Upper School Summer Reading 2020 – 2021
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Pan Macmillan September 2021 Highlights
Pan Macmillan September 2021 Highlights They Got You Too Futhi Ntshingila Hans van Rooyen is a former police general raised by two women who survived the 1899 South African War. He finds himself being cared for in an old age home by the daughter of liberation struggle activists. At 80, he carries with him the memories of crimes he committed as an officer under the apartheid government. Having eluded the public confessions at the TRC for his time in the Border Wars, he retained his position in the democratic South Africa, serving as an institutional memory for a new generation of police recruits. Zoe Zondi is tasked to care for the old man. Her gentle and compassionate nature prompts Hans to review his decision to go to the grave with all his secrets. Zoe has her own life story to tell and, as their unlikely bond deepens, strengthened by the isolation that COVID-19 lockdown brings, they provide a safe space for each other to say the things that are often left unsaid. Futhi Ntshingila is a writer from Pietermaritzburg. The author of Shameless and Do Not Go Gentle, her work centres on women and marginalised communities. Futhi holds a Master’s Degree in Conflict Resolution and currently lives and works in Pretoria. • ISBN: 9781770107281 • Format: Trade Paperback • Genre: Fiction • Extent: TBC • Price: R290,00 IMMEDIATE RELEASE Shuggie Bain Winner of the Booker Prize 2020 July release Douglas Stuart It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. -
Sacred Hunger by Barry Unsworth (1993) - Not Even Past
Sacred Hunger by Barry Unsworth (1993) - Not Even Past BOOKS FILMS & MEDIA THE PUBLIC HISTORIAN BLOG TEXAS OUR/STORIES STUDENTS ABOUT 15 MINUTE HISTORY "The past is never dead. It's not even past." William Faulkner NOT EVEN PAST Tweet 0 Like THE PUBLIC HISTORIAN Sacred Hunger by Barry Unsworth (1993) Making History: Houston’s “Spirit of the by Robert A. Olwell Confederacy” Sacred Hunger, a novel by Barry Unsworth (which was awarded the 1992 Booker Prize) is the story of a single ship and a single voyage. The novel begins in 1752, in Liverpool, England. The Royal African Company, a chartered corporation created in the mid- 17th-century with a monopoly on trade with the African coast, has just lost the last of its privileges, making the slave trade, for the first time, a “free trade” (all irony intended). Inspired by the promise of lucrative profits, a May 06, 2020 Liverpool merchant, William Kemp, commissions the construction of a ship to engage in the newly opened More from The Public Historian trade. Before the ship sets sail, Kemp engages his nephew, Matthew Paris, a disgraced apothecary, to serve as the ship’s surgeon. BOOKS In the scales of Kemp’s complacent morality, his good America for Americans: A History of deed in “saving” Paris, will be amply repaid in the Xenophobia in the United States by healthier and more valuable slaves that his ship will be Erika Lee (2019) able to sell once it reaches America. This fictional view closely mirrors that of Thomas Jefferson, who once wrote that masters who spared pregnant slave women from field labor were wise as well as kind, for “a child raised every 2 years is of more profit than the crop of the best laboring man.” To Jefferson, this happy equation revealed the hand of an enlightened creator in making “our interest and our duties coincide perfectly.” April 20, 2020 In the chapters that follow the ship’s arrival on the African coast, Unsworth vividly and accurately describes the painstaking and painful process by which a slave ship “made” a cargo in the mid-18th- More Books century. -
Fall2011.Pdf
Grove Press Atlantic Monthly Press Black Cat The Mysterious Press Granta Fall 201 1 NOW AVAILABLE Complete and updated coverage by The New York Times about WikiLeaks and their controversial release of diplomatic cables and war logs OPEN SECRETS WikiLeaks, War, and American Diplomacy The New York Times Introduction by Bill Keller • Essential, unparalleled coverage A New York Times Best Seller from the expert writers at The New York Times on the hundreds he controversial antisecrecy organization WikiLeaks, led by Julian of thousands of confidential Assange, made headlines around the world when it released hundreds of documents revealed by WikiLeaks thousands of classified U.S. government documents in 2010. Allowed • Open Secrets also contains a T fascinating selection of original advance access, The New York Times sorted, searched, and analyzed these secret cables and war logs archives, placed them in context, and played a crucial role in breaking the WikiLeaks story. • online promotion at Open Secrets, originally published as an e-book, is the essential collection www.nytimes.com/opensecrets of the Times’s expert reporting and analysis, as well as the definitive chronicle of the documents’ release and the controversy that ensued. An introduction by Times executive editor, Bill Keller, details the paper’s cloak-and-dagger “We may look back at the war logs as relationship with a difficult source. Extended profiles of Assange and Bradley a herald of the end of America’s Manning, the Army private suspected of being his source, offer keen insight engagement in Afghanistan, just as into the main players. Collected news stories offer a broad and deep view into the Pentagon Papers are now a Iraq, Afghanistan, Pakistan, and the messy challenges facing American power milestone in our slo-mo exit from in Europe, Russia, Asia, the Middle East, and Africa. -
