Utopia for Beginners Welcome to the Post-Technology Era
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Polygyny: a Study of Religious Fundamentalism Margaret L
Polygyny: A Study of Religious Fundamentalism Margaret L. Granath Submitted under the supervision of Professor Kathleen Collins to the University Honors Program at the University of Minnesota-Twin Cities in partial fulfillment of the requirements for the degree of Bachelor of Arts, magna cum laude, in political science. April 24, 2021 2 Acknowledgements: I would like to give thanks: To Prof. Kathleen Collins, for her guidance throughout the writing process of this work. She took a chance on me when I was a freshman, allowing me to work with her as a research assistant for three years of college until I wrote this thesis under her supervision. I am a better writer, a better researcher, and a better thinker due to her mentorship. To my parents, Al and Teresa. They never restricted what I read as a child (which turned out to be a good thing, because I read Under the Banner of Heaven in 7th grade, which turned into the inspiration for this thesis). Thank you for fostering my curiosity, then and now. To my siblings, Ellica and Kyle, thank you for allowing me to bore you with conversations about religion at dinner. All of my love. To Scott Romano, for delivering various fast foods to me during the writing process—I owe you many. Thank you for always reminding me of my worth (and to take a break). To Morgan McElroy, for his friendship. Editing your papers was a much-needed reprieve. Thank you for being there. To the women of Gamma Phi Beta, for listening each week as I shared the struggles and successes of this writing process. -
Utopia, Dystopia and Catastrophe
Changing the Climate: Utopia, Dystopia and Catastrophe This special section of Colloquy contains papers presented at the confer- ence Changing the Climate: Utopia, Dystopia and Catastrophe , held by the Centre for Comparative Literature and Cultural Studies at Monash Univer- sity in Melbourne from the 30th of August until the 1st of September, 2010. Approximately sixty papers were given at the conference, six of which are collected here. A companion volume has been published by Arena Journal no. 35/36, which also contains proceedings from the conference. Zachary Kendal discusses the different treatments of science and re- ligion in Australian utopian literature between 1870 and 1900, contesting the science-versus-religion dichotomy that has been used to characterise the Victorian “crisis of faith.” Lindy A. Orthia examines the representation of environmental problems in Doctor Who from 1963 until 2010. She argues that over the decades, the programme has displayed increasing resignation towards chronic environmental issues and disillusionment with the ability of Western science to deal with these problems. The article asks why it is that these literary texts rarely extend their critique to an examination of the im- pact of resource exploitation on the colonies. Geoff Berry undertakes a my- thopoeic reading of two modernist texts, Conrad’s Heart of Darkness and T. S. Eliot’s “The Waste Land.” They provide instances of Berry’s wider thesis, which contends that modern Western civilisation continues to be driven by a desire to attain mastery over its Others, whether they are non-Western cultures or the non-human natural world. This is symbolised potently by the West’s privileging of the figure of Light, which shines out from the city (or the shopping mall), banishing the feared Darkness that lies beyond. -
Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In
Sociopathetic abscess or yawning chasm? The absent postcolonial transition in Doctor Who Lindy A Orthia The Australian National University, Canberra, Australia Abstract This paper explores discourses of colonialism, cosmopolitanism and postcolonialism in the long-running television series, Doctor Who. Doctor Who has frequently explored past colonial scenarios and has depicted cosmopolitan futures as multiracial and queer- positive, constructing a teleological model of human history. Yet postcolonial transition stages between the overthrow of colonialism and the instatement of cosmopolitan polities have received little attention within the program. This apparent ‘yawning chasm’ — this inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination — is whitewashed by the representation of past, present and future humanity as unchangingly diverse; literally fixed in happy demographic variety. Harmonious cosmopolitanism is thus presented as a non-negotiable fact of human inevitability, casting instances of racist oppression as unnatural blips. Under this construction, the postcolonial transition needs no explication, because to throw off colonialism’s chains is merely to revert to a more natural state of humanness, that is, cosmopolitanism. Only a few Doctor Who stories break with this model to deal with the ‘sociopathetic abscess’ that is real life postcolonial modernity. Key Words Doctor Who, cosmopolitanism, colonialism, postcolonialism, race, teleology, science fiction This is the submitted version of a paper that has been published with minor changes in The Journal of Commonwealth Literature, 45(2): 207-225. 1 1. Introduction Zargo: In any society there is bound to be a division. The rulers and the ruled. -
