Vrata Kathas and Vidhis
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The Significance of Fire Offering in Hindu Society
INTERNATIONAL JOURNAL OF MULTIDISCIPLINARY EDUCATIONAL RESEARCH ISSN : 2277-7881; IMPACT FACTOR - 2.735; IC VALUE:5.16 VOLUME 3, ISSUE 7(3), JULY 2014 THE SIGNIFICANCE OF FIRE OFFERING IN HINDU THE SIGNIFICANCESOCIETY OF FIRE OFFERING IN HINDU SOCIETY S. Sushrutha H. R. Nagendra Swami Vivekananda Yoga Swami Vivekananda Yoga University University Bangalore, India Bangalore, India R. G. Bhat Swami Vivekananda Yoga University Bangalore, India Introduction Vedas demonstrate three domains of living for betterment of process and they include karma (action), dhyana (meditation) and jnana (knowledge). As long as individuality continues as human being, actions will follow and it will eventually lead to knowledge. According to the Dhatupatha the word yajna derives from yaj* in Sanskrit language that broadly means, [a] worship of GODs (natural forces), [b] synchronisation between various domains of creation and [c] charity.1 The concept of God differs from religion to religion. The ancient Hindu scriptures conceptualises Natural forces as GOD or Devatas (deva that which enlightens [div = light]). Commonly in all ancient civilizations the worship of Natural forces as GODs was prevalent. Therefore any form of manifested (Sun, fire and so on) and or unmanifested (Prana, Manas and so on) form of energy is considered as GOD even in Hindu tradition. Worship conceives the idea of requite to the sources of energy forms from where the energy is drawn for the use of all 260 INTERNATIONAL JOURNAL OF MULTIDISCIPLINARY EDUCATIONAL RESEARCH ISSN : 2277-7881; IMPACT FACTOR - 2.735; IC VALUE:5.16 VOLUME 3, ISSUE 7(3), JULY 2014 life forms. Worshiping the Gods (Upasana) can be in the form of worship of manifest forms, prostration, collection of ingredients or devotees for worship, invocation, study and discourse and meditation. -
Damodara Vrata
Damodara Vrata Dedicated to His Divine Grace A.C. Bhaktivedanta Swami Prabhupada (Founder-Acharya of the International Society for Krishna Consciousness) Importance of Damodara-vrata In the Padma Purana there is a statement that one should perform the ceremonies for the Lord according to one's financial position. Everyone should observe the different ceremonies and celebrations of the Lord by all means. One of the most important of these ceremonial functions is called Urja-vrata. Urja-vrata (also known as Damodara-vrata) is observed in the month of Karthika (October-November); especially in Vrindavana, there is a specific programme for temple worship of the Lord in His Damodara form. In Sanskrit, dama means rope and udara means belly. Damodara refers to Krishna's being bound with a rope by His mother, Yashoda. It is said that just as Lord Damodara is very dear to His devotees, so the month known as Damodara or Karthika is also very dear to them. Devotees observe vows and undertake austerities in the month of Karthika to please the Supreme Lord. The Padma Purana records the following statement of Suta Gosvami: If anyone fasts and observes the Damodara-vrata according to the rules and regulations, the Yamadutas (the messengers of Yamaraja) run away from him. The performance of Damodara-vrata is better than performing one hundred great sacrifices as prescribed in the Vedic scriptures. Karthika is the best of the months and is very dear to Lord Sri Krishna. Srimati Radharani is the presiding Deity of this month. Any vrata observed in this month will yield more results and the effect of performing such vrata will last for one hundred life times. -
Akshay Moorti Art
