INTRODUCTION TABLE OF CONTENTS Acknowledgments 13 Glossary 18 Introduction 21 1. LEONID ANDREYEV Once Upon a Time 43 2. FYODOR SOLOGUB Th e Invoker of the Beast 65 3. ALEKSANDR KUPRIN Gambrinus 73 4. ALEKSEI REMIZOV Th e Little Devil 100 5. ELENA GURO Th us Life Passes 131 6. ARKADY AVERCHENKO Four People 145 Scenes from the Life of the Worker Pantelei Grymzin 152 7. NADEZHDA TEFFI Black Iris 154 8. MIKHAIL BULGAKOV Th e Red Crown 158 9. MIKHAIL ZOSHCHENKO Black Magic 165 Th e Female Fish 177 — 7 — INTRODUCTION 10. ISAAC BABEL Gedali 185 Th e Rabbi 188 Th e Rabbi’s Son 190 11. MIKHAIL SHOLOKHOV Family Man 193 12. LEV LUNTS Outgoing Paper No 27 200 13. VSEVOLOD IVANOV Th e Gardener of the Emir of Bukhara 209 14. ALEKSEI TOLSTOY Th e Viper 231 15. EVGENY ZAMYATIN Th e Flood 269 16. ANDREI PLATONOV Doubting Makar 297 17. DANIIL KHARMS Blue Notebook Number 10 315 Old Women Tumbling Out 315 Kushakov the Carpenter 316 A Dream 317 Th e Start of a Very Nice Summer Day 318 Th e Lynching 318 18. VLADIMIR NABOKOV Lake, Cloud, Tower 320 19. SIGIZMUND KRZHIZHANOVSKY Th e Smoky Glass Goblet 328 — 8 — INTRODUCTION 20. IVAN BUNIN Tanya 333 21. ANDREI SINYAVSKY Th e Tenants 351 22. VARLAM SHALAMOV Eulogy 365 23. FRIDRIKH GORENSHTEIN Th e House with a Turret 380 24. VASILY AKSYONOV “Victory” 405 25. YULI DANIEL Hands 412 26. KONSTANTIN VOROBYOV A German in Felt Boots 417 27. FAZIL ISKANDER My Uncle of the Highest Principles 430 28. VASILY SHUKSHIN Chudik 445 I Believe! 455 29. VLADIMIR TENDRYAKOV Bread for a Dog 466 30. YURY KAZAKOV You Cried Bitterly in Your Sleep 487 31. YURY DOMBROVSKY Little Arm, Leg, Cucumber . 505 — 9 — INTRODUCTION 32. SERGEI DOVLATOV My Older Cousin 523 33. BULAT OKUDZHAVA Girl of My Dreams 542 34. TATIANA TOLSTAYA Th e Fakir 555 35. VIKTOR EROFEYEV Galoshes 576 36. VLADIMIR MAKANIN Surrealism in a Proletarian District 585 37. VLADIMIR SOROKIN Passing Th rough 604 38. ALEKSANDR SOLZHENITSYN Th e Young 611 39. LEONID YUZEFOVICH Butterﬂ y. 1987 624 40. OLEG ERMAKOV Th e Last War Story 646 41. VIKTOR PELEVIN A Short History of Paint-ball in Moscow 676 42. LYUDMILA ULITSKAYA Th e Queen of Spades 694 43. YURY BUIDA More and More Angels 723 Th e Samurai’s Dream 726 — 10 — INTRODUCTION 44. YURY MAMLEYEV Currency 728 45. IRINA POLYANSKAYA Snow Falls Ever So Quietly 737 46. LEV RUBINSHTEIN Teachers without Pupils, or from under the Rubble 741 Into the Mausoleum of Th ine 744 47. VLADIMIR TUCHKOV Th e Lord of the Steppes 751 48. LYUDMILA PETRUSHEVSKAYA Never 757 49. MARINA VISHNEVETSKAYA Experience in Demonstrating Mourning 766 50. ANDREI LEVKIN Th e Dump 774 — 11 —.

