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Seeking Offense: Censorship and the Constitution of Democratic Politics in India
SEEKING OFFENSE: CENSORSHIP AND THE CONSTITUTION OF DEMOCRATIC POLITICS IN INDIA A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Ameya Shivdas Balsekar August 2009 © 2009 Ameya Shivdas Balsekar SEEKING OFFENSE: CENSORSHIP AND THE CONSTITUTION OF DEMOCRATIC POLITICS IN INDIA Ameya Shivdas Balsekar, Ph. D. Cornell University 2009 Commentators have frequently suggested that India is going through an “age of intolerance” as writers, artists, filmmakers, scholars and journalists among others have been targeted by institutions of the state as well as political parties and interest groups for hurting the sentiments of some section of Indian society. However, this age of intolerance has coincided with a period that has also been characterized by the “deepening” of Indian democracy, as previously subordinated groups have begun to participate more actively and substantively in democratic politics. This project is an attempt to understand the reasons for the persistence of illiberalism in Indian politics, particularly as manifest in censorship practices. It argues that one of the reasons why censorship has persisted in India is that having the “right to censor” has come be established in the Indian constitutional order’s negotiation of multiculturalism as a symbol of a cultural group’s substantive political empowerment. This feature of the Indian constitutional order has made the strategy of “seeking offense” readily available to India’s politicians, who understand it to be an efficacious way to discredit their competitors’ claims of group representativeness within the context of democratic identity politics. -
The 'Item Number' in Indian Cinema: Deconstructing the Paradox
Journal of Culture, Society and Development www.iiste.org ISSN 2422-8400 An International Peer-reviewed Journal Vol.39, 2018 The ‘Item Number’ in Indian Cinema: Deconstructing the Paradox Isha Jain (Corresponding author) National Law School of India University, Bangalore, India Abstract The “item number” is a hyper-sexualised song-and-dance performance that is characteristic to mainstream Bollywood cinema. When viewed in the context of a general tendency towards the censorship of public depictions of sexualized women in other spheres of the Indian polity, the ubiquity and popularity of item numbers reflects a confounding cultural paradox. The aim of this article is to deconstruct this paradox, by identifying the narrative structures and plot devices employed by film-makers to market these performances without suffering the disapproval of either the Indian State apparatus or the purportedly prudish Indian cinema- goer. Introduction The Indian State, through both its formal and informal centres of power, continues to burden the Indian woman with the charge of guarding national pride, culture, and morality.1 The defiling of the Indian woman, synonymous with her sexualisation, is the defiling of India. This parallel is evident in the title of “Mother India”, a 1957 film centred around a de-sexualised, self-sacrificial female protagonist intended to be emblematic of both the ideal Indian woman and of India herself.2 Yet, the Indian film industry has succeeded at carving out a niche for the commodification and sale of female sexuality within a broader milieu characterised by the disapprobation of that very sexuality. Nowhere is this more apparent than in the “item number”,3 a hyper-sexualised cinematic performance that is both paradoxically and quintessentially Bollywood. -
Luka Chuppi: Kartik Aaryan and Kriti Sanon's Film Plays Hide-And-Seek