+91-8048859584 Akshay Moorti Art https://www.indiamart.com/akshaymoortiart/ Established as a Proprietor firm in the year 1991, we “Akshay Moorti Art” are a leading Manufacturer of a wide range of Ram Darbar Statues, Decorative Statue, Bani Thani Statues, etc. About Us Established as a Proprietor firm in the year 1991, we “Akshay Moorti Art” are a leading Manufacturer of a wide range of Ram Darbar Statues, Decorative Statue, Bani Thani Statues, etc. Situated in Jaipur (Rajasthan, India), we have constructed a wide and well functional infrastructural unit that plays an important role in the growth of our company. We offer these products at reasonable rates and deliver these within the promised time-frame. Under the headship of “Mr. Hemant Sharma” (Manager), we have gained a huge clientele across the nation. For more information, please visit https://www.indiamart.com/akshaymoortiart/profile.html RADHA KRISHNA STATUE O u r P r o d u c t R a n g e Marble Radha Krishna Statue Radha Krishna Goddess Marble Statue Marble Radha Krishna Statue Marble Radha Krishna Statue KALI MATA STATUE O u r P r o d u c t R a n g e Marble Kali Mata Statue Marble Shera Wali Mata Statue Marble Kali Mata Statue Kali Statue MARBLE STATUE O u r P r o d u c t R a n g e Marble Bhim Rao Ambedkar Marble Gandhi Ji Statue Statue White Marble Statues Marble Santoshi Mata Statue RAM DARBAR STATUES O u r P r o d u c t R a n g e Marble Ram Darbar Statue Ram Darbar Statue 2 Feet Lord Rama Darbar 1 Feet Marble Ram Darbar Statue Statue BHERU BABA STATUE O u r P r o d u c t R a -
Dixit Art Sculpturals
+91-8048417510 Dixit Art Sculpturals https://www.indiamart.com/dixitartsculpturals/ Dixit Art Sculpturals “DAS” was Established in the year 1978, is regarded amongst the premier Manufacturers, Suppliers, Wholesaler and Retailer of an elaborate range of Marble Murties and Statues. About Us "Building Long Lasting Relations with our Customers and Provide them with best quality work at reasonable prices and enhance their satisfaction". Dixit Art Sculpturals “DAS” was Established in the year 1978, is regarded amongst the premier manufacturers, suppliers, wholesaler and retailer of an elaborate range of Marble Murties and Statues. We have a wide and well functional infrastructural unit at Jaipur, Rajasthan India and which helps us in carving and designing a remarkable collection of Marble statues as per the Customer’s Requirements. “DAS” was established by Mr. Sitaram Dixit with lot of efforts, hard-work and enthusiasm Now our firm is running under the leadership and direction of Mr. Hemant Dixit and Mr. Kapil Dixit. They benefit the organization with immeasurable knowledge and experiences gained over the years and help us maintain the creditability of our enterprise. We are manufacturers, suppliers, wholesaler, retailer and trader of marble Murties, idols, statues and other customized marble based products. Our statues are an amalgamation of rich traditional & modern art, and this enthralling range will add to the divine and aesthetic beauty of temples, homes, offices, hotels and other establishments. We have our expertise in God and Goddess -
Brill's Encyclopedia of Hinduism
Brill’s Encyclopedia of Hinduism HANDBOOK OF ORIENTAL STUDIES HANDBUCH DER ORIENTALISTIK SECTION TWO INDIA edited by J. Bronkhorst A. Malinar VOLUME 22/5 Brill’s Encyclopedia of Hinduism Volume V: Religious Symbols Hinduism and Migration: Contemporary Communities outside South Asia Some Modern Religious Groups and Teachers Edited by Knut A. Jacobsen (Editor-in-Chief ) Associate Editors Helene Basu Angelika Malinar Vasudha Narayanan Leiden • boston 2013 Library of Congress Cataloging-in-Publication Data Brill’s encyclopedia of Hinduism / edited by Knut A. Jacobsen (editor-in-chief); associate editors, Helene Basu, Angelika Malinar, Vasudha Narayanan. p. cm. — (Handbook of oriental studies. Section three, India, ISSN 0169-9377; v. 22/5) ISBN 978-90-04-17896-0 (hardback : alk. paper) 1. Hinduism—Encyclopedias. I. Jacobsen, Knut A., 1956- II. Basu, Helene. III. Malinar, Angelika. IV. Narayanan, Vasudha. BL1105.B75 2009 294.503—dc22 2009023320 ISSN 0169-9377 ISBN 978 90 04 17896 0 Copyright 2013 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Global Oriental, Hotei Publishing, IDC Publishers and Martinus Nijhoff Publishers. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. Fees are subject to change. Printed in the Netherlands Table of Contents, Volume V Prelims Preface .............................................................................................................................................. -
