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Wurlitzer's S'i'yle 165X: the Ofthe Smaller Theatre Organ
WURLITZER'S S'I'YLE 165X: THE uintessence OFTHE SMALLER THEATRE ORGAN by George Baker Audiences attending theatre organ recitals today often organists were seldom, if ever, mentioned in theatre adver include among their most enthusiastic listeners fans born tising. Under-maintenance of the organs was often the rule, long after the close of the theatre organ's golden age. This rather than the exception. welcome infusion of young blood is a healthy sign, and one Downtown, however, managers of the larger theatres, that augers well for future theatre organ appreciation and well aware that proper organ maintenance as well as key preservation. board talent helped sell tickets, lavished the kind of care on Some younger fans reason that because most of today's their instruments that was seldom extended to the 2/4 and surviving theatre pipe organs are supersize organs located 2/6 Cinderellas in the smaller houses. in large movie palaces that these giants were the dominant When the nation's film theatres were wired for sound, types of organs in use during the halcyon years. many of the big organs survived for another decade by pre A reasonable deduction , but such was not the case. Cen senting organlogues and brief, clear-the-house opening and terpiece theatre organs, such as the New York Paramount closing programs between showings of the feature film. At and Shea's Buffalo Wurlitzers, the Atlanta Fox Moller, and the same time, most of the smaller organs were abandoned the Ohio Theatre Robert-Morton, in Columbus, were the ex immediately after the installation of sound equipment - left ception, not the rule. -
American Felt Company's Piano Felt Year After Goldwyn-Mayer, the Late Thomas Ince Studios and Others, Returned This Week from a Trip to Year
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org 22 THE MUSIC TRADE REVIEW NOVEMBER 21, 1925 George W. Gittins, president of the Estey- Barker Bros. Invite Theatre Organists Welte Corp., would be present. Mr. Gittins gave one of his characteristic, short, forceful to Special Hearing of Welte Organ talks. Mr. Pease says Mr. Gittins' eyes and ears were opened that evening in an entirely George W. Gittins, of Welte Co., Principal Speaker at Invitation Affair Held in Los Angeles— different way regarding his Welte organ, the Big Interest in Orthophonic—Stieff Officials Visit Local Trade versatility and flexibility of an organ not built for theatre style of playing. If this studio or- T OS ANGELES, CAL., November 13.—To such an instrument played by organists of dif- gan performs so satisfactorily and responds so ^~* introduce their organ department and the ferent styles. He took the opportunity to say thoroughly to the demands of theatre organ- Welte organ to theatre organists, Barker Bros., that Barker Bros, would install three Welte or- ists, who will venture to predict what ultimate of Los Angeles, invited the Los Angeles The- gans in their new building, a three-manual con- Welte will be when K. P. Elliott and his clever atre Organists' Club to be their guests at mid- cert instrument in the main lobby, a highly re- associates and G. W.'s "push" all get going night of October 21. After the theatres were fined orchestral theatre, one in the auditorium and build a real theatre organ? The musical closed the ladies and gentlemen of the club on the eleventh floor and a very fine residence and business possibilities of this live organiza- started to arrive, with their wives and husbands. -
The Tracker the Tracker
Volume 56, Number 1, Winter 2012 THE TRACKER JOURNAL OF THE ORGAN HISTORICAL SOCIETY WELCOME TO CHICAGO! CHICAGO IS A WORLD-CLASS CITY that offers much to see and do—including fine dining, many museums, attractions, and events, and shopping. Allow time to savor the sights and sounds of this Come to vibrant city and make your convention trip truly un- forgettable! The 2012 Convention is presented by the Chicago-Midwest Chapter, which brought you the Chicago 2002 convention. We couldn’t fit all the wondrous organs and venues into just one convention—so make sure you don’t miss this opportunity to visit FOR OHS 2012 the City of Big Shoulders—and Big Sounds! July 8-13 † CITY OF BIG SOUNDS PHOTOS WILLIAM T. VAN PELT WHY CHICAGO? THE CONVENTION WILL COMPLETE what the 2002 con- vention started—demonstrating more of Chicago’s dis- tinguished pipe organs, from newer, interesting instru- ments that are frequent participants in Chicago’s music life, to hidden gems that have long been silent. The Convention events cover the length and breadth of the Chicago area, including northern Indiana venues, and include an evening boat cruise for viewing the mag- nificent Chicago skyline while you dine. PERFORMERS Recitalists include many of the Chicago area’s leading organists, along with artists familiar to OHS audiences from previous conventions. Many players have a Chicago connection, and the recit- als often feature younger players. CONVENTION ORGANS C.B. Fisk Casavant Frères, Limitée Hook & Hastings Hinners Organ Co. Skinner Organ Co. Wurlitzer Aeolian-Skinner Organ Co. Noack M.P. -
Scotty's Castle Annual Activities
Volume 59 Issue 3 Scotty’s Castle Annual Activities ocated in the Northern area of Death Valley National Park, Scotty’s LCastle is a place as unique to Death Valley as Death Valley is to the rest of the world. This Spanish-style architecture mansion in the desert is under the protection of the National Park Service and on the National Register of Historic Places. Authorized by the National Historic Preservation Act of 1966, the National Park Service’s National Register of Historic Places is part of a national program to coordinate and support public and private eff orts to identify, evaluate, and protect America’s historic and archeological resources. This means that Scotty’s Castle will be preserved for visitors to enjoy for generations to come. Annually for over a decade now, DVNHA assists in the preservation eff orts at Scotty’s Castle by paying for the tuning of the Welte-Mignon Theatre Organ and its associated instruments, and by hiring fi ve curatorial interns to provide much needed maintenance of the Scotty’s Castle collection. Working with NPS Curator, Gretchen Voeks, interns inventory collection items. Using specialized tools and equipment, each speck of dust is meticulously removed from furniture, books, pottery, baskets, tapestries and paintings, as well as the historic house, itself. This service is integral in caring for the collection as well as clearing the upper music room for the Scotty’s Castle Organ Concert. Executive Director, David Blacker, Organist, James Welch Removing all the furniture to admit an occupancy of 40+ to enjoy each and sons, Nicholas & Jameson. -
Chicago, Chicago, That Toddlin' Town" Chicago May Have ''Toddled'' When Fred Fisher Wrote Those Lyrics in 1922, but for 840 Atosers It Certainly Didn't in 1985
A R A G 0 N Chicago,Chicago that toddlin' town • •• ·1··.: .. .i]-·· .... • •. " I ,,. , :t•,• - - ~=--_:j ·7~ ..'-' '·? .. "Chicago, Chicago, that toddlin' town" Chicago may have ''toddled'' when Fred Fisher wrote those lyrics in 1922, but for 840 ATOSers it certainly didn't in 1985. After six days and nights crammed full of music, merriment, meetings and magical moments, there could be no doubt in anyone's mind that the thirtieth annual conclave of theatre organ lovers left an im pression of Chicago that was anything but ' 'toddlin' ''. "Chicago, Chicago, I'll show you around." Our hosts did just that! They showed us pipe organs in sites that took us to Joliet, Waukegan, Hinsdale, Rockford and Lan sing as well as to all corners of the city and its suburbs. Add to this three' 'extra'' con certs, a brunch at the Bismarck Pavilion, three cocktail parties and a banquet in the Palmer House, seminars and socializing, and you have all the ingredients for Fisher's next line, "I love it!" '' Bet your bottom dollar you lose the blues in Chicago.'' There was no time for "blues'' in Chica go! Even waiting in the registration line on Saturday morning was a pleasure as friends met once again and began catching up on the past year's happenings. As the elegant lobby in the grand old Palmer House filled with conventioneers, music from a Hammond organ blended with the happy sounds of eager A TOSers waiting for the first busses to load for the special pre-glow events. One group went to hear Barbara Sellers at the WGN studio, while another went to Maine North High School to hear Jack Olander. -
