Negotiation and the Construction of Intimacy in the Letters Between Fronto and Marcus Aurelius Sarah C
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Alexander the Great and Hephaestion
2019-3337-AJHIS-HIS 1 Alexander the Great and Hephaestion: 2 Censorship and Bisexual Erasure in Post-Macedonian 3 Society 4 5 6 Same-sex relations were common in ancient Greece and having both male and female 7 physical relationships was a cultural norm. However, Alexander the Great is almost 8 always portrayed in modern depictions as heterosexual, and the disappearance of his 9 life-partner Hephaestion is all but complete in ancient literature. Five full primary 10 source biographies of Alexander have survived from antiquity, making it possible to 11 observe the way scholars, popular writers and filmmakers from the Victorian era 12 forward have interpreted this evidence. This research borrows an approach from 13 gender studies, using the phenomenon of bisexual erasure to contribute a new 14 understanding for missing information regarding the relationship between Alexander 15 and his life-partner Hephaestion. In Greek and Macedonian society, pederasty was the 16 norm, and boys and men did not have relations with others of the same age because 17 there was almost always a financial and power difference. Hephaestion was taller and 18 more handsome than Alexander, so it might have appeared that he held the power in 19 their relationship. The hypothesis put forward here suggests that writers have erased 20 the sexual partnership between Alexander and Hephaestion because their relationship 21 did not fit the norm of acceptable pederasty as practiced in Greek and Macedonian 22 culture or was no longer socially acceptable in the Roman contexts of the ancient 23 historians. Ancient biographers may have conducted censorship to conceal any 24 implication of femininity or submissiveness in this relationship. -
Beauty on Display Plato and the Concept of the Kalon
BEAUTY ON DISPLAY PLATO AND THE CONCEPT OF THE KALON JONATHAN FINE Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Jonathan Fine All rights reserved ABSTRACT BEAUTY ON DISPLAY: PLATO AND THE CONCEPT OF THE KALON JONATHAN FINE A central concept for Plato is the kalon – often translated as the beautiful, fine, admirable, or noble. This dissertation shows that only by prioritizing dimensions of beauty in the concept can we understand the nature, use, and insights of the kalon in Plato. The concept of the kalon organizes aspirations to appear and be admired as beautiful for one’s virtue. We may consider beauty superficial and concern for it vain – but what if it were also indispensable to living well? By analyzing how Plato uses the concept of the kalon to contest cultural practices of shame and honour regulated by ideals of beauty, we come to see not only the tensions within the concept but also how attractions to beauty steer, but can subvert, our attempts to live well. TABLE OF CONTENTS Acknowledgements ii 1 Coordinating the Kalon: A Critical Introduction 1 1 The Kalon and the Dominant Approach 2 2 A Conceptual Problem 10 3 Overview 24 2 Beauty, Shame, and the Appearance of Virtue 29 1 Our Ancient Contemporaries 29 2 The Cultural Imagination 34 3 Spirit and the Social Dimension of the Kalon 55 4 Before the Eyes of Others 82 3 Glory, Grief, and the Problem of Achilles 100 1 A Tragic Worldview 103 2 The Heroic Ideal 110 3 Disgracing Achilles 125 4 Putting Poikilia in its Place 135 1 Some Ambivalences 135 2 The Aesthetics of Poikilia 138 3 The Taste of Democracy 148 4 Lovers of Sights and Sounds 173 5 The Possibility of Wonder 182 5 The Guise of the Beautiful 188 1 A Psychological Distinction 190 2 From Disinterested Admiration to Agency 202 3 The Opacity of Love 212 4 Looking Good? 218 Bibliography 234 i ACKNOWLEDGEMENTS “To do philosophy is to explore one’s own temperament,” Iris Murdoch suggested at the outset of “Of ‘God’ and ‘Good’”. -
Teachers' Pay in Ancient Greece
