Fela Black President Album Download
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