Fabric 54 Pr

Total Page:16

File Type:pdf, Size:1020Kb

Fabric 54 Pr ! artist: Damian Lazarus title: fabric 54 label: Fabric Records release: 16.10.10 Damian Lazarus - the LA based but London born musical chameleon - proudly presents the 54th offering in the fabric compilation series. Having graced the international dance music circuit since his time pushing artists on City Rockers, Damian’s fruitful career has seen him hone his talent to become one of the most in demand players in contemporary electronic music. Be it through his exciting Crosstown Rebels imprint that is home to intriguing talents such as Jamie Jones, Deniz Kurtel, Seth Troxler and Glimpse, his solo production work that includes the album ‘Smoke The Monster Out’ for Get Physical where he “delivered, arguably, the defining album of the modern clubbing experience” [The Guardian] or his ability to cause havoc on any dancefloor, Damian’s capacity to find, push, promote, and play the perfect beat has proven to be a key asset to music throughout the past decade. “As a kid, I was obsessed with music - taping radio shows, going to see bands and stuff like that. When I was 12, my cousin introduced me to his record collection and I got heavily into soul, funk, hip-hop and electro. By the age of 13 I was getting Saturday jobs to supplement my love of buying records. I worked in Groove Records for one day when I was 13 and spent all my wages on records. At the age of 14 I bought a pair of Technics and the Numark 1775A mixer (with the 4 second sampler button) and convinced my parents that one day I'd be a great DJ.” After holding his first residency at the age of 16 at local Essex club The Villa, Damian became an acid house convert, hanging out with DJs that were playing on the then illegally broadcast Kiss FM, gradually earning himself more gigs at underground parties and local clubs. Placing a brief hiatus on his DJ career following the birth of his daughter, Damian spent a number of years working as a music journalist, eventually becoming Assistant Editor for Dazed & Confused aged 21. It was shortly after that his career in music resumed. Having A&R’d for London Records, in 2001 he created City Rockers with Phil Howells, and went on to release some of the biggest tunes of the electroclash era, from artists like Felix Da Housecat, FC Kahuna and Tiga & Zyntherius’ with their massive hit ‘Sunglasses at Night’. His Futurism and Futurism 2 compilations remain defining documents of that era. Certainly not a stranger to compilations, Damian honed his craft as a DJ over numerous compilation releases during the past decade. Since 2007 Damian has also curated his Lazpod series - a podcast that not only showcases the cutting edge house and techno for which he is most famous, but also demonstrates his love for cosmic disco, rock, soundtracks, and various other forms of experimental music. But he’s especially chosen not to release any mixes or allow any sets to be recorded for the past year in preparation for his special fabric mix. With fabric 54, Damian demonstrates his immense talent as a club DJ, with his offering to the series acting as a snapshot of what an archetypal Damian Lazarus set at fabric can be. “My recent mixes and the Lazpod podcasts have been pretty weird and varied and I realized that I haven't made a solid 'club' sounding mix for some time, obviously this was reserved for fabric and I am super happy with the results. After some months of pre-planning and structuring, I actually mixed this album on Sunday May 9th 2010, very early considering the October release. Sitting alongside my long time studio engineer, Matthew 'the goat' Styles, I think I made something fresh, exciting and very relevant to the DJ that I am today.” It’s this freshness that makes Damian Lazarus such a significant figure within contemporary dance music in 2010. With releases from the Wolf + Lamb associated e-funk duo Soul Clap, UK funky figurehead Roska and always stand-out Four Tet, the mix remains a snapshot of cutting edge house and techno, yet constantly references