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Alchemical Culture and Poetry in Early Modern England
Alchemical culture and poetry in early modern England PHILIP BALL Nature, 4–6 Crinan Street, London N1 9XW, UK There is a longstanding tradition of using alchemical imagery in poetry. It first flourished at the end of the sixteenth century, when the status of alchemy itself was revitalised in European society. Here I explain the reasons for this resurgence of the Hermetic arts, and explore how it was manifested in English culture and in particular in the literary and poetic works of the time. In 1652 the English scholar Elias Ashmole published a collection of alchemical texts called Theatrum Chymicum Britannicum, comprising ‘Several Poeticall Pieces of Our Most Famous English Philosophers’. Among the ‘chemical philosophers’ represented in the volume were the fifteenth-century alchemists Sir George Ripley and Thomas Norton – savants who, Ashmole complained, were renowned on the European continent but unduly neglected in their native country. Ashmole trained in law, but through his (second) marriage to a rich widow twenty years his senior he acquired the private means to indulge at his leisure a scholarly passion for alchemy and astrology. A Royalist by inclination, he had been forced to leave his London home during the English Civil War and had taken refuge in Oxford, the stronghold of Charles I’s forces. In 1677 he donated his impressive collection of antiquities to the University of Oxford, and the building constructed to house them became the Ashmolean, the first public museum in England. Ashmole returned to London after the civil war and began to compile the Theatrum, which was intended initially as a two-volume work. -
A Lexicon of Alchemy
A Lexicon of Alchemy by Martin Rulandus the Elder Translated by Arthur E. Waite John M. Watkins London 1893 / 1964 (250 Copies) A Lexicon of Alchemy or Alchemical Dictionary Containing a full and plain explanation of all obscure words, Hermetic subjects, and arcane phrases of Paracelsus. by Martin Rulandus Philosopher, Doctor, and Private Physician to the August Person of the Emperor. [With the Privilege of His majesty the Emperor for the space of ten years] By the care and expense of Zachariah Palthenus, Bookseller, in the Free Republic of Frankfurt. 1612 PREFACE To the Most Reverend and Most Serene Prince and Lord, The Lord Henry JULIUS, Bishop of Halberstadt, Duke of Brunswick, and Burgrave of Luna; His Lordship’s mos devout and humble servant wishes Health and Peace. In the deep considerations of the Hermetic and Paracelsian writings, that has well-nigh come to pass which of old overtook the Sons of Shem at the building of the Tower of Babel. For these, carried away by vainglory, with audacious foolhardiness to rear up a vast pile into heaven, so to secure unto themselves an immortal name, but, disordered by a confusion and multiplicity of barbarous tongues, were ingloriously forced. In like manner, the searchers of Hermetic works, deterred by the obscurity of the terms which are met with in so many places, and by the difficulty of interpreting the hieroglyphs, hold the most noble art in contempt; while others, desiring to penetrate by main force into the mysteries of the terms and subjects, endeavour to tear away the concealed truth from the folds of its coverings, but bestow all their trouble in vain, and have only the reward of the children of Shem for their incredible pain and labour. -
The Image and Identity of the Alchemist in Seventeenth-Century
THE IMAGE AND IDENTITY OF THE ALCHEMIST IN SEVENTEENTH-CENTURY NETHERLANDISH ART Dana Kelly-Ann Rehn Dissertation submitted in partial fulfillment of the coursework requirements for the degree of Master of Arts (Studies in Art History) School of History and Politics University of Adelaide July 2011 TABLE OF CONTENTS TITLE PAGE i TABLE OF CONTENTS ii LIST OF ILLUSTRATIONS iii DECLARATION v ABSTRACT vi ACKNOWLEDGEMENTS vii 1 INTRODUCTION 1 2 ALCHEMY: A CONTROVERSIAL PROFESSION, PAST AND PRESENT 7 3 FOOLS AND CHARLATANS 36 4 THE SCHOLAR 68 5 CONCLUSION 95 BIBLIOGRAPHY 103 CATALOGUE 115 ii LIST OF ILLUSTRATIONS FIGURE 1 Philip Galle (After Pieter Bruegel the Elder), The Alchemist, c.1558 118 FIGURE 2 Adriaen van de Venne, Rijcke-armoede („Rich poverty‟), 1636 119 FIGURE 3 Adriaen van Ostade, Alchemist, 1661 120 FIGURE 4 Cornelis Bega, The Alchemist, 1663 121 FIGURE 5 David Teniers the Younger, The Alchemist, 1649 122 FIGURE 6 David Teniers the Younger, Tavern Scene, 1658 123 FIGURE 7 David Teniers the Younger, Tavern Scene, Detail, 1658 124 FIGURE 8 Jan Steen, The Alchemist, c.1668 125 FIGURE 9 Jan Steen, Title Unknown, 1668 126 FIGURE 10 Hendrik Heerschop, The Alchemist, 1671 128 FIGURE 11 Hendrik Heerschop, The Alchemist's Experiment Takes Fire, 1687 129 FIGURE 12 Frans van Mieris the Elder, An Alchemist and His Assistant in a Workshop, c.1655 130 FIGURE 13 Thomas Wijck, The Alchemist, c.1650 131 FIGURE 14 Pierre François Basan, 1800s, after David Teniers the Younger, Le Plaisir des Fous („The Pleasure of Fools‟), 1610-1690 132 FIGURE 15 -
