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Pax Ecclesia: Globalization and Catholic Literary Modernism
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2011 Pax Ecclesia: Globalization and Catholic Literary Modernism Christopher Wachal Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Literature in English, North America Commons Recommended Citation Wachal, Christopher, "Pax Ecclesia: Globalization and Catholic Literary Modernism" (2011). Dissertations. 181. https://ecommons.luc.edu/luc_diss/181 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2011 Christopher Wachal LOYOLA UNIVERSITY CHICAGO PAX ECCLESIA: GLOBALIZATION AND CATHOLIC LITERARY MODERNISM A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN ENGLISH BY CHRISTOPHER B. WACHAL CHICAGO, IL MAY 2011 Copyright by Christopher B. Wachal, 2011 All rights reserved. ACKNOWLEDGMENTS Nothing big worth undertaking is undertaken alone. It would certainly be dishonest for me to claim that the intellectual journey of which this text is the fruition has been propelled forward solely by my own energy and momentum. There have been many who have contributed to its completion – too many, perhaps, to be done justice in so short a space as this. Nonetheless, I would like to extend my sincere thanks to some of those whose assistance I most appreciate. My dissertation director, Fr. Mark Bosco, has been both a guide and an inspiration throughout my time at Loyola University Chicago. -
A Study of the Catholic Priest in Shusaku Endo‘S Novels
A STUDY OF THE CATHOLIC PRIEST IN SHUSAKU ENDO‘S NOVELS A Thesis Submitted to the Faculty of The School of Continuing Studies and of The Graduate School of Arts and Sciences in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Studies By Johnny Victor Toma, B.S. Georgetown University Washington, D.C. April 8, 2011 A STUDY OF THE CATHOLIC PRIEST IN SHUSAKU ENDO‘S NOVELS Johnny Victor Toma, B.S. Mentor: William J. O‘Brien, Ph.D. ABSTRACT This thesis was inspired by Professor William J. O‘Brien‘s Theological Issues in 20th and 21st Century Fiction class in 2008, and the Roman Catholic Church‘s Year of the Priest which began in 2009 and ended in 2010. It was born out of a desire to study the character of the Catholic priest in literary works of fiction in order to learn new ways of understanding them and the God they serve in a rapidly changing world. Much has already been written about priests in the Western hemisphere in works such as Graham Greene‘s The Power and the Glory and Georges Bernanos‘ The Diary of a Country Priest but much less is known of books about priests from other parts of the globe. Through a process of elimination, it was decided to consult the works of the revered Shusaku Endo because he is considered by many scholars to be Japan‘s, if not Asia‘s, foremost Catholic writer. In an attempt to reconcile his Catholic faith with this Japanese identity, Endo ultimately produced a series of fictional stories that provided a rare glimpse into the lives of Catholic priests in a non traditional Catholic setting. -
Bewildered Travel in the Fiction of Shusaku Endo
CONFLICT AND CONFUSION: BEWILDERED TRAVEL IN THE FICTION OF SHUSAKU ENDO A Thesis Submitted to the Faculty of The School of Continuing Studies and of The Graduate School of Arts and Sciences in partial fulfillment of the requirements for the degree of Master of Arts In Liberal Studies By Alan S. Hanson, Ph.D. Georgetown University Washington D.C. December 3, 2009 CONFLICT AND CONFUSION: BEWILDERED TRAVEL IN THE FICTION OF SHUSAKO ENDO Alan S. Hanson, Ph.D. Mentor: Frederick Ruf, Ph.D. ABSTRACT In Frederick Ruf’s recently published book Bewildered Travel, he theorizes that travelers set out specifically to seek confusion or bewilderment and that this makes travel – all travel – religious. Ruf set forth his admittedly idiosyncratic view of travel and religion in the Introduction of his book: Leaving home, stepping into the way that will lead us away, far away, walking among strangers, being stunned, getting lost – these are religious behaviors. (Ruf 2007, 4) Shusaku Endo, one of the most important Japanese writers of fiction in the post-war period, has an unusual background – he was born in Japan, raised in China, educated partly in France and converted to Catholicism at age eleven. Many of his fictional works are based on the experience of travel. These include his masterpiece, Silence, and also The Samurai, Wonderful Fool and Deep River. Endo apparently uses travel as a mechanism to explore the conflicts, confusion and alienation that occur when East meets West and vice versa. Ruf’s book focuses on Western and primarily American authors. This raises the question of whether Ruf’s theory of bewildered travel serves as a unifying principle by which one can analyze and better understand the fictional writings of ii Shusaku Endo which have travel as a central thematic element. -
Impelled to Pluralism: Thoughts About Teaching in a Lutheran University Jim Huffman
