court reduced the damage award to $5,519,000, finding that the damages were duplicative and in excess of the