John Dee, Willem Silvius, and the Diagrammatic Alchemy of the Monas Hieroglyphica
The Royal Typographer and the Alchemist: John Dee, Willem Silvius, and the Diagrammatic Alchemy of the Monas Hieroglyphica Stephen Clucas Birkbeck, University of London, UK Abstract: John Dee’s Monas Hieroglyphica (1564) was a work which involved a close collaboration between its author and his ‘singular friend’ the Antwerp printer Willem Silvius, in whose house Dee was living whilst he composed the work and saw it through the press. This article considers the reasons why Dee chose to collaborate with Silvius, and the importance of the intellectual culture – and the print trade – of the Low Countries to the development of Dee’s outlook. Dee’s Monas was probably the first alchemical work which focused exclusively on the diagrammatic representation of the alchemical process, combining diagrams, cosmological schemes and various forms of tabular grid. It is argued that in the Monas the boundaries between typography and alchemy are blurred as the diagrams ‘anatomizing’ his hieroglyphic sign (the ‘Monad’) are seen as revealing truths about alchemical substances and processes. Key words: diagram, print culture, typography, John Dee, Willem Silvius, alchemy. Why did John Dee go to Antwerp in 1564 in order to publish his recondite alchemical work, the Monas Hieroglyphica? What was it that made the Antwerp printer Willem Silvius a suitable candidate for his role as the ‘typographical parent’ of Dee’s work?1 In this paper I look at the role that Silvius played in the evolution of Dee’s most enigmatic work, and at the ways in which Silvius’s expertise in the reproduction of printed diagrams enabled Dee to make the Monas one of the first alchemical works to make systematic use of the diagram was a way of presenting information about the alchemical process. -
Paracelsus, Helmont, Iatrochemistry, Pharmacology
Basic Sciences of Medicine 2014, 3(3): 60-62 DOI: 10.5923/j.medicine.20140303.03 Paracelsus, the Founder of Chemical Therapeutic Who Initiated the Application of Chemistry to Life Hosein Tajadod Hafiz, an International Journal of Iranian studies, Tehran, Iran Abstract Paracelsus, a German-Swiss physician, alchemist, philosopher, and astrologer who denounced the Galenic system of medicine. The application of chemistry to life was initiated by him. In fact, he stressed the spiritual side of disease but also advocated the use of mineral as drugs, rather than just using plants and animal products. He burned the works of Avicenna, and quarreled with most of his colleagues at Basel and was dismissed in disgrace and resumed his wandering from place to place, teaching chemical therapy (iatrochemistry). Johannes Baptiste van Helmont, Flemish physician was the leading iatrochemist of seventeenth century, but he opposed the dogma of Galen, astrology of Paracelsus and many other established doctrines. Keywords Paracelsus, Helmont, Iatrochemistry, Pharmacology In the Renaissance some Europeans reacted against the 1. Paracelsus, the Creator of anatomy and other medical teachings expounded in medieval Iatrochemistry Islamic text, particularly the “Canon of Medicine” (al-Quanon fil-Tib), written by Avicenna (980-1037), a Iatrochemistry , the study of chemical phenomena in order famous and influential Iranian physician and to obtain results of medical value was founded by Paracelsus. philosopher-scientist. Leonardo da Vinci (1452-1519), Iatrochemists the followers of Paracelsus treated the Italian and the greatest artist and scientist of the Renaissance human body as a chemical system. In iatrochemistry, disease who studied the skeletal movement and muscle structures in was associated with upsets of body chemistry and treatment relation to function, rejected the anatomy, though by was directed toward restoration of the chemical balance. -
Jacob Böhme and the Theology of Paracelsus (1493/94–1541)