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Papers from the University Studies series (The University of Nebraska) University Studies of the University of Nebraska 5-1942 Teachers' Pay In Ancient Greece Clarence A. Forbes Follow this and additional works at: https://digitalcommons.unl.edu/univstudiespapers Part of the Arts and Humanities Commons This Article is brought to you for free and open access by the University Studies of the University of Nebraska at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Papers from the University Studies series (The University of Nebraska) by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Teachers' Pay In Ancient Greece * * * * * CLARENCE A. FORBES UNIVERSITY OF NEBRASKA STUDIES Ma y 1942 STUDIES IN THE HUMANITIES NO.2 Note to Cataloger UNDER a new plan the volume number as well as the copy number of the University of Nebraska Studies was discontinued and only the numbering of the subseries carried on, distinguished by the month and the year of pu blica tion. Thus the present paper continues the subseries "Studies in the Humanities" begun with "University of Nebraska Studies, Volume 41, Number 2, August 1941." The other subseries of the University of Nebraska Studies, "Studies in Science and Technology," and "Studies in Social Science," are continued according to the above plan. Publications in all three subseries will be supplied to recipients of the "University Studies" series. Corre spondence and orders should be addressed to the Uni versity Editor, University of Nebraska, Lincoln. University of Nebraska Studies May 1942 TEACHERS' PAY IN ANCIENT GREECE * * * CLARENCE A. -
Tertullian on the Paradox of the Roman Amphitheatre Games: De Spectaculis 22
VOX PATRUM 36 (2016) t. 65 Bogdan BURLIGA* TERTULLIAN ON THE PARADOX OF THE ROMAN AMPHITHEATRE GAMES: DE SPECTACULIS 22 As an co-author I recently worked upon the introduction and commentary on the Polish translation of Martial’s collection of epigrams, the famous Liber spectaculorum (On the Spectacles), written on the occasion of the inaugura- tion of the amphitheatrum Flavianum (later known as Colosseum) in the year 801, during the reign of the Emperor Titus2. The preparation of the commen- tary was for many reasons an exceptionally advantageous experience, and one of the most challenging problems that emerged at that time was the question: how was the Romans’ attitude towards cruelty?; how to understand their ap- parent fascination with it? Was it only a terrifying (for us) allure with mayhem, carnage and blood? Should one take it as a macabre grand-guignol entertain- ment, aimed at enjoying (by presenting the scenes of terror) the voracious populus Romanus and bloodthirsty plebs Romana, and consequently arranged by the magistrates, politicians or nobles as a tool by which the editores gained popularity and wielded power or control – both in the urbs aeterna as in other municipal cities? Or, could we ever hope to come nearer to the understanding of the cruel practices by expressing our moral judgment: disgust, detestation and rejection, as did openly Michael Grant in his Gladiators?3 How far should historians proceed in their investigations to avoid the risk of falling into an open moralizing? The more questions, the more doubts and uncertainties. Moral abhorrence, repulsion and condemnation are understandable enough to any sensitive man studying the phenomenon of the Roman ludi circenses now4: * Dr hab. -
Middle Comedy: Not Only Mythology and Food
Acta Ant. Hung. 56, 2016, 421–433 DOI: 10.1556/068.2016.56.4.2 VIRGINIA MASTELLARI MIDDLE COMEDY: NOT ONLY MYTHOLOGY AND FOOD View metadata, citation and similar papersTHE at core.ac.ukPOLITICAL AND CONTEMPORARY DIMENSION brought to you by CORE provided by Repository of the Academy's Library Summary: The disappearance of the political and contemporary dimension in the production after Aris- tophanes is a false belief that has been shared for a long time, together with the assumption that Middle Comedy – the transitional period between archaia and nea – was only about mythological burlesque and food. The misleading idea has surely risen because of the main source of the comic fragments: Athenaeus, The Learned Banqueters. However, the contemporary and political aspect emerges again in the 4th c. BC in the creations of a small group of dramatists, among whom Timocles, Mnesimachus and Heniochus stand out (significantly, most of them are concentrated in the time of the Macedonian expansion). Firstly Timocles, in whose fragments the personal mockery, the onomasti komodein, is still present and sharp, often against contemporary political leaders (cf. frr. 17, 19, 27 K.–A.). Then, Mnesimachus (Φίλιππος, frr. 7–10 K.–A.) and Heniochus (fr. 5 K.–A.), who show an anti- and a pro-Macedonian attitude, respec- tively. The present paper analyses the use of the political and contemporary element in Middle Comedy and the main differences between the poets named and Aristophanes, trying to sketch the evolution of the genre, the points of contact and the new tendencies. Key words: Middle Comedy, Politics, Onomasti komodein For many years, what is known as the “food fallacy”1 has been widespread among scholars of Comedy. -