Doctor Who Party
The Annual DoctorCostume ComparisonWho Gallery Party Tim Harrison, Sr. as the 4th Doctor and Eric Stein as Captain Jack Harkness Jim Martin as the 9th Doctor Sarah Gilbertson as Raffalo (The End of the World) Esther Harrison as Harriet Jones (The Christmas Invasion) Karen Martin as Rose Tyler Jesse Stein as the 10th Doctor Katie Grzebin as Novice Hame (New Earth) Timothy Harrison, Jr. as the 10th Doctor and Lindsay Harrison as Rose Tyler (Tooth and Claw) JoLynn Graubart as Martha Jones and Matt Graubart as a Weeping Angel (Blink) Andrew Gilbertson as Prof. Yana (Utopia) Kayleigh Bickings as Lady Christina (Planet of the Dead) Joe Harrison as a Whifferdill (taking the form of Joe Harrison) (DWM: Voyager) 4, 9, 10, and everyone’s favorite Canine Computer... A bowl of Adipose... No substitute for a sonic blaster, but the 9th and 10th are fans... HOME 2010 The Annual DoctorCostume ComparisonWho Gallery Party Andrew Gilbertson as the 1st Doctor Hayley as a Dalek Camryn Bickings as ...Koquillion? (The Rescue) Timothy Harrison, Jr. as the 5th Doctor Jim Martin as the 9th Doctor Esther Harrison as Sarah Jane Smith BJ Johnson as a Weeping Angel (Blink) Sarah Gilbertson as Lucy Saxon (Last of the Time Lords) Katie Grzebin as Jenny (The Doctor’s Daughter) Karen Martin as the Visionary (The End of Time) Eric Stein as the post-regeneration 11th Doctor (The Eleventh Hour) Joe Harrison as the 11th Doctor Lindsay Harrison as Liz 10 (The Beast Below) JoLynn Graubart as Amy Pond and Matt Graubart as Rory the Roman (The Pandorica Opens) HOME 2009 2011 The Annual DoctorCostume ComparisonWho Gallery Party Andrew Gilbertson as the 2nd Doctor Joe Harrison as Jamie McCrimmon Timothy Harrison, Jr. -
Things to Do in the Digital Afterlife When You're Dead
THINGS TO DO IN THE DIGITAL AFTERLIFE WHEN YOU'RE DEAD Dan Buzzo There are currently few procedures or public awareness about what happens to online digital identities after death. This paper discusses what happens with personal electronic information after death and looks to what is argued to be the rapidly approaching digital Afterlife. This afterlife of new emergent be- haviour offers a challenge of almost unimaginable scope to the creative vision of Artists, Philosophers, Technologists and Cultural thinkers. Introduction As more people live increasing amounts of their lives online the issues associated with physical death in the digital realm are becoming pressingly visible. Year by year deceased users leave behind petabytes of seemingly ‘immortal’ data. Yet despite growing amounts of such legacy data there is currently little legal or cultural precedent as to how to treat the personal data of dead users. “five billion images and counting on Flickr; hundreds of thousands of YouTube videos uploaded every day; oceans of content from 20 million bloggers and 500 million Facebook members; two billion tweets a month.” [1] “One and a half million Facebook users die each year. Twitter faces a similar mortality rate. It's a grow- ing problem for the social-networking sites - and often even more so for the relatives left behind. “ [2] “We feel comfortable saying that 375,000 US based Facebook users will die this year and nearly 1.5m will die worldwide. That’s 3 per minute!” [3] The industry giants have, it could be argued, largely ignored or evaded the discussion of how to deal with legacy data. -
The Use of Brechtian Devices in Howard Brenton's Hitler
Hacettepe University Graduate School of Social Sciences Department of English Language and Literature English Language and Literature THE USE OF BRECHTIAN DEVICES IN HOWARD BRENTON’S HITLER DANCES, MAGNIFICENCE AND THE ROMANS IN BRITAIN Ozan Günay AYGÜN Master’s Thesis Ankara, 2019 THE USE OF BRECHTIAN DEVICES IN HOWARD BRENTON’S HITLER DANCES, MAGNIFICENCE AND THE ROMANS IN BRITAIN Ozan Günay AYGÜN Hacettepe University Graduate School of Social Sciences Department of English Language and Literature English Language and Literature Master’s Thesis Ankara, 2019 In memory of my aunt Zehra Aygün, who always treated us as one of her own. v ACKNOWLEDGEMENTS First and foremost, I would like to express my deepest gratitude to my supervisor, Prof. Dr. A. Deniz Bozer, for her patience, support and invaluable academic guidance. She was always understanding throughout the writing process of this thesis, and she encouraged me in times of stress and guided me with her wisdom. Without her, I would not be able to complete this thesis and I am most grateful and honored to have studied under her supervision. I am also indebted to the head of our department, Prof. Dr. Burçin Erol, for her patient guidance whenever I was unsure of how to proceed with my studies during my time as a student at Hacettepe University. I would also like to extend my gratitude to the distinguished members of the jury, Prof. Dr. Aytül Özüm, Assoc. Prof. Dr. Şebnem Kaya, Assoc. Prof. Dr. Sıla Şenlen Güvenç, Asst. Prof. Dr. İmren Yelmiş and Asst. Prof. Dr. F. Neslihan Ekmekçioğlu for their valuable feedback and critical comments which had an immense effect in the development of this thesis. -
