Introduction to Parkour Introduction to Parkour
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Praise for Move Into Life: Neuromovement for Lifelong Vitality
Praise for Move Into Life: NeuroMovement for Lifelong Vitality “When I interviewed Anat and later read her book, I was moved and stunned. Anat has a remarkably sophisticated understanding of how the brain changes IN PRACTICE; a total connection with the enormous potential of the brain; A detailed and practical understanding of how to recruit learning capabilities and a framework she has carefully constructed over decades that allows her gift to be TAUGHT to trainees.” — Martha Herbert, M.D. Harvard Medical School, MGH, ABM practitioner, author ofThe Autism Revolution “Essential reading for anyone seeking to enhance their physical and mental performance and vitality. Based on sound science, the Nine Essentials of the Anat Baniel Method are not only easy to incorporate into daily life, they are pleasurable, highly effective, and invigorating.” — Daniel Graupe, PhD, University of Illinois, Chicago, Illinois “Move into Life is a brilliant and original approach to bringing about rapid change and enhanced vitality. This program gives you access to the limitless energy and vibrancy that are at the heart of a happy and satisfying life.” —Marci Shimoff, New York Times bestselling author of Happy for No Reason “Anat Baniel is a pioneer. As someone lucky enough to have experienced this work first hand I'll always keep this book in my reference library. This is information that changes the way you think about body mechanics. We are holographic beings. The thigh bone is connected to the foot bone is connected to the toe bone. Give this book to your physical therapist, your rehab facility administrator and your orthopedic surgeon!” —Allison Peacock, reader review, Amazon.com “Anat's ideas are simple: pay attention while you move, move slowly, use less force, do whatever you are doing in new ways, do new things, be flexible, enthusiastic, and above all, be aware of what you are feeling. -
Music 18145 Songs, 119.5 Days, 75.69 GB
Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L.. -
ROUNDTABLE Large Tree Relocation
ROUNDTABLE Large Tree Relocation have been involved with large tree and palm I relocation since the mid-1970s. I was always awed by the fact that a mature tree could be relocated and not only survive for just a few years but actually thrive for decades. The old timers in my field who had been mov- ing trees for years taught me the basics. My first experience moving large trees on my own was in 1989 when I planned and supervised the relocation of 15 very large Phoenix palms (Phoenix reclinata). It was a very interesting and stressful experience. The area where they were going to be planted had originally been the site of a very large stand of beach oaks (Casuarina equisetifo- lia) that I had cut down to stumps the previous month. We had been seamlessly moving and replanting the Phoenix palms with a 50-ton crane until we took one of the largest palms off a flatbed trailer next to a prepared planting hole. As the palm was being lifted, one of the crane’s outriggers broke through the underlying substrate. This area is mostly solid oolitic limestone that can go down at least 16 feet (5 meters). Usually this rock is very hard and stable—but the exact spot where the outrigger sat apparently was over a small cavity, and the combined weight of the crane and palm caused the rock to give way. It is fortunate that the palm had only been a few feet off the trailer so the weight was released as the palm hit the trailer when the side of the crane dropped. -
Kort Introduktion Til Parkour Og Freerunning
Kort introduktion til Parkour og Freerunning Parkour 'Parkour' eller 'Le Parkour' er en bevægelsesaktivitet, som handler om at udvikle sig fysisk og mentalt gennem naturlige og ekspressive bevægelser. Den grundlæggende ide bag bevægelserne er at bevæge sig gennem omgivelserne hurtigt og effektivt i flow, dvs. at komme fra punkt A til B, mest effektivt og hurtigst muligt, udelukkende ved brug af kroppen. Miljøet er oftest bymæssigt. Bygninger, gelænder, vægge anvendes til fremdrift på en alternativ måde. Det handler om at se udfordring og muligheder der hvor andre ser begrænsninger og funktionalitet. Parkourudøverne kaldes ’traceurs’, hvilket kan oversættes til projektil eller kugle, som henleder til udøvernes kontinuerlige bevægelser. En rigtig traceur har gjort parkour til en central del af hans livsstil, og lever derved efter filosofien om at opleve frihed. Parkour startede som en subkultur, der udviklede sig i de franske forstæder, men har siden spredt sig ud i hele verden via Internettet. Oprindelse Franskmanden David Belle betegnes som grundlæggeren af parkour. Belles far, Raymond Belle, var løjtnant i Vietnamkrigen. Til at træne sine soldater til at bevæge sig effektivt rundt i junglen, anvendte han træningssystemet ’methode naturalle1’, der grundlagdes af Georg Hébert (1875- 1957).2 Methode naturelle er kort fortalt et system af filosofiske idéer og fysiske metoder, der ontologisk knytter sig til Jean-Jacques Rousseaus (1712-1778) og Johan Gutsmuths (1759-1839) filantropiske tanker om at vende tilbage til naturen og dannelse af det hele menneske3. Systemet bygger på en holistisk verdensforståelse, og tager udgangspunkt i effektivitet, flow og hurtighed.4 Raymond Belle introducerede David Belle for ideerne bag dette træningssystem, hvilket han tog med ud på gaderne i de franske forstæder. -
