26568

Old Master Montpelier Street, London I 15 April 2021 Old Master Paintings Montpelier Street, London | Thursday 15 April 2021 at 10.30am

BONHAMS ENQUIRIES BIDS Please see back of catalogue Montpelier Street [email protected] - Bid online/APP for important notice to bidders Knightsbridge +44 (0) 20 7468 8308 Register to bid online by visiting London SW7 1HH www.bonhams.com/26568 To submit a claim for refund of bonhams.com SPECIALISTS VAT, HMRC require lots to be Andrew McKenzie Bid through the exported from the UK within strict deadlines. For lots on which Import SALE NUMBER +44 (0) 20 7468 8261 app. Download now [email protected] for android and iOS VAT has been charged (marked in 26568 the catalogue with a or Ω) lots Lots 1 - 250 * Caroline Oliphant - Bid by telephone/absentee must be exported within 30 days of +44 (0) 20 7468 8271 We require a completed Bidder Bonhams’ receipt of payment and ILLUSTRATIONS [email protected] Registration Form returned by email within 3 months of the sale date. For Front Cover: lot 200 to [email protected]. all other lots export must take place Back Cover: lot 214 Lisa Greaves within 3 months of the sale date. +44 (0) 20 7468 8325 The form can be found at the back [email protected] VIEWING of every catalogue and on our CONDITION REPORTS Monday 12 April, 9am to 4.30pm Condition reports are available Poppy Harvey-Jones website at www.bonhams.com Tuesday 13 April, 9am to 4.30pm +44 (0) 20 7468 8308 for lots with a lower estimate in Wednesday 14 April, 9am to 4.30pm [email protected] Please note we cannot guarantee excess of £2500. bids within 24 hours of the sale. IMPORTANT NOTICE Bun Boisseau ABOUT COVID +44 (0) 20 7468 8307 Bidding by telephone will only be Bonhams continues to hold [email protected] accepted on a lot with a lower viewings and sales in accordance to estimate in excess of £1,000. the government guidelines in each PRESS ENQUIRIES region. If local restrictions prevent [email protected] - Bid in person our salerooms from opening, the You can pre-register online at Bonhams.com or obtain a paddle at sales will either be wholly online CUSTOMER SERVICES or livestreamed from the auction our Registration Desk. Monday to Friday house. Bids will be accepted 8.30am – 6pm - New Bidders online, on the Bonhams app, on the +44 (0) 20 7447 7447 telephone and as absentee bids. You must provide proof of identity For up to date information and if you when submitting bids. A copy have any questions regarding an of a government- issued photo upcoming sale please contact Client identification (driving licence or Services on: passport) showing your full name +44 (0)20 7447 7447 or and date of birth, and, if not shown [email protected] on the ID document, proof of your current address (utility bill or bank statement).

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Central What do the Star ( ) and Omega (Ω) Middlesex Acton Ln * Hospital Park Royal symbols mean ? If you buy in this Acton Ln sale you will pay import VAT of 5% Cadogan Tate (* symbol) or 20% (Ω symbol) on the Hammer Price. As of 1 January Coronation Road W e d s P a 2021, for EU buyers shipping te a o r r n R k A v e R e purchased Lots outside the UK, this s A o 40 a y h a Park l C tax will be refunded by Bonhams

Royal iWestern Ave A40 R o Station a 0 d Acton 0 on valid proof of export of your Lot 0 North 4 Cemetery A

Acton from the UK within 30 days of full d Station a o R payment of your invoice. a i r o t c i V

West Acton Horn Lane Station 1 GERMAN SCHOOL, 16TH CENTURY Provenance Balthazar (?) Sale, Nagel Auktionen, Stuttgart, 8 December 2006, lot 1159 tempera on canvas laid down on board, a fragment, possibly Private Collection, UK transferred from a 43.3 x 57.2cm (17 1/16 x 22 1/2in). An alternative identification of Saint Maurice has been suggested. unframed

£3,000 - 5,000 €3,500 - 5,800

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 3 2 3

2 FOLLOWER OF LAMBERT LOMBARD (LIÈGE 1506-1566) The Crucifixion oil on panel, shaped top 78.5 x 49.4cm (30 7/8 x 19 7/16in).

£5,000 - 7,000 €5,800 - 8,100

3 FLEMISH SCHOOL, 16TH CENTURY The Madonna and Child oil on canvas 44.5 x 49.5cm (17 1/2 x 19 1/2in).

£3,000 - 5,000 €3,500 - 5,800

4 MANNER OF , EARLY 17TH CENTURY Pietà oil on panel 37 x 25.2cm (14 9/16 x 9 15/16in).

£4,000 - 6,000 €4,700 - 7,000

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For details of the charges payable in addition to the final Hammer Price of each Lot 4 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 5

5 AFTER PETER DE WITTE, CALLED PIETRO CANDIDO, 17TH CENTURY The oil on panel 58.8 x 74.3cm (23 1/8 x 29 1/4in).

£1,500 - 2,000 €1,700 - 2,300

The present composition is based on an by Jan Sadeler made after a now lost by Pieter Candid.

6 * GERMAN SCHOOL, 18TH CENTURY Two hermits meditating in the wilderness oil on panel 39.6 x 29.8cm (15 9/16 x 11 3/4in).

£2,000 - 3,000 €2,300 - 3,500

A similar composition was offered at the Dorotheum, Vienna, on 17 October 2012, lot 748 as Pieter Snyers.

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For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 5 7 8

7 AFTER DAVID TENIERS THE YOUNGER, 17TH CENTURY The Covetous Man oil on panel, tondo 20.9cm. (8 1/4 in.) diameter

£1,500 - 2,000 €1,700 - 2,300

The present work follows, in reverse, Teniers’s The Covetous Man now in the , London. Teniers’s painting was engraved by Franciscus van der Steen in circa 1650.

8 FOLLOWER OF HARMENSZ. VAN RIJN (LEIDEN 1606-1669 ) Portrait of a bearded old man oil on panel, tondo 6.5 cm. (2 1/2in.) diameter

£4,000 - 6,000 €4,700 - 7,000

9 CIRCLE OF JOHANN KUPETZKI (PEZINOK CIRCA 1667-1740 NUREMBERG) Portrait of a gentleman, half-length, in a fur-trimmed coat oil on panel 35.9 x 30.1cm (14 1/8 x 11 7/8in).

£2,000 - 3,000 9 €2,300 - 3,500

For details of the charges payable in addition to the final Hammer Price of each Lot 6 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 10

10 AFTER CASPAR NETSCHER, LATE 17TH CENTURY A lady playing a lute with her companion in a park landscape bears signature ‘C.Ne*cher’ (on the fountain, lower left) oil on canvas 42.7 x 34.6cm (16 13/16 x 13 5/8in).

£2,000 - 3,000 €2,300 - 3,500 11

Provenance The collection of Robert Lee, Hampshire, 1903 (according to a label on the reverse)

The present work is after Netscher’s original, now in the Uffizi, Florence.

11 * AFTER SALOMON KONINCK, 18TH CENTURY A seated rabbi oil on panel 66.1 x 49.7cm (26 x 19 9/16in).

£1,500 - 2,000 €1,700 - 2,300

Provenance Acquired by the present owner’s father in the 1950s and thence by descent

The present work is after de Koninck’s original, now in Galleria Sabauda, Turin.

12 FOLLOWER OF REMBRANDT HARMENSZ. VAN RIJN (LEIDEN 1606-1669 AMSTERDAM) The head of a bearded man oil on panel 20.6 x 17.8cm (8 1/8 x 7in).

£1,800 - 2,500 12 €2,100 - 2,900

The present work is related to a Rembrandt , in the opposite sense (see: New Hollstein (Rembrandt) I.128.84.iii).

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 7 13

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13 14 STUDIO OF THE BASSANO FAMILY, 17TH CENTURY FOLLOWER OF (FRANKFURT AM MAIN Esau selling his birthright to Jacob 1578-1610 ROME) oil on canvas A river landscape at dusk 63.8 x 74.5cm (25 1/8 x 29 5/16in). oil on copper unframed 11.1 x 13.4cm (4 3/8 x 5 1/4in).

£2,000 - 3,000 £1,000 - 1,500 €2,300 - 3,500 €1,200 - 1,700

The present composition was repeated numerous times by the Bassano family and their studio. One version, with Isaac and Rebecca shown on the left, which is attributed to Francesco Bassano the Younger, is in the Musée Baron-Gérard, Bayeux.

For details of the charges payable in addition to the final Hammer Price of each Lot 8 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 15

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15 16 AFTER TROPHIME BIGOT, 17TH Provenance ITALIAN SCHOOL, 16TH CENTURY CENTURY Private Collection, France The Madonna and Child enthroned An angel watching over the dead Christ Sale, Blanchet & Joron-Derem, Paris, 21 May oil on panel, tondo, in a carved integral frame oil on canvas 1999, lot 104 40.2cm. (15 3/4in.) diameter 95.5 x 129cm (37 5/8 x 50 13/16in). Sale, Sotheby’s, London, 29 April 2010, lot 178 £2,000 - 3,000 £3,000 - 5,000 €2,300 - 3,500 €3,500 - 5,800 The present composition is after a work previously at La Salle University Art Museum, Philadelphia, and sold at Christie’s, New York, 19 April 2018, lot 22.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 9 17 18

17 AFTER ANTONIO ALLEGRI, CALLED IL CORREGGIO, EARLY 19TH CENTURY The Mystic Marriage of Saint Catherine with Saint Sebastian oil on copper 51.7 x 42.2cm (20 3/8 x 16 5/8in). unframed

£1,500 - 2,000 €1,700 - 2,300

The present work is after Correggio’s original now in the Musee du Louvre, Paris.

18 FOLLOWER OF LORENZO LIPPI (FLORENCE 1606-1665) The Madonna and Child with the Infant Saint John the Baptist oil on canvas 85.3 x 72.7cm (33 9/16 x 28 5/8in). unframed

£1,000 - 1,500 €1,200 - 1,700

19 LOMBARD SCHOOL, 17TH CENTURY The Infant Saint John the Baptist oil on canvas 54.7 x 42.5cm (21 9/16 x 16 3/4in). unframed

£3,000 - 5,000 €3,500 - 5,800 19

For details of the charges payable in addition to the final Hammer Price of each Lot 10 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 20

20 TP 21 BOLOGNESE SCHOOL, 17TH CENTURY The Annunciation oil on canvas 181.9 x 148.5cm (71 5/8 x 58 7/16in). unframed

£4,000 - 6,000 €4,700 - 7,000

The present composition is based on ’s Annunciation for the Chapel of the Annunciation in the Palazzo del Quirinale, Rome.

21 ATTRIBUTED TO JACOPO VIGNALI (PRATO VECCHIO 1592- 1664 FLORENCE) Christ healing the Blind oil on canvas 100.4 x 80.8cm (39 1/2 x 31 13/16in).

£3,000 - 5,000 €3,500 - 5,800

Provenance King Louis Phillippe of the French (according to a label on the reverse) Sale, Christie’s, London, 31 March 1989, lot 48

22 AFTER BERNARDINO LUINI, 17TH CENTURY The Infant Saint John the Baptist with a lamb oil on canvas 72 x 44.7cm (28 3/8 x 17 5/8in).

£1,500 - 2,000 €1,700 - 2,300

The present composition is a detail after Bernardino Luini’s The Christ Child and the Infant Saint John the Baptist with a Lamb now in the National Gallery of Canada, Ottawa (acc. no. 3454). 22

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 11 23 GIACOMO NANI (PORT’ERCOLE 1698-1770 NAPLES) A hawk attacking a hare; Dead game in a landscape; A basket of figs with other fruit and meat in a landscape; and A basket of dead game in a landscape one signed ‘Giacomo/ Nani f’. (on rock, centre right) a set of four, oil on canvas 62.4 x 49.5cm (24 9/16 x 19 1/2in). (4)

£10,000 - 15,000 €12,000 - 17,000

Provenance Sale, Galerie de Chartres, Chartres, 23 October 2011, lot 36

For details of the charges payable in addition to the final Hammer Price of each Lot 12 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 24 BARTOLOMEO SCHEDONI (MODENA 1578-1615 PARMA) Literature The Holy Family with Saint Francis E. Negro & N. Roio, Bartolomeo Schedoni 1578-1615, Modena, oil on canvas 2000, Appendice, p. 109, cat. no. 54A, ill. 87.5 x 71.8cm (34 7/16 x 28 1/4in). C. Huchet de Quénetain and M. Weil-Curiel, ‘An inventory of the unframed art collection of Etienne-Nicolas Dutartre de Bourdonné, 1782’, in Burlington Magazine, May 2020, listed as no. 72, ill. p. 401 £5,000 - 7,000 €5,800 - 8,100 Prof. Emilio Negro and Dottssa Nicosetta Roio date the present work to Schedoni’s last years in Parma when Correggio’s influence is apparent both in the tender pose of St Francis and the Christ Child Provenance and in the sfumato handling. They suggest a possible collaboration Sale, Sotheby’s, London, 14 December 2000, lot 196 between the artist and his Parmese pupil Luigi Amidano whose figures share similarities with those in the present work. Documents record a painting by Schedoni in the Farnese collection described as ‘The Blessed Virgin with Child adored by St Francis and St Joseph’, (one braccio and 7 once high, one braccio and 3 once wide) (see: F. Strazzullo, Le manifatture d’arte di Carlo di Borbone, Napoli, 1979).

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 13 25 MANNER OF ABRAHAM HENDRICKSZ. VAN BEYEREN, 19TH CENTURY Grapes, lemons and other fruit on a draped table with a glass of wine and a stone jug bears monogram ‘AB f.’ (on jug handle, upper right) oil on canvas 68.5 x 89cm (26 15/16 x 35 1/16in). 25 £2,000 - 3,000 €2,300 - 3,500

26 MANNER OF SIR , 18TH CENTURY Thetis receiving the arms of Achilles from Vulcan oil on canvas 48.6 x 55.2cm (19 1/8 x 21 3/4in). unframed

£800 - 1,200 €930 - 1,400

The present work is derived from Rubens’s tapestry of the same subject, location unknown. Rubens’s modello, in the opposite sense, is in Musée des Beaux-arts de Pau, Paris.

27 JAN WYCK (HAARLEM CIRCA 1652-1700 MORTLAKE) A Saracen on horseback before a cavalry 26 skirmish; and An equestrian portrait the former signed ‘JW**’ (lower left) a pair, oil on canvas laid down on panel 20.2 x 27.2cm (7 15/16 x 10 11/16in). (2)

£2,000 - 3,000 €2,300 - 3,500

Provenance Private Collection, UK since at least the 1970s

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For details of the charges payable in addition to the final Hammer Price of each Lot 14 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 28 ATTRIBUTED TO FREDERICK DE MOUCHERON (UNDEFINED, EMDEN 1633-1686 AMSTERDAM) A river landscape with riders on horseback before ruins dated ‘ P. 1664’ (on rock, lower left) oil on canvas 67.2 x 90.7cm (26 7/16 x 35 11/16in).

£4,000 - 6,000 €4,700 - 7,000 28

29 AFTER SIR PETER PAUL RUBENS, EARLY 19TH CENTURY The Lion Hunt oil on canvas, unlined 37.7 x 55.5cm (14 13/16 x 21 7/8in).

£3,000 - 5,000 €3,500 - 5,800

The present painting is after Rubens’s Lion Hunt now in the , Munich.

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For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 15 31 30

30 AFTER TIZIANO VECELLIO, CALLED , 17TH CENTURY Salome with the head of John the Baptist oil on canvas 103.7 x 83cm (40 13/16 x 32 11/16in). including an addition of approximately 7cm. (2 3/4 in.) along the lower edge

£3,000 - 5,000 €3,500 - 5,800

The present work is after Titian’s Salome now in the Doria Pamphilj Gallery, Rome.

31 CIRCLE OF JACOPO NEGRETTI, CALLED PALMA IL GIOVANE ( CIRCA 1548-1628) The Madonna and Child oil on canvas 44.4 x 36.1cm (17 1/2 x 14 3/16in).

£3,000 - 5,000 €3,500 - 5,800

32 * AFTER RAFFAELLO SANZIO, CALLED , 16TH CENTURY The Vision of Ezekiel oil on panel 40.8 x 30.6cm (16 1/16 x 12 1/16in).

£3,000 - 5,000 €3,500 - 5,800

The present composition is after Raphael’s Vision of Ezekiel now in the Palazzo Pitti, Florence. 32

For details of the charges payable in addition to the final Hammer Price of each Lot 16 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 33 EMILIAN SCHOOL, LATE 16TH CENTURY The Christ Child oil on paper laid down on panel, a fragment 36.5 x 31.2cm (14 3/8 x 12 5/16in). unframed

£3,000 - 5,000 €3,500 - 5,800

Provenance William G. Coesvelt, London His sale, Christie’s, London, 13 June 1840, lot 16, where purchased by Mr Norton (£8 18s 6d) Sale, Christie’s, South Kensington, 28 October 2009, lot 21

Literature A. Jameson, The Collection of Pictures of W.G. Coesvelt, Esq., of 33 London, London, 1936, p. 18, no. 60, ill. (as attributed to Correggio and described as ‘Another more finished Oil Study on Paper, of a Child’s Head, very effective in Light and Shade. Likewise at Parma’.)

34 AFTER GIUSEPPE CESARI, CALLED IL CAVALIER D’ARPINO, EARLY 17TH CENTURY Saint Carlo Borromeo presenting Rosa da Lima to Christ and the Virgin oil on panel 81.1 x 60cm (31 15/16 x 23 5/8in).

£2,000 - 3,000 €2,300 - 3,500

The present work is after d’Arpino’s original composition now in the Colonna collection, Rome.

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For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 17 35 ATTRIBUTED TO SIR (DORSET 1675-1734 Obtaining the Jar of Forgetfulness from Pluto in Hades in the National STALBRIDGE) Trust Collection, Hinton Ampner. Thornhill’s most celebrated works Modello for a mythological mural, possibly depicting Jupiter and Io are the ceiling of the Painted Hall at Greenwich Hospital (1707-14, discovered by Juno now Royal Naval College), and the grisaille paintings on the Life of oil on canvas Saint Paul in the dome of Saint Paul’s Cathedral, London (1716-19). 63.9 x 90.5cm (25 3/16 x 35 5/8in). An alternative possible attribution that has been suggested is Louis Laguerre (1663-1721), who was Thornhill’s main rival in this genre of £4,000 - 6,000 painting. Working mostly in country houses, notably Burghley House, €4,700 - 7,000 Chatsworth, and , the most obvious comparison to the present work is his modello for the Rape of Proserpine which The present work is an interesting and rare preparatory sketch for adorned the Staircase at Devonshire House, London (circa 1704, one of the many staircases in English houses that were executed in Yale Center for British Art). Another comparable example of a finished the early 1700s but few of which have survived. Typically they were mural by Laguerre is The Triumph of Elizabeth, Duchess of Somerset adorned with subjects from classical mythology, as was the case in the National Trust’s Collection, Petworth House, West Sussex. with a comparable modello by Thornhill for a mural showing Psyche

For details of the charges payable in addition to the final Hammer Price of each Lot 18 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 36 TP HENRY WILLIAM PICKERSGILL RA (LONDON 1782-1875) Traditionally identified as “The Countess of Clanwilliam and her The Countess of Clanwilliam and her brother, seated in a garden, brother”, it can be ascertained that the present portrait depicts Lady writing a letter Elizabeth Herbert (1809-1858) and her only full brother, the Hon. oil on canvas Sidney Herbert (1810-1861). They were the children of General 149.6 x 119.4cm (58 7/8 x 47in). George Augustus Herbert, 11th Earl of Pembroke and his second wife, Catherine Woronzow. Lady Elizabeth married Richard Charles Christian Francis Meade, 3rd Earl of Clanwilliam in 1830. Sidney held £5,000 - 7,000 the office of Secretary of the Admiralty between 1841 and 1845, €5,800 - 8,100 Secretary for War between 1845 and 1846, between 1852 and 1855 and between 1856-61; and held the office of Colonial Secretary Provenance between 8 February 1855 and 22 February 1855. A Trustee of the Private Collection, Calcutta, India, circa 1822 (according to a label on National Portrait Gallery between 1856 and 1861, he was created 1st the reverse) Baron Herbert of Lea, in 1861. Sale, Christie’s, South Kensington, 5 December 2007, lot 181 Private Collection, UK

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 19 37 CIRCLE OF HENDRICK VAN MINDERHOUT (ROTTERDAM 1632-1696 ANTWERP) A Mediterranean port scene with a fish seller on the quay oil on canvas 52.3 x 78.5cm (20 9/16 x 30 7/8in).

37 £2,000 - 3,000 €2,300 - 3,500

38 DUTCH SCHOOL, 17TH CENTURY A wooded landscape with figures before a church oil on panel 40.6 x 60.3cm (16 x 23 3/4in).

£1,500 - 2,000 €1,700 - 2,300

39 DUTCH SCHOOL, 17TH CENTURY The beach at Scheveningen bears signature ‘B cuyp’ (lower left) oil on panel 47.2 x 65.7cm (18 9/16 x 25 7/8in).

£3,000 - 5,000 €3,500 - 5,800

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For details of the charges payable in addition to the final Hammer Price of each Lot 20 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 40 GERRIT ADRIAENSZ. BERCKHEYDE (HAARLEM 1638-1698) Peasants resting with their animals in an Italianate landscape signed ‘G. Berckheyde.’ (lower right) oil on panel 46.8 x 63.2cm (18 7/16 x 24 7/8in). 40 £5,000 - 7,000 €5,800 - 8,100

41 PETRUS JOHANN VAN REGEMORTER (ANTWERP 1755-1830) Figures outside an inn signed and dated ‘VRegemorter 1784’ (lower right, V and R in ligature) oil on panel 31.6 x 42.3cm (12 7/16 x 16 5/8in).

£1,500 - 2,000 €1,700 - 2,300

42 MANNER OF , 18TH CENTURY Figures bathing before a town oil on panel 71.1 x 87cm (28 x 34 1/4in).

£2,000 - 3,000 €2,300 - 3,500 41

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For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 21 43

43 ATTRIBUTED TO MARCO RICCI (BELLUNO 1676-1729 VENICE) A wooded river landscape with herders and their animals oil on canvas 63 x 75cm (24 13/16 x 29 1/2in).

£2,000 - 3,000 €2,300 - 3,500

44 STUDIO OF BALTHAZAR DENNER (HAMBURG 1685-1749 ROSTOCK) Portrait of an elderly man, bust-length, in a fur-trimmed hat and coat oil on canvas 35.4 x 27cm (13 15/16 x 10 5/8in).

£2,000 - 3,000 €2,300 - 3,500

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For details of the charges payable in addition to the final Hammer Price of each Lot 22 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 45

45 BERGAMO SCHOOL, LATE 17TH CENTURY Lutes, a guitar, and a violin with music scores beside a celestial globe on a draped table oil on canvas 86.4 x 114.5cm (34 x 45 1/16in). unframed

£2,000 - 3,000 €2,300 - 3,500

46 JOHANN ERNST HEINSIUS (THURINGIA 1740-1812 ERFURT) Portrait of a lady, half-length, in a pink dress, within a feigned oval of oak leaves oil on canvas 81.2 x 65.4cm (31 15/16 x 25 3/4in).

£1,200 - 1,800 €1,400 - 2,100

46

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 23 47 CIRCLE OF JAKOB DE HEUSCH (UTRECHT 1657-1701 AMSTERDAM) A mountainous landscape with travellers on a wooded path oil on canvas 73.7 x 98.8cm (29 x 38 7/8in).

£1,500 - 2,000 €1,700 - 2,300 47 48 AFTER NICOLAES BERCHEM, 18TH CENTURY Drovers with cattle and goats before a bridge oil on canvas 61.2 x 91.2cm (24 1/8 x 35 7/8in).

£3,000 - 5,000 €3,500 - 5,800

Provenance With Agnews, London (according to a label on the reverse)

The present work is after Berchem’s original, now in the Hermitage, Saint Petersburg.

49 DUTCH SCHOOL, 18TH CENTURY Shipping on a stormy sea oil on panel 31.8 x 43.8cm (12 1/2 x 17 1/4in). 48 £1,500 - 2,500 €1,700 - 2,900

49

For details of the charges payable in addition to the final Hammer Price of each Lot 24 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 50

50 FLEMISH SCHOOL, 17TH CENTURY A hermit seated before a cave, a landscape beyond oil on copper 17.2 x 22.7cm (6 3/4 x 8 15/16in).

£3,000 - 5,000 €3,500 - 5,800

Provenance The collection of Colonel William Wood-Martin of Sligo, 19th century (according to an inscription on the reverse)

51 TP CIRCLE OF ADRIAEN VAN DIEST (THE HAGUE 1655-1704 LONDON) Tobias and the Angel oil on canvas 150.2 x 104.3cm (59 1/8 x 41 1/16in).

£6,000 - 8,000 €7,000 - 9,300

Provenance With Het Konstkabinet, The Hague where purchased by the present owner in 1967 (as by Jan Both)

51

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 25 53

52 CIRCLE OF ROBERT NANTEUIL (REIMS CIRCA 1623-CIRCA 1678 PARIS) 52 Portrait of a gentleman, bust-length, in cleric’s robes, within a marble cartouche oil on panel 28.4 x 18.9cm (11 3/16 x 7 7/16in).

£1,500 - 2,000 €1,700 - 2,300

53 FOLLOWER OF PHILIPPE DE CHAMPAIGNE (BRUSSELS 1602- 1674 PARIS) Portrait of gentleman, said to be Christophe de Harlay, Comte de Beaumont extensively inscribed and dated (upper right and left) oil on panel 35.6 x 26.3cm (14 x 10 3/8in).

£2,000 - 3,000 €2,300 - 3,500

54 FRENCH SCHOOL, 17TH CENTURY Christ as the Man of Sorrows oil on canvas, oval 39.4 x 31.4cm (15 1/2 x 12 3/8in). in a carved and gilt frame

£3,000 - 5,000 €3,500 - 5,800

Provenance Sale, Drouot, Paris, 26 March 2003, lot 55 (as Attributed to Nicolas Mignard), where purchased by the present owner 54

For details of the charges payable in addition to the final Hammer Price of each Lot 26 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 55

55 JEAN JACQUES LAGRENÉE THE YOUNGER (PARIS 1739-1821) Two putti with doves amongst clouds signed and dated ‘Lagrenée lejeune/ 1775’ (lower left) oil on canvas 80.2 x 88.4cm (31 9/16 x 34 13/16in).

£3,000 - 5,000 €3,500 - 5,800

Provenance Sale, Damien Libert, Paris, 30 September 2011, lot 45, where purchased by the present owner

By 1775, Jean Jacques Lagrenée had been fully accepted into the Académie Royale and had become an accomplished decorative painter receiving numerous prestigious commissions such as the Galerie d’Apollon at the Louvre and the Council Chamber of the Palace of Fontainebleau, both executed at the same time as the present work.

56 FRENCH SCHOOL, MID 18TH CENTURY Portrait of a lady, half-length, in a flowered dress oil on canvas 81.3 x 65.5cm (32 x 25 13/16in).

£1,500 - 2,000 €1,700 - 2,300

56

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 27 57

57 TP ATTRIBUTED TO JACQUES GRIEF DE CLAEUW (DORDRECHT 1620-CIRCA 1676 ?) Spaniels and other dogs in a landscape oil on canvas 109.4 x 170cm (43 1/16 x 66 15/16in).

£7,000 - 10,000 €8,100 - 12,000

58 FRANS VAN DER MYN (DUSSELDORF 1719-1783 LONDON) Portrait of a lady, three-quarter-length, in a grey and blue satin dress, holding a bouquet of flowers oil on canvas 92.2 x 72.3cm (36 5/16 x 28 7/16in).

£3,000 - 5,000 €3,500 - 5,800

Provenance Sale, Sotheby’s, London, 9 December 1987, lot 161 (sold £7,700) Sale, Christie’s, London, 2 November 2001, lot 60

58

For details of the charges payable in addition to the final Hammer Price of each Lot 28 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 59

59 CIRCLE OF ADAM FRANS VAN DER MEULEN (BRUSSELS 1632-1690 PARIS) King Louis XIV before a besieged city oil on canvas 67.1 x 103.2cm (26 7/16 x 40 5/8in).

£4,000 - 6,000 €4,700 - 7,000

Provenance Sale, Christie’s, London, 16 March 1918 In the collection of the present owner’s family since the 1920s

The figures in the foreground of the present composition are based on van der Meulen’s Louis XIV before the Siege of Lille, a version of which was offered at Drouot, Paris, 15 June 2001, lot 15. There is also study for a tapestry of the same subject, also by van der Meulen, which is now at the Palaces of Versailles.

60 SIR (LÜBECK 1646-1723 LONDON), AND STUDIO Portrait of Sir Edward Ward of Stoke Doyle, Attorney General and then Lord Chief Baron of the Exchequer. signed and dated ‘Kneller. Eques. fecit/1702’ (centre left) oil on canvas 125.8 x 106.2cm (49 1/2 x 41 13/16in).

£5,000 - 7,000 €5,800 - 8,100

Provenance 60 Boreatton Park, County Salop, 1882 Private Collection, UK for at least 20 years

Sir Edward Ward (1638–1714) was appointed Attorney General in 1694 and in 1695 was named Chief Baron of the Exchequer. He is best known as the judge in the state trial for piracy of Captain Kidd. The bust length section of his portrait by Kneller, in reverse, was engraved by Robert White in 1702.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 29 61 * STUDIO OF POMPEO GIROLAMO BATONI (LUCCA 1708-1787 ROME) An Allegory of Meekness oil on canvas 99.2 x 73.6cm (39 1/16 x 29in).

£10,000 - 15,000 €12,000 - 17,000

Provenance Sale, Christie’s, Rome, 15 December 1987, lot 305 (as Workshop of Batoni) Sale, Bertolami Fine Arts SRL, Rome, 21 November 2019, lot 165 Private Collection, Asia

Literature E. Bowron, A Complete Catalogue of his Paintings, New Haven and London, 2016, vol. I, cat. no. 159f, pp. 183-4

The present work is derived from Batoni’s original, now in the Fetherstonhaugh Collection, Uppark, Sussex. 61 62 BOLOGNESE SCHOOL, 17TH CENTURY A Bishop Saint oil on panel 85.2 x 62.4cm (33 9/16 x 24 9/16in).

£6,000 - 8,000 €7,000 - 9,300

Provenance Presumably painted for the monastery of Santa Croce, Florence (according to a label on the reverse)

The present work is accompanied by a copy of a letter from Andrea Emiliani, dated 31 March 2001, in which he suggests an attribution to Guido Reni and a date of circa 1595.