elements of the various genres of music from which they currently take influence. Damian opens with leading light of the Detroit nu school Ryan Crosson, via post-dubsteps Appleblim & Ramadanman, and a timeless slice of Swayzak. He skims the cream of current releases from The Mole, new Crosstown Rebel signings Art Department and wunderkind of the moment Nicolas Jaar with Soul Keita. While the home stretch sees Lee Jones and Agaric rubbing shoulders with Germany’s most sublime entrant for Eurovision, Su Kramer, before closing with two dreamlike numbers from Bill Holt. Fusing synthetic deepness with relentless rhythmical force and twinkling humour, the mix brings all the unique charm of Damian’s club sets into your living room. “I went to the opening of Fabric in October 1999 and felt at home there from that day on. London needed this club so badly at the time and it couldn't have been more perfect. In the following years I'd be on the dance floor, checking out music and DJs, wishing one day I'd be asked to play there. Which of course did happen back in 2005 and I have been playing there once or twice a year ever since. Being asked to mix this album is, at the risk of sounding cheesy, like a dream come true, even after all this time.” Damian Lazarus [email protected] I +49 (0) 30 8321 2993 I www.tailored-communication.com ! 1. Ryan Crosson - Metro Bunker - Eklo 2. Four Tet - Love Cry - Domino 3. Appleblim & Ramadanman - Void 23 - Aus Music 4. Kenny Larkin - Glob (Claude VonStroke Mix) - Planet E 5. Swayzak - Ping Pong - Swayzak / 240 Volts 6. Canson - Sleeping (Demo Version) - Cityfox 7. The Martinez Brothers - Broke In The BX - Objektivity 8. Roska - The Sheppard - Roska Kicks & Snares 9. Soul Clap - Break 4 Life - Crosstown Rebels 10. The Mole - Nervous Disid - New Kanada 11. Cajmere - Freaks And Stars - Cajual 12. Art Department feat. Seth Troxler - Vampire Nightclub - Crosstown Rebels 13. Deetron - Sing - Circus Company 14. Guti & Redshape - Every Cow Has A Bird - Crosstown Rebels 15. Soul Keita & Nicolas Jaar - Para(sol) - Greta Cottage Workshop 16. Damian Lazarus - Diamond In The Dark (dOP Remix) - Get Physical 17. Lee Jones - Yoyo - Cityfox 18. Agaric - Run (Ostern Jam) - We Are 19. Su Kramer - Magic Dance - Teldec Schallplatten 20. Bill Holt - Program Ten (Part Five) - Stone Theatre 21. Bill Holt - Program Ten (Part Six) - Stone Theatre [email protected] I +49 (0) 30 8321 2993 I www.tailored-communication.com.
Recommended publications
  • Robbie Rivera Back to Zero
    Robbie Rivera Back To Zero A brand new import 2 CD set of sexy, pounding, electro- tinged house music from one of the world's best known DJ/Producers! Internationally-known producer/DJ Robbie Rivera's distinctive brand of sexy pounding dirty electro tinged house ignites dance-floors across the globe, 2 while the world's top artists queue up to have Robbie put his distinctive CDs sound to their tracks. With Back To Zero, Robbie Rivera presents a brand new import 2 CD set featuring his hottest new tracks, including the club hits "Aye Aye Aye," "Back To Zero" and many more. CD1 features original versions and CD2 the extended club mixes. Robbie Rivera has remixed for the likes of Faithless, Felix Da Housecat, Madonna, Kylie Minogue, Gabriel & Dresden, Moloko, Sinead O'Connor, Ferry Corsten, Ricky Martin, Santana, Superchumbo, David Guetta, Pink, Basement Jaxx and many others. His DJ sets featuring his infectious blend of tough sexy grooves have put him in high-demand worldwide, including recent appearances in Ibiza, Barcelona, Japan, Poland, Puerto Rico, New York, Los Angeles, Chicago, London, Italy, Tunisia, Canada, Moscow, Vienna, and of course his hometown of Miami. Robbie Rivera is a true international and pioneering dance artist and Back To Zero is a must-have for any true fan of dance music! TRACK LISTING CD1 CD2 • 1. Aye Aye Aye (Radio Mix) • 1. Aye Aye Aye (Rivera & Clivilles Club Mix) • 2. Back To Zero • 2. Back To Zero (Bigroom Mix) • 3. Be Near • 3. Be Near (Club Mix) • 4. Move Move • 4. In Too Deep (Club Mix) Artist Robbie Rivera • 5.
