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Centre for Art Tapes Fonds (MS-3-46)
Dalhousie University Archives Finding Aid - Centre for Art Tapes fonds (MS-3-46) Generated by the Archives Catalogue and Online Collections on January 24, 2017 Dalhousie University Archives 6225 University Avenue, 5th Floor, Killam Memorial Library Halifax Nova Scotia Canada B3H 4R2 Telephone: 902-494-3615 Email: [email protected] http://dal.ca/archives http://findingaids.library.dal.ca/centre-for-art-tapes-1 Centre for Art Tapes fonds Table of contents Summary information ...................................................................................................................................... 5 Administrative history / Biographical sketch .................................................................................................. 5 Scope and content ........................................................................................................................................... 6 Notes ................................................................................................................................................................ 6 Access points ................................................................................................................................................... 7 Collection holdings .......................................................................................................................................... 7 Organization ................................................................................................................................................. -
Annual Report 2019 2020
ANNUAL 2019 REPORT 2020 FIELD WORK programslisten DISCIPLINES urgency VALUED foment steward SKILLS COLLABORATIVE Mi’kmaq Elders Catherine Martin and Joe Michael held a talking circle with NSCAD participants during Walking insight K’epa’k, a collaborative community walk created and led by Professors Robert Bean and Barbara Lounder. DISCUSSION new knowledge PRINTMAKINGintegrated MEDIA ARTS NOVAii NSCAD UNIVERSITY | ANNUALSCOTIAN REPORT 2019-2020 commitment SARAHMESSAGE MCKINNON, PHD FROM THE INTERIM PRESIDENT It is my distinct pleasure to share with you the 2019-2020 NSCAD On June 16, NSCAD announced Dr. Charmaine A. Nelson as its University Annual Report. Tier 1 Canada Research Chair (CRC) in Transatlantic Black Diasporic Art and Community Engagement. This is NSCAD’s first As always, the report chronicles the university’s accomplishments, CRC Tier 1 award, the highest award that a university can receive news and highlights for the broader NSCAD community. As the from the tri-agency initiative of the SSHRC, the Natural Science interim president and a new member of the esteemed NSCAD and Engineering Research Council (NSERC) and the Canadian community, I also find it very practical way for me to get more Institutes of Health Research (CIHR). I am eagerly awaiting familiar with the university’s current priorities and activities. the chance to work with Dr. Nelson, and I’m looking forward to watching her develop the Institute for the Study of Canadian While I only recently joined NSCAD, I have already been greatly Slavery at NSCAD. impressed by the creativity, dedication, and passion displayed by our students, faculty and staff. Even in the midst of a global health NSCAD Associate Professor of Media Arts Solomon Nagler is pandemic, the NSCAD community came together to persevere the principal investigator of a project that received an insight and found a way to continue offering innovative programs through grant from the Social Sciences and Humanities Research Council accessible, flexible, and highly interactive online learning. -
2014 Gary Michael Dault, Alex Livingston
ALEX LIVINGSTON New Work ALEX LIVINGSTON New Work Alex Livingston is a well known Halifax based painter Livingston’s pioneering efforts have created fresh who has produced and widely exhibited diverse bodies visual phenomena and unique visual experiences. This of work over his 30 year career as an artist. catalogue is the first examination of Alex Livingston’s digital paintings and focuses on his most recent work. The range of Livingston’s imagery was highlighted in a 2005 Dalhousie University Art Gallery twenty- Born in Kingston, Ontario, Alex Livingston received year survey exhibition. A recurring theme in his a BFA from the Nova Scotia College of Art and Design, paintings has been the varied expressions of nature. and an MA Fine Arts from the Chelsea College His representational work has included cultivated of Art and Design in London, England. Livingston landscapes, emblematic flower and plant structures, has exhibited his paintings in many solo and group iconic tree images, natural history themes and exhibitions in public and commercial galleries across water/land patterns. The visual investigations in his Canada and internationally in England, Scotland, abstractions range from consideration of cell structure Germany, South Korea, China and the United States. microcosms, to color fields/patterns with surrealist His work is in numerous private, corporate and public references, and the juxtaposition of historic woodcut collections. Livingston is a Professor in Painting Published in connection with the exhibition: Front cover: Untitled 3 (detail), 2014 imagery with gestural marking. at the Nova Scotia College of Art and Design (NSCAD University). ALEX LIVINGSTON: NEW WORK Inner front cover: Theta (detail), 2013 In 2006, Livingston first began experimenting with March 4 to April 9, 2014 Back cover: Untitled 3 (detail), 2014. -