62

For details of the charges payable in addition to the final Hammer Price of each Lot 30 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 63

64

63 TP 64 ATTRIBUTED TO GIUSEPPE ZAIS (FORNO DI CANALE 1709- ROMAN SCHOOL, 18TH CENTURY 1784 TREVISO) An extensive river landscape with figures on a path An extensive river landscape with travellers crossing and oil on copper washerwomen beyond 23.5 x 32.5cm (9 1/4 x 12 13/16in). oil on canvas framed as one with 10 other works on copper depicting The Four 99 x 127.6cm (39 x 50 1/4in). Seasons, architectural capricci and Biblical scenes (11)

£7,000 - 10,000 £6,000 - 8,000 €8,100 - 12,000 €7,000 - 9,300

Provenance Private collection, Rome

The present lot is accompanied by a copy of the expertise from Dott.ssa Federica Spadotto (dated 24 August 2020). An alternative attribution to Johann Anton Eismann (Salzburg 1604-1698 Venice) has been suggested.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 31 65 FOLLOWER OF GASPAR VAN WITTEL, CALLED VANVITELLI Exhibited (UTRECHT CIRCA 1653-1736 ROME) Sarasota, John and Mable Ringling Museum, The Fantastic Visions of Lake Maggiore with Isola Bella; and Isola Madre Monsu Desiderio, February 1950, nos. 30 and 31 a pair, oil on canvas 28.6 x 72.6cm (11 1/4 x 28 9/16in). (2) Literature A. Scharf, The Fantastic Visions of Monsu Desiderio, exh. cat., £8,000 - 12,000 Florida, 1950, pp. 21-22, cat. nos. 30 and 31, ill. p. 65, pl. XXXVI ns €9,300 - 14,000 XXXVII

Provenance The Collection of Lady Victor Paget With Wildenstein, London, 1950 Private Collection, UK

For details of the charges payable in addition to the final Hammer Price of each Lot 32 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 66

67

66 67 MICHELE ROCCA, CALLED (PARMA CIRCA BOLOGNESE SCHOOL, 17TH CENTURY 1670-CIRCA 1751 VENICE) The Seven Virgin Martyrs A satyr with putti and bacchantes oil on copper oil on canvas 22.2 x 33.7cm (8 3/4 x 13 1/4in). 36.2 x 48.3cm (14 1/4 x 19in). £3,000 - 5,000 £6,000 - 8,000 €3,500 - 5,800 €7,000 - 9,300

Provenance The Collection of G. Donaldson, by whom offered Sale, Christie’s, London, 15 April 1983, lot 71

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 33 68 FRENCH SCHOOL, 16TH CENTURY Provenance Ceiling panels depicting figures within roundels Private Collection, France set of five, tempera on panel Private Collection, UK between 29.9 x 41.8 cm. (11 3/4 x 16 1/2 in.) and 30 x 34.3cm. (11 3/4 x 13 1/2 in.) (5) unframed

£3,000 - 5,000 €3,500 - 5,800

For details of the charges payable in addition to the final Hammer Price of each Lot 34 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 69

70 69 FOLLOWER OF PIETER COECKE VAN AELST (AELST 1502-1550 BRUSSELS) The Rest on the Flight into Egypt oil on panel, shaped top 89.2 x 56.7cm (35 1/8 x 22 5/16in).

£1,500 - 2,000 €1,700 - 2,300

The present work is derived from Coecke van Aelst’s original work in the church of Saints Sulpice and Denis in Diest, Brussels.

70 GERMAN SCHOOL, 16TH CENTURY The Deposition oil on panel 76.2 x 57.5cm (30 x 22 5/8in).

£4,000 - 6,000 €4,700 - 7,000

71 MANNER OF ADRIAEN ISENBRANT, 17TH CENTURY Pietà oil on panel 44.6 x 32.1cm (17 9/16 x 12 5/8in).

£1,500 - 2,000 €1,700 - 2,300 71

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 35 (recto)

(verso)

72 SCHOOL OF TOURS, EARLY 16TH CENTURY The Annunciation; The Nativity; The Adoration of the Magi; and The Presentation in the Temple (recto); and The Four Fathers of the Latin Church: Saint Augustine; Saint Ambrose; Saint Gregory; Saint Jerome (verso, en grisaille) a set of four, oil on panel 94.3 x 47.4cm (37 1/8 x 18 11/16in). (4)

£15,000 - 20,000 €17,000 - 23,000

Provenance Private Collection, France Private Collection, UK

For details of the charges payable in addition to the final Hammer Price of each Lot 36 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 73 TUSCAN SCHOOL, 16TH CENTURY The Madonna and Child with an angel oil on panel, tondo 72.3cm. (28 1/2in.) diameter

£5,000 - 7,000 €5,800 - 8,100

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 37 74 PETER GERTNER (? CIRCA 1495- AFTER 1541 NUREMBERG) This image of John the Baptist’s head is a fragment of a larger The head of Saint John the Baptist composition which was cut up at some point after 1908, the year in oil on panel, a fragment which it was first brought to scholarly attention in a private Viennese 19.2 x 44.8cm (7 9/16 x 17 5/8in). collection. The figure of Salome, whose gloved hands are visible holding the dish, was divorced from its original, biblical context by removing the present fragment and selling the bust-length £2,000 - 3,000 portrait separately as a depiction of a princess from the House of €2,300 - 3,500 Wittelsbach. This latter picture passed through the collection of Georg Schäfer in Schweinfurt (see: B. Bushart, Altdeutsche Bilder Provenance Der Sammlung Georg Schäfer Schweinfurt, Schweinfurt, 1985, figs. Private Collection, Vienna, until 1908 10 and 11, p. 55) and was later sold at Koller, Zürich (22 September Private Collection, UK 2006, lot 3009).

Literature K. Löcher, ‘Peter Gertner - ein Nürnberger Meister als Hofmaler des Pfalzgrafen Ottheinrich in Neuberg an der Donau’, in Neuburger Kollektaneenblatt, CXLI, Neuburg an der Donau, 1993, pp. 5, 44-7 and 54-5, fig. 29, ill.

For details of the charges payable in addition to the final Hammer Price of each Lot 38 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 75

75 FOLLOWER OF BARTHOLOMAEUS SPRANGER (ANTWERP 1546-1611 PRAGUE) The Feast of the Gods at the Marriage of Cupid and Psyche oil on panel 51.1 x 90cm (20 1/8 x 35 7/16in).

£5,000 - 7,000 €5,800 - 8,100

Provenance Sale, Stockholms Auktionsverk, Stockholm, November 1986, lot 637 With Amells Konsthandel AB, Stockholm (according to a label on the reverse) Sale, Christie’s, South Kensington, 12 December 2003, lot 5

The present work is derived from an engraving by Hendrik Goltzius (see: The Illustrated Bartsch, New York, 1982, pp. 306-7, fig. 277).

76 TP PRAGUE SCHOOL, 17TH CENTURY Venus in the forge of Vulcan oil on canvas 216 x 157.8cm (85 1/16 x 62 1/8in). unframed

£2,000 - 3,000 €2,300 - 3,500

Provenance Private Collection, Northern Italy, until 2019

76

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 39 77

77 FOLLOWER OF JOHN WOOTTON (SNITTERFIELD 1682-1764 LONDON) The Bloody Shouldered Arabian held by a groom; and An Arabian, traditionally said to be the Darley Arabian, held by a groom a pair, oil on canvas 99.2 x 124.7cm (39 1/16 x 49 1/8in). (2)

£8,000 - 12,000 €9,300 - 14,000

78 CIRCLE OF SIR (PLYMPTON 1723-1792 RICHMOND) A girl leaning on a pedestal oil on canvas 76.2 x 63.5cm (30 x 25in).

£2,500 - 3,500 €2,900 - 4,100

Provenance Richard Johnson (1810-1881), Manchester, by 1868 Collection of Mrs R.J. Walker, Bramshott Court, Hampshire, by whom sold Sale, Christie’s, London, 11 June 1928, part lot 53 (50 Gns. to Waters) Ralph Bramel Lloyd (d.1953), Los Angeles and thence by descent in the family until offered Sale, Christie’s, London, 5 July 2013, lot 46

Exhibited 78 Leeds, National Exhibition of Art, 1868 (as by Sir Joshua Reynolds)

Reynolds is known to have made several versions of this composition, one of which he executed for the Polygraphic Society, which remains untraced. For other versions of this composition see: D.Mannings and M.Postle, Sir Joshua Reynolds, A Complete Catalogue of his Paintings, London, 2000, nos. 2073-2076.

For details of the charges payable in addition to the final Hammer Price of each Lot 40 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 77

79 JOHN HOPPNER R.A. (LONDON 1758-1810) Portrait of William Gifford reading a book oil on canvas 76.2 x 63.5cm (30 x 25in).

£3,000 - 5,000 €3,500 - 5,800

Provenance Sale, Christie’s, London, 13 May 1899 Collection of George W. Agnew With Agnew’s London, 1966 Collection of the Hon. Mrs. Price, Frankton Manor, Rugby, 1970

Exhibited Birmingham, Birmingham Museum and Art Gallery, 1903, cat. no. 3 (lent by George W. Agnew)

Literature W. McKay and W. Robert, The Works of John Hoppner, R.A., London, 1909, pp. 96-7

Engraved in line and stipple for The Gentleman’s Magazine, in 1827

William Gifford (1757- 1826), author of satirical poems The Baviad (1791) and The Maeviad (1795), was the first editor of The Quarterly Review (1809-1824). According to McKay and Roberts (see literature), Gifford and John Hoppner were good friends; The Maeviad was dedicated to the artist. Gifford left his house in London to Hoppner’s widow and bequeathed a sum of money to the artist’s children. Another portrait by Hoppner of the sitter, seated and 79 holding a small book, was previously in the collection of John Murray. Lacelles Hoppner, John’s son, exhibited a portrait of Gifford at the Royal Academy in 1812, cat. no. 311.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 41 80

80 WILLIAM SARTORIUS (ACTIVE BRITAIN, 1730-1740) A river landscape with mallard fighting signed and dated ‘W. Sartorius Fct/ 1730’ (on rock, lower right) oil on canvas 45.6 x 119cm (17 15/16 x 46 7/8in).

£2,000 - 3,000 €2,300 - 3,500

81 THOMAS STOTHARD (LONDON 1755- 1834) Figure of Victory bestowing a nobleman, traditionally identified as Charles V, with a crown oil on canvas 33.1 x 35.2cm (13 1/16 x 13 7/8in).

81 £1,500 - 2,500 €1,700 - 2,900

82 AFTER RICHARD WILSON R.A, 18TH CENTURY Lake Avernus with figures in the foreground and the Temple of Apollo beyond oil on canvas 42.2 x 53.2cm (16 5/8 x 20 15/16in).

£3,000 - 5,000 €3,500 - 5,800

The present work is after Wilson’s original of which numerous versions exist, including one in Philadelphia Art Museum, USA.

82

For details of the charges payable in addition to the final Hammer Price of each Lot 42 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 83 CIRCLE OF WILLIAM SARTORIUS (ACTIVE BRITAIN, 1730-1740) An overturned bowl of strawberries with a squirrel on a forest floor oil on canvas 30 x 36.8cm (11 13/16 x 14 1/2in).

£2,000 - 3,000 €2,300 - 3,500 83 Provenance With Galeria Sacerdoti, Milan (according to a stamp on the reverse)

84 GERMAN SCHOOL, 18TH CENTURY A hawk oil on canvas 31.1 x 35.6cm (12 1/4 x 14in). unframed

£2,000 - 3,000 €2,300 - 3,500

85 DOMINIC SERRES (AUCH 1722-1793 LONDON) Figures before a river signed and dated ‘D.Serres 1774’ (lower centre) oil on canvas 38.4 x 60.3cm (15 1/8 x 23 3/4in).

£3,000 - 5,000 €3,500 - 5,800

We are grateful to Alan Russett for confirming 84 the attribution to Dominic Serres upon inspection of colour photographs.

85

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 43 86 JAMES WARD R.A. (LONDON 1769-1859 CHESHUNT) Engraved The Fern Burners William Ward, 1799 signed and dated ‘Ja: Ward 1800’ (lower right) oil on canvas Literature 48.2 x 61.2cm (19 x 24 1/8in). Possibly C. R. Grundy, James Ward, R.A. : his life and works, with a catalogue of his and pictures, London, 1909, p.43, cat. £2,500 - 3,500 no. 305 €2,900 - 4,100 O. Beckett, The Life and Work of James Ward, Sussex, 1995, p. 46, ill.

Provenance A watercolour preparatory sketch of the present composition is in the Sale, Christie’s, London, 22 March 1968, lot 122 Collection of the Hon. John Ward (see Grundy, ibid, p.32, ill.) With Gooden and Fox, 1995

For details of the charges payable in addition to the final Hammer Price of each Lot 44 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 87 CIRCLE OF JAMES ROSS (BRITISH, BORN CIRCA 1700-DIED CIRCA 1760) A deer hunt; and Huntsmen and their dogs before an extensive river landscape a pair, oil on canvas 57.1 x 97.3cm (22 1/2 x 38 5/16in). (2)

£4,000 - 6,000 €4,700 - 7,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 45 88

89

88 89 CIRCLE OF BARTHOLOMEUS ASSTEYN (DORDRECHT CORNELIS VERBEECK (CIRCA 1590-CIRCA 1631 1607-CIRCA 1667) AMSTERDAM) Pears, apples and grapes with an upturned basket on a table-top Shipping at anchor in a bay oil on canvas oil on panel 70 x 109.4cm (27 9/16 x 43 1/16in). 21.6 x 46.7cm (8 1/2 x 18 3/8in).

£3,000 - 5,000 £4,000 - 6,000 €3,500 - 5,800 €4,700 - 7,000

Provenance Sale, Sotheby’s, Monte Carlo, 2 July 1993, lot 185

For details of the charges payable in addition to the final Hammer Price of each Lot 46 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 90

90 FLEMISH SCHOOL, LATE 17TH CENTURY Study of a Franciscan monk oil on paper, laid on panel 40.3 x 29.4cm (15 7/8 x 11 9/16in). 91

£1,000 - 2,000 €1,200 - 2,300

Provenance The Walker Family, Scotland (according to a wax seal on the reverse)

91 CIRCLE OF WILLEM KEY (BREDA CIRCA 1515-1568 ANTWERP) Portrait of a lady, bust-length, in a white headdress oil on panel 41.1 x 31.7cm (16 3/16 x 12 1/2in).

£2,000 - 3,000 €2,300 - 3,500

Provenance The Collection of Major Trevor Cox, Salisbury, Wiltshire, by whom offered Sale, Christie’s, London, 18 March 1955, lot 12 (bt. J. Smith)

Another version of the present composition was offered at Christie’s, South Kensington on 21 April 1988, lot 74 as Manner of Quentin Massys.

92 FOLLOWER OF BERNAERT VAN ORLEY (BRUSSELS 1488- 1541) Portrait of a gentleman, half-length, in a plumed hat oil on panel 35.4 x 25.4cm (13 15/16 x 10in).

£4,000 - 6,000 €4,700 - 7,000 92

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 47 93 94

93 SPANISH SCHOOL, CIRCA 1500 The Nativity oil and tempera on panel 39.4 x 36.5cm (15 1/2 x 14 3/8in). unframed

£2,000 - 3,000 €2,300 - 3,500

Provenance With Arcade Gallery, London, 1960s Private Collection, UK

94 GERMAN SCHOOL, 17TH CENTURY The Circumcision oil on panel 90.5 x 59.7cm (35 5/8 x 23 1/2in). unframed

£1,500 - 2,000 €1,700 - 2,300

95 * VENETIAN SCHOOL, 16TH CENTURY The Madonna and Child oil on panel 48 x 38.2cm (18 7/8 x 15 1/16in). unframed

£3,000 - 5,000 95 €3,500 - 5,800

For details of the charges payable in addition to the final Hammer Price of each Lot 48 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 96

96 SPANISH COLONIAL SCHOOL, 17TH CENTURY The Coronation of the Virgin oil on canvas laid down on panel 60.2 x 79.5cm (23 11/16 x 31 5/16in).

£2,000 - 3,000 €2,300 - 3,500

97 AFTER THE MASTER OF THE FIGDOR SAINT EUSTACHE, 19TH CENTURY The Martyrdom of Saint Sebastian oil on panel 88.8 x 65.1cm (34 15/16 x 25 5/8in). unframed

£4,000 - 6,000 €4,700 - 7,000

The present work is after the original by The Master of the Figdor Saint Eustache offered at Sotheby’s, London on 6 December 2017, lot 14.

97

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 49 98

98 WORKSHOP OF GEORG FLEGEL (OLMÜTZ 1561-1638 FRANKFURT AM MAIN) Dishes of fruit and nuts with glasses of wine on a table-top oil on panel 45.2 x 97.7cm (17 13/16 x 38 7/16in).

£12,000 - 18,000 €14,000 - 21,000

Provenance Private Collection, UK, since 1990s

99 NETHERLANDISH SCHOOL, 16TH CENTURY Portrait of Richard Reynell MP, half-length, in black costume holding gloves bears date and inscription ‘Anno. 1559.’ (upper left) and ‘:Aetatis: sue: 40:’ above his coat-of-arms (upper right) oil on panel 39.8 x 29.6cm (15 11/16 x 11 5/8in).

£3,000 - 5,000 €3,500 - 5,800

We are grateful to Prof. Sir John Baker for identifying the sitter of the present portrait as Richard Reynell MP (1519-85).

99

For details of the charges payable in addition to the final Hammer Price of each Lot 50 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 100

100 TP JAN PORCELLIS (GHENT 1584-CIRCA 1632 ZOETERWOUDE) Shipping in a stormy sea signed ‘I.Porcell**’ (lower left) oil on canvas 102.5 x 176.1cm (40 3/8 x 69 5/16in).

£6,000 - 8,000 €7,000 - 9,300

Provenance Art market, The Netherlands, early 1970s, where acquired by the present owner’s father

101 CIRCLE OF MARCUS GHEERAERTS THE YOUNGER (BRUGES 1561-1635 LONDON) Portrait of a gentleman, three-quarter-length, in black costume, with a sword inscribed and dated ‘AETATIS SVAE, 36/ Ao, DNi, 1609’ (upper left) oil on panel 92.6 x 74.2cm (36 7/16 x 29 3/16in).

£6,000 - 8,000 €7,000 - 9,300

Provenance Sale, Christie’s, London, 28 January 1983, lot 5 With Richard Philp, London, 1984, where purchased by the present owner’s late father

101

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 51 102

103

102 103 CIRCLE OF JACOB FERDINAND SAEYS CIRCLE OF GASPARD DUGHET, CALLED The present composition can be related to (ANTWERP 1658-1725 VIENNA) GASPARD POUSSIN (ROME 1615-1675) an engraved work by Isaac de Moucheron, Figures in the interior of a palace A wooded Italianate landscape with which is after an otherwise unrecorded oil on canvas shepherds driving their livestock beside a original by Gaspard Dughet (see: M.-N. 82.1 x 117.2cm (32 5/16 x 46 1/8in). river in the foreground, a classical villa on a Boiselair, Gaspard Dughet 1615-1675, 1986, hill beyond fig. 627). A similar composition was offered at Christie’s, London on 23 March 1990, lot 45. £3,000 - 5,000 oil on canvas The present composition, however, differs €3,500 - 5,800 64.2 x 76.1cm (25 1/4 x 29 15/16in). from both the latter and the engraving in that it includes a shepherd and livestock beside a £1,500 - 2,000 river, rather than two classical shepherds, in €1,700 - 2,300 the foreground.

For details of the charges payable in addition to the final Hammer Price of each Lot 52 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 104 CIRCLE OF JACOB VAN HUCHTENBURG (UNDEFINED, HAARLEM 1639-1675 AMSTERDAM) Saint Peter’s Square, Rome oil on canvas 73.7 x 96.4cm (29 x 37 15/16in). 104

£3,000 - 5,000 €3,500 - 5,800

105 CIRCLE OF ORAZIO GREVENBROECK (MILAN CIRCA 1676-1739 NAPLES) Shipping in stormy waters before a fort oil on canvas 32.9 x 43.2cm (12 15/16 x 17in).

£1,500 - 2,000 €1,700 - 2,300

106 CIRCLE OF GASPARD DUGHET, CALLED GASPARD POUSSIN (ROME 1615-1675) A river landscape with figures crossing a bridge oil on canvas 57.1 x 62.2cm (22 1/2 x 24 1/2in).

£1,000 - 1,500 105 €1,200 - 1,700

106

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 53 107 108

107 AFTER GIOVANNI FRANCESCO BARBIERI, CALLED IL , 19TH CENTURY Ecce Homo oil on canvas 65.6 x 53.4cm (25 13/16 x 21in).

£2,000 - 3,000 €2,300 - 3,500

The present composition is after Guercino’s original now in the Galleria d’Arte Antica di Palazzo Corsini, Rome.

108 STUDIO OF BARTOLOMÉ ESTEBAN MURILLO (SEVILLE 1618- 1682) Saint Thomas Acquinas oil on canvas 125.4 x 96.9cm (49 3/8 x 38 1/8in).

£5,000 - 8,000 €5,800 - 9,300

109 ROMAN SCHOOL, 17TH CENTURY The Madonna and Child oil on canvas 99.5 x 73.3cm (39 3/16 x 28 7/8in). unframed

£1,200 - 1,800 €1,400 - 2,100

109

For details of the charges payable in addition to the final Hammer Price of each Lot 54 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 110 111

110 SPANISH SCHOOL, EARLY 18TH CENTURY Saint Dorothy oil on canvas 81.3 x 62.3cm (32 x 24 1/2in).

£1,500 - 2,000 €1,700 - 2,300

111 ITALIAN SCHOOL, 18TH CENTURY Portrait of Pope Gregory XI, seated three-quarter-length inscribed ‘PA GRE XI DE/ BEAUFORT CANILLAc’ (centre left); charged with the sitter’s coat-of-arms (upper left) oil on canvas 94.2 x 68.9cm (37 1/16 x 27 1/8in).

£2,000 - 3,000 €2,300 - 3,500

112 ROMAN SCHOOL, 17TH CENTURY An Allegory of Autumn(?) oil on canvas 97 x 74.6cm (38 3/16 x 29 3/8in).

£3,000 - 5,000 €3,500 - 5,800

112

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 55 113 113

113 OTTMAR ELLIGER THE YOUNGER (HAMBURG 1666-1735 AMSTERDAM) An Allegory of Lent with a lady at a stone arch preparing fish; and An Allegory of Summer with a lady holding a garland of flowers and a boy holding a sheaf of corn the former indistinctly signed (on plinth, lower right) a pair, oil on canvas 49.3 x 38cm (19 7/16 x 14 15/16in). (2)

£4,000 - 6,000 €4,700 - 7,000

A set of the Four Seasons given to A. Elliger was offered at Weinmüller, Munich, on 14/15 December 1955, lot 947 (see image no. 118378 on the RKD).

114 * FOLLOWER OF JACOB GERRITSZ. CUYP (DORDRECHT 1594-CIRCA 1651) Portrait of a girl, traditionally identified as Miss Elizabeth Morrison, three-quarter-length, as a shepherdess oil on canvas 101.8 x 63.5cm (40 1/16 x 25in).

£5,000 - 7,000 €5,800 - 8,100

114

For details of the charges payable in addition to the final Hammer Price of each Lot 56 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 115 116

115 FLEMISH SCHOOL, 17TH CENTURY The Nativity, with the Annunciation to the Shepherds in the distance oil on copper 27 x 19.6cm (10 5/8 x 7 11/16in).

£1,500 - 2,000 €1,700 - 2,300

116 GERMAN SCHOOL, 18TH CENTURY The Finding of Moses oil on panel, a fragment 15.1 x 14.2cm (5 15/16 x 5 9/16in). unframed

£800 - 1,200 €930 - 1,400

Provenance The Collection of Lieutenant General William Thornton (1763-1841), London (according to a label on the reverse)

117 ATTRIBUTED TO FRANZ XAVIER PETTER (VIENNA 1791-1866) A still life of flowers with a lizard on a stone ledge bears initials ‘FXP.’ (lower right) oil on canvas 50.3 x 40.5cm (19 13/16 x 15 15/16in).

£1,000 - 1,500 117 €1,200 - 1,700

Provenance Sale, Lempertz, Cologne, June 1974, lot 496

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 57 118 TP WORKSHOP OF JOACHIM BEUCKELAER (ANTWERP CIRCA Literature 1530-CIRCA 1573) A. Padron Merida, ‘Nuevas pinturas de ’ in Goya The poultry sellers Revista de Arte, vol. 216, Madrid, 1990, p. 348, ill., fig. 2 oil on canvas 110.6 x 155.7cm (43 9/16 x 61 5/16in). The present work follows the composition by Beuckelaer (signed and dated, on panel, 112.5 x 162.5cm) offered at Phillips, London, 3 July £8,000 - 12,000 1990, lot 74. €9,300 - 14,000

Provenance Private Collection, Spain

For details of the charges payable in addition to the final Hammer Price of each Lot 58 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 119

120

119 120 STUDIO OF JOHANN HEINRICH ROOS Literature ATTRIBUTED TO FRANÇOIS VERWILT (OTTERBERG 1631-1685 FRANKFURT- H. Jedding, Johann Heinrich Roos, Werke (ROTTERDAM 1620-1691) AM-MAIN) einer pfälzer Tiermalerfamilie in den Galerien The Meeting of Jacob and Laban A shepherdess with a child resting in a rocky Europas, Mayence, 1998, pl. 10, no. 20 (as oil on canvas landscape with her flock Johann Heinrich Roos) 98.2 x 128cm (38 11/16 x 50 3/8in). oil on canvas 66.3 x 80.7cm (26 1/8 x 31 3/4in). The present work shows the lower section £4,000 - 6,000 of the original work by Johann Heinrich Roos €4,700 - 7,000 £2,000 - 3,000 now in the Öffentliche Kunstsammlung, Basel. Another copy of this composition was €2,300 - 3,500 Provenance offered at Im Kinsky, Vienna on 27 May 2003, lot 11 (on canvas, 74 x 68cm.). Sale, Sotheby’s, London, 7 December 2006, Provenance lot 157, where purchased by the present Sale, Lempertz, Cologne, 12 December owner 1992, lot 137 Sale, Christie’s, Amsterdam, 7 May 1996, lot 26 (as signed(?) strengthened HRroos (lower right))

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 59 121

121 DUTCH SCHOOL, 19TH CENTURY A glass vase filled with roses, chrysanthemums, pinks and other flowers with peaches and grapes in a stone niche bears signature ‘GJJVan os’ (lower left) oil on canvas 76.3 x 92.3cm (30 1/16 x 36 5/16in).

£2,000 - 3,000 €2,300 - 3,500

122 FOLLOWER OF SIR (ANTWERP 1599- 1641 BLACKFRIARS) Portrait of a lady, half-length, in a brown dress and blue wrap oil on canvas 73.6 x 62.2cm (29 x 24 1/2in).

£1,500 - 2,000 €1,700 - 2,300

Provenance With Olivia Rumens, Ludlow (according to a label on the reverse)

122

For details of the charges payable in addition to the final Hammer Price of each Lot 60 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 123

123 PAULUS CONSTANTIJN LA FARGUE (THE HAGUE 1729-1782 LEIDEN) An elegant couple promenading on a wooded avenue signed and dated ‘P.C. la F**gue fecit 1768’ (lower left) oil on panel 53 x 67.2cm (20 7/8 x 26 7/16in).

£2,500 - 3,500 €2,900 - 4,100

Provenance Sale, Sotheby’s, London, 15 October 1975, lot 183 Sale, Paul Brandt, Amsterdam, May 1977 Sale, Christie’s, Amsterdam, 17 November 1994, lot 170 Sale, Bonhams, Knightsbridge, 6 April 2017, lot 196

124 AFTER SAMUEL COOPER, CIRCA 1700 Portrait of Charles II, bust-length, in Royal robes and wearing the Order of the Garter, within a painted oval oil on canvas 76.2 x 63.9cm (30 x 25 3/16in).

£2,500 - 3,500 €2,900 - 4,100

Provenance Collection of Sir Charles Dashwood (according to a label on the reverse) 124 The present work is after Samuel Cooper’s miniature, now in the Mauritshuis, The Hague.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 61 126

125 CIRCLE OF THOMAS PHILLIPS (DUDLEY 1770-1845 LONDON) Portrait of a gentleman, said to be the Reverend Robert Harkness 125 (1798-1839), half-length, in a black coat oil on canvas, unlined 91.7 x 71cm (36 1/8 x 27 15/16in). unlined

£2,000 - 3,000 €2,300 - 3,500

126 CIRCLE OF MICHAEL DAHL THE YOUNGER (STOCKHOLM CIRCA 1659-1743 LONDON) Portrait of a lady, said to be Lady Crew, bust-length, in a red dress bears inscription ‘*e Lady Crew/Honble. Ld. Crew.’ (centre left) oil on canvas, corners made up 62.2 x 48.8cm (24 1/2 x 19 3/16in).

£1,500 - 2,000 €1,700 - 2,300

The present portrait most likely depicts Anne, daughter and co- heiress of Sir William Airmine, 2nd Baronet, who was the second wife of Thomas Crew, 2nd Baron Crew (1624-1697) after they married in 1674.

127 ENGLISH SCHOOL, 18TH CENTURY Portrait of a boy, full-length, in a blue coat holding a spear oil on canvas 125.1 x 98.2cm (49 1/4 x 38 11/16in).

£1,000 - 1,500 €1,200 - 1,700

Provenance Collection of the late David Tron, UK 127

For details of the charges payable in addition to the final Hammer Price of each Lot 62 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 128

129 128 CIRCLE OF NICOLAES MAES (DORDRECHT 1634-1693 AMSTERDAM) Portrait of a lady, three-quarter-length, in a black dress with white collar and cuffs, arranging flowers at a draped ledge, on a balcony oil on canvas 49.5 x 44.5cm (19 1/2 x 17 1/2in).

£2,000 - 3,000 €2,300 - 3,500

Provenance With Dennis Vanderkar Gallery, London, 1963 (as Jacob Esselens) Sale, Bonhams, London, 25 April 2007, lot 195, where purchased by the present owner’s late father

129 FOLLOWER OF SIR (SOEST 1618-1680 LONDON) Portrait of a young lady, bust-length, in a gold dress oil on canvas 38.2 x 30.2cm (15 1/16 x 11 7/8in).

£2,000 - 3,000 €2,300 - 3,500

130 FOLLOWER OF SIR GODFREY KNELLER (LÜBECK 1646-1723 LONDON) Portrait of a gentleman, traditionally identified as Francis Popham, half- length, in a brown coat, within a painted oval oil on canvas 77.1 x 63.6cm (30 3/8 x 25 1/16in).

£2,000 - 3,000 €2,300 - 3,500 130 Provenance Christopher W. Popham, Helston, Cornwall (according to a label on the reverse)

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 63 131 131 (actual size) * ALEXANDER COOPER (LONDON 1605-1660 STOCKHOLM) Portrait of a gentleman, bust-length, in black watercolour and bodycolour on vellum, oval 2.9 x 2.5cm (1 1/8 x 1in).

£2,000 - 3,000 €2,300 - 3,500

Provenance Private Collection, Sweden

132 FLEMISH SCHOOL, 17TH CENTURY Portrait of a child, half-length, holding a rattle indistinctly inscribed (on the reverse) oil on copper, oval 6.3 x 4.6cm (2 1/2 x 1 13/16in).