Copy Link

Recommended publications

Russian, Jewish Or Human? Jewish Mystical Thought in the Poetry of Bulat Shalvovich Okudzhava
RUSSIAN, JEWISH OR HUMAN? JEWISH MYSTICAL THOUGHT IN THE POETRY OF BULAT SHALVOVICH OKUDZHAVA Katarzyna anna KornacKa-Sareło1 (Adam Mickiewicz University in Poznań) Keywords: Bulat Shalvovich Okudzhava, poetry, imagology, Jewish mysticism, Jewish philosophy of dialogue Słowa kluczowe: Bułat Okudżawa, poezja, imagologia, mistycyzm żydowski, żydowska filozofia dialogu Abstract: Katarzyna Anna Kornacka-Sareło, RUSSIAN, JEWISH OR HUMAN? JEWISH MYSTI- CAL THOUGHT IN THE POETRY OF BULAT SHALVOVICH OKUDZHAVA. “PORÓWNA- NIA” 2 (21), 2017, P. 197–214. ISSN 1733-165X. While looking at the literary output of Bulat Shal- vovich Okudzhava from the perspective of imagology, one can see that the image of “the Other” in the poems of the Russian bard was created, paradoxically, just by this “Other”, and it was not constructed by the images (imagines) intrinsically present in the consciousness of the ethnocentric “Self” or “The Same”. In other words, in the case of Okudzhava’s poetry, the image of “the Other” stands on the basis of some ideas of Jewish mystics and the ones of Jewish philosophers of dia- logue (Martin Buber, Franz Rosenzweig and Emmanuel Lévinas). Therefore, the aim of this article was to present the motifs stemming from Jewish mysticism in the poems-songs by Okudzhava which, as it seems, influenced theological, anthropological and ethical views of the bard. The distinctive feature of Okudzhava’s philosophical approach is perceiving every person, regardless of their ethnic or cultural origin, as a being responsible for themselves in the process of constitut- ing themselves in their humanity. The same person is also responsible for other people, for the world of nature, and even for an impersonal and non-anthropomorphic godhead who does not intervene in human affairs.
[Show full text]
I Was First Assigned to the American Embassy in Moscow in 1961
Remembering Vasya Aksyonov With Bella Akhmadulina and Vasily Aksyonov Photo by Rebecca Matlock I was first assigned to the American Embassy in Moscow in 1961. This was when the “Generation of the Sixties” (шестидесятники) was beginning to rise in prominence. It was an exciting development for those of us who admired Russian literature and were appalled at the crushing of creativity brought on by Stalin’s enforced “socialist realism.” I read Vasya’s Starry Ticket with great interest, particularly since it seemed to deal with the same theme as the American writer J.D. Salinger did in his The Catcher in the Rye—a disaffected adolescent who runs away from humdrum reality to what he imagines will be a more glamorous life elsewhere. I then began to follow the stories Vasya published in Yunost’. “Oranges from Morocco” was one that impressed me. Much later, he told me that the story was inspired by an experience while he was in school in Magadan. The original title had been “Oranges from Israel.” He was instructed to replace Israel with Morocco in the title after the Soviet Union broke relations with Israel following the 1967 war. Although I was a young diplomat not much older than Vasya, my academic specialty had been Russian literature and I was eager to meet as many Soviet writers as possible. In fact, one of the reasons I entered the American Foreign Service was because it seemed, while Stalin was still alive, one of the few ways an American could live for a time in the Soviet Union and thus have direct contact with Russian culture.