NOSTALGIA $5.95 Display Until August 31St
t he only comprehensive source visual f o r a tlantic Canadian listings, page 17 arts nS ue m m ew r 2 0 1s 4 NOSTALGIA $5.95 Display until august 31st. ANDRÉ LAPOINTE PM40020854/R471313 MIKE GOUGH GRAEME PATTERSON JOHN DEVLIN visual 36 arts nVOLumee 36 Numberw 1 Summers 2014 8 COntENts Decoding Graeme Patterson 2 Feature by Audrey Nicoll The Nostalgia Issue 2 5 E ditorial by Lizzy Hill 6 m ike Gough’s RE t R aCE 24 R eview by Jennifer m cV ei gh 31 m a gi c a n d r ea l i s m E 8 ssay by Aaron Weldon r ose Adams: Survival, 15 death and remembering 6 Feature by Tila Kellman 17 e xhibition Listings 24 r evisiting rebellion 40 Feature by Hilary b ea u mont A conversation 26 with John Devlin 37 Q& A by e r y n Fos t er Natural Fake: André Lapointe 31 Feature by m i k e L a n d r y s o me whe r e s u n ea s y 33 impermanence R ev i ew by leonard paul macpherson 36 M elanie Colosimo’s M i d p o i nt 26 R eview by Katie b el ch er 33 nichola feldman-kiss’ 37 embedded art 15 Q&A by Veronica Simmonds Tamara Huxtable on coming clean 40 Atlantic Spotlight by Daniel Higham Visual Arts News is published three times a year in may ContributorS (Summer), September (Fall) and January (Spring) by Visual Arts Nova Scotia (VANS), a non-profit charitable associa- editor: Lizzy Hill tion. -
2014-2015 PDF Format
2014-15 NURTURE RE CURIOSITY E SP ID E R C P T Y T I T L R A U I S G T CONNECT E L L O C STEWARD Message from the President Professor Dianne Taylor-Gearing What an extraordinary year this has been! The class of 2015 has now graduated and this Annual Report is about to go to print… During our memorable graduation ceremony, it was an honour to stand in front of the graduating class, the family members who supported them through their art school journey; the faculty who inspired them with their passion; and the staff who nurtured them beyond the studio. Seated beside me, I could feel the positive vibes emanating from our distinguished honorary degree recipients: Robert Frank, Gerhard Steidl, Carole Condé and Karl Beveridge and Tanya Tagaq Gillis—each one having a special and long lasting bond with the NSCAD community past and present. Moments later, an electrifying performance by Tanya took everyone’s breath away. It was both joyful and humbling to share this day as my installation as NSCAD’s 21st President. I felt such pride in the accomplishments of NSCAD and met and spoke with so many parents, friends and supporters. This Annual Report presents so many accomplishments and reflects the incredible progress that has been made this year. NSCAD is well positioned to move forward as an independent institution with a new strategic framework that is the result of many hours of consultation and discussions with many stakeholders. I believe wholeheartedly in the core values and pillars that will enable NSCAD to continue to be a place where creative thinking, problem solving and risk taking are fundamental to everything we do. -
Librarians, Books and Clouds, Toronto, Project Gallery Studios, 17
1 CURRICULUM VITAE Cliff Eyland, b. 1954, Halifax, Canada 1026 McMillan Ave., Winnipeg, Manitoba, Canada R3M 0V8 Cell: 204 297-8421 E-mail: [email protected] www.cliffeyland.com For other websites and social media sites, Google "Cliff Eyland" Post-secondary education: 2014 Lift and Fall/Arrest Training, CAT Rentals, Halifax 1984/85 Exhibitions Officer, Mount Saint Vincent University Art Gallery (see below) 1984 Orientation Program, (one-week) National Gallery of Canada, Ottawa. 1980/82 Bachelor of Fine Art (studio) Nova Scotia College of Art and Design, Halifax, Nova Scotia, Canada. 1980 Certificate of Military Achievement, Canadian Armed Forces, Halifax. 1976/78 Diploma, Holland College School of Visual Arts, Charlottetown, Prince Edward Island, Canada. 1975/76 Arts, Philosophy Major, Art History Minor, (incomplete) Mount Allison University, Sackville, New Brunswick, Canada. Creative Works: SOLO EXHIBITIONS 2017 Cliff Eyland: Recent Work, Library Gallery, Winnipeg, 6 October-3 November; Book Paintings: The Moose Jaw Series, a permanent installation of 300 paintings at the Moose Jaw Museum and Art Gallery lobby;The Queer Set and Opioid Wall Book, July 8-18, Halifax, Nova Scotia. 2016 American Art Magazine Browsing Hexagon (with thanks to Steve Higgins), Library Gallery, Winnipeg, 4 March – 3 June. Cliff Eyland: Librarians, Books and Clouds, Toronto, Project Gallery Studios, 17 November 2016 – 15 January 2017 2015 501 Paintings and Buildings, Actual Gallery, Winnipeg, 30 December (2014) – 21 March 2015. 2014 Make Your Own Swedish Passport, Zsa Zsa West Gallery, Winnipeg, 7 February to 1 March; Book Paintings, Hermes Gallery, Halifax, 24 October to 29 November; permanent installation of 5000 paintings at the Halifax Central Library; permanent installation of 600 paintings at the Edmonton Meadows Library.