£1,000 - 1,500 €1,200 - 1,700

132 (actual size)

For details of the charges payable in addition to the final Hammer Price of each Lot 64 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 133 CIRCLE OF SIR ANTHONY VAN DYCK (ANTWERP 1599-1641 BLACKFRIARS) Portrait of Virginio Cesarini (1595-1624), bust-length, in clerical dress oil on canvas 55.3 x 46.7cm (21 3/4 x 18 3/8in).

£4,000 - 6,000 €4,700 - 7,000

Virginio Cesarini was a poet and defender of Galileo who was a courtier in the service of Cardinal Barberini, the future Pope Urban 133 VIII. The present composition, which shows Cesarini in clerical dress, is related to van Dyck’s portrait of circa 1623-4 in the Hermitage, Saint Petersburg.

134 CIRCLE OF SIR PETER PAUL RUBENS (SIEGEN 1577-1640 ANTWERP) Portrait of a Dominican monk, bust-length, within a painted oval oil on panel 64.2 x 48.8cm (25 1/4 x 19 3/16in).

£2,000 - 3,000 €2,300 - 3,500

134

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 65 136

135 135 CIRCLE OF JOHANN FRANZ MICHAEL ROTTMAYR (LAUFEN 1654-1730 VIENNA) An Allegory of Charity, within a painted oval oil on canvas 96.4 x 77.3cm (37 15/16 x 30 7/16in). unframed

£1,500 - 2,000 €1,700 - 2,300

136 CIRCLE OF GIOVANNI ANDREA SIRANI (BOLOGNA 1610-1670) Saint Cecilia in Ecstasy oil on canvas 64.5 x 54.5cm (25 3/8 x 21 7/16in).

£3,000 - 5,000 €3,500 - 5,800

The rediscovery of Saint Cecilia’s tomb in her church in Trastevere in Rome by Cardinal Sfondrato and his ensuing promotion of her cult, provides a likely explanation for the popularity of Saint Cecilia in 17th century art. Sfondrato commissioned from Guido Reni a half- length portrait of the Saint holding a violin, which became a popular motif for Reni and his followers, who produced multiple copies and variations of the subject.

137 ITALIAN SCHOOL, EARLY 18TH CENTURY The Trinity oil on canvas 96.2 x 72.3cm (37 7/8 x 28 7/16in). unframed

£1,000 - 1,500 €1,200 - 1,700 137

For details of the charges payable in addition to the final Hammer Price of each Lot 66 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 138 139

138 * CIRCLE OF FRANCESCO DE MURA (NAPLES 1696-1782) The Madonna oil on copper 14.4 x 10.5cm (5 11/16 x 4 1/8in).

£2,000 - 3,000 €2,300 - 3,500

139 CIRCLE OF FRANCESCO FURINI (FLORENCE 1604-1646) The Martyrdom of Saint Sebastian oil on canvas 129.4 x 96.9cm (50 15/16 x 38 1/8in). unframed

£2,000 - 3,000 €2,300 - 3,500

140 GIOVANNI DOMENICO FERRETTI (FLORENCE 1692-1768) Harlequin painting a portrait oil on canvas 84.7 x 68.8cm (33 3/8 x 27 1/16in).

£1,500 - 2,000 €1,700 - 2,300

140

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 67 141 142

141 AFTER FRANCISCO JOSÉ DE GOYA Y LUCIENTES, 19TH CENTURY De qué mal morirà? oil on tin 31 x 25.2cm (12 3/16 x 9 15/16in). unframed

£1,000 - 1,500 €1,200 - 1,700

The present composition follows Goya’s De qué mal morirà? from his series of engravings of Los Caprichos published in 1799.

142 SPANISH SCHOOL, 19TH CENTURY Portrait of a female artist holding a palette oil on canvas 102.6 x 81.1cm (40 3/8 x 31 15/16in). unframed

£1,500 - 2,000 €1,700 - 2,300

143 TP VENETIAN SCHOOL, 18TH CENTURY The Descent from the Cross oil on canvas 107.8 x 84cm (42 7/16 x 33 1/16in).

£2,000 - 3,000 143 €2,300 - 3,500

For details of the charges payable in addition to the final Hammer Price of each Lot 68 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 144 145

144 ITALIAN SCHOOL, LATE 18TH CENTURY Portrait of a bearded man in a turban oil on canvas 81.2 x 64.5cm (31 15/16 x 25 3/8in).

£2,000 - 3,000 €2,300 - 3,500

145 TP CIRCLE OF ZACARIAS GONZALEZ VELÀZQUEZ (MADRID 1763-1834) The Assumption of the Virgin oil on canvas 135.6 x 89.5cm (53 3/8 x 35 1/4in).

£2,000 - 3,000 €2,300 - 3,500

146 CIRCLE OF FRANCESCO ANTONIO SIMONINI (PARMA 1686- 1753) A Turk on horseback oil on canvas 35.5 x 24.2cm (14 x 9 1/2in). unframed

£1,000 - 1,500 €1,200 - 1,700

146

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 69 147 TP GIUSEPPE BARTOLOMEO CHIARI (ROME 1654-1724) The Madonna and Child with Saint Catherine and putti oil on canvas 134.8 x 111.1cm (53 1/16 x 43 3/4in).

£7,000 - 10,000 €8,100 - 12,000

Provenance With Vangelisti, Lucca, Italy, 1966, from whom acquired by the family 147 of the present owner, and thence by descent

The present work follows Carlo Maratta’s version, now in the Musée du Louvre, Paris, with differences to the Madonna’s headdress.

148 * IGNAZ STERN (MAUERKIRCHEN 1679-1748 ROME) The Virgin Mary oil on canvas 68 x 50.2cm (26 3/4 x 19 3/4in).

£5,000 - 7,000 €5,800 - 8,100

148

For details of the charges payable in addition to the final Hammer Price of each Lot 70 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 149 GERMAN SCHOOL, CIRCA 1700 A huntress with her dog oil on canvas 74.4 x 98.6cm (29 5/16 x 38 13/16in).

£5,000 - 7,000 €5,800 - 8,100

Provenance The Collection of Max Hevesi of Hazlitt Gallery, London, and thence by descent to the present owner

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 71 150

150 JAN PEETERS (ANTWERP 1624-1677) A winter coastal landscape with figures on sledges signed and dated ‘I.Peeters: 1668’ (lower right) oil on canvas 57.2 x 81cm (22 1/2 x 31 7/8in).

£5,000 - 7,000 €5,800 - 8,100

151 NICOLAES MAES (DORDRECHT 1634-1693 AMSTERDAM) Portrait of a gentleman, standing three-quarter-length, holding his gloves signed and indistinctly dated ‘JN°/MAES. 166*’ (on column, centre right, strengthened) oil on canvas 87.2 x 68.3cm (34 5/16 x 26 7/8in).

£2,000 - 3,000 €2,300 - 3,500

Provenance Sale, Sotheby’s, Amsterdam, 7 May 2008, lot 74 (unsold) Collection of the late David Tron, UK

Dr. Leon Krempel endorsed the attribution to Nicolaes Maes at the 2008 sale and suggested a date of the mid-1660s.

151

For details of the charges payable in addition to the final Hammer Price of each Lot 72 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 152 HENDRICK MOMMERS (HAARLEM CIRCA 1623-1693 AMSTERDAM) Figures selling produce outside a town signed ‘Mommers’ (lower right) oil on canvas 72.2 x 92.6cm (28 7/16 x 36 7/16in).

£3,000 - 5,000 €3,500 - 5,800

Provenance Hammond Collection, Bradford, UK, until 1889 With Humbert, 1902 With Yuzak and Co, Atlantic City, New Jersey, USA, 1904 Judge Donald R. Thomas, Dayton Ohio, USA Ruth McFarland, Wapak, Ohio, USA Dede Thomas Condon, New York, USA, 1978 (all according to a label on the reverse)

Exhibited Toledo, Toledo Museum of Art, Brussels Exposition, 1880 (according to a label on the 152 reverse)

153 * AFTER EGLON HENDRIK VAN DER NEER, CIRCA 1700 Judith oil on copper 33.5 x 25.6cm (13 3/16 x 10 1/16in).

£1,000 - 1,500 €1,200 - 1,700

Provenance Probably, The Collection of J. Inglis (as Frans van Mieris, according to literature) With Dr. Ir. A.M. de Wild, The Netherlands (according to a label on the reverse)

Exhibited Possibly, Edinburgh, 1883, no. 201 (as “Das abgeschnittene Haupt, according to literature)

Literature Probably, C. Hofstede de Groot, A catalogue raisonné of the works of the most eminent Dutch painters of the seventeenth century, London, 1926, vol. X, p.2, no. 6 (as Frans van Mieris) E. Schavemaker, Eglon van der Neer (1635/36-1703): his life and his work, Doornspijk, 2010, p.482, cat. no. 77.II (copy?)

The present work is after van der Neer’s original composition, now in The National Gallery, London. 153

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 73 154

154 ATTRIBUTED TO JEAN VICTOR BERTIN (PARIS 1767-1842) A park landscape with a woman standing beside a basket oil on paper, laid down on canvas 16.1 x 21.7cm (6 5/16 x 8 9/16in).

£3,000 - 5,000 €3,500 - 5,800

Provenance With Hazlitt, Gooden & Fox, London, 1984 (according to a label on the reverse)

155 CIRCLE OF JEAN-FREDERIC SCHALL ( 1752- 1825 PARIS) The artist and model oil on canvas 41.1 x 33.2cm (16 3/16 x 13 1/16in).

£3,000 - 5,000 €3,500 - 5,800

Provenance Sale, Sotheby’s, London, 20 October 1982, lot 28

155

For details of the charges payable in addition to the final Hammer Price of each Lot 74 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 156 157

156 FRENCH SCHOOL, 18TH CENTURY Portrait of a gentleman, said to be Henri Joseph Marquis de Saint- Bris and comte de Lambert (1738-1808), bust-length oil on canvas, oval 64.4 x 54.7cm (25 3/8 x 21 9/16in).

£1,000 - 1,500 €1,200 - 1,700

157 FRENCH SCHOOL, CIRCA 1810 Two women in an interior oil on panel 51.8 x 42.2cm (20 3/8 x 16 5/8in).

£1,500 - 2,000 €1,700 - 2,300

Provenance Sale, Bonhams, Knightsbridge, 27 April 2016, lot 206, where purchased by the present owner

158 FIRMIN MASSOT (GENEVA 1766-1849) Portrait of a lady, said to be Madame Anne Jean De La Guillaumie, three-quarter-length, seated before a park landscape oil on canvas, unlined 55.6 x 47.3cm (21 7/8 x 18 5/8in).

£2,000 - 3,000 €2,300 - 3,500 158

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 75 159

159 NICCOLÒ CODAZZI (NAPLES 1642-1693 GENOA) A capriccio of classical ruins with elegant figures promenading oil on canvas 95.4 x 128.2cm (37 9/16 x 50 1/2in).

£6,000 - 8,000 €7,000 - 9,300

Provenance Sale, Christie’s, London, 28 April 2006, lot 102, where purchased by the present owner

David Marshall confirmed the attribution to Codazzi at the time of the last sale and suggested a date of circa 1680, the end of the artist’s Roman period. Codazzi was in Rome between 1675 and 1681, living near the church of San Macuto. He was one of the artists who worked on the decoration of the piano nobile of the Palazzo Altieri at that time.

160 CIRCLE OF JEAN NICOLAS SERVANDONI (FLORENCE 1695- 1766 PARIS) A capriccio with figures beneath a ruined arch, an obelisk beyond; and An architectural capriccio with figures amongst ruins, a view to a landscape beyond the latter inscribed ‘Ne giorni tuoi felici ricorda/ ti di me’ (on the reverse) a pair, oil on canvas 64.3 x 48cm (25 5/16 x 18 7/8in). (2)

£5,000 - 7,000 €5,800 - 8,100 160

For details of the charges payable in addition to the final Hammer Price of each Lot 76 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 161

161 APOLLONIO DOMENICHINI (VENICE CIRCA 1740-1760), FORMERLY KNOWN AS THE MASTER OF THE LANGMATT FOUNDATION VIEWS A capriccio including the Rotonda di Palladio, Vicenza oil on canvas 55.7 x 73.6cm (21 15/16 x 29in).

£3,000 - 5,000 €3,500 - 5,800

Three versions of the present composition exist, all of which have been attributed to Michele Marieschi: Private Collection, Slovenia (see: M. Manzelli, Michele Marieschi e il suo alter-ego Francesco Albotto, Venice, 2002, fig A 58.01); Private Collection, Paris (see: R. Toledano, Michele Marieschi: Catalogo Ragionato, Milano, c. 1995, C.26.a); and Private Collection, Venice (see: R. Toledano, Michele Marieschi: Catalogo Ragionato, Milano, circa 1995, C.26.b)

We are grateful to Charles Beddington for confirming the attribution to the Master of the Langmatt Foundation Views.

160

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 77 162

162 ATTRIBUTED TO PETER VAN LINT (ANTWERP 1609-1690) David rebuked by Nathan oil on copper 87.8 x 105.5cm (34 9/16 x 41 9/16in).

£4,000 - 6,000 €4,700 - 7,000

163 FOLLOWER OF GASPAR PIETER VERBRUGGEN I (ANTWERP 1635-1681) Lilies, Roses and other flowers in a blue and white vase with apples on a stone ledge; and A sunflower with chrysanthemums, roses and other flowers in a blue and white vase beside grapes on a stone ledge the former bears signature and date ‘Gasp. Verbruggen/ 1695’ (lower left) a pair, oil on canvas 101.7 x 76.7cm (40 1/16 x 30 3/16in). (2)

£6,000 - 8,000 €7,000 - 9,300

163

For details of the charges payable in addition to the final Hammer Price of each Lot 78 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 164

164 TP CIRCLE OF PAUL DE VOS (HULST 1596-1678 ANTWERP) A dead deer with a dog at the foot of a tree oil on canvas 120.8 x 148cm (47 9/16 x 58 1/4in).

£3,000 - 5,000 €3,500 - 5,800

163

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 79 165 * JOHANN MELCHIOR WYRSCH (BUOCHS 1731-1798) Portrait of a young boy and a girl, traditionally identified as Antoine and Gabrielle de Bouzies, with a goat inscribed with identifying inscription and dated ‘peint a Besancon/ au mois de Mars par Wyrsch 1772.’ (on reverse) oil on canvas, unlined 46.2 x 37.4cm (18 3/16 x 14 3/4in).

£2,000 - 3,000 €2,300 - 3,500

Provenance Collection of Col. R.N Bull, by whom bequeathed to Collection of Alice B. Wilson, in 1939 (both according to a label on the reverse), and thence by descent to the present owner

166 CIRCLE OF FRANÇOIS-ANDRÉ VINCENT (PARIS 1746-1816) Portrait of a servant girl, bust-length oil on canvas 54.4 x 46.2cm (21 7/16 x 18 3/16in). unframed

165 £2,000 - 3,000 €2,300 - 3,500

167 * STUDIO OF FRANÇOIS-HUBERT DROUAIS (PARIS 1727-1775) Portrait of a girl with a cat signed and dated ‘Drouais 1767’ (centre left) oil on canvas, oval, with additions 64.2 x 53.6cm (25 1/4 x 21 1/8in).

£3,000 - 5,000 €3,500 - 5,800

Provenance Collection of The Mary Duke Biddle Trent Semans Foundation, USA

Two other versions of the present composition, also signed and dated 1767, are known: one offered Drouot, Paris, 19 December 2007, lot 38 (48cm diameter); and another offered at Paul Graupe, Berlin, 23 March 1931, lot 16.

166

For details of the charges payable in addition to the final Hammer Price of each Lot 80 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 167 168

168 PIERRE ALEXANDRE WILLE (PARIS 1748-1837) Portrait of a girl holding a posy of flowers oil on canvas, oval 56.3 x 45.5cm (22 3/16 x 17 15/16in).

£2,000 - 3,000 €2,300 - 3,500

Provenance Sale, Sotheby’s, London, 12 July 1978, lot 192

169 FRENCH SCHOOL, 18TH CENTURY Portrait of a young girl, leaning on a wooden ledge oil on canvas 50.3 x 41.2cm (19 13/16 x 16 1/4in).

£1,200 - 1,800 €1,400 - 2,100

169

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 81 170 170 FOLLOWER OF JACQUES COURTOIS, CALLED IL BORGOGNONE (SAINT- HYPPOLITE 1621-1676 ROME) A calvary skirmish before an extensive landscape oil on canvas 31.6 x 73.8cm (12 7/16 x 29 1/16in). unframed

£1,000 - 1,500 €1,200 - 1,700

171 ROMAN SCHOOL, EARLY 18TH CENTURY An Allegory of the Triumph of the Word of God oil on canvas, en grisaille 89 x 116.7cm (35 1/16 x 45 15/16in).

£1,500 - 2,000 €1,700 - 2,300

172 CIRCLE OF GIOVANNI BATTISTA VIOLA (BOLOGNA 1576-1622 ROME) An extensive landscape with Tobias and the angel 171 oil on canvas 26.1 x 30.6cm (10 1/4 x 12 1/16in).

£1,000 - 1,500 €1,200 - 1,700

172

For details of the charges payable in addition to the final Hammer Price of each Lot 82 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 173 CIRCLE OF MARZIO MASTURZO (ACTIVE NAPLES, CIRCA 1670) A cavalry skirmish between Christians and 173 Saracens oil on canvas 47.8 x 100.2cm (18 13/16 x 39 7/16in). unframed

£3,000 - 5,000 €3,500 - 5,800

174 ATTRIBUTED TO JAN SOENS, CALLED IL FIAMMINGO (‘S-HERTOGENBOSCH 1547-CIRCA 1614 PARMA) An extensive mountainous landscape with Tobias and the Angel oil on canvas 87.2 x 104.4cm (34 5/16 x 41 1/8in).

£2,000 - 3,000 €2,300 - 3,500

175 * ATTRIBUTED TO TOMMASO GHERARDINI (FLORENCE 1715-1797) Venus with a satyr offering her fruit oil on canvas 44.2 x 59cm (17 3/8 x 23 1/4in).

£2,000 - 3,000 €2,300 - 3,500 174

Provenance Osuna Fine Art in Washington D.C (as Tommaso Gherardini), whence acquired by the present owner

175

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 83 176 STUDIO OF DANIEL MYTENS (?DELFT 1590-1644 THE HAGUE) Although Charles succeeded his father in 1625, his long-delayed and Portrait of King Charles I, three-quarter-length, standing, wearing long-awaited Scottish coronation did not take place until he finally a brown and gold doublet and hose, the sash of the Order of the returned to his native Scotland in the early summer of 1633, making Garter and the Great George, holding a pair of gloves, beside the a magnificent civic entry, the first such royal pageant in Edinburgh Scottish crown laid on a table since 1590. It is possible that the present portrait was commissioned oil on canvas to record this event and is a rare contemporary depiction of the 109.2 x 83.4cm (43 x 32 13/16in). Scottish crown.

The regalia known as the Honours of Scotland, which include the £5,000 - 7,000 Crown along with the Sceptre and Sword of State, unlike their €5,800 - 8,100 English equivalent of the time, still exist. Following the Act of Union of 1707, which unified the Kingdom of Scotland and the Kingdom Although the composition of the present portrait does not appear of England to form the Kingdom of Great Britain, and having no to be directly derived from any hitherto known portrait of the King, ceremonial role to play in the proceedings of the new Parliament of it can be related to a number of portraits of King Charles I by Daniel Great Britain in London, the Honours were locked away in Edinburgh Mytens. The head in the present work can be compared to the Castle. There they remained all but forgotten in a chest until 1818, Mytens in the which is signed and dated 1628. The when a group of people including Sir Walter Scott set out to find composition which shows the Great George suspended from the them to great public acclaim. Charles’s complicated relationship Garter sash is known through engravings, published by Franciscus with Scotland was summarized by the historian C. V. Wedgwood: ‘It van Hoeye after Mytens. Perhaps most interesting of all is the was not the least of this king’s misfortunes that he was always too presence of what must be a representation of the Scottish royal much of a Scotsman for England and too much of an Englishman crown, which is unique to the present portrait, all the other portraits for Scotland. In many ways he was the type of the absentee Scot, of Charles I that depict him with a crown having shown him beside rootless in England and uprooted in Scotland.’ the Tudor Crown, otherwise known as the Crown of Henry VIII.

For details of the charges payable in addition to the final Hammer Price of each Lot 84 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 177

178

177 178 VENETO SCHOOL, 16TH CENTURY VENETIAN SCHOOL, 16TH CENTURY Christ on the Road to Calvary with the Virgin Mary, Saints Mary The Madonna and Child with Saint Francis and the Infant Saint John Magdalene and John the Baptist the Baptist oil on panel oil on canvas, extended along the upper edge 45.8 x 54.2cm (18 1/16 x 21 5/16in). 75.2 x 102.8cm (29 5/8 x 40 1/2in). unframed £5,000 - 7,000 €5,800 - 8,100 £5,000 - 7,000 €5,800 - 8,100 Provenance The Collection of F. Basilio, Trieste and thence by descent to the present owners

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 85 179 ATTRIBUTED TO CORNELIS SAFTLEVEN (GORKUM 1607-1681 ROTTERDAM) A kitchen interior with a figure seated in the adjoining room oil on copper laid down on board 26.6 x 20.6cm (10 1/2 x 8 1/8in).

£2,000 - 3,000 €2,300 - 3,500

Provenance With Friedrich Schwarz until 1912 when sold to Dr Leon Lilienfeld, Vienna, and thence by descent to the present owner

Exhibited Boston, Museum of Fine Arts (on loan as Teniers, according to a label on the reverse)

Literature 179 G. Gluck, Niederlandische Gemalde aus der Sammlung des Herrn Dr Leon Lilienfeld in Wien, 1917, no. 71

180 CIRCLE OF DOMINICUS VAN TOL (BODEGRAVEN 1635-1676 LEIDEN) A man smoking and drinking in an interior oil on canvas 30.2 x 24.7cm (11 7/8 x 9 3/4in).

£3,000 - 5,000 €3,500 - 5,800

Provenance With E. Wendlinger until 1914 when sold to Dr Leon Lilienfeld, Vienna, and by descent to the present owner

Literature G. Gluck, Niederlandische Gemalde aus der Sammlung des Herrn Dr Leon Lilienfeld in Wien, 1917, no. 75 (as Dominicus van Tol)

180

For details of the charges payable in addition to the final Hammer Price of each Lot 86 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 181 FOLLOWER OF JAN JOSEFSZ. VAN GOYEN (LEIDEN 1596-1656 THE HAGUE) A river landscape with figures in boats before a walled town bears initials and date ‘VG 164*’ (on boat, lower left) 181 oil on panel 53.6 x 88.4cm (21 1/8 x 34 13/16in).

£3,000 - 5,000 €3,500 - 5,800

182 * TOUSSAINT GELTON (THE HAGUE 1630- 1680 COPENHAGEN) The Judgment of Paris signed with initials ‘.T.G.F.’ (on rock, lower right) oil on panel 31.3 x 45.2cm (12 5/16 x 17 13/16in).

£2,000 - 3,000 €2,300 - 3,500

The figure group follows that of the painting of the same subject by Cornelis Poelenburgh offered at Phillips, London, 28 June 1983, lot 28.

183 182 DAVID DE HOOCH (THE NETHERLANDS, ACTIVE 1639-1655) An extensive river landscape with a family before ruins signed and dated ‘DVDT */ HOOCH’ (on rock, lower left) oil on panel 30.2 x 38.2cm (11 7/8 x 15 1/16in).

£1,200 - 1,800 €1,400 - 2,100

183

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 87 184 185

184 CIRCLE OF NICCOLO CASSANA (VENICE 1659-1713 LONDON) Portrait of a gentleman, bust-length, in a brown coat and white stock bears inscription ‘Nicolo Cassana Genouese/Gi1659’ (on the reverse, presumably transcribed from the original canvas) oil on canvas 63.6 x 47.9cm (25 1/16 x 18 7/8in).

£2,000 - 3,000 €2,300 - 3,500

Provenance Sale, Christie’s, South Kensington, 30 October 2012, lot 457

185 PANDOLFO RESCHI (DANZIG 1643-1699 FLORENCE) A rocky landscape with figures in the foreground oil on canvas 98.6 x 73.4cm (38 13/16 x 28 7/8in).

£1,000 - 1,500 €1,200 - 1,700

186 TP FOLLOWER OF CARLO MARATTA (CAMERANO 1625-1713 ROME) Two children in a landscape with the spoils of a hunt oil on canvas 172.5 x 122.4cm (67 15/16 x 48 3/16in). unframed

£3,000 - 5,000 186 €3,500 - 5,800

For details of the charges payable in addition to the final Hammer Price of each Lot 88 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 188

187

187 GENOESE SCHOOL, 17TH CENTURY Three setters with a hound and a cat before a rocky landscape oil on canvas 47.3 x 38.5cm (18 5/8 x 15 3/16in). unframed

£3,000 - 5,000 €3,500 - 5,800

Provenance Sale, Bonhams, London, 25 April 2007, lot 68

188 CIRCLE OF PHILIPPE DE CHAMPAIGNE (BRUSSELS 1602- 1674 PARIS) The young Virgin at prayer, within a painted oval oil on canvas, unlined 68.3 x 61cm (26 7/8 x 24in).

£1,000 - 1,500 €1,200 - 1,700

189 CIRCLE OF POMPEO GIROLAMO BATONI (LUCCA 1708-1787 ROME) Saint Matthew and the angel oil on canvas 98 x 72.2cm (38 9/16 x 28 7/16in).

£2,000 - 4,000 €2,300 - 4,700 189

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 89 190 190

190 NORWICH SCHOOL, EARLY 19TH CENTURY Figures in a forest clearings a pair, oil on canvas 25.2 x 20.6cm (9 15/16 x 8 1/8in). (2)

£1,000 - 1,500 €1,200 - 1,700

191 GERMAN SCHOOL, 18TH CENTURY Portrait of a gentleman, three-quarter-length, seated, in a grey velvet coat, seated holding a book oil on canvas 80.6 x 64.6cm (31 3/4 x 25 7/16in).

£1,500 - 2,000 €1,700 - 2,300

Provenance Collection of the late David Tron, UK

191

For details of the charges payable in addition to the final Hammer Price of each Lot 90 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 192 192

192 CIRCLE OF EDWARD HAYTLEY (ACTIVE BRITAIN, 1740-1762) Portrait of a gentleman, full-length, in a buff waistcoat and blue coat in a landscape; and Portrait of a lady, full-length, in a claret coloured dress, seated in a landscape with her dog a pair, oil on canvas 72.8 x 53.4cm (28 11/16 x 21in). (2)

£3,000 - 5,000 €3,500 - 5,800

193 GERMAN SCHOOL, 18TH CENTURY Portrait of a gentleman, half-length, in a green coat and embroidered waistcoat holding a document oil on canvas 73.5 x 61.2cm (28 15/16 x 24 1/8in).

£1,200 - 1,800 €1,400 - 2,100

Provenance Collection of the late David Tron, UK

193

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 91 194

195

194 195 MANNER OF MICHELE MARIESCHI, 19TH CENTURY ATTRIBUTED TO PAOLO ANESI (ROME CIRCA 1700-CIRCA The Grand Canal, Venice, with Santa Maria della Salute 1761) oil on canvas An extensive river landscape with figures on the bank in the 60.5 x 99.1cm (23 13/16 x 39in). foreground, a waterfall beyond oil on canvas £4,000 - 6,000 34.5 x 43.5cm (13 9/16 x 17 1/8in). €4,700 - 7,000 £3,000 - 5,000 The present painting follows the composition of Michele Marieschi’s €3,500 - 5,800 The Grand Canal with Santa Maria della Salute which is now in the Museo Nacional Thyssen-Bornemisza, Madrid (inv.no. 281 (1970.9)) Provenance but with a few differences amongst the figures and boats. Sale, Bonhams, 17 April 2002, lot 116 (as Circle of Jean Baptiste Pillement)

For details of the charges payable in addition to the final Hammer Price of each Lot 92 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 196 FOLLOWER OF GIACOMO GUARDI (VENICE 1764-1835) San Giorgio Maggiore, Venice oil on canvas 21.2 x 28.4cm (8 3/8 x 11 3/16in). 196 £2,000 - 3,000 €2,300 - 3,500

Provenance Sale, Christie’s, London, 29 May 1858, lot 63 (as F.Guardi)

197 RAMÓN MARTÍ ALSINA (BARCELONA 1826-1894) Studies of a spaniel oil on paper laid down on board 17.4 x 18.2cm (6 7/8 x 7 3/16in).

£1,000 - 1,500 €1,200 - 1,700

198 ATTRIBUTED TO CARLO BONAVIA (NAPLES ACTIVE 1751- 1788) A Mediterranean coastal landscape with fishermen on the rocks in the foreground oil on canvas 45 x 62.8cm (17 11/16 x 24 3/4in). unframed

£2,000 - 3,000 €2,300 - 3,500 197

198

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 93 199 * TP GIROLAMO BRUSAFERRO (VENICE 1679-1745) Literature The Banishment of Hagar A. Pasian, ‘Girolamo Brusaferro sacro e profano’, in AFAT - Arte in oil on canvas Friuli Arte a Trieste, vol. 30, 2011, pp. 64-5, ill, fig. 7 131.1 x 97.2cm (51 5/8 x 38 1/4in).

£10,000 - 15,000 Long attributed to Sebastiano Ricci and Gaspare Diziani, the present €12,000 - 17,000 work was first recognized as the work of Brusaferro in 2011 (see literature). This attribution has subsequently been endorsed by Anna Pietropolli upon inspection of colour photographs. Provenance Sale, Sotheby’s, London, 3 July 1963, lot 106 (as Sebastiano Ricci) With Roy Fisher, New York, 1970 (as Sebastiano Ricci) Private Collection, USA

For details of the charges payable in addition to the final Hammer Price of each Lot 94 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 200 201

200 201 ATTRIBUTED TO HENRI GASCARS (PARIS 1635-1701 ROME) STUDIO OF (GENOA 1582-1644 VENICE) Portrait of a lady, said to be the Comtesse de Montdidier, three- Saint Cecilia quarter-length, in a white dress with a gold bodice and holding a oil on canvas, a fragment jewelled mirror 52.2 x 48.5cm (20 9/16 x 19 1/8in). oil on canvas unframed 91.6 x 70.7cm (36 1/16 x 27 13/16in). £7,000 - 10,000 £3,000 - 5,000 €8,100 - 12,000 €3,500 - 5,800 The present work is derived from Strozzi’s original composition of Provenance which several versions exist, including one in Accademia degli Agiati, The Collection of Baroness (according to a label on the Rovereto. reverse) Sale, Sotheby’s, London, 8 November 1978, lot 51 (as P. Mignard)

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 95 202 FOLLOWER OF GERARD VAN SOEST (SOEST CIRCA 1600- 1681 LONDON) Portrait of Admiral Sir John Pennington wearing a breast plate, standing before a window oil on panel 25.4 x 19.6cm (10 x 7 11/16in).

