The Collected Books of Richard Denner
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CALIFORNIA's NORTH COAST: a Literary Watershed: Charting the Publications of the Region's Small Presses and Regional Authors
CALIFORNIA'S NORTH COAST: A Literary Watershed: Charting the Publications of the Region's Small Presses and Regional Authors. A Geographically Arranged Bibliography focused on the Regional Small Presses and Local Authors of the North Coast of California. First Edition, 2010. John Sherlock Rare Books and Special Collections Librarian University of California, Davis. 1 Table of Contents I. NORTH COAST PRESSES. pp. 3 - 90 DEL NORTE COUNTY. CITIES: Crescent City. HUMBOLDT COUNTY. CITIES: Arcata, Bayside, Blue Lake, Carlotta, Cutten, Eureka, Fortuna, Garberville Hoopa, Hydesville, Korbel, McKinleyville, Miranda, Myers Flat., Orick, Petrolia, Redway, Trinidad, Whitethorn. TRINITY COUNTY CITIES: Junction City, Weaverville LAKE COUNTY CITIES: Clearlake, Clearlake Park, Cobb, Kelseyville, Lakeport, Lower Lake, Middleton, Upper Lake, Wilbur Springs MENDOCINO COUNTY CITIES: Albion, Boonville, Calpella, Caspar, Comptche, Covelo, Elk, Fort Bragg, Gualala, Little River, Mendocino, Navarro, Philo, Point Arena, Talmage, Ukiah, Westport, Willits SONOMA COUNTY. CITIES: Bodega Bay, Boyes Hot Springs, Cazadero, Cloverdale, Cotati, Forestville Geyserville, Glen Ellen, Graton, Guerneville, Healdsburg, Kenwood, Korbel, Monte Rio, Penngrove, Petaluma, Rohnert Part, Santa Rosa, Sebastopol, Sonoma Vineburg NAPA COUNTY CITIES: Angwin, Calistoga, Deer Park, Rutherford, St. Helena, Yountville MARIN COUNTY. CITIES: Belvedere, Bolinas, Corte Madera, Fairfax, Greenbrae, Inverness, Kentfield, Larkspur, Marin City, Mill Valley, Novato, Point Reyes, Point Reyes Station, Ross, San Anselmo, San Geronimo, San Quentin, San Rafael, Sausalito, Stinson Beach, Tiburon, Tomales, Woodacre II. NORTH COAST AUTHORS. pp. 91 - 120 -- Alphabetically Arranged 2 I. NORTH COAST PRESSES DEL NORTE COUNTY. CRESCENT CITY. ARTS-IN-CORRECTIONS PROGRAM (Crescent City). The Brief Pelican: Anthology of Prison Writing, 1993. 1992 Pelikanesis: Creative Writing Anthology, 1994. 1994 Virtual Pelican: anthology of writing by inmates from Pelican Bay State Prison. -
A SMALL SLICE of BERKELEY POETRY in the SIXTIES Richard Krech
A SMALL SLICE OF BERKELEY POETRY IN THE SIXTIES Richard Krech Berkeley has had a vibrant poetry scene since the 1940’s with the “Berkeley Renaissance” a circle of poets that came to include Robert Duncan, Jack Spicer, Robin Blaser and Landis Everson, among others. These poets had connections to the University but much of their poetry enterprise was conducted in private homes. One of the best known publications of this period was Circle edited by George Leite and Bern Porter. This Berkeley based poetry magazine began in 1944 and had ten issues. Contributors included Henry Miller, Kenneth Patchen, e.e. cummings, Kenneth Rexroth, Philip Lamantia (then 16 years old), Duncan, and others. Another early poetry magazine was the short-lived (1947-48) Contour, edited by Christopher McClaine, which published work by James Scheville, Denise Levertov, Porter, Spicer, Duncan, Rexroth and Lamantia. There were subsequent publications ranging from The Berkeley Miscellany edited by Duncan which had two issues in 1948-49 and included work by Duncan, Spicer, Mary Fabilli and Gerald Ackerman to The Berkeley Bussei published by the Berkeley Young Buddhists Association which included poetry by Gary Snyder and Jack Kerouac in their 1958 issue. The Free Speech Movement of 1964 led to the non-student outside-agitator magazine SPIDER [Sex Politics International-communism, Drugs, Extremism, and Rock & roll] whose six issue run was complicated by numerous arrests for selling the magazine on campus. In sincere flattery of my then-favorite publication, Liberation, edited by Dave Dellinger (to whom I would become related by marriage some 35 years later), in May of 1965, I put out the first (and only) issue of a mimeographed magazine, The Community Libertarian, which was dedicated to politics and poetry. -