The Posthorn Visit Our Website
The Posthorn Visit our Website: www.rctos.com Volume XXXV Issue 7 September 2016 N ext RCTOS Monthly Meeting Sunday, September 18, 2016 3:00 PM Doors open at 2:30 pm Guests Welcome Markworth Residence 13535 North 73rd Plaza – Omaha This is RCTOS Chapter Annual Fall Potluck Guest Artist: MARTIN ELLIS Bob Markworth will furnish the main dish and Martin Ellis holds the distinction of being the beverages; members and guests are requested to first winner of the ATOS Young Organists bring their favorite hot dish, salads and desserts. Competition in 1986. After his initial exposure to After the business meeting, Bob Markworth theatre organ at the Paramount Music Palace in Indianapolis at 7 years old, Ellis began organ presents guest artist and talented theatre pipe studies in the sixth grade, and at 15 began studies organist: MARTIN ELLIS. with John Ferguson. Upon winning the ATOS A goodwill donation is appropriate for this event. competition, he premiered with Rex Koury at the Guests are welcome to attend this event and may Chicago Theatre Wurlitzer that year, and was participate in the potluck if they so desire. featured in concert at the ATOS National Convention the following year in Richmond, Va. During his senior year, Martin served as the weekend artist at Milwaukee’s Piper Music Palace, as an alternate organist at the Pipes and Pizza in Lansing, Ill., and performed concerts in and around the Chicago area. He performed for the Dickinson Theatre Organ Society and Fort Wayne’s Embassy Theatre. With extraordinary sight-reading skills and the ability to musically adapt to a variety of situations, Ellis was invited to be the fourth member of the Trio con Brio by Donna Parker, Jonas Nordwall and Tom Hazleton. -
Theatre Owner's Manual
TH-202/TH-302 Theatre Models IMPORTANT! Organs which contain GeniSys™ technology no longer include the GeniSys™ Controller Guide within the model specific Owner’s Manual. The correct GeniSys™ Controller Guide must be downloaded and/or printed separately. Please check the CODE version of the software installed within the organ to determine which version of the GeniSys™ Controller Guide is required. The CODE version is briefly displayed within the GeniSys™ Controller’s LCD display when the organ starts up. Copyright © 2016 Allen Organ Company All Rights Reserved AOC P/N 033-00221-1 Revised 10/2016 ALLEN ORGAN COMPANY For more than sixty years--practically the entire history of electronic organs-- Allen Organ Company has built the finest organs that technology would allow. In 1939, Allen built and marketed the world’s first electronic oscillator organ. The tone generators for this instrument used two hundred forty-four vacuum tubes, contained about five thousand components, and weighed nearly three hundred pounds. Even with all this equipment, the specification included relatively few stops. By 1959, Allen had replaced vacuum tubes in oscillator organs with transistors. Thousands of transistorized instruments were built, including some of the largest, most sophisticated oscillator organs ever designed. Only a radical technological breakthrough could improve upon the performance of Allen’s oscillator organs. Such a breakthrough came in conjunction with the United States Space Program in the form of highly advanced digital microcircuits. In 1971, Allen produced and sold the world’s first musical instrument utilizing digitally sampled voices! Your organ is significantly advanced since the first generation Allen digital instrument. -
Bulletin Germany/Holland 2007 July 5Th Ð 20Th
THE www.amica.org Volume 44, Number 2 AMICA March/April 2007 AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION BULLETIN GERMANY/HOLLAND 2007 JULY 5TH – 20TH Tour Historic Germany and Holland with your fellow AMICANs. Visit Munich with its clock tower, Hofbrau House and many interesting attractions. See world-class museums with wonderful collections of automatic musical instruments. Bus through scenic countryside, with quaint towns full of wonderfully painted buildings. Shop in wood carving centers. Tour King Ludwig’s Linderhof Castle. Visit organ factories and private collections. Stroll through the Historic walled city of Rothenburg. Cruise the Beautiful