The 84 Indian Adepts of Abhayadatta System
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THE JEWEL TREASURY of ADVICE a Hundred Teachings from the Heart
THE JEWEL TREASURY of ADVICE A Hundred Teachings from the Heart THE WISDOM OF DRIKUNG BHANDE DHARMARADZA Translated from Tibetan by Khenchen Konchog Gyaltshen Rinpoché & Venerable Khenpo Tsultrim Tenzin THE JEWEL TREASURY of ADVICE A Hundred Teachings from the Heart THE WISDOM OF DRIKUNG BHANDE DHARMARADZA Translated from Tibetan by Khenchen Konchog Gyaltshen Rinpoché & Venerable Khenpo Tsultrim Tenzin Edited by Rick Finney and Khenmo Trinlay © 2021 Venerable Khenpo Tsultrim Tenzin All rights reserved. Cover photograph of Lord Jigten Sumgön This book is one of the treasures of the Drikung Lineage. The heart advices by Drikung Bhande Dharmaradza are really useful for us in practicing the Buddha Dharma in our daily life and keeping the faith in the Path. We thank Khenchen Khonchog Gyaltshen Rinpoché and Venerable Khenpo Tsultrim Tenzin who worked to make improvements for our benefit. We wish we could receive their preciouse teachings about this book in the future. May all the Gurus have a long life and good health. May their activities be always successful in bringing benefits for all beings. May all sentient beings be happy and free from suffering and reach the ultimate enlightenment in the end. CONTENTS Acknowledgments 1 Introduction 4 The Jewel Treasury of Advice 12 Endnotes 63 The Life of Drikung Bhande Dharmaradza 66 Glossary of Enumerations 86 Glossary of Terms 89 About the Translators 94 About the Editors 100 “We dedicate the merit of this publication to the long life of all lamas and to peace and well-being in the world.” X Please treat this book with respect as it contains the precious teaching of the Dharma. -
The Life and Scholarship of the Eighteenth- Century Amdo Scholar Sum Pa Mkhan Po Ye Shes Dpal ’Byor (1704-1788)
Renaissance Man From Amdo: the Life and Scholarship of the Eighteenth- Century Amdo Scholar Sum Pa Mkhan Po Ye Shes Dpal ’Byor (1704-1788) The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:40050150 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Renaissance Man From Amdo: The Life and Scholarship of the Eighteenth-Century Amdo Scholar Sum pa Mkhan po Ye shes dpal ’byor (1704-1788) ! A dissertation presented by Hanung Kim to The Department of East Asian Languages and Civilizations in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History and East Asian Languages Harvard University Cambridge, Massachusetts April, 2018 © 2018 – Hanung Kim All rights reserved. ! Leonard W. J. van der Kuijp Hanung Kim Renaissance Man From Amdo: The Life and Scholarship of the Eighteenth- Century Amdo Scholar Sum pa Mkhan po Ye shes dpal ’byor (1704-1788) Abstract! This dissertation examines the new cultural developments in eighteenth-century northeastern Tibet, also known as Amdo, by looking into the life story of a preeminent monk- scholar, Sum pa Mkhan po Ye shes dpal ’byor (1708-1788). In the first part, this study corroborates what has only been sensed by previous scholarship, that is, the rising importance of Amdo in Tibetan cultural history. -
Melody of Dharma Remarks on the Essence of Buddhist Tantra H.H
Melody of Dharma Remarks on the Essence of Buddhist Tantra H.H. the Sakya Trizin and Khöndung A teaching by H.H. the Sakya Trizin Gyana Vajra Rinpoche in Europe Remembering Great Masters Khöndung Ratna Vajra Rinpoche in Mahasiddha Dombi Heruka Asia A Publication of the Office of Sakya Dolma Phodrang Dedicated to the Dharma Activities of September No.12 His Holiness the Sakya Trizin 2013 • CONTENTS 1 From the Editors 2 His Holiness the Sakya Trizin 2014 Programme 3 Lumbini 9 Remembering Great Masters 9 t.BIBTJEEIB%PNCJ)FSVLB 10 t5IF'PVS4ZMMBCMFTCZ.BIBTJEEIB%PNCJ)FSVLB 11 Remarks on the Essence of Buddhist Tantra o"UFBDIJOHCZ)JT)PMJOFTTUIF4BLZB5SJ[JO 18 Oral Instructions on the Practice of Guru Yoga (Part 4) o"UFBDIJOHCZ$IPHZF5SJDIFO3JOQPDIF 27 Eight Verses of