The Phenomenological Aesthetics of the French Action Film
Les Sensations fortes: The phenomenological aesthetics of the French action film DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alexander Roesch Graduate Program in French and Italian The Ohio State University 2017 Dissertation Committee: Margaret Flinn, Advisor Patrick Bray Dana Renga Copyrighted by Matthew Alexander Roesch 2017 Abstract This dissertation treats les sensations fortes, or “thrills”, that can be accessed through the experience of viewing a French action film. Throughout the last few decades, French cinema has produced an increasing number of “genre” films, a trend that is remarked by the appearance of more generic variety and the increased labeling of these films – as generic variety – in France. Regardless of the critical or even public support for these projects, these films engage in a spectatorial experience that is unique to the action genre. But how do these films accomplish their experiential phenomenology? Starting with the appearance of Luc Besson in the 1980s, and following with the increased hybrid mixing of the genre with other popular genres, as well as the recurrence of sequels in the 2000s and 2010s, action films portray a growing emphasis on the importance of the film experience and its relation to everyday life. Rather than being direct copies of Hollywood or Hong Kong action cinema, French films are uniquely sensational based on their spectacular visuals, their narrative tendencies, and their presentation of the corporeal form. Relying on a phenomenological examination of the action film filtered through the philosophical texts of Maurice Merleau-Ponty, Paul Ricoeur, Mikel Dufrenne, and Jean- Luc Marion, in this dissertation I show that French action cinema is pre-eminently concerned with the thrill that comes from the experience, and less concerned with a ii political or ideological commentary on the state of French culture or cinema. -
Glen Ridge High School 1 Page Oct 20, 2020 at 11:39 Am Weeding List
GLEN - Glen Ridge High School Oct 20, 2020 at 11:39 am 1Page Weeding List (164) by Copy Call Number Alexandria 6.23.1 Selected:All Copies Call # Title Year Barcode LTD Use Last Use Bloom's guide to Khaled Hosseini's The kite ru... 2009 57820000588429 0 None Chromebook charger NONE 57820000297351 3 03/09/2020 Medicine, health, and bioethics : essential prim... 2006 57820000538013 0 None NO TITLE NONE EEUFET8I 0 None NO TITLE NONE ETU 0 None NO TITLE NONE AUCIEZEU 0 None NO TITLE NONE ENA1GCAL 0 None NO TITLE NONE OIAIQA8CNH5 0 None NO TITLE NONE UAADCEGLZU 0 None NO TITLE NONE EVECA 0 None NO TITLE NONE ZEIOHUAAA 0 None NO TITLE NONE CUOCEZMPE 0 None NO TITLE NONE KEAOUADNA 0 None NO TITLE NONE ED8ERHZU 0 None NO TITLE NONE ESEU 0 None NO TITLE NONE RAIQGCCOAU 0 None NO TITLE NONE AEZJEHSSSPU 0 None NO TITLE NONE CPNARECOE 0 None NO TITLE NONE SON 0 None NO TITLE NONE EEHBVNEUERZO 0 None NO TITLE NONE ENODBOAII 0 None NO TITLE NONE IHBDIIH 0 None NO TITLE NONE HTVUQZUKEEE 0 None NO TITLE NONE BBACCNZNU 0 None NO TITLE NONE 1301309 0 None Famous military trials 1980 57820000517881 0 None Geis 2016 5782000058211 0 None A Christmas carol 2008 57820000587959 0 None Recipes from the Chateaux of the Loire 1998 57820000169873 0 None The burning bridge 2005 57820000520174 7 12/07/2015 Winning in the game of life : self-coaching secr... 1999 57820000157423 0 None The scarlet letter 2006 57820000587991 0 None 20s & '30s style 1989 57820000079437 2 01/31/2013 The kite runner 2008 57820000585433 0 None The Hudson River and its painters 1983 57820000283815 0 None Literary criticism - French writers, other Europea...1984 57820000080427 0 None Napoleon's glands : and other ventures in bioh.. -
8. Body-Space-Relation in Parkour: Street Practices and Visual Representations