Rhein River, with castles lining the waterway. Listen to dance organs, pianos, Dutch Street Organs and more. Enjoy the pumper contest, with contestants using Conrad Adenauer’s grand piano. There’s so much more to see and do. Applications will be coming soon, and you need to register right away….remember, registration is limited. Questions? Call Frank at 818-884-6849 ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. PROFESSOR MICHAEL A. KUKRAL, PUBLISHER, 216 MADISON BLVD., TERRE HAUTE, IN 47803-1912 -- Phone 812-238-9656, E-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens • Editor Emeritus: Robin Pratt VOLUME 44, Number 2 March/April 2007 AMICA BULLETIN FEATURES Display and Classified Ads Articles for Publication Visit to San Sylmar’s Auto/Musical Collection . -
Historic Organs of Pennsylvania Pl
The Organ Historical Society Post Office Box 26811, Richmond, Virginia 23261 • (804)353-9226 • FAX (804)353-9266 e-mail: [email protected] • web: www. organsociety.org • online catalog: www.ohscatalog.org MEMBERS MAY JOIN ANY NUMBER OF CHAPTERS THE NATIONAL COUNCIL CHAPTERS NEWSLETTER, EDITOR & MEMBERSHIP INQUIRIES Officers and Councillors Term Expires FOUNDING DATE ANNUAL DUES Michael Friesen ......................................................................... President 2005 CENTRAL NEW YORK The Coupler, Phil Williams 1976 Cullie Mowers, $5 Box F 1979 Piney River Dr., Loveland, CO 80538 Remsen NY 14438 Scott Huntington ............................................................... Vice-President 2005 CHICAGO MIDWEST The Stopt Diapason, George Horwath 34 Summer St., Westerly, RI 02891 [email protected] 1980 Robert Voves, George Horwath, 4640 North Opal Avenue Stephen Schnurr ......................................................................... Secretary 2007 & Derek Nickels, $15 Norridge, IL 60706-4404 St. Paul Catholic Church, Box 1475, Valparaiso, IN 46384 [email protected] EASTERN IOWA Newsletter, August Knoll Dennis Ungs, $7.50 Box 486 David M. Barnett (ex officio) ................................................. Treasurer appointed 1982 Wheatland IA 52777 34 Summer St., Westerly, RI 02891 [email protected] GREATER NEW YORK Allison Alcorn-Oppedahl ................................... Councillor for Archives 2007 CITY 1969 Trinity International University, 2065 Half Day Rd., Deerfield, IL 60015 [email protected] GREATER ST. LOUIS The Cypher, John D. Phillipe Rachelen Lien ............................ Councillor for Organizational Concerns 2005 1975 Elizabeth Schmitt, $5 3901 Triple Crown Dr. 1010 Nashville Ave., New Orleans, LA 70115 (504) 899-1139 [email protected] Columbia MO 65201-4814 Paul R. Marchesano .......................................... Councillor for Education 2007 HARMONY SOCIETY Clariana, Walt Adkins University of Pennsylvania, Dept of Chemistry, 231 S 34th St, Philadelphia PA 19104 Western PA & Ohio The Rev. -
Pipes of the Past: Registration Practices of Selected Composers for the American Centennial Era Organ
PIPES OF THE PAST: REGISTRATION PRACTICES OF SELECTED COMPOSERS FOR THE AMERICAN CENTENNIAL ERA ORGAN By © 2019 Ian K. Classe M.M., Pittsburg State University, 2015 B.A., Truman State University, 2012 Submitted to the graduate degree program in the School of Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. Chair: Michael Bauer James Higdon Roberta Freund Schwartz Brad Osborn Susan Earle Date Defended: The dissertation committee for Ian K. Classe certifies that this is the approved version of the following dissertation: PIPES OF THE PAST: REGISTRATION PRACTICES OF SELECTED COMPOSERS FOR THE AMERICAN CENTENNIAL ERA ORGAN Chair: Michael Bauer Date Approved: ii Abstract American organ music prior to the twentieth century is a somewhat neglected area of organ study due to biases of early-twentieth-century academia. This lecture seeks to better familiarize the audience with a small section of that neglected study by examining the relationship between the organs, composers, and compositions of the Centennial era (ca. 1870–1900) through the lens of organ registration. This particular period of nineteenth-century American music became the era when American composers developed a quintessentially American culture around the organ—a culture which would provide the foundation for much of what came after it. By examining this period and its contributions, we gain a better understanding of later musical developments in the organ world and an appreciation for what came before. iii Acknowledgements I would like to offer special thanks to Dr. Rosi Kaufman, Director of Music at Rainbow Mennonite Church, for her knowledge and assistance on this project as well as facilitating my use of the Hook organ for the lecture recital. -