SPEECH in DEFENCE of TITUS ANNIUS MILO Marcus Tullius Cicero
52 BC SPEECH IN DEFENCE OF TITUS ANNIUS MILO Marcus Tullius Cicero translated by Charles Duke Yonge, A.B. Cicero, Marcus Tullius (106-43 BC) - Rome’s greatest orator, philosopher, and rhetorician, he developed a style of speaking that was emulated for centuries thereafter. Cicero was influential in the development of Latin as more than just a utilitarian language. Speech in Defence of Titus Annius Milo (52 BC) - Milo, a candidate for consulship, and Clodius, a candidate for the praetorship, were in- volved in a streetfight in which Clodius was slain. Milo was tried for his murder. THE ARGUMENT Titus Annius Milo, often in the following speech called only Titus Annius, stood for the consulship while Clodius was a candidate for the praetorship, and daily quarrels took place in the streets between their armed retainers and gladiators. Milo, who was dictator of Lanuvium, his native place, was forced to go thither to appoint some priests, etc.; and Clodius, who had been to Africa, met him on his road. Milo was in his carriage with his wife, and was accompanied by a numerous retinue, among whom were some gladiators. Clodius was on horseback, with about thirty armed men. The followers of each began to fight, and when the tumult had become general, Clodius was slain, probably by Milo himself. The disturbances at Rome became so formidable that Pompey was created sole consul; and soon after he entered on his office, A.U.C. 702, Milo was brought to trial. This speech, however, though composed by Cicero, was not spoken, for he was so much alarmed by the violence of Clodius’s friends, that he did not dare to use the plain language he had proposed. -
The Meditations of Marcus Aurelius Antoninus
The meditations of Marcus Aurelius Antoninus Originally translated by Meric Casaubon About this edition Marcus Aurelius Antoninus Augustus was Emperor of Rome from 161 to his death, the last of the “Five Good Emperors.” He was nephew, son-in-law, and adoptive son of Antonius Pius. Marcus Aurelius was one of the most important Stoic philosophers, cited by H.P. Blavatsky amongst famous classic sages and writers such as Plato, Eu- ripides, Socrates, Aristophanes, Pindar, Plutarch, Isocrates, Diodorus, Cicero, and Epictetus.1 This edition was originally translated out of the Greek by Meric Casaubon in 1634 as “The Golden Book of Marcus Aurelius,” with an Introduction by W.H.D. Rouse. It was subsequently edited by Ernest Rhys. London: J.M. Dent & Co; New York: E.P. Dutton & Co, 1906; Everyman’s Library. 1 Cf. Blavatsky Collected Writings, (THE ORIGIN OF THE MYSTERIES) XIV p. 257 Marcus Aurelius' Meditations - tr. Casaubon v. 8.16, uploaded to www.philaletheians.co.uk, 14 July 2013 Page 1 of 128 LIVING THE LIFE SERIES MEDITATIONS OF MARCUS AURELIUS Chief English translations of Marcus Aurelius Meric Casaubon, 1634; Jeremy Collier, 1701; James Thomson, 1747; R. Graves, 1792; H. McCormac, 1844; George Long, 1862; G.H. Rendall, 1898; and J. Jackson, 1906. Renan’s “Marc-Aurèle” — in his “History of the Origins of Christianity,” which ap- peared in 1882 — is the most vital and original book to be had relating to the time of Marcus Aurelius. Pater’s “Marius the Epicurean” forms another outside commentary, which is of service in the imaginative attempt to create again the period.2 Contents Introduction 3 THE FIRST BOOK 12 THE SECOND BOOK 19 THE THIRD BOOK 23 THE FOURTH BOOK 29 THE FIFTH BOOK 38 THE SIXTH BOOK 47 THE SEVENTH BOOK 57 THE EIGHTH BOOK 67 THE NINTH BOOK 77 THE TENTH BOOK 86 THE ELEVENTH BOOK 96 THE TWELFTH BOOK 104 Appendix 110 Notes 122 Glossary 123 A parting thought 128 2 [Brought forward from p. -
Downloads/Wp988j82g]
