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David Goldstein and Martha Moore Avery Papers 1870-1958 (Bulk 1917-1940) MS.1986.167
David Goldstein and Martha Moore Avery Papers 1870-1958 (bulk 1917-1940) MS.1986.167 http://hdl.handle.net/2345/4438 Archives and Manuscripts Department John J. Burns Library Boston College 140 Commonwealth Avenue Chestnut Hill 02467 library.bc.edu/burns/contact URL: http://www.bc.edu/burns Table of Contents Summary Information .................................................................................................................................... 3 Administrative Information ............................................................................................................................ 4 Related Materials ........................................................................................................................................... 5 Biographical note: David Goldstein .............................................................................................................. 6 Biographical note: Martha Moore Avery ...................................................................................................... 7 Scope and Contents ........................................................................................................................................ 9 Arrangement ................................................................................................................................................. 10 Collection Inventory ..................................................................................................................................... 11 I: David Goldstein -
H.G.Wells: the Critical Heritage
H.G.WELLS: THE CRITICAL HERITAGE THE CRITICAL HERITAGE SERIES General Editor: B.C.Southam The Critical Heritage series collects together a large body of criticism on major figures in literature. Each volume presents the contemporary responses to a particular writer, enabling the student to follow the formation of critical attitudes to the writer’s work and its place within a literary tradition. The carefully selected sources range from landmark essays in the history of criticism to fragments of contemporary opinion and little published documentary material, such as letters and diaries. Significant pieces of criticism from later periods are also included in order to demonstrate fluctuations in reputation following the writer’s death. H.G.WELLS THE CRITICAL HERITAGE Edited by PATRICK PARRINDER London and New York First published in 1972 This edition published in the Taylor & Francis e-Library, 2002. 11 New Fetter Lane London EC4P 4EE & 29 West 35th Street New York, NY 10001 Compilation, introduction, notes and index © 1972 Patrick Parrinder All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data ISBN 0-415-15910-5 (Print Edition) ISBN 0-203-19647-3 Master e-book ISBN ISBN 0-203-19650-3 (Glassbook Format) General Editor’s Preface The reception given to a writer by his contemporaries and near- contemporaries is evidence of considerable value to the student of literature. -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
Truman's First Nomination for Senator
TRUMAN’S FIRST NOMINATION FOR SENATOR WAS STOLEN By EWING YOUNG MITCHELL Former Assistant Secretary of Commerce (In New Deal Little Cabinet, 1933-1935) The first nomination for United States Senator of Harry S. Truman was stolen. This has never been denied. It cannot be successfully denied as the election figures given below clearly prove. Truman was first nominated for United States Senator in the Missouri primary in August, 1934. At that time Jackson County, Missouri, including Kansas City, was in the clutches of the Pendergast democratic machine, the most corrupt, the most brazen, gang of thieves who ever looted an American city. Its power was derived from complete control of the elections held in Kansas City and Jackson County. The machine’s control extended not only to all offices in the city and county, and the millions of dollars spent by them annually, but into the economic life of the community as well. It had several corporations through which it transacted a tremendous amount of business, including The Ready Mixed Concrete Company, Midwest Paving Company, Midwest Pre- cote Company, Midwest Asphalt & Material Company, a fire insurance company, a wholesale liquor company, an oil company and a soft drink company, to mention only some of them. The Machine Forced Its Wares On The People No citizen was allowed to use anything built of concrete not bought of the Ready Mixed Concrete Company. A house built of other concrete was closed by city inspectors and its use refused to its owner. The owner of a lot desiring to build an oil station could not get a building permit from the city council until his tenant had signed an agreement with the Pendergast oil company to buy all his oil and gas from it as long as he was in business. -
