Scottish Register of Tartans Bill 2008

Total Page:16

File Type:pdf, Size:1020Kb

Scottish Register of Tartans Bill 2008 Passage of the Scottish Register of Tartans Bill 2008 SPPB 125 Passage of the Scottish Register of Tartans Bill 2008 SP Bill 8 (Session 3), subsequently 2008 asp 7 SPPB 125 EDINBURGH: APS GROUP SCOTLAND For information in languages other than English or in alternative formats (for example Braille, large print, audio tape or various computer formats), please send your enquiry to Public Information, The Scottish Parliament, Edinburgh, EH991SP. You can also contact us by email [email protected] We welcome written correspondence in any language Parliamentary copyright. Scottish Parliamentary Corporate Body Information on the Scottish Parliament’s copyright policy can be found on the website - www.scottish.parliament.uk Produced and published in Scotland on behalf of the Scottish Parliamentary Corporate Body by APS Group Scotland. ISBN 978-1-78307-906-3 Contents Page Foreword Introduction of the Bill Bill (As Introduced) (SP Bill 8) 1 Explanatory Notes (and other accompanying documents) (SP Bill 8-EN) 13 Policy Memorandum (SP Bill 8-PM) 27 Delegated Powers Memorandum (SP Bill 8-DPM) 36 Stage 1 Stage 1 Report, Economy, Energy and Tourism Committee 41 Written evidence to the Economy, Energy and Tourism Committee 100 Extract from the Minutes of the Parliament, 19 June 2008 125 Official Report, Meeting of the Parliament, 19 June 2008 126 Stage 2 Marshalled List of Amendments for Stage 2 (SP Bill 8-ML) 141 Groupings of Amendments for Stage 2 (SP Bill 8-G) 142 Extract from the Minutes, Economy, Energy and Tourism Committee, 10 143 September 2008 Official Report, Economy, Energy and Tourism Committee, 10 September 144 2008 Bill (As Amended at Stage 2) (SP Bill 8A) 151 Stage 3 Marshalled List of Amendments selected for Stage 3 (SP Bill 8A-ML) 163 Extract from the Minutes of the Parliament, 9 October 2008 164 Official Report, Meeting of the Parliament, 9 October 2008 165 Bill (As Passed) (SP Bill 8B) 179 Foreword Purpose of the series The aim of this series is to bring together in a single place all the official Parliamentary documents relating to the passage of the Bill that becomes an Act of the Scottish Parliament (ASP). The list of documents included in any particular volume will depend on the nature of the Bill and the circumstances of its passage, but a typical volume will include: every print of the Bill (usually three – “As Introduced”, “As Amended at Stage 2” and “As Passed”); the accompanying documents published with the “As Introduced” print of the Bill (and any revised versions published at later Stages); every Marshalled List of amendments from Stages 2 and 3; every Groupings list from Stages 2 and 3; the lead Committee’s “Stage 1 report” (which itself includes reports of other committees involved in the Stage 1 process, relevant committee Minutes and extracts from the Official Report of Stage 1 proceedings); the Official Report of the Stage 1 and Stage 3 debates in the Parliament; the Official Report of Stage 2 committee consideration; the Minutes (or relevant extracts) of relevant Committee meetings and of the Parliament for Stages 1 and 3. All documents included are re-printed in the original layout and format, but with minor typographical and layout errors corrected. Where documents in the volume include web-links to external sources or to documents not incorporated in this volume, these links have been checked and, wherever the linked material remains available, are correct at the time of publishing this volume. The Scottish Parliament is not responsible for the content of external Internet sites. The links in this volume will not be monitored after publication, and no guarantee can be given that all links will continue to be effective. Documents in each volume are arranged in the order in which they relate to the passage of the Bill through its various stages, from introduction to passing. The Act itself is not included on the grounds that it is already generally available and is, in any case, not a Parliamentary publication. Outline of the legislative process Bills in the Scottish Parliament follow a three-stage process. The fundamentals of the process are laid down by section 36(1) of the Scotland Act 1998, and amplified by Chapter 9 of the Parliament’s Standing Orders. In outline, the process is as follows: Introduction, followed by publication of the Bill and its accompanying documents; Stage 1: the Bill is first referred to a relevant committee, which produces a report informed by evidence from interested parties, then the Parliament debates the Bill and decides whether to agree to its general principles; Stage 2: the Bill returns to a committee for detailed consideration of amendments; Stage 3: the Bill is considered by the Parliament, with consideration of further amendments