[Show full text]
Of Russian Literaturepart I Russian Literature: Background, Foreground, Creative Cognition
The Mythopoetic “Vectors” of Russian LiteraturePART I Russian Literature: Background, Foreground, Creative Cognition Chapter 1 The Mythopoetic “Vectors” of 27. Russian Literature1 Any national literature is to some significant extent a mirror held up to its people’s collective countenance: its myths, aspirations, national triumphs and traumas, current ideologies, historical understanding, lin guistic tra- ditions. But it is also more than that — more than a reflection in the glass of what has come before and what is now, even as one glances into it, passing from view. It is, in a real sense, generative of new meaning, and thus capable of shaping that countenance in the future. For the society that takes its literary products seriously, the text of a novel or poem can be a kind of genetic code2 for predicting, not concrete outcomes or actual progeny, but something no less pregnant with future action: the forms of a culture’s historical imagination. The variations seem limitless, and yet how is it we are able to determine any given work of literature is clearly identifiable as Russian? Why could Flaubert’s Emma Bovary in some sense not be imagin- ed by the great realist who created Anna Karenina? How is Dostoevsky’s 1 Originally appeared 2 See Chapter 4 in Part 1 as part 1 of the essay/chapter of the present volume with its “Russian Literature,” in Cambridge discussion of how genes and Companion to Modern Russian “memes” work together to create Culture, ed. Nicholas Rzhevsky an individual’s and a culture’s (Cambridge: Cambridge University views of itself.
[Show full text]
The Cases of Venedikt Erofeev, Kurt Vonnegut, and Victor Pelevin
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Scholarship@Western Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-21-2012 12:00 AM Burying Dystopia: the Cases of Venedikt Erofeev, Kurt Vonnegut, and Victor Pelevin Natalya Domina The University of Western Ontario Supervisor Professor Calin-Andrei Mihailescu The University of Western Ontario Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Natalya Domina 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Comparative Literature Commons Recommended Citation Domina, Natalya, "Burying Dystopia: the Cases of Venedikt Erofeev, Kurt Vonnegut, and Victor Pelevin" (2012). Electronic Thesis and Dissertation Repository. 834. https://ir.lib.uwo.ca/etd/834 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. BURYING DYSTOPIA: THE CASES OF VENEDIKT EROFEEV, KURT VONNEGUT, AND VICTOR PELEVIN (Spine Title: BURYING DYSTOPIA) (Thesis Format: Monograph) by Natalya Domina Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada Natalya Domina 2012 THE UNIVERSITY OF WESTERN ONTARIO THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION Supervisor Examiners ____________________________ ________________________________ Prof.
[Show full text]
Reading and Writing Against Destruction
Transcultural Studies, 4 (2008), 107-117. EKATERINA NEKLYUDOVA READING AND WRITING AGAINST DESTRUCTION This article deals with the tactics of survival that the inmates of Gulag (the penitentiary system of prisons and labor camps in the Soviet Union)1 practiced while imprisoned. In particular, I focus on the theme of reading and writing in the conditions of the Soviet prisons and labor camps, where writing was mostly prohibited, and reading was limited and highly regulated and censored. However, the inmates of Soviet prisons managed to create, read, write and even publish their notes while incarcerated. I show how three survivors of the Soviet camps – Varlam Shalamov, Evgenia Ginzburg, and Eduard Kuznetsov used the acts of reading and writing to preserve their identities from complete corruption and disintegration. I argue that word as a grammatical unit of text initiates the process of the recovery and deliverance of prisoners’ morale. Varlam Shalamov (1907-1982), a writer and a journalist, was born in Rus- sian city of Vologda. He spent seventeen years in total in prisons and labor camps of Kolyma (1929-1931, 1937-1943, 1943-1951). When Shalamov was released and returned from the camps to the Western part of Russia (Kalinin- grad), he started recording his camp experience in the form of the semi- fictional, semi-documentary Kolymskie rasskazy [Kolyma Tales].2 Even though his camp prose was never published in the Soviet Union in his lifetime, it received worldwide publicity: Kolyma Tales was distributed by the under- ground movement of Samizdat and published abroad. The impact of these short stories was immense: they were considered as the most authentic and merciless descriptions of prisoners’ sufferings in the Soviet camps of the Sta- linist regime.