8. Body-Space-Relation in Parkour : Street Practices and Visual Representations Ines Braune Abstract Parkour today is a global subcultural scene that combines street with media practices. Parkour consists of a local moment, fundamentally concerned with the materiality of the street, and simultaneously of a global digital discourse, which involves millions of parkour actors. While the spatial knowledge requires a very close knowledge and tactile contact of the surface’s nature of space, the media representations seem to reflect an opposite image, namely the detachedness of space. In this chapter, I will address the question of space-making and spatial practices in Morocco and the relation to parkour’s visual representations. Keywords: Morocco, parkour, body, street Today, parkour is a global cultural scene that combines the street with media practices. In that sense, parkour consists of a local moment, fundamentally concerned with the materiality of the street, and simultaneously of a global digital discourse involving millions of parkour actors, called traceurs, negotiat- ing and re-evaluating their navigation through both physical and digital space. The first and often only contact with parkour, from the point of view of non-practitioners, frequently comes through its visual representations. Spectacular images and videos depict the weightlessness of the body and its detachment from space. Scholars have also weighed in here, analysing the relationship between the body and public space – that is, the interaction and engagement between body and space – while also evaluating parkour as an online culture, assessing the relevance of (digital) media practices within parkour and other youth and sport cultures such as skateboarding (Borden 2001; Buckingham 2009) and surfing (Booth 1996; 2001). -
Parkour/Freerunning As a Pathway to Prosocial Change
CORE Metadata, citation and similar papers at core.ac.uk Provided by ResearchArchive at Victoria University of Wellington Parkour/Freerunning as a Pathway to Prosocial Change: A Theoretical Analysis By Johanna Herrmann Supervised by Prof Tony Ward A thesis submitted to the Victoria University of Wellington in partial fulfilment of the requirements for the degree of Master of Science in Forensic Psychology Victoria University of Wellington 2016 ii iii Acknowledgements Special thanks to my supervisor Prof Tony Ward for his constant support and constructive feedback throughout the pleasures and struggles of this project. His readiness to offer an alternative perspective has provided me with many opportunities to grow as a critical thinker, researcher, and as a person. I am grateful to Prof Devon Polaschek, Dr Clare-Ann Fortune, and all members of their lab for encouraging me to pursue an innovative research project, as well as for providing inspiration, insights and connections to other specialist research areas in offender rehabilitation. The German Academic Exchange Service deserves special mention for the financial support that allowed me to take up my dream course of study in the country that is farthest away from my home. Finally, I would like to thank Damien Puddle and Martini Miller for lively discussions, valuable feedback, and sharing the passion regarding research, parkour/freerunning, as well as youth development. iv v Abstract Parkour/freerunning is a training method for overcoming physical and mental obstacles, and has been proposed as a unique tool to engage youth in healthy leisure activities (e.g., Gilchrist & Wheaton, 2011). Although practitioners have started to utilise parkour/freerunning in programmes for youth at risk of antisocial behaviour, this claim is insufficiently grounded in theory and research to date. -
Playing with Fear: Parkour and the Mobility of Emotion
Social & Cultural Geography, Vol. 9, No. 8, December 2008 Playing with fear: parkour and the mobility of emotion Stephen John Saville Institute of Geography and Earth Sciences, Aberystwyth University, Ceredigion SY23 3DB, UK, [email protected] This article engages debates on emotional geography and non-representational theory by considering fear as a distinctly mobile engagement with our environment. Parkour, or freerunning, has exploded into public consciousness through commercial media representations and films. It is depicted as a spectacular urban sport that either can or cannot be done. Through ethnographic research with groups of parkour practitioners I consider what has been excluded from these representations: the emotions involved in trying, experimenting, and gradually learning to be in places differently. In parkour places are ‘done’ or mobilised in tentative, unsure, ungainly and unfinished ways which can be characterised by a kind of play with architecture. I argue that this play is contingent upon an array of fears, which, rather than being entirely negative, are an important way in which practitioners engage with place. Here fears can manifest differently, not only restricting mobility, but in some cases encouraging imaginative and playful forms of movement. Key words: fear, parkour, freerunning, emotional geography, mobility, place, play. On Wednesday 17 May 2006, David Belle, a He was pleased and excited. After the man heralded as a founder of parkour, and ‘fakeness’ of Californian media-appeasing now international celebrity, runs towards a performances, the Frenchman said he felt solid wall that cordons off an underpass. His more ‘real’. movement is purposeful and practised. All This scene, watched and discussed world- eyes are turned towards him. -
Parkour, Architecture, and the Interstices of the 'Knowable'