Doctor Who and the Creation of a Non-Gendered Hero Archetype
Illinois State University ISU ReD: Research and eData Theses and Dissertations 10-13-2014 Doctor Who and the Creation of a Non-Gendered Hero Archetype Alessandra J. Pelusi Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the Mass Communication Commons Recommended Citation Pelusi, Alessandra J., "Doctor Who and the Creation of a Non-Gendered Hero Archetype" (2014). Theses and Dissertations. 272. https://ir.library.illinoisstate.edu/etd/272 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. DOCTOR WHO AND THE CREATION OF A NON-GENDERED HERO ARCHETYPE Alessandra J. Pelusi 85 Pages December 2014 This thesis investigates the ways in which the television program Doctor Who forges a new, non-gendered, hero archetype from the amalgamation of its main characters. In order to demonstrate how this is achieved, I begin with reviewing some of the significant and relevant characters that contribute to this. I then examine the ways in which female and male characters are represented in Doctor Who, including who they are, their relationship with the Doctor, and what major narrative roles they play. I follow this with a discussion of the significance of the companion, including their status as equal to the Doctor. From there, I explore the ways in which the program utilizes existing archetypes by subverting them and disrupting the status quo. -
Tennyson's Poems
Tennyson’s Poems New Textual Parallels R. H. WINNICK To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/944 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. TENNYSON’S POEMS: NEW TEXTUAL PARALLELS Tennyson’s Poems: New Textual Parallels R. H. Winnick https://www.openbookpublishers.com Copyright © 2019 by R. H. Winnick This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work provided that attribution is made to the author (but not in any way which suggests that the author endorses you or your use of the work). Attribution should include the following information: R. H. Winnick, Tennyson’s Poems: New Textual Parallels. Cambridge, UK: Open Book Publishers, 2019. https://doi.org/10.11647/OBP.0161 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/944#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/944#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. -
Demanding the Impossible: Utopia, Dystopia and Science-Fiction
COLLOQUY text theory critique issue 17, august 2009 Demanding the Impossible: Utopia, Dystopia and Science-Fiction guest edited by Matthew Ryan and Simon Sellars Editorial Committee: Editorial Board: Geoff Berry Bill Ashcroft David Blencowe Andrew Benjamin Rachel Funari Andriana Cavarero David Lane Joy Damousi Adam Lodders Alex Düttmann Blair MacDonald Jürgen Fohrmann Barbara Mattar Sneja Gunew Diane Molloy Kevin Hart Eleonora Morelli Susan K. Martin Elyse Rider Steven Muecke Tanya Serisier Paul Patton Robert Stilwell Georg Stanitzek Rachel Torbett Terry Threadgold Julia Vassilieva Advisory Board: Axel Fliethmann Brett Hutchins Alison Ross COLLOQUY text theory critique 17 (2009). © Monash University. www.colloquy.monash.edu.au/issue17.pdf ISSN: 13259490 Issue 17, August 2009 Editorial 3 DEMANDING THE IMPOSSIBLE: UTOPIA, DYSTOPIA AND SCIENCE FICTION ARTICLES On Failure and Revolution in Utopian Fiction and Science Fiction of the 1960s and 1970s Darren Jorgensen 6 The Flight from History: From HG Wells to Doctor Who – and Back Again Alec Charles 16 Iain M Banks, Ernst Bloch and Utopian Interventions Michał Kulbicki 34 “Extreme Possibilities”: Mapping “the sea of time and space” in J G Bal- lard’s Pacific fictions Simon Sellars 44 Spectres of Orwell, or, the Impossible Demand of the Subject David Jack 62 Sarah Palin’s JerUSAlem and Pentecostal Faith; a Hysteric Symptom of American Utopianism? Sarah Curtis 70 Historical Optimism: the Use of Utopia in the Enlightenment Era Amy Crawford 83 BOOK REVIEWS Paul Bogard. Let There Be Night. Reno, Nevada: University of Nevada Press, 2008. Geoff Berry 94 Michel Faber. The Fire Gospel. Melbourne: Text Publishing, 2008. Geoff Berry 98 COLLOQUY text theory critique 17 (2009). -
The Body As Utopia: Gattaca , by Andrew Niccol (1997)