£2,000 - 3,000 €2,300 - 3,500

Provenance With Serofin Maurer, by whom sold to The Collection of Dr Leon Lilienfeld, Vienna, and by descent to the present owner

The present work is derived from Soest’s original portrait, offered at Sotheby’s, London, 30 June 2005, lot 18. 202 203 FOLLOWER OF HENDRICK MARTENSZ. SORGH (ROTTERDAM CIRCA 1610-1670) A kitchen interior oil on panel 62.7 x 48.2cm (24 11/16 x 19in).

£1,500 - 2,000 €1,700 - 2,300

Provenance Hastings William Sackville Russell, 12th Duke of Bedford (1888- 1953), Woburn Abbey, Bedfordshire His sale, Christie’s, 19 January 1951, lot 67 (as Arie de Vos, according to a label on the reverse)

203

For details of the charges payable in addition to the final Hammer Price of each Lot 96 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 204 DUTCH SCHOOL, 1671 Portrait of a young man, half-length, in black inscribed ‘AETATIS.17/ANo 1671’ (upper left) oil on canvas 74.2 x 62.2cm (29 3/16 x 24 1/2in).

£1,500 - 2,000 €1,700 - 2,300

A comparable work, with an identical inscription and possibly of 204 the sitter’s younger brother, was offered at Christie’s, London, 10 December 1993, lot 265 (see RKD no. 138927).

205 JAN COSSIERS (ANTWERP 1600-1671) A man holding a pewter charger with a chicken oil on panel 64.2 x 48.6cm (25 1/4 x 19 1/8in).

£3,000 - 5,000 €3,500 - 5,800

Provenance Sale, Christie’s, South Kensington, 5 July 2013, lot 24A

205

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 97 206

206 JOHN MORE (ACTIVE BRITAIN, 18TH CENTURY) A view of Castel Gandolfo with Lake Albano in the foreground; and a view of the waterfall at Tivoli the former signed and dated ‘John Moor/ 1799’ (lower right, strengthened) and the latter signed and dated ‘John Moor/ 1799’ (on rock, lower left) a pair, oil on canvas 91.8 x 122cm (36 1/8 x 48 1/16in). (2)

£3,000 - 5,000 €3,500 - 5,800

207 CIRCLE OF SIR GODFREY KNELLER (LÜBECK 1646-1723 LONDON) Portrait of a gentleman, traditionally identified as John Churchill, 1st Duke of Marlborough, three-quarter-length, standing oil on canvas 126.5 x 102.4cm (49 13/16 x 40 5/16in).

£4,000 - 6,000 €4,700 - 7,000

The pose and features of the present portrait may be compared to a portrait of the Duke wearing armour from the Studio of Kneller which is in the National Portrait Gallery’s collection in London, which has been dated to circa 1700 (NPG 5740).

207

For details of the charges payable in addition to the final Hammer Price of each Lot 98 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 206

208 CIRCLE OF SIR GODFREY KNELLER (LÜBECK 1646-1723 LONDON) Portrait of a lady, traditionally identified as Sarah Churchill, Duchess of Marlborough, three-quarter-length, seated, in a blue dress oil on canvas 126.3 x 101.9cm (49 3/4 x 40 1/8in).

£4,000 - 6,000 €4,700 - 7,000

The present portrait is possibly related to a double portrait by an unknown artist of the Duke and Duchess of Marlborough which is in the National Trust’s Collection, Chartwell House, Kent.

208

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 99 209 210

209 * FRANCESCO TREVISANI (CAPO D’ISTRIA 1656-1746 ROME) The Madonna sewing with the Christ Child oil on canvas, unlined 38.9 x 30.9cm (15 5/16 x 12 3/16in).

£3,000 - 5,000 €3,500 - 5,800

210 FOLLOWER OF GIOVANNI BATTISTA GAULLI, CALLED IL BACICCIO (GENOA 1639-1709 ROME) Portrait of Cardinal Paluzzo Paluzzi Altieri degli Albertoni, bust-length oil on canvas 66.7 x 50.6cm (26 1/4 x 19 15/16in).

£1,000 - 1,500 €1,200 - 1,700

The present composition is based on Baciccio’s original portrait now in the Ricci collection, Milan.

211 ATTRIBUTED TO (NAPLES 1634-1705) Saint Jerome oil on canvas 41.8 x 28.7cm (16 7/16 x 11 5/16in). in a carved and gilt frame

£3,000 - 5,000 €3,500 - 5,800 211

For details of the charges payable in addition to the final Hammer Price of each Lot 100 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 212 213

212 213 FRENCH SCHOOL, 17TH CENTURY MANNER OF FEDERICO ZUCCARO, 18TH CENTURY Portrait of a bearded gentleman, half-length, in armour with a red Saint Frances of Rome with her guardian angel sash oil on canvas, unlined oil on canvas 77.8 x 60.1cm (30 5/8 x 23 11/16in). 76 x 63.2cm (29 15/16 x 24 7/8in). £1,000 - 1,500 £1,500 - 2,000 €1,200 - 1,700 €1,700 - 2,300

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 101 WORKS ON PAPER

214

214 ROMAN SCHOOL, MID 16TH CENTURY The Calling of Saints Peter and Andrew gouache on vellum, tondo 13.1cm. (5 1/4 in.) diameter unframed

£1,000 - 1,200 €1,200 - 1,400

215 CIRCLE OF GIULIO CLOVIO (MODRUŠ 1498-1578 ROME), AFTER FEDERICO BAROCCI The Visitation gouache on vellum 15.9 x 12.2cm (6 1/4 x 4 13/16in). unframed

£1,000 - 1,500 €1,200 - 1,700

The present work is based on Federico Barocci’s Visitation in Santa Maria in Vallicella, Rome.

215

For details of the charges payable in addition to the final Hammer Price of each Lot 102 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 216

216 ATTRIBUTED TO ANTOINE-FRANÇOIS CALLET (PARIS 1741- 1823) A study for a classical subject: two women wearing veils black, red and white chalk with grey wash on paper 26.4 x 36.8cm (10 3/8 x 14 1/2in).

£2,000 - 3,000 €2,300 - 3,500

Provenance Sale, Sotheby’s, London, 3 April 1995, lot 90 With Richard Philip, London, 1995, where purchased by the present owners’ family

217 STUDIO OF BARTHOLOMAEUS SPRANGER (ANTWERP 1546- 1611 PRAGUE) The Toilette of Venus pen and ink and wash on paper 16.9 x 13.6cm (6 5/8 x 5 3/8in).

£600 - 800 €700 - 930

A of the same subject by Spranger is in the Museum der Bildenden Künste, Leipzig.

217

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 103 218

218 * PIETER COOPSE (AMSTERDAM CIRCA 1640-1673) A fisherman in the foreground, ships at anchor beyond signed ‘P.Coopse. fe’ (upper left) pen and grey wash on paper 18.1 x 28.2cm (7 1/8 x 11 1/8in). unframed

£2,000 - 3,000 €2,300 - 3,500

219 AERT SCHOUMAN (DORDRECHT 1710-1792 THE HAGUE) Swans and other birds before a mountainous landscape; and Pheasants in a landscape the former signed and dated ‘A:Schouman.Fecit. 1743’ (lower left) and the latter signed ‘A.Schouman’ (lower right) two of a set, the former gouache and watercolour on laid paper, the latter watercolour and gouache on paper 24.6 x 20.1cm (9 11/16 x 7 15/16in). and 18.7 x 14.8cm (7 3/8 x 5 13/16in). (2)

£3,000 - 5,000 €3,500 - 5,800

219

For details of the charges payable in addition to the final Hammer Price of each Lot 104 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 220

220 MANNER OF , 18TH CENTURY Two studies of a bucolic couple pen, ink and black chalk, heightened with white chalk on paper 19.4 x 30.7cm (7 5/8 x 12 1/16in).

£1,000 - 1,500 €1,200 - 1,700

219

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 105 222

221 221 DANIEL GARDNER (KENDAL CIRCA 1750-1805 LONDON) Portrait of a young lady, possibly Elizabeth Ann Hall, in a landscape pencil, watercolour, bodycolour and pastel 63.5 x 53.4cm (25 x 21in).

£3,000 - 5,000 €3,500 - 5,800

Literature N. Jeffares, Dictionary of pastellists before 1800, online, cat. no. J.3338.15113, ill.

222 ATTRIBUTED TO JOHN RUSSELL (GUILDFORD 1745-1806 HULL) Portrait of a gentleman, half-length, in a brown coat pastel 60.8 x 56.7cm (23 15/16 x 22 5/16in).

£1,000 - 1,500 €1,200 - 1,700

223 FRENCH SCHOOL, 17TH CENTURY Portrait of a gentleman, bust length bears number ‘67.’ (upper right) black and red chalk on paper 29.2 x 22cm (11 1/2 x 8 11/16in).

£1,000 - 1,500 €1,200 - 1,700

223

For details of the charges payable in addition to the final Hammer Price of each Lot 106 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 224

224 * MACRET (ACTIVE FRANCE, 1742) Still life of flowers in a bronze vase with insects signed and dated ‘Macret Pinxit 1742’ (on the reverse) gouache on paper 41.1 x 31.8cm (16 3/16 x 12 1/2in).

£700 - 1,000 225 €810 - 1,200

225 CONRAD MARTIN METZ (BONN 1749-1827 ROME) Angelica and Medoro signed, inscribed and dated ‘C.M.Metz/ Roma/ 1817’ (lower left) pen, ink and wash heightened with white on paper 38.5 x 27.6cm (15 3/16 x 10 7/8in).

£800 - 1,200 €930 - 1,400

Provenance Sale, Sotheby’s, London, 30 April 1990, lot 242

226 THE COUNTESS OF LUCAN (LADY MARGARET BINGHAM) (DEVON 1740-1814 LONDON), AFTER GUERCINO Saint Agnes on the Pyre inscribed and signed with initials ‘St agnes by Guercino/ Copy’d by me in the Colonna/ Palace at Rome ML’ (on reverse) gouache on card laid down on panel, oval 20.9 x 16.5cm (8 1/4 x 6 1/2in).

£600 - 800 €700 - 930

Provenance By repute, the Collection of Horace Walpole, Strawberry Hill (according to a label on the reverse)

The present work is after Guercino’s original, now in the Galleria Doria Pamphilj, Rome. 226

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 107 227 LOUIS GABRIEL MOREAU (PARIS 1740- 1806) A river landscape with ruins by an aqueduct watercolour, pen and ink on paper 227 17.4 x 27.9cm (6 7/8 x 11in).

£1,000 - 1,500 €1,200 - 1,700

Provenance Sale, Phillips, London, 3 December 1997, lot 54

228 CARLE VERNET (BORDEAUX 1758-1836 PARIS) At the Races signed ‘carle vernet’ (lower left) pen and ink on paper 30.9 x 39.2cm (12 3/16 x 15 7/16in).

£2,000 - 3,000 €2,300 - 3,500

229 LAZARE BRUANDET (PARIS 1755-1804) A cattleherd on a country lane signed ‘L Bruandet’ (lower right) gouache on laid paper 51.5 x 72cm (20 1/4 x 28 3/8in). 228 unframed

£1,000 - 1,500 €1,200 - 1,700

229

For details of the charges payable in addition to the final Hammer Price of each Lot 108 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 230 231

230 AFTER GIOVANNI BATTISTA PIAZZETTA, 18TH CENTURY A boy with a dog red chalk on paper 39.5 x 29.7cm (15 9/16 x 11 11/16in).

£800 - 1,200 €930 - 1,400

The present work is after a Piazzetta engraving (see: National Portrait Gallery, London, no. NPG D22306).

231 * FRENCH SCHOOL, 18TH CENTURY Study of a lady pencil and red and black chalk on paper 10.3 x 7.8cm (4 1/16 x 3 1/16in).

£700 - 1,000 €810 - 1,200

Provenance With E. Gimpel & Wildenstein, New York, USA (according to a label on the reverse)

232 * JEAN BAPTISTE HUËT (PARIS 1745-1811) A girl in a landscape signed ‘Huet’ (lower left) black chalk and watercolour on paper 24.2 x 16.4cm (9 1/2 x 6 7/16in).

£1,000 - 1,500 €1,200 - 1,700 232

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 109 233

233 FLEMISH SCHOOL, CIRCA 1700 Hercules, Nessus and Deianeira; and a girl terrorised by The Nemean Lion a pair, gouache on vellum 19 x 25.5cm (7 1/2 x 10 1/16in).(2)

£800 - 1,200 €930 - 1,400

234 FRENCH SCHOOL, 19TH CENTURY Portrait of a gentleman, half-length, seated with books bears signature and date ‘L.Boilly/ 1832’ (lower right) black chalk heightened with white on paper, oval 24.8 x 20.1cm (9 3/4 x 7 15/16in).

£2,000 - 3,000 €2,300 - 3,500

Provenance With Hazlitt, Gooden & Fox, London, 1985, where purchased by the present owner

234

For details of the charges payable in addition to the final Hammer Price of each Lot 110 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 233

235 LOUIS-LÉOPOLD BOILLY (LA BASSÉE 1761-1845 PARIS) A study for The Movings black chalk and charcoal heightened with white on brown paper 26.7 x 19.9cm (10 1/2 x 7 13/16in).

£1,000 - 2,000 €1,200 - 2,300

Provenance E.Mans ( 878b, indistinct stamp) Sale, Audap-Picard-Solanet & Associés, Paris, 19 March 1997, lot 6 With Hazlitt, Gooden & Fox, London, 1998

Literature S. Maison, Nineteenth and early Twentieth Century and Oil Sketches, exh.cat., London, 1998 T. Burollet, Les Peintures, Musée Cognacq-Jay, musée du XVIIIe siècle de la ville de Paris, Paris, 2004, p. 44 P. Zuber and E. Breton, Le Peintre De La Société Parisienne De Louis XVI a Louis-Philippe, Paris, 2019, vol. II, pp. 711-2 cat. no. 882D, ill.

The present work is a preparatory study for the central figure in Boilly’s finished painting The Movings, dated 1822, now in the , USA.

235

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 111 236 THOMAS ROWLANDSON (LONDON 1756-1827) When the old fool has drunk his wine, and gone to rest, I’ll be thine pen, ink and watercolour on paper 13.7 x 20.1cm (5 3/8 x 7 15/16in).

£2,000 - 3,000 €2,300 - 3,500

Provenance Private Collection, UK, since approximately the 1960s 236 237 BERNARD LENS III (LONDON 1682-1740) An Italianate landscape with figures on a track by a river and fishermen drawing in a net signed and dated ‘B Lens fecit: 1719’ (lower left, in gold) gouache on paper 19.3 x 25cm (7 5/8 x 9 13/16in).

£800 - 1,200 €930 - 1,400

Provenance With the Fine Art Society, London, 1954 (according to a label on the reverse) Private Collection, UK

238 JOHN VARLEY OWS (LONDON 1778- 1842) The Aqueduct at Llangollen signed and dated ‘J. Varley 1824’ (lower right) watercolour on paper 237 21.2 x 30cm (8 3/8 x 11 13/16in).

£1,500 - 2,000 €1,700 - 2,300

Provenance Sir Berkeley Foster With Agnews, London (all according to a label on the reverse) Sale, Bonhams, London, 7 July 2020, lot 218, where purchased by the present owner

238

For details of the charges payable in addition to the final Hammer Price of each Lot 112 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 239 THOMAS ROWLANDSON (LONDON 1756-1827) Carriages outside an inn pencil, pen and watercolour on paper 10.2 x 22.8cm (4 x 9in).

£1,500 - 2,000 €1,700 - 2,300

Provenance 239 Private Collection, UK, since approximately the 1960s

240 JOHN WARWICK SMITH (IRTHINGTON 1749-1831 LONDON) A view of Tivoli signed and dated ‘J Smith/ 1786’ (lower left) watercolour over pencil 49 x 71.3cm (19 5/16 x 28 1/16in).

£1,500 - 2,000 €1,700 - 2,300

Provenance Sale, Sotheby’s, London, 18 May 2020, lot 159

241 JOHN VARLEY OWS (LONDON 1778- 1842) Figures by a gatehouse pencil and watercolour on wove paper 26 x 39.1cm (10 1/4 x 15 3/8in). together with a watercolour of A walled pond, Polesdon Lacey by the same hand (2) 240 £1,200 - 1,800 €1,400 - 2,100

241

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 113 242

243

242 243 PAUL SANDBY R.A. (NOTTINGHAM 1730-1809 LONDON) THOMAS ROWLANDSON (LONDON 1756-1827) Saint James’s Chapel, near Lewes An Astronomer and Devotee inscribed with title ‘St James Chapel near Lewes’ (lower left) inscribed ‘a Devotee an Astronomer’ (lower centre) pen and grey wash on laid Whatman paper pen, ink and watercolour on paper 24.9 x 38.6cm (9 13/16 x 15 3/16in). 9.1 x 13.7cm (3 9/16 x 5 3/8in).

£800 - 1,200 £500 - 700 €930 - 1,400 €580 - 810

Provenance Provenance With Agnews, London (according to a label on the reverse) Private Collection, UK since approximately the 1960s

Saint James’s Chapel in Southover, on the outskirts of Lewes, was originally part of the Hospital of Saint James, which was built by the monks of Lewes Priory in the 14th century. Although the hospital fell into disuse after the Dissolution of the Monasteries, the chapel survived because it was incorporated into a house, and later used as a school building.

For details of the charges payable in addition to the final Hammer Price of each Lot 114 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 244 SAMUEL PROUT FSA, OWS (PLYMOUTH 1783-1852 LONDON) Provenance An album of 33 drawings from a tour to the Rhine including views Private Collection, UK of Huy (5), Liege, Cologne (5), Coblentz (3), Lahnstein, Lendersdorf, Andernach (4), Kapelle, Ehrenbreitstein, Rhinfels, Katzen, Braubach, These drawings have been tipped into an album of paper Bacharach (2), Lahn-eck, Oberwessel, La Tour des Rats, Hattersheim watermarked for 1822, the year after Prout’s first journey down the and Wiesbden Rhine which is well documented in a Goldsmith’s Almanac for 1821. most inscribed He left Dover in late July and returned home in October. Although graphite on wove paper Prout became better known for picturesque urban scenes, these 26 x 17.5cm (10 1/4 x 6 7/8in). drawings show that he was clearly an able landscape artist. His some slightly smaller (album) lithographed Illustrations of the Rhine were published between 1822 and 1826. £1,000 - 1,500 €1,200 - 1,700

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 115 245

245 THOMAS ROWLANDSON (LONDON 1756-1827) Rooks waiting for Pigeons signed ‘Rowlandson’ (lower right) and inscribed ‘Rooks waiting for Pigeons’ (lower left) pen, ink and watercolour on paper 10.2 x 15.5cm (4 x 6 1/8in).

£1,000 - 2,000 €1,200 - 2,300

Provenance Collection of Alfred Clifton (1863–1932) (according to a label on the reverse) With Agnew’s, London, where purchased by the present owner’s late father in January 1962

Several versions of the present composition exist, including one titled Gaming at Brooks Club, formerly in the London Museum (see: J. Hayes, A catalogue of the watercolour drawings by Thomas Rowlandson in the London Museum, cat. no. 9).

246 THOMAS ROWLANDSON (LONDON 1756-1827) A Sheep in Wolf’s Clothing pen, ink and watercolour on paper 16.7 x 13.8cm (6 9/16 x 5 7/16in).

£2,000 - 3,000 €2,300 - 3,500 246 Provenance With Leger Galleries, London, where purchased by the present owner’s late father in 1961

For details of the charges payable in addition to the final Hammer Price of each Lot 116 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 247 JOHN MAYO WHICHELO A.O.W.S. (LONDON 1784-1865), AND This album is a compilation of watercolours by the many members of OTHERS the Whichelo family: An album of watercolours and drawings of South London and the John Mayle Whichelo A.O.W.S. (1784-1865); John Whichelo jnr. (?- Home Counties, comprising views of: Reigate Hill; Reigate Church; 1867); Henry Mayle Whichelo (1800-1884); Henry Mayle Whichelo jnr, Merstham and the Manor House; Farmhouse near Merstham; (?-1867) and William J. Whichelo (fl.1860-1880) Carshalton; Chipstead; Franches; Walton Church; Walton; Franches; Dorking and Leith Hill; Wellhouse in Ashtead Park; Effingham Church; All the members of the family lived in South London. The elder H. M. Streatham; Croydon Church; Smitham Bottom; The Inn at Godstone; Whichelo was drawing master in Clapham and also at the Stepney Tandridge Church; Nutfield Church; Old Mansion at Nutfield; and Stockwell Grammar Schools. The younger H. M. Whichelo lived Crowhurst Church; Crowhurst Place (2); Chaldon Church; A church and died in Lambeth and William Whichelo lived in Brixton. at sunset; St Sepulchre’s Church; Gateway of Lambeth Palace; Hall in Lambeth Palace; Bermondsey Abbey (2); Fountain at Franches; St John’s Church, Southwark; Ashurst, Surrey some signed and dated and inscribed on mount watercolour 40 x 52cm (15 3/4 x 20 1/2in). album size

£3,000 - 5,000 €3,500 - 5,800

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 117 BOOKS

248 A COLLECTION OF ART REFERENCE BOOKS, MAINLY ON PAINTINGS AND GENERAL including E. Benezit Dictionnaire des Peintres (8 vols), some texts in German and Italian, around 30 titles, with over 20 copies of FMR magazine (collection)

£100 - 200 €120 - 230

249 A GROUP OF BOOKS AND CATALOGUES ON WORKS OF ART, ARMOUR, FURNITURE, MEDALS, TEXTILES AND CERAMICS including J. Pope Hennessy, Catalogue of Italian Sculpture in the Victoria and Albert Museum (3 vols), some in German and Italian, around 40 in all (collection)

£100 - 200 €120 - 230

250 A COLLECTION OF OLD MASTER PAINTING REFERENCE BOOKS, including works on artists such as Holbein, Turner, Constable, Botticelli, Cuyp, Domenichino and Carriera over 40 in all (collection)

£100 - 200 €120 - 230

For details of the charges payable in addition to the final Hammer Price of each Lot 118 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. Index

Artist Lot No

Anesi, Paolo 195 Fargue, Paulus Constantijn la 123 Assteyn, Bartholomeus 88 Ferretti, Giovanni Domenico 140 Bassano Family 13 Flegel, Georg 98 Batoni, Pompeo Girolamo 61, 189 Flemish School 3, 50, 90, 115, 132, 233 Berchem, Nicolaes 48 French School 54, 56, 68, 156, 157, 169, 212, 223, 231, Berckheyde, Gerrit Adriaensz. 40 234 Bergamo School 45 Furini, Francesco 139 Bertin, Jean Victor 154 Gardner, Daniel 221 Beuckelaer, Joachim 118 Gascars, Henri 200 Beyeren, Abraham Hendricksz. van 25 Gaulli, Giovanni Battista 210 Bigot, Trophime 15 Gelton, Toussaint 182 Bloemaert, Abraham 220 Genoese School 187 Boilly, Louis-Léopold 235 German School 1, 6, 70, 84, 94, 116, 149, 191, 193 Bolognese School 20, 62, 67 Gertner, Peter 74 Bonavia, Carlo 198 Gheeraerts the Younger, Marcus 101 Bruandet, Lazare 229 Gherardini, Tommaso 175 Brusaferro, Girolamo 199 Giordano, Luca 211 Callet, Antoine-François 216 Goya y Lucientes, Francisco José de 141 Cassana, Niccolo 184 Goyen, Jan Josefsz. van 181 Cesari, Giuseppe 34 Grevenbroeck, Orazio 105 Champaigne, Philippe de 53, 188 Guardi, Giacomo 196 Chiari, Giuseppe Bartolomeo 147 Guercino, Giovanni Francesco Barbieri, called il 107 Claeuw, Jacques Grief de 57 Haytley, Edward 192 Clovio, Giulio 215 Heinsius, Johann Ernst 46 Codazzi, Niccolò 159 Heusch, Jakob de 47 Coecke van Aelst, Pieter 69 Hooch, David de 183 Cooper, Alexander 131 Hoppner, John 79 Cooper, Samuel 124 Huchtenburg, Jacob van 104 Coopse, Pieter 218 Huët, Jean Baptiste 232 Correggio, Antonio Allegri, called il 17 Isenbrant, Adriaen 71 Cossiers, Jan 205 Italian School 16, 111, 137, 144 Courtois, Jacques 170 Key, Willem 91 Cuyp, Jacob Gerritsz. 114 Kneller, Sir Godfrey 60, 130, 207, 208 Dahl, Michael 126 Koninck, Salomon 11 David, Gerard 4 Kupetzki, Johann 9 de Vos, Paul 164 Lagrenée the Younger, Jean Jacques 55 Denner, Balthazar 44 Lely, Sir Peter 129 Diest, Adriaen van 51 Lens, Bernard 237 Domenichini, Apollonio 161 Lint, Peter van 162 Drouais, Francois Hubert 167 Lippi, Lorenzo 18 Dughet, Gaspard 103, 106 Lombard School 19 Dutch School 38, 39, 49, 121, 204 Lombard, Lambert 2 Dyck, Sir Anthony van 122, 133 Lucan (Lady Margaret Bingham), The Countess of 226 Elliger the Younger, Ottmar 113 Luini, Bernardino 22 Elsheimer, Adam 14 Macret, * 224 Emilian School 33 Maes, Nicolaes 128, 151 English School 127 Maratta, Carlo 186

OLD MASTER PAINTINGS | 119 Artist Lot No

Marieschi, Michele 194 Sandby, Paul 242 Martí Alsina, Ramón 197 Sartorius, William 80, 83 Massot, Firmin 158 Schall, Jean-Frederic 155 Master of the Figdor Saint Eustache, The 97 Schedoni, Bartolomeo 24 Masturzo, Marzio 173 Schouman, Aert 219 Metz, Conrad Martin 225 Serres, Dominic 85 Meulen, Adam Frans van der 59 Servandoni, Jean Nicolas 160 Minderhout, Hendrick van 37 Simonini, Francesco Antonio 146 Mommers, Hendrick 152 Sirani, Giovanni Andrea 136 More, John 206 Smith, John Warwick 240 Moreau, Louis Gabriel 227 Soens, called il Fiammingo, Jan 174 Moucheron, Frederick de 28 Soest, Gerard van 202 Mura, Francesco de 138 Sorgh, Hendrick Martensz. 203 Murillo, Bartolomé Esteban 108 Spanish Colonial School 96 Myn, Frans van der 58 Spanish School 93, 110, 142 Mytens, Daniel 176 Spranger, Bartholomaeus 75, 217 Nani, Giacomo 23 Stern, Ignaz 148 Nanteuil, Robert 52 Stothard, Thomas 81 Neer, Eglon Hendrik van der 153 Strozzi, Bernardo 201 Negretti, called Palma il Giovane, Jacopo 31 Teniers the Younger, David 7 Netherlandish School 99 Thornhill, Sir James 35 Netscher, Caspar 10 Titian, Tiziano Vecellio, called 30 Norwich School 190 Tol, Dominicus van 180 Orley, Bernaert van 92 Tours, School of 72 Peeters, Jan 150 Trevisani, Francesco 209 Petter, Franz Xavier 117 Tuscan School 73 Phillips, Thomas 125 Varley, John 238, 241 Piazzetta, Giovanni Battista 230 Velàzquez, Zacarias Gonzalez 145 Pickersgill, Henry William 36 Venetian School 95, 143, 178 Porcellis, Jan 100 Veneto School 177 Prague School 76 Verbeeck, Cornelis 89 Prout, Samuel 244 Verbruggen I, Gaspar Pieter 163 Raphael, Raffaello Sanzio, called 32 Vernet, Carle 228 Regemorter, Petrus Johann van 41 Verwilt, François 120 Rembrandt Harmensz. van Rijn 8, 12 Vignali, Jacopo 21 Reschi, Pandolfo 185 Vincent, François-André 166 Reynolds, Joshua 78 Viola, Giovanni Battista 172 Ricci, Marco 43 Ward, James 86 Rocca, Michele 66 Whichelo, John Mayo 247 Roman School 64, 109, 112, 171, 214 Wille, Pierre Alexandre 168 Roos, Johann Heinrich 119 Wilson, Richard 82 Ross, James 87 Witte, called Pietro Candido, Peter de 5 Rottmayr, Johann Franz Michael 135 Wittel, called Vanvitelli, Gaspar van 65 Rowlandson, Thomas 236, 239, 243, 245, 246 Wootton, John 77 Rubens, Peter Paul 29, 134 Wouwerman, Philips 42 Rubens, Sir Peter Paul 26 Wyck, Jan 27 Russell, John 222 Wyrsch, Johann Melchior 165 Saeys, Jacob Ferdinand 102 Zais, Giuseppe 63 Saftleven, Cornelis 179 Zuccaro, Federico 213