The Last Man"
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2016 Renegotiating the Apocalypse: Mary Shelley’s "The Last Man" Kathryn Joan Darling College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Literature in English, British Isles Commons Recommended Citation Darling, Kathryn Joan, "Renegotiating the Apocalypse: Mary Shelley’s "The Last Man"" (2016). Undergraduate Honors Theses. Paper 908. https://scholarworks.wm.edu/honorstheses/908 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. 1 The apocalypse has been written about as many times as it hasn’t taken place, and imagined ever since creation mythologies logically mandated destructive counterparts. Interest in the apocalypse never seems to fade, but what does change is what form that apocalypse is thought to take, and the ever-keen question of what comes after. The most classic Western version of the apocalypse, the millennial Judgement Day based on Revelation – an absolute event encompassing all of humankind – has given way in recent decades to speculation about political dystopias following catastrophic war or ecological disaster, and how the remnants of mankind claw tooth-and-nail for survival in the aftermath. Desolate landscapes populated by cannibals or supernatural creatures produce the awe that sublime imagery, like in the paintings of John Martin, once inspired. The Byronic hero reincarnates in an extreme version as the apocalyptic wanderer trapped in and traversing a ruined world, searching for some solace in the dust. -
Senate Debates War Zone Path for Relief Craft
New York Tribune, June 19, 1940 Second Alternative "A second alternative might be to Senate Debates send food, clothing and other non- mllltary necessities In unconvoyed ships bearing the Inslgnl ..: the War Zone Path Red Cross with a warning hat the torpedoing or bombing 01 any of them bould bring us into the war For Relief Craft as an acknowledged bclllge* nt." Food, which Is an artU .e of un conditional contraband. Is aboard Chance of Serious Incident the McKeesport largely In the form, Charged in Plan lo Ease of condensed milk. The other articles of contraband, mentioned in Senate Rule for Red Cross Ships debate, were automobiles and soap. Senator Clark called upon Senator From the Herati Tribune Bureau Key Plttman. Democ/at, of Nevada, WASHINGTON, June 18.—A pro chairman of the Se. te Foreign Re posal that the neutrality act be lations Committee, to verify the amended to that Red Cross ships! fact that CoL Bieckinridge Long.. could carry medical supplies and Third Assistant Secretary of State, food Into prohibited European war and Norman H. Di.vis, President of j zones without safe conducts guar the American Red Cross, had given! anteed by belligerent governments undertakings that there would be stirred a stiff debate today on the no effort henceforth to run block floor of the Senate. ades with food or other contraband. The plan, which was occasioned Senator Plttman did so. Senator by the situation in which the Red Clark later described the assurances Cross ship McKeesport found Itself "as a weak instrument upon which two days out at sea without safe to depend in the face of a grant of conduct granted by Germany and power by law." Italy for it to land at Bordeaux. -
Nielsen Collection Holdings Western Illinois University Libraries
Nielsen Collection Holdings Western Illinois University Libraries Call Number Author Title Item Enum Copy # Publisher Date of Publication BS2625 .F6 1920 Acts of the Apostles / edited by F.J. Foakes v.1 1 Macmillan and Co., 1920-1933. Jackson and Kirsopp Lake. BS2625 .F6 1920 Acts of the Apostles / edited by F.J. Foakes v.2 1 Macmillan and Co., 1920-1933. Jackson and Kirsopp Lake. BS2625 .F6 1920 Acts of the Apostles / edited by F.J. Foakes v.3 1 Macmillan and Co., 1920-1933. Jackson and Kirsopp Lake. BS2625 .F6 1920 Acts of the Apostles / edited by F.J. Foakes v.4 1 Macmillan and Co., 1920-1933. Jackson and Kirsopp Lake. BS2625 .F6 1920 Acts of the Apostles / edited by F.J. Foakes v.5 1 Macmillan and Co., 1920-1933. Jackson and Kirsopp Lake. PG3356 .A55 1987 Alexander Pushkin / edited and with an 1 Chelsea House 1987. introduction by Harold Bloom. Publishers, LA227.4 .A44 1998 American academic culture in transformation : 1 Princeton University 1998, c1997. fifty years, four disciplines / edited with an Press, introduction by Thomas Bender and Carl E. Schorske ; foreword by Stephen R. Graubard. PC2689 .A45 1984 American Express international traveler's 1 Simon and Schuster, c1984. pocket French dictionary and phrase book. REF. PE1628 .A623 American Heritage dictionary of the English 1 Houghton Mifflin, c2000. 