The Body as Utopia: Gattaca , by Andrew Niccol (1997) Pere Gallardo-Torrano Rovira i Virgili University, Tarragona, Spain Citation: Pere Gallardo-Torrano, “ The Body as Utopia: Gattaca , by Andrew Niccol (1997) ”, Spaces of Utopia: An Electronic Journal , nr. 5, Summer 2007, pp. 44-54 <http://ler.letras.up.pt > ISSN 1646-4729. A recent reality show on a Dutch TV channel raised an international uproar both among patients in search of organ donors and the medic community. The show, aired by the youth-oriented and often controversial Dutch TV-channel BNN, was called The Big Donor Show . At first sight, the show was meant to present several kidney patients trying to prove which of them most needed a kidney transplant from a donor supposedly ill with terminal cancer. As if the idea was not controversial enough, the show then turned out to be a hoax because while the potential recipients were real kidney patients, the donor was a perfectly healthy actress. All of them knew about the farce. Apart from the ethics involved, it seems clear that the show was just another turn of the screw in the maelstrom of reality shows in search of an audience. Laurens Drillich, BNN’s chairman, later declared in a press release: “We wanted to make a statement. That worked. In the past seven days there has been more debate about organ donation than in the last seven years”.1 Whether the show actually had positive repercussions on the number of donors in the Netherlands, which allegedly was its main purpose, or actually scandalized away potential donors because of its Spaces of Utopia 5 (Summer 2007) 45 trivial format is yet to be seen. -
The Critique of Fundamentalist Discourses in Zadie Smith's White
國立成功大學 外國語文學系研究所 碩士論文 A Thesis for the Master of Arts Department of Foreign Languages and Literature National Cheng Kung University 查蒂•史密斯《白牙》中基本教義論述的批判 The Critique of Fundamentalist Discourses in Zadie Smith’s White Teeth 研究生:孫玉玲 Advisee: Yu-Lin Sun 指導教授:張淑麗 教授 Advisor: Prof. Shuli Chang 中華民國一百零二年六月 June 2013 Abstract Zadie Smith’s debut novel, White Teeth, is known as celebration of multiculturalism which also presents fundamentalist discourses and a problematic and ambivalent view of cosmopolitan London. This thesis thus argues that Smith examines and criticizes two different fundamentalist discourses in her novel—religious fundamentalism and rational/scientific fundamentalism—by situating them against the backdrop of multicultural London to render precarious their claims to redemption, be it redemption by a divine act of grace or by the genetic improvement of mankind. Given that the novel exposes the multiplicities of these two fundamentalist discourses, the first chapter thus examines two rather different expressions of religious fundamentalism, those of Samad and Millat. It points out the deployment of such discourses by ethnic minorities is one way to resist racial discrimination. The second chapter focuses on the Chalfenist fundamentalism, which insists on the omnipotence of modern science and human intelligence. It articulates how this approach comes into conflict with religious fundamentalism and conservative groups. On the one hand, these fundamentalist discourses represent Smith’s awareness of the emergence of counter movements to resist the hegemony of multiculturalism and globalization. The failures of these fundamentalist discourses, on the other hand, point out the impractical fantasy of religions insistence on racial and ethnic purity, and also the blindness of scientific fundamentalists’ obsession with progress, development and human intelligence. -
Poetry's Afterlife: Verse in the Digital Age / Kevin Stein
POETRY'S AFTERLIFE DIgITALCULTUREBDDKS is an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Poetry's Afterlife VERSE IN THE DIGITAL AGE Kevin Stein The University of Michigan Press and The University of Michigan Library ANN ARBOR Copyright © by the University of Michigan 20IO Some rights reserved This work is licensed under the Creative Commons Attribution-Noncommercial No Derivative Works 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Published in the United States of America by The University of Michigan Press and The University of Michigan Library Manufactured in the United States of America r§ Printed on acid-free paper 2013 2012 2011 2010 4 3 2 I A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Stein, Kevin, 1954- Poetry's afterlife: verse in the digital age / Kevin Stein. p. cm. - (Digitalculturebooks) ISBN 978-0-472-07099-2 (cloth: alk. paper) - ISBN 978-0-472-05099-4 (pbk.: alk. paper) I. American poetrY-21st century-History and criticism. 2. Poetry-Appreciation United States-HistorY-2Ist century. 3. Poetry-Appreciation-United States HistorY-20th century. 4. American poetrY-20th century-History and criticism. I. Title. ps326s74 2010 811.509-dc22 ISBN 978-0-472-02670-8 (e-book) For Deb, with daisies, And for Kirsten and Joseph, who question everything.