followed by a debate and a decision on whether to pass the Bill. After a Bill is passed, three law officers and the Secretary of State have a period of four weeks within which they may challenge the Bill under sections 33 and 35 of the Scotland Act respectively. The Bill may then be submitted for Royal Assent, at which point it becomes an Act. Standing Orders allow for some variations from the above pattern in some cases. For example, Bills may be referred back to a committee during Stage 3 for further Stage 2 consideration. In addition, the procedures vary for certain categories of Bills, such as Committee Bills or Emergency Bills. For some volumes in the series, relevant proceedings prior to introduction (such as pre-legislative scrutiny of a draft Bill) may be included. The reader who is unfamiliar with Bill procedures, or with the terminology of legislation more generally, is advised to consult in the first instance the Guidance on Public Bills published by the Parliament. That Guidance, and the Standing Orders, are available for sale from Stationery Office bookshops or free of charge on the Parliament’s website (www.scottish.parliament.uk). The series is produced by the Legislation Team within the Parliament’s Chamber Office. Comments on this volume or on the series as a whole may be sent to the Legislation Team at the Scottish Parliament, Edinburgh EH99 1SP. Notes on this volume The Bill to which this volume relates followed the standard 3 stage process described above. The Bill was a Member’s Bill which had the support of the Scottish Government, and for which the Scottish Government provided drafting assistance. The process by which the Bill was developed, including consideration by the Parliament of a similar Bill introduced in 2006, is fully explained in the Policy Memorandum included in this volume. The written submissions received by the Economy, Energy and Tourism Committee were not included in its Stage 1 Report and are, therefore, included in this volume after that report. No Stage 3 Groupings were produced for this Bill as only one amendment was lodged for Stage 3. Scottish Register of Tartans Bill [AS INTRODUCED] CONTENTS Section The Scottish Register of Tartans 1 The Register 2 Meaning of “tartan” 3 Keeper of the Scottish Register of Tartans 4 Functions of the Keeper 5 Existing collections of tartans Applications to register tartans 6 The application 7 Determination of application 8 Refused applications: reconsideration 9 Registration Amendment of Register 10 Amendment of Register by request 11 Amendment of Register: request other than by applicant 12 Amendment of Register: corrections 13 Certificates of registration following amendment Miscellaneous and general 14 Fees 15 Scottish Records Advisory Council 16 Ancillary provision 17 Interpretation 18 Short title and commencement SP Bill 8 Session 3 (2008) 1 2 Scottish Register of Tartans Bill 1 ACCOMPANYING DOCUMENTS Explanatory Notes, together with other accompanying documents, are printed separately as SP Bill 8-EN. A Policy Memorandum is printed separately as SP Bill 8-PM. Scottish Register of Tartans Bill [AS INTRODUCED] An Act of the Scottish Parliament to establish a register of tartans; and for connected purposes. The Scottish Register of Tartans 1 The Register (1) There is to be a Scottish Register of Tartans (in this Act referred to as “the Register”). 5 (2) The purposes of the Register are— (a) to be a repository for the preservation of tartans, and (b) to be a source of information about tartans. (3) The Register is to be kept in electronic form. 2 Meaning of “tartan” 10 For the purposes of this Act, a tartan is a design consisting of two or more alternating coloured stripes which combine vertically and horizontally to form a repeated chequered pattern. 3 Keeper of the Scottish Register of Tartans (1) In this Act, the “Keeper” means the Keeper of the Records of Scotland; but when 15 carrying out any function in relation to the Register, the Keeper is to be known as the Keeper of the Scottish Register of Tartans. (2) Any document or other physical thing in relation to which the Keeper’s duty of care and preservation under section 4(2)(b) applies is not to be treated as a record for the purposes of sections 8 to 12 of the Public Records (Scotland) Act 1937 (c.43) (functions 20 of the Keeper and others in relation to records transmitted to the Keeper). (3) Any functions transferred to and vested in the Keeper under section 1(3) of the Public Registers and Records (Scotland) Act 1948 (c.57) (functions with regard to the preservation of the public registers, records and rolls of Scotland) are not to be exercisable in relation to the Register. SP Bill 8 Session 3 (2008) 3 2 Scottish Register of Tartans Bill 4 Functions of the Keeper (1) The Keeper has the general functions of setting up, keeping and maintaining the Register.