13 SATURDAY, MARCH 2, 2019 2- TOTAL DHAMAAL (PG-13) (HINDI/COMEDY/ADVEN- 10-ALONE / TOGETHER (PG-15) (FILIPINO/ROMANTIC/ DAILY AT: 12.15 + 3.00 + 5.45 + 8.30 + (11.15 PM THURS/FRI) OASIS JUFFAIR TURE) NEW DRAMA) NEW AJAY DEVGN, MADHURI DIXIT, ANIL KAPOOR LIZA SOBERANO, ENRIQUE GIL, JASMINE CURTIS 3- THE KNIGHT OF SHADOWS: BETWEEN YIN AND 1-FIGHTING WITH MY FAMILY (15+) (DRAMA/COME- FROM THURSDAY 21ST 7.00 PM ONWARDS DAILY AT: 11.00 AM + 1.30 + 4.00 + 6.30 + 9.00 + 11.30 PM YANG (PG-13) (ACTION/COMEDY/FANTASY) NEW DY/BIOGRAPHY) NEW DAILY AT: 10.30 AM + 1.00 + 3.45 + 6.30 + 9.15 PM + 12.00 MN JACKIE CHAN, ELANE ZHONG, ETHAN JUAN DWAYNE JOHNSON, FLORENCE PUGH, JACK LOWDEN 11-ALITA: BATTLE ANGEL (PG-15) (ACTION/ADVEN- DAILY AT: 10.45 AM + 1.00 + 6.15 + (11.30 PM THURS/FRI) DAILY AT: 12.30 + 5.00 + 9.30 PM 3- DUMPLIN (15+) (COMEDY/DRAMA) NEW TURE/ROMANTIC) DAILY AT (VIP): 10.45 AM + 3.30 + 8.15 PM DANIELLE MACDONALD, JENNIFER ANISTON, ROSA SALAZAR, CHRISTOPH WALTZ, JENNIFER CONNELLY 4-ALITA: BATTLE ANGEL (PG-15) (ACTION/ADVEN- LUKE BENWARD DAILY AT: 11.30 AM + 2.00 + 4.30 + 7.00 + 9.30 PM + 12.00 MN TURE/ROMANTIC) 2-TOTAL DHAMAAL (PG-13) (HINDI/COMEDY/ADVEN- DAILY AT: 12.00 + 2.15 + 4.30 + 6.45 + 9.00 + 11.15 PM ROSA SALAZAR, CHRISTOPH WALTZ, JENNIFER CONNELLY TURE) NEW 12-GULLY BOY (PG-15) (HINDI/DRAMA/MUSICAL) DAILY AT: 6.00 + 8.30 + (11.00 PM THURS/FRI) AJAY DEVGN, MADHURI DIXIT, ANIL KAPOOR 4- UPGRADE (15+) (ACTION/THRILLER) NEW ALIA BHAT, RANVEER SINGH, SIDDHANT CHATURVEDI FROM THURSDAY 21ST 7.00 PM ONWARDS LOGAN MARSHALL-GREEN, RICHARD -
English | Exam Before Exam 1-5
ENGLISH | EXAM BEFORE EXAM 1-5. (A) who join the ranks of nation builders. hoarders has made matters worse. And this, Lt Governor feels, is where (B) It may not make a meaningful difference in a country which scores the cops come in: cracking down on hoarders, and facilitating through poorly in ease of paying taxes changes in traffic rules the transport of veggies into the capital. (C) which contributes more than 50% of the Centre’s total tax Such policing of sabzi may or may not come as a boon to householders revenue. whose budgets have been hard hit by rising prices. But adding mandi- (D) India’s tax department has been sending certificates of minding to the sundry other duties that the capital city’s already appreciation to tax payers, acknowledging their contribution to overstretched police force has to cope with might not go down well with nation building. the constable whose regular beat will not only cover protecting VVIPs, (E) but is noteworthy nevertheless. India’s direct tax payers form but also include keeping an eye on kaddus of another sort. part of a narrow base More than ever before, our lawmen will have to be mindful not only of (F) Certificates of appreciation, therefore, should be the their p’s and q’s while on the job, but will also have to mind their peas beginning of an exercise to add to the pool of tax payers and queues at outlets selling the precious commodities where CORRECT ORDER - DBECFA pickpockets might lurk pinching potatoes, not purses. -
Reminder List of Productions Eligible for the 86Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill. -
CONTEMPORARY ISSUES in MEDIA ETHICS Boctor of $I)Tios(Opi)
CONTEMPORARY ISSUES IN MEDIA ETHICS ABSTRACT THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF Boctor of $I)tIos(opI)p IN PHILOSOPHY By MD. EHSAN Under the Supervision of M. MUQIM DEPARTMENT OF PHILOSOPHY ALIGARH MUSLIM UNIVERSITY, ALIGARH (INDIA) 2009 ABSTRACT Twenty first century is the century of knowledge and information. Knowledge is the power. Media such as newspapers, radio, television, magazines, internet etc. are the primary and central source of information and knowledge of this fast moving world. Hence, media enjoys enormous power and exerts tremendous impacts on our lives. Media as a powerful institution not only disseminates information and knowledge rather it influences our lives, our political systems and our society as a whole. It shapes our