    [Show full text]
  • Uffie MC's Can Kiss Mp3, Flac, Wma
    Uffie MC's Can Kiss mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop / Pop Album: MC's Can Kiss Country: UK Released: 2009 Style: Electro MP3 version RAR size: 1296 mb FLAC version RAR size: 1192 mb WMA version RAR size: 1353 mb Rating: 4.4 Votes: 696 Other Formats: XM WAV RA APE AHX MIDI FLAC Tracklist Hide Credits 1 MC's Can Kiss (Clean Radio Version) 3:09 2 MC's Can Kiss (Original) 3:10 MC's Can Kiss (Starkey Redid) 3 4:18 Remix – Starkey MC's Can Kiss (Zombie Disco Squad Remix) 4 5:54 Remix – Zombie Disco Squad MC's Can Kiss (Zombie Disco Squad Dub) 5 5:57 Remix – Zombie Disco Squad Credits Producer – Mr. Oizo Written-By – Feadz, Uffie Notes Published by Headbangers Publishing/Because Editions ℗&© 2009 Ed Banger Records under exclusive licence to Because Music Other versions Category Artist Title (Format) Label Category Country Year ED 033 Uffie MCs Can Kiss (12") Ed Banger Records ED 033 France 2010 MCs Can Kiss (5xFile, WAV, BEC5772658 Uffie Ed Banger Records BEC5772658 France 2010 Single) MCs Can Kiss (Mike D none Uffie Ed Banger Records none France 2010 Remix) (File, MP3) ED 033 Uffie MCs Can Kiss (CDr, Promo) Ed Banger Records ED 033 France 2010 MCs Can Kiss (4xFile, MP3, none Uffie Ed Banger Records none France 2010 256) Related Music albums to MC's Can Kiss by Uffie Electronic / Rock White Zombie - Thunder Kiss '65 Electronic Uffie - Pop The Glock (Felix Da Housecat's Pink Enemy Remix) Pop Disco Flash 2011 - Kiss Kiss (Kwek Kwek Kwek) Electronic Lazy Kiss - Winter In Space Electronic / Pop Uffie - Pop The Glock (Remixes) Pop Albert Benzler - "Smile Smile Smile" And "Kiss Kiss Kiss" Other Buddy Greco - Mr.
    [Show full text]
  • A Girl Walks Home Alone at Night with Her Headphones On: June’S New Singles Part 2
    A Girl Walks Home Alone At Night With Her Headphones On: June’s New Singles Part 2. Music | Bittles’ Magazine: The music column from the end of the world Just in time for the sanitised hedonism of Ibiza, May and June have brought a slew of turgid house ‚bangers‘ that are so tired and uninspiring they make the decision to insert red hot pokers into both your ears seem like an extremely good idea. Yet, trust me when I tell you that there is some wonderful music out there. To prove the point this follow-up to last weeks article highlights some more amazing singles and EPs, from the likes of Robag Wruhme, Gardens Of God. Felix Da‘ Housecat, Len Faki, Paul Woolford, Mark E, Seth Schwarz, and Kamera.By JOHN BITTLES So, just remember boys and girls that just because it is warm and sunny outside, the beer costs over ten pounds a pint, and everyone’s IQ has just decreased by about twenty points, there is never an excuse for listening to crap tunes. After a three year break Robag Wruhme arrives on DJ Koze’s always on point Pampa Records with the lush electronic atmospherics of the Cybekks EP. Recalling the emotional house of his Thora Vukk LP from 2011, the title-track is a mid-paced chugger with a deep, metallic bass and a beautifully stirring synth, which seems to come and go as it pleases. This is a truly wonderful track which perfectly illustrates just how life-affirming dance music can be. On the flip meanwhile Volta Cobby builds slowly from humble beginnings to become an epic trancer which will break more than its fair share of hearts.
    [Show full text]
  • The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
    Cross-Dressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music Feature Article David Madden Concordia University (Canada) Abstract Addressing the international emergence of electroclash at the turn of the millenium, this article investigates the distinct character of the genre and its related production practices, both in and out of the studio. Electroclash combines the extended pulsing sections of techno, house and other dance musics with the trashier energy of rock and new wave. The genre signals an attempt to reinvigorate dance music with a sense of sexuality, personality and irony. Electroclash also emphasizes, rather than hides, the European, trashy elements of electronic dance music. The coming together of rock and electro is examined vis-à-vis the ongoing changing sociality of music production/ distribution and the changing role of the producer. Numerous women, whether as solo producers, or in the context of collaborative groups, significantly contributed to shaping the aesthetics and production practices of electroclash, an anomaly in the history of popular music and electronic music, where the role of the producer has typically been associated with men. These changes are discussed in relation to the way electroclash producers Peaches, Le Tigre, Chicks on Speed, and Miss Kittin and the Hacker often used a hybrid approach to production that involves the integration of new(er) technologies, such as laptops containing various audio production softwares with older, inexpensive keyboards, microphones, samplers and drum machines to achieve the ironic backbeat laden hybrid electro-rock sound. Keywords: electroclash; music producers; studio production; gender; electro; electronic dance music Dancecult: Journal of Electronic Dance Music Culture 4(2): 27–47 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI: 10.12801/1947-5403.2012.04.02.02 28 Dancecult 4(2) David Madden is a PhD Candidate (A.B.D.) in Communications at Concordia University (Montreal, QC).
