Brisbane Chorale Complete Concert List: 1983-2019

Total Page:16

File Type:pdf, Size:1020Kb

Brisbane Chorale Complete Concert List: 1983-2019 Brisbane Chorale Complete Concert List: 1983-2019 Wednesday 25 May, 1983 — Mayne Hall Elgar: The Dream of Gerontius Brisbane Chorale Ronald Dowd, Margaret Russell, Jeffrey Black Conservatorium Symphony Orchestra Conducted by Roy Wales Friday 26 August, 1983 — Brisbane City Hall Queensland Conservatorium Gala Concert Orff: Carmina Burana (excerpts) Brisbane Chorale Jeffrey Black, Louise Camens Conservatorium Symphony Orchestra Conducted by Roy Wales Thursday 15 September, 1983 — Mayne Hall Orff: Carmina Burana Brisbane Chorale Louise Camens, Simon Stewart, Michael Leighton Jones Conservatorium Symphony Orchestra Conducted by Roy Wales Saturday 8 October, 1983 — Seagulls Club Jaycee's 50th Annual Congress Brisbane Chorale Wind ensemble Conducted by Roy Wales Friday 25 November, 1983 — Brisbane City Hall Three Composer Festival Beethoven: Symphony No 9 in D minor, "Choral" Brisbane Chorale Janet Delpratt, Gloria Ward, David Parker, Grant Dickson Queensland Symphony Orchestra Conducted by Georg Tintner Wednesday 30 November, 1983 — Basil Jones Theatre, Queensland Conservatorium of Music Conservatorium Graduation Concert Mathias: Sir Christemas Williams: The Flower of Bethlehem Dawson: Mary Had a Baby Rutter: Shepherd's Pipe Carol Brahms: Academic Festival Overture Brisbane Chorale Conservatorium Symphony Orchestra Conducted by Roy Wales Wednesday 14 December, 1983 — Ithaca Auditorium, Brisbane City Hall Prelude to Christmas Mathias: Sir Christemas Williams: The Flower of Bethlehem Dawson: Mary Had a Baby Rutter: Shepherd's Pipe Carol Brisbane Chorale Conducted by Roy Wales Saturday 7 April, 1984 — Basil Jones Theatre, Queensland Conservatorium of Music Handel: Messiah (from scratch) Brisbane Chorale Margaret Schindler, Jane Shepherd, Kathryn Carr, Susan Gotts, Phillipa Reade, Scott Harrison, Neil Atkinson, William Moxley Conservatorium Chamber Orchestra Conducted by Roy Wales In aid of the Multiple Sclerosis Society Sunday 13 May, 1984 — Mayne Hall Verdi: Requiem Brisbane Chorale Hilary Jones, Margaret Russell, Henry Howell, Paul Neal Conservatorium Symphony Orchestra Conducted by Roy Wales Saturday 23 June, 1984 — Brisbane City Hall Bernstein: Chichester Psalms Delius: Appalachia Brisbane Chorale Christopher Brady, Michael Leighton Jones, Hilary Jones, Phillipa Reade, Paul Curtis, William Moxley Queensland Symphony Orchestra Conducted by Werner Andreas Albert Queensland premiere of Chichester Psalms Friday 12 October, 1984 — Mayne Hall Puccini: Messa di Gloria Walton: Belshazzar's Feast Brisbane Chorale Donald Smith, Michael Leighton Jones Conservatorium Symphony Orchestra Conducted by Roy Wales Saturday 15 December, 1984 — Brisbane City Hall Handel: Messiah Brisbane Chorale Margaret Schindler, Ruth Gurner, Gregory Massingham, Michael Leighton Jones Queensland Symphony Orchestra Conducted by Roy Wales Saturday 20 April, 1985 — Lyric Theatre, Queensland Performing Arts Centre Opening Concert of the new Queensland Performing Arts Complex Boito: Mefistofele Mills: Festival Folksongs on an Australian Theme Brisbane Chorale, as part of The State Choir, comprising combined choirs, Lyric Opera of Queensland Chorus, Brisbane Light Opera Company Chorus, Queensland State and Municipal Choir, University of Queensland Music Department Choir, Queensland Children's Choir Noel Mangin, Margreta Elkins, Henry Howell Queensland Symphony Orchestra, Queensland Theatre Orchestra Conducted by Werner Andreas Albert, Patrick Thomas Royal Festival Performance in the presence of Their Royal Highnesses the Duke and Duchess of Kent Monday 22 April, 1985 — Lyric Theatre, Queensland Performing Arts Centre Opening Concert of the new Queensland Performing Arts Complex Boito: Mefistofele Mills: Festival Folksongs on an Australian Theme Brisbane Chorale, as part of The State Choir, comprising combined choirs, Lyric Opera of Queensland Chorus, Brisbane Light Opera Company Chorus, Queensland State and Municipal Choir, University of Queensland Music Department