Collected Poems: 1961-2000
COLLECTED POEMS: 1961-2000 RICHARD DENNER All Rights Reserved. Copyright © 2001 Richard Denner No part of this book may be reproduced or transmitted in any form or by any means, graphic, electronic, or mechanical, including photocopying, recording, taping or by any information storage or retrieval system, without the permission in writing from the publisher. Published by Comrades For information, please contact: Comrades Press 23 George Street Stockton, Southam Warwickshire, England CV47 8JS Website: www.comrades.org.uk email: [email protected] Quotation from Kora In Hell © by William Carlos Williams, reprinted with permission of City Lights Books. “D Press: Jewel in the Net” originally published in The Temple #16 Tsunami, Inc., 2000 Front cover collage: Kim Secunda Back cover photo: Jessica Framer Linoleum block prints by the author ISBN: 0-7388-6318-1 Printed in the United States of America for my mother, Helen and in memory of my father Samuel Denner 1900-1998 Here’s splotchy velvet set to hide a door in a wall and there— there’s the man himself praying. Table of Contents Foreword Preface Acknowledgements Introduction Berkeley, Aptos & San Luis Obispo: 1961-1968 Letter to Sito in Time of War ABCs Poem on My Birthday Commitment Tabula Rasa Poem on My Return Captain of Poetry Song Patterns Tale A Book Entitled Vision Spaced Yes My Poems Elizabeth Says Calculated Lion Cogito Ergo Shazam A Bramavits Sits on the Head of a Neo-classicist Split Pe-rsonality Soup Ode to Graham Crackers 27½ Before 3 Taxman Line Drive Augustus Turns in -
Issue 1 Release Announcement Sat, 4 Oct 2008 00:13:58 +0200
Issue 1 Release Announcement Sat, 4 Oct 2008 00:13:58 +0200 Subject: Issue 1 Release Announcement From: Steve McLaughlin <[log in to unmask]> Date: Sat, 4 Oct 2008 00:13:58 +0200 Announcing the release of Issue 1, edited by Stephen McLaughlin and Jim Carpenter. Now available here<http://arsonism.org/issue1/Issue-1_Fall-2008.pdf> as a 3,785-page PDF. Again, that url is < http://arsonism.org/issue1/Issue-1_Fall-2008.pdf>. This issue features new poems by Nada Gordon, Evelyn Reilly, Julianna Mundim, Emmy Catedral, Enid Bagnold, Richard Siken, Stephen Ratcliffe, Michael Gottlieb, Jodie Childers, Norman J. Olson, Brent Hendricks, Sean Kilpatrick, Tom McCarthy, Stacy Doris, Michael Rerick, Corrinne Clegg Hales, Mark Decarteret, Hadewijch of Antwerp, Darren Wershler-Henry, Letitia Trent, Debra Di Blasi, Laura Elrick, Bruna Mori, Popahna Brandes, Robert Sheppard, Diana Magallan, Kristine Danielson, Ed Higgins, Drew Gardner, Kyle Kaufman, Matthew Thorburn, Tiel Aisha Ansari, Christopher Wells, Vanessa Place, Simon Pettet, Grace Vajda, John Bennett, Ian Patterson, Joseph Hutchison, John Cotter, Cheryl Lawson Walker, Scott Esposito, Jason Nelson, Daniel Kane, Kimo Armitage, Alan May, J.D. Nelson, Bob Hershon, Jennifer Karmin, Kim Rosenfield, Nathan Austin, Pearl Pirie, Rosmarie Waldrop, Tara Betts, Donald Revell, Jim Ryals, Danuta Kean, Jeff VanderMeer, Alfredo Bonanno, Irene Latham, Michael Hennesy, Dick Higgins, John Hanson, Billy Merrell, Sam Ladkin, Jeff Ward, Debra Jenks, K. Lorraine Graham, Kenji Okuhira, Sean MacInnes, Adam Seelig, Steve Halle, David Mus, Monique Wittig, Joyelle McSweeney, Daniel E. Levenson, Luke Daly, Henry Thoreau, John Palattella, Abby Trenaman, Kristen Taylor, Vassily Kamensky, David Jhave Johnston, Gene Tanta, Cate Marvin, Alison Roth, Shad Marsh, Asher Ghaffar, Henry Gould, Justin Theroux, Susan Grimm, Bernard Wilson, Ateet Tuli, Laura Moriarty, Mark McMorris, Cruickshank-Hagenbuckle, Jeffrey Cyphers Wright, William Shakespeare, Nick Trinen, Daphne Gottlieb, Magdalena Zurawski, A.K. -
