2020 SENIOR HONOREES Hommage À J.S
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Master Class Faculty
VIRTUAL MASTER CLASS FACULTY Sunday, January 24th VOICE | THEATER | BUSINESS SKILLS NANCY ANDERSON “Advice From a Pro” *please come with a song prepared and a recorded track. Students may have the opportunity to coach their song. Nancy Anderson is a 20-year veteran singer, actor and dancer of Broadway, Off-Broadway and regional stages. Last year Anderson understudied Glenn Close in the Broadway revival of “Sunset Boulevard” followed by a Helen Hayes nominated performance as Gladys in “The Pajama Game” at Arena Stage in Washington, D.C. She made her Broadway debut as Mona in “A Class Act,” played the roles of Helen and Eileen in the Broadway revival of “Wonderful Town” and starred as Lois/Bianca in the national tour and West End premiere of Michael Blakemore’s and Kathleen Marshall’s Broadway revival of “Kiss Me Kate,” for which she received Helen Hayes and Olivier Award nominations. Great Performances audiences are familiar with her London debut as Lois/Bianca, which was filmed for PBS in 2002 as well as her featured performance in the Carnegie Hall concert of “South Pacific” starring Reba McIntyre and Brian Stokes Mitchell. Other television appearances include Madame Secretary (The Middle Way, “Alice”) and PBS’s Broadway: The American Musical as the voice of Billie Burke. Anderson is a three-time Drama Desk Award Nominee; in 2000 for best supporting actress as eight female roles in Jolson & Co., in 2006 for best leading actress in Fanny Hill and in 2017 for Best Solo Performance in the one-woman musical “The Pen.” She has thrice been nominated for the Helen Hayes Award: in addition to last year’s “The Pajama Game,” she was also nominated for her role in “Side by Side by” Sondheim at Signature Theatre in 2011. -
The Program Rachel Lee, Eric William Morris, Will Roland, Lance Rubin, Brent Stranathan, Jared Weiss, Jason Sweettooth Williams
Saturday, February 1, 2020 at 8:30 pm Joe Iconis The Family Nick Blaemire, Amara Brady, Liz Lark Brown, Betty Buckley, Dave Cinquegrana, Katrina Rose Dideriksen, Badia Farha, Alexandra Ferrara, Danielle Gimbal, Annie Golden, Molly Hager, Joe Iconis, Ian Kagey, Geoffrey Ko, The Program Rachel Lee, Eric William Morris, Will Roland, Lance Rubin, Brent Stranathan, Jared Weiss, Jason SweetTooth Williams This evening’s program is approximately 75 minutes long and will be performed without intermission. This performance is being livestreamed; cameras will be present. Please make certain all your electronic devices are switched off. Endowment support provided by Bank of America Corporate support provided by Morgan Stanley This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Christina and Robert Baker, EY, Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Patrons and Lincoln Center Members Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Wednesday, February 12 at 8:30 pm iLe Thursday, February 13 at 8:30 pm Roomful of Teeth Friday, February 14 at 8:30 pm Brandon Victor Dixon Saturday, February 15 at 8:30 pm Our Lady J Wednesday, February 26 at 8:30 pm An Evening with Natalie Merchant Thursday, February 27 at 8:30 pm Kalani Pe‘a Friday, February 28 at 8:30 pm Ali Stroker Saturday, February 29 at 8:30 pm Martin Sexton For tickets, call (212) 721-6500 or visit AmericanSongbook.org. -
News Release
NEWS RELEASE FOR IMMEDIATE RELEASE Press contact: John Stolen 541.310.1876 | [email protected] New York Youth Symphony’s 2020/21 Musical Theater Songwriting Program Features Guest Artists Tom Kitt, Kirsten Childs, Alex Lacamoire, Leigh Silverman, and more New York, NY - New York Youth Symphony (NYYS), is excited to announce the third season of its Musical Theater Songwriting Program. Led by director Anna K. Jacobs, and in partnership with the Harlem School of the Arts, New York Film Academy, New York Songspace, and Maestra, the program is specially designed to lead students through a range of musical theater songwriting processes. Whether their background is as a classical composer, singer-songwriter, performer, writer, or some cool hyphenate, the program provides students ages 12 – 22 with the opportunity to both study the