Choir, Queensland Children's Choir Noel Mangin, Margreta Elkins, Henry Howell Queensland Symphony Orchestra, Queensland Theatre Orchestra Conducted by Werner Andreas Albert, Patrick Thomas Wednesday 24 April, 1985 — Lyric Theatre, Queensland Performing Arts Centre Opening Concert of the new Queensland Performing Arts Complex Boito: Mefistofele Mills: Festival Folksongs on an Australian Theme Brisbane Chorale, as part of The State Choir, comprising combined choirs, Lyric Opera of Queensland Chorus, Brisbane Light Opera Company Chorus, Queensland State and Municipal Choir, University of Queensland Music Department Choir, Queensland Children's Choir Noel Mangin, Margreta Elkins, Henry Howell Queensland Symphony Orchestra, Queensland Theatre Orchestra Conducted by Werner Andreas Albert, Patrick Thomas Friday 3 May, 1985 — Concert Hall, Queensland Performing Arts Centre Beethoven: Fantasy for Piano, Chorus and Orchestra Beethoven: Symphony No 9 in D minor, "Choral" Brisbane Chorale Stephen Savage, Janet Delpratt, Susan Dunn, Margaret Russell, Robert Gard, Raymond Myers, Gregory Massingham Queensland Symphony Orchestra Conducted by Werner Andreas Albert The first Queensland Symphony Orchestra concert in the QPAC Concert Hall Sunday 7 July, 1985 — Basil Jones Theatre, Queensland Conservatorium of Music Australian Choral Conductors Association 1st National Convention Handel: Messiah (from scratch) Brisbane Chorale Rosemarie Arthars, Susan Gotts, Neil Mason, Gary Redlich Brisbane Philharmonic Orchestra Conducted by Roy Wales Monday 8 July, 1985 — Concert Hall, Queensland Performing Arts Centre Festival of Choirs Fanshawe: African Sanctus (excerpts) Brisbane Chorale, Conservatorium Singers, Conservatorium Youth Choir, Queensland Youth Choir Donald Smith, Gerry Connolly Conducted by Roy Wales Saturday 31 August, 1985 — Concert Hall, Queensland Performing Arts Centre Bach: Mass in B Minor Brisbane Chorale Jennifer McGregor, Elizabeth Campbell, Gregory Massingham, Ulrik Cold Queensland Symphony Orchestra Conducted by Albert Rosen Saturday 16 November, 1985 — Concert Hall, Queensland Performing Arts Centre Handel: Israel in Egypt Brisbane Chorale Anna Connolly, Susan Dunn, Gloria Ward, Gregory Massingham Brisbane Philharmonic Orchestra Conducted by Roy Wales Friday 11 April, 1986 — Concert Hall, Queensland Performing Arts Centre Mass - a Theatre Piece for Singers, Players and Dancers (Australian première) Bernstein: Mass Brisbane Chorale, Conservatorium Singers Jonathon Welch, Rosemarie Arthars, Susan Dunn, Timothy McEwan Brisbane Philharmonic Orchestra Conducted by Roy Wales Friday 6 June, 1986 — Concert Hall, Queensland Performing Arts Centre Berlioz: Grande Messe des Morts Brisbane Chorale Jonathon Welch Conservatorium Symphony Orchestra Conducted by Roy Wales Queensland première Sunday 21 September, 1986 — Mayne Hall Australian Choral Conductors Association 2nd National Convention — Concluding event Kodaly: Psalmus Hungaricus Fauré: Requiem Vivaldi: Gloria Brisbane Chorale, Conservatorium Singers Henry Howell, Joanne Omond, Ian Vayne Brisbane Philharmonic Orchestra Conducted by Roy Wales First Brisbane performance Saturday 15 November, 1986 — Concert Hall, Queensland Performing Arts Centre Haydn: The Creation Brisbane Chorale, Semi-chorus (Lila May, Beverley Heit, Ian Clarkson, Richard Sims) Marilyn Richardson, Gregory Massingham, James Christiansen Brisbane Philharmonic Orchestra Conducted by Max Olding Saturday 13 December, 1986 — Brisbane City Hall Handel: Messiah Brisbane Chorale Marilyn Richardson, Ruth Gurner, Jonathon Welch, James Christiansen Queensland Symphony Orchestra Conducted by Roy Wales Friday 3 April, 1987 — Concert Hall, Queensland Performing Arts Centre Bach: St Matthew Passion Brisbane Chorale, Conservatorium Youth Choir Fiona Maconaghie, Ruth Gurner, Gregory Massingham, James Christiansen, Timothy Collins, Lauren Croker, Susan Gotts, Richard Sims Queensland Bach Orchestra Conducted by Roy Wales Saturday 6 June, 1987 — Concert Hall, Queensland Performing Arts Centre Mendelssohn: Elijah Brisbane Chorale Rosemarie Arthars, Margreta Elkins, Henry Howell, James