120 | BONHAMS NOTICE TO BIDDERS This notice is addressed by Bonhams to any person who may be Prices below and above the Estimates, so Estimates should not be solving any disputes which may arise in relation to bids made at the interested in a Lot, and to all persons participating in the auction relied on as an indication of the actual selling price or value of a Lot. Sale. At some Sales, for example, jewellery Sales, we may use screens process including auction attendees, Bidders and potential Bidders Estimates are in the currency of the Sale. on which images of the Lots will be projected. This service is provided (including any eventual Buyer of the Lot). For ease of reference we refer Condition Reports to assist viewing at the Sale. The image on the screen should be to such persons as “Bidders” or “you”. Our List of Definitions and In respect of most Lots, you may ask Bonhams for a Condition Report treated as an indication only of the current Lot. It should be noted that Glossary is incorporated into this Notice to Bidders. It is at Appendix 3 on the Lot’s general physical condition. If you do so, this will be all bids tendered will relate to the actual Lot number announced by at the back of the Catalogue. Where words and phrases are used in provided by Bonhams on behalf of the Seller free of charge. As this is the Auctioneer. We do not accept any responsibility for any errors this notice which are in the List of Definitions, they are printed in italics. offered additionally and without charge, Bonhams is not entering into a which may occur in the use of the screen. IMPORTANT: Additional information applicable to the Sale may be set contract with you in respect of the Condition Report and accordingly 5. BIDDING out in the Catalogue for the Sale, in an insert in the Catalogue and/or in does not assume responsibility to you in respect of it. The Condition You must complete and deliver to us one of our Bidding Forms, either a notice displayed at the Sale venue and you should read them as well. Report represents Bonhams’ reasonable opinion as to the Lot’s general our Bidder Registration Form, Absentee Bidding Form or Telephone Announcements affecting the Sale may also be given out orally before condition in the terms stated in the particular report, and Bonhams Bidding Form in order to bid at our Sales. and during the Sale without prior written notice. You should be alert to does not represent or guarantee that a Condition Report includes all If you are a new client at Bonhams or have not recently updated your the possibility of changes and ask in advance of bidding if there have aspects of the internal or external condition of the Lot. Neither does the registration details with us, you must pre-register to bid at least two been any. Seller owe or agree to owe you as a Bidder or Buyer any obligation or working days before the Sale at which you wish to bid. You will be 1. OUR ROLE duty in respect of this free report about a Lot, which is available for your required to provide government-issued proof of identity and residence, In its role as Auctioneer of Lots, Bonhams acts solely for and in the own inspection or for inspection by an expert instructed by you. and if you are a company, your certificate of incorporation or equivalent interests of the Seller. Bonhams’ job is to sell the Lot at the highest The Seller’s responsibility to you documentation with your name and registered address, government price obtainable at the Sale to a Bidder. Bonhams does not act for The Seller does not make or agree to make any representation of fact issued proof of your current address, documentary proof of your Buyers or Bidders in this role and does not give advice to Buyers or or contractual promise, Guarantee or warranty and undertakes no beneficial owners and directors, and proof of authority to transact. Bidders. When it or its staff make statements about a Lot or, if obligation or duty, whether in contract or in tort (other than to the We may also request a financial reference and /or deposit from you Bonhams provides a Condition Report on a Lot it is doing that on eventual Buyer as set out above), in respect of the accuracy or before allowing you to bid. behalf of the Seller of the Lot. Bidders and Buyers who are themselves completeness of any statement or representation made by him or on We reserve the rights at our discretion to request further information in not expert in the Lots are strongly advised to seek and obtain his behalf, which is in any way descriptive of any Lot or as to the order to complete our client identification and to decline to register any independent advice on the Lots and their value before bidding for anticipated or likely selling price of any Lot. Other than as set out person as a Bidder, and to decline to accept their bids if they have them. The Seller has authorised Bonhams to sell the Lot as its agent on above, no statement or representation in any way descriptive of a Lot been so registered. We also reserve the rights to postpone completion its behalf and, save where we expressly make it clear to the contrary, or any Estimate is incorporated into any Contract for Sale between a of the Sale of any Lot at our discretion while we complete our Bonhams acts only as agent for the Seller. Any statement or Seller and a Buyer. registration and identification enquiries, and to cancel the Sale of any representation we make in respect of a Lot is made on the Seller’s Bonhams’ responsibility to you Lot if you are in breach of your warranties as Buyer, or if we consider behalf and, unless Bonhams sells a Lot as principal, not on our behalf You have the opportunity of examining the Lot if you want to and the that such Sale would be unlawful or otherwise cause liabilities for the and any Contract for Sale is between the Buyer and the Seller and not Contract for Sale for a Lot is with the Seller and not with Bonhams; Seller or Bonhams or be detrimental to Bonhams’ reputation. with us. If Bonhams sells a Lot as principal this will either be stated in Bonhams acts as the Seller’s agent only (unless Bonhams sells the Lot Bidding in person the Catalogue or an announcement to that effect will be made by the as principal). So long as you have pre-registered to bid or have updated your Auctioneer, or it will be stated in a notice at the Sale or an insert in the Bonhams undertakes no obligation to you to examine, investigate or existing registration recently, you should come to our Bidder registration Catalogue. carry out any tests, either in sufficient depth or at all, on each Lot to desk at the Sale venue and fill out a Registration and Bidding Form on Bonhams does not owe or undertake or agree to any duty or establish the accuracy or otherwise of any Descriptions or opinions (or, if possible, before) the day of the Sale. The bidding number system responsibility to you in contract or tort (whether direct, collateral, given by Bonhams, or by any person on Bonhams’ behalf, whether in is sometimes referred to as “paddle bidding”. You will be issued with a express, implied or otherwise). If you successfully bid for a Lot and buy the Catalogue or elsewhere. large card (a “paddle”) with a printed number on it. This will be it, at that stage Bonhams does enter into an agreement with you as the You should not suppose that such examinations, investigations or tests attributed to you for the purposes of the Sale. Should you be a Buyer. The terms of that contract are set out in our Buyer’s Agreement, have occurred. successful Bidder you will need to ensure that your number can be which you will find at Appendix 2 at the back of the Catalogue, and this Bonhams does not make or agree to make any representation of fact, clearly seen by the Auctioneer and that it is your number which is will govern Bonhams’ relationship with the Buyer. and undertakes no obligation or duty (whether in contract or tort) in identified as the Buyer’s. You should not let anyone else use your 2. LOTS respect of the accuracy or completeness of any statement or paddle as all Lots will be invoiced to the name and address given on Subject to the Contractual Description printed in bold letters in the representation made by Bonhams or on Bonhams’ behalf which is in your Bidder Registration Form. Once an invoice is issued it will not be Entry about the Lot in the Catalogue (see paragraph 3 below), Lots are any way descriptive of any Lot or as to the anticipated or likely selling changed. If there is any doubt as to the Hammer Price of, or whether sold to the Buyer on an “as is” basis, with all faults and imperfections. price of any Lot. No statement or representation by Bonhams or on its you are the successful Bidder of, a particular Lot, you must draw this to Illustrations and photographs contained in the Catalogue (other than behalf in any way descriptive of any Lot or any Estimate is incorporated the attention of the Auctioneer before the next Lot is offered for Sale. At photographs forming part of the Contractual Description) or elsewhere into our Buyer’s Agreement. the end of the Sale, or when you have finished bidding please return of any Lots are for identification purposes only. A photograph or Alterations your paddle to the Bidder registration desk. illustration may not reflect an accurate reproduction of the colour(s) or Descriptions and Estimates may be amended at Bonhams’ discretion Bidding by telephone true condition of the Lot. Lots are available for inspection prior to the from time to time by notice given orally or in If you wish to bid at the Sale by telephone, and have pre-registered to Sale and it is for you to satisfy yourself as to each and every aspect of writing before or during a Sale. bid or have updated your existing registration details recently, please a Lot, including its authorship, attribution, condition, provenance, THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST FORM complete a Registration and Bidding Form, which is available from our history, background, authenticity, style, period, age, suitability, quality, YOUR OWN OPINION IN RELATION TO IT. YOU ARE STRONGLY offices or in the Catalogue. Please then return it to the office roadworthiness (if relevant), origin, value and estimated selling price ADVISED TO EXAMINE ANY LOT OR HAVE IT EXAMINED ON YOUR responsible for the Sale at least 24 hours in advance of the Sale. It is (including the Hammer Price). It is your responsibility to examine any BEHALF BEFORE THE SALE. your responsibility to check with our Bids Office that your bid has been Lot in which you are interested. It should be remembered that the 4. CONDUCT OF THE SALE received. Telephone calls will be recorded. The telephone bidding actual condition of a Lot may not be as good as that indicated by its Our Sales are public auctions which persons may attend and you facility is a discretionary service offered at no additional charge and outward appearance. In particular, parts may have been replaced or should take the opportunity to do so. We reserve the right at our sole may not be available in relation to all Lots. We will not be responsible renewed and Lots may not be authentic or of satisfactory quality; the discretion to refuse admission to our premises or to any Sale and to for bidding on your behalf if you are unavailable at the time of the Sale inside of a Lot may not be visible and may not be original or may be remove any person from our premises and Sales, without stating a or if the telephone connection is interrupted during bidding. Please damaged, as for example where it is covered by upholstery or material. reason. We have complete discretion as to whether the Sale proceeds, contact us for further details. Given the age of many Lots they may have been damaged and/or whether any Lot is included in the Sale, the manner in which the Sale is Bidding by post or fax repaired and you should not assume that a Lot is in good condition. conducted and we may offer Lots for Sale in any order we choose Absentee Bidding Forms can be found in the back of this Catalogue Electronic or mechanical items or parts are sold for their artistic, historic notwithstanding the numbers given to Lots in the Catalogue. You and should be completed and sent to the office responsible for the or cultural interest and may not operate or may not comply with current should therefore check the date and starting time of the Sale, whether Sale, once you have pre-registered to bid or have updated your statutory requirements. You should not assume that electrical items there have been any withdrawals or late entries. Remember that existing registration details recently. It is in your interests to return your designed to operate on mains electricity will be suitable for connection withdrawals and late entries may affect the time at which a Lot you are form as soon as possible, as if two or more Bidders submit identical to the mains electricity supply and you should obtain a report from a interested is put up for Sale. We have complete discretion in which to bids for a Lot, the first bid received takes preference. In any event, all qualified electrician on their status before doing so. Such items which refuse any bid, to nominate any bidding increment we consider bids should be received at least 24 hours before the start of the Sale. are unsuitable for connection are sold as items of interest for display appropriate, to divide any Lot, to combine two or more Lots, to Please check your Absentee Bidding Form carefully before returning it purposes only. If you yourself do not have expertise regarding a Lot, withdraw any Lot from a Sale and, before the Sale has been closed, to to us, fully completed and signed by you. It is your responsibility to you should consult someone who does to advise you. We can assist in put up any Lot for auction again. Auction speeds can exceed 100 Lots check with our Bids Office that your bid has been received. This arranging facilities for you to carry out or have carried out more detailed to the hour and bidding increments are generally about 10%; however, additional service is complimentary and is confidential. Such bids are inspections and tests. Please ask our staff for details. these do vary from Sale to Sale and from Auctioneer to Auctioneer. made at your own risk and we cannot accept liability for our failure to Any person who damages a Lot will be held liable for the Please check with the department organising the Sale for advice on receive and/or place any such bids. All bids made on your behalf will be loss caused. this. Where a Reserve has been applied to a Lot, the Auctioneer may, made at the lowest level possible subject to Reserves and other bids 3. DESCRIPTIONS OF LOTS AND ESTIMATES in his absolute discretion, place bids (up to an amount not equalling or made for the Lot. Where appropriate your bids will be rounded down to Contractual Description of a Lot exceeding such Reserve) on behalf of the Seller. We are not the nearest amount consistent with the Auctioneer’s bidding The Catalogue contains an Entry about each Lot. Each Lot is sold by responsible to you in respect of the presence or absence of any increments. New Bidders must also provide proof of identity and its respective Seller to the Buyer of the Lot as corresponding only with Reserve in respect of any Lot. If there is a Reserve it will be no higher address when submitting bids. Failure to do this will result in your bid that part of the Entry which is printed in bold letters and (except for the than the lower figure for any Estimate in the Catalogue, assuming that not being placed. colour, which may be inaccurately reproduced) with any photograph of the currency of the Reserve has not fluctuated adversely against the Bidding via the internet the Lot in the Catalogue. The remainder of the Entry, which is not currency of the Estimate. The Buyer will be the Bidder who makes the Please visit our Website at http://www.bonhams.com for printed in bold letters, represents Bonhams’ opinion (given on behalf of highest bid acceptable to the Auctioneer for any Lot (subject to any details of how to bid via the internet. the Seller) about the Lot only and is not part of the Contractual applicable Reserve) to whom the Lot is knocked down by the Bonhams will not be liable for service delays, interruptions or other Description in accordance with which the Lot is sold by the Seller. Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the failures to make a bid caused by losses of internet connection, fault or Estimates highest acceptable bid will be settled by the Auctioneer in his absolute failure with the website or bidding process, or malfunction of any In most cases, an Estimate is printed beside the Entry. Estimates are discretion. All bids tendered will relate to the actual Lot number software or system, computer or mobile device. only an expression of Bonhams’ opinion made on behalf of the Seller of announced by the Auctioneer. An electronic currency converter may be Bidding through an agent the range where Bonhams thinks the Hammer Price for the Lot is likely used at the Sale. This equipment is provided as a general guide as to Bids will be treated as placed exclusively by and on behalf of the to fall; it is not an Estimate of value. It does not take into account any the equivalent amount in certain currencies of a given bid. We do not person named on the Bidding Form unless otherwise agreed by us in VAT or Buyer’s Premium payable or any other fees payable by the accept any responsibility for any errors which may occur in the use of writing in advance of the Sale. If you wish to bid on behalf of another Buyer, which are detailed in paragraph 7 of the Notice to Bidders, the currency converter. We may use video cameras to record the Sale person (your principal) you must complete the pre-registration below. Prices depend upon bidding and lots can sell for Hammer and may record telephone calls for reasons of security and to assist in requirements set out above both on your own behalf and with full

NTB/MAIN/V1/11.2020 details of your principal, and we will require written confirmation from 8. VAT Sale of any Lot if you are in breach of your warranties as Buyer, if we the principal confirming your authority to bid. The prevailing rate of VAT at the time of going to press is 20%, but this consider that such Sale would be unlawful or otherwise cause liabilities You are specifically referred to your due diligence requirements is subject to government change and the rate payable will be the rate for the Seller or Bonhams, or would be detrimental to Bonhams’ concerning your principal and their source of funds, and the in force on the date of the Sale. reputation. warranties you give in the event you are the Buyer, which are The following symbols, shown beside the Lot number, are used to 10. COLLECTION AND STORAGE contained in paragraph 3 of the Buyer’s Agreement, set out at denote that VAT is due on the Hammer Price and Buyer’s Premium: The Buyer of a Lot will not be allowed to collect it until payment in full Appendix 2 at the back of the Catalogue. † VAT at the prevailing rate on Hammer Price and and in cleared funds has been made (unless we have made a special Nevertheless, as the Bidding Form explains, any person placing a bid Buyer’s Premium arrangement with the Buyer). For collection and removal of purchased as agent on behalf of another (whether or not he has disclosed that Ω VAT on imported items at the prevailing rate on Hammer Price Lots, please refer to Sale Information at the front of the Catalogue. Our fact) will be jointly and severally liable with the principal to the Seller and and Buyer’s Premium offices are open 9.00am – 5pm Monday to Friday. Details relating to to Bonhams under any contract resulting from the acceptance of a bid. VAT on imported items at a preferential rate of 5% on Hammer the collection of a Lot, the storage of a Lot and our Storage Contractor * Equally, please let us know if you intend to nominate another person to Price and the prevailing rate on Buyer’s Premium after the Sale are set out in the Catalogue. bid on your behalf at the Sale unless this is to be carried out by us G Gold bullion exempt from VAT on the Hammer Price and subject 11. SHIPPING pursuant to a Telephone or Absentee Bidding Form that you have to VAT at the prevailing rate on the Buyer’s Premium For information and estimates on domestic and international shipping completed. If we do not approve the agency arrangements in writing • Zero rated for VAT, no VAT will be added to the Hammer Price or as well as export licenses please contact before the Sale, we are entitled to assume that the person bidding at the Buyer’s Premium Alban Shipping on +44 (0) 1582 493 099 the Sale is bidding on his own behalf. Accordingly, the person bidding a Buyers from within the EU: VAT is payable at the prevailing rate [email protected] at the Sale will be the Buyer and will be liable to pay the Hammer Price on just the Buyer’s Premium (NOT the Hammer Price). Buyers 12. EXPORT/TRADE RESTRICTIONS and Buyer’s Premium and associated charges. If we approve the from outside the EU: VAT is payable at the prevailing rate on It is your sole responsibility to comply with all export and import identity of your client in advance, we will be in a position to address the both Hammer Price and Buyer’s Premium. If a Buyer, having regulations relating to your purchases and also to obtain any relevant invoice to your principal rather than you. We will require proof of the registered under a non-EU address, decides that the item is not export and/or import licence(s). Export licences are issued by Arts agent’s client’s identity and residence in advance of any bids made by to be exported from the EU, then he should advise Bonhams Council England and application forms can be obtained from its the agent on his behalf. Please refer to our Conditions of Business and immediately. Export Licensing Unit. The detailed provisions of the export licensing contact our Customer Services Department for further details. In all other instances no VAT will be charged on the Hammer Price, arrangements can be found on the ACE website http://www. Bonhams undertakes Customer Due Diligence (CDD) into its Sellers and but VAT at the prevailing rate will be added to Buyer’s Premium which artscouncil.org.uk/what-we-do/supporting-museums/cultural-property/ Buyers as required by the Money Laundering, Terrorist Financing and will be invoiced on a VAT inclusive basis. export-controls/export-licensing/ or by phoning ACE on +44 (0)20 Transfer of Funds (Information on the Payer) Regulations 2017 (“the 9. PAYMENT 7973 5188. The need for import licences varies from country to country Regulations”). Bonhams’ interpretation of the Regulations and Treasury It is of critical importance that you ensure that you have readily available and you should acquaint yourself with all relevant local requirements Approved industry Guidance is that CDD under the Regulations is not funds to pay the Purchase Price and the Buyer’s Premium (plus VAT and provisions. The refusal of any import or export licence(s) or required by Buyers into Sellers at Bonhams auctions or vice versa. and any other charges and Expenses to us)in full before making a bid any delay in obtaining such licence(s) shall not permit the rescission 6. CONTRACTS BETWEEN THE BUYER AND SELLER AND THE for the Lot. If you are a successful Bidder, payment will be due to us by of any Sale nor allow any delay in making full payment for the Lot. BUYER AND BONHAMS 4.30 pm on the second working day after the Sale so that all sums are Generally, please contact our shipping department before the Sale if On the Lot being knocked down to the Buyer, a Contract for Sale of cleared by the eighth working day after the Sale. Payments made by you require assistance in relation to export regulations. the Lot will be entered into between the Seller and the Buyer on the anyone other than the registered Buyer will not be accepted. Bonhams 13. CITES REGULATIONS terms of the Contract for Sale set out in Appendix 1 at the back of the reserves the right to vary the terms of payment at any time. Please be aware that all Lots marked with the symbol Y are subject to Catalogue. You will be liable to pay the Purchase Price, which is the Bonhams’ preferred payment method is by bank transfer. CITES regulations when exporting these items outside the EU. These Hammer Price plus any applicable VAT. At the same time, a separate You may electronically transfer funds to our Account. If you do so, please regulations may be found at contract is also entered into between us as Auctioneers and the Buyer. quote your paddle number and invoice number as the reference. Our http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may be This is our Buyer’s Agreement, the terms of which are set out in Account details are as follows: requested from: Appendix 2 at the back of the Catalogue. Please read the terms of the Animal Health and Veterinary Laboratories Agency (AHVLA) Wildlife Contract for Sale and our Buyer’s Agreement contained in the Bank: National Westminster Bank Plc Licensing Catalogue in case you are the successful Bidder including the Address: PO Box 4RY Floor 1, Zone 17, Temple Quay House warranties as to your status and source of funds. We may change the 250 Regent Street 2 The Square, Temple Quay terms of either or both of these agreements in advance of their being London W1A 4RY BRISTOL BS1 6EB entered into, by setting out different terms in the Catalogue and/or by Account Name: Bonhams 1793 Limited Tel: +44 (0) 117 372 8774 placing an insert in the Catalogue and/or by notices at the Sale venue Account Number: 25563009 The refusal of any CITES licence or permit and any delay in obtaining and/or by oral announcements before and during the Sale. It is your Sort Code: 56-00-27 such licences or permits shall not give rise to the rescission or responsibility to ensure you are aware of the up to date terms of the IBAN Number: GB 33 NWBK 560027 25563009 cancellation of any Sale, nor allow any delay in making full payment Buyer’s Agreement for this Sale. for the Lot. 7. BUYER’S PREMIUM AND OTHER CHARGES PAYABLE BY If paying by bank transfer, the amount received after the 14. THE SELLERS AND/OR BONHAMS’ LIABILITY THE BUYER deduction of any bank fees and/or conversion of the currency of Other than any liability of the Seller to the Buyer of a Lot under the Under the Buyer’s Agreement, a premium (the Buyer’s Premium) is payment to pounds sterling must not be less than the sterling amount Contract for Sale, neither we nor the Seller are liable (whether in payable to us by the Buyer in accordance with the terms of the Buyer’s payable, as set out on the invoice. negligence or otherwise) for any error or misdescription or omission Agreement and at rates set out below, calculated by reference to the in any Description of a Lot or any Estimate in respect of it, whether Hammer Price and payable in addition to it. Payment may also be made by one of the following methods: contained in the Catalogue or otherwise, whether given orally or in

writing and whether given before or during the Sale. Neither we nor the For this Sale the following rates of Buyer’s Premium will be payable by Sterling personal cheque drawn on a UK branch of a bank or Seller will be liable for any loss of Business, profits, revenue or income, Buyers on each Lot purchased: building society: all cheques must be cleared before you can collect or for loss of reputation, or for disruption to Business or wasted time on your purchases and should be made payable to Bonhams 1793 the part of management or staff, or for indirect losses or consequential 27.5% of the Hammer Price on the first £10,000; plus Limited. damages of any kind, irrespective in any case of the nature, volume or 25% of the Hammer Price from £10,001 and up to £450,000; plus source of the loss or damage alleged to be suffered, and irrespective 20% of the Hammer Price from £450,001 and up to £4,500,000; plus Cash: you may pay for Lots purchased by you at this Sale of whether the said loss or damage is caused by or claimed in respect 14.5% of the Hammer Price above £4,500,000 with notes or coins in the currency in which the Sale is conducted of any negligence, other tort, breach of contract (if any) or statutory (but not any other currency) provided that the total amount payable duty, restitutionary claim or otherwise. In any circumstances where Storage and handling charges may also be payable by the Buyer by you in respect of all Lots purchased by you at the Sale does not we and/or the Seller are liable in relation to any Lot or any Description as detailed on the specific Sale Information page at the front of the exceed £3,000, or the equivalent in the currency in which the Sale is or Estimate made of any Lot, or the conduct of any Sale in relation catalogue. conducted, at the time when payment is made. If the amount payable to any Lot, whether in damages, for an indemnity or contribution, by you for Lots exceeds that sum, the balance must be paid otherwise or for a restitutionary remedy or otherwise, our and/or the Seller’s The Buyer’s Premium and all other charges payable to us by the Buyer than in coins or notes; this limit applies to both payment at our liability (combined, if both we and the Seller are liable) will be limited are subject to VAT at the prevailing rate, currently 20%. premises and direct deposit into our bank account. to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot irrespective in any case of VAT may also be payable on the Hammer Price of the Lot, where Debit cards issued in the name of the Buyer (including China Union the nature, volume or source of any loss or damage alleged to be indicated by a symbol beside the Lot number. See paragraph 8 below Pay (CUP) cards and debit cards issued by Visa and MasterCard suffered or sum claimed as due, and irrespective of whether the liability for details. There is no limit on payment value if payment is made in person only). arises from any negligence, other tort, breach of contract (if any) or using Chip & Pin verification. statutory duty or otherwise. Nothing set out above will be construed On certain Lots, which will be marked “AR” in the Catalogue and as excluding or restricting (whether directly or indirectly) our liability or which are sold for a Hammer Price of €1,000 or greater (converted into may also be accepted up to £5,000, subject to Payment by telephone excluding or restricting any person’s rights or remedies in respect of (i) the currency of the Sale using the European Central Bank Reference appropriate verification procedures, although this facility is not available fraud, or (ii) death or personal injury caused by our negligence (or by rate prevailing on the date of the Sale), the Additional Premium will for first time buyers. If the amount payable by you for Lots exceeds that the negligence of any person under our control or for whom we are be payable to us by the Buyer to cover our Expenses relating to the sum, the balance must be paid by other means. legally responsible), or (iii) acts or omissions for which we are liable payment of royalties under the Artists Resale Right Regulations 2006. under the Occupiers Liability Act 1957, or (iv) any other liability to the The Additional Premium will be a percentage of the amount of the Credit cards issued in the name of the Buyer (including China Union extent the same may not be excluded or restricted as a matter of law Hammer Price calculated in accordance with the table below, and shall Pay (CUP) cards and credit cards issued by Visa and MasterCard or (v) our undertakings under paragraphs 9 (in relation to specialist not exceed €12,500 (converted into the currency of the Sale using only). There is a £5,000 limit on payment value if payment is made in Stamp or Book Sales only) and 10 of the Buyer’s Agreement. The same the European Central Bank Reference rate prevailing on the date of person using Chip & Pin verification. applies in respect of the Seller, as if references to us in this paragraph the Sale). were substituted with references to the Seller. It may be advisable to notify your debit or credit card provider of your 15. BOOKS Hammer Price Percentage amount intended purchase in advance to reduce delays caused by us having to As stated above, all Lots are sold on an “as is” basis, subject to all From €0 to €50,000 4% seek authority when you come to pay. faults, imperfections and errors of Description save as set out below. From €50,000.01 to €200,000 3% However, you will be entitled to reject a Book in the circumstances set From €200,000.01 to €350,000 1% Note: only one debit or credit card may be used for payment of an out in paragraph 11 of the Buyers Agreement. Please note that Lots From €350,000.01 to €500,000 0.5% account balance. If you have any questions with regards to card comprising printed Books, unframed maps and bound manuscripts are Exceeding €500,000 0.25% payments, please contact our Customer Services Department. not liable to VAT on the Buyer’s Premium. We reserve the rights to investigate and identify the source of any funds 16. CLOCKS AND WATCHES received by us, to postpone completion of the sale of any Lot at our All Lots are sold “as is”, and the absence of any reference to the discretion while we complete our investigations, and to cancel the condition of a clock or watch does not imply that the Lot is in good

