RT0001 Analysis of Portrayal of Certain Changing Social Behaviours
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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Parliamentary Documentation Vol. XXXVIII (16-31 January 2012) No.2
Parliamentary Documentation Vol. XXXVIII (16-31 January 2012) No.2 AGRICULTURE -AGRICULTURAL COMMODITIES 1 KAKATI, Pradip Distress sale of policy of paddy and vegetables. ASSAM TRIBUNE (GUWAHATI), 2012(18.1.2012) Criticises Government of Assam for neglecting the problems of farmers in the context of selling of paddy by farmers at a far below rate than the Minimum Support Price. ** Agriculture-Agricultural Commodities. -AGRICULTURAL RESEARCH 2 GATES, Bill Make the right choice. HINDUSTAN TIMES (NEW DELHI), 2012(31.1.2012) Emphasises the need for rich countries to continue to invest the modest amounts in agricultural research for providing healthier food to their countrymen. ** Agriculture-Agricultural Research; Food Security. -AGRICULTURAL TRADE-(INDIA-PAKISTAN) 3 BHATTACHARYA, Mondira Spatio-tem poral analys is of Indian basm ati rice trade and its comparison with Pakistan. FOREIGN TRADE REVIEW (NEW DELHI), V.46(No.2), 2011 (Jul/Sep, 2011): P.86-107 ** Agriculture-Agricultural Trade-(India-Pakistan). -CROPS 4 DUTTA SAIKIA, Deepika Multi-cropping with tea. ASSAM TRIBUNE (GUWAHATI), 2012(22.1.2012) Highlights the benefits of multi-cropping with tea in Assam. ** Agriculture-Crops. -CROPS-SEEDS 5 HARBIR SINGH and RAMESH CHAND Seeds Bill, 2011: Some reflections. ECONOMIC AND POLITICAL WEEKLY (MUMBAI), V.46(No.51), 2011 (17.12.2011): P.22-25 ** Agriculture-Crops-Seeds. ** - Keywords 1 -CRUELTY TO ANIMALS 6 DUTT, Anuradha Slaughtering cows is barbaric and offensive to India. PIONEER (NEW DELHI), 2012(17.1.2012) ** Agriculture-Cruelty to Animals. 7 SEN, Manjula Beefed up law. TELEGRAPH (KOLKATA), 2012(18.1.2012) Raises questions on enactm ent of Gau Vansh Pratishedh (Sanshodhan) Vidheyak by the Governm ent of Madh ya Pradesh ** Agriculture-Cruelty to Animals. -
Games+Production.Pdf
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Banks, John& Cunningham, Stuart (2016) Games production in Australia: Adapting to precariousness. In Curtin, M & Sanson, K (Eds.) Precarious creativity: Global media, local labor. University of California Press, United States of America, pp. 186-199. This file was downloaded from: https://eprints.qut.edu.au/87501/ c c 2016 by The Regents of the University of California This work is licensed under a Creative Commons CC-BY license. To view a copy of the license, visit http://creativecommons.org/licenses. License: Creative Commons: Attribution 4.0 Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.ucpress.edu/ book.php?isbn=9780520290853 CURTIN & SANSON | PRECARIOUS CREATIVITY Luminos is the open access monograph publishing program from UC Press. Luminos provides a framework for preserving and rein- vigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Precarious Creativity Precarious Creativity Global Media, Local Labor Edited by Michael Curtin and Kevin Sanson UNIVERSITY OF CALIFORNIA PRESS University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advanc- ing scholarship in the humanities, social sciences, and natural sciences. -
Media Coverage Bengaluru
Media Coverage Bengaluru — 59 — Bengaluru Press Clipping Publication Andhra Jyoti Language Telugu News Taiwan Textile Fairs in South Asia 2015 Date December 2, 2015 — 60 — Bengaluru Press Clipping Publication Deccan Chronicle Language English News Taiwan Textile Fairs in South Asia 2015 Date Nov 28, 2015 — 61 — Bengaluru Press Clipping Publication Deccan Herald Language English News Taiwan Textile Fairs in South Asia 2015 Date December 2, 2015 — 62 — Bengaluru Press Clipping Publication Dinamani Language Tamil News Taiwan Textile Fairs in South Asia 2015 Date December 3, 2015 — 63 — Bengaluru Press Clipping Publication Enadu Language Telugu News Taiwan Textile Fairs in South Asia 2015 Date December 2, 2015 — 64 — Bengaluru Press Clipping Publication Hosa Digantha Language Kanada News Taiwan Textile Fairs in South Asia 2015 Date Nov 30, 2015 — 65 — Bengaluru Press Clipping Publication Kannada Prabha Language Kanada News Taiwan Textile Fairs in South Asia 2015 Date Nov 30, 2015 — 66 — Bengaluru Press Clipping Publication New Indian Express Language English News Taiwan Textile Fairs in South Asia 2015 Date December 3, 2015 — 67 — Bengaluru Press Clipping Publication Prajavani Language Kanada News Taiwan Textile Fairs in South Asia 2015 Date Nov 28, 2015 — 68 — Bengaluru Press Clipping Publication Samyuktha Karnataka Language Kanada News Taiwan Textile Fairs in South Asia 2015 Date Nov 30, 2015 — 69 — Bengaluru Press Clipping Publication Sanjevani Language Kanada News Taiwan Textile Fairs in South Asia 2015 Date Nov 28, 2015 — 70 — Bengaluru -