Christiansen, Emily Cox Conservatorium Symphony Orchestra Conducted by Roy Wales Saturday 20 June, 1987 — Brisbane City Hall Civic Proms Concert Handel: Hallelujah Chorus Sibelius: Finlandia Verdi: Triumphal March, from Aida Brisbane Chorale, Conservatorium Singers Kathryn Carr Gala Civic Orchestra Conducted by Roy Wales Sunday 21 June, 1987 — Basil Jones Theatre, Queensland Conservatorium of Music Fauré: Requiem Brisbane Chorale Rosemarie Arthars, Timothy Collins Conducted by Roy Wales A choral/orchestral workshop performance given as a memorial tribute to Harry Green, former Conservatorium Symphony Orchestra Manager, Conservatorium graduate and member of Brisbane Chorale, and Janet Doheny, Conservatorium Music School Secretary. Saturday 27 June, 1987 — Concert Hall, Queensland Performing Arts Centre Tour de Farce Great Barrier Reef Coral Society (alias Brisbane Chorale) Gerry Connolly Queensland Symphony Orchestra Conducted by Dobbs Franks Thursday 10 September, 1987 — The Centre LGAQ 1st Annual Conference — Gala Variety Concert Great Barrier Reef Coral Society (alias Brisbane Chorale) Gerry Connolly Queensland Pops Orchestra Conducted by Colin Harper Wednesday 28 October, 1987 — Concert Hall, Queensland Performing Arts Centre Verdi: Requiem Brisbane Chorale, Lyric Opera of Queensland Chorus, Brisbane Light Opera Company Chorus Rita Hunter, Margreta Elkins, Kenneth Collins, Donald Shanks Queensland Symphony Orchestra Conducted by John Matheson
Recommended publications
  • Presenter Information Pack
    PRESENTER INFORMATION PACK Photo by Sherbet Birdie Contents COMPANY PROFILE .......................................................................................................................... 3 ABOUT THE SHOW ........................................................................................................................... 3 CREATIVE TEAM ............................................................................................................................... 4 BIOGRAPHYS .................................................................................................................................... 4 PERFORMANCE SPECIFICS ................................................................................................................ 5 PERFORMANCE HISTORY .................................................................................................................. 5 AUDIENCE ENGAGEMENT ................................................................................................................ 5 MARKETING ..................................................................................................................................... 6 TECHNICAL RIDER ............................................................................................................................. 6 CONTACTS ....................................................................................................................................... 8 COMPANY PROFILE Cre8ion is a dynamic and energetic company specialising in producing
    [Show full text]
  • January February March 2014
    This Edition Join our Birthday celebration Experience three Great Performers Madeleine Peyroux covers Ray Charles MusicPlay Children’s Festival January February March 2014 PP320258/0121 MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY Bear with Me – p5 Wishhh! – p5 Nests – p5 Hansel & Gretel and Magic Piano & Peter & the Wolf – p4 The Tale of Peter The Chopin Shorts Whack, bang, crash! Rabbit – p4 p4 Paint What You Hear p5 p5 Workshops Workshops – p5 JANUARY Workshops – p5 16 p5 17 18 19 20 21 22 25 26 27 29 01 02 Til the Black Melbourne Albare: Lady Sings Recital Centre’s The Road Ahead p6 5th Birthday p6 Celebration p20–21 FEBRUARY 03 04 05 08 09 Myth of the Cave If On a Winter’s London Klezmer Mostly Mozart: Alchemy Alchemy p6 Night a Traveler Quartet The Masters p9 p9 p8 p8 p9 Daniel Hope Landscapes – p7 External & Internal 10 11 12 p9 13 14 15 ACO VirtUal ACO VirtUal ACO VirtUal ACO VirtUal ACO VirtUal p10 p10 p10 p10 p10 Kid Creole & Bach Magnificat Bach Magnificat the Coconuts p12 p12 p11 18 19 20 21 22 23 Ólafur Arnalds Kelemen Quartet Timo-Veikko Valve Top Class Music St David’s Day Música Española Mozart’s p13 p14 p15 Performance & Concert p16 Last Concerto Massimo Scattolin Investigation – p15 p16 Kelemen Quartet p17 p14 Festival of Beautiful p14 Sound 24 25 26 p15 27 28 01 02 Rebuild The Fire of Love An English Fancie To Sleep To Dream To Sleep To Dream To Sleep To Dream p17 p18 p18 p22 p22 p22 Madeleine Peyroux – Madeleine Peyroux – Balanescu Quartet To Russia With Love The Blue Room The Blue Room ‘Maria T’ p24 MARCH