Narrative Topography: Fictions of Country, City, and Suburb in the Work of Virginia Woolf, W. G. Sebald, Kazuo Ishiguro, and Ian Mcewan
Narrative Topography: Fictions of Country, City, and Suburb in the Work of Virginia Woolf, W. G. Sebald, Kazuo Ishiguro, and Ian McEwan Elizabeth Andrews McArthur Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Elizabeth Andrews McArthur All rights reserved ABSTRACT Narrative Topography: Fictions of Country, City, and Suburb in the Work of Virginia Woolf, W. G. Sebald, Kazuo Ishiguro, and Ian McEwan Elizabeth Andrews McArthur This dissertation analyzes how twentieth- and early twenty-first- century novelists respond to the English landscape through their presentation of narrative and their experiments with novelistic form. Opening with a discussion of the English planning movement, “Narrative Topography” reveals how shifting perceptions of the structure of English space affect the content and form of the contemporary novel. The first chapter investigates literary responses to the English landscape between the World Wars, a period characterized by rapid suburban growth. It reveals how Virginia Woolf, in Mrs. Dalloway and Between the Acts, reconsiders which narrative choices might be appropriate for mobilizing and critiquing arguments about the relationship between city, country, and suburb. The following chapters focus on responses to the English landscape during the present era. The second chapter argues that W. G. Sebald, in The Rings of Saturn, constructs rural Norfolk and Suffolk as containing landscapes of horror—spaces riddled with sinkholes that lead his narrator to think about near and distant acts of violence. As Sebald intimates that this forms a porous “landscape” in its own right, he draws attention to the fallibility of representation and the erosion of cultural memory. -
Jul/Aug/Sep 2013 Newsletter Annual Meeting, Banquet Information Announced
Texas Institute of Letters Jul/Aug/Sep 2013 Newsletter Annual Meeting, Banquet Information Announced TIL’s annual meeting will be at the Embassy Suites San Marcos, Hotel, Spa, and Conference Center, in San Marcos, April 4-5. Reservations can be made by calling the hotel directly at 1-512-392-6450 or by dialing Embassy Suite’s national reservation system at 1-800-560-7782. Be sure to mention Texas Institute of Letters when making your reservation to get the group rate, which is $132 per night. This includes breakfast at no cost and free parking (although valet parking is available for $12 per night for those desiring it). And, as you’ll recall from last year’s meeting, the hotel offers registered guests other special amenities, such as a no-charge happy hour. To make your reservations online, go to Embassy Suites’ Texas Institute of Letters’ special page at this link: http://embassysuites.hilton.com/en/es/groups/personalized/S/SNMESES-TIL-20140404/index.jhtml Please note that the page may be a little slow in first loading. Click on the “Book A Room” button and the process is easy to follow. To get the group rate, be sure to make your reservations by March 6. PLEASE NOTE: We encourage you to make reservations as soon as possible. Rooms at the TIL rate went quickly last year. We were able to free up a few additional rooms, but not enough to accommodate everyone who desired one. So, please, make your reservations early! _____________________________________________________________________________ Please use the form at the end of this newsletter to remit 2013-2014 dues and to make your reservations for the banquet. -
The Novel Girl, Woman, Other by Bernardine Evaristo
119 ACTA NEOPHILOLOGICA UDK: 821.111.09-31Evaristo B. DOI: 10.4312/an.53.1-2.119-131 Stigma as an Attribute of Oppression or an Agent of Change: The Novel Girl, Woman, Other by Bernardine Evaristo Darja Zorc-Maver Abstract The purpose of this paper is to describe the processes of stigmatization and oppression of women as presented by Bernardine Evaristo in her book Girl, Women, Other. The book features twelve female characters who are very different from each other, but what they have in common is that they each, in their own way, face stigma, misunderstanding and social exclusion. The social construction of stigma causes various kinds of social inequali- ties of the stigmatized. Through the fictional narratives of the stigmatized and the reflec- tion of their position in the novel, stigmatized women become the bearers of change and not merely the victims of oppression. Key words: stigma, racism, oppression, gender, Bernardine Evaristo Acta_Neophilologica_2020_FINAL.indd 119 23. 