[https://commons.warburg.sas.ac.uk/downloads/wp988j82g] Miglietti, Sara. The censor as reader : censorial responses to Bodin’s methodus in counter-Reformation Italy (1587-1607) / Sara Miglietti. 2016 Article To cite this version: Miglietti, S. (2016). The censor as reader : censorial responses to Bodin’s methodus in counter- Reformation Italy (1587-1607) / Sara Miglietti. History of European Ideas , 42(5), 707–721. https://doi.org/ https://doi.org/10.1080/01916599.2016.1153289 Available at: https://commons.warburg.sas.ac.uk/concern/journal_articles/d217qp48j DOI: https://doi.org/10.1080/01916599.2016.1153289 Date submitted: 2019-07-22 Copyright is retained by the author. Terms and conditions for use of this material are defined in the User Deposit Agreement. The Censor as Reader: Censorial Responses to Bodin’s Methodus in Counter- Reformation Italy (1587-1607) SARA MIGLIETTI Department of German and Romance Languages and Literatures, Johns Hopkins University Gilman Hall 481 3400 N Charles Street Baltimore, MD 21218 (USA) Phone: +1-202-848-6032 Email: [email protected] 1 The Censor as Reader: Censorial Responses to Bodin’s Methodus in Counter- Reformation Italy (1587-1607) * SARA MIGLIETTI Department of German and Romance Languages and Literatures Johns Hopkins University, Baltimore, MD Summary This essay investigates censorial responses to Jean Bodin’s Methodus (1566) in Counter-Reformation Italy, using evidence from Italian libraries and archives to shed new light on the process that led to the inclusion of the work in the Roman Expurgatory Index of 1607. By examining the diverse, and sometimes conflicting, opinions that Catholic censors expressed on Bodin’s text and the ‘errors’ it contained, the essay shows that even a relatively cohesive ‘reading community’ such as that of Counter-Reformation censors could nurture fundamental disagreement in evaluating the content and dangerousness of a book, as well as in devising appropriate countermeasures. -
Physiognomy in Ancient Science and Medicine
Physiognomy Mariska Leunissen The University of North Carolina at Chapel Hill Introduction Physiognomy(fromthelaterGreek physiognōmia ,whichisacontractionoftheclassicalform physiognōmonia )referstotheancientscienceofdeterminingsomeone’sinnatecharacteronthe basisoftheiroutward,andhenceobservable,bodilyfeatures.Forinstance,Socrates’famous snubnosewasuniversallyinterpretedbyancientphysiognomistsasaphysiognomicalsignof hisinnatelustfulness,whichheonlyovercamethroughphilosophicaltraining.Thediscipline initstechnicalformwithitsownspecializedpractitionersfirstsurfacesinGreeceinthefifth century BCE ,possiblythroughconnectionswiththeNearEast,wherebodilysignswere takenasindicatorsofsomeone’sfutureratherthanhischaracter.Theshifttocharacter perhapsarisesfromthewidespreadculturalpracticeintheancientGreekandRomanworld oftreatingsomeone’soutwardappearanceasindicativeforhispersonality,whichisalready visibleinHomer(eighthcentury BCE ).Inthe Iliad ,forinstance,adescriptionofThersites’ quarrelsomeandrepulsivecharacterisfollowedbyadescriptionofhisequallyuglybody(see Iliad 2.211–219),suggestingthatthiscorrespondencebetweenbodyandcharacterisno accident.ThersitesisthustheperfectfoilfortheGreekidealofthe kaloskagathos –theman whoisbothbeautifulandgood.Thesameholdsforthepracticeofattributingcharacter traitsassociatedwithaparticularanimalspeciestoapersonbasedonsimilaritiesintheir physique:itisfirstformalizedinphysiognomy,butwasalreadywidelyusedinanon- 1 technicalwayinancientliterature.Themostfamousexampleofthelatterisperhaps SemonidesofAmorgos’satireofwomen(fragment7 -
Platonist Philosopher Hypatia of Alexandria in Amenabar’S Film Agorá
A STUDY OF THE RECEPTION OF THE LIFE AND DEATH OF THE NEO- PLATONIST PHILOSOPHER HYPATIA OF ALEXANDRIA IN AMENABAR’S FILM AGORÁ GILLIAN van der HEIJDEN Submitted in partial fulfilment of the requirement for the degree of MASTER OF ARTS In the Faculty of Humanities School of Religion, Philosophy and Classics at the UNIVERSITY OF KWAZULU-NATAL, DURBAN SUPERVISOR: PROFESSOR J.L. HILTON MARCH 2016 DECLARATION I, Gillian van der Heijden, declare that: The research reported in this dissertation, except where otherwise indicated, is my original research; This dissertation has not been submitted for any degree or examination at any other university; This dissertation does not contain other persons’ data, pictures, graphs or other information, unless specifically acknowledged as being sourced from other persons; The dissertation does not contain other persons’ writing, unless specifically acknowledged as being sourced from other