NTB/MAIN/V1/11.2020 details of your principal, and we will require written confirmation from 8. VAT Sale of any Lot if you are in breach of your warranties as Buyer, if we condition and without defects, repairs or restorations. Most clocks to retain their appearance. Bidders should be aware that Estimates Please see the Contract for Sale printed in this Catalogue. Because the principal confirming your authority to bid. The prevailing rate of VAT at the time of going to press is 20%, but this consider that such Sale would be unlawful or otherwise cause liabilities and watches have been repaired in the course of their normal lifetime assume that gemstones may have been subjected to such treatments. of the difficulty in determining whether an item of glass has been You are specifically referred to your due diligence requirements is subject to government change and the rate payable will be the rate for the Seller or Bonhams, or would be detrimental to Bonhams’ and may now incorporate parts not original to them. Furthermore, A number of laboratories issue certificates that give more detailed repolished, in our Catalogues reference is only made to visible chips concerning your principal and their source of funds, and the in force on the date of the Sale. reputation. Bonhams makes no representation or warranty that any clock or watch Descriptions of gemstones. However there may not be consensus and cracks. No mention is made of repolishing, severe or otherwise. warranties you give in the event you are the Buyer, which are The following symbols, shown beside the Lot number, are used to 10. COLLECTION AND STORAGE is in working order. As clocks and watches often contain fine and between different laboratories on the degrees, or types of treatment for 23. VEHICLES contained in paragraph 3 of the Buyer’s Agreement, set out at denote that VAT is due on the Hammer Price and Buyer’s Premium: The Buyer of a Lot will not be allowed to collect it until payment in full complex mechanisms, Bidders should be aware that a general service, any particular gemstone. In the event that Bonhams has been given or The Veteran Car Club of Great Britain Appendix 2 at the back of the Catalogue. † VAT at the prevailing rate on Hammer Price and and in cleared funds has been made (unless we have made a special change of battery or further repair work, for which the Buyer is solely has obtained certificates for any Lot in the Sale these certificates will be Dating Plates and Certificates Nevertheless, as the Bidding Form explains, any person placing a bid Buyer’s Premium arrangement with the Buyer). For collection and removal of purchased responsible, may be necessary. disclosed in the Catalogue. Although, as a matter of policy, Bonhams When mention is made of a Veteran Car Club Dating Plate or Dating as agent on behalf of another (whether or not he has disclosed that Ω VAT on imported items at the prevailing rate on Hammer Price Lots, please refer to Sale Information at the front of the Catalogue. Our 17. FIREARMS – PROOF, CONDITION AND CERTIFICATION endeavours to provide certificates from recognised laboratories for Certificate in this Catalogue, it should be borne in mind that the Veteran fact) will be jointly and severally liable with the principal to the Seller and and Buyer’s Premium offices are open 9.00am – 5pm Monday to Friday. Details relating to Proof of Firearms certain gemstones, it is not feasible to obtain certificates for each Lot. Car Club of Great Britain using the services of Veteran Car Company to Bonhams under any contract resulting from the acceptance of a bid. VAT on imported items at a preferential rate of 5% on Hammer the collection of a Lot, the storage of a Lot and our Storage Contractor The term “proof exemption” indicates that a firearm has been examined In the event that no certificate is published in the Catalogue, Bidders Ltd, does from time to time, review cars already dated and, in some * Equally, please let us know if you intend to nominate another person to Price and the prevailing rate on Buyer’s Premium after the Sale are set out in the Catalogue. at a Proof House, but not proved, as either (a) it was deemed of should assume that the gemstones may have been treated. Neither instances, where fresh evidence becomes available, the review can result bid on your behalf at the Sale unless this is to be carried out by us G Gold bullion exempt from VAT on the Hammer Price and subject 11. SHIPPING interest and not intended for use, or (b) ammunition was not available. Bonhams nor the Seller accepts any liability for contradictions or in an alteration of date. Whilst the Club and Veteran Car Company Ltd pursuant to a Telephone or Absentee Bidding Form that you have to VAT at the prevailing rate on the Buyer’s Premium For information and estimates on domestic and international shipping In either case, the firearm must be regarded as unsafe to fire unless differing certificates obtained by Buyers on any Lots subsequent to make every effort to ensure accuracy, the date shown on the Dating completed. If we do not approve the agency arrangements in writing • Zero rated for VAT, no VAT will be added to the Hammer Price or as well as export licenses please contact subsequently proved. Firearms proved for Black Powder should not be the Sale. Plate or Dating Certificate cannot be guaranteed as correct and intending before the Sale, we are entitled to assume that the person bidding at the Buyer’s Premium Alban Shipping on +44 (0) 1582 493 099 used with smokeless ammunition. Estimated Weights purchasers should make their own enquiries as to the date of the car. the Sale is bidding on his own behalf. Accordingly, the person bidding a Buyers from within the EU: VAT is payable at the prevailing rate [email protected] The term “Certificate of Unprovability” indicates that a firearm has been If a stone(s) weight appears within the body of the Description in capital 24. WINE at the Sale will be the Buyer and will be liable to pay the Hammer Price on just the Buyer’s Premium (NOT the Hammer Price). Buyers 12. EXPORT/TRADE RESTRICTIONS examined at a Proof House and is deemed both unsuitable for proof letters, the stone(s) has been unmounted and weighed by Bonhams. Lots which are lying under Bond and those liable to VAT may not be and Buyer’s Premium and associated charges. If we approve the from outside the EU: VAT is payable at the prevailing rate on It is your sole responsibility to comply with all export and import and use. Reproof is required before any such firearm is to be used. If the weight of the stone(s) is stated to be approximate and does not available for immediate collection. identity of your client in advance, we will be in a position to address the both Hammer Price and Buyer’s Premium. If a Buyer, having regulations relating to your purchases and also to obtain any relevant Guns Sold as Parts appear in capital letters, the stone(s) has been assessed by us within Examining the wines invoice to your principal rather than you. We will require proof of the registered under a non-EU address, decides that the item is not export and/or import licence(s). Export licences are issued by Arts Barrels of guns sold as parts will only be made available for sleeving its/their settings, and the stated weight is a statement of our opinion It is occasionally possible to provide a pre-Sale tasting for larger agent’s client’s identity and residence in advance of any bids made by to be exported from the EU, then he should advise Bonhams Council England and application forms can be obtained from its and measurements once rendered unserviceable according to the Gun only. This information is given as a guide and Bidders should satisfy parcels (as defined below). This is generally limited to more recent and the agent on his behalf. Please refer to our Conditions of Business and immediately. Export Licensing Unit. The detailed provisions of the export licensing Barrel Proof Act of 1968 to 1978 and the Rules of Proof. themselves with regard to this information as to its accuracy. everyday drinking wines. Please contact the department for details. contact our Customer Services Department for further details. In all other instances no VAT will be charged on the Hammer Price, arrangements can be found on the ACE website http://www. Condition of Firearms Signatures It is not our policy to inspect every unopened case. In the case of wines Bonhams undertakes Customer Due Diligence (CDD) into its Sellers and but VAT at the prevailing rate will be added to Buyer’s Premium which artscouncil.org.uk/what-we-do/supporting-museums/cultural-property/ Comment in this Catalogue is restricted, in general, to exceptional 1. A diamond brooch, by Kutchinsky older than 20 years the boxes will usually have been opened and levels Buyers as required by the Money Laundering, Terrorist Financing and will be invoiced on a VAT inclusive basis. export-controls/export-licensing/ or by phoning ACE on +44 (0)20 condition and to those defects that might affect the immediate safety of When the maker’s name appears in the title, in Bonhams’ opinion the and appearance noted in the Catalogue where necessary. You should Transfer of Funds (Information on the Payer) Regulations 2017 (“the 9. PAYMENT 7973 5188. The need for import licences varies from country to country a firearm in normal use. An intending Bidder unable to make technical piece is by that maker. make proper allowance for variations in ullage levels and conditions of Regulations”). Bonhams’ interpretation of the Regulations and Treasury It is of critical importance that you ensure that you have readily available and you should acquaint yourself with all relevant local requirements examinations and assessments is recommended to seek advice from a 2. A diamond brooch, signed Kutchinsky corks, capsules and labels. Approved industry Guidance is that CDD under the Regulations is not funds to pay the Purchase Price and the Buyer’s Premium (plus VAT and provisions. The refusal of any import or export licence(s) or gunmaker or from a modern firearms specialist. All prospective Bidders Has a signature that, in Bonhams’ opinion, is authentic but may contain Corks and Ullages required by Buyers into Sellers at Bonhams auctions or vice versa. and any other charges and Expenses to us)in full before making a bid any delay in obtaining such licence(s) shall not permit the rescission are advised to consult the ˚ of bore and wall-thickness measurements gemstones that are not original, or the piece may have been altered. Ullage refers to the space between the base of the cork and the wine. 6. CONTRACTS BETWEEN THE BUYER AND SELLER AND THE for the Lot. If you are a successful Bidder, payment will be due to us by of any Sale nor allow any delay in making full payment for the Lot. posted in the saleroom and available from the department. Bidders 3. A diamond brooch, mounted by Kutchinsky Ullage levels for Bordeaux shaped bottles are only normally noted BUYER AND BONHAMS 4.30 pm on the second working day after the Sale so that all sums are Generally, please contact our shipping department before the Sale if should note that guns are stripped only where there is a strong Has been created by the jeweller, in Bonhams’ opinion, but using when below the neck and for Burgundy, Alsace, German and Cognac On the Lot being knocked down to the Buyer, a Contract for Sale of cleared by the eighth working day after the Sale. Payments made by you require assistance in relation to export regulations. indication of a mechanical malfunction. Stripping is not, otherwise, stones or designs supplied by the client. shaped bottles when greater than 4 centimetres (cm). Acceptable the Lot will be entered into between the Seller and the Buyer on the anyone other than the registered Buyer will not be accepted. Bonhams 13. CITES REGULATIONS undertaken. Guns intended for use should be stripped and cleaned 20. PHOTOGRAPHS ullage levels increase with age; generally acceptable levels are as terms of the Contract for Sale set out in Appendix 1 at the back of the reserves the right to vary the terms of payment at any time. Please be aware that all Lots marked with the symbol Y are subject to beforehand. Hammer guns should have their rebound mechanisms Explanation of Catalogue Terms follows: Catalogue. You will be liable to pay the Purchase Price, which is the Bonhams’ preferred payment method is by bank transfer. CITES regulations when exporting these items outside the EU. These checked before use. The safety mechanisms of all guns must be tested • “Bill Brandt”: in our opinion a work by the artist. Under 15 years old – into neck or less than 4cm Hammer Price plus any applicable VAT. At the same time, a separate You may electronically transfer funds to our Account. If you do so, please regulations may be found at before use. All measurements are approximate. • “Attributed to Bill Brandt”: in our opinion probably a work by the 15 to 30 years old – top shoulder (ts) or up to 5cm contract is also entered into between us as Auctioneers and the Buyer. quote your paddle number and invoice number as the reference. Our http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may be Original Gun Specifications Derived from Gunmakers artist, but less certainty to authorship is expressed than in the Over 30 years old – high shoulder (hs) or up to 6cm This is our Buyer’s Agreement, the terms of which are set out in Account details are as follows: requested from: The Sporting Gun Department endeavours to confirm a gun’s original preceding category. It should be noted that ullages may change between publication Appendix 2 at the back of the Catalogue. Please read the terms of the specification and date of manufacture with makers who hold their • “Signed and/or titled and/or dated and/or inscribed”: in our opinion of the Catalogue and the Sale and that corks may fail as a result of Animal Health and Veterinary Laboratories Agency (AHVLA) Wildlife Contract for Sale and our Buyer’s Agreement contained in the Bank: National Westminster Bank Plc original records. the signature and/or title and/or date and/or inscription are in the transporting the wine. We will only accept responsibility for Descriptions Licensing Catalogue in case you are the successful Bidder including the Address: PO Box 4RY Licensing Requirements artist’s hand. of condition at the time of publication of the Catalogue and cannot Floor 1, Zone 17, Temple Quay House warranties as to your status and source of funds. We may change the 250 Regent Street Firearms Act 1968 as amended • “Signed and/or titled and/or dated and/or inscribed in another accept responsibility for any loss resulting from failure of corks either 2 The Square, Temple Quay terms of either or both of these agreements in advance of their being London W1A 4RY Bonhams is constantly reviewing its procedures and would remind hand”: in our opinion the signature and/or title and/or date and/or before or after this point. BRISTOL BS1 6EB entered into, by setting out different terms in the Catalogue and/or by Account Name: Bonhams 1793 Limited you that, in the case of firearms or shotguns subject to certification, inscription have been added by Options to buy parcels Tel: +44 (0) 117 372 8774 placing an insert in the Catalogue and/or by notices at the Sale venue Account Number: 25563009 to conform with current legislation, Bonhams is required to see, as another hand. A parcel is a number of Lots of identical size of the same wine, bottle The refusal of any CITES licence or permit and any delay in obtaining and/or by oral announcements before and during the Sale. It is your Sort Code: 56-00-27 appropriate, your original registered firearms dealer’s certificate / shot • The date given is that of the image (negative). Where no further size and Description. The Buyer of any of these Lots has the option such licences or permits shall not give rise to the rescission or responsibility to ensure you are aware of the up to date terms of the IBAN Number: GB 33 NWBK 560027 25563009 gun certificate / firearm certificate / museum firearms licence / Section date is given, this indicates that the photographic print is vintage to accept some or all of the remaining Lots in the parcel at the same cancellation of any Sale, nor allow any delay in making full payment Buyer’s Agreement for this Sale. 5 authority or import licence (or details of any exemption from which (the term “vintage” may also be included in the Lot Description). A price, although such options will be at the Auctioneer’s sole discretion. for the Lot. 7. BUYER’S PREMIUM AND OTHER CHARGES PAYABLE BY If paying by bank transfer, the amount received after the you may benefit, for instance Crown servant status) for the firearm(s) vintage photograph is one which was made within approximately Absentee Bidders are, therefore, advised to bid on the firstLot in a 14. THE SELLERS AND/OR BONHAMS’ LIABILITY THE BUYER deduction of any bank fees and/or conversion of the currency of you have purchased prior to taking full payment of the amount 5-10 years of the negative. Where a second, later date appears, parcel. Other than any liability of the Seller to the Buyer of a Lot under the Under the Buyer’s Agreement, a premium (the Buyer’s Premium) is payment to pounds sterling must not be less than the sterling amount shown on your invoice. Should you not already be in possession of this refers to the date of printing. Where the exact printing date is Wines in Bond Contract for Sale, neither we nor the Seller are liable (whether in payable to us by the Buyer in accordance with the terms of the Buyer’s payable, as set out on the invoice. such an authority or exemption, you are required to initially pay a not known, but understood to be later, “printed later” will appear in Wines lying in Bond are marked Δ. All Lots sold under Bond, and negligence or otherwise) for any error or misdescription or omission Agreement and at rates set out below, calculated by reference to the deposit of 95% of the total invoice with the balance of 5% payable on the Lot Description. which the Buyer wishes to remain under Bond, will be invoiced without in any Description of a Lot or any Estimate in respect of it, whether Hammer Price and payable in addition to it. Payment may also be made by one of the following methods: presentation of your valid certificate or licence showing your authority • Unless otherwise specified, dimensions given are those of the piece VAT or Duty on the Hammer Price. If the Buyer wishes to take the Lot contained in the Catalogue or otherwise, whether given orally or in to hold the firearm(s) concerned. of paper on which the image is printed, including any margins. as Duty paid, UK Excise Duty and VAT will be added to the Hammer writing and whether given before or during the Sale. Neither we nor the For this Sale the following rates of Buyer’s Premium will be payable by Sterling personal cheque drawn on a UK branch of a bank or Please be advised that if a successful Bidder is then unable to produce Some photographs may appear in the Catalogue without margins Price on the invoice. Seller will be liable for any loss of Business, profits, revenue or income, Buyers on each Lot purchased: building society: all cheques must be cleared before you can collect the correct paperwork, the Lot(s) will be reoffered by Bonhams in the illustrated. Buyers must notify Bonhams at the time of the sale whether they wish or for loss of reputation, or for disruption to Business or wasted time on your purchases and should be made payable to Bonhams 1793 next appropriate Sale, on standard terms for Sellers, and you will be • All photographs are sold unframed unless stated in the Lot to take their wines under Bond or Duty paid. If a Lot is taken under the part of management or staff, or for indirect losses or consequential 27.5% of the Hammer Price on the first £10,000; plus Limited. responsible for any loss incurred by Bonhams on the original Sale to Description. Bond, the Buyer will be responsible for all VAT, Duty, clearance and damages of any kind, irrespective in any case of the nature, volume or 25% of the Hammer Price from £10,001 and up to £450,000; plus you. 21. PICTURES other charges that may be payable thereon. source of the loss or damage alleged to be suffered, and irrespective 20% of the Hammer Price from £450,001 and up to £4,500,000; plus Cash: you may pay for Lots purchased by you at this Sale In the case of RFD certificates and Section 5 authorities, we wish Explanation of Catalogue Terms Buyers outside the UK must be aware that any forwarding agent of whether the said loss or damage is caused by or claimed in respect 14.5% of the Hammer Price above £4,500,000 with notes or coins in the currency in which the Sale is conducted to keep an up-to-date copy on file. Please supply us with a Fax or The following terms used in the Catalogue have the following meanings appointed to export their purchases must have a movement certificate of any negligence, other tort, breach of contract (if any) or statutory (but not any other currency) provided that the total amount payable photocopy. It would be helpful if you could send us an updated copy but are subject to the general provisions relating to Descriptions for Lots to be released under Bond. duty, restitutionary claim or otherwise. In any circumstances where Storage and handling charges may also be payable by the Buyer by you in respect of all Lots purchased by you at the Sale does not whenever your certificate or authority is renewed or changed. contained in the Contract for Sale: Bottling Details and Case Terms we and/or the Seller are liable in relation to any Lot or any Description as detailed on the specific Sale Information page at the front of the exceed £3,000, or the equivalent in the currency in which the Sale is Lots marked ‘S1´ and bearing red labels are Section 1 firearms and • “”: in our opinion a work by the artist. When the The following terms used in the Catalogue have the following or Estimate made of any Lot, or the conduct of any Sale in relation catalogue. conducted, at the time when payment is made. If the amount payable require a valid British Firearms certificate, RFD Licence or import artist’s forename(s) is not known, a series of asterisks, followed by meanings: to any Lot, whether in damages, for an indemnity or contribution, by you for Lots exceeds that sum, the balance must be paid otherwise licence. the surname of the artist, whether preceded by an initial or not, CB – Château bottled or for a restitutionary remedy or otherwise, our and/or the Seller’s The Buyer’s Premium and all other charges payable to us by the Buyer than in coins or notes; this limit applies to both payment at our Lots marked ‘S2’ and bearing blue labels are Section 2 firearms and indicates that in our opinion the work is by the artist named; DB – Domaine bottled liability (combined, if both we and the Seller are liable) will be limited are subject to VAT at the prevailing rate, currently 20%. premises and direct deposit into our bank account. require a valid British Shotgun certificate, RFD licence or import licence. • “Attributed to Jacopo Bassano”: in our opinion probably a work by EstB – Estate bottled to payment of a sum which will not exceed by way of maximum the Lots marked ‘S5´ and bearing specially marked red labels are Section the artist but less certainty as to authorship is expressed than in the BB – Bordeaux bottled amount of the Purchase Price of the Lot irrespective in any case of VAT may also be payable on the Hammer Price of the Lot, where 5 prohibited firearms and require a valid Section 5 Authority or import preceding category; BE – Belgian bottled Debit cards issued in the name of the Buyer (including China Union the nature, volume or source of any loss or damage alleged to be indicated by a symbol beside the Lot number. See paragraph 8 below licence. • “Studio/Workshop of Jacopo Bassano”: in our opinion a work by FB – French bottled Pay (CUP) cards and debit cards issued by Visa and MasterCard suffered or sum claimed as due, and irrespective of whether the liability for details. There is no limit on payment value if payment is made in person Lots marked with a ‘S58´ and bearing yellow labels are for obsolete an unknown hand in a studio of the artist which may or may not GB – German bottled only). arises from any negligence, other tort, breach of contract (if any) or using Chip & Pin verification. calibres and no licence is required unless ammunition is held. have been executed under the artist’s direction; OB – Oporto bottled statutory duty or otherwise. Nothing set out above will be construed On certain Lots, which will be marked “AR” in the Catalogue and Unmarked Lots require no licence. • “Circle of Jacopo Bassano”: in our opinion a work by a hand closely UK – United Kingdom bottled as excluding or restricting (whether directly or indirectly) our liability or which are sold for a Hammer Price of €1,000 or greater (converted into may also be accepted up to £5,000, subject to Please do not hesitate to contact the Modern Sporting Gun associated with a named artist but not necessarily his pupil; owc – original wooden case Payment by telephone excluding or restricting any person’s rights or remedies in respect of (i) the currency of the Sale using the European Central Bank Reference appropriate verification procedures, although this facility is not available Department should you have any queries. • “Follower of Jacopo Bassano”: in our opinion a work by a painter iwc – individual wooden case fraud, or (ii) death or personal injury caused by our negligence (or by rate prevailing on the date of the Sale), the Additional Premium will for first time buyers. If the amount payable by you for Lots exceeds that Taxidermy and Related Items working in the artist’s style, contemporary or nearly contemporary, oc – original carton the negligence of any person under our control or for whom we are be payable to us by the Buyer to cover our Expenses relating to the sum, the balance must be paid by other means. On behalf of the Seller of these articles, Bonhams undertakes to but not necessarily his pupil; SYMBOLS legally responsible), or (iii) acts or omissions for which we are liable payment of royalties under the Artists Resale Right Regulations 2006. comply fully with Cites and DEFRA regulations. Buyers are advised • “Manner of Jacopo Bassano”: in our opinion a work in the style of THE FOLLOWING SYMBOLS ARE USED TO DENOTE under the Occupiers Liability Act 1957, or (iv) any other liability to the The Additional Premium will be a percentage of the amount of the to inform themselves of all such regulations and should expect the the artist and of a later date; Credit cards issued in the name of the Buyer (including China Union extent the same may not be excluded or restricted as a matter of law Y Subject to CITES regulations when exporting these items outside Hammer Price calculated in accordance with the table below, and shall exportation of items to take some time to arrange. • “After Jacopo Bassano”: in our opinion, a copy of a known work of Pay (CUP) cards and credit cards issued by Visa and MasterCard or (v) our undertakings under paragraphs 9 (in relation to specialist the EU, see clause 13. not exceed €12,500 (converted into the currency of the Sale using 18. FURNITURE the artist; only). There is a £5,000 limit on payment value if payment is made in Stamp or Book Sales only) and 10 of the Buyer’s Agreement. The same TP Objects displayed with a TP will be located at the Cadogan the European Central Bank Reference rate prevailing on the date of Upholstered Furniture • “Signed and/or dated and/or inscribed”: in our opinion the signature person using Chip & Pin verification. applies in respect of the Seller, as if references to us in this paragraph Tate warehouse and will only be available for collection from this the Sale). Whilst we take every care in cataloguing furniture which has been and/or date and/or inscription are from the hand of the artist; were substituted with references to the Seller. location. It may be advisable to notify your debit or credit card provider of your upholstered we offer no Guarantee as to the originality • “Bears a signature and/or date and/or inscription”: in our opinion 15. BOOKS W Objects displayed with a w will be located in the Bonhams Hammer Price Percentage amount of the wood covered by fabric or upholstery. the signature and/or date and/or inscription have been added by intended purchase in advance to reduce delays caused by us having to As stated above, all Lots are sold on an “as is” basis, subject to all Warehouse and will only be available for collection from this From €0 to €50,000 4% 19. JEWELLERY another hand. seek authority when you come to pay. faults, imperfections and errors of Description save as set out below. location. From €50,000.01 to €200,000 3% Gemstones 22. PORCELAIN AND GLASS However, you will be entitled to reject a Book in the circumstances set Δ Wines lying in Bond. From €200,000.01 to €350,000 1% Historically many gemstones have been subjected to a variety of Damage and Restoration Note: only one debit or credit card may be used for payment of an out in paragraph 11 of the Buyers Agreement. Please note that Lots AR An Additional Premium will be payable to us by the Buyer to From €350,000.01 to €500,000 0.5% treatments to enhance their appearance. Sapphires and rubies are For your guidance, in our Catalogues we attempt to detail, as far account balance. If you have any questions with regards to card comprising printed Books, unframed maps and bound manuscripts are cover our Expenses relating to payment of royalties under the Exceeding €500,000 0.25% routinely heat treated to improve their colour and clarity, similarly as practicable, all significant defects, cracks and restoration. Such payments, please contact our Customer Services Department. not liable to VAT on the Buyer’s Premium. Artists Resale Right Regulations 2006. See clause 7 for details. emeralds are frequently treated with oils or resin for the same purpose. practicable Descriptions of damage cannot be definitive, and in We reserve the rights to investigate and identify the source of any funds ○ The Seller has been guaranteed a minimum price for the Lot, 16. CLOCKS AND WATCHES Other treatments such as staining, irradiation or coating may have providing Condition Reports, we cannot Guarantee that there are no received by us, to postpone completion of the sale of any Lot at our All Lots are sold “as is”, and the absence of any reference to the either by Bonhams or a third party. This may take the form of an been used on other gemstones. These treatments may be permanent, other defects present which have not been mentioned. Bidders should discretion while we complete our investigations, and to cancel the condition of a clock or watch does not imply that the Lot is in good irrevocable bid by a third party, who may make a financial gain on whilst others may need special care or re-treatment over the years satisfy themselves by inspection, as to the condition of each Lot.

NTB/MAIN/V1/11.2020 NTB/MAIN/V1/11.2020 a successful Sale or a financial loss if unsuccessful. or Bonhams and whether made prior to or during the Sale, is not 8.1.2 to resell the Lot by auction, private treaty or any other means on ▲ Bonhams owns the Lot either wholly or partially or may otherwise part of the Contractual Description upon which the Lot is sold. giving seven days’ written notice to you of the intention to resell; have an economic interest. 3.2 Except as provided in paragraph 2.1.5, the Seller does 8.1.3 to retain possession of the Lot; Ф This lot contains or is made of ivory. The United States not make or give and does not agree to make or give any 8.1.4 to remove and store the Lot at your expense; Government has banned the import of ivory into contractual promise, undertaking, obligation, guarantee, 8.1.5 to take legal proceedings against you for any sum due under the the USA. warranty, or representation of fact, or undertake any duty of Contract for Sale and/or damages for breach of contract; •, †, *, G, Ω, a see clause 8, VAT, for details. care, in relation to any Description of the Lot or any Estimate 8.1.6 to be paid interest on any monies due (after as well as before DATA PROTECTION – USE OF YOUR INFORMATION in relation to it, nor of the accuracy or completeness of any judgement or order) at the annual rate of 5% per annum above Where we obtain any personal information about you, we shall only Description or Estimate which may have been Bonhams. No the base rate of National Westminster Bank Plc from time to use it in accordance with the terms of our Privacy Policy (subject to such Description or Estimate is incorporated into this Contract time to be calculated on a daily basis from the date upon which any additional specific consent(s) you may have given at the time for Sale. such monies become payable until the date of actual payment; your information was disclosed). A copy of our Privacy Policy can be 4 FITNESS FOR PURPOSE AND SATISFACTORY QUALITY 8.1.7 to repossess the Lot (or any part thereof) which has not become found on our Website www.bonhams.com or requested by post from 4.1 The Seller does not make and does not agree to make any your property, and for this purpose (unless the Buyer buys the Customer Services Department, 101 New Bond Street, London, W1S contractual promise, undertaking, obligation, guarantee, Lot as a Consumer from the Seller selling in the course of a 1SR or by email from [email protected] warranty, or representation of fact in relation to the satisfactory Business) you hereby grant an irrevocable licence to the Seller quality of the Lot or its fitness for any purpose. by himself and to his servants or agents to enter upon all or APPENDIX 1 4.2 The Seller will not be liable for any breach of any undertaking, any of your premises (with or without vehicles) during normal whether implied by the Sale of Goods Act 1979 or otherwise, Business hours to take possession of the Lot or part thereof; BUYERS SALE CONTRACT WITH SELLER as to the satisfactory quality of the Lot or its fitness for any 8.1.8 to retain possession of any other property sold to you by the purpose. Seller at the Sale or any other auction or by private treaty until IMPORTANT: These terms may be changed in advance of the 5 RISK, PROPERTY AND TITLE all sums due under the Contract for Sale shall have been paid in Sale of the Lot to you, by the setting out of different terms 5.1 Risk in the Lot passes to you after 7 days from the day upon full in cleared funds; in the Catalogue for the Sale and/or by placing an insert in which it is knocked down to you on the fall of the Auctioneer’s 8.1.9 to retain possession of, and on three months’ written notice the Catalogue and/or by notices at the Sale venue and/or on hammer in respect of the Lot, or upon collection of the Lot to sell, Without Reserve, any of your other property in the Bonhams’ website, and/or by oral announcements before and if earlier. The Seller will not be responsible thereafter for the possession of the Seller and/or of Bonhams (as bailee for the during the Sale at the Sale venue. You should be alert to this Lot prior to you collecting it from Bonhams or the Storage Seller) for any purpose (including, without limitation, other goods possibility of changes and ask in advance of bidding if there Contractor, with whom you have separate contract(s) as Buyer. sold to you) and to apply any monies due to you as a result of have been any. You will indemnify the Seller and keep the Seller fully indemnified such Sale in satisfaction or part satisfaction of any amounts Under this contract the Seller’s liability in respect of the quality from and against all claims, proceedings, costs, expenses owed to the Seller or to Bonhams; and of the Lot, it’s fitness for any purpose and its conformity with and losses arising in respect of any injury, loss and damage 8.1.10 so long as such goods remain in the possession of the Seller any Description is limited. You are strongly advised to examine caused to the Lot beyond 7 days from the day of the fall of the or Bonhams as its bailee, to rescind the contract for the Sale of the Lot for yourself and/or obtain an independent examination Auctioneer’s hammer until you obtain full title to it. any other goods sold to you by the Seller at the Sale or at any of it before you buy it. 5.2 Title to the Lot remains in and is retained by the Seller until: (i) the other auction or by private treaty and apply any monies received 1 THE CONTRACT Purchase Price and all other sums payable by you to Bonhams from you in respect of such goods in part or full satisfaction of 1.1 These terms and the relevant terms for Bidders and Buyers in in relation to the Lot have been paid in full to and received in any amounts owed to the Seller or to Bonhams by you. the Notice to Bidders govern the Contract for Sale of the Lot by cleared funds by Bonhams, and (ii) Bonhams has completed its 8.2 You agree to indemnify the Seller against all legal and other the Seller to the Buyer. investigations pursuant to clause 3.11 of the Buyer’s Agreement costs of enforcement, all losses and other expenses and costs 1.2 The Definitions and Glossary contained in Appendix 3 in the with Bonhams set out in Appendix 2 in the catalogue. (including any monies payable to Bonhams in order to obtain Catalogue are incorporated into this Contract for Sale and a 6 PAYMENT the release of the Lot) incurred by the Seller (whether or not separate copy can also be provided by Bonhams on request. 6.1 Your obligation to pay the Purchase Price arises when the Lot is court proceedings will have been issued) as a result of Bonhams Where words and phrases are used which are in the List of knocked down to you on the fall of the Auctioneer’s hammer in taking steps under this paragraph 8 on a full indemnity basis Definitions, they are printed in italics. respect of the Lot. together with interest thereon (after as well as before judgement 1.3 The Seller sells the Lot as the principal to the Contract for Sale, 6.2 Time will be of the essence in relation to payment of the or order) at the rate specified in paragraph 8.1.6 from the date such contract being made between the Seller and you through Purchase Price and all other sums payable by you to Bonhams. upon which the Seller becomes liable to pay the same until Bonhams which acts in the sole capacity as the Seller’s agent Unless agreed in writing with you by Bonhams on the Seller’s payment by you. and not as an additional principal. However, if the Catalogue behalf (in which case you must comply with the terms of that 8.3 On any resale of the Lot under paragraph 8.1.2, the Seller will states that Bonhams sells the Lot as principal, or such a agreement), all such sums must be paid to Bonhams by you in account to you in respect of any balance remaining from any statement is made by an announcement by the Auctioneer, the currency in which the Sale was conducted by not later than monies received by him or on his behalf in respect of the Lot, or by a notice at the Sale, or an insert in the Catalogue, then 4.30pm on the second working day following the Sale and you after the payment of all sums due to the Seller and to Bonhams, Bonhams is the Seller for the purposes of this agreement. must ensure that the funds are cleared by the seventh working within 28 days of receipt of such monies by him or on his behalf. 1.4 The contract is made on the fall of the Auctioneer’s hammer in day after the Sale. Payment must be made to Bonhams by one 9 THE SELLER’S LIABILITY respect of the Lot when it is knocked down to you. of the methods stated in the Notice to Bidders unless otherwise 9.1 The Seller will not be liable for any injury, loss or damage caused 2 SELLER’S WARRANTIES AND UNDERTAKINGS agreed with you in writing by Bonhams. If you do not pay in full by the Lot after the fall of the Auctioneer’s hammer in respect of 2.1 The Seller undertakes to you that: any sums due in accordance with this paragraph, the Seller will the Lot. 2.1.1 the Seller is the owner of the Lot or is duly authorised to sell the have the rights set out in paragraph 8 below. 9.2 Subject to paragraph 9.3 below, except for breach of the Lot by the owner; 7 COLLECTION OF THE LOT express undertaking provided in paragraph 2.1.5, the Seller 2.1.2 save as disclosed in the Entry for the Lot in the Catalogue, the 7.1 Unless otherwise agreed in writing with you by Bonhams, will not be liable for any breach of any term that the Lot will Seller sells the Lot with full title guarantee or, where the Seller the Lot will be released to you or to your order only when: (i) correspond with any Description applied to it by or on behalf of is an executor, trustee, liquidator, receiver or administrator, with Bonhams has received cleared funds to the amount of the the Seller, whether implied by the Sale of Goods Act 1979 or whatever right, title or interest he may have in the Lot; full Purchase Price and all other sums owed by you to the otherwise. 2.1.3 except where the Sale is by an executor, trustee, liquidator, Seller and to Bonhams and (ii) Bonhams has completed its 9.3 Unless the Seller sells the Lot in the course of a Business and receiver or administrator the Seller is both legally entitled to investigations pursuant to clause 3.11 of the Buyer’s Agreement the Buyer buys it as a Consumer, sell the Lot, and legally capable of conferring on you quiet with Bonhams set out in Appendix 2 in the catalogue. 9.3.1 the Seller will not be liable (whether in negligence, other tort, possession of the Lot and that the Sale conforms in every 7.2 The Seller is entitled to withhold possession from you of any breach of contract or statutory duty or in restitution or under the respect with the terms implied by the Sale of Goods Act 1979, other Lot he has sold to you at the same or at any other Sale Misrepresentation Act 1967, or in any other way) for any lack of Sections 12(1) and 12(2) (see the Definitions and Glossary); and whether currently in Bonhams’ possession or not, until conformity with, or inaccuracy, error, misdescription or omission 2.1.4 the Seller has complied with all requirements, legal or otherwise, payment in full and in cleared funds of the Purchase Price and in any Description of the Lot or any Entry or Estimate in relation relating to any export or import of the Lot, and all duties and all other sums due to the Seller and/or Bonhams in respect of to the Lot made by or on behalf of the Seller (whether made in taxes in respect of the export or import of the Lot have (unless the Lot. writing, including in the Catalogue, or on the Website, or orally, stated to the contrary in the Catalogue or announced by the 7.3 You should note that Bonhams has reserved the right not to or by conduct or otherwise) and whether made before or after Auctioneer) been paid and, so far as the Seller is aware, all third release the Lot to you until its investigations under paragraph this agreement or prior to or during the Sale; parties have complied with such requirements in the past; 3.11 of the Buyers’ Agreement set out in Appendix 2 have been 9.3.2 the Seller will not be liable for any loss of Business, Business 2.1.5 items consigned for sale by the Seller are not connected with or completed to Bonhams’ satisfaction. profits or revenue or income or for loss of reputation or for derived from any criminal activity, including without limitation tax 7.4 You will collect and remove the Lot at your own expense disruption to Business or wasted time on the part of the Buyer evasion, money laundering, terrorist financing or breach of any from Bonhams’ custody and/ or control or from the Storage or of the Buyer’s management or staff or, for any indirect losses applicable international trade sanctions; Contractor’s custody in accordance with Bonhams’ instructions or consequential damages of any kind, irrespective in any case 2.1.6 subject to any alterations expressly identified as such made by or requirements. of the nature, volume or source of the loss or damage alleged to announcement or notice at the Sale venue or by the Notice to 7.5 You will be wholly responsible for packing, handling and be suffered, and irrespective of whether the said loss or damage Bidders or by an insert in the Catalogue or on the Bonhams transport of the Lot on collection and for complying with all is caused by or claimed in respect of any negligence, other website, the Lot corresponds with the Contractual Description import or export regulations in connection with the Lot. tort, breach of contract, statutory duty, restitutionary claim or of the Lot, being that part of the Entry about the Lot in the 7.6 You will be wholly responsible for any removal, storage or other otherwise; Catalogue which is in bold letters and (except for colour) with charges or expenses incurred by the Seller if you do not remove 9.3.3 in any circumstances where the Seller is liable to you in respect any photograph of the Lot in the Catalogue. the Lot in accordance with this paragraph 7 and will indemnify of the Lot, or any act, omission, statement, or representation 3 DESCRIPTIONS OF THE LOT the Seller against all charges, costs, including any legal costs in respect of it, or this agreement or its performance, and 3.1 Paragraph 2.1.5 sets out what is the Contractual Description and fees, expenses and losses suffered by the Seller by reason whether in damages, for an indemnity or contribution or for of the Lot. In particular, the Lot is not sold as corresponding of your failure to remove the Lot including any charges due a restitutionary remedy or in any way whatsoever, the Seller’s with any part of the Entry in the Catalogue which is not printed under any Storage Contract. All such sums due to the Seller will liability will be limited to payment of a sum which will not exceed in bold letters, the remainder of which Entry merely sets out be payable on demand. by way of maximum the amount of the Purchase Price of the (on the Seller’s behalf) Bonhams’ opinion about the Lot and 8 FAILURE TO PAY FOR THE LOT Lot irrespective in any case of the nature, volume or source which is not part of the Contractual Description upon which 8.1 If the Purchase Price for a Lot is not paid to Bonhams in full in of any loss or damage alleged to be suffered or sum claimed the Lot is sold. Any statement or representation other than that accordance with the Contract for Sale, the Seller will be entitled, as due, and irrespective of whether the liability arises from part of the Entry referred to in paragraph 2.1.5 (together with with the prior written agreement of Bonhams but without further any negligence, other tort, breach of contract, statutory duty, any express alteration to it as referred to in paragraph 2.1.5), notice to you, to exercise one or more of the following rights bailee’s duty, restitutionary claim or otherwise. including any Description or Estimate, whether made orally or in (whether through Bonhams or otherwise): 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will be writing, including in the Catalogue or on Bonhams’ Website, or by 8.1.1 to terminate immediately the Contract for Sale of the Lot for construed as excluding or restricting (whether directly or conduct, or otherwise, and whether by or on behalf of the Seller your breach of contract; indirectly) any person’s liability or excluding or restricting any