National Gallery of Modern Art New Delhi Government of India Vol 1 Issue 1 Jan 2012 Enews NGMA’S Newsletter Editorial Team From
Newsletter JAN 2012 National Gallery of Modern Art New Delhi Government of India Vol 1 Issue 1 Jan 2012 enews NGMA’s Newsletter Editorial Team FroM Ella Datta the DIrector’s Tagore National Fellow for Cultural Research Desk Pranamita Borgohain Deputy Curator (Exhibition) Vintee Sain Update on the year’s activities Assistant Curator (Documentation) The NGMA, New Delhi has been awhirl with activities since the beginning of the year 2011. Kanika Kuthiala We decided to launch a quarterly newsletter to track the events for the friends of NGMA, Assistant Curator New Delhi, our well-wishers and patrons. The first issue however, will give an update of all the major events that took place over the year 2011. The year began with a bang with the th Monika Khanna Gulati, Sky Blue Design huge success of renowned sculptor Anish Kapoor’s exhibition. The 150 Birth Anniversary of Design Rabindranath Tagore, an outstanding creative genius, has acted as a trigger in accelerating our pace. NGMA is coordinating a major exhibition of close to hundred paintings and drawings Our very special thanks to Prof. Rajeev from the collection of NGMA as well as works from Kala Bhavana and Rabindra Bhavana of Lochan, Director NGMA without whose Visva Bharati in Santiniketan, West Bengal. The Exhibition ‘The Last Harvest: Rabindranath generous support this Newsletter would not Tagore’ is the first time that such a major exhibition of Rabindranath’s works is travelling to have been possible. Our Grateful thanks to all so many art centers in Europe and the USA as well as Seoul, Korea. -
Global Digital Cultures: Perspectives from South Asia
Revised Pages Global Digital Cultures Revised Pages Revised Pages Global Digital Cultures Perspectives from South Asia ASWIN PUNATHAMBEKAR AND SRIRAM MOHAN, EDITORS UNIVERSITY OF MICHIGAN PRESS • ANN ARBOR Revised Pages Copyright © 2019 by Aswin Punathambekar and Sriram Mohan All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America Printed on acid- free paper First published June 2019 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication data has been applied for. ISBN: 978- 0- 472- 13140- 2 (Hardcover : alk paper) ISBN: 978- 0- 472- 12531- 9 (ebook) Revised Pages Acknowledgments The idea for this book emerged from conversations that took place among some of the authors at a conference on “Digital South Asia” at the Univer- sity of Michigan’s Center for South Asian Studies. At the conference, there was a collective recognition of the unfolding impact of digitalization on various aspects of social, cultural, and political life in South Asia. We had a keen sense of how much things had changed in the South Asian mediascape since the introduction of cable and satellite television in the late 1980s and early 1990s. We were also aware of the growing interest in media studies within South Asian studies, and hoped that the conference would resonate with scholars from various disciplines across the humanities and social sci- ences. -
Nithish .P Original Research Paper Language Dr.Jagadish JR
Original Research Paper Volume-7 | Issue-9 | September-2017 | ISSN - 2249-555X | IF : 4.894 | IC Value : 79.96 Language A STUDY ON THE IMPACT OF KANNADA NEWSPAPERS ON KERALA BORDERLINE KANNADIGAS Photographer/Artist Mangalore University Dakshinaa Kannada Managalore Karnataka Nithish .P India Dr.Jagadish JR Researcher University of Mysore Mysore Karnataka India KEYWORDS : . Introduction: Kahale' and 'Kasaragod Samachara' was published, after which 'Nada Newspapers have played a prominent role in imparting information Premi(1964)', 'Ajantha(1966)' and 'Lalitha(1966)' was published. and timely news before and after independence. Apparently, In the modern society no other media is as strong as the print media. Any The third phase began in the year 1980. By this time, almost 30 information which seems to be important is communicated through newspapers were published. In 1984 'Gilivindu' an evening newspaper newspaper. The history of