Pith Instructions to Elucidate the True Nature of Mind o#Z4BLZB1BOEJUB 29 A Melody of Experience for Yeshe Dorje o#Z+FUTÊO%SBHQB(ZBMUTFO 35 A Brief Explanation of Gyalphur Drubjor 36 Dharma Activities 36 t)JT)PMJOFTTUIF4BLZB5SJ[JOBOE,IÄOEVOH(ZBOB7BKSB 3JOQPDIFJO&VSPQF 41 t)JT)PMJOFTTUIF4BLZB5SJ[JOJOUIF64"BOE4JOHBQPSF 53 t-BNESF3FUFBDIJOHTJO5BJXBO,IÄOEVOH3BUOB7BKSB 3JOQPDIF 60 t-BNESFJO4JOHBQPSF,IÄOEVOH3BUOB7BKSB3JOQPDIF 62 t,IÄOEVOH3BUOB7BKSB3JOQPDIFJO,BUINBOEVBOE4QJUJ 7BMMFZ 64 t4VNNFSBUUIF4BLZB$FOUSF Patrons: H.E. Gyalyum Chenmo Art Director/Designer: Chang Ming-Chuan H.E. Dagmo Kalden Dunkyi Sakya Photos: Cristina Vanza; Sakya Phuntsok Phodrang; Adam Boyer; H.E. Dagmo Sonam Palkyi Sakya Steven Lay; Jon Schmidt; Andrea López; Alison Domzalski Publisher: The O!ce of Sakya Dolma Phodrang Editing Team: Rosemarie Heimsheidt; Tsering Samdup; Ngawang Executive Editor: Ani Jamyang Wangmo Jungney Managing Editor: Patricia Donohue Cover Photo: Mahadevi Temple, Lumbini From The Editors We hope that each and every one of our readers has had an excellent summer, filled with joy and bene"cial activities, and we extend to all a hearty welcome to this new edition of Melody of Dharma. -
MAHASIDDHA LUIPA Happy Monks Publication
MAHASIDDHA LUIPA Happy Monks Publication © 2014 Fedor Stracke All rights reserved. No part of this translation may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system or technologies now known or later developed, without permission in writing from Fedor Stracke. For the cover an ancient Tibetan tanka was used. The Biography of Guru Luipa Namo Guru Chakrasamvaraya Translators Introduction This biography of Luipa is based on the text by Pawo Ösel found in the Biographies of the 84 Mahasiddhas, which itself was not a translation of a written Sanskrit version, but of an oral explanation . Actual Biography He who was called Luipa was named like this because he was sustaining himself on the intestines of fishes. He was born as the second of three sons to a king of a wealthy country in Singal, equal in wealth to Vaisharvana, the God of Wealth. All the buildings of the palace were of good quality, and adorned with precious objects such as jewels, pearl, gold and sliver. Having three sons, the father consulted an astrologer: “Upon the passing of the king, who should take reign of the kingdom?” The astrologer predicted that if the middle born son were to take the reign over the kingdom, qualities such as a stable political situation, and happy entourage and subjects would ensue. And so the father passed on the kingdom to his middle son, and both the elder and younger brother, as well as all the people empowered him as substitute king. -
An Exhibition of Rare Thankas By
An Exhibition of Rare Thankas by Central Institute of Buddhist Studies 2nd Feb. 2001 - 14th Feb. 2001 Matighar, IGNCA Contents Message of His Holiness the Dalai Lama Foreword Preface Introduction Bodh Kala: Udhbhav aur Vikas (Hindi) Catalogue and Plates Thanka No. 01: Lord Sakyamuni Buddha Thanka No. 02: Arya Manjusri Thanka No. 03: Arya Maitreya Thanka No. 04: Padmasambhava Thanka No. 05: Atisa Thanka No. 06: Guhyasamaja Thanka No. 07: Cakrasamvara Thanka No. 08: Vajrabhairava Thanka No. 09: Mandala Thanka No. 10: Sarahapa Thanka No. 11: Luipa Thanka No. 12: Naropa Thanka No. 13: Melerepa Thanka No. 14: Sachen Kung sNyingpo Thanka No. 15: Klong chen rab byam pa Thanka No. 16: Tsongkhapa The Details of the Thankas Credits Message of His Holiness the Dalai Lama The Dalai Lama MESSAGE When so much of the Tibetan cultural heritage has been destroyed in its own land, related works of art are being preserved and created anew elsewhere in the Himalayan region. These Buddhist paintings are an expression of an ancient civilization. I am therefore very happy to know that the Central Institute of Buddhist Studies, Leh, Ladakh is organizing a series of Thanka exhibitions in New Delhi, Samath (U.P.) and Hyderabad (A.P.). We Buddhists of the Himalayan region regard most of these artifacts as sacred. They represent various aspects of Buddhas and Bodhisattvas. All of them are a source of inspiration. Appreciation of this kind of art has long been the preserve of experts. However, I trust that people visiting these series of exhibitions and reading the catalogues will come to a better understanding of the Buddhism of the Himalayas and a greater appreciation of its timeless values. -