Intersections Volume 2003 | Number 17 Article 5 2003 Impelled to Pluralism: Thoughts About Teaching in a Lutheran University Jim Huffman Follow this and additional works at: http://digitalcommons.augustana.edu/intersections Augustana Digital Commons Citation Huffman, Jim (2003) "Impelled to Pluralism: Thoughts About Teaching in a Lutheran University," Intersections: Vol. 2003: No. 17, Article 5. Available at: http://digitalcommons.augustana.edu/intersections/vol2003/iss17/5 This Article is brought to you for free and open access by Augustana Digital Commons. It has been accepted for inclusion in Intersections by an authorized administrator of Augustana Digital Commons. For more information, please contact [email protected]. IMPELLED TO PLURALISM: THOUGHTS ABOUT TEACHING IN A LUTHERAN UNIVERSITY James L. Huffman Precisely accurate or not, our childhood images help us craft My undergraduate years did little to challenge this, but by those personal narratives that, in tum, shape our the time I was in graduate school, I had begun to struggle understandings of life, God, and the world. In one such with ideas about a more complex Christ. The new setting image, I see myself kneeling beside the living room sofa, had much to do with the change. Working on a degree in Mother on one side andmy sister on the other, listening to journalismat NorthwesternUniversity, I had professorswho Dad's prayers and thinking, "I'm so fortunate: born in sneered (often unfairly, I thought then, as I do now) at America, and reared in the one true religion!" Half a century absolutes and at my brand of conservatism. Then, as a has colored the image: encounters with friendswho believe reporter in Minneapolis, I developed friends who were and friendswho deny, with personal tragediesand triumphs, simultaneously more skeptical about religion and more with other religious traditionsas fervent as my own. -
The Spirit of the Rivers Calendar of Religions
THE SPIRIT CALENDAR OF RELIGIONS OF THE RIVERS SEPTEMBER 2020 – DECEMBER 2021 THE SPIRIT OF THE RIVERS Rivers never run alone. Every river has a watershed where it washes away all sin. For the Maori, the Whanganui is the supports human life and interacts with the totality of living great ancestral spirit. For the Baha’is, rivers embody the things. Every river is a kingdom. Rivers are where legends, Creator and all organic life on earth. But the relationship religions and civilizations are conceived and flourish. They between humankind and rivers can be memorial as well tell a story. The Ganges narrates India, the Nile chronicles as spiritual: it can be expressed in rituals, such as the Egypt, the Mississippi unfolds the southern United States. practice of baptism by some Christian traditions in the Rivers have seen the emergence of some of the oldest Mississippi delta. civilizations along their banks, and many are sacred to The relationship between religions and rivers is diverse human religious cultures. For the pharaonic Egyptians, the yet testifies to a universal and vital bond that underpins Nile was a god to be worshiped for the great abundance it all life. Thus most rivers are steeped in human history and bestowed. For the Hindus, the Ganges is a goddess who spirituality. 1 CALENDAR 16 TRADITIONS AND RITUALS 16 RIVERS The Temple of Dawn in Bangkok, on the right bank of the Chao Phraya River (Thailand). This 2020-2021 edition contains: splendid photographs that testify to the relationship between religions and rivers; an introduction and informative articles written by eminent specialists; nearly 150 festivals clearly explained (meaning, origins, rites...). -
Introduction a Novel We Have Loved
Introduction A Novel We Have Loved MARK W. DENNIS AND DARREN J. N. MIDDLETON “April is the cruellest month,” T. S. Eliot says; yet spring’s sweet showers fall in April and people, according to Chaucer, long to go on pilgrimages.2 The power of pilgrimage permeates the world’s religions, from Canterbury to Vārānasī, and in April 1994, Peter Owen Publishers released Van C. Gessel’s English translation of Deep River (Fukai kawa, 1993), an emotional quest narrative in which four careworn Japanese tourists journey to India’s holy Ganga in search of spiritual as well as existential renewal.3 The story’s author, Endō Shūsaku (aka Shusaku Endo [1923–1996]), had just marked his seventy-first birthday. That autumn, Stockholm’s literary circles were abuzz with speculation that Endō would be awarded the Nobel Prize in Literature. It was not to be. Endō’s younger countryman, Ōe Kenzaburō, was the winner. Gessel informs us that journalists were assembled outside Endō’s Tokyo home awaiting the Swedish committee’s announcement that he had won.4 When Ōe’s name was broadcast, the reporters pressed Endō to evaluate the decision before they made their way to Ōe’s home. Endō’s tactful response involved noting that Ōe excelled at writing about a world without God. We think that Endō here describes himself, not simply Ōe, since Endō was, at seventy-one, an award-winning writer who had spent his decades-long career, trying to give words to faith, doubt, love, anxiety, and transcendent mystery. Born in Tokyo in 1923, Endō spent his childhood in Dalian, part of Japanese-occupied Manchuria.