Liminalities: A Journal of Performance Studies Vol. 10, No. 2 (2014) Self and the City: Parkour, Architecture, and the Interstices of the ‘Knowable’ City Matthew D. Lamb Architecture’s presence in the city acts as a mediator through which the always already historical and social contexts are articulated. Architecture can influence our ability to give a comprehensive account of ourselves in the city. Our knowledge of self, our subjectification, is intertwined in the social conditions of our emergence. In effect, we make choices about which practices, or social actions, to enact based on their commensurability with regulatory norms. In many ways our everyday performances are explicitly tied to the presence of architecture. The purpose of this paper is to explore architecture’s participation in the maintenance of hegemonic discourses circumscribing appropriate uses of city space. To understand the effects of architecture on lived experiences I utilize the art of parkour as both a unit of analysis and as a method of investigation. Parkour’s engagement with architecture opens up a new understanding of the city. The data for this study came from several months of my regular participation in the parkour community in the downtown area of Indianapolis, Indiana. Therefore, I was embedded as much as possible in my field site interacting with other traceurs, conducting interviews, and being an active observing participant. To interpret and analyze the potential of parkour I take the position of the critical ethnographer. The purpose is to investigate how traceurs uncover new ways of understanding themselves, not only in relation to, but also in conjunction with, the architecture of the city. -
Re-Enchantment, Play, and Spirituality in Parkour
religions Article Tracing the Landscape: Re-Enchantment, Play, and Spirituality in Parkour Brett David Potter Faculty of Humanities and Social Sciences, Sheridan College, Oakville, ON L6H 2L1, Canada; [email protected] Received: 2 August 2019; Accepted: 26 August 2019; Published: 28 August 2019 Abstract: Parkour, along with “free-running”, is a relatively new but increasingly ubiquitous sport with possibilities for new configurations of ecology and spirituality in global urban contexts. Parkour differs significantly from traditional sports in its use of existing urban topography including walls, fences, and rooftops as an obstacle course/playground to be creatively navigated. Both parkour and “free-running”, in their haptic, intuitive exploration of the environment retrieve an enchanted notion of place with analogues in the religious language of pilgrimage. The parkour practitioner or traceur/traceuse exemplifies what Michael Atkinson terms “human reclamation”—a reclaiming of the body in space, and of the urban environment itself—which can be seen as a form of playful, creative spirituality based on “aligning the mind, body, and spirit within the environmental spaces at hand”. This study will subsequently examine parkour at the intersection of spirituality, phenomenology, and ecology in three ways: (1) As a returning of sport to a more “enchanted” ecological consciousness through poeisis and touch; (2) a recovery of the lost “play-element” in sport (Huizinga); and (3) a recovery of the human body attuned to our evolutionary past. Keywords: parkour; free-running; religion; pilgrimage; poiesis; ecology; urban 1. Introduction Over the past two decades, the sport known as parkour has become a global phenomenon, with groups of practitioners or traceurs emerging from Paris to Singapore. -
Parkour & Freerunning
Unterrichtsmaterialien in digitaler und in gedruckter Form Auszug aus: Parkour & Freerunning Das komplette Material finden Sie hier: School-Scout.de © Copyright school-scout.de / e-learning-academy AG – Urheberrechtshinweis Alle Inhalte dieser Material-Vorschau sind urheberrechtlich geschützt. Das Urheberrecht liegt, soweit nicht ausdrücklich anders gekennzeichnet, bei school-scout.de / e- learning-academy AG. Wer diese Vorschauseiten unerlaubt kopiert oder verbreitet, macht sich gem. §§ 106 ff UrhG strafbar. InhalT Inhalt Vorwort der WFPF ���������������������������������������������������������������������������������������������� 10 Was Parkour für mich ist ���������������������������������������������������������������������������������� 11 Zu diesem Buch �������������������������������������������������������������������������������������������������� 14 A Theorie ������������������������������������������������������������������������������ 19 1 Zur Entwicklungsgeschichte von Parkour und Freerunning ������������������������������ 19 1.1 Georges Hébert und seine „Méthode naturelle“ ............................................. 19 1.2 Die Reformpädagogik im beginnenden 20. Jahrhundert und das „natürliche Turnen“ ................................................................................. 21 1.3 Raymond Belle ........................................................................................................... 22 1.4 David Belle .................................................................................................................