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1. Canongate 1.1. Background Canongate's Close Proximity to The
Edinburgh Graveyards Project: Documentary Survey For Canongate Kirkyard --------------------------------------------------------------------------------------------------------------------- 1. Canongate 1.1. Background Canongate’s close proximity to the Palace of Holyroodhouse, which is situated at the eastern end of Canongate Burgh, has been influential on both the fortunes of the Burgh and the establishment of Canongate Kirk. In 1687, King James VII declared that the Abbey Church of Holyroodhouse was to be used as the chapel for the re-established Order of the Thistle and for the performance of Catholic rites when the Royal Court was in residence at Holyrood. The nave of this chapel had been used by the Burgh of Canongate as a place of Protestant worship since the Reformation in the mid sixteenth century, but with the removal of access to the Abbey Church to practise their faith, the parishioners of Canongate were forced to find an alternative venue in which to worship. Fortunately, some 40 years before this edict by James VII, funds had been bequeathed to the inhabitants of Canongate to erect a church in the Burgh - and these funds had never been spent. This money was therefore used to build Canongate Kirk and a Kirkyard was laid out within its grounds shortly after building work commenced in 1688. 1 Development It has been ruminated whether interments may have occurred on this site before the construction of the Kirk or the landscaping of the Kirkyard2 as all burial rights within the church had been removed from the parishioners of the Canongate in the 1670s, when the Abbey Church had became the chapel of the King.3 The earliest known plan of the Kirkyard dates to 1765 (Figure 1), and depicts a rectilinear area on the northern side of Canongate burgh with arboreal planting 1 John Gifford et al., Edinburgh, The Buildings of Scotland: Pevsner Architectural Guides (London : Penguin, 1991). -
Differentiated and Compatible
Search the Sit FEBRUARY 2009 » FEATURE ShareThis Differentiated and Compatible The Secretary’s Standards revisited. By Steven W. Semes Curiously, historic preservation has once again become a hot topic as architects, preservationists, public officials and citizen activists debate the criteria used to evaluate proposed additions to historic structures or infill buildings in historic districts. This comes in response to growing public opposition to recent decisions by some preservation authorities to approve starkly contrasting Modernist additions to historic buildings or dissonant new structures in traditional settings. The debate has been particularly lively in New York City and Charleston, SC, where preservation commissions have approved a series of contrasting Modernist structures in historic settings. However, it has also aroused students, faculty and alumni at the University of Virginia, where the debate has spilled onto the pages of the student newspaper and the internet. In the historic center of Rome, Richard Meier’s Ara Pacis Museum stirred such intense opposition that upon being elected, the new mayor of Rome called for a referendum to decide whether to remove the new building! If the purpose of historic preservation is to safeguard historic buildings and neighborhoods, how does one justify such recent interventions as Norman Foster’s glass tower on top of the landmark Hearst Building or Renzo Piano’s additions to the Morgan Library, to take but a couple of New York City examples? Weren’t the preservation laws passed decades ago precisely to prevent these kinds of intrusions on historic fabric? The debate has arisen now because we are seeing the logical consequences of policies developed decades ago when the architectural culture was quite different. -
Written Guide
The tale of a tail A self-guided walk along Edinburgh’s Royal Mile ww.discoverin w gbrita in.o the stories of our rg lands discovered th cape rough w s alks 2 Contents Introduction 4 Route map 5 Practical information 6 Commentary 8 Credits © The Royal Geographical Society with the Institute of British Geographers, London, 2015 Discovering Britain is a project of the Royal Geographical Society (with IBG) The digital and print maps used for Discovering Britain are licensed to the RGS-IBG from Ordnance Survey Cover image: Detail from the Scottish Parliament Building © Rory Walsh RGS-IBG Discovering Britain 3 The tale of a tail Discover the stories along Edinburgh’s Royal Mile A 1647 map of The Royal Mile. Edinburgh Castle is on the left Courtesy of www.royal-mile.com Lined with cobbles and layered with history, Edinburgh’s ‘Royal Mile’ is one of Britain’s best-known streets. This famous stretch of Scotland’s capital also attracts visitors from around the world. This walk follows the Mile from historic Edinburgh Castle to the modern Scottish Parliament. The varied sights along the way reveal Edinburgh’s development from a dormant volcano into a modern city. Also uncover tales of kidnap and murder, a dramatic love story, and the dramatic deeds of kings, knights and spies. The walk was originally created in 2012. It was part of a series that explored how our towns and cities have been shaped for many centuries by some of the 206 participating nations in the 2012 Olympic and Paralympic Games. -
Spectacular New Retail/Restaurant Opportunity
SPECTACULAR NEW www.newwaverley.com RETAIL/RESTAURANT OPPORTUNITY THE PAVILION BUILDING SUITABLE FOR A WIDE VARIETY OF USES INCLUDING BAR/RESTAURANT | MICROBREWERY | ART GALLERY AND MANY MORE THE BOOMING EPICENTRE OF EDINBURGH’S EASTERN QUARTER Located in the Old Town the Pavilion Building & Kiosk/Terrace will form the most western part of New Waverley, a signature mixed use development and vibrant new destination. – Prominent corner location – Adjacent to 19 historic arches converted to retail/leisure use available for occupation from October 2015 – Just off the Royal Mile, which attracts over 4 million people annually – Close to Waverley Station with over 26 million passengers annually – I mmediately adjacent edinburgh city council headquarter offices A BRILLIANT, VIBRANT AND BUSTLING NEIGHBOURHOOD In an area awash with life and colour there really is something unexpected and interesting around every corner. Historic sites, visitor attractions, museums and art galleries abound and the Royal Mile and its wynds and closes are peppered with cafés, restaurants, bars and specialty shops. The area is a magnet for tourists and visitors alike and is about to become even better with the arrival of New Waverley, Edinburgh’s exciting new destination. Elevational Treatment © Zone Architects 2013 THE PAVILION BUILDING, ONCE COMPLETE, WILL PROVIDE A GLAZED BUILDING OF MODERN ARCHITECTURAL DESIGN INSPIRATIONAL ARRANGED OVER GROUND AND MEZZANINE LEVELS, PROVIDING A FANTASTIC “FLAGSHIP” OPPORTUNITY FOR THE APPROPRIATE OCCUPIER. THE UPPER LEVEL OF THE PAVILION WILL HOUSE A ONE OFF RETAIL KIOSK WITH TERRACE LOCATED OFF JEFFREY STREET WITH A / LEISURE SPACE VIEWING PLATFORM OVERLOOKING THE CITY TO THE NORTH. PAVILION BUILDING SPECIFICATION GROUND FLOOR (EAST MARKET STREET) 9,235 Sq ft 856 Sq m The design of the pavilion building is flexible at this stage and specific occupational requirements may be able to be incorporated into the building as part of the MEZZANINE / 1ST FLOOR 4,520 Sq ft 420 Sq m construction process. -
Robert Louis Stevenson By
iriLOUISiSTEVENSON ! BY J^ MARGARET OYES BIACK FAMOUS •SCOT5« •SERIES' THIS BOOK IS FROM THE LIBRARY OF Rev. James Leach ROBERT LOUIS STEVENSON ': J ROBERT LOUIS STEVENSON BY : MARGARET MOVES BLACK ^"^'famous (^^ •SCOTS- •SERIES' PUBLISHED BY W OUPHANT ANDERSON IfFERRIEREDINBVRGH AND LONDON ^ '^;^ 3) n/^'^^' The designs and ornaments of this volume are by Mr Joseph Brown, and the printing from the press of Messrs TurnbuU & Spears, Edinburgh. PREFACE AND DEDICATION In so small a volume it would be somewhat hopeless to attempt an exhaustive notice of R. L. Stevenson, nor would it be desirable. The only possible full biography of him will be the Life in preparation by his intimate friend Mr Sidney Colvin, and for it his friends and his public look eagerly. This little book is only a remini- scence and an appreciation by one who, in the old days between 1869 and 1880, knew him and his home circle well. My earlier and later knowledge has been derived from his mother and those other members of his mother's family with whom it was a pleasure to talk of him, and to exchange news of his sayings and doings. In the actual writing of this volume, I have received most kind help for which I return grateful thanks to the givers. For the verification of dates and a few other particulars I am indebted to Mr Colvin's able article in the Dictionary of National Biography. It is dedicated, in the first instance, to the memory 6 PREFACE AND DEDICATION of Mr and Mrs Thomas Stevenson and their son, and, in the second, to all the dearly prized friends of the Balfour connection who have either, like the household at 1 7 Heriot Row, passed into the ' Silent Land,' or who are still here to gladden life with their friendship. -
Scottish Art: Then and Now
Scottish Art: Then and Now by Clarisse Godard-Desmarest “Ages of Wonder: Scotland’s Art 1540 to Now”, an exhibition presented in Edinburgh by the Royal Scottish Academy of Painting, Sculpture and Architecture tells the story of collecting Scottish art. Mixing historic and contemporary works, it reveals the role played by the Academy in championing the cause of visual arts in Scotland. Reviewed: Tom Normand, ed., Ages of Wonder: Scotland’s Art 1540 to Now Collected by the Royal Scottish Academy of Art and Architecture, Edinburgh, The Royal Scottish Academy, 2017, 248 p. The Royal Scottish Academy (RSA) and the National Galleries of Scotland (NGS) have collaborated to present a survey of collecting by the academy since its formation in 1826 as the Scottish Academy of Painting, Sculpture and Architecture. Ages of Wonder: Scotland’s Art 1540 to Now (4 November 2017-7 January 2018) is curated by RSA President Arthur Watson, RSA Collections Curator Sandy Wood and Honorary Academician Tom Normand. It has spawned a catalogue as well as a volume of fourteen essays, both bearing the same title as the exhibition. The essay collection, edited by Tom Normand, includes chapters on the history of the RSA collections, the buildings on the Mound, artistic discourse in the nineteenth century, teaching at the academy, and Normand’s “James Guthrie and the Invention of the Modern Academy” (pp. 117–34), on the early, complex history of the RSA. Contributors include Duncan Macmillan, John Lowrey, William Brotherston, John Morrison, Helen Smailes, James Holloway, Joanna Soden, Alexander Moffat, Iain Gale, Sandy Wood, and Arthur Watson. -
Canticum Novum Singers American Celebration of Music in Britain
Canticum Novum Singers American Celebration of Music in Britain Suggested Custom Tour #1 (7 nights/9 days) Day 1 Thursday, June 23, 2022 Departure via scheduled air service to Glasgow, Scotland Day 2 Friday, June 24 Glasgow / Edinburgh (D) Arrive in Glasgow Meet your MCI Tour Manager, who will assist the group to the awaiting motorcoach for transfer to Edinburgh (time permitting take an orientation tour of Edinburgh’s highlights) Late Afternoon hotel Check-in Evening Welcome Dinner and overnight Edinburgh, with its striking medieval and Georgian districts, overlooked by the volcanic sill of Arthur's Seat to the south and the Calton Hill to the north, is widely regarded as one of Europe's loveliest capitals. The city is famous for the arts (it was once known as the "Athens of the North"), a preeminence reflected in its hosting every year of Britain's largest arts extravaganza, the Edinburgh Festival. Its museums and galleries display the riches of many cultures Day 3 Saturday, June 25 Edinburgh (B,D) Breakfast at the hotel Half-day guided sightseeing tour of Edinburgh includes a tour of Edinburgh Castle, which along with its rock, is probably the best known view in Edinburgh. It has been a royal residence since the 11th century, although the majority of buildings you will see are those resulting from its use as a military garrison. See the Honours of Scotland (including the Scottish Crown Jewels) and the Royal Scots Regimental Museum. Also see Arthur’s Seat, Charlotte Square, St. Giles, the Royal Mile, Sir Walter Scott Monument, St. -
Essays of Robert Louis Stevenson by Robert Louis
Essays of Robert Louis Stevenson By Robert Louis Stevenson 1 PREFACE The text of the following essays is taken from the Thistle Edition of Stevenson's Works, published by Charles Scribner's Sons, in New York. I have refrained from selecting any of Stevenson's formal essays in literary criticism, and have chosen only those that, while ranking among his masterpieces in style, reveal his personality, character, opinions, philosophy, and faith. In the Introduction, I have endeavoured to be as brief as possible, merely giving a sketch of his life, and indicating some of the more notable sides of his literary achievement; pointing out also the literary school to which these Essays belong. A lengthy critical Introduction to a book of this kind would be an impertinence to the general reader, and a nuisance to a teacher. In the Notes, I have aimed at simple explanation and some extended literary comment. It is hoped that the general recognition of Stevenson as an English classic may make this volume useful in school and college courses, while it is not too much like a textbook to repel the average reader. I am indebted to Professor Catterall of Cornell and to Professor Cross of Yale, and to my brother the Rev. Dryden W. Phelps, for some assistance in locating references. W.L.P., YALE UNIVERSITY, 13 February 1906. 2 CONTENTS INTRODUCTION BIBLIOGRAPHY I ON THE ENJOYMENT OF UNPLEASANT PLACES NOTES II AN APOLOGY FOR IDLERS NOTES III AES TRIPLEX NOTES IV TALK AND TALKERS NOTES V A GOSSIP ON ROMANCE NOTES VI THE CHARACTER OF DOGS NOTES VII A COLLEGE MAGAZINE NOTES 3 VIII BOOKS WHICH HAVE INFLUENCED ME NOTES IX PULVIS ET UMBRA NOTES 4 INTRODUCTION I LIFE OF STEVENSON Robert Louis Stevenson[1] was born at Edinburgh on the 13 November 1850. -
The Quarterly OFFICIAL PUBLICATION GF the ST
The Quarterly OFFICIAL PUBLICATION GF THE ST. LAWRENCE COUNTY HISTORICAL ASSOCIATION Adnzinistration BNilding, St. Ln zureszce Stu t e Hospital October 1966 Page Two The Quarterly Offidal Publication of The St. Lawrence County Historical Am ASSOCIATION OFFICERS OCTOBER 1966 VOL. I1 NO. 4 President MILES GREENE Massena CONTENTS First Vice President WILLIAM BRUCE VAN BUREN Ogdensburg Second Vice President CECIL GRAHAM Page Canton DOWN TO POINT AIRY ConesPonding Secretary By Elizabeth Baxter MRS. MILES GREENE 3 Massena LOGGING AT STAMMERVILLE Financial Secretary By Mrs. Ray Dunlop 5 MRS. W. B. FLEETHAM DePeyster EDITORIAL Treasurer By Mary Biondi 6 DAVID CLELAND A GHOST TOWN Canton By Carrlton B. Olds 7 Editor, The Quarterly MARY H. BIONDI KNOW YOUR HISTORIAN Canton 7 Committee Chairmen RAYMONDVILLE BRICK HOTEL Program MRS. DORIS PLANTY By Maude Wing 8 Ogdensburg FIRST ANNUAL ART CONTEST Historic Sites 10 LAWRENCE G. BOVARD Ogdensburg GLASSBLOWER WHO BLEW TOWN Richville Building By .Maxine Rutherf ord MRS. JOSEPH WRANESH VIGNETTE (Hectored by a Crow) Nominations By Katie Perry CARLTON D. OLDS Waddington SUNSETS AT MORRISTOWN Yorker Cribs By Jean Frame MRS. JOSEPH WRANESH Richvllle AUTUMN'S HANDMAIDEN Promotion MRS. EDWARD BIONDI THE ALBANY ROAD Ogdensburg County Fair CLARENCE POOR GROWING OLD Rensselaer Falls By VanDyke Brown Special Gifts I ,000 ISLAND DRESSING MRS. EDWARD BIONDI THE QUARTERLY is published in January, April, J'uly and October CRACKER BARREL each year by the St. Lawrence Coun- ty Historical Association, Editorial Office, Box 43, Canton, advertising and publication off ice 40-42 Clinton Street, Gouverntur, N.Y. EXTRA COPIES may be ohtained from Mrs. -
Development Brief Princes Street Block 10 Approved by the Planning Commitee 15 May 2008 DEVELOPMENT BRIEF BLOCK 10
Development Brief Princes Street Block 10 Approved by the Planning Commitee 15 May 2008 DEVELOPMENT BRIEF BLOCK 10 Contents Page 1.0 Introduction 2 2.0 Site and context 2 3.0 Planning Policy Context 4 4.0 Considerations 6 4.1 Architectural Interest 4.2 Land uses 4.4 Setting 4.5 Transport and Movement 4.12 Nature Conservation/Historic Gardens and Designed Landscapes 4.16 Archaeological Interests 4.17 Contaminated land 4.18 Sustainability 5.0 Development Principles 12 6.0 Implementation 16 1 1.0 Introduction 1.1 Following the Planning Committee approval of the City Centre Princes Street Development Framework (CCPSDF) on 4 October 2007, the Council have been progressing discussions on the individual development blocks contained within the Framework area. The CCPSDF set out three key development principles based on reconciling the needs of the historic environment with contemporary users, optimising the site’s potential through retail-led mixed uses and creating a high quality built environment and public realm. It is not for this development brief to repeat these principles but to further develop them to respond to this area of the framework, known as Block 10. 1.2 The purpose of the development brief is to set out the main planning and development principles on which development proposals for the area should be based. The development brief will be a material consideration in the determination of planning applications that come forward for the area. 2.0 Site and context The Site 2.1 The development brief area is situated at the eastern end of the city centre and is the least typical of all the development blocks within the CCPSDF area. -
National Strategy for Scotland's Museums and Galleries
GOING TheNationalStrategyfor Scotland’sMuseumsandGalleries fURTHER To SUccEEd aNd floURiSH we wILL aLL Need tO pLay Our part ScoTTiSH NaTioNal PoRTRaiT GallERy National Galleries of Scotland TheScottishNationalPortraitGalleryre-opened on1December2011,followingatwoandahalfyear closureandanambitious£17.6mrestorationproject. Asaresult,amuchgreaterproportionofthe collectionwillbeonshow,bringingtolightawealth Theproject–thefirstmajorrefurbishmentinthe ofartworksthathasbeen,untilnow,largelyhidden Gallery’s120-yearhistory–hasrestoredmuchof fromview. thearchitect’soriginalvision,openinguppreviously inaccessiblepartsofthebuildingandincreasing Reviewsandfeedbackhavebeenoverwhelmingly thepublicspacebymorethan60%.Accesstothe positivewithmorethan52,000visitorsgoing exhibitionspacesonallthreelevelshasbeenopened totheGalleryduringthefirstmonthofopening. up,whiletherestorationofthemagnificentsuiteof top-litgalleriesontheupperfloorhascreatedoneof themostimpressivedisplayspacesinScotland. www.nationalgalleries.org TheNationalStrategyfor Scotland’sMuseumsandGalleries Images courtesy of the National Galleries of Scotland © Chris Watt The National Strategy for Scotland’s Museums and Galleries gOINg The National Strategy for Scotland’s Museums and Galleries further Acknowledgements contents The development of this National Strategy for Scotland’s Museums and Galleries would not have 5 FOREWORD 34 AIm fIve -
ROGER G. SWEARINGEN Summary
ROGER G. SWEARINGEN 829 Spring Street Santa Rosa, California 95404-3903 phone: 707 542-5088 e-mail: [email protected] updated: 11 September 2014 web site: http://rogers99.users.sonic.net/ Summary Roger G. Swearingen is a leading authority on the life and works of Robert Louis Stevenson. He is a graduate of the University of California-Berkeley (A.B., 1965) and of Yale University (Ph.D., 1970). From 1969 until 1983 he taught English Literature, Robert Louis Stevenson, and scientific and technical writing at the University of North Carolina at Chapel Hill and the University of California-Davis. At the end of October 2007 he retired from his position as a web site architect and designer at Agilent EEsof EDA (Electronic Design Automation), then part of Agilent Technologies, Inc., in Santa Rosa, California, and since August 2014 part of Keysight Technologies. Hired as a contract technical writer by Hewlett-Packard in January 1984, he worked almost twenty-four years at various information-management tasks for HP and, after it was spun off as a separate company, for Agilent Technologies. Roger G. Swearingen page 1 of 12 Publications Books The Hair Trunk or The Ideal Commonwealth: An Extravaganza . Edited with an introduction and notes from the manuscript in the Huntington Library, San Marino, California. Kilkerran, Scotland: Humming Earth / Zeticula, 2014. Robert Louis Stevenson in Australia: Treasures in the State Library of New South Wales . Commentaries created in support of an exhibition of Stevenson items by the State Library of New South Wales coordinated with 'RLS 2013: Stevenson, Time and History', the Seventh Biennial Robert Louis Stevenson Conference, hosted by the University of New South Wales, Sydney, 8 - 10 July 2013.