Chapter 7 The New Adam: Jacob Böhme and the Theology of Paracelsus (1493/94–1541) Urs Leo Gantenbein Elsewhere in this volume,1 reference has been made to Winfried Zeller’s con- cept of the “crisis of piety” (Frömmigkeitskrise), said to have developed around 1600.2 This concept implies that the narrow religious atmosphere of a hard- ening theological orthodoxy, whether Catholic, Calvinist, or Lutheran, was mainly concerned with the defense of its own teachings against all opponents. This gave rise to a vacuum in the sphere of lived religion. Believers became alienated from their authentic spiritual feelings by the dominance of rigid dogmatic norms. What they therefore longed for was a teaching which might provide consolation and guidance through devotion to God, indeed a teach- ing that might perhaps offer a mystically experienced union with the deity. This may help explain how in the first two decades of the seventeenth century so many independent thinkers sought new modes of religious expression in their publications. Other contributors to this volume have discussed Johann Arndt (1555–1621), whose four books Vom wahren Christentum (1605–1610) be- came a religious bestseller, as well as Martin Moller (1547–1606), who was for a time Böhme’s pastor in Görlitz. Both men conform to Zeller’s crisis concept which stresses experience over doctrinal polemic. Notably, however, even the Lutheran theologian Philipp Nicolai (1556–1608), a harsh polemicist against Calvinism, published writings that gave voice to a mystical piety.3 1 I wish to express my thanks to Andrew Weeks for the continuing fruitful discussions, his many helpful comments, and the English translation in parts of my text. -
Hypatia and Tsong Kha-Pa Giordano Bruno and Paracelsus
Hypatia and Tsong Kha-pa Giordano Bruno and Paracelsus The third “On The Path” Seminar Saturday 15th December 2018 from 3 to 6.15 pm “The public must be made acquainted with the efforts of many World-adepts, of initiated poets, writers, and classics of every age, to preserve in the records of Humanity the Knowledge of the existence, at least, of such a philosophy, if not actually of its tenets. The Initiates of 1888 would indeed remain incomprehensible and ever a seemingly impossible myth, were not like Initiates shown to have lived in every other age of history. This could be done only by naming Chapter and Verse where may be found mention of these great characters, who were preceded and followed by a long and interminable line of other famous Antediluvian and Postdiluvian Masters in the arts. Thus only could be shown, on semi-traditional and semi-historical authority, that knowledge of the Occult and the powers it confers on man, are not altogether fictions, but that they are as old as the world itself.” H. P. Blavatsky, “The Secret Doctrine” Vol. 1, Introductory, p. xlv The United Lodge of Theosophists 62 Queen’s Gardens London W2 3AH - 2 - Hypatia (b. 370) “Neo-platonism. Lit., “the new Platonism” or Platonic School. An eclectic pantheistic school of philosophy founded in Alexandria by Ammonius Saccas, . It sought to reconcile Platonic teachings and the Aristotelean system with oriental Theosophy. Its chief occupation was pure spiritual philosophy, metaphysics and mysticism. Theurgy was introduced towards its later years. It was the ultimate effort of high intelligences to check the ever-increasing ignorant superstition and blind faith of the times; the last product of Greek philosophy, which was finally crushed and put to death by brute force.” (“The Theosophical Glossary” H. -
Unit 8 – Alchemy and Chemistry in the Renaissance
Unit 8 – Alchemy and Chemistry in the Renaissance Sapienza University of Rome, Italy This work is licensed under a Creative Commons Attribution - Non-commercial 4.0 International The Roots of Chemistry and alchemy FEW SCIENTIFIC DISCIPLINES DEFINED THE COMPLEXITY OF THE RENAISSANCE AS MUCH AS ALCHEMY, AN AREA WHERE PHILOSOPHY, SCIENCE, OCCULTISM AND THEOLOGY CAME TOGETHER. ALCHEMY, A GENUINE PROTOSCIENCE?, DISPLAYED THE TRANSFORMATION FROM THEORETICAL DOGMA TO THE OBSERVATION AND PRACTICE BASED METHODS THAT GRADUALLY DEVELOPED DURING THIS PERIOD OF THE HISTORY OF SCIENCE This work is licensed under a Creative Commons 2 Attribution - Non-commercial 4.0 International The charm of alchemy The mysterious, occult side of alchemy still captures the imagination of the modern public, with Harry Potter chasing the elusive Philosopher’s Stone and names such as John Dee spawning thousands of occult sites studying the esoteric symbolism behind alchemical symbols Most of the modern interpretations have a basis in historical fact, and writers such as Chaucer, Ben Jonson, and Dante gleefully included alchemists as shady charlatans and figures of parody This work is licensed under a Creative Commons 3 Attribution - Non-commercial 4.0 International The reinaissance alchemist However, this comedic touch should not detract from the idea that Renaissance alchemists were often bona fide scientists, searching for truth and often applying the scientific method to their research In fact, it can be argued that, in terms of the development of science, the alchemists -
The 'Ingendered' Stone: the Ripley Scrolls and The