[Show full text]
Soviet Jewry (8) Box: 24
Ronald Reagan Presidential Library Digital Library Collections This is a PDF of a folder from our textual collections. Collection: Green, Max: Files Folder Title: Soviet Jewry (8) Box: 24 To see more digitized collections visit: https://reaganlibrary.gov/archives/digital-library To see all Ronald Reagan Presidential Library inventories visit: https://reaganlibrary.gov/document-collection Contact a reference archivist at: [email protected] Citation Guidelines: https://reaganlibrary.gov/citing National Archives Catalogue: https://catalog.archives.gov/ Page 3 PmBOMBR.S OP CONSCIBNCB J YLADDllll UPSIDTZ ARRESTED: January 8, 1986 CHARGE: Anti-Soviet Slander DATE OF TRIAL: March 19, 1986 SENTENCE: 3 Years Labor Camp PRISON: ALBXBI KAGAllIIC ARRESTED: March 14, 1986 CHARGE: Illegal Possession of Drugs DATE OF TRIAL: SENTENCE: PRISON: UCHR P. O. 123/1 Tbltsi Georgian, SSR, USSR ALEXEI llUR.ZHBNICO (RE)ARRBSTBD: June 1, 1985 (Imprisoned 1970-1984) CHARGE: Parole Violations DA TB OF TRIAL: SENTENCE: PRISON: URP 10 4, 45/183 Ulitza Parkomienko 13 Kiev 50, USSR KAR.IC NBPOllNIASHCHY .ARRESTED: October 12, 1984 CHARGE: Defaming the Soviet State DA TB OF TRIAL: January 31, 1985 SENTENCE: 3 Years Labor Camp PRISON: 04-8578 2/22, Simferopol 333000, Krimskaya Oblast, USSR BETZALBL SHALOLASHVILLI ARRESTED: March 14, 1986 CHARGE: Evading Mllltary Service DA TE OF TRIAL: SENTENCE: PRISON: L ~ f UNION OF COUNCILS FOR SOVIET JEWS 1'411 K STREET, NW • SUITE '402 • WASHINGTON, DC 2<XX>5 • (202)393-44117 Page 4 PIUSONB'R.S OP CONSCIBNCB LBV SHBPBR ARRESTED:
[Show full text]
SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN the LINES by Olga Klimova Specialist Degree, Belarusian State University
SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN THE LINES by Olga Klimova Specialist degree, Belarusian State University, 2001 Master of Arts, Brock University, 2005 Master of Arts, University of Pittsburgh, 2007 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Olga Klimova It was defended on May 06, 2013 and approved by David J. Birnbaum, Professor, Department of Slavic Languages and Literatures, University of Pittsburgh Lucy Fischer, Distinguished Professor, Department of English, University of Pittsburgh Vladimir Padunov, Associate Professor, Department of Slavic Languages and Literatures, University of Pittsburgh Aleksandr Prokhorov, Associate Professor, Department of Modern Languages and Literatures, College of William and Mary, Virginia Dissertation Advisor: Nancy Condee, Professor, Department of Slavic Languages and Literatures, University of Pittsburgh ii Copyright © by Olga Klimova 2013 iii SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN THE LINES Olga Klimova, PhD University of Pittsburgh, 2013 The central argument of my dissertation emerges from the idea that genre cinema, exemplified by youth films, became a safe outlet for Soviet filmmakers’ creative energy during the period of so-called “developed socialism.” A growing interest in youth culture and cinema at the time was ignited by a need to express dissatisfaction with the political and social order in the country under the condition of intensified censorship. I analyze different visual and narrative strategies developed by the directors of youth cinema during the Brezhnev period as mechanisms for circumventing ideological control over cultural production.