opinions, beliefs, attitudes and behaviours. It affects our decision and judgment about family, home, education, institution etc. through information and knowledge it provides. So much so that it fashions our tastes and moral standards, and socializes our younger generation. Furthermore, media has got important role to play in democracy. It is media which helps democracy become 'of and 'by' the people. It wheels democracy. It facilitates democracy by making interaction between the governed and the governor. Moreover, it is considered to be the back bone as well as the fourth pillar of democracy. * I am using media as a singular noun In view of the enormous power implicit in media, its tremendous impacts on our lives and on our governing systems, and in view of its deep penetration in our society the need arises to use it with great caution and control. -
COMMUNICATOR the Journal of Indian Institute of Mass Communication Volume LIII, Number-4, October-December, 2018 ISSN: 0588-8093 Message from Editor-In-Chief
COMMUNICATOR The Journal of Indian Institute of Mass Communication Volume LIII, Number-4, October-December, 2018 ISSN: 0588-8093 Message From Editor-in-Chief At the outset, I wish to express my gratitude to all the academicians and scholars who participated and presented papers at the National Seminar on “The State of Indian Language Journalism and Training” organised by IIMC with support from Indian Council of Social Sciences and Research (ICSSR) on October, 29 and 30, 2018 at IIMC Campus. K. G. Suresh The conference was organised to Editor-in-Chief commemorate the silver jubilee of Director General, IIMC our Eastern Regional Campus at Dhenkanal, Odisha from where we started our first language journalism programme in Odia. In the last three years, we have given a major push to language journalism launching a Malayalam Journalism programme at our Kottayam, Kerala campus and Marathi Journalism programme at Amravati, Maharashtra campus. This apart, we have upgraded the Certificate programme in Urdu Journalism to a full fledged Diploma programme. We have even started a three months Advanced Certificate Programme in Sanskrit Journalism in collaboration with the Shri Lal Bahadur Shastri Rashtriya Sanskrit Vidyapeeth besides setting up the Department of Indian Language Journalism. Future plans include starting Hindi and Urdu Journalism programmes from our Jammu campus and Bangla from our Odisha campus. Apart from the papers presented at the conference, many eminent academicians have also contributed to this volume. I am confident that this special issue on the state of Indian language journalism and training would be a collector’s issue for both students and scholars as also media persons across the country and would help them in better understanding of the issues at stake and take requisite steps to improve the quality and standard of both language journalism and training at a time when language journalism is growing by leaps and bounds. -
It's Saturday Night at 964 Barnett
IT’S SATURDAY NIGHT AT 964 BARNETT ST. FREE - FREE - FREE – FREE U. U. CHURCH OF THE HILL COUNTRY 6:00 PM Join us, the 4th Saturday, from March to October. Come for a fun time together Watching Movies or Playing Games. Bring your favorite beverage (this is a non-alcohol activity). Each movie night includes a prelude & a movie. Each game night may include board games, card games, & dominos. Some nights may include a meal or potluck, check listing. Game nights include Pizza. Be prepared for lots of companionship, laughter and fun. The chairs are hard; bring a cushion if you want. Everyone is welcome. Just come and have fun. nd th GAME NIGHTS: June 22 & July 27 THE MOVIES MARCH 23 THE LUNCHBOX ** A lunchbox type meal will be provided - RSVP 2013 PG 1h 45m When Mumbai's eerily reliable lunchbox delivery service erroneously sends a meal prepared by