Recommended publications
  • Scottish Eccentrics
    SCOTTISH ECCENTRICS by HUGH MacDIARMID SCOTTISH ECCENTRICS The distinguished Scottish poet and literary critic who writes this book recalls how Bernard Shaw in On The Rocks ironically declares that the massacres after the Battle of Culloden were not "mur- der" but simply "liquidation," since the slain Scots in question were "incompatible with British civilization." He then surveys the whole field of Scottish biography, and shows how true this has proved of an amazing number of distinguished Scots, no matter how successfully the bulk of the Scottish people have been assim- ilated to English standards since the Union. The facts are irresist- ible and bring out the "eccen- tricity" of Scottish genius in an extraordinary fashion. The author gives full-length studies often outstanding Scottish eccentrics, including Lord George Gordon of the "Gordon Riots"; Sir Thomas Urquhart, the trans- lator of Rabelais', "Christopher North"; "Ossian" (James Mac- pherson, M.P.); James Hogg, the Ettrick Shepherd; and William McGonagall, perhaps the world's best "bad poet". But he supports these leading cases with apt material drawn from the lives of hundreds of Scots of every period in history and every walk of life, and in this way builds up a bril- liant panoramic picture of Scottish psychology through the ages, singularly at variance with all generally accepted views of the national character. 15 S. net By the Same Author Poetry Sangschaw Penny Wheep To Circumjack Cencrastus First Hymn to Lenin, and other Poems A Drunk Man looks at the Thistle Stony Limits, and other Poems Fiction Annals of the Five Senses Translations The Handmaid of the Lord (novel, from the Spanish of Ramon Maria de Tenreiro) Birlinn Chlann-Rhagnaill (poem, from the Scots Gaelic of Alasdair Mac- Mhaighstir Alasdair) Criticism Contemporary Scottish Studies Albyn: or Scotland and the Future Scottish Scene (in collaboration with Lewis Grassic Gibbon) At the Sign of the Thistle etc.
    [Show full text]
  • Historic Costuming Presented by Jill Harrison
    Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs.
    [Show full text]
  • 4Rt*Cqn! Leadership Award I Am Trying to Find the Birthplace in Lreland, Donnienicholson Led Ateamto Rowfrom St
    Glasgow 2015 Donnie Nicholson 9Lente ftpl,p Games photos here for vou! wins Scottish n'tl 4rt*cqn! leadership award I am trying to find the birthplace in lreland, DonnieNicholson led ateamto rowfrom St. Kilda of my 6th great-great to the Isle of Skye. For that accomplishment, he was grandfathern Hugh chosen to win a Leadership Award from the British Na- Harkins. tional Adventure Awards committee for National Ad- venture for organizing his team, who came close to also He came to being awarded the Team Award. Charleston, S.C. in The team, from a small community onthe Isle of May 1767 on the gottogetherto Skye rejuvenate an old boatbuilt in 1890, Prince of Wales the Aurora, androw it for one hundred miles between withhiswife the remote St. Kilda and Skye. Elizabeth. Donnie gathered the team, tained them and moti- vated them; it said much for Donnie's leadership skills. I do not knowwhere/ The entire proj ect was all to raise funds for the Royal howto determine Naval Lifeboat hstitition and Skye Young Carers. some Donnie and Rosie McDade, the Coxswain ofthe document that might boat, recently became the proud parents of a daughter, indicate the parish/ There are two HollyRoseNicolson. town/countyinwhich pages of photos With thank s to Sc onvbre ac. The Journal of Clan they lived. MacNicol of North Am.ti"ffa'* from the 20I5 Any help or advice is Glasgow High- appreciated. land Games on regards, pages I2-13 of Charles Harkins this section, in- charkins8589@aolcom cluding this hand- some young man. re ffi MEf,TBERSHIP VICE PRESIDENT TtAE'VTBERSI{IP Clifford Fitzsimmons Alon Grohom '19 29.|9 Denson Avenue Broe Volley Courl Knoxville, TN 37921-6671 Porf Perry, Onlorio LgL 1V1, Conodo cehl [email protected] clon.grohom.conodo.