Sama Veda Aranya Samhita Sayana Bhashya and Bengali Translation Satya Vrata Sharma
1;„, ARANYASANHITA OF THE SAMAVEDA WITH THE COMMENTARY OF SAYANA ACHARYA AND A BENGALI TRANSLATION BY SATYA BEATA SAMASEAML ^jvm *fa?n i ^t^T^T^ fa^raT*TT HfT^T^ PEINTED AT THE DWEIPAYANA PRESS. 1873. To be had from Pandit Jibananda Vidyasagara B. A, Sanskrit College of Calcutta. — * ^T^^ter ^IT qTTW • • • ? I ... h * f%$T^rft^R [^t*t] r ^ *rera-mif^f?r ... s * ^raref ... ill £. ^iw^^^ct [«r?T^:] ... i t? M^IT — ... I ... H Tcf^^t ill ^8 ^T^fwf^fe* mz\m ... ^ H ITfpftT^ftrT ... ?H ... hi ^t^fft ... Ill ff^f^fT ... { fij-^qra^— ... ^ f^TrTTW^— ... p|| fWRTO*—i^rw ... * ^^^Tf^ffa* ... hi 1*7— x$ 4o fHw rwf ^ ferifN?^#^^N ii ^ it ^ft^^tt^rT^ cRTf^"^? II 8 II *rra?ftf?T *re<T 11 sjr*nf^ f?reg <t n sj >> f ! # ^ IWWrrW ^tf^f wfmjifa ? 'gift' '^pe? ^ V. ^^nr Srw? vH^trr shir ! a <rHH ^ ^fl— c^r ^iPf <^ <Nrfc*rt^W *tfsrelNrfr, ^r-c*rfa nf^<^^ ? (?r| *rt*tt- W8^?fa:, fk^q^^:, T^tt^m i * ^ * ^ l S \ \* ^ \ * * t * ? ?: 't^:' ^nrm' «f?w wi^: 'ttwt' t^rfT rrwftr ttwt i '^rat^rf^ ^^^rejfr' ^r*{Frre F*rprft Wrc ^tt^ i (?rt ftfwt f^ft cm IRH 8 WWjffcTT \ f^^Vfo || ^ II ^% rrw1%: «S? ^rlw ^mfi: w?f ^t^t^t^ ^ft 't^w' ^rcsr^rw^ %^ sr%r *ref?r ii^ii ^if^^^^j^m^T^W^ II 8 II ^r:wt TR^Mrtfrr rrr: sfr*n?r i *rf*te f¥^r ^fwl w i ^s^ft^ra- *^*r i ^1 ^ 1 11 8 II * <f ^w Trf^ir sr^fa srir ^TT^rr (?toit f%wf% i w: g^p^t f 'in*' ! # wn^r xrfirww srsropfa 'o^f wt- '*r*r' 'ficf%w^ ft^?^r i WTTr^^rm^ 't$m\', '^r'^ftnsr '^fh' i ^ fim^r: %' ^jtft % "i^ra^ WTf^R^ n ^ H *WT*S , sH& upt ! ^rai c^w^ *tf^5 *rttfc*tx ft^g5 (TTt ¥t«T wfto, ^ft « ^rfa ^ f^^t^f^ c^t ^wf^^tw *tf^«r -
OM NAMO BHAGAVATE PANDURANGAYA BALAJI VANI Volume 6, Issue 4 October 2012 Hari OM
OM NAMO BHAGAVATE PANDURANGAYA BALAJI VANI Volume 6, Issue 4 October 2012 Hari OM Lord Ganesha is worshipped before one begins anything new in life. He is also called Vigneshwara, the word “Vigna” means “obstacles” and he is the lord for removing obstacles. The birth of Lord Ganesha is celebrated as Vinayaka Chavithi. Using turmeric paste, Goddess Parvathi created Lord Ganesha as her loyal son and protector. Lord Shiva, not knowing the truth got furious with Lord Ganesha when he was not let to enter his own house. Furious Lord Shiva lost his patience and severed Lord Ganesha’s head killing him instantly. When Goddess Parvathi heard of this, she threatened to destroy the entire creation. Lord Shiva understood what had happened, ordered Lord Brahma to get the head of first animal he encounters facing north. Lord Brahma returned with the head of a powerful elephant. Lord Shiva placed it on Lord Ganesha, breathed new life into him and announced him as his son as well. He also declared Lord Ganesha to be the foremost of all gods and leader of all ganas (being of life) and hence the name ‘Ganapathi’. This year Diwali Mahalakhsmi Vinayaka Chavithi was observed on 19th of September. Devotees all over the world get Lord Ganesha’s idol made out of clay, perform puja and offer Lord Ganesha’s favorite Blessedness, eternal peace, Arising from perfect modak as prasadam. On the day of Ananta Chaturdasi, they freedom, is the highest conception of religion immerse Lord Ganesha into water. Lord Ganesha’s idol in underlying all the ideas of God in Vedanta absolutely our Balaji Temple arrived and installation was done on this free existence, not bound by anything, no change, no nature, nothing that can produce a change in Him. -
Saran Santas