NTB/MAIN/V1/11.2020 a successful Sale or a financial loss if unsuccessful. or Bonhams and whether made prior to or during the Sale, is not 8.1.2 to resell the Lot by auction, private treaty or any other means on person’s rights or remedies in respect of (i) fraud, or (ii) death are used in this agreement, they are printed in italics. Reference under investigation for neither have been charged nor convicted ▲ Bonhams owns the Lot either wholly or partially or may otherwise part of the Contractual Description upon which the Lot is sold. giving seven days’ written notice to you of the intention to resell; or personal injury caused by the Seller’s negligence (or any is made in this agreement to information printed in the Notice to in connection with any criminal activity. have an economic interest. 3.2 Except as provided in paragraph 2.1.5, the Seller does 8.1.3 to retain possession of the Lot; person under the Seller’s control or for whom the Seller is legally Bidders, printed in the Catalogue for the Sale, and where such 3.10 Where you are acting as agent for another party (“your Ф This lot contains or is made of ivory. The United States not make or give and does not agree to make or give any 8.1.4 to remove and store the Lot at your expense; responsible), or (iii) acts or omissions for which the Seller is liable information is referred to it is incorporated into this agreement. Principal”), you undertake and warrant that: Government has banned the import of ivory into contractual promise, undertaking, obligation, guarantee, 8.1.5 to take legal proceedings against you for any sum due under the under the Occupiers Liability Act 1957, or (iv) any other liability 1.3 Except as specified in paragraph 4 of the Notice to Bidders the 3.10.1 you have conducted suitable customer due diligence into the USA. warranty, or representation of fact, or undertake any duty of Contract for Sale and/or damages for breach of contract; to the extent the same may not be excluded or restricted as a Contract for Sale of the Lot between you and the Seller is made your Principal under applicable Sanctions and Anti-Money •, †, *, G, Ω, a see clause 8, VAT, for details. care, in relation to any Description of the Lot or any Estimate 8.1.6 to be paid interest on any monies due (after as well as before matter of law. on the fall of the Auctioneer’s hammer in respect of the Lot, Laundering laws and regulations; DATA PROTECTION – USE OF YOUR INFORMATION in relation to it, nor of the accuracy or completeness of any judgement or order) at the annual rate of 5% per annum above 10 MISCELLANEOUS when it is knocked down to you. At that moment a separate 3.10.2 your Principal is not a Sanctioned Party and not owned, partially Where we obtain any personal information about you, we shall only Description or Estimate which may have been Bonhams. No the base rate of National Westminster Bank Plc from time to 10.1 You may not assign either the benefit or burden of the Contract contract is also made between you and Bonhams on the terms owned or controlled by a Sanctioned Party, and you have no use it in accordance with the terms of our Privacy Policy (subject to such Description or Estimate is incorporated into this Contract time to be calculated on a daily basis from the date upon which for Sale. in this Buyer’s Agreement. reason to suspect that your Principal has been charged or any additional specific consent(s) you may have given at the time for Sale. such monies become payable until the date of actual payment; 10.2 The Seller’s failure or delay in enforcing or exercising any power 1.4 We act as agents for the Seller and are not answerable or convicted with, money laundering, terrorism or other crimes; your information was disclosed). A copy of our Privacy Policy can be 4 FITNESS FOR PURPOSE AND SATISFACTORY QUALITY 8.1.7 to repossess the Lot (or any part thereof) which has not become or right under the Contract for Sale will not operate or be personally responsible to you for any breach of contract or other 3.10.3 funds used for your or your Principal’s purchase are not found on our Website www.bonhams.com or requested by post from 4.1 The Seller does not make and does not agree to make any your property, and for this purpose (unless the Buyer buys the deemed to operate as a waiver of his rights under it except to default by the Seller, unless Bonhams sells the Lot as principal. connected with or derived from any criminal activity, including Customer Services Department, 101 New Bond Street, London, W1S contractual promise, undertaking, obligation, guarantee, Lot as a Consumer from the Seller selling in the course of a the extent of any express waiver given to you in writing. Any 1.5 Our personal obligations to you are governed by this agreement without limitation tax evasion, money laundering or terrorist 1SR or by email from [email protected] warranty, or representation of fact in relation to the satisfactory Business) you hereby grant an irrevocable licence to the Seller such waiver will not affect the Seller’s ability subsequently to and we agree, subject to the terms below, to the following financing; quality of the Lot or its fitness for any purpose. by himself and to his servants or agents to enter upon all or enforce any right arising under the Contract for Sale. obligations: 3.10.4 items purchased by you and your Principal through Bonhams APPENDIX 1 4.2 The Seller will not be liable for any breach of any undertaking, any of your premises (with or without vehicles) during normal 10.3 If either party to the Contract for Sale is prevented from 1.5.1 we will, until the date and time specified in the Notice to Bidders are not being purchased or to be used in any way connected whether implied by the Sale of Goods Act 1979 or otherwise, Business hours to take possession of the Lot or part thereof; performing that party’s respective obligations under the Contract or otherwise notified to you, store the Lot in accordance with with or to facilitate breaches of applicable Tax, Anti-Money BUYERS SALE CONTRACT WITH SELLER as to the satisfactory quality of the Lot or its fitness for any 8.1.8 to retain possession of any other property sold to you by the for Sale by circumstances beyond its reasonable control or paragraph 5; Laundering or Anti-Terrorism laws and regulations; and purpose. Seller at the Sale or any other auction or by private treaty until if performance of its obligations would by reason of such 1.5.2 subject to any power of the Seller or us to refuse to release 3.10.5 that you consent to Bonhams relying upon your customer due IMPORTANT: These terms may be changed in advance of the 5 RISK, PROPERTY AND TITLE all sums due under the Contract for Sale shall have been paid in circumstances give rise to a significantly increased financial the Lot to you, we will release the Lot to you in accordance diligence, undertaking to retain records of your due diligence Sale of the Lot to you, by the setting out of different terms 5.1 Risk in the Lot passes to you after 7 days from the day upon full in cleared funds; cost to it, that party will not, for so long as such circumstances with paragraph 4 once you have paid to us, in cleared funds, for at least 5 years and to make such due diligence records in the Catalogue for the Sale and/or by placing an insert in which it is knocked down to you on the fall of the Auctioneer’s 8.1.9 to retain possession of, and on three months’ written notice prevail, be required to perform such obligations. This paragraph everything due to us and the Seller and following completion of available for inspection by an independent auditor in the event the Catalogue and/or by notices at the Sale venue and/or on hammer in respect of the Lot, or upon collection of the Lot to sell, Without Reserve, any of your other property in the does not apply to the obligations imposed on you by paragraph our enquiries pursuant to paragraph 3.11; we request you to do so. Bonhams’ website, and/or by oral announcements before and if earlier. The Seller will not be responsible thereafter for the possession of the Seller and/or of Bonhams (as bailee for the 6. 1.5.3 we will provide guarantees in the terms set out in paragraphs 9 3.11 We reserve the rights to make enquiries about any person during the Sale at the Sale venue. You should be alert to this Lot prior to you collecting it from Bonhams or the Storage Seller) for any purpose (including, without limitation, other goods 10.4 Any notice or other communication to be given under the and 10. transacting with us and to identify the source of any funds possibility of changes and ask in advance of bidding if there Contractor, with whom you have separate contract(s) as Buyer. sold to you) and to apply any monies due to you as a result of Contract for Sale must be in writing and may be delivered by 1.6 We do not make or give and do not agree to make or give received from you. In the event we have not completed our have been any. You will indemnify the Seller and keep the Seller fully indemnified such Sale in satisfaction or part satisfaction of any amounts hand or sent by first class post or air mail or fax transmission, if to any contractual promise, undertaking, obligation, Guarantee, investigations in respect of anti-terrorism financing, anti-money Under this contract the Seller’s liability in respect of the quality from and against all claims, proceedings, costs, expenses owed to the Seller or to Bonhams; and the Seller, addressed c/o Bonhams at its address or fax number warranty, representation of fact in relation to any Description laundering or other financial and identity checks concerning of the Lot, it’s fitness for any purpose and its conformity with and losses arising in respect of any injury, loss and damage 8.1.10 so long as such goods remain in the possession of the Seller in the Catalogue (marked for the attention of the Company of the Lot or any Estimate in relation to it, nor of the accuracy either you or the Seller, to our satisfaction at our discretion, any Description is limited. You are strongly advised to examine caused to the Lot beyond 7 days from the day of the fall of the or Bonhams as its bailee, to rescind the contract for the Sale of Secretary), and if to you to the address or fax number of the or completeness of any Description or Estimate which may we shall be entitled to retain Lots and/or proceeds of Sale, the Lot for yourself and/or obtain an independent examination Auctioneer’s hammer until you obtain full title to it. any other goods sold to you by the Seller at the Sale or at any Buyer given in the Bidding Form (unless notice of any change of have been made by us or on our behalf or by or on behalf postpone or cancel any sale and to take any other actions of it before you buy it. 5.2 Title to the Lot remains in and is retained by the Seller until: (i) the other auction or by private treaty and apply any monies received address is given in writing). It is the responsibility of the sender of the Seller (whether made orally or in writing, including in required or permitted under applicable law, without liability to 1 THE CONTRACT Purchase Price and all other sums payable by you to Bonhams from you in respect of such goods in part or full satisfaction of of the notice or communication to ensure that it is received in a the Catalogue or on Bonhams’ Website, or by conduct, or you. 1.1 These terms and the relevant terms for Bidders and Buyers in in relation to the Lot have been paid in full to and received in any amounts owed to the Seller or to Bonhams by you. legible form within any applicable time period. otherwise), and whether made before or after this agreement or 4 COLLECTION OF THE LOT the Notice to Bidders govern the Contract for Sale of the Lot by cleared funds by Bonhams, and (ii) Bonhams has completed its 8.2 You agree to indemnify the Seller against all legal and other 10.5 If any term or any part of any term of the Contract for Sale prior to or during the Sale. No such Description or Estimate is 4.1 Subject to any power of the Seller or us to refuse to release the Seller to the Buyer. investigations pursuant to clause 3.11 of the Buyer’s Agreement costs of enforcement, all losses and other expenses and costs is held to be unenforceable or invalid, such unenforceability incorporated into this agreement between you and us. Any such the Lot to you, once you have paid to us, in cleared funds, 1.2 The Definitions and Glossary contained in Appendix 3 in the with Bonhams set out in Appendix 2 in the catalogue. (including any monies payable to Bonhams in order to obtain or invalidity will not affect the enforceability and validity of the Description or Estimate, if made by us or on our behalf, was everything due to the Seller and to us, and once we have Catalogue are incorporated into this Contract for Sale and a 6 PAYMENT the release of the Lot) incurred by the Seller (whether or not remaining terms or the remainder of the relevant term. (unless Bonhams itself sells the Lot as principal) made as agent completed our investigations under paragraph 3.11, we will separate copy can also be provided by Bonhams on request. 6.1 Your obligation to pay the Purchase Price arises when the Lot is court proceedings will have been issued) as a result of Bonhams 10.6 References in the Contract for Sale to Bonhams will, where on behalf of the Seller. release the Lot to you or as you may direct us in writing. The Where words and phrases are used which are in the List of knocked down to you on the fall of the Auctioneer’s hammer in taking steps under this paragraph 8 on a full indemnity basis appropriate, include reference to Bonhams’ officers, employees 2 PERFORMANCE OF THE CONTRACT FOR SALE Lot will only be released on production of a buyer collection Definitions, they are printed in italics. respect of the Lot. together with interest thereon (after as well as before judgement and agents and to any subsidiary of Bonhams Holdings Limited You undertake to us personally that you will observe and comply document, obtained from our cashier’s office. 1.3 The Seller sells the Lot as the principal to the Contract for Sale, 6.2 Time will be of the essence in relation to payment of the or order) at the rate specified in paragraph 8.1.6 from the date and to its officers, employees and agents. with all your obligations and undertakings to the Seller under the 4.2 You must collect and remove the Lot at your own expense by such contract being made between the Seller and you through Purchase Price and all other sums payable by you to Bonhams. upon which the Seller becomes liable to pay the same until 10.7 The headings used in the Contract for Sale are for convenience Contract for Sale in respect of the Lot. the date and time specified in the Notice to Bidders, or if no Bonhams which acts in the sole capacity as the Seller’s agent Unless agreed in writing with you by Bonhams on the Seller’s payment by you. only and will not affect its interpretation. 3 PAYMENT AND BUYER WARRANTIES date is specified, by 4.30pm on the seventh day after the Sale. and not as an additional principal. However, if the Catalogue behalf (in which case you must comply with the terms of that 8.3 On any resale of the Lot under paragraph 8.1.2, the Seller will 10.8 In the Contract for Sale “including” means “including, without 3.1 Unless agreed in writing between you and us or as otherwise 4.3 For the period referred to in paragraph 4.2, the Lot can be states that Bonhams sells the Lot as principal, or such a agreement), all such sums must be paid to Bonhams by you in account to you in respect of any balance remaining from any limitation”. set out in the Notice to Bidders, you must pay to us by not later collected from the address referred to in the Notice to Bidders statement is made by an announcement by the Auctioneer, the currency in which the Sale was conducted by not later than monies received by him or on his behalf in respect of the Lot, 10.9 References to the singular will include reference to the plural than 4.30pm on the second working day following the Sale: for collection on the days and times specified in the Notice to or by a notice at the Sale, or an insert in the Catalogue, then 4.30pm on the second working day following the Sale and you after the payment of all sums due to the Seller and to Bonhams, (and vice versa) and reference to any one gender will include 3.1.1 the Purchase Price for the Lot; Bidders. Thereafter, the Lot may be removed elsewhere for Bonhams is the Seller for the purposes of this agreement. must ensure that the funds are cleared by the seventh working within 28 days of receipt of such monies by him or on his behalf. reference to the other genders. 3.1.2 a Buyer’s Premium in accordance with the rates set out in the storage and you must enquire from us as to when and where 1.4 The contract is made on the fall of the Auctioneer’s hammer in day after the Sale. Payment must be made to Bonhams by one 9 THE SELLER’S LIABILITY 10.10 Reference to a numbered paragraph is to a paragraph of the Notice to Bidders on each lot, and you can collect it, although this information will usually be set respect of the Lot when it is knocked down to you. of the methods stated in the Notice to Bidders unless otherwise 9.1 The Seller will not be liable for any injury, loss or damage caused Contract for Sale. 3.1.3 if the Lot is marked [AR], an Additional Premium which is out in the Notice to Bidders. 2 SELLER’S WARRANTIES AND UNDERTAKINGS agreed with you in writing by Bonhams. If you do not pay in full by the Lot after the fall of the Auctioneer’s hammer in respect of 10.11 Save as expressly provided in paragraph 10.12 nothing in the calculated and payable in accordance with the Notice to 4.4 If you have not collected the Lot by the date specified in the 2.1 The Seller undertakes to you that: any sums due in accordance with this paragraph, the Seller will the Lot. Contract for Sale confers (or purports to confer) on any person Bidders together with VAT on that sum if applicable so that all Notice to Bidders, you authorise us, acting in this instance as 2.1.1 the Seller is the owner of the Lot or is duly authorised to sell the have the rights set out in paragraph 8 below. 9.2 Subject to paragraph 9.3 below, except for breach of the who is not a party to the Contract for Sale any benefit conferred sums due to us are cleared funds by the seventh working day your agent and on your behalf, to enter into a contract (the Lot by the owner; 7 COLLECTION OF THE LOT express undertaking provided in paragraph 2.1.5, the Seller by, or the right to enforce any term of, the Contract for Sale. after the Sale. “Storage Contract”) with the Storage Contractor for the storage 2.1.2 save as disclosed in the Entry for the Lot in the Catalogue, the 7.1 Unless otherwise agreed in writing with you by Bonhams, will not be liable for any breach of any term that the Lot will 10.12 Where the Contract for Sale confers an immunity from, and/or 3.2 You must also pay us on demand any Expenses payable of the Lot on the then current standard terms and conditions Seller sells the Lot with full title guarantee or, where the Seller the Lot will be released to you or to your order only when: (i) correspond with any Description applied to it by or on behalf of an exclusion or restriction of, the responsibility and/or liability pursuant to this agreement. agreed between Bonhams and the Storage Contractor (copies is an executor, trustee, liquidator, receiver or administrator, with Bonhams has received cleared funds to the amount of the the Seller, whether implied by the Sale of Goods Act 1979 or of the Seller, it will also operate in favour and for the benefit of 3.3 All payments to us must be made in the currency in which the of which are available on request). If the Lot is stored at our whatever right, title or interest he may have in the Lot; full Purchase Price and all other sums owed by you to the otherwise. Bonhams, Bonhams’ holding company and the subsidiaries Sale was conducted, using, unless otherwise agreed by us in premises storage fees at our current daily rates (currently a 2.1.3 except where the Sale is by an executor, trustee, liquidator, Seller and to Bonhams and (ii) Bonhams has completed its 9.3 Unless the Seller sells the Lot in the course of a Business and of such holding company and the successors and assigns of writing, one of the methods of payment set out in the Notice to minimum of £3 plus VAT per Lot per day) will be payable from receiver or administrator the Seller is both legally entitled to investigations pursuant to clause 3.11 of the Buyer’s Agreement the Buyer buys it as a Consumer, Bonhams and of such companies and of any officer, employee Bidders. Our invoices will only be addressed to the registered the expiry of the period referred to in paragraph 4.2. These sell the Lot, and legally capable of conferring on you quiet with Bonhams set out in Appendix 2 in the catalogue. 9.3.1 the Seller will not be liable (whether in negligence, other tort, and agent of Bonhams and such companies, each of whom Bidder unless the Bidder is acting as an agent for a named storage fees form part of our Expenses. possession of the Lot and that the Sale conforms in every 7.2 The Seller is entitled to withhold possession from you of any breach of contract or statutory duty or in restitution or under the will be entitled to rely on the relevant immunity and/or exclusion principal and we have approved that arrangement, in which 4.5 Until you have paid the Purchase Price and any Expenses in respect with the terms implied by the Sale of Goods Act 1979, other Lot he has sold to you at the same or at any other Sale Misrepresentation Act 1967, or in any other way) for any lack of and/or restriction within and for the purposes of Contracts case we will address the invoice to the principal. full the Lot will either be held by us as agent on behalf of the Sections 12(1) and 12(2) (see the Definitions and Glossary); and whether currently in Bonhams’ possession or not, until conformity with, or inaccuracy, error, misdescription or omission (Rights of Third Parties) Act 1999, which enables the benefit of 3.4 Unless otherwise stated in this agreement all sums payable to Seller or held by the Storage Contractor as agent on behalf of 2.1.4 the Seller has complied with all requirements, legal or otherwise, payment in full and in cleared funds of the Purchase Price and in any Description of the Lot or any Entry or Estimate in relation a contract to be extended to a person who is not a party to the us will be subject to VAT at the appropriate rate and VAT will be the Seller and ourselves on the terms contained in the Storage relating to any export or import of the Lot, and all duties and all other sums due to the Seller and/or Bonhams in respect of to the Lot made by or on behalf of the Seller (whether made in contract, and generally at law. payable by you on all such sums. Contract. taxes in respect of the export or import of the Lot have (unless the Lot. writing, including in the Catalogue, or on the Website, or orally, 11 GOVERNING LAW 3.5 We may deduct and retain for our own benefit from the monies 4.6 You undertake to comply with the terms of any Storage stated to the contrary in the Catalogue or announced by the 7.3 You should note that Bonhams has reserved the right not to or by conduct or otherwise) and whether made before or after All transactions to which the Contract for Sale applies and paid by you to us the Buyer’s Premium, the Commission Contract and in particular to pay the charges (and all costs of Auctioneer) been paid and, so far as the Seller is aware, all third release the Lot to you until its investigations under paragraph this agreement or prior to or during the Sale; all connected matters will be governed by and construed in payable by the Seller in respect of the Lot, any Expenses and moving the Lot into storage) due under any Storage Contract. parties have complied with such requirements in the past; 3.11 of the Buyers’ Agreement set out in Appendix 2 have been 9.3.2 the Seller will not be liable for any loss of Business, Business accordance with the laws of that part of the United Kingdom VAT and any interest earned and/or incurred until payment to You acknowledge and agree that you will not be able to collect 2.1.5 items consigned for sale by the Seller are not connected with or completed to Bonhams’ satisfaction. profits or revenue or income or for loss of reputation or for where the Sale takes place and the Seller and you each submit the Seller. the Lot from the Storage Contractor’s premises until you have derived from any criminal activity, including without limitation tax 7.4 You will collect and remove the Lot at your own expense disruption to Business or wasted time on the part of the Buyer to the exclusive jurisdiction of the courts of that part of the 3.6 Time will be of the essence in relation to any payment payable paid the Purchase Price, any Expenses and all charges due evasion, money laundering, terrorist financing or breach of any from Bonhams’ custody and/ or control or from the Storage or of the Buyer’s management or staff or, for any indirect losses United Kingdom, save that the Seller may bring proceedings to us. If you do not pay the Purchase Price, or any other sum under the Storage Contract. applicable international trade sanctions; Contractor’s custody in accordance with Bonhams’ instructions or consequential damages of any kind, irrespective in any case against you in any other court of competent jurisdiction to due to us in accordance with this paragraph 3, we will have the 4.7 You will be wholly responsible for packing, handling and 2.1.6 subject to any alterations expressly identified as such made by or requirements. of the nature, volume or source of the loss or damage alleged to the extent permitted by the laws of the relevant jurisdiction. rights set out in paragraph 7 below. transport of the Lot on collection and for complying with all announcement or notice at the Sale venue or by the Notice to 7.5 You will be wholly responsible for packing, handling and be suffered, and irrespective of whether the said loss or damage Bonhams has a complaints procedure in place. 3.7 Where a number of Lots have been knocked down to you, any import or export regulations in connection with the Lot. Bidders or by an insert in the Catalogue or on the Bonhams transport of the Lot on collection and for complying with all is caused by or claimed in respect of any negligence, other monies we receive from you will be applied firstly pro-rata to pay 4.8 You will be wholly responsible for any removal, storage, or other website, the Lot corresponds with the Contractual Description import or export regulations in connection with the Lot. tort, breach of contract, statutory duty, restitutionary claim or APPENDIX 2 the Purchase Price of each Lot and secondly pro-rata to pay all charges for any Lot not removed in accordance with paragraph of the Lot, being that part of the Entry about the Lot in the 7.6 You will be wholly responsible for any removal, storage or other otherwise; amounts due to Bonhams. 4.2, payable at our current rates, and any Expenses we incur Catalogue which is in bold letters and (except for colour) with charges or expenses incurred by the Seller if you do not remove 9.3.3 in any circumstances where the Seller is liable to you in respect BUYER’S AGREEMENT WITH BONHAMS 3.8 You warrant that neither you nor - if you are a company, (including any charges due under the Storage Contract), all of any photograph of the Lot in the Catalogue. the Lot in accordance with this paragraph 7 and will indemnify of the Lot, or any act, omission, statement, or representation IMPORTANT: These terms may be changed in advance of the Sale your directors, officers or your owner or their directors or which must be paid by you on demand and in any event before 3 DESCRIPTIONS OF THE LOT the Seller against all charges, costs, including any legal costs in respect of it, or this agreement or its performance, and of the Lot to you, by the setting out of different terms in the shareholders - are an individual or an entity that is, or is owned any collection of the Lot by you or on your behalf. 3.1 Paragraph 2.1.5 sets out what is the Contractual Description and fees, expenses and losses suffered by the Seller by reason whether in damages, for an indemnity or contribution or for Catalogue for the Sale and/or by placing an insert in the or controlled by individuals or entities that are: 5 STORING THE LOT of the Lot. In particular, the Lot is not sold as corresponding of your failure to remove the Lot including any charges due a restitutionary remedy or in any way whatsoever, the Seller’s Catalogue and/or by notices at the Sale venue and/or by oral 3.8.1 the subject of any sanctions administered or enforced by the We agree to store the Lot until the earlier of your removal of the with any part of the Entry in the Catalogue which is not printed under any Storage Contract. All such sums due to the Seller will liability will be limited to payment of a sum which will not exceed announcements before and during the Sale at the Sale venue. U.S. Department of the Treasury’s Office of Foreign Assets Lot or until the time and date set out in the Notice to Bidders, in bold letters, the remainder of which Entry merely sets out be payable on demand. by way of maximum the amount of the Purchase Price of the You should be alert to this possibility of changes and ask in Control, the U.S. Departure of State, the United Nations Security on the Sale Information Page or at the back of the catalogue (or (on the Seller’s behalf) Bonhams’ opinion about the Lot and 8 FAILURE TO PAY FOR THE LOT Lot irrespective in any case of the nature, volume or source advance of bidding if there have been any. Council, the European Union, Her Majesty’s Treasury, or other if no date is specified, by 4.30pm on the seventh day after the which is not part of the Contractual Description upon which 8.1 If the Purchase Price for a Lot is not paid to Bonhams in full in of any loss or damage alleged to be suffered or sum claimed 1 THE CONTRACT relevant sanctions authority (“Sanctions” and a “Sanctioned Sale) and, subject to paragraphs 3, 6 and 10, to be responsible the Lot is sold. Any statement or representation other than that accordance with the Contract for Sale, the Seller will be entitled, as due, and irrespective of whether the liability arises from 1.1 These terms govern the contract between Bonhams personally Party”); or as bailee to you for damage to or the loss or destruction of the part of the Entry referred to in paragraph 2.1.5 (together with with the prior written agreement of Bonhams but without further any negligence, other tort, breach of contract, statutory duty, and the Buyer, being the person to whom a Lot has been 3.8.2 located, organised or resident in a country or territory that is, Lot (notwithstanding that it is not your property before payment any express alteration to it as referred to in paragraph 2.1.5), notice to you, to exercise one or more of the following rights bailee’s duty, restitutionary claim or otherwise. knocked down by the Auctioneer. or whose government is, the subject of Sanctions, including of the Purchase Price). If you do not collect the Lot before the including any Description or Estimate, whether made orally or in (whether through Bonhams or otherwise): 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will be 1.2 The Definitions and Glossary contained in Appendix 3 to the without limitation, Iran, North Korea, Sudan and Syria. time and date set out in the Notice to Bidders (or if no date writing, including in the Catalogue or on Bonhams’ Website, or by 8.1.1 to terminate immediately the Contract for Sale of the Lot for construed as excluding or restricting (whether directly or Catalogue for the Sale are incorporated into this agreement and 3.9 You warrant that the funds being used for your purchase have is specified, by 4.30pm on the seventh day after the Sale) we conduct, or otherwise, and whether by or on behalf of the Seller your breach of contract; indirectly) any person’s liability or excluding or restricting any a separate copy can also be provided by us on request. Where no link with criminal activity including without limitation money may remove the Lot to another location, the details of which words and phrases which are defined in the List of Definitions laundering, tax evasion or terrorist financing, and that you not will usually be set out in the relevant section of the Catalogue. If