[Show full text]
Download Free Sampler
Thank you for downloading this free sampler of: FIFTY-FIVE YEARS WITH RUSSIA MAGNUS LJUNGGREN Series: Studies in Russian and Slavic Literatures, Cultures, and History Paperback | $25.00 | October 2016 | 9781618115386 | 102 pp. ; 8 b&w illus. ; 7 color illus. SUMMARY The academic career of internationally recognized Professor of Slavic Studies Magnus Ljunggren spans more than a half century. Here he looks back over his meetings with prominent members of the Russian intelligentsia who from the liberalizing XXII Party Congress in 1961 and down to the present have in various forms struggled with the totalitarian structures of Soviet and post- Soviet society. As a literary scholar Ljunggren has focused on Andrei Bely’s novel Petersburg, Russian Symbolism and Russian Silver Age literature and culture. His memoirs reflect on how his study of Symbolism and his commitment to the Russian civil rights movement over the years have stimulated each other and contributed to a deeper understanding of Russia’s distinctive character. Ljunggren’s gallery of intimate and colorful portraits of prominent cultural figures includes Bulat Okudzhava, Yevgeny Yevtushenko, Joseph Brodsky, Viktor Shklovsky, Lidia Chukovskaya, and Nina Berberova. ABOUT THE AUTHOR Magnus Ljunggren defended his doctoral thesis, “The Dream of Rebirth: A Study of Andrej Belyj’s Novel Peterburg,” at Stockholm University in 1982. He is presently professor emeritus of Russian language and literature at the University of Gothenburg. His most important monograph is The Russian Mephisto: A Study of the Life and Work of Emilii Medtner (1994). PRAISE “Magnus Ljunggren’s history allows us to revisit many lesser-known chapters from the cultural history of Russia’s twentieth century.
[Show full text]
Mark Alan Smith Formatted Dissertation
Copyright by Mark Alan Smith 2019 The Dissertation Committee for Mark Alan Smith Certifies that this is the approved version of the following Dissertation: To Burn, To Howl, To Live Within the Truth: Underground Cultural Production in the U.S., U.S.S.R. and Czechoslovakia in the Post World War II Context and its Reception by Capitalist and Communist Power Structures. Committee: Thomas J. Garza, Supervisor Elizabeth Richmond-Garza Neil R. Nehring David D. Kornhaber To Burn, To Howl, To Live Within the Truth: Underground Cultural Production in the U.S., U.S.S.R. and Czechoslovakia in the Post World War II Context and its Reception by Capitalist and Communist Power Structures. by Mark Alan Smith. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2019 Dedication I would like to dedicate this work to Jesse Kelly-Landes, without whom it simply would not exist. I cannot thank you enough for your continued love and support. Acknowledgements I would like to thank my dissertation supervisor, Dr. Thomas J. Garza for all of his assistance, academically and otherwise. Additionally, I would like to thank the members of my dissertation committee, Dr. Elizabeth Richmond-Garza, Dr. Neil R. Nehring, and Dr. David D. Kornhaber for their invaluable assistance in this endeavor. Lastly, I would like to acknowledge the vital support of Dr. Veronika Tuckerová and Dr. Vladislav Beronja in contributing to the defense of my prospectus.
[Show full text]
Rfe/Ri. Inc. Broadcast Archive Daily
RFE/RI. INC. DAILY BROADCAT RL- QuAci-ct,v) BROADCAST ARCHIVE ANALYSES 9g6 ickA4 a JAN vAK/ RADIO FREE EUROPE RADIO UBERTY RADIO LIBERTY DAILY BROADCAST ANALYSIS RUSSIAN SERVICE (For a summary of the news coverage used by the Russian Service please see the end of the DBA.) (An * next to a program indicates designated for translation.) Russian Daily Broadcast Analysis Wednesday, 1 January 1986 D. Felton A. USSR TOPICS -- POLITICAL, ECONOMIC, SOCIAL, AND CULTURAL: 1. Soviet-US Relations. STARTING THE DAY (Voznesenskaya, M 5) recalled the case of American schoolgirl Samantha Smith, who was invited to the USSR after having written a letter to the Kremlin asking why the Soviet leaders were threatening the world with war and who was killed last August in an air crash. The program spoke of a propaganda maneuver by the USSR, and said that while she might have been a source of irritation upon returning home, like other pacifists in the West she was not subjected to any persecution, in contrast to pacifists in such countries as the USSR and the GDR. Commenting on an article in Pionengmya Pravda suggesting that the air crash could have been the work of "enemies" who saw Samantha Smith as an "agent of Moscow," the program said the international declaration of children's rights describes instilling in children a hatred of other peoples as a crime and cited the Bible that those whom miskod children should have a millstone tied around their neck and be thrown into the sea. 2. Dissidents and Human Rights. In HUMAN RIGHTS (Alexeyeva, NY 20), a RERUN from December 26, veteran human rights activist Lyudmila Alexeyeva commented on the deteriorating human rights situation in the USSR in 1985.