    [Show full text]
  • Wool Lien Cotton Used in Making Sweaters
    Wool Lien Cotton Used In Making Sweaters EustaceCary step-up crossband his transvaluation acrostically. snatches insolubly, but Angevin Elnar never undervalue so heavily. Uncensured Joao froth puissantly. Granulocytic What do wymogu art form part or in wool cotton making sweaters, for your personal gifts for sign up to provide a plastic In the United States cotton is popularly used instead as linen is many. There are using a cotton. Be used in wool is burning test its terms provided us your local staff caring about the lien would make any toe shape. More new sweaters and in. Cotton for the straight and reallocation provisions for cotton allotments HR 90. Brush in making the us. The lien would love and makes a way for misconfigured or account details with its supreme. Designer Gifts for Men Kate Spade New York. Buy Seven7 Women's Yarn Dye Vintage Stripe Hoodie and women Fashion Hoodies. Grandeur noel collection. My fist attempt at knitting was myself a smooth young age son actually making sweaters or get laundry was a huge experience for growing little girl that let go of my arachnid. To make things easy why have compiled all the latest free knitting patterns for babies. Clothing Forever 21. Today about natural fiber is used in wool sweaters socks pants dresses and jackets. In making it makes for. Whether in're making sweaters blankets or fingerless gloves tweed yarns are a. If in use our customer service, do we make a lien would not be used in its terms per unit, and makes plush pillow! 'knitting' related words fabric yarn silk wool 555 more.
    [Show full text]
  • India's Textile and Apparel Industry
    Staff Research Study 27 Office of Industries U.S. International Trade Commission India’s Textile and Apparel Industry: Growth Potential and Trade and Investment Opportunities March 2001 Publication 3401 The views expressed in this staff study are those of the Office of Industries, U.S. International Trade Commission. They are not necessarily the views of the U.S. International Trade Commission as a whole or any individual commissioner. U.S. International Trade Commission Vern Simpson Director, Office of Industries This report was principally prepared by Sundar A. Shetty Textiles and Apparel Branch Energy, Chemicals, and Textiles Division Address all communications to Secretary to the Commission United States International Trade Commission Washington, DC 20436 TABLE OF CONTENTS Page Executive Summary . v Chapter 1. Introduction . 1-1 Purpose of study . 1-1 Data and scope . 1-1 Organization of study . 1-2 Overview of India’s economy . 1-2 Chapter 2. Structure of the textile and apparel industry . 2-1 Fiber production . 2-1 Textile sector . 2-1 Yarn production . 2-4 Fabric production . 2-4 Dyeing and finishing . 2-5 Apparel sector . 2-5 Structural problems . 2-5 Textile machinery . 2-7 Chapter 3. Government trade and nontrade policies . 3-1 Trade policies . 3-1 Tariff barriers . 3-1 Nontariff barriers . 3-3 Import licensing . 3-3 Customs procedures . 3-5 Marking, labeling, and packaging requirements . 3-5 Export-Import policy . 3-5 Duty entitlement passbook scheme . 3-5 Export promotion capital goods scheme . 3-5 Pre- and post-shipment financing . 3-6 Export processing and special economic zones . 3-6 Nontrade policies .