fundamentals of musical theater songwriting and take artistic risks. Weekly sessions will feature seminars, workshops, and masterclasses with some of Broadway's most distinguished composers, writers, performers, musicians, producers, directors, and designers. Throughout the year, students will also have the unique opportunity to workshop new material with performers from the Harlem School of the Arts and New York Film Academy, as well as a Broadway pit band. This season will feature guest lecturers including Tony and Pulitzer Prize-winning composer and orchestrator Tom Kitt (Next To Normal, If/Then), Obie Award-winning composer/lyricist and playwright Kirsten Childs (The Bubbly Black Girl Sheds Her Chameleon Skin, Bella: An American Tall Tale), Tony and Grammy Award-winning music director and orchestrator Alex Lacamoire (Hamilton, Dear Evan Hansen), Tony-nominated director Leigh Silverman (Violet), producer Jennifer Ashley Tepper (Be More Chill, Broadway Bounty Hunter, Love In Hate Nation), orchestrator Kris Kukul (Beetlejuice), costume designer Amy Clark (A Night with Janice Joplin, Chaplin), and composer and orchestrator Mike Pettry (The Light Princess, The Noteworthy Life of Howard Barnes, Vampirina). -
2019 Lucille Lortel Awards Nominations
FOR IMMEDIATE RELEASE Press Contact: Chris Kanarick [email protected] O: 646.893.4777 34TH ANNUAL LUCILLE LORTEL AWARDS NOMINATIONS ANNOUNCED MULTIPLE EMMY AWARD-WINNER, PERFORMER, COMEDIAN – WAYNE BRADY – TO HOST THE CEREMONY Carmen Jones and Rags Parkland Sings The Songs Of The Future tie for most nominations with six each – including Outstanding Revival and Outstanding Musical, respectively Current Broadway productions Be More Chill and What The Constitution Means To Me earn nominations for their Off-Broadway stints – including Outstanding Musical and Outstanding Play Among the many notable nominees are playwrights Jeremy O. Harris and Phoebe Waller-Bridge and performers Joel Grey, George Salazar, Mare Winningham, and Jackie Hoffman Major studios debut on the Off-Broadway theatre scene with Annapurna Theatre as a producer on FLEABAG and Amazon’s Audible producing Girls & Boys, performed by Carey Mulligan New York, NY (April 3, 2019) – The Off-Broadway League today announced nominations in 19 categories – and bestowed one special award – for the 34th Annual Lucille Lortel Awards for Outstanding Achievement Off- Broadway. The Awards will be handed out on Sunday, May 5, 2019 at NYU Skirball Center for Performing Arts, beginning at 7:00pm EST. The Lucille Lortel Awards are produced by the Off-Broadway League by special arrangement with the Lucille Lortel Theatre Foundation. Additional support is provided by TDF. Beloved and celebrated entertainer, Wayne Brady, will emcee the ceremony. Leading the nominations this year are: Carmen Jones, with six nominations including one for Outstanding Revival and for John Doyle’s direction, as well as in three of the four performance categories; Ars Nova’s Rags Parkland Sings The Songs Of The Future also earned six nominations, including Outstanding Musical and Lead Actress and Actor in a Musical; current social media phenom Be More Chill received four nominations including Outstanding Musical, Outstanding Featured Actor in a Musical for George Salazar, and Outstanding Featured Actress in a Musical for Stephanie Hsu. -
From the Principal's Desk for Our LIHSA Families
Long Island High School for the Arts is a Nassau BOCES program From the Principal's Desk for our LIHSA Families April 9, 2021 April is Jazz Appreciation Month April is Jazz Appreciation Month. We are happy to share this year’s beautiful Smithsonian National Museum of American History official 2021 poster that features pianist, singer, songwriter, storyteller and civil rights activist Nina Simone. Born February 21, 1933, in Tryon, North Carolina, Simone became enamored with music at the early age of three when she learned to play the piano by ear. She went on to study classical repertoire and aspired to continue her education as a concert pianist at the Curtis Institute of Music in Philadelphia, but that future did not come to pass. An audition in 1954 at the Midtown Bar & Grill in Atlantic City, New Jersey, was noted as a