    [Show full text]
  • Scissor Sisters by Claude J
    Scissor Sisters by Claude J. Summers Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2010 glbtq, Inc. Reprinted from http://www.glbtq.com The American pop band Scissor Sisters was spawned in New York City's gay club scene and has cultivated a large glbtq fan base around the world, especially in the United Kingdom and the United States. With four of its current five members openly gay men; with the lyrics of their songs regularly addressing transgressive sexuality and glbtq subjects, such as transsexual prostitutes and coming out to one's family; and with the group's music and flamboyant presentation drawing on the rich heritage of gay dance music, especially disco and Scissor Sisters lead glam rock: it is not a stretch to suggest that the band expresses a contemporary gay singers Ana Matronic artistic vision, notwithstanding its consistent rejection of the label "gay band." and Jake Shears. Image of Ana Matronic by Wikimedia Commons Although co-founder Jake Shears has said that "I don't believe sexuality really matters contributor HD. Image of when it comes to music," he has nevertheless expressed the desire for the band to be Jake Shears by "openly gay" in a way that other bands have not been in the past, without coyness or Wikimedia Commons apology. Contributor Ames. Both images appear under the Creative Commons Whatever label one attaches to the group, there is no doubt that the band seems to Attribution 2.0 Generic crystallize the joyful energy and genderbending campiness, as well as the sardonic license. poses, tender yearning, and uninhibited eroticism, of many glbtq young people.
    [Show full text]
  • MERCURIAL MIXING DJ Harvey Brings the White Isle to Your Living Room with His Comp for the Newly-Founded Pikes Records
    MUSIC MERCURIAL MIXING DJ Harvey brings the White Isle to your living room with his comp for the newly-founded Pikes Records... p.146 DON’T STOP THE MUSIC The latest tracks reviewed p.122 FOR THE LONGEST TIME The best albums of October p.142 PHAT COMPTROLLER The compilations to gobble up this month p.146 Pic: DAN REID djmag.com 121 HOUSE BEN ARNOLD QUICKIES Urulu The Armadillo EP [email protected] Amadeus Records 8.0 Taylor Freels, aka Urulu, drops some first-rate balearic house music in the gently marvellous 'The Nautlus', while the busted-up beats of 'Cold Ravioli' will warm the soul. Dudley Strangeways & Luke Black MONEY Split EP Chord Records Iron Curtis SHOT! 7.5 Lights EP Proceed directly to 'Even Tides' from Dudley Hudd Traxx Strangeways here, via Luke Black's Chord 9.0 Records. It crunches and shuffles in all the right This is flawless work from places. Iron Curtis — aka Nürnberg- native Johannes Paluka — Gina Breeze delivered on the inimitable, from Scotland's Lord Of The own vinyl-only offshoot 22 After Dark EP Huddersfield-founded Hudd Isles and Frank T Butters are Digit LTD; a message of unity Classic Music Company Traxx. 'Lights', being the title excellent too. layered over bass thick enough 7.5 track here, is indeed a peak- to stand your spoon up in. Cracking debut on Luke Solomon and Derrick time colossus, all string stabs Felix Da Housecat Appleblim pulls out a brilliantly Carter's Classic from Homoelectric's very own and spine tingles.
    [Show full text]
  • The Queer of Color Sound Economy in Electronic Dance Music
    The Queer of Color Sound Economy in Electronic Dance Music Blair Black Within electronic dance music cultures (EDMCs), musicality and experi- mentation have been indebted to black and Latinx DJs of color since its inception in the 1980s. Even today, queer DJs of color continue to push the envelope of experimental EDM by showcasing dance music from the “global south,” centering remix styles that border between hip hop and EDM, and sampling cultural references popular in queer communities of color. This article explores music’s complex entanglements with identity and community for queer people of color in underground electronic dance music scenes. To be specific, the individuals within these communities self-identify as racial/ethnic minorities on the genderqueer spectrum of non-normative gender and sexual identities (gay/lesbian, trans, non- binary, etc.). Moreover, I argue that these socio-economic positions act as an impetus of a sound economy – the shared system of socio-cultural aesthetics – for queer communities of color in EDM. The first section dis- cusses the identity politics that underlie this sound economy by tracing how intertextuality allows DJs to display these minoritarian1 perspectives. I then highlight why (re)centering racialized queer identities is radical by tracing EDM’s political shifts. Specifically, I highlight how narratives sur- rounding EDM changed due to the demographic turn in Europe during the 1990s. The last section explores the re-emergence of pivotal queer DJs of color and the scenes they founded in Los Angeles, Chicago, and New York by focusing on the flows of culture and people between cities to point to a more extensive global network of racialized queer communities in constant musical and political dialogue.