newspaper is not only limited to the was started which lasted for several decades. In the same year, an broadcasting of Information and knowledge but also political, social, annual newspaper named 'Prathi Surya' was started in Kanhangad cultural and religious limitations. It is been acting as a watch dog of which was later shifted to Kasaragod. society to solve the problems of the people. The era of Kannada newspaper was started in 1843. A Christian Missionary father called by Main Kannada Newspapers name Harman Mogling published ever rst Kannada newspaper Prajavani called “Mangaluru Samachara.” The era of Kannada news papers Prajavani is one of the Kannada's famous daily newspapers. This which started then had greater development gradually . Today there are newspaper is very much popular in Dakshina Kannada. -
Nagesh Kukunoor's Dhanak Now Releases on June 17Th, 2016 by : INVC Team Published on : 17 May, 2016 10:29 PM IST
Nagesh Kukunoor's Dhanak now releases on June 17th, 2016 By : INVC Team Published On : 17 May, 2016 10:29 PM IST INVC NEWS Chandigarh, Nagesh Kukunoor’s internationally-acclaimed and much-awaited film 'Dhanak' will now release on June 17th. With 'Dhanak', the noted filmmaker completes his human-trilogy after his award-winning films ‘Dor’ and ‘Iqbal’, that captivated the hearts of the audiences with their simple yet heartwarming stories. With the touching emotional bond between a brother and sister at its core, 'Dhanak' too is an enchanting fable that reinforces the belief that life is beautiful. Having garnered worldwide acclaim and several international awards, 'Dhanak', produced by Drishyam Films, revolves around the eight-year old visually-impaired boy Chotu and his 10-year-old sister Pari, who has promised her younger brother, that he will be able to see by the time he turns nine. Cheerful, spirited and cheeky, Chotu is the life of his small village in Rajasthan, while Pari is his eyes and his best friend. One fine day, Pari sees a poster of Shahrukh Khan (SRK) appealing to people to donate their eyes, and is convinced that her reel life hero can help her fulfil her promise to her brother. And so Pari sets out with Chotu on a magical road trip through Rajasthan where they encounter a motley bunch of characters. Written and directed by Nagesh Kukunoor, ‘Dhanak’ stars Krrish Chhabria and Hetal Gada as the loveable siblings. Set to hit screens across India on June 17, the film will also have a simultaneous release in USA, Dubai and Singapore. -
Anurag Kashyap, Guneet Monga, Nawazuddin Siddiqui, Richa Chadda, Vikramaditya Motwane
[LISTED] THE UNDERDOG TURNED SUPERSTAR ANURAG KASHYAP, GUNEET MONGA, NAWAZUDDIN SIDDIQUI, RICHA CHADDA, VIKRAMADITYA MOTWANE Text Shahnaz Siganporia Photography Ishika Mohan Motwane N THE INDIAN FILM INDUSTRY, there are good and bad words. ‘Un- derdog’, ‘struggler’, ‘starlet’ are clubbed into the ‘bad’ category while I words such as ‘Superstar’, ‘100 Crore Club’, ‘legacy’ fall into the ‘good’ category. However, sometimes the two combine to form a heady cocktail. The starlet bags a 100 crore film and the underdog becomes the superstar. The latter is a tricky balance—there’s the formulaic superstar and then there’s the superstar who paves his or her own way and creates cinema that goes way beyond the norm. Over the last few years, the tides have been busy changing, contorting and transforming our home-grown film industry. And let’s face it, in an industry raking in the moolah, thanks to wish-fulfilment and feel- good stories, we’re suckers for the runt who becomes the alpha. In the 100th year of Indian cinema, Platform celebrates the erstwhile underdogs who have gone on to carve out a space for themselves and have begun their ascent to stardom. NOV/DEC 2013 · PLATFORM · CREATIVE LIFESTYLE · 031 [LISTED] Anurag Kashyap FROM BANNED TO LAUDED THE BEGINNING I don’t know why I wanted to make films. It’s like asking yourself why you love someone. How do you explain that? You just do, you know? I just knew that filmmaking is what I wanted to do. I was studying to be a scientist and something just snapped—I knew that I should have- been making films. -
Neuf Au Rcpl Et Six Au