defining moment in her career that introduced her talents as a pianist and singer to an unsuspecting and enthusiastic audience. Some of her many recordings include her debut album, Little Girl Blue, on Bethlehem Records; the 1962 live recording Nina at the Village Gate; and 1964’s Nina in Concert, which famously addressed racial inequality. Simone received the Grammy Hall of Fame Award in 2000 and was inducted posthumously into the Rock and Roll Hall of Fame in 2018. Her 1964 performance of “Mississippi Goddam” was selected as culturally and historically significant by the Library of Congress in 2018 and included for preservation on the National Recording Registry. To learn more about Nina Simone, visit ninasimone.com. -
Fingal, Jen Thesis Final
HOW DO YOU SOLVE A PROBLEM LIKE THE AMERICAN MUSICAL: The Evolution of Musical Theater Producing from Oklahoma! to Rocky the Musical Jennifer Fingal Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Theatre Arts Program of the School of the Arts Columbia University April 30, 2015 Fingal 1 Introduction The contemporary American musical is in a time of crisis. More and more, not-for-profit theaters such as American Repertory Theater in Cambridge and Second Stage Theater in New York, which were founded to produce non-commercial works, are filling their season with musicals based on high-profile movies like Finding Neverland and Little Miss Sunshine. It is far more likely to see a popular musician writing music for a well-known movie turned musical - for instance Sara Bareilles for Waitress which will premiere at A.R.T. August 2015 - than to see a new generation of musical theater writers creating the next Fiddler on the Roof or West Side Story. Out of all the musicals that have opened on Broadway since the 2011-2012 Broadway season, 33.5% have been revivals, 13% have been jukebox musicals of some sort, 33.5% have been based on a high profile movie, and a mere 20% have been based on original or lesser known material. Of that 20%, The Last Ship was written by Sting, and If/Then starred Idina Menzel. First Date, Bridges of Madison County, Chaplin, Hands on a Hardbody, Lysistrata Jones and Leap of Faith, though novel for being original works were not successful at the box office, and only two out of the six were critically acclaimed. -
Chuck Cooper, Lachanze, Norm Lewis, and More Will Star in Encores! Production of Cabin in the Sky, Directed by Ruben Santiago‐Hudson
Contact: Joe Guttridge, Director, Communications [email protected] 212.763.1279 Chuck Cooper, LaChanze, Norm Lewis, and more will star in Encores! production of Cabin in the Sky, directed by Ruben Santiago‐Hudson Creative teams also announced for Encores! productions of 1776 and Do I Hear a Waltz? New York, NY, December 7, 2015—Encores! Artistic Director Jack Viertel today announced the creative teams for New York City Center’s 2016 Encores! season. J. Bernard Calloway, Chuck Cooper, Marva Hicks, Carly Hughes, LaChanze, Norm Lewis, Forrest McClendon, and J.D. Webster will star in Vernon Duke and John Latouche’s jazz‐filled fable Cabin in the Sky, running for seven performances at City Center from February 10—14. The 1940 musical will be directed by Tony Award winner Ruben Santiago‐Hudson with choreography by Camille A. Brown. Originally produced in 1940, Cabin in the Sky followed Porgy and Bess in celebrating African‐American music and dance traditions. The musical tells the story of “Little Joe” Jackson, a charming ne’er‐do‐well who dies in a saloon brawl and is given six months on earth to prove his worth to the Lord’s General (Norm Lewis) and his long‐suffering wife Petunia (LaChanze), while resisting the temptations of the Devil’s Head Man (Chuck Cooper). Duke’s score, featuring the jazz hit “Taking a Chance on Love,” will be restored to its original glory for Encores!, thanks to the generous support of The Joseph S. and Diane H. Steinberg Broadway Musical Restoration Fund. The original orchestrations for Cabin in the Sky no longer exist and will be recreated by Tony Award winner Jonathan Tunick. -
BROADWAY BOUNTY HUNTER MUSIC and LYRICS by Joe Iconis BOOK by Joe Iconis, Lance Rubin and Jason Sweettooth Williams STARRING Annie Golden FEATURING Alan H
