The Hand That Rocks the Crime Fiction Cradle: British
The Hand That Rocks the Crime Fiction Cradle: British, American, and Australian Women’s Criminographic Narratives, 1860-1880 Kate Watson BA Hons. (Cardiff University), MA (Cardiff University), Ph.D (Cardiff University) Cardiff University May 2010 UMI Number: U584634 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U584634 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 1 Summary ‘The hand that rocks the cradle’ is a phrase indicative of motherhood, the world, and change. When applied to women’s criminographic narratives, it can be read in terms of a challenge to the hegemonic belief in male writers as the founding ‘fathers’ of the crime and detective genre. This study will examine women’s criminous narratives in Britain, North America, and Australia from 1860-1880, with the purpose of bringing to light women writers who have hitherto—and for the majority—been excluded from what has been seen as the masculine crime canon. Men have long been expounded in critical work on crime and detective fiction and women writers have frequently been eclipsed by male authors such as Edgar Allan Poe, Wilkie Collins, Charles Dickens, and Arthur Conan Doyle.
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