2000 language. REF. PE1628 .A623 American Heritage dictionary of the English 2 Houghton Mifflin, c2000. 2000 language. DS155 .A599 1995 Anatolia : cauldron of cultures / by the editors 1 Time-Life Books, c1995. of Time-Life Books. BS440 .A54 1992 Anchor Bible dictionary / David Noel v.1 1 Doubleday, c1992. -
GERMAN LITERARY FAIRY TALES, 1795-1848 by CLAUDIA MAREIKE
ROMANTICISM, ORIENTALISM, AND NATIONAL IDENTITY: GERMAN LITERARY FAIRY TALES, 1795-1848 By CLAUDIA MAREIKE KATRIN SCHWABE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2012 1 © 2012 Claudia Mareike Katrin Schwabe 2 To my beloved parents Dr. Roman and Cornelia Schwabe 3 ACKNOWLEDGMENTS First and foremost, I would like to thank my supervisory committee chair, Dr. Barbara Mennel, who supported this project with great encouragement, enthusiasm, guidance, solidarity, and outstanding academic scholarship. I am particularly grateful for her dedication and tireless efforts in editing my chapters during the various phases of this dissertation. I could not have asked for a better, more genuine mentor. I also want to express my gratitude to the other committee members, Dr. Will Hasty, Dr. Franz Futterknecht, and Dr. John Cech, for their thoughtful comments and suggestions, invaluable feedback, and for offering me new perspectives. Furthermore, I would like to acknowledge the abundant support and inspiration of my friends and colleagues Anna Rutz, Tim Fangmeyer, and Dr. Keith Bullivant. My heartfelt gratitude goes to my family, particularly my parents, Dr. Roman and Cornelia Schwabe, as well as to my brother Marius and his wife Marina Schwabe. Many thanks also to my dear friends for all their love and their emotional support throughout the years: Silke Noll, Alice Mantey, Lea Hüllen, and Tina Dolge. In addition, Paul and Deborah Watford deserve special mentioning who so graciously and welcomingly invited me into their home and family. Final thanks go to Stephen Geist and his parents who believed in me from the very start. -
Anime/Games/J-Pop/J-Rock/Vocaloid
Anime/Games/J-Pop/J-Rock/Vocaloid Deutsch Alice Im Wunderland Opening Anne mit den roten Haaren Opening Attack On Titans So Ist Es Immer Beyblade Opening Biene Maja Opening Catpain Harlock Opening Card Captor Sakura Ending Chibi Maruko-Chan Opening Cutie Honey Opening Detektiv Conan OP 7 - Die Zeit steht still Detektiv Conan OP 8 - Ich Kann Nichts Dagegen Tun Detektiv Conan Opening 1 - 100 Jahre Geh'n Vorbei Detektiv Conan Opening 2 - Laufe Durch Die Zeit Detektiv Conan Opening 3 - Mit Aller Kraft Detektiv Conan Opening 4 - Mein Geheimnis Detektiv Conan Opening 5 - Die Liebe Kann Nicht Warten Die Tollen Fussball-Stars (Tsubasa) Opening Digimon Adventure Opening - Leb' Deinen Traum Digimon Adventure Opening - Leb' Deinen Traum (Instrumental) Digimon Adventure Wir Werden Siegen (Instrumental) Digimon Adventure 02 Opening - Ich Werde Da Sein Digimon Adventure 02 Opening - Ich Werde Da Sein (Insttrumental) Digimon Frontier Die Hyper Spirit Digitation (Instrumental) Digimon Frontier Opening - Wenn das Feuer In Dir Brennt Digimon Frontier Opening - Wenn das Feuer In Dir Brennt (Instrumental) (Lange Version) Digimon Frontier Wenn Du Willst (Instrumental) Digimon Tamers Eine Vision (Instrumental) Digimon Tamers Ending - Neuer Morgen Digimon Tamers Neuer Morgen (Instrumental) Digimon Tamers Opening - Der Grösste Träumer Digimon Tamers Opening - Der Grösste Träumer (Instrumental) Digimon Tamers Regenbogen Digimon Tamers Regenbogen (Instrumental) Digimon Tamers Sei Frei (Instrumental) Digimon Tamers Spiel Dein Spiel (Instrumental) DoReMi Ending Doremi -
How the First Gi Bill Was Written