    [Show full text]
  • I Ffirsu^R^S3w!EVI J
    *w" r1 .4 Wvww W** «►•» -’W* rV'rVt> .7, B. Hymer’* Famous “Fast 7s West" don. The mentmn of the tjtle I* svn- Happy Surprise and with tn abundance of lee cream Next Week al Lakewood Theatre onimous in the theatrical world with •he evening was p:.*- to the highest success in the biggest sense of the vociai enjoyment sitle for a fam- JSVmn As Samuel F. Emerson was meditat- po Cprai “East Is written by John B. word. ily to anil all parting with the West,” ing on his good fortune in reaching enjoy Hvmer and Samuel Shipman, one of earnest wish that many more like | Among the characters in the play, his elghty-s»eond birthday on the of dramatic work anniversaries be the greatest pieces now famous le world over, are Ming evening of i!. anil finding him- birthday may repeat- The one hundred-fifty ticket en- August that any American author has ever ed in the future. to he at Toy. the little Chinese girl about self in rood health and et> ovine life, dorsers are hereby notified attraction next produced will he the whom the i« woven; lien- court rooms Thursday | story Hilly not suspecting any demonstration of the Municipal Week at Lakewood theatre. Mr. Hy- ^ son, the American boy who falls in event from an auto- at 7..10 to their Chautau- this any source, evening get mer is intimately known to already love with lo r and Charlie Yadig, an mobile drove up to the door of hi qua tickets. Somerset thru his sum- County people Americanized Chinamen and one of home with one of tTTe children a- I Dr.
    [Show full text]
  • Folk Art Teddy Bear.Wps
    Folk Art Teddy Bear by Missy B a lla n c e o f C r a f t y C a r n iv a l h t t p : / / m issyba lla n c e . c o m © 2007 This pattern is intended only for personal use and not for resale. Please do not sell the items you make from this pattern. Su p p lie s: 2 large scraps of darker mohair (each piece should be about 8” tall by 6” wide small scrap of light mohair (2” x 3”) perle cotton matching the two colors of mohair and black (2) 6mm glass shoe button eyes, or similar (plastic safety eyes for a child’s toy or dog toy) poly-fil stuffing (it’s the best…. never use anything but poly-fil!!) ribbon for trim basic sewing supplies comb sharpie marker optional: hemostats for turning and stuffing. jingle bells Please read all the directions before you get started. print the template for the teddy bear onto heavy duty paper such as cardstock, and cut him out Place your two large scraps of mohair with right sides together. The knap of the hair should be pointing down. Using a sharpie or marker, trace the pattern piece onto the mohair. SEW ON THE LINE leaving an opening at teddy’s side for turning and stuffing. Now that he is all sewn up, trim him out leaving about ¼” seam allowance. Clip the corners and curves. Turn teddy right side out. (I like to use hemostats for this. They are a tool that looks like scissors, but they grab instead of cut) Stuff him full of poly fil stuffing using these hemostats to help get the stuffing into the ears and limbs! As you’re stuffing add small jingle bells to his belly area.
    [Show full text]
  • 1811 DOLL CLOTHES Fabrics: Broadcloth, Cotton Types, Gingham
    . L.LJ -0::: 11 L.LJ 18 DOLL CLOTHES VETEMENTS POUR POUPEES DE 45.Scm (./) (./) • ~~~~~~~~~~~~~~~~~~~~~- zz u:::: L.LJ • Fabrics: Broadcloth , Cotton Types , Gingham , Linen Types. B Shirt also in Tissus: Popeline, Cotonnades, Vichy, Toile de Lin. B Chemise e,n Jersey ~g 36 PIECES Interlock, Jersey. B Hat in Double Knit, Fleece. B Scarf also in Chiffon. Interlock, Jersey fin. B Chapeau en Jersey Double, Molleton. B Echarpe ~ ~ C Overskirt also in Organza. D Bodice Overlay, Shoulder Straps and Slip en Mousse I ine. C Dessus-de-Jupe en Organza aussi. D Dessus de ~ ~ Ruffle in Novelty Sheers. Corsage, Bretelles et Valant du Jupon en Tissus Transparents. ~ ~ ~~~~~~~~~~~~~~~~~~~~~- 2zmo 11 11 A Jacket- %yd. of 45 or 60 ** A Manteau- 0.40m de 115cm ou 150cm** ~~ 11 11 Pants- ~ yd. of 45 or 60 ** Pantalon- 0.40m de 115cm ou 150cm** ~ ~ Apron- %yd. of 45 11 or 60 11 ** purchase same amount for apron lining Tablier- 0.30m de 115cm ou 150cm** achetez la meme quantite que pour ~ ~ Ar la doublure du tablier ~ 8 (./) 11 11 Hat-~ yd. of 45 or 60 ** Chapeau- 0.40m de 115cm ou 150cm** ~ ~ Notions: One pkg. of piping, three small snaps, six %11 buttons,% yd. of Mercerie: Un paquet de lisere, trois petites pressions, six boutons de lcm, ~ ~ 11 11 1 ~ wide elastic, lYs yd. of ~ wide double fold bias tape, one large iron-on 0.60m delastique de 6mm de large , 1.00m de ruban de biais double de ~~ applique, one small iron-on applique. 6mm de large, un grande application acaller au fer, une petite application ~ g: 0 z A aco Iler au fer.