Prajñatara: Bodhidharma's Master
Summer 2008 Volume 16, Number 2 Sakyadhita International Association of Buddhist Women TABLE OF CONTENTS Women Acquiring the Essence Buddhist Women Ancestors: Hymn to the Perfection of Wisdom Female Founders of Tibetan Buddhist Practices Invocation to the Great Wise Women The Wonderful Benefits of a H. H. the 14th Dalai Lama and Speakers at the First International Congress on Buddhist Women’s Role in the Sangha Female Lineage Invocation WOMEN ACQUIRING THE ESSENCE An Ordinary and Sincere Amitbha Reciter: Ms. Jin-Mei Roshi Wendy Egyoku Nakao Chen-Lai On July 10, 1998, I invited the women of our Sangha to gather to explore the practice and lineage of women. Prajñatara: Bodhidharma’s Here are a few thoughts that helped get us started. Master Several years ago while I was visiting ZCLA [Zen Center of Los Angeles], Nyogen Sensei asked In Memory of Bhiksuni Tian Yi (1924-1980) of Taiwan me to give a talk about my experiences as a woman in practice. I had never talked about this before. During the talk, a young woman in the zendo began to cry. Every now and then I would glance her One Worldwide Nettwork: way and wonder what was happening: Had she lost a child? Ended a relationship? She cried and A Report cried. I wondered what was triggering these unstoppable tears? The following day Nyogen Sensei mentioned to me that she was still crying, and he had gently Newsline asked her if she could tell him why. “It just had not occurred to me,” she said, “that a woman could be a Buddha.” A few years later when I met her again, the emotions of that moment suddenly surfaced. -
The Mirror 87 July-August 2007
No. 87 July, August 2007 upcoming retreats with chögyal namkhai norbu Photo: Romain Piro MERIGAR WEST October 5–11 Teachings and practice of the prayers to the 21 different forms of Tara by Buddha Shayamuni November 1–4 Chögyal Namkhai Norbu in Merigar East. Photo: Romain Piro Teaching and collective practice chögyal namkhai norbu’s fi rst retreat dedicated to all the dead at merigar east, romania Contact information: july 14–22, 2007 Merigar West 58031 Arcidosso (GR) sky and earth liz granger Italy Tel: 39 0564 96 68 37 vast empty dry plain stretching the sparseness, the impact of that huge sacrifi ce for the teaching. Many Western- Fax: 39 0564 96 81 10 to the horizon under a scorching white tent in the middle of nothing and no- ers may not have had this experience but Email: merigaroffi [email protected] sun. A local herdsman driving where leaves many of us in a state of word - when I was in Tibet we made many sacri- Website: www.dzogchen.it A his small herd of bony cows across an less surprise. fi ces in order to receive teaching. When expanse of sparse weeds. Dust billow- we compare these situations, this one is SPAIN, BARCELONA ing behind the car as it races along the Chögyal Namkhai Norbu’s opening words very comfortable. You may feel that it is white road that dips and turns through at the opening of the retreat summed up a long distance to walk here and there is November 25–29 the bare fi elds. Then a sharp left turn and the situation and gave valuable advice to nothing to see in the fi elds. -
The Prayers and Auspicious Verses for the Body Mandala of Chakrasamvara According to the Tradition of Mahasiddha Ghantapa