A LEGION 50th ANNIVERSARY FEATURE HOW THE FIRST GI BILL WAS WRITTEN .. (PART II) Near.s! lIelV~lJ(lper::; a,5signed to turned from a conference at the Capitol 1I'0r/.: with the Legion',5 spf'cial Gl with Senator Bennett Champ Clark of illS IS TilE SECONll of '.IVO ar· ~"issOllri. a founder of the Legion, and /Jill COTllmittee ill 194344. one of the GI Bi1l's staunchest advocates tides on the exciting story 0/ Tada)', the CI Bills have proved T the 1/!rilifl,~ aml I){1S.HI{!f~ of in Congress. II/(, WW2 CI Hill 0/ Rights in themselvc:.> be,'oflfl all measure. The Washington representatives of !Jack then there 1fI(I.~ tremendous four smaller veterans organizations 1943-44. Last month's il/swamcill SlIpport for tile idca. Bitt OppO.H:' Omar B. Ketchum of Ihe Veterans of told how, in the midst o/1P1V2, the Foreign Wars; Millard W. Rice of the I.iol/ also gathered rapidly n!terthe Legion had dm/t.ed and /lias trying Disabled American Veterans; Frank origil/al GI Billllla.5 il/troduced ill to secure enactment 0/ the then Haley of the Military Order of the Congress ('or/y in lalll/ary 1944. Purple He:lrt;and \V. M. Floyd. National r,,/Jolutio/lary GI Bill. It was Ihe 011 Feb. 16, jOllr other1Jctcralls or Comm:lnder of the Rcgul:lr Veterans first 10111 in 0/11' hi.~torr 1.0 help all Organization-had sent a leiter 10 every ;;u1Ii;;(/,ioll.5 i.~::;lted (1 joi!/f., open /wtNfWS get 0/1 their feet alter a member of Congress. -
Norway's Jazz Identity by © 2019 Ashley Hirt MA
Mountain Sound: Norway’s Jazz Identity By © 2019 Ashley Hirt M.A., University of Idaho, 2011 B.A., Pittsburg State University, 2009 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy, Musicology. __________________________ Chair: Dr. Roberta Freund Schwartz __________________________ Dr. Bryan Haaheim __________________________ Dr. Paul Laird __________________________ Dr. Sherrie Tucker __________________________ Dr. Ketty Wong-Cruz The dissertation committee for Ashley Hirt certifies that this is the approved version of the following dissertation: _____________________________ Chair: Date approved: ii Abstract Jazz musicians in Norway have cultivated a distinctive sound, driven by timbral markers and visual album aesthetics that are associated with the cold mountain valleys and fjords of their home country. This jazz dialect was developed in the decade following the Nazi occupation of Norway, when Norwegians utilized jazz as a subtle tool of resistance to Nazi cultural policies. This dialect was further enriched through the Scandinavian residencies of African American free jazz pioneers Don Cherry, Ornette Coleman, and George Russell, who tutored Norwegian saxophonist Jan Garbarek. Garbarek is credited with codifying the “Nordic sound” in the 1960s and ‘70s through his improvisations on numerous albums released on the ECM label. Throughout this document I will define, describe, and contextualize this sound concept. Today, the Nordic sound is embraced by Norwegian musicians and cultural institutions alike, and has come to form a significant component of modern Norwegian artistic identity. This document explores these dynamics and how they all contribute to a Norwegian jazz scene that continues to grow and flourish, expressing this jazz identity in a world marked by increasing globalization. -
Conrad Von Hötzendorf and the “Smoking Gun”: a Biographical Examination of Responsibility and Traditions of Violence Against Civilians in the Habsburg Army 55
1914: Austria-Hungary, the Origins, and the First Year of World War I Günter Bischof, Ferdinand Karlhofer (Eds.) Samuel R. Williamson, Jr. (Guest Editor) CONTEMPORARY AUSTRIAN STUDIES | VOLUME 23 uno press innsbruck university press Copyright © 2014 by University of New Orleans Press, New Orleans, Louisiana, USA All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior permission in writing from the publisher. All inquiries should be addressed to UNO Press, University of New Orleans, LA 138, 2000 Lakeshore Drive. New Orleans, LA, 70119, USA. www.unopress.org. Printed in the United States of America Design by Allison Reu Cover photo: “In enemy position on the Piave levy” (Italy), June 18, 1918 WK1/ALB079/23142, Photo Kriegsvermessung 5, K.u.k. Kriegspressequartier, Lichtbildstelle Vienna Cover photo used with permission from the Austrian National Library – Picture Archives and Graphics Department, Vienna Published in the United States by Published and distributed in Europe University of New Orleans Press by Innsbruck University Press ISBN: 9781608010264 ISBN: 9783902936356 uno press Contemporary Austrian Studies Sponsored by the University of New Orleans and Universität Innsbruck Editors Günter Bischof, CenterAustria, University of New Orleans Ferdinand Karlhofer, Universität Innsbruck Assistant Editor Markus Habermann