JULIANNE BOYD, ARTISTIC DIRECTOR TRISTAN WILSON, MANAGING DIRECTOR AND Sydelle and Lee Blatt PRESENT THE WORLD PREMIERE OF BROADWAY BOUNTY HUNTER MUSIC AND LYRICS BY Joe Iconis BOOK BY Joe Iconis, Lance Rubin AND Jason SweetTooth Williams STARRING Annie Golden FEATURING Alan H. Green AND Jeff McCarthy WITH Badia Farha Kourtney Keitt Anastacia McCleskey Jamie Patterson Porsha Putney George Salazar Shannon Tyo Jason Veasey Scott Watanabe SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER Timothy Mackabee Bobby Frederick Tilley Eric Southern Josh Millican PRODUCTION STAGE MANAGER MUSIC SUPERVISOR/ORCHESTRATIONS FIGHT CHOREOGRAPHY E Sara Barnes Charlie Rosen Ryan Winkles CASTING BERKSHIRE PRESS REPRESENTATIVE NATIONAL PRESS REPRESENTATIVE Pat McCorkle, CSA Charlie Siedenburg Matt Ross Public Relations MUSICAL DIRECTION/VOCAL ARRANGEMENTS Joel Waggoner BLATT CENTER PRODUCER ARTISTIC PRODUCER OF THE MUSICAL THEATRE LAB Branden Huldeen William Finn CHOREOGRAPHED BY Jeffrey Page DIRECTED BY Julianne Boyd SPONSORED IN PART BY Drs. Judith and Martin Bloomfield Supported in part by the National Fund for New Musicals, a program of the National Alliance for Musical Theatre, with funding from the ASCAP Foundation Irving Caesar Alliance Fund and Stacey Mindich Productions – WWW.NAMT.ORG. A World Premiere from BSC’s Acclaimed Musical Theatre Lab. Broadway Bounty Hunter was developed, in part, at Rhinebeck Writers Retreat. ST. GERMAIN STAGE | AUG 13—SEPT 4, 2016 @ Sydelle and Lee Blatt Performing Arts Center CAST IN ORDER OF APPEARANCE -
Broadway Close Up
Merkin Concert Hall Monday, September 24, 2012 at 7:30 pm Kaufman Center presents Broadway Close Up Bound For Broadway XII Liz Callaway, host Sean Hartley, artistic director Featuring Songs from The Dogs of Pripyat The Great American Mousical Murder For Two Rocket Science Watt?!? With Appearances by Jill Abramovitz Aron Accurso Sean Attebury Hunter Bell Kellen Blair Heidi Blickenstaff Stephen Bogardus Alex Brightman Andy Einhorn Noah Galvin Alexander Gemigniani Zina Goldrich Marcy Heisler Gwen Hollander David Javerbaum Joe Kinosian Martin Landry Janice Mays Landry Ken Marks Brendan Millburn Jeremy Morse Lea Nardi Adam Overett Larry Pressgrove Jason Rhyne Aaron Riesebeck William Ryall Kristin Tarczynski Barbara Walsh Jason “SweetTooth”Williams Keith White Act I Murder For Two Book and Lyrics by Kellen Blair; Music by Joe Kinosian “It Was Her” JOE KINOSIAN and ADAM OVERETT “He Needs a Partner” JOE KINOSIAN and ADAM OVERETT Rocket Science Book by Patricia Cotter; Lyrics by Jason Rhyne; Music by Stephen Wiener Based on the film by Jeffrey Blitz; Music directed by Andy Einhorn “According to Kline” JEREMY MORSE and AARON RIESEBECK “Only Jenny” JEREMY MORSE “Williamsburg” STEPHEN BOGARDUS and BARBARA WALSH The Great American Mousical Book by Hunter Bell; Lyrics by Marcy Heisler; Music by Zina Goldrich Based on the book by Julie Andrews Edwards and Emma Walton Hamilton “Oh, For a Life in the Country” NOAH GALVIN and HEIDI BLICKENSTAFF “What Do You Think of That?” NOAH GALVIN “The Show Goes On” HEIDI BLICKENSTAFF Intermission Act Two The Dogs of -
Press Release 2020 Jonathan Larson Grant Recipients Announced
FOR IMMEDIATE RELEASE PRESS CONTACT: Leigh Harmon/Otto & Friends [email protected] THE AMERICAN THEATRE WING ANNOUNCES THE 2020 JONATHAN LARSON GRANT RECIPIENTS New York, NY (February 19, 2020) — The American Theatre Wing is pleased to announce that the 2020 Jonathan Larson® Grant recipients are The Bengsons (Music and Lyrics), Anna K. Jacobs (Music and Lyrics), Rona Siddiqui (Music and Lyrics) and Benjamin Velez (Music and Lyrics). Each recipient will receive an unrestricted grant of $10,000 as well as additional support in the form of residencies, concerts and recording grants. The grants will be presented to each recipient by the American Theatre Wing at a private event in New York City on Monday, March 23 that will feature special performances of their work. “Each year our panel of judges takes on the difficult task of choosing, from among hundreds of applicants, the artists who best embody Jonathan’s creative spirit and have the potential to take musical theatre to new heights,” said American Theatre Wing President & CEO