11. 2020 07:19:52 120 DARJA ZORC-MAVER In 2019 the prestigious Booker Prize for Fiction went to two women writers for their new novels, the Canadian literary icon Margaret Atwood (The Testa- ments) and the first black British woman author of fiction to win it, Bernardine Evaristo (Girl, Woman, Other). The prize, a proven literarysuccès d’estime, is a big achievement for black British women that now have an internationally acclaimed contemporary literary voice. This is a contemporary panoramic, polyphonic novel, written partly in prose and partly as a poem or simply a poem in prose, without using initial capital letters in sentences and full-stops apart from the endings of individual (sub)chapters, which describes the fictional lives of mostly black wom- en in Britain. -
"Cruciform Logic:" Mastering the Present in JM Coetzee's Age of Iron
"Cruciform Logic:" Mastering the Present in J. M. Coetzee's Age of Iron Copyright 2009 Polly Detels DRAFT Prepared for delivery at the 2009 Annual Meeting of the American Political Science Association, September 3 -- September 6, 2009 Copyright by the American Political Science Association even in an age of iron, pity is not silenced --J. M. Coetzee discussing his novel Daniel answered in the presence of the king, and said, "The secret which the king hath demanded cannot the wise men, the astrologers, the magicians, the soothsayers show unto the King. But there is a God in heaven that revealeth secrets, and maketh known to the king Nebuchadnezzar what shall be in the latter days. ---Daniel 2: 27-8 Underlying all later, differentiated forms, however, there remains the basic Tale Which expresses Being in flux. Time, then, would not be an empty container into which you can fill any content, but there would be as many times as there are types of differentiated content. Think for instance of Proust's temps perdu and temps retrouv� as times which correspond to the loss and rediscovery of self, the action of rediscovery through a monumental literary work of remembrance being the atonement for loss of time through personal guilt-- very similar to cosmological rituals of restoring order that has been lost through lapse of time.1 [1] ---Eric Voegelin in a letter to Robert Heilman This study began with admiration of long standing for the novels and essays, some scholarly and some for a broader audience, authored by South African John M. -
Art & Aesthetic Innovation in Kazuo Ishiguro's Axiomatic Fictions
Durham E-Theses Reconguring the Real: Art & Aesthetic Innovation in Kazuo Ishiguro's Axiomatic Fictions TAN, HAZEL,YAN,LIN How to cite: TAN, HAZEL,YAN,LIN (2018) Reconguring the Real: Art & Aesthetic Innovation in Kazuo Ishiguro's Axiomatic Fictions, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/12924/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Reconfiguring the Real: Art & Aesthetic Innovation in Kazuo Ishiguro’s Axiomatic Fictions HAZEL Y. L. TAN Abstract This study approaches six of Ishiguro’s novels –– A Pale View of Hills (1982), An Artist of the Floating World (1986), The Remains of the Day (1989), The Unconsoled (1995), When We Were Orphans (2000), and Never Let Me Go (2005) – – through a treatment of these works as novelistic works of art. It derives its theoretical inspiration from aesthetic theories of art by Étienne Gilson, Graham Gordon, Peter Lamarque, Susanne Langer, and Nöel Carroll, as well as concepts found within the disciplines of philosophy of mind (especially phenomenology), post-classical narratology (possible world theory applied to literary studies), and studies on memory as well as narrative immersion. -
The Man Booker Prize This Prestigious Award Is Awarded to The
The Man Booker Prize The National Book Foundation presents this Listed here are the Best Novel winners. This prestigious award is awarded to the award, one of the nation=s most preeminent best contemporary fiction written by a literary prizes. 2008 Powers by Ursula Le Guin 2007 The Yiddish Policemen’s Union by Michael citizen of the Commonwealth or the Republic Chabon of Ireland. 2008 Shadow Country by Peter Matthiessen 2006 Seeker by Jack McDevitt 2007 Tree of Smoke by Denis Johnson 2005 Camouflage by Joe Haldeman 2006 Echo Maker by Richard Powers 2008 The White Tiger by Aravind Adiga 2004 Paladin of Souls by Lois McMaster Bujold 2005 Europe Central by William T. Vollmann 2007 The Gathering by Anne Enright 2004 The News from Paraguay by Lily Tuck 2006 Inheritance of Loss by Kiran Desai 2003 The Great Fire by Shirley Hazard PEN/Faulkner Award 2005 The Sea by John Banville The PEN/Faulkner Foundation confers this 2004 The Line of Beauty by Alan Hollinghurst 2003 Vernon God Little by DBC Pierre annual prize for the best work of fiction by an American author. The Edgar Award The National Book Award for Nonfiction 2009 Netherland by Joseph O’Neill 2008 The Hemingses of Monticello: An American The Edgar Allan Poe Awards are given by 2008 The Great Man by Kate Christensen Family by Annette Gordon-Reed 2007 Everyman by Philip Roth the Mystery Writers of America to honor 2007 Legacy of Ashes: The History of the C.I.A. 2006 The March by E.L. Doctorow authors of distinguished work in various by Tim Weiner 2005 War Trash by Ha Jin categories. -