Spiel Nov12.Pub
The Organ Spiel Newsletter for the Sierra Chapter of the American Theatre Organ Society 15th Annual November 2012 George Wright Grant Union High School Memorial Concert 1400 Grand Avenue The four-manual twenty-one rank theatre pipe organ Sacramento at Grant Union High School was installed over a period of one year from 1938 to 1939. Pipe work and chests were obtained from theatre Sunday, organs in Redding and San Francisco, California, and Reno, Nevada. The best parts were used to assemble the organ by students under the direction of Fred Nov. 11th Wood, an organ builder from Oakland. The new Grant organ was presented to the public in a recital by Emil Martin, Howard Scott, and George Wright on De- 2:00 PM cember 8, 1939. Martin Ellis holds the distinction of being the first winner of the ATOS Young Guest artist: Organists Competition in 1986. After his initial exposure to theatre organ at the Paramount Music Palace in Indianapolis at 7 years old, Ellis began organ studies in the sixth grade, and at 15 began studies with John Ferguson. Upon winning the Martin Ellis ATOS competition, he premiered with Rex Koury at the Chicago Theatre Wurlitzer that year, and was featured in concert at the ATOS National Convention the follow- ing year in Richmond, Va. With extraordinary sight-reading skills and the ability to musically adapt to a variety of situations, Ellis was invited to be the fourth member of the Trio con Brio by Donna Parker, Jonas Nordwall and Tom Hazleton. He performed for the Dickin- son Theatre Organ Society and Fort Wayne’s Embassy Theatre when Tom was unable to perform, and was ready to step in and play any of the other member’s parts as the understudy, definitely the toughest job of the three! Returning to Indianapolis, Martin became the Senior Staff Pianist/Organist for the Indianapolis Children’s Choir—a tour- ing organization with more than 2,000 children! Their tours have taken them through most major cities in Europe and Cana- da—including playing an organ concert on the Tambourini organ at St. -
The Tracker Journal of the Organ Historical Society Skinner Organ Company, Op
VOLUME 62, NUMBER 2, APRIL 2018 THE TRACKER JOURNAL OF THE ORGAN HISTORICAL SOCIETY SKINNER ORGAN COMPANY, OP. 711 (1928) C.E. MOREY, NO. 248 (1907) PAUL FRITTS & COMPANY, OP. 26 (2008) THE RUDOLPH WURLITZER COMPANY (1929) OUR FEATURED ARTISTS DAVID BASKEYFIELD NATHAN LAUBE DAVID PECKHAM EDOARDO BELLOTTI ANNIE LAVER ROBERT POOVEY IVAN BOSNAR THATCHER LYMAN WILLIAM PORTER KEN COWAN COLIN LYNCH CAROLINE ROBINSON PETER DUBOIS COLIN MACKNIGHT DARYL ROBINSON KATELYN EMERSON CHRISTOPHER MARKS JONATHAN RYAN DAVID HIGGS MALCOLM MATTHEWS NICOLE SIMENTAL RICHARD HILLS AMANDA MOLE JOEL SPEERSTRA FRED HOHMAN ALAN MORRISON BRUCE STEVENS LEN LEVASSEUR LEN WILMA JENSEN JONATHAN MOYER MICHAEL UNGER PHOTOS PETER KRASINSKI SEAN O’DONNELL JORIS VERDIN C.B. FISK, INC., OP. 83 (1983) CHRISTIAN LANE JONATHAN ORTLOFF BRADLEY HUNTER WELCH ORTLOFF ORGAN COMPANY, LLC, OP. 1 (2016) JOIN THE OHS IN ROCHESTER IN COLLABORATION WITH THE EASTMAN ROCHESTER ORGAN INITIATIVE FESTIVAL IN OCTOBER THE 2018 CONVENTION of the Organ Historical Society will celebrate the rich array of instruments in Rochester, New York. Home to an expansive collection of organs representing diverse musical styles and performance practices, Rochester is a hub for organ performance and education. Convention attendees will experience an eighteenth-century Italian Baroque organ housed in the beautiful Memorial Art Gallery, a tour of the George Eastman Museum—home of the world’s largest residence organ—and everything in between. Visit the website below for the latest updates! WWW.ORGANHISTORICALSOCIETY.ORG/2018 AEOLIAN COMPANY, NO. 947 AND NO. 1345 GOART/YOKOTA (2008) HOPE-JONES ORGAN COMPANY, OP. 2 (1908) ANONYMOUS ITALIAN BAROQUE ORGAN (CA.