    [Show full text]
  • Microsoft Office Outlook
    Eliot I. Bernstein Full Name: Above and Beyond First Name: Above and Beyond Job Title: James Grant - Manager Business: 44 20 8742 4950 E-mail: enquiries Categories: call ultrafest 09 20090319 cmb sent email to 20090319 cmb per recept not manager James Grant Media Ltd 94 Strand On The Green Chiswick London W4 3NN tel: 020 8742 4950 fax: 020 8742 4951 email: enquiries James Grant Music Management was formed in the early part of 2005 by Nick Worsley and Simon Hargreaves and is a joint venture with long established TV Management Company James Grant Media. Heading up the company are two former Sony Music Entertainment Executives - Nick Worsley who was Head of Radio Promotions and Simon Hargreaves who was Head Of Press and Publicity. Bringing together over 20 years of music industry experience across both Major labels and the Independent sector - James Grant Music delivers a fresh and extremely potent force in the Music Business and is already breaking new ground in the Music Management arena. 1 Eliot I. Bernstein Full Name: Alina First Name: Alina E-mail: [email protected] E-mail Display As: Alina ([email protected]) Categories: call ultrafest 09 20090319 cmb sent email to the email above AFFILIATION: Sequence Production BOOKING CONTACT: [email protected] BIOGRAPHY Alina Sequence career has begun in 1994 when it has started to work as the assistant to the arranger in a sound studio. Greater support was rendered by Andrey Ivanov (Triplex), having given many useful knowledge in the field of electronic tools, becoming first producer Alina. In 1997 Alina Sequence bases under the beginning a promo-label " Sequence Records " which is engaged in producing of young electronic musicians, and also release of releases of Russian electronic music.
    [Show full text]
  • ENJOY RIGHT NOW Het Spanningsveld Tussen Nieuwe Media En De Kernwaarden Van Clubcultuur
    ENJOY RIGHT NOW Het spanningsveld tussen nieuwe media en de kernwaarden van clubcultuur Beau Louisse 7 april 2015 Master Kunst- & cultuurwetenschappen Radboud Universiteit Nijmegen Abstract Enjoy Right Now. The field of tension between new media and the core values of club culture. Recently more and more clubs started to ban smartphones and cameras from their dancefloors. The club scene is divided in two sides: one that happily uses club photography and aftermovies as marketing for their events and another that wishes to ban all wearable technology. That gave rise to the suspicion that new media clash with elements of the clubbing ideology. This study therefore examines how new media create a field of tension between the core values of club culture and the practice on the dancefloor. It analyses how core values such as freedom, escapism, collectivity, and hedonism fit within the media saturated club environment and how new media influence the functioning of club culture. Finally, there will be explored how new technologies have possibly influenced the core values of club culture. The research focuses on clubs and festivals in the Benelux and Germany (Berlin) between 2010 and 2014. The new media that are being examined are mainly smartphones, digital cameras, social media and websites. Statements made in the media by clubbing insiders such as clubbers, organizers, dj’s, and other club culture affiliates are analyzed in order to map out how new media are being used in club culture and also how they affect the dance scene. Editorials by websites on electronic music and dance culture make up another important part of the primary sources.
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • UPCOMING EVENTS at the AUDITORIUM THEATRE Show Listings and Information Through September 30, 2017
    Upcoming Events at the Auditorium Theatre View in browser 50 E Congress Pkwy Lily Oberman Chicago, IL 60605 312.341.2331 (office) | 973.699.5312 (cell) AuditoriumTheatre.org [email protected] Release date: April 27, 2017 UPCOMING EVENTS AT THE AUDITORIUM THEATRE Show Listings and Information Through September 30, 2017 JUST ANNOUNCED ­ NEW EVENTS AT THE AUDITORIUM THEATRE #RESIST: MICHELLE ALEXANDER AND NAOMI KLEIN IN CONVERSATION May 9, 2017 Join Michelle Alexander and Naomi Klein for a wide­ranging conversation, moderated by Keeanga­ Yamahtta Taylor, about the connections between ecological and economic crisis, racism, mass incarceration, deportation and police violence, and the potential power of mass movements of ordinary people to articulate and fight for an alternative. Michelle Alexander is a highly acclaimed civil rights lawyer, advocate, and legal scholar. Her bestselling book The New Jim Crow won numerous awards, including the NAACP Image Award for Best Nonfiction Book. She is currently a visiting professor at the Union Theological Seminary in New York Naomi Klein is an award­winning journalist, syndicated columnist, and author of the international bestsellers No Logo, The Shock Doctrine, and This Changes Everything: Capitalism vs. the Climate. In 2017 she joined The Intercept as Senior Correspondent. Keeanga­Yamahtta Taylor is assistant professor in the department of African American Studies at Princeton University and the author of From #BlackLivesMatter to Black Liberation. Presented by Haymarket Books and Lannan Foundation. Performance Information Tuesday, May 9 | 7PM Tickets are no longer available for this event. To get up­to­the­minute ticket availability information, please contact our sales office at 312.341.2300 or at [email protected].