    [Show full text]
  • Jonathan Summers B) CATEGORY: Opera Singer / Baritone C) POSITION: Freelance
    1a) NAME: Jonathan Summers b) CATEGORY: Opera singer / baritone c) POSITION: Freelance 2a) PERSONAL DETAILS: date of birth / place / country 2nd October, 1946; Melbourne; Australia b) MARITAL STATUS: date of marriage / name of spouse / number of children 29th March 1969, Melbourne Australia; Lesley; 3 children 3) PREVIOUS OCCUPATIONS: dates / occupation 1965-1974 Freelance singer/concert artist 1970-1974 Technical operator/recording engineer Australian Broadcasting Commission, Melbourne 4) EDUCATION: dates / institution / city / teacher Secondary : Melbourne; Macleod High School Tertiary : Melbourne; Prahran Technical College (Art School) 1964-1974 Melbourne; Bettine McCaughan, voice teacher 1972-1973 Melbourne;National Theatre Opera School 1974-1980 London; Otakar Kraus, voice teacher 5) PROFESSIONAL DEBUT: date / opera company / role / opera / cast Nov 1975; Kent Opera; title role in Verdi's Rigoletto; Congress Theater, Eastbourne, UK; producer: Jonathan Miller; conductor: Roger Norrington; David Hillman (Duke), Meryl Drower (Gilda), Sarah Walker (Maddalena), Malcolm King (Sparafucile) 6) EARLY CAREER WITH BRIEF RESUME: dates / opera house or company / role / opera Feb 1976; University College London Opera; title role in Macbeth (orig. 1847 version); producer: John Moody; conductor: George Badachoni Sep 1976; Glyndebourne Touring Opera; title role in Falstaff; producer: Jean-Pierre Ponnelle; conductor: Kenneth Montgomery Oct 1976; joined the Royal Opera House, Covent Garden, London, as a company principal Nov 1976; English National Opera
    [Show full text]
  • Season of Song 2010
    Art Song Canberra Inc. www.artsongcanberra.org SEASON OF SONG 2010 In 2010 Art Song Canberra will present seven recitals of fine art song by an outstanding array of award-winning, highly-accomplished artists, many of them widely experienced on the world stage. Background Art Song Canberra is a dedicated group of volunteers and lovers of art song. It was founded as the A.C.T. Lieder Society in 1976 by a small group of devotees of art song led by Eleanor Houston OAM of Covent Garden fame. The society changed its name to Art Song Canberra in 2006. Its purpose is to foster and extend the love of art song. This is done mainly by: presenting high quality concerts to its members and the general public. The annual series is called the Season of Song; conducting an annual Festival of Song in which aspiring singers perform to an audience in a relatively relaxed and friendly environment and receive advice and encouragement from an acknowledged expert; providing opportunities for concert performance for dedicated and talented amateur singers. This format has met with considerable audience approval and Art Song Canberra has scheduled another such event in its Season of Song 2010; and conducting Members’ Soirées, social gatherings of members to sing and play together, taking us back to the origin of Lieder societies. The society presents a series of six or seven vocal recitals each year – the Season of Song. Most of the society‟s artists over the years have been have been highly accomplished both in Australia and internationally. Among the many artists who have performed for the society are such noted Australian singers as Eleanor Houston, Michael Martin, Sally-Anne Russell, Tobias Cole, Warwick Fyfe, Christopher Allan, Angela Giblin, Louise Page and Christina Wilson as well as Susan Burghardt from the USA and Thomas Weinhappel from Vienna.