MAZAVAROO | N°28 | SAMEDI 8 FÉVRIER 2020 mazavaroo.mu RS 5.00 PAGES 4-5 Raj Pentiah : "Je regrette d'avoir cru dans le volume de mensonges de navin ramgoolam" SMP.MU 14 N°28 - SAMEDI 08 FEVRIER 2020 PAGES 6-7 Pages 18-19 Discours-Programme Neuf au RCpl et six au RCc MarieLes "YoungClaire Phokeerdoss Shots" Les Royalistes accaparent 1/3 de la RENCONTREcuvée de 2019 du MSM volent Marie Claire Phokeerdoss:la vedette « La SMP vient en aide aux démunis de Beau-Vallon » arie Claire Phokeerdoss est âgée de 73 ans. Elle a sous sa responsabilité deux petits-enfants et dépend uniquement de sa pension de vieillesse pour les nourrir. Marie Claire raconte qu’elle pu mo okip 2 zenfants, lavi trop Ms’occupe des enfants de sa fille chere, » affirme-t-elle. depuis qu’ils sont nés. « Zot ti Afin d’aider Marie Claire à encore tibaba ler zot inn vinn ress joindre les deux bouts, la SMP a avek moi. Ena fois zot mama vinn offert des fournitures scolaires à guet zot, » dit-elle avec tristesse. ses petits-enfants. « Ban zenfan la La septuagénaire ne baisse jamais inn gagne ban materiaux scolaires. PAGE 3 les bras. Avec le soutien des autres Zot inn gagne sak, soulier lekol, membres de sa famille, Marie cahier ek ban lezot zafer lekol, Claire essaie tant bien que mal » dit-elle avec satisfaction. « Sa editorial de subvenir aux besoins de ses fer moi enn gran plaisir ki ban deux petits-enfants, âgés de 5 association cuma SMP pe vinn et 11 ans. -
Nation, Fantasy, and Mimicry: Elements of Political Resistance in Postcolonial Indian Cinema
University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA Aparajita Sengupta University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sengupta, Aparajita, "NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA" (2011). University of Kentucky Doctoral Dissertations. 129. https://uknowledge.uky.edu/gradschool_diss/129 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Aparajita Sengupta The Graduate School University of Kentucky 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA ABSTRACT OF DISSERTATION A dissertation submitted in partial fulfillment of the requirements for the degree Doctor of Philosophy in the College of Arts and Sciences at the University of Kentucky By Aparajita Sengupta Lexington, Kentucky Director: Dr. Michel Trask, Professor of English Lexington, Kentucky 2011 Copyright© Aparajita Sengupta 2011 ABSTRACT OF DISSERTATION NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA In spite of the substantial amount of critical work that has been produced on Indian cinema in the last decade, misconceptions about Indian cinema still abound. Indian cinema is a subject about which conceptions are still muddy, even within prominent academic circles. The majority of the recent critical work on the subject endeavors to correct misconceptions, analyze cinematic norms and lay down the theoretical foundations for Indian cinema. -
VOLVIV February 2015 No. 2 HIGHLIGHTS
VOLVIV February 2015 No. 2 HIGHLIGHTS Kukunoor’s Dhanak bags Berlin honour India’s 175 Grams wins at Sundance Film Festival Bodhon wins two awards in US Film Festival Mardaani premieres in Poland D. Rama Naidu is no more NATIONAL DOCUMENTATION CENTRE ON MASS COMMUNICATION NEW MEDIA WING (FORMERLY RESEARCH, REFERENCE AND TRAINING DIVISION ) MINISTRY OF INFORMATION AND BROADCASTING Room No.437-442, Phase IV, Soochana Bhavan, CGO Complex, New Delhi-3 Compiled, Edited & Issued by National Documentation Centre on Mass Communication NEW MEDIA WING (Formerly Research, Reference & Training Division) Ministry of Information & Broadcasting Chief Editor L. R. Vishwanath Editor H.M.Sharma Asstt. Editor Alka Mathur CONTENTS FILM AWARDS International 1-2 FESTIVALS Berlin 1 North Carolina 2 Sundance 1-2 OBITUARIES 2-5 AWARDS/FESTIVALS Kukunoor’s Dhanak bags Berlin honour Filmmaker Nagesh Kukunoor’s Dhanak has been honoured with the Grand Prix of the Generation K plus International Jury for the best feature length film at the 65th Berlin International Film Festival. The movie which premiered at the festival, also received a special mention from kids jury at the festival. Dhanak is about a young girl in Rajasthan who is determined to restore the vision of her blind brother. The film stars Hetal Gada and Krrish Chhabria. Co-produced by Manish Mundra, Kukunoor and Elahe Hiptoola, the film had its world premiere at the Berlinale held from February 5 to 15, 2015. Screen (20 February 2015; 12) Dainik Jagran (16 February 2015) Asian Age (16 February 2015) Hindustan Times (19 February 2015) India’s 175 Grams wins at Sundance Film Festival Indian film 175 Grams directed by Bharat Mirle and Arvind Iyer is one of the five winners of the Short Film Challenge programme at the 2015 Sundance Film Festival at Park City in Utah.