    [Show full text]
  • Santiago Salazar Santonio Echols Sean Deason Seth
    ANN SAUNDERSON GARY MARTIN QUENTIN HARRIS ANGIE LINDER GARY CHANDLER ALAN OLDHAM GERALD BRUNSON ROBERT HOOD AUX 88 GENERATION NEXT RICK WILHITE A NUMBER OF NAMES GARI ROMALIS RYAN CROSSON ANDY TOTH GREGORY COLLIER RAY 7 ANNIX RICK WADE ANDY GARCIA HEINRICH MÜLLER REGGIE HARRELL AMP FIDDLER RON COOK ALEXANDRES LUGO INNER CITY A BLAKTONY HORTON SUPERDRE ALTON MILLER JUAN ATKINS SCAN 7 ANTHONY SHAKE SHAKIR JAY DENHAM STACEY “HOTWAXX“ HALE ABDUL QADIM HAQQ JOHN E. COLLINS SCOTT GROOVES JTC SANTIAGO SALAZAR BLAKE BAXTER JOSH GREENWOOD SANTONIO ECHOLS BRUCE BAILEY J. GARCIA SEAN DEASON BUZZ GOREE JAY DANIEL SETH TROXLER BILL BEAVER JEFFREY WOODWARD SAM VALENTI BRIAN KAGE JESSICA CARE MOORE STRAND JOE BEEZY BIG STRICK SINISTARR BURDEN BROTHERS JEFFREY SFIRE BRENT SCUDDER JON DIXON SEAN TATE BRIAN GILLESPIE JENNY LAFEMME SOULFUL UNDERGROUND JOY SANTIAGO CLARK SHAUN REEVES CORNELIUS HARRIS SUGA SHONUFF & FLO REAL CLAUDE YOUNG JR. KENNY LARKIN CARL CRAIG KEITH TUCKER TONY FOSTER CAROL MARVIN KEVIN SAUNDERSON TIM BAKER CRAIG HUCKABY KEVIN REYNOLDS TOMMIE COOL CLIFF THOMAS KENT SPENCER TIMELINE CHUCK DANIELS KEITH WORTHY T.LINDER K-HAND CHEZ DAMIER THOMAS BARNETT CHARLES HICKS KEVIN DYSARD CHARIVARI GROUP KERO THERESA HILL KAI ALCE TODD JOHNSON D. RICHARDSON TOMMY HAMILTON DAVINA BUSSEY LEE CURTISS TONY NOVA DETROIT TECHNO MILITIA LUKE HESS T. CARLITA DANIEL BELL LINDA G TIM STEWARD DJ GODFATHER LOS HERMANOS DJ ROACH WINNETTRA SAWYER DJ MORESSE MONTY LUKE WALTER WASACZ DJ BONE MIKE HUCKABY MIKE HIMES DJ AL ESTER 4 HOUR OF LOVE DIMITRI HEGEMANN MARK TAYLOR DJ FINGERS MIKE ARCHER DJ ASSAULT MARCELLUS PITTMAN ZANA SMITH DEREK PLASLAIKO MIKEL SMITH DJ TAZ MODEL 500 DJ RAYBONE JONES MIKE BANKS DJ ART PAYNE MIKE AGENT X CLARK DJ PSYCHO MERACHKA DIVINITI MICHAEL FOTIAS DARKCUBE MILTON BALDWIN DJ SEOUL MOODYMANN DJ MINX MIKE GRANT DJ DI’JITAL MIKE SERVITO DJ CENT MARSHALL APPLEWHITE DEEPCHORD MARK FLASH DRU RUIZ MATTHEW DEAR DRAND D-WYNN NEIL V.
    [Show full text]