a young housewife to a lonely widower on the brink of retirement, the mistake ignites an exchange of notes and mutual fantasy between them. Cast: Irrfan Khan, Nimrat Kaur, Nawazuddin Siddiqui, Denzil Smith, Bharati Achrekar, Nakul Vaid, Yashvi Puneet Nagar, Lillete Dubey Director: Ritesh Batra APRIL 27 SECONDHAND LIONS 2003 PG 1h 47m In 1960s Texas, timid teen Walter is forced to spend the summer with his rich and eccentric great-uncles on their farm, where, over time, he learns surprising tidbits about their mysterious and dangerous pasts. Cast: Michael Caine, Robert Duvall, Haley Joel Osment, Kyra Sedgwick, Emmanuelle Vaugier, Nicky Katt, Jennifer Stone, Josh Lucas, Deirdre O'Connell Director: Tim McCanlies MAY 25 DOC MARTIN 2001 R 1h 27m In this feature-length prequel to the hit series, London-based obstetrician Dr. -
J-INFORMASI 2021 N0 1.Indd
Informasi - ISSN (p) 0126-0650; ISSN (e) 2502-3837 Vol. 51, No. 1 (2021), pp. 65-92, doi: http://doi.org/10.21831/informasi.v51i1.38170. 65-92 Islamic vigilantism and women in social media Md. Sayeed Al Zaman Department of Journalism and Media Studies, Jahangirnagar University, Savar, Dhaka, Bangladesh Email: [email protected] Abstract In Bangladesh, the number of cyber-citizens has been skyrocketing since the 2010s. Violence against women is also proliferating along with the presence of Islam in public spheres and discourses. Using thematic analysis, this study analyzes the discourse data collected from Facebook, the dominant social media of Bangladesh. The key aim of the research is to find out the bedrock of Islamic vigilantism and verbal aggressiveness against women in social media. Subsequently, three interlinked themes have been explored: women’s religiosity, women’s attire, and women’s virtue. The findings have shown that men mainly capitalize on these three conventional and stereotyped ideas of popular Islam to conduct vigilantism against women in social media, which is most often accompanied by different types of verbal aggressiveness. Further, this study considering deep-rooted misogyny and patriarchy in Bangladesh society argues that these factors might have contributed to directing online vigilantism against women. As little research has been done in this area, this research study would lead to further researches in this area. Keywords: Islam, vigilantism, women, social media, Bangladesh 65 Informasi, Vol. 51. No. 1. (2021), 65-92 INTRODUCTION Women in the South Asian region have a long history of exploitation and backwardness thanks to men’s social authority and domination (Hashmi, 2000). -
Moral Policing Attitudes in the Society Ma Sociology 2018-2020
MORAL POLICING ATTITUDES IN THE SOCIETY A CASE STUDY ON THE EXPERIENCES OF DIFFERENT MORAL POLICING VICTIMS IN THIRUVANATHAPURAM MA SOCIOLOGY 2018-2020 i TABLE OF CONTENTS ABSTRACT CHAPTERS TITLE PAGE NO I INTRODUCTION 1-10 II REVIEW OF LITERATURE 11-21 III METHODOLOGY 22-24 IV CASES PRESENTATION 25-30 V THEMATIC ANALYSIS 31-41 & DICUSSION VI FINDINGS, SUGGESTION 42-46 & CONCLUSION BIBILIOGRAPHY 47-49 APPENDIX 49-51 ii ABSTRACT The present study titled “MORAL POLICING ATTITUDES IN THE SOCIETY: A CASE STUDY ON THE EXPERIENCES OF DIFFERENT MORAL POLICING VICTIMS IN THIRUVANATHAPURAM” is to understand the different moral policing attitudes existing in our society. It is been conducted on people who either reside or study in Thiruvananthapuram district and has experienced moral policing in their lives. The study is been conducted using qualitative methods. Moral Policing is not an uncommon scenario in Modern India. It refers to the process through which certain groups or individual tries enforce a code of morality either harming or non harming. The cases of moral policing are on a high in India and Kerala. These kinds of activities are considered to be illegal under the legal law. It is said that certain groups harm people in the name of moral policing with the support of the political parties and cops. The voices of the people who undergoes such activities are paid less interest. In a nation where everything has a secular and democratic face such activities seem to be less focussed. However, a culture of silence exists in showcasing the experiences of the moral policing victims. -