The Prayers and Auspicious Verses for the body Mandala of Chakrasamvara According to the Tradition of mahasiddha Ghantapa If this mere portion of virtue had already been transformed By the “supreme prayers of skillful means” of the conquerors’ sons The inferior results would have swiftly become excellent And never be exhausted. Whatever virtue exits in the three times Should be transformed by a great wave of prayers, Since all wise beings engage in this You too should engage in this skillful means. May I rely properly upon my holy virtuous friend, The source of all of my excellent accumulations Of the past, present, and future, As well as the supreme source of all attainments. May I find definite stability by contemplating well His instructions that reveal clearly The freedom and endowments, their great meaning, How difficult they are to find, how easily lost, the suffering of the lower realms And how we are protected by going for refuge and [observing] actions and effects And thereby perfectly maintain the basis of the path. May my mind constantly renounce samsara That is as essence-less as a plantain tree And with a mind of compassion unable to bear the suffering [of others], May I actualize the supreme mind of enlightenment by Upholding perfectly the vows of aspiring and engaging [bodhichitta], Engaging in the four ways of gathering and the six perfections. Having become a pure vessel through the common path May I receive the four empowerments that definitely Have the power accomplish the four bodies, cleanse the four stains, And empower me to meditate on the two stages. -
The Possessed Mood of Nonduality in Buddhist Tantric Sex by Anna
MCGILL UNIVERSITY He dances, she shakes: the possessed mood of nonduality in Buddhist tantric sex by Anna Katrine Samuelson A THESIS SUBMITTED TO MCGILL UNIVERSITY IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS FACULTY OF RELIGIOUS STUDIES MCGILL UNIVERSITY, MONTREAL DECEMBER 2011 © Anna Katrine Samuelson 2011 Table of Contents Table of Contents..………………………………………………………………………………...i Abstract……………………………………………………………………………..…………..…ii Abstrait……………………………………………………………………………..…………….iii Acknowledgements…………………………………………………………………….................iv INTRODUCTION – VOYEURISM: VIEWING NONDUAL AESTHETICS AND PERFORMANCE IN BUDDHIST RITUAL SEX__________________________________1 Voyeuristic lens: scholarship and methods for viewing tantric sex…………………...…..5 Vajravilasini: the erotic embodiment of nonduality………………………………………7 The siddha poet Lakrminkara……………………………………………………………13 Mingling tantric sex with aesthetics and performance…………………………………..15 CHAPTER 1 – THE FLAVOUR OF THE BUDDHA’S PRESENCE: SAMARASA IN RASA THEORY_____________________________________________________________18 1. Double entendre: sexual and awakening meanings in intention speech………………...20 2. More than a feeling: an introduction to rasa theory…………………………………….25 3. Spngara rasa in siddha poetry and yogini tantras………………………………………29 4. Samarasa: the nondual taste of Buddhist aesthetics…………………………………….39 5. After taste: conclusion…………………………………………………………………...42 CHAPTER 2 – FROM SAMARASA TO SAMAVESA: GENDERED PERFORMANCES OF NONDUAL POSSESSION_________________________________________________44 -
By Sakya Pandita
Melody of Dharma Parting from the Four Attachments Mahamudra A teaching by H.H. the Sakya Trizin A teaching by Ven. Khenchen Sherab Gyaltsen Amipa Remembering Great Masters Ground-breaking Ceremony in Bodh Gaya Milarepa A Publication of the Office of Sakya Dolma Phodrang May Dedicated to the Dharma Activities of No.13 2014 • His Holiness the Sakya Trizin CONTENTS 1 From the Editors 2 2014 Programmes 4 A Tribute to Khenchen Sherab Gyaltsen Amipa 7 Bodh Gaya 16 Remembering Great Masters 16 • Milarepa 19 • The Hundred Thousand Songs of Milarepa 20 Parting from the Four Attachments – A teaching by His Holiness the Sakya Trizin 31 Oral Instructions on the Practice of Guru Yoga – A teaching by H.E. Chogye Trichen Rinpoche 38 Mahamudra – A teaching by Ven. Khenchen Sherab Gyaltsen Amipa 47 The Importance of Retreat – An Interview with Chiwang Tulku 52 Accomplishment of Immortality – by Mahasiddha Virupa 56 Prayer to the King of the Sakyas – by Sakya Pandita 58 Dharma Activities 58 • Annual Vajrakilaya Puja at the Sakya Centre 62 • On Pilgrimage with