[Show full text]
Catastrophes in the Air 1 Joseph Brodsky
1 Catastrophes in the Air 1 Joseph Brodsky Il y a des remèdes àla sauvagerie primitive; li n’y en a point àla manie de paraˆıtre ce qu’on n’est pas. Marquis de Custrine, Lettres de Russie 1 Because of the volume and quality of Russian fiction in the nineteenth century, it’s been widely held that the great Russian prose of that century has auto- matically, by pure inertia, wandered into our own. From time to time, in the course of our century, here and there one could hear voices nominating this or that writer for the status of the Great Russian Writer, purveyor of the tradi- tion. These voices were coming from the critical establishment and from Soviet officialdom, as well as from the intelligentsia itself, with a frequency of roughly two great writers per decade. During the postwar years alone – which have lasted, blissfully, so far – a minimum of half a dozen names have filled the air. The forties ended with Mikhail Zoshchenko and the fifties started with the rediscovery of Babel. Then came the thaw, and the crown was temporarily bestowed upon Vladimir Dud- intsev for his Not by Bread Alone. The sixties were almost equally shared by Boris Pasternak’s Doctor Zhivago and by Mikhail Bulgakov’s revival. The bet- ter part of the seventies obviously belong to Solzhenitsyn; at present what is in vogue is so-called peasant prose, and the name most frequently uttered is that of Valentin Rasputin. Officialdom, though, it should be noted in all fairness, happens to be far less mercurial in its preferences: for nearly fifty hears now it has stuck to its guns, pushing Mikhail Sholokhov.
[Show full text]
The Trauma of Stalinism Narrated in Varlam T. Shalamov's Kolymskie Rasskazy : Missiological Implications for Contemporary Russia
Andrews University Digital Commons @ Andrews University Dissertations Graduate Research 2008 The Trauma of Stalinism Narrated in Varlam T. Shalamov's Kolymskie Rasskazy : Missiological Implications for Contemporary Russia Yuri N. Drumi Andrews University Follow this and additional works at: https://digitalcommons.andrews.edu/dissertations Part of the European History Commons, European Languages and Societies Commons, Political History Commons, and the Social History Commons Recommended Citation Drumi, Yuri N., "The Trauma of Stalinism Narrated in Varlam T. Shalamov's Kolymskie Rasskazy : Missiological Implications for Contemporary Russia" (2008). Dissertations. 40. https://digitalcommons.andrews.edu/dissertations/40 This Dissertation is brought to you for free and open access by the Graduate Research at Digital Commons @ Andrews University. It has been accepted for inclusion in Dissertations by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. Thank you for your interest in the Andrews University Digital Library of Dissertations and Theses. Please honor the copyright of this document by not duplicating or distributing additional copies in any form without the author’s express written permission. Thanks for your cooperation. ABSTRACT THE TRAUMA OF STALINISM NARRATED IN VARLAM T. SHALAMOV'S KOLYMSKIE RASSKAZY: MISSIOLOGICAL IMPLICATIONS FOR CONTEMPORARY RUSSIA by Yuri N. Drumi Adviser: Rudi Maier ABSTRACT OF GRADUATE STUDENT RESEARCH Dissertation Andrews University Seventh-day Adventist Theological Seminary Title: THE TRAUMA OF STALINISM NARRATED IN VARLAM T. SHALAMOV'S KOLYMSKIE RASSKAZY: MISSIOLOGICAL IMPLICATIONS FOR CONTEMPORARY RUSSIA Name of researcher: Yuri N. Drumi Name and degree of faculty adviser: Rudi Maier, Ph.D. Date completed: April 2008 Stalinism and the punitive system of the Gulag left an indelible stamp on the entire social matrix of Russia.
[Show full text]

Table of Contents