The Top 8 Films in the Race
PVR MOVIES FIRST VOL. 5 YOUR WINDOW INTO THE WORLD OF CINEMA FEB 2016 OSCAR WATCH: THE TOP 8 FILMS IN THE RACE GUEST INTERVIEW HANSAL MEHTA THE BEST NEW MOVIES PLAYING THIS MONTH: THE Revenant, Fitoor, NeerJA PVR MOVIES FIRST PAGE 1 GREETINGS ear Movie Lovers, Hansal Mehta’s Aligarh arrives on the big screen this month. The director reveals how the movie got February is the month of love, and we are celebrating made, and the scene that moved him most. it with a cocktail of stirring movies. Abhishek Kapoor’s Fitoor promises to ignite passions, but before Eight great movies are in the race for the top honour you watch the film, let us reveal some behind-the- at the 88th Oscars. Before the suspense ends, we scene secrets. present the closest predictions. Romance pairs well with a whiff of nostalgia, so We really hope you enjoy the issue. Wish you a let’s walk down the verdant valleys of Switzerland, fabulous month of movie watching. tracing Yash Chopra’s journey toward the crest of celluloid romance. Travelling back even longer, let Regards us remember the wistful beauty of Charlie Chaplin’s Modern Times, which remains as relevant today as it Gautam Dutta was 80 years ago. After winning worldwide acclaim, CEO, PVR Limited USING THE MAGAZINE We hope you’ll find this magazine easy to use but here’s a handy guide to the icons used throughout. You can tap the page once at any time to access full contents at the top of the page. -
Viceroy's House
Nick Davis Film Discussion Group September 2017 Viceroy’s House (dir. Gurinder Chadha, 2017) On Camera Jeet Kumar, Hindu servant: Manish Dayal: 90210 (TV 11-12), The Hundred-Foot Journey (14) Aalia Noor, Muslim translator: Huma Qureshi: Actress and model, Gangs of Wasseypur (12) Dickie Mountbatten, viceroy: Hugh Bonneville: Iris (01); Downton Abbey (10-15) Edwina Mountbatten, his wife: Gillian Anderson: The X Files (93-18); The House of Mirth (00) Pamela Mountbatten, daughter: Lily Travers: Kingsman: The Secret Service (14) Ali, Aalia’s blind father: Om Puri: Eminent veteran of 300 Indian, US, and UK films Asif, Aalia’s fiancé: Arunoday Singh: rising star in India, with 15 other film credits Duleep Singh, Sikh servant: Jaz Deol: rising star in the UK; two dozen film and TV credits Muhammad Jinnah: Denzil Smith: The Best Exotic Marigold Hotel (12) Jawaharlal Nehru: Tanveer Ghani: Two prior movies with Gurinder Chadha Mahatma Gandhi: Neeraj Kabi: Coming to CIFF in In the Shadows (17) “Pug” Hastings, chief of staff: Michael Gambon: Dumbledore! Also Victoria & Abdul (17) Cyril Radcliffe, border-drawer: Simon Callow: Eulogized in Four Weddings and a Funeral (94) Off Camera Writer/Director: Gurinder Chadha: Has specialized in comedies up to this point in her career Cinematography: Ben Smithard: Belle (13), The Second Best Exotic Marigold Hotel (15) Original Score: A.R. Rahman: Oscar winner for Slumdog Millionaire (08); 165 other credits Art Direction: Laurence Dorman: a specialist in low-budget British independent films Costume Design: Keith Madden: upcoming Ian McEwan adaptation On Chesil Beach (17) Film Editing: Valerio Bonelli: Philomena (13), Florence Foster Jenkins (16) Victoria Boydell: Belle (13), Goodbye Christopher Robin (17), at CIFF Also directed by Gurinder Chadha … Bhaji on the Beach (1993) – Comedy about Indian women taking a vacation at the English seaside What’s Cooking? (2000) – Follows families of four ethnicities celebrating Thanksgiving in L.A.