NTB/MAIN/V1/11.2020 NTB/MAIN/V1/11.2020 you have not paid for the Lot in accordance with paragraph 3, 8.1.1 retain the Lot to investigate any question raised or reasonably where we are liable to you in respect of a Lot, or any act, and the Lot is moved to any third party’s premises, the Lot will expected by us to be raised in relation to the Lot; and/or omission, statement, representation in respect of it, or this be held by such third party strictly to Bonhams’ order and we 8.1.2 deliver the Lot to a person other than you; and/or agreement or its performance, and whether in damages, for an will retain our lien over the Lot until we have been paid in full in 8.1.3 commence interpleader proceedings or seek any other order of indemnity or contribution or for a restitutionary remedy or in any accordance with paragraph 3. any court, mediator, arbitrator or government body; and/or way whatsoever, our liability will be limited to payment of a sum 6 RESPONSIBILITY FOR THE LOT 8.1.4 require an indemnity and/or security from you in return for which will not exceed by way of maximum the amount of the 6.1 Title (ownership) in the Lot passes to you (i) on payment of pursuing a course of action agreed to by you. Purchase Price of the Lot plus Buyer’s Premium (less any sum the Purchase Price to us in full in cleared funds and (ii) when 8.2 The discretion referred to in paragraph 8.1: you may be entitled to recover from the Seller) irrespective in investigations have been completed to our satisfaction under 8.2.1 may be exercised at any time during which we have actual or any case of the nature, volume or source of any loss or damage paragraph 3.11. constructive possession of the Lot, or at any time after such alleged to be suffered or sum claimed as due, and irrespective 6.2 Please note however, that under the Contract for Sale, the risk in possession, where the cessation of such possession has of whether the liability arises from negligence, other tort, breach the Lot passes to you after 7 days from the day upon which occurred by reason of any decision, order or ruling of any court, of contract, statutory duty, bailee’s duty, a restitutionary claim it is knocked down to you or upon collection of the Lot if mediator, arbitrator or government body; and or otherwise. earlier, and you are advised to obtain insurance in respect of the 8.2.2 will not be exercised unless we believe that there exists a You may wish to protect yourself against loss by obtaining insurance. Lot as soon as possible after the Sale. serious prospect of a good arguable case in favour of the claim. 10.4 Nothing set out above will be construed as excluding or 7 FAILURE TO PAY OR TO REMOVE THE LOT AND PART 9 FORGERIES restricting (whether directly or indirectly) any person’s liability PAYMENTS 9.1 We undertake a personal responsibility for any Forgery in or excluding or restricting any person’s rights or remedies in 7.1 If all sums payable to us are not so paid in full at the time they accordance with the terms of this paragraph 9. respect of (i) fraud, or (ii) death or personal injury caused by our are due and/or the Lot is not removed in accordance with 9.2 Paragraph 9 applies only if: negligence (or any person under our control or for whom we are this agreement, we will (without further notice to you unless 9.2.1 your name appears as the named person to whom the original legally responsible), or (iii) acts or omissions for which we are otherwise provided below), be entitled to exercise one or more invoice was made out by us in respect of the Lot and that liable under the Occupiers Liability Act 1957, or (iv) any other of the following rights (without prejudice to any rights we may invoice has been paid; and liability to the extent the same may not be excluded or restricted exercise on behalf of the Seller): 9.2.2 you notify us in writing as soon as reasonably practicable after as a matter of law, or (v) under our undertaking in paragraph 9 7.1.1 to terminate this agreement immediately for your breach of you have become aware that the Lot is or may be a Forgery, of these conditions. contract; and in any event within one year after the Sale, that the Lot is a 11 BOOKS MISSING TEXT OR ILLUSTRATIONS 7.1.2 to retain possession of the Lot; Forgery; and Where the Lot is made up wholly of a Book or Books and 7.1.3 to remove, and/or store the Lot at your expense; 9.2.3 within one month after such notification has been given, you any Book does not contain text or illustrations (in either case 7.1.4 to take legal proceedings against you for payment of any sums return the Lot to us in the same condition as it was at the time referred to as a “non-conforming Lot”), we undertake a personal payable to us by you (including the Purchase Price) and/or of the Sale, accompanied by written evidence that the Lot is responsibility for such a non-conforming Lot in accordance with damages for breach of contract; a Forgery and details of the Sale and Lot number sufficient to the terms of this paragraph, if: 7.1.5 to be paid interest on any monies due to us (after as well as identify the Lot. the original invoice was made out by us to you in respect of the before judgement or order) at the annual rate of 5% per annum 9.3 Paragraph 9 will not apply in respect of a Forgery if: Lot and that invoice has been paid; and above the base lending rate of National Westminster Bank Plc 9.3.1 the Entry in relation to the Lot contained in the Catalogue you notify us in writing as soon as reasonably practicable after from time to time to be calculated on a daily basis from the reflected the then accepted general opinion of scholars and you have become aware that the Lot is or may be a non- date upon which such monies become payable until the date of experts or fairly indicated that there was a conflict of such conforming Lot, and in any event within 20 days after the Sale actual payment; opinion or reflected the then current opinion of an expert (or such longer period as we may agree in writing) that the Lot is 7.1.6 to repossess the Lot (or any part thereof) which has not become acknowledged to be a leading expert in the relevant field; or a non-conforming Lot; and your property, and for this purpose (unless you buy the Lot as 9.3.2 it can be established that the Lot is a Forgery only by means of within 20 days of the date of the relevant Sale (or such longer a Consumer) you hereby grant an irrevocable licence to us, by a process not generally accepted for use until after the date on period as we may agree in writing) you return the Lot to us in the ourselves, our servants or agents, to enter upon all or any of which the Catalogue was published or by means of a process same condition as it was at the time of the Sale, accompanied by your premises (with or without vehicles) during normal business which it was unreasonable in all the circumstances for us to written evidence that the Lot is a non-conforming Lot and details hours to take possession of any Lot or part thereof; have employed. of the Sale and Lot number sufficient to identify the Lot.but not if: 7.1.7 to sell the Lot Without Reserve by auction, private treaty or any 9.4 You authorise us to carry out such processes and tests on the Entry in the Catalogue in respect of the Lot indicates that the other means on giving you three months’ written notice of our the Lot as we in our absolute discretion consider necessary to rights given by this paragraph do not apply to it; or intention to do so; satisfy ourselves that the Lot is or is not a Forgery. the Entry in the Catalogue in respect of the Lot reflected the 7.1.8 to retain possession of any of your other property in our 9.5 If we are satisfied that a Lot is a Forgery we will (as principal) then accepted general opinion of scholars and experts or fairly possession for any purpose (including, without limitation, other purchase the Lot from you and you will transfer the title to the indicated that there was a conflict of such opinion; or goods sold to you or with us for Sale) until all sums due to us Lot in question to us, with full title guarantee, free from any liens, it can be established that the Lot is a non-conforming Lot only have been paid in full; charges, encumbrances and adverse claims, in accordance with by means of a process not generally accepted for use until after 7.1.9 to apply any monies received from you for any purpose whether the provisions of Sections 12(1) and 12(2) of the Sale of Goods the date on which the Catalogue was published or by means of at the time of your default or at any time thereafter in payment Act 1979 and we will pay to you an amount equal to the sum of a process which it was unreasonable in all the circumstances for or part payment of any sums due to us by you under this the Purchase Price, Buyer’s Premium, VAT and Expenses paid us to have employed; or agreement; by you in respect of the Lot. the Lot comprises atlases, maps, autographs, manuscripts, 7.1.10 on three months’ written notice to sell, Without Reserve, any of 9.6 The benefit of paragraph 9 is personal to, and incapable of extra illustrated books, music or periodical publications; or your other property in our possession or under our control for assignment by, you. the Lot was listed in the Catalogue under “collections” or any purpose (including other goods sold to you or with us for 9.7 If you sell or otherwise dispose of your interest in the Lot, all “collections and various” or the Lot was stated in the Catalogue Sale) and to apply any monies due to you as a result of such rights and benefits under this paragraph 9 will cease. to comprise or contain a collection, issue or Books which are Sale in payment or part payment of any amounts owed to us; 9.8 Paragraph 9 does not apply to a Lot made up of or including a undescribed or the missing text or illustrations are referred to 7.1.11 refuse to allow you to register for a future Sale or to reject a bid Chinese painting or Chinese paintings, a motor vehicle or motor or the relevant parts of the Book contain blanks, half titles or from you at any future Sale or to require you to pay a deposit vehicles, a Stamp or Stamps or a Book or Books. advertisements. before any bid is accepted by us at any future Sale in which 10 OUR LIABILITY If we are reasonably satisfied that a Lot is a non- conforming case we will be entitled to apply such deposit in payment or part 10.1 We will not be liable whether in negligence, other tort, breach Lot, we will (as principal) purchase the Lot from you and you payment, as the case may be, of the Purchase Price of any Lot of contract or statutory duty or in restitution or under the will transfer the title to the Lot in question to us, with full title of which you are the Buyer. Misrepresentation Act 1967 or in any other way for lack of guarantee, free from any liens, charges, encumbrances and 7.1.12 having made reasonable efforts to inform you, to release your conformity with or any inaccuracy, error, misdescription or adverse claims and we will pay to you an amount equal to the name and address to the Seller, so they might take appropriate omission in any Description of the Lot or any Entry or Estimate sum of the Purchase Price and Buyer’s Premium paid by you in steps to recover the amounts due and legal costs associated in respect of it, made by us or on our behalf or by or on respect of the Lot. with such steps. behalf of the Seller (whether made in writing, including in the The benefit of paragraph 10 is personal to, and incapable of 7.2 You agree to indemnify us against all legal and other costs, all Catalogue, or on the Bonhams’ Website, or orally, or by conduct assignment by, you and if you sell or otherwise dispose of your losses and all other Expenses (whether or not court proceedings or otherwise) and whether made before or after this agreement interest in the Lot, all rights and benefits under this paragraph will have been issued) incurred by us as a result of our taking or prior to or during the Sale. will cease. steps under this paragraph 7 on a full indemnity basis together 10.2 Our duty to you while the Lot is at your risk and/or your property 12 MISCELLANEOUS with interest thereon (after as well as before judgement or order) and in our custody and/or control is to exercise reasonable care 12.1 You may not assign either the benefit or burden of this agreement. at the rate specified in paragraph 7.1.5 from the date upon in relation to it, but we will not be responsible for damage to the 12.2 Our failure or delay in enforcing or exercising any power or right which we become liable to pay the same until payment by you. Lot or to other persons or things caused by: under this agreement will not operate or be deemed to operate 7.3 If you pay us only part of the sums due to us such payment 10.2.1 handling the Lot if it was affected at the time of Sale to you by as a waiver of our rights under it except to the extent of any shall be applied firstly to the Purchase Price of the Lot (or woodworm and any damage is caused as a result of it being express waiver given to you in writing. Any such waiver will not where you have purchased more than one Lot pro-rata towards affected by woodworm; or affect our ability subsequently to enforce any right arising under the Purchase Price of each Lot) and secondly to the Buyer’s 10.2.2 changes in atmospheric pressure; nor will we be liable for: this agreement. Premium (or where you have purchased more than one Lot 10.2.3 damage to tension stringed musical instruments; or 12.3 If either party to this agreement is prevented from performing pro-rata to the Buyer’s Premium on each Lot) and thirdly to any 10.2.4 damage to gilded picture frames, plaster picture frames or that party’s respective obligations under this agreement other sums due to us. picture frame glass; and if the Lot is or becomes dangerous, by circumstances beyond its reasonable control (including 7.4 We will account to you in respect of any balance we hold we may dispose of it without notice to you in advance in any without limitation governmental intervention, industrial action, remaining from any monies received by us in respect of any manner we think fit and we will be under no liability to you for insurrection, warfare (declared or undeclared), terrorism, power Sale of the Lot under our rights under this paragraph 7 after the doing so. failure, epidemic or natural disaster) or if performance of its payment of all sums due to us and/or the Seller within 28 days 10.3.1 We will not be liable to you for any loss of Business, Business obligations would by reason of such circumstances give rise of receipt by us of all such sums paid to us. profits, revenue or income or for loss of Business reputation to a significantly increased financial cost to it, that party will 8 CLAIMS BY OTHER PERSONS IN RESPECT OF THE LOT or for disruption to Business or wasted time on the part of the not, for so long as such circumstances prevail, be required to 8.1 Whenever it becomes apparent to us that the Lot is the subject Buyer’s management or staff or, if you are buying the Lot in the perform such obligations. This paragraph does not apply to the of a claim by someone other than you and other than the course of a Business, for any indirect losses or consequential obligations imposed on you by paragraph 3. Seller (or that such a claim can reasonably be expected to be damages of any kind, irrespective in any case of the nature, 12.4 Any notice or other communication to be given under this made), we may, at our absolute discretion, deal with the Lot in volume or source of the loss or damage alleged to be suffered, agreement must be in writing and may be delivered by hand any manner which appears to us to recognise the legitimate and irrespective of whether the said loss or damage is caused or sent by first class post or air mail or fax transmission (if to interests of ourselves and the other parties involved and lawfully by or claimed in respect of any negligence, other tort, breach Bonhams marked for the attention of the Company Secretary), to protect our position and our legitimate interests. Without of contract, statutory duty, bailee’s duty, a restitutionary claim to the address or fax number of the relevant party given in the prejudice to the generality of the discretion and by way of or otherwise. Contract Form (unless notice of any change of address is given example, we may: 10.3.2 Unless you buy the Lot as a Consumer, in any circumstances in writing). It is the responsibility of the sender of the notice or

NTB/MAIN/V1/11.2020 communication to ensure that it is received in a legible form “Conditions of Sale” the Notice to Bidders, Contract for Sale, Buyer’s “Specialist Examination” a visual examination of a Lot by a specialist Registration and Bidding Form within any applicable time period. Agreement and Definitions and Glossary. on the Lot. (Attendee / Absentee / Online / Telephone Bidding) 12.5 If any term or any part of any term of this agreement is held to “Consignment Fee” a fee payable to Bonhams by the Seller “Stamp” means a postage Stamp offered for Sale at a Specialist Paddle number (for office use only) be unenforceable or invalid, such unenforceability or invalidity calculated at rates set out in the Conditions of Business. Stamp Sale. Please circle your bidding method above. will not affect the enforceability and validity of the remaining “Consumer” a natural person who is acting for the relevant purpose “Standard Examination” a visual examination of a Lot by a non- terms or the remainder of the relevant term. outside his trade, Business or profession. specialist member of Bonhams’ staff. This sale will be conducted in accordance with 12.6 References in this agreement to Bonhams will, where “Contract Form” the Contract Form, or vehicle Entry form, as “Storage Contract” means the contract described in paragraph Sale title: Sale date: appropriate, include reference to Bonhams’ officers, employees applicable, signed by or on behalf of the Seller listing the Lots to be 8.3.3 of the Conditions of Business or paragraph 4.4 of the Buyer’s Bonhams’ Conditions of Sale and bidding and buying and agents. offered for Sale by Bonhams. Agreement (as appropriate). at the Sale will be regulated by these Conditions. You 12.7 The headings used in this agreement are for convenience only “Contract for Sale” the Sale contract entered into by the Seller with “Storage Contractor” means the company identified as such in the should read the Conditions in conjunction with the Sale no. Sale venue: and will not affect its interpretation. the Buyer (see Appendix 1 in the Catalogue). Catalogue. Sale Information relating to this Sale which sets out the 12.8 In this agreement “including” means “including, without “Contractual Description” the only Description of the Lot (being “Terrorism” means any act or threatened act of terrorism, whether charges payable by you on the purchases you make If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours limitation”. that part of the Entry about the Lot in the Catalogue which is in bold any person is acting alone or on behalf of or in connection with any and other terms relating to bidding and buying at the 12.9 References to the singular will include reference to the plural letters, any photograph (except for the colour) and the contents of any organisation(s) and/or government(s), committed for political, religious prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Sale. You should ask any questions you have about the (and vice versa) and reference to any one gender will include Condition Report) to which the Seller undertakes in the Contract of or ideological or similar purposes including, but not limited to, the for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will reference to the other genders. Sale the Lot corresponds. intention to influence any government and/or put the public or any Conditions before signing this form. These Conditions endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. 12.10 Reference to a numbered paragraph is to a paragraph of this “Description” also contain certain undertakings by bidders and buyers any statement or representation in any way descriptive section of the public into fear. General Bid Increments: agreement. of the Lot, including any statement or representation relating to its “VAT” value added tax at the prevailing rate at the date of the Sale in and limit Bonhams’ liability to bidders and buyers. 12.11 Save as expressly provided in paragraph 12.12 nothing in this authorship, attribution, condition, provenance, authenticity, style, the United Kingdom. £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s agreement confers (or purports to confer) on any person who period, age, suitability, quality, origin, value, estimated selling price “Website” Bonhams Website at www.bonhams.com Data protection – use of your information £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s is not a party to this agreement any benefit conferred by, or the (including the Hammer Price). “Withdrawal Notice” the Seller’s written notice to Bonhams revoking Where we obtain any personal information about you, we £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s right to enforce any term of, this agreement. “Entry” a written statement in the Catalogue identifying the Lot and its Bonhams’ instructions to sell a Lot. shall only use it in accordance with the terms of our Privacy £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s 12.12 Where this agreement confers an immunity from, and/or an Lot number which may contain a Description and illustration(s) relating “Without Reserve” where there is no minimum price at which a Lot Policy (subject to any additional specific consent(s) you may £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion exclusion or restriction of, the responsibility and/or liability to the Lot. may be sold (whether at auction or by private treaty). have given at the time your information was disclosed). A of Bonhams, it will also operate in favour and for the benefit “Estimate” a statement of our opinion of the range within which the £5,000 - 10,000 ...... by 500s GLOSSARY copy of our Privacy Policy can be found on our website of Bonhams’ holding company and the subsidiaries of such hammer is likely to fall. The following expressions have specific legal meanings with which you The auctioneer has discretion to split any bid at any time. holding company and the successors and assigns of Bonhams “Expenses” charges and Expenses paid or payable by Bonhams may not be familiar. The following glossary is intended to give you an (www.bonhams.com) or requested by post from Customer and of such companies and of any officer, employee and in respect of the Lot including legal Expenses, banking charges and understanding of those expressions but is not intended to limit their Services Department, 101 New Bond Street, London W1S agent of Bonhams and such companies, each of whom will be Expenses incurred as a result of an electronic transfer of money, legal meanings: 1SR United Kingdom or by e-mail from [email protected]. Customer Number Title entitled to rely on the relevant immunity and/or exclusion and/ charges and Expenses for loss and damage cover, insurance, “artist’s resale right”: the right of the creator of a work of art to receive We may disclose your personal information to any member of or restriction within and for the purposes of Contracts (Rights of Catalogue and other reproductions and illustrations, any customs a payment on Sales of that work subsequent to the original Sale of our group which means our subsidiaries, our ultimate holding First Name Last Name Third Parties) Act 1999, which enables the benefit of a contract duties, advertising, packing or shipping costs, reproductions rights’ that work by the creator of it as set out in the Artists Resale Right company and its subsidiaries (whether registered in the UK or to be extended to a person who is not a party to the contract, fees, taxes, levies, costs of testing, searches or enquiries, preparation Regulations 2006. elsewhere). We will not disclose your data to anyone outside Company name (if applicable) and generally at law. of the Lot for Sale, storage charges, removal charges, removal charges “bailee”: a person to whom goods are entrusted. our group but we may from time to time provide you with 13 GOVERNING LAW or costs of collection from the Seller as the Seller’s agents or from a “indemnity”: an obligation to put the person who has the benefit Company Registration number (if applicable) All transactions to which this agreement applies and all defaulting Buyer, plus VAT if applicable. of the indemnity in the same position in which he would have been, information about goods and services which we feel maybe of interest to you including those provided by third parties. connected matters will be governed by and construed in “Forgery” an imitation intended by the maker or any other person to had the circumstances giving rise to the indemnity not arisen and the Address accordance with the laws of that part of the United Kingdom deceive as to authorship, attribution, origin, authenticity, style, date, expression “indemnify” is construed accordingly. If you do not want to receive such information (except for where the Sale takes (or is to take) place and we and you each age, period, provenance, culture, source or composition, which at the “interpleader proceedings”: proceedings in the Courts to determine information you specifically requested) please tick this box City submit to the exclusive jurisdiction of the courts of that part date of the Sale had a value materially less than it would have had if the ownership or rights over a Lot. Would you like to receive e-mailed information from us? if so of the United Kingdom, save that we may bring proceedings Lot had not been such an imitation, and which is not stated to be such “knocked down”: when a Lot is sold to a Bidder, indicated by the fall please tick this box against you in any other court of competent jurisdiction to an imitation in any description of the Lot. A Lot will not be a Forgery by of the hammer at the Sale. Post / Zip code County / State the extent permitted by the laws of the relevant jurisdiction. reason of any damage to, and/or restoration and/ or modification work “lien”: a right for the person who has possession of the Lot to retain Bonhams has a complaints procedure in place. (including repainting or over painting) having been carried out on the possession of it. Notice to Bidders. At least 24 hours before the Sale, clients must provide Telephone (mobile) Country DATA PROTECTION – USE OF YOUR INFORMATION Lot, where that damage, “risk”: the possibility that a Lot may be lost, damaged, destroyed, government or state issued photographic proof of ID and date Where we obtain any personal information about you, we shall only restoration or modification work (as the case may be) does not stolen, or deteriorate in condition or value. Telephone (landline) use it in accordance with the terms of our Privacy Policy (subject to substantially affect the identity of the Lot as one conforming to the “title”: the legal and equitable right to the ownership of a Lot. of birth e.g. - passport, driving licence - and if not included in any additional specific consent(s) you may have given at the time Description of the Lot. “tort”: a legal wrong done to someone to whom the wrong doer has ID document, proof of address e.g - utility bill, bank or credit your information was disclosed). A copy of our Privacy Policy can be “Guarantee” the obligation undertaken personally by Bonhams to the a duty of care. card statement etc. Corporate clients should also provide a E-mail (in capitals) found on our Website www.bonhams.com or requested by post from Buyer in respect of any Forgery and, in the case of specialist Stamp “warranty”: a legal assurance or promise, upon which the person to copy of their articles of association / company registration Please answer all questions below Customer Services Department, 101 New Bond Street, London W1S Sales and/or specialist Book Sales, a Lot made up of a Stamp or whom the warranty was given has the right to rely. documents, and the entities name and registered address, 1SR, United Kingdom or by email from [email protected]. Stamps or a Book or Books as set out in the Buyer’s Agreement. SALE OF GOODS ACT 1979 documentary proof of its beneficial owners and directors, 1. ID supplied: Government issued ID and (if the ID does not confirm your address) current utility bill/ bank statement. “Hammer Price” the price in the currency in which the Sale is The following is an extract from the Sale of Goods Act 1979: together with a letter authorising the individual to bid on the If a corporate entity, please provide the Certificate of Incorporation or Partnership Deed and a letter authorising you to act. APPENDIX 3 conducted at which a Lot is knocked down by the Auctioneer. “Section 12 Implied terms about title, etc “Loss and Damage Warranty” company’s behalf. Failure to provide this may result in your means the warranty described in (1) In a contract of sale, other than one to which subsection (3) below 2. Are you representing the Bidder? If yes, please complete question 3. DEFINITIONS AND GLOSSARY paragraph 8.2 of the Conditions of Business. applies, there is an implied term on the part of the seller that in the bids not being processed or completed. For higher value lots you may also be asked to provide a bank reference. Where these Definitions and Glossary are incorporated, the following “Loss and Damage Warranty Fee” means the fee described in case of a sale he has a right to sell the goods, and in the case of 3. Bidder's name, address and contact details (phone and email): words and phrases used have (unless the context otherwise requires) paragraph 8.2.3 of the Conditions of Business. an agreement to sell he will have such a right at the time when the the meanings given to them below. The Glossary is to assist you to “Lot” any item consigned to Bonhams with a view to its Sale at auction property is to pass. If successful Bidder’s ID: Government issued ID and (if the ID does not confirm their address) current utility bill/bank statement understand words and phrases which have a specific legal meaning or by private treaty (and reference to any Lot will include, unless the (2) In a contract of sale, other than one to which subsection (3) below I will collect the purchases myself with which you may not be familiar. context otherwise requires, reference to individual items comprised in a applies, there is also an implied term that- Are you acting in a business capacity? If registered for VAT in the EU please enter your registration here: LIST OF DEFINITIONS group of two or more items offered for Sale as one Lot). (a) the goods are free, and will remain free until the time Please arrange shippers to contact me with Yes No / - - “Account” the bank account of Bonhams into which all sums received “Motoring Catalogue Fee” a fee payable by the Seller to Bonhams in when the property is to pass, from any charge or a quote and I agree that you may pass them in respect of the Purchase Price of any Lot will be paid. consideration of the additional work undertaken by Bonhams in respect encumbrance not disclosed or known to the buyer my contact details. “Additional Premium” a premium, calculated in accordance with of the cataloguing of motor vehicles and in respect of the promotion of before the contract is made, and Please note that all telephone calls are recorded. the Notice to Bidders, to cover Bonhams’ Expenses relating to the Sales of motor vehicles. (b) the buyer will enjoy quiet possession of the goods MAX bid in GBP Telephone or payment of royalties under the Artists Resale Right Regulations 2006 “New Bond Street” means Bonhams’ saleroom at 101 New Bond except in so far as it may be disturbed by the owner or Lot no. Brief description (excluding premium Covering bid which is payable by the Buyer to Bonhams on any Lot marked [AR] Street, London W1S 1SR. other person entitled to the benefit of any charge or Absentee (T / A) which sells for a Hammer Price which together with the Buyer’s “Notional Charges” the amount of Commission and VAT which would encumbrance so disclosed or known. & VAT) * Premium (but excluding any VAT) equals or exceeds 1000 euros have been payable if the Lot had been sold at the Notional Price. (3) This subsection applies to a contract of sale in the case of which (converted into the currency of the Sale using the European Central “Notional Fee” the sum on which the Consignment Fee payable to there appears from the contract or is to be inferred from its Bank Reference rate prevailing on the date of the Sale). Bonhams by the Seller is based and which is calculated according to circumstances an intention that the seller should transfer only such “Auctioneer” the representative of Bonhams conducting the formula set out in the Conditions of Business. title as he or a third person may have. the Sale. “Notional Price” the latest in time of the average of the high and low “Bidder” Any person considering, attempting or making a Bid, Estimates given by us to you or stated in the Catalogue or, if no such (4) In a contract to which subsection (3) above applies there is an including those who have completed a Bidding Form. Estimates have been given or stated, the Reserve applicable to the Lot. implied term that all charges or encumbrances known to the seller “Bidding Form” our Bidding Registration Form, our Absentee Bidding “Notice to Bidders” the notice printed at the back or front of our and not known to the buyer have been disclosed to the buyer Form or our Telephone Bidding Form. Catalogues. before the contract is made. “Bonhams” Bonhams 1793 Limited or its successors or assigns. “Purchase Price” the aggregate of the Hammer Price and VAT on the (5) In a contract to which subsection (3) above applies there is also an Bonhams is also referred to in the Buyer’s Agreement, the Conditions Hammer Price (where applicable), the Buyer’s Premium and VAT on the implied term that none of the following will disturb the buyer’s quiet of Business and the Notice to Bidders by the words “we”, “us” and Buyer’s Premium and any Expenses. possession of the goods, namely: “our”. “Reserve” the minimum price at which a Lot may be sold (whether at (a) the seller; “Book” a printed Book offered for Sale at a specialist Book Sale. auction or by private treaty). (b) in a case where the parties to the contract intend “Business” includes any trade, Business and profession. “Sale” the auction Sale at which a Lot is to be offered for Sale by that the seller should transfer only such title as a third “Buyer” the person to whom a Lot is knocked down by the Bonhams. person may have, that person; FOR WINE SALES ONLY Auctioneer. The Buyer is also referred to in the Contract for Sale and “Sale Proceeds” the net amount due to the Seller from the Sale of a (c) anyone claiming through or under the seller or that third the Buyer’s Agreement by the words “you” and “your”. Lot, being the Hammer Price less the Commission, any VAT chargeable person otherwise than under a charge or encumbrance Please leave lots “available under bond” in bond Please include delivery charges (minimum charge of £20 + VAT) “Buyer’s Agreement” the contract entered into by Bonhams with the thereon, Expenses and any other amount due to us in whatever disclosed or known to the buyer before the contract is Buyer (see Appendix 2 in the Catalogue). capacity and howsoever arising. made. “Buyer’s Premium” the sum calculated on the Hammer Price at the “Seller” the person who offers the Lot for Sale named on the Contract (5A) As regards England and Wales and Northern Ireland, the term BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE INCLUDING BUYER’S WARRANTIES AND WISH rates stated in the Notice to Bidders. Form. Where the person so named identifies on the form another implied by subsection (1) above is a condition and the terms TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS. “Catalogue” the Catalogue relating to the relevant Sale, including any person as acting as his agent, or where the person named on the implied by subsections (2), (4) and (5) above are warranties.” representation of the Catalogue published on our Website. Contract Form acts as an agent for a principal (whether such agency is “Commission” the Commission payable by the Seller to Bonhams disclosed to Bonhams or not), “Seller” includes both the agent and the Bidder/Agent’s (please delete one) signature: Date: calculated at the rates stated in the Contract Form. principal who shall be jointly and severally liable as such. The Seller “Condition Report” a report on the physical condition of a Lot provided is also referred to in the Conditions of Business by the words “you” Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. to a Bidder or potential Bidder by Bonhams on behalf of the Seller. and “your”. NB.* Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: NTB/MAIN/V1/11.2020 Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. UK/08/19 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above. Paddle number (for office use only)

This sale will be conducted in accordance with Old Master Paintings 15 April 2021 Bonhams’ Conditions of Sale and bidding and buying Sale title: Sale date: at the Sale will be regulated by these Conditions. You should read the Conditions in conjunction with the Sale no. 26568 Sale venue: Knightsbridge Sale Information relating to this Sale which sets out the charges payable by you on the purchases you make If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours and other terms relating to bidding and buying at the prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Sale. You should ask any questions you have about the for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will Conditions before signing this form. These Conditions endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. also contain certain undertakings by bidders and buyers and limit Bonhams’ liability to bidders and buyers. General Bid Increments: £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s Data protection – use of your information £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s Where we obtain any personal information about you, we £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s shall only use it in accordance with the terms of our Privacy £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s Policy (subject to any additional specific consent(s) you may £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion have given at the time your information was disclosed). A £5,000 - 10,000 ...... by 500s copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post from Customer The auctioneer has discretion to split any bid at any time. Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. Customer Number Title We may disclose your personal information to any member of our group which means our subsidiaries, our ultimate holding First Name Last Name company and its subsidiaries (whether registered in the UK or elsewhere). We will not disclose your data to anyone outside Company name (if applicable) our group but we may from time to time provide you with information about goods and services which we feel maybe of Company Registration number (if applicable) interest to you including those provided by third parties. If you do not want to receive such information (except for Address information you specifically requested) please tick this box City Would you like to receive e-mailed information from us? if so please tick this box Post / Zip code County / State Notice to Bidders. At least 24 hours before the Sale, clients must provide Telephone (mobile) Country government or state issued photographic proof of ID and date of birth e.g. - passport, driving licence - and if not included in Telephone (landline) ID document, proof of address e.g - utility bill, bank or credit card statement etc. Corporate clients should also provide a E-mail (in capitals) copy of their articles of association / company registration Please answer all questions below documents, and the entities name and registered address, documentary proof of its beneficial owners and directors, 1. ID supplied: Government issued ID and (if the ID does not confirm your address) current utility bill/ bank statement. together with a letter authorising the individual to bid on the If a corporate entity, please provide the Certificate of Incorporation or Partnership Deed and a letter authorising you to act. company’s behalf. Failure to provide this may result in your bids not being processed or completed. For higher value lots 2. Are you representing the Bidder? If yes, please complete question 3. you may also be asked to provide a bank reference. 3. Bidder's name, address and contact details (phone and email): If successful Bidder’s ID: Government issued ID and (if the ID does not confirm their address) current utility bill/bank statement I will collect the purchases myself Are you acting in a business capacity? If registered for VAT in the EU please enter your registration here: Please arrange shippers to contact me with Yes No - - a quote and I agree that you may pass them / my contact details. Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Absentee (T / A) Covering bid & VAT) *

FOR WINE SALES ONLY

Please leave lots “available under bond” in bond Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE INCLUDING BUYER’S WARRANTIES AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Bidder/Agent’s (please delete one) signature: Date:

Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB.* Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. UK/08/19 Bonhams Montpelier Street Knightsbridge, London SW7 1HH 26568

+44 (0) 20 7393 3900 bonhams.com

AUCTIONEERS SINCE 1793