The High and Palmy State of Poetry: an In-Depth Review of Visions and Affiliations: a California Literary Timeline, Poets and Poetry 1940 -2005 by Jack Foley
Peter Whitfield The High and Palmy State of Poetry: An In-depth Review of Visions and Affiliations: a California Literary Timeline, Poets and Poetry 1940 -2005 by Jack Foley The best part of a lifetime ago, while attempting to learn English history at school and university, young students like me were introduced to the Anglo-Saxon Chronicle, a year- by-year record, compiled in various monasteries, of events in England from soon after the Romans left through to the year 1000 and beyond. It is thanks to this chronicle that we now know the heroic story of King Alfred the Great, his battles to resist the invading Vikings and to foster law, learning and culture in his kingdom. This chronicle has always been fundamental to our knowledge of Anglo-Saxon England, and without it the so-called Dark Ages in England would be darker still—so dark as to be almost invisible. What has this to do with Jack Foley’s magisterial survey of modern poets and poetry in California? Simply this: that if the reading and study of poetry has a future, then in the years and even the centuries to come I believe that these volumes will remain a fundamental source for anyone thinking and writing about poetry in the twentieth century, not only in California but in America as a whole, and even in world terms. It is a local study that has resonances which spread far beyond California and America too, showing how poetry may relate to far-reaching changes in social and cultural life, and it 1 shows how terribly wrong the idea is that poetry no longer matters in the modern world. -
The New American Poetry”
1960s Love, War, Revolution “The New American Poetry” “Beyond Baroque” “Smokey the B..r” “The light foot hears you and the brightness begins” “There comes a time when the operation of the machine becomes so odious, makes you so sick at heart, that you can’t take part, you can’t even passively take part. And you’ve got to put your bodies on the gears, and upon the wheels, upon the levers, upon all the apparatus, and you’ve got to make it stop.” “OH SMIRKING SMILE OH OH MURKY HOLE BE GONE BE LOVE” When American abundance seemed almost limitless, as in the 1940s and 1950s, militarization had seemed almost painlessly affordable, even economically beneficial, with both guns and butter readily attainable. When abundance appeared imperiled after the mid-1960s, growing numbers of Americans questioned militarization. Tolerance for its encroachments on Americans’ liberties was also limited—sufficient to permit gross abuses but hardly to destroy all constraints on the state’s power. Perhaps most of all, but hardest to prove, militarization was quixotic, capricious, and contingent because war itself, in the sense of bombs and bullets and destruction, remained a shadowy presence in the lives of most Americans. They imagined war floridly, they transposed its words and images and emotions to their own struggles in striking ways, and they worried greatly and sincerely about its outbreak in the final cataclysm. But war remained largely an arena not of experience but of imagination, where it could be played out and acted on in lavish ways. In their hearts, Americans longed for war’s spirit more than its substance, even though the line between real and imaginary wars often blurred.