    [Show full text]
  • Lasa Journal 8 Pp.36- 43) to Set up a Working Group with Us
    laSa• International Association of Sound and Audiovisual Archives Association Internationale d' Archives Sonoreset Audiovisuelles Internationale Vereinigung der Schall- und Audiovisuellen Archive laSa• journal (formerly Phonographic Bulletin) no. 9 May 1997 IASA JOURNAL Journal of the International Association of Sound and Audiovisual Archives IASA Organie de l'Association Internationale d'Archives Sonores et Audiovisuelle IASA Zeitschchrift der Internationalen Vereinigung der Schall- und Audiovisuellen Archive IASA Editor: Chris Clark, The British Library National Sound Archive, 29 Exhibition Road, London SW7 2AS, UK. Fax 441714127413, e-mail [email protected] Reviews and Recent Publications Editor: Pekka Gronow, Finnish Broadcasting Company, PO Box 10, SF-00241, Helsinki, Finland. Fax 358014802089 The IASA Journal is published twice a year and is sent to all members of IASA. Applications for membership of IASA should be sent to the Secretary General (see list of officers below). The annual dues are 25GBP for individual members and 100GBP for institutional members. Back copies of the IASA Journal from -1971 are available on application. Subscriptions to the current year's issues of the IASA Journal are also available to non-members at a cost of 35GBP. Le IASA Journal est publie deux fois I'an et distribue a tous les membres. Veuilliez envoyer vos demandes d'adhesion au secretaire dont vous trouverez I'adresse ci-dessous. Les cotisations anuelles sont en ce moment de 25GBP pour les membres individuels et 100GBP pour les membres institutionelles. Les numeros precedeentes (a partir de 1971) du IASA Journal sont disponibles sure demande. Ceux qui ne sont pas membres de I' Assoociation puevent obtenir un abonnement du IASA Journal pour I'annee courante au cout de 35GBP.
    [Show full text]
  • Previous Meeting Topics
    Previous Meeting Topics Feb 2014 O -CHG Ted Dunlop, the Berrie family Mar 2014 SLHG 1914 -18 War centenary notes (incl Carte Postale and trench humour), Ironside and St Lucia Progress Association Mar 2014 O -CHG Bruce Hoare , Sir Harry Gibbs May 2014 SLHG Ironside School, 1914 -18 War centenary notes May 2014 O -CHG Marion Mackenzie , Beth -Eden at Graceville Jun 2014 O -CHG Jeff Hopkins -Weise and Tony Bellino, Mephisto and Colonel James Robinson Aug 2014 O -CHG Malcolm Mackenzie, Oliver Radcliffe pupil -teacher Sherwood State School Sep 2014 SLHG Ruth Bonetti, WA Back, Mullumbimby and St Lucia property developer. 1914 - 18 War centenary notes Sep 2014 O -CHG Ted Dunlop, local women engaged in camouflage net making during World War II Oct 2014 To oHG Jeff Hopkins -Weise, Charles Heaphy VC Oct 2014 T&DHS Rad West, Development of Pharmacy in Queensland Oct 2014 O -CHG Ted Dunlop, Anne Moon and George Cole , the first Brisbane Golf Club at Chelmer Oct 2014 I&DHS Bev Walker, Gallipoli casualty Sydney John Penhaligan Nov 2014 TarHG Brian Ganly, Georgiana Poulter and Ann Lane, Capemba Taringa’s famous house and garden Nov 2014 I&DHS Michael Marendy, Gwen Gillam fashion exhibition at the Queensland Museum Nov 2014 T&DHS Folk song Brisbane Ladies (also known as Ladies of Toowong ) Nov 2014 TooHG Darcy Maddock, Early horse racing in Queensland Dec 2014 Joint Deb Drummond and Jan Teunis, 1947 Brisbane Arcade murder, a review of SLHG/TarHG Reg Brown’s conviction for taking the life Bronia Armstrong. 1914-18 War centenary notes Dec 2014 O -CHG Den Graceville, Pamphlet Sea Sc outs.