Santas Saran Santas (see Sandan) Sapas Canaanite Buih, who came, like Aphrodite, from santer North American [Saps.Shapash:=Babylonian Samas: the sea. a fabulous animal =Sumerian Utu] Sar (see Shar) Santeria African a sun-god sara1 Buddhist a god of the Yoruba In some accounts, Sapas is female. an arrow used in rites designed to Santi Hindu Saphon (see Mount Zaphon) ward off evil spirits (see also capa) a goddess Sapling (see Djuskaha.Ioskeha) Sara2 Mesopotamian consort of Tivikrama Saps (see Sapas) a war god, Babylonian and Sumerian Santiago South American Sapta-Loka Hindu son of Inanna, some say a later version of Ilyapa derived from the 7 realms of the universe Sara-mama (see Saramama) the Spanish St James In some versions, the universe has Saracura South American Santoshi Mata Hindu three realms (Tri-Loka). In the version a water-hen a mother-goddess that postulates seven, Sapta-Loka, they When Anatiwa caused the flood, this Sanu1 Afghan are listed as: bird saved the ancestors of the tribes by [Sanru] 1. Bhur-Loka, the earth carrying earth to build up the mountain- a Kafir god 2. Bhuvar-Loka, the home of the sage top on which the survivors stood. father of Sanju in the sky Sarada Devi1 Hindu Sanu2 (see Sanju) 3. Jona-Loka, the home of wife of Ramakrishna Sanugi Japanese Brahma’s children Sarada Devi2 Tibetan a bamboo-cutter 4. Marar-Loka, the home of the saints a Buddhist-Lamaist fertility-goddess He found the tiny Kaguya in the heart 5. Satya-Loka, the home of the gods and goddess of autumn and of a reed and reared her. -
Movement for Special Province of Orissa
Orissa Review * April - 2006 Movement for Special Province of Orissa Dr. Janmejay Choudhury The British contact with Orissa began in the first had been separated from the Mughal dominion half of the 17th century. Orissa emerged as one and as such from the rest of Orissa. Those areas of the eleven units of British India in the 20th were known as Northern Sarkars under the century.1 From the beginning of the 16th century Muslim rulers of the south. Following the death external aggression became virulent and when the of Aurangzeb when the Mughal Empire began to Surya Vamsa came to an end, Orissa entered into distintegrate, Orissa passed under the rule of the a confused period of internecine struggle. The last virtually independent Nawabs of Bengal. The independent king of Orissa, Mukunda Dev, was Nawabs, however, could not rule for long. killed by one of his feudatory chiefs while engaged Frequest Maratha attack on the dominion of in a prolonged struggle with the Afghan rulers of Alivardi Khan, the Subedar of Bengal, Bihar and Bengal. In 1568, Medieval Orissa lost her Orissa, finally forced him to surrender Orissa to independence. It was one of the last Hindu Raghuji Bhonsla of Nagpur in 1751. The River kingdoms of India to fall to the Muslims. Before Subarnarekha became the new boundary the Afghans could consolidate their power, the between the Maratha dominion of Orissa and Mughals entered the field and in 1592 Mansingh Alibardi's Subah of Bengal, Bihar and Orissa. The annexed Orissa to Akbar's empire. By the time northern territories of Orissa beyond the river of Akbar, the territories of Orissa were Subarnarekha thus remained with the Nawab of apportioned into five Sarkars such as Jaleswar, Bengal. -
“Temple of My Heart”: Understanding Religious Space in Montreal's
“Temple of my Heart”: Understanding Religious Space in Montreal’s Hindu Bangladeshi Community Aditya N. Bhattacharjee School of Religious Studies McGill University Montréal, Canada A thesis submitted to McGill University in partial fulfillment of the requirements for the degree of Master of Arts August 2017 © 2017 Aditya Bhattacharjee Bhattacharjee 2 Abstract In this thesis, I offer new insight into the Hindu Bangladeshi community of Montreal, Quebec, and its relationship to community religious space. The thesis centers on the role of the Montreal Sanatan Dharma Temple (MSDT), formally inaugurated in 2014, as a community locus for Montreal’s Hindu Bangladeshis. I contend that owning temple space is deeply tied to the community’s mission to preserve what its leaders term “cultural authenticity” while at the same time allowing this emerging community to emplace itself in innovative ways in Canada. I document how the acquisition of community space in Montreal has