    [Show full text]
  • A Society Wedding in Newport, Rhode Island, in 1910
    A society wedding in Newport, Rhode Island, in 1910. By the end of the 17th century, white had become identified with maidenly innocence. But pink, blue, and yellow bridal dresses persisted until the late 19th century, when "white weddings1'-with bridesmaids, the best man, and composer Richard Wagner's "Bridal Chorusw-became an established tradition. Defining "tradition" is no easy matter. Sociologist Edward Shils called it "anything which is transmitted or handed down from the past to the present." In Chinese weddings as in the U.S. Ma- rine Corps, beliefs, images, social practices, and institutions may all partake of the traditional. Yet the symbols and rituals are less important than the human motives that guide their transmission down through the ages. Tradition may simply function as a means of promoting social stability and continuity. On the other hand, scholars note, it may be deliberately developed and culti- vated as a way of rewriting the past in order to justify the present. Here, in two case studies, Hugh Trevor-Roper and Terence Ran- ger suggest that what we now regard as "age-old" traditions may have their origins in inventive attempts to "establish or legiti- mize . status or relations of authority." by Hugh Trevor-Roper Today, whenever Scotsmen gather together to celebrate their national identity, they wear the kilt, woven in a tartan whose colors and pattern indicate their clan. This apparel, to which they ascribe great antiquity, is, in fact, of fairly recent ori- gin. Indeed, the whole concept of a distinct Highland culture and tradition is a retrospective invention.
    [Show full text]
  • Across the Pond...A Word from Our Chief, Sir Malcolm Macgregor
    Ardchoille Newsletter of the American Clan Gregor Society Volume XVIII, Issue 1I Summer 2012 Across The Pond...a word from our Chief, Sir Malcolm MacGregor The big event in Inside this issue: Scotland over these past months has been From The Desk Of The Chieftain 2 the official celebrations Scottish Life In Texas of the Queen’s Diamond Jubilee Clan Gregor Tartan 3 throughout the United Kingdom. The Union 4 flag has been on Clan Gregor Tartan; Con’t... display everywhere. In Dundee, Captain 5 Call To Action! Scott’s ship the Discovery had a huge Clan Gregor Tartan; Con’t… 6 Did You Know? Union Jack on the bow mast with bunting across the decks. There were two huge street parties in Edinburgh, which Honoring A War Hero 7 certainly competed with those in London. Crossing Over Clan Gregor In Tampa! The Queen herself is regarded as ‘chief of chiefs’ and is head of the Royal House of Stewart. The Stewarts have numerous ‘houses’ rather than being a unified clan. Her connection to th For The Kids Word Search! 8 Scotland descends primarily from the Stewart kings who reigned in Scotland in the 16 century and went onto reign under a union of crowns in the 17th century. Newsletter Editor Fiona and I attended the lighting of one of the myriad of Carol Spitznagle 2,000 bonfires lit across the land from the cliffs of Dover to 6470 Harding Street Shetland. We were on Kinpurnie Hill in Angus, the site of an Hollywood, Fl. 33024 ancient bronze age fort.