The “Ingendred” Stone: The Ripley Scrolls and the Generative Science of Alchemy Author(s): Aaron Kitch Source: Huntington Library Quarterly , Vol. 78, No. 1 (Spring 2015), pp. 87-125 Published by: University of Pennsylvania Press Stable URL: https://www.jstor.org/stable/10.1525/hlq.2015.78.1.87 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms University of Pennsylvania Press is collaborating with JSTOR to digitize, preserve and extend access to Huntington Library Quarterly This content downloaded from 139.140.119.171 on Mon, 25 Jan 2021 17:36:36 UTC All use subject to https://about.jstor.org/terms notes and documents The “Ingendred” Stone: The Ripley Scrolls and the Generative Science of Alchemy Aaron Kitch %&$& Acquired at auction in 1958 from the library of C. W. Dyson Perrins, the Huntington Library’s Ripley scroll (HM 30313) is one of the most ornate and esoteric illuminated manuscripts of early modern England. Much remains unknown about the iconology and historical context of the Ripley scrolls, of which approximately twenty remain worldwide. The self-consciously archaic scroll at the Huntington draws on a range of contemporary sources, including emblem books, heraldic imagery, and illuminated alchemical manuscripts from the fifteenth cen- tury, such as the Rosarium philosophorum and the Aurora consurgens. -
User:Smallman12q/Articles/Chemistry 1 User:Smallman12q/Articles/Chemistry
User:Smallman12q/articles/Chemistry 1 User:Smallman12q/articles/Chemistry Chemistry (from Egyptian kēme (chem), meaning "earth"[1] ) is the science concerned with the composition, structure, and properties of matter, as well as the changes it undergoes during chemical reactions.[2] It is a physical science for studies of various atoms, molecules, crystals and other aggregates of matter whether in isolation or combination, which incorporates the concepts of energy and entropy in relation to the spontaneity of chemical processes. Modern chemistry evolved out of alchemy following the chemical revolution (1773). Disciplines within chemistry are traditionally grouped by the type of matter being studied or the kind of study. These include inorganic chemistry, the study of inorganic matter; organic chemistry, the study Chemistry is the science concerned with the composition, structure, and properties of matter, of organic matter; biochemistry, the study of substances found in as well as the changes it undergoes during biological organisms; physical chemistry, the energy related studies of chemical reactions. chemical systems at macro, molecular and submolecular scales; analytical chemistry, the analysis of material samples to gain an understanding of their chemical composition and structure. Many more specialized disciplines have emerged in recent years, e.g. neurochemistry the chemical study of the nervous system (see subdisciplines). Summary Chemistry is the scientific study of interaction of chemical [3] substances that are constituted of -
Final Copy 2020 05 12 Leen
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Leendertz-Ford, Anna S T Title: Anatomy of Seventeenth-Century Alchemy and Chemistry General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. ANATOMY OF SEVENTEENTH-CENTURY ALCHEMY AND CHEMISTRY ANNA STELLA THEODORA LEENDERTZ-FORD A dissertation submitted to the University of Bristol in accordance with the requirements for the degree of Doctor of Philosophy in the Faculty of Arts, School of Philosophy. -
Drug Discovery
DRUG DISCOVERY Edited by Hany A. El-Shemy Drug Discovery http://dx.doi.org/10.5772/3388 Edited by Hany A. El-Shemy Contributors Melanie A. Jordan, Lourdes Rodriguez-Fragoso, Irina Piatkov, Elizabeth Hong-Geller, Sonia Lobo-Planey, Pawel Kafarski, Gluza Karolina, Malemud, Jolanta Natalia Latosińska, Magdalena Latosińska, Terry Smith, Luis Jesús Villarreal- Gómez, Irma E. Soria-Mercado, Ana Leticia Iglesias, Graciela Lizeth Perez-Gonzalez, Carsten Wrenger, Eva Liebau, Taosheng Chen, Asli Nur Goktug, Sergio C. Chai, Xin Liang, Jimmy Cui, Jonathan Low, Henning Ulrich, Claudiana Lameu, Gabriel Magoma, Samuel Constant, Christophe Mas, Song Huang, Ludovic Wiszniewski Published by InTech Janeza Trdine 9, 51000 Rijeka, Croatia Copyright © 2013 InTech All chapters are Open Access distributed under the Creative Commons Attribution 3.0 license, which allows users to download, copy and build upon published articles even for commercial purposes, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. After this work has been published by InTech, authors have the right to republish it, in whole or part, in any publication of which they are the author, and to make other personal use of the work. Any republication, referencing or personal use of the work must explicitly identify the original source. Notice Statements and opinions expressed in the chapters are these of the individual contributors and not necessarily those of the editors or publisher. No responsibility is accepted for the accuracy of information contained in the published chapters. The publisher assumes no responsibility for any damage or injury to persons or property arising out of the use of any materials, instructions, methods or ideas contained in the book.