    [Show full text]
  • Wwciguide January 2017.Pdf
    Air Check The Guide Dear Member, The Member Magazine for Happy New Year! January is always a very exciting month for us as we often debut some of the WTTW and WFMT Renée Crown Public Media Center most highly-anticipated series and content of the year. And so it goes, we are thrilled to bring you 5400 North Saint Louis Avenue what we hope will be the next Masterpiece blockbuster series, about the epic life of Queen Victoria, Chicago, Illinois 60625 which will fill the Sunday night time slot that Downton Abbey held to Main Switchboard great success. Following Victoria from the time she becomes Queen (773) 583-5000 through her passionate courtship and marriage to Prince Albert, Member and Viewer Services the lavish premiere season of Victoria dramatizes the romance and (773) 509-1111 x 6 reign of the girl behind the famous monarch. Also, join us for new WFMT Radio Networks (773) 279-2000 seasons of Sherlock with Benedict Cumberbatch and Mercy Street, Chicago Production Center the homegrown drama series set during the Civil War. Leading up (773) 583-5000 to both of these season premieres, you can catch up with an all-day Websites marathon. wttw.com On January 16, we will debut an all-new channel and live stream wfmt.com offering for kids! You can find our new WTTW/PBS Kids 24/7 service President & CEO free on over-the-air channel 11-4, Comcast digital channel 368, and Daniel J. Schmidt RCN channel 39. Or watch the live stream on wttw.com, pbskids.org, and on the PBS KIDS Video COO & CFO Reese Marcusson App.
    [Show full text]
  • Marie Collier: a Life
    Marie Collier: a life Kim Kemmis A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of History The University of Sydney 2018 Figure 1. Publicity photo: the housewife diva, 3 July 1965 (Alamy) i Abstract The Australian soprano Marie Collier (1927-1971) is generally remembered for two things: for her performance of the title role in Puccini’s Tosca, especially when she replaced the controversial singer Maria Callas at late notice in 1965; and her tragic death in a fall from a window at the age of forty-four. The focus on Tosca, and the mythology that has grown around the manner of her death, have obscured Collier’s considerable achievements. She sang traditional repertoire with great success in the major opera houses of Europe, North and South America and Australia, and became celebrated for her pioneering performances of twentieth-century works now regularly performed alongside the traditional canon. Collier’s experiences reveal much about post-World War II Australian identity and cultural values, about the ways in which the making of opera changed throughout the world in the 1950s and 1960s, and how women negotiated their changing status and prospects through that period. She exercised her profession in an era when the opera industry became globalised, creating and controlling an image of herself as the ‘housewife-diva’, maintaining her identity as an Australian artist on the international scene, and developing a successful career at the highest level of her artform while creating a fulfilling home life. This study considers the circumstances and mythology of Marie Collier’s death, but more importantly shows her as a woman of the mid-twentieth century navigating the professional and personal spheres to achieve her vision of a life that included art, work and family.
    [Show full text]
  • Featuring the Brandenburg Choir Noël! Noël! Featuring the Brandenburg Choir
    Noël! Noël! Featuring the Brandenburg Choir Noël! Noël! Featuring the Brandenburg Choir Morgan Balfour (San Francisco) soprano 2019 Australian Brandenburg Orchestra Brandenburg Choir SYDNEY Matthew Manchester Conductor City Recital Hall Paul Dyer AO Artistic Director, Conductor Saturday 14 December 5:00PM Saturday 14 December 7:30PM PROGRAM Wednesday 18 December 5:00PM Mendelssohn Hark! The Herald Angels Sing Wednesday 18 December 7:30PM Anonymous Sonata à 9 Gjeilo Prelude MELBOURNE Eccard Ich steh an deiner Krippen hier Melbourne Recital Centre Crüger Im finstern Stall, o Wunder groβ Saturday 7 December 5:00PM Palestrina ‘Kyrie’ from Missa Gabriel Archangelus Saturday 7 December 7:30PM Arbeau Ding Dong! Merrily on High Handel ‘Rejoice greatly, O daughter of Zion’ NEWTOWN from Messiah, HWV 56 Friday 6 December 7:00PM Head The Little Road to Bethlehem Gjeilo The Ground PARRAMATTA Tuesday 10 December 7:30PM Vivaldi La Folia, RV 63 Handel Eternal source of light divine, HWV 74 MOSMAN Traditional Deck the Hall Wednesday 11 December 7:00PM Traditional The Coventry Carol WAHROONGA Traditional O Little Town of Bethlehem Thursday 12 December 7:00PM Traditional God Rest Ye Merry, Gentlemen Palmer A Sparkling Christmas WOOLLAHRA Adam O Holy Night Monday 16 December 7:00PM Gruber Stille Nacht Anonymous O Come, All Ye Faithful CHAIRMAN’S 11 Proudly supporting our guest artists. Concert duration is approximately 75 minutes without an interval. Please note concert duration is approximate only and subject to change. We kindly request that you switch off all electronic devices prior to the performance. This concert will be broadcast on ABC Classic on 21 December at 8:00PM NOËL! NOËL! 1 Biography From our Principal Partner: Macquarie Group Paul Dyer Imagination & Connection Paul Dyer is one of Australia’s leading specialists On behalf of Macquarie Group, it is my great pleasure to in period performance.