Golden Man Booker Prize Shortlist Celebrating Five Decades of the Finest Fiction
Press release Under embargo until 6.30pm, Saturday 26 May 2018 Golden Man Booker Prize shortlist Celebrating five decades of the finest fiction www.themanbookerprize.com| #ManBooker50 The shortlist for the Golden Man Booker Prize was announced today (Saturday 26 May) during a reception at the Hay Festival. This special one-off award for Man Booker Prize’s 50th anniversary celebrations will crown the best work of fiction from the last five decades of the prize. All 51 previous winners were considered by a panel of five specially appointed judges, each of whom was asked to read the winning novels from one decade of the prize’s history. We can now reveal that that the ‘Golden Five’ – the books thought to have best stood the test of time – are: In a Free State by V. S. Naipaul; Moon Tiger by Penelope Lively; The English Patient by Michael Ondaatje; Wolf Hall by Hilary Mantel; and Lincoln in the Bardo by George Saunders. Judge Year Title Author Country Publisher of win Robert 1971 In a Free V. S. Naipaul UK Picador McCrum State Lemn Sissay 1987 Moon Penelope Lively UK Penguin Tiger Kamila 1992 The Michael Canada Bloomsbury Shamsie English Ondaatje Patient Simon Mayo 2009 Wolf Hall Hilary Mantel UK Fourth Estate Hollie 2017 Lincoln George USA Bloomsbury McNish in the Saunders Bardo Key dates 26 May to 25 June Readers are now invited to have their say on which book is their favourite from this shortlist. The month-long public vote on the Man Booker Prize website will close on 25 June. -
The Ways and Whys of Narrative Presented by Gary Draper Spring 2017
STORIES IN OUR LIVES: The Ways and Whys of Narrative Presented by Gary Draper Spring 2017 This series will examine the important roles played by narrative in entertainment, in literature and the other arts, and in our lives. We will look at a broad range of story forms, with consideration of their histories and their effects. Why do we tell stories? How do we tell them, and what difference does that make? And when we read them or listen to them or watch them, what are we looking for? INTRODUCTION The Reader’s Bill of Rights 1. The right to not read 2. The right to skip pages 3. The right to not finish a book 4, The right to re-read 5. The right to read anything 6. The right to escapism 7. The right to read anywhere 8. The right to browse 9. The right to read out loud 10. The right to not defend your tastes --Daniel Pennac, Better Than Life. “I’m forced to say that it seems very unsatisfying to me, and simply no story at all, if the ending is to be left so far in the air,” a New Yorker editor wrote in an internal memo about Mavis Gallant’s 1961 story “Two Questions.” “Seems to me that something should be completed, or it’s just a long sketch. It’s like life, and not—to me—like fiction.” William Maxwell, Gallant’s editor, replied, “The older I get the more grateful I am not to be told how everything comes out.” —Deborah Treisman, “Mavis Gallant,” New Yorker, March 3, 2014. -
Schedule of Events 2017 2018.Pdf
Department of English Schedule of Events 2017-2018 Tuesday, September 26, 3:30, Wittliff Gallery, Alkek Library Novelist and Endowed Chair in Creative Writing, Karen Russell, will be reading from her work. Karen won the 2012 National Magazine Award for fiction, and her first novel, Swamplandia!, was a finalist for the Pulitzer Prize in 2011. She is a graduate of the Columbia MFA program, a 2011 Guggenheim Fellow, a 2012 Fellow at the American Academy in Berlin, and a recipient of a MacArthur “Genius” fellowship. Russell is the author of St. Lucy’s Home for Girls Raised by Wolves, Vampires in the Lemon Grove: Stories, and Sleep Donation: A Novella. Wednesday, September 27, 5-6 pm, Flowers Hall 376 Senior Lecturer Flore Chevaillier will be conducting a workshop on writing an Academic Curriculum Vita for anyone who may be working on PhD applications, academic jobs, or just starting grad school and needing a frame of reference to build a CV. This is the first in a series of Professionalizing Workshops Flore is planning for the year. Tuesday, October 3, 3:30, Room G02 of Centennial Hall Assistant Professor Cecily Parks hosts a screening and conversation about Look & See: A Portrait of Wendell Berry. The film was executive produced by Robert Redford and Terrence Malick, and focuses on novelist, poet, essayist, farmer, and activist Wendell Berry, one of the more vital figures in the American environmental movement. The filmmaker, Laura Dunn, and James McWilliams (History), will stay afterward for a conversation and Q & A. The event is co- sponsored by History, Philosophy, Sociology, and the College of Liberal Arts.