researchers. Where other written sources have been quoted, then: a) their words have been re-written but the general information attributed to them has been referenced; b) where their exact words have been used, their writing has been paragraphed and referenced; c) This dissertation/thesis does not contain text, graphics or tables copied and pasted from the Internet, unless specifically acknowledged, and the source being detailed in the dissertation/thesis and in the References sections. Signed: Gillian van der Heijden (Student Number 209541374) Professor J. L. Hilton ii ABSTRACT The film Agorá is better appreciated through a little knowledge of the rise of Christianity and its opposition to Paganism which professed ethical principles inherited from Greek mythology and acknowledged, seasonal rituals and wealth in land and livestock. -
Discovering a Roman Resort-Coat: the Litus Laurentinum and The
DISCOVERING A ROMAN RESORT-COAST: THE LITUS LAURENTINUM AND THE ARCHAEOLOGY OF 1 OTIUM* Nicholas Purcell St John's College, Oxford I. Introductory Otium - the concept of leisure, the elaborate social and cultural definer of the Roman elite away from its business of political and military power - is famous. We can see in Roman literary texts how the practice of otium patterned everyday experience, and how it was expressed in physical terms in the arrangement, on a large and on a small scale, of all aspects of Roman space. The texts likewise show that much of what we would regard as social life, and nearly all of what we think of as economic, belonged in the domain of otium. The complexities and ambiguities of this material have been much studied.2 Roman archaeology equally needs to be an archaeology of otium, but there has been little attempt to think systematically about what that might entail. Investigating the relationship between a social concept such as otium and the material culture that is the primary focus of archaeology must in the first place involve describing Roman culture in very broad terms. The density of explicit or implicit symbolic meaning, the organisation of space and time, degrees of hierarchy of value or prestige: it is at that level of generalisation that the archaeologist and the cultural historian will find the common denominators that enable them to share in the construction of explanations of Roman social phenomena. In this account, which is based on research into a particular locality, we shall have to limit ourselves to one of these possibilities. -
Plants & Natural History
Plants, Natural History, Animals & Medicinal Manuscripts Old Manuscripts & Incunabula - Specialists in Facsimile Editions Facsimile Editions PO Box 6019 FDR Station, New York NY 10150 Monday, March 2, 2020 tel/fax 212/ 758-1946 • www.omifacsimiles.com • [email protected] Manuscripts arranged by library location. Please inquire about availability of titles with no price. MANUSCRIPTS (by location) 1447 Etymachie-Traktat. Ein Todsündentraktat in der katechetisch-erbaulichen Sammelhandschrift Augsburg, Staats- und Stadtbibliothek, 2º Cod.160. Farbmikrofiche-Edition. Einführung zur 'Etymachia' von Nigel Harris. Einführung zu den katechetischen Texten und Beschreibung der Handschrift von Werner Williams-Krapp. [Augsburg, Staats- & Stadtbibl., 2º Cod.160] [3-89219-036-4] Codices Illuminati Medii Aevi, 36. Munich, 1995. 17 x 25 cm, 50 pp, 3 fiches. Paper MS of 104 fols., dated 1447, from Swabia. Miscellany of 18 catechetical tracts, written by the scribe Petrus Willen of Neuburg. Only the ”Etymachia”, i.e., the mental or spiritual battle, treating the 7 cardinal virtues and vices, is illustrated with 14 paintings (fol. 76-104): Armed chevaliers and ladies as their allegoric personifications are riding on animals (dromedary, panther, bear, unicorn, elephant, dragon, etc.), showing additional emblematic signs on helmets, shields, and suits of armour, according to the descriptions of the corresponding texts. Quotations of patristic authorities and biblical examples refer to the tradition of Latin sources. Linen. € 240 1542 Model Book of Giovannino de Grassi. [Bergamo, Civica Biblioteca ”Angelo Mai”, ms. VII. 14] Luzern, 1998. 17 x 22.7 cm, 62 pp + commentary. This work is the best known and most precious manuscript in the Angelo Mai Library in Bergamo; it is commonly regarded as the most important example of late Italian gothic art.