    [Show full text]
  • Local Heritage Register
    Explanatory Notes for Development Assessment Local Heritage Register Amendments to the Queensland Heritage Act 1992, Schedule 8 and 8A of the Integrated Planning Act 1997, the Integrated Planning Regulation 1998, and the Queensland Heritage Regulation 2003 became effective on 31 March 2008. All aspects of development on a Local Heritage Place in a Local Heritage Register under the Queensland Heritage Act 1992, are code assessable (unless City Plan 2000 requires impact assessment). Those code assessable applications are assessed against the Code in Schedule 2 of the Queensland Heritage Regulation 2003 and the Heritage Place Code in City Plan 2000. City Plan 2000 makes some aspects of development impact assessable on the site of a Heritage Place and a Heritage Precinct. Heritage Places and Heritage Precincts are identified in the Heritage Register of the Heritage Register Planning Scheme Policy in City Plan 2000. Those impact assessable applications are assessed under the relevant provisions of the City Plan 2000. All aspects of development on land adjoining a Heritage Place or Heritage Precinct are assessable solely under City Plan 2000. ********** For building work on a Local Heritage Place assessable against the Building Act 1975, the Local Government is a concurrence agency. ********** Amendments to the Local Heritage Register are located at the back of the Register. G:\C_P\Heritage\Legal Issues\Amendments to Heritage legislation\20080512 Draft Explanatory Document.doc LOCAL HERITAGE REGISTER (for Section 113 of the Queensland Heritage
    [Show full text]
  • Koorie Perspectives in Curriculum Bulletin: January - February 2021
    Koorie perspectives in Curriculum Bulletin: January - February 2021 This edition of the Koorie enrich your teaching program, see VAEAI’s Perspectives in Curriculum Bulletin Protocols for Koorie Education in Primary and features: Secondary Schools. For a summary of key Learning Areas and − Australia Day & The Great Debate Content Descriptions directly related to − The Aboriginal Tent Embassy Aboriginal and Torres Strait Islander histories − The 1939 Cummeragunja Walk-off & and cultures within the Victorian Curriculum F- Dhungala – the Murray River 10, view or download the VCAA’s curriculum − Charles Perkins & the 1967 Freedom guide: Learning about Aboriginal and Torres Rides Strait Islander histories and cultures. − Anniversary of the National Apology − International Mother Language Day January − What’s on: Tune into the Arts Welcome to the first Koorie Perspectives in Australia Day, Survival Day and The Curriculum Bulletin for 2021. Focused on Great Debate Aboriginal Histories and Cultures, we aim to highlight Victorian Koorie voices, stories, A day off, a barbecue and fireworks? A achievements, leadership and connections, celebration of who we are as a nation? A day and suggest a range of activities and resources of mourning and invasion? A celebration of around key dates for starters. Of course any of survival? Australians hold many different views these topics can be taught at any time on what the 26th of January means to them. In throughout the school year and we encourage 2017 a number of councils controversially you to use these bulletins and VAEAI’s Koorie decided to no longer celebrate Australia Day Education Calendar for ongoing planning and on this day, and since then Change the Date ideas.
    [Show full text]
  • British and Commonwealth Concertos from the Nineteenth Century to the Present
    BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec.
    [Show full text]