Heather Hitchens. “Over the years, Larson Grant winners have gone on to garner 41 Tony Nominations, 6 Tony Awards®, 10 Obie Awards®, 6 Grammys, and 2 Oscars so we make this announcement with particular pride and excitement each year knowing the impact that Jonathan Larson and his legacy grant recipients will have on our industry.” To continue the Tony Award-winning composer’s dream of infusing musical theatre with a contemporary, joyful, urban vitality, the Jonathan Larson Grants honor emerging composers, lyricists and book writers. Dedicated to celebrating excellence and supporting theatre, the American Theatre Wing awards the Larson Grants to artists to recognize and showcase their work with no strings attached - except to put it to the best use possible to help further their creative endeavors. -
“Does Anybody Have a Map?”: the Impact of “Virtual Broadway” on Musical Theater Composition
“Does Anybody Have A Map?”: The Impact of “Virtual Broadway” on Musical Theater Composition CLARE CHANDLER , AND SIMEON SCHEUBER-RUSH N THEIR 2015 TEDX TALK, MUSICAL THEATER WRITERS BENJAMIN Pasek and Justin Paul identify a growing online culture within I musical theater, terming this space “Virtual Broadway.” This term refers to the virtual arena within which musical theater com- posers and audiences directly interact, necessitating explorations of how this democratization of the mediation process has impacted musical theater composition and consumption. In popular culture, “There are no longer subjective gatekeepers controlling who gets let ‘in,’ promoted and exposed. The choice is ours. Now, anyone can be famous” (Price). This transformation is evident in musical theater, where an upsurge in “YouTube musical theater composers” (Pasek and Paul) and social media engagement challenges the dominance of the book musical. Opportunities for self-promotion on the Internet are vast and allow composers to reach a more diverse audience. These emerging opportunities subsequently influence the form of produced works. With humans online having an average attention span of eight seconds (Microsoft Canada 6), this article considers how musical the- ater is evolving to meet the requirements of millennials and Gen Z. The Journal of Popular Culture, Vol. 54, No. 2, 2021 © 2021 The Authors. The Journal of Popular Culture published by Wiley Periodicals LLC. This is an open access article under the terms of the Creative Commons Attribution- NonCommercial-NoDerivs License, which permits use and distribution in any medium, provided the original work is properly cited, the use is non-commercial and no modifications or adaptations are made. -
The Visibility Report
2018 2019 The Visibility Report Racial Representation on NYC Stages Deadline Our Mission Deadline The mission of the Asian American on diversity with artistic institutions and the Performers Action Coalition (AAPAC) Broadway community including partnering with allies on national initiatives. While our is to expand the perception of Asian American work remains specific to New York City, we performers in order to increase their access endeavor to have a meaningful impact on to and representation on New York City’s representation for Asian Americans in the stages. AAPAC publishes the only publicly greater American theatre. available annual statistics report on racial representation in the NYC area of its kind and has been a leader in discussions and forums www.aapacnyc.org AAPAC is an Obie Award-winning, volunteer- driven organization with limited resources. If you find these statistics useful, we ask that you make a tax-deductible donation through our fiscal sponsor, Fractured Atlas. Go to www.fracturedatlas.org and search for AAPAC or go to our direct page: https://fundraising.fracturedatlas.org/aapac We thank you in advance for your donation and support! Deadline This report was made possible through the generous support of the American Theatre Wing. 70 Table of Non-Profit Directors 72 Contents 22 54 Non-Profit Designers Who Gets to Shape the Stories? Broadway Musicals 74 26 56 Non-Profit Theatre Comparison, Who Gets to Design the Stories? Broadway Plays 2018–2019 Season 8 76 Letter from AAPAC 28 58 Are Gatekeepers Biased? Broadway Writers