    [Show full text]
  • THE PHYSICAL PROPERTIES AJ.\1D WASH -A..ND-~~EAR PERFORMANCE of VIYELLA, a WOOL and COTTON BLEND FABRIC a THESIS Ubv1itted I
    THE PHYSICAL PROPERTIES AJ.\1D WASH - A..ND-~~EAR PERFORMANCE OF VIYELLA , A WOOL AND COTTON BLEND FABRIC A THESIS UB v1 ITTED I PARTIAL FULFILLMENT OF THE REQUIREL'1EJTS FOR THE DEGREE OF MASTER OF SCIENCE IN TEXTILES A D CLO THI G IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN 'S U IVERSITY COLLEGE OF UTRITION, TEXTILES AND HUMM DEVELOPME T BY SALLY CRISLER LO\ E , B . S . DE TO I TEXAS AUGUST I 198 1 -n • -.,~ • ! f ..f /'! 'I t"' i vr( '. ~ ~ d-- I/ { { ~- Texas VVoman's University Denton, Texas July 14 81 19 ------ We hereby recon1mend that the thesis prepared under our'supervision by Sally Crisler LOvJe entitled The Physical Properties and Wash-and-Wear Petfcirmance of Viyella, A Wool and Cotton Blend Fabric be accepted as fulfilling this part of the requiren1ents for the Degree of Master of Science in Textiles and Clothing Dissertation/Theses signature page is here. To protect individuals we have covered their signatures. TABLE OF CONTENTS LIST OF ILLUSTRATIONS v LIST OF TABLES . vii ACKNO~\TLEDGENENTS X Chapter I. INTRODUCTION . 1 Justification for Study . 2 Statement of Problem . • . • . • • . • 4 Objectives of Study . 4 Delimitations . .•..•. 5 II. REVIE\v OF LITERATURE 6 III. PLAN OF PROCEDURE . 10 Fabric Types . • . 10 Laundering Procedure . • • . • . 10 Equipment . • . • • . 13 Fabric Evaluations . 14 Fiber Content • . • . • 14 Yarn Count . • . • • . 15 Fabric Weight . • 15 Breaking Strength • . 16 Tearing Strength • . 17 Durable Press Appearance . • • . 17 Pilling Resistance . 18 Dimensional Stability . 19 Colorfastness . 21 Whiteness Retention . • . 21 Statistical Analysis . 22 IV. PRESENTATION OF DATA AND DISCUSSION OF FINDINGS . • . 23 Fabric Description .
    [Show full text]
  • Twilight Collection 94
    WELCOME When selecting a finely made rug, your choice of color and design imparts a unique sense of context to your personal decorating style, transforming any room into an enchanting portrait of elegance. Color and design are important elements, but of equal importance is size. To truly make a statement, the rug should be sized to your living space. With more than three decades of expertise in producing incomparable luxury carpets for the sophisticated home, Nourison brings you their newest program – Fifty to Infinity. A unique offering of high fashion rug collections, each unrivalled for exquisite design, meticulous craftsmanship, and quality… all custom sized to your needs. All of the styles in this book are available in an unprecedented fifty area rug sizes and shapes. Choose from squares, rounds, rectangles, octagons and runners, accent sized to oversized. Need something truly unique? Custom sizes are available as well. Once your selection is made, your rug will be custom cut, serged and finished to your size specifications, all within two weeks of your order. For the discriminating consumer, this book presents an unparalleled design resource for today’s uptrend lifestyle. In these exceptional collections, you will find the perfect pattern and colorway to enrich and enliven any fashion environment. In each distinctive design, you will discover a flawless interplay of select luxury materials and sophisticated production techniques such as sumptuous New Zealand wool for incomparably lavish texture and luminous sheen, custom-spun and dyed yarns to create subtle accents of light and shade, hand carving and sculpting that endow a design with surpassing dimensional appeal and meticulous hand washing to impart the delicate patina that is the signature of the world’s finest carpets.
    [Show full text]