emerged as a central strategy to emplace and renew Hindu Bangladeshi culture in Canada. Paradoxically, the creation of a distinct Hindu Bangladeshi temple and the ‘traditional’ rites enacted there promote the integration and belonging of Bangladeshi Hindus in Canada. The relationship of Hindu- Bangladeshi migrants to community religious space offers useful insight on a contemporary vision of Hindu authenticity in a transnational context. Bhattacharjee 3 Résumé Dans cette thèse, je présente un aperçu de la communauté hindoue bangladaise de Montréal, au Québec, et surtout sa relation avec l'espace religieux communautaire. La thèse s'appuie sur le rôle du temple Sanatan Dharma de Montréal (MSDT), inauguré officiellement en 2014, en tant que point focal communautaire pour les Bangladeshis hindous de Montréal. -
Rajkumar Moorti Art
+91-8048921002 Rajkumar Moorti Art https://www.indiamart.com/rajkumar-moorti-art/ “Rajkumar Moorti Art” is a well-known Manufacturer of a trendy and flawless assortment of Marble Radha Krishan Statue, Maa Durga Statue, Marble Ganesh Statue, etc. About Us “Rajkumar Moorti Art” is a well-known Manufacturer of a trendy and flawless assortment of Marble Radha Krishan Statue, Maa Durga Statue, Marble Ganesh Statue, etc. Incepted in the year 2015 at Jaipur (Rajasthan, India), we design these apparels as per current market trends. We are a Proprietor company, which is actively committed to providing high-quality products. Our offered apparels are widely appreciated for their mesmerizing look, smooth texture, skin-friendliness, longevity and colorfastness. Managed under the headship of “Mr. Raju Sharma” (CEO), our firm has covered the foremost share in the market. For more information, please visit https://www.indiamart.com/rajkumar-moorti-art/profile.html OTHER PRODUCT O u r P r o d u c t R a n g e shree jindut suri marble statue Marble Padmavati mata Statue Marble Hanuman ji Statue Marble Jain Mahavir Statue NEW ITEMS O u r P r o d u c t R a n g e Pure white marble Gauri- Pure white marble Gauri- Shankar statue Shankar statue Pure white marble Gauri- Pure white marble Gauri- Shankar statue Shankar statue MAA DURGA STATUE O u r P r o d u c t R a n g e 36" Marble Durga Statue 36" Marble Durga Maa Statue 18" Marble Durga Mata Statue 36" Marble Durga Maa Statue MARBLE RADHA KRISHAN STATUE O u r P r o d u c t R a n g e Marble Radha Krishna Statue -
Jain Award Boy Scout Workbook Green Stage 2
STAGE 2 TABLE OF CONTENTS 1. About the Jain Award: Stage 2 2. About Yourself 3. Part I Word 4. Part II Worship 5. Part III Witness 6. Jain Religion Information for Boy Scouts of America 7. Application Form for the Jain Medal Award 2 ABOUT THE JAIN AWARD PLAN STAGE 2 WORD: You will with your parents and spiritual leader meet regularly to complete all the requirements History of Jainism-Lives of Tirthankars: for this award. Mahavir Adinath Parshvanath RECORD Jain Philosophy Significance of Jain Symbols: Ashtamanga As you continue through this workbook, record and others the information as indicated. Once finished Four types of defilement (kashäy): your parents and spiritual leader will review anger ego and then submit for the award. greed deceit The story of four daughters-in-law (four types of spiritual aspirants) Five vows (anuvrats) of householders Jain Glossary: Ätmä, Anekäntväd, Ahinsä, Aparigrah, Karma, Pranäm, Vrat,Dhyän. WORSHIP: Recite Hymns from books: Ärati Congratulations. You may now begin. Mangal Deevo Practices in Daily Life: Vegetarian diet Exercise Stay healthy Contribute charity (cash) and volunteer (kind) Meditate after waking-up and before bed WITNESS: Prayers (Stuties) Chattäri mangala Darshanam dev devasya Shivamastu sarvajagatah Learn Temple Rituals: Nissihi Pradakshinä Pranäm Watch ceremonial rituals (Poojä) in a temple 3 ABOUT YOURSELF I am _____________________years old My favorite activities/hobbies are: ______________________________________ This is my family: ______________________________________ ______________________________________