Khöndung Ratna Vajra Rinpoche 64 • Khöndung Gyana Vajra Rinpoche in Singapore 68 • Cham Dance at the Sakya Centre 73 • Ground-breaking Ceremony in Bodh Gaya Patrons: H.E. Gyalyum Chenmo Managing Editor: Patricia Donohue H.E. Dagmo Kalden Dunkyi Sakya Art Director/Designer: Chang Ming-Chuan H.E. Dagmo Sonam Palkyi Sakya Photos: Cristina Vanza; Dawa Dolma; Jamyang Zangpo; Ngawang Publisher: The Office of Sakya Dolma Phodrang Drakpa; P.Chaudhury; Sakya Tenphel Ling; Claire Pullinger Executive Editor: Ani Jamyang Wangmo Cover Photo: Mahabodhi Temple at Bodh Gaya From The Editors Firstly, we would like to extend our hearty -though belated- wishes to all for a happy, prosper- ous and fruitful Year of the Wooden Horse, and we hope that it has already brought many good things to each one of our readers. -
Chintamani Rosary Spreading the Buddha's Teachings
Chintamani Rosary Spreading the Buddha’s Teachings; Great Ocean of Benefit and Joy A Method for Depicting the Sacred Biography of the Great Jetsun Tsongkhapa on Painted Cloth in One Hundred and Fifty-Three Parts rje btsun tsong kha pa chen po'i rnam thar ras bris kyi tshul brgya nga gsum pa tsinta ma ni'i phreng ba thub bstan rgyas byed phan bde'i rol mtsho chen po bzhugs so By Kunkhyen Jamyang Shepai Dorje Translated by Ven. Tenzin Legtsok FPMT Education Services Foundation for the Preservation of the Mahayana Tradition, Inc. 1632 SE 11th Avenue Portland, OR 97214 USA www.fpmt.org © 2019 Foundation for the Preservation of the Mahayana Tradition, Inc. All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system or technologies now known or developed, without permission in writing from the publisher. Set in Calibri 12/15, Century Gothic, Helvetica Light, and Lydian BT. Colored images scanned from a set of prints offered by Ribur Rinpoche to FPMT centers in 2000. Practice Requirements: Anyone can perform the practices in this book. 2 Thangka 1 3 [Thangka 1: Position 1 (P 1)]1 I prostrate to the Lama, Manjushri, and Saraswati. Here, within the first thangka depicting the holy life story of the Great Perfect Master, [P 2] the main figure, Je Rinpoche, displays the wheel- turning mudra, seated on a lion throne with an aura behind him and the Six Ornaments2 above. -
The Evolution and Philosophy of Tantric-Buddhism
Odisha Review July - 2013 The Evolution and Philosophy of Tantric-Buddhism Pandit Antaryami Mishra Buddhism is a religion of peace, kindness, regarding doctrinal questions which could not be humanity and equality, which took birth in India settled in that council for which the controversy during 6th century B.C. This religion became increased. The next council was held at “Vaisali” popular as it threw open the doors of organized after one hundred years, where some “Bhikshus” religious life to all without any distinction of caste of progressive nature demanded for relaxation of and creed. Buddha strict rules. Their was very liberal in demand were not accepting the accepted in the disciples into his council. Then the religion, but the rules dissenters seceded of morality imposed and convened another by him were very “Mahasangha”. Thus strict. Many of the the Sangha was “Bhikshus” failed to divided into two observe the strict separate groups. The principles and orthodoxies were openly objected, for styled as which they were “Sthabtrabadin” or driven out from the “Sangha.” They formed secret “Therabadin” and the progressive group as conclaves and suggested relaxations even during “Mahasanghika”. Subsequently the the life time of Lord Buddha.1 The first council of “Stabirabadins” are named as “Hinayan” and the “Sangha” was held at “Rajagriha” after three “Mahasanghika” as “Mahayan”. The main point months of the “Mahaparinirvana” of Lord Buddha. of difference between the two groups was that “Mahakasyapa” presided over the same council the “Stabirabadins” or “Hinayanists” looked upon and steps were taken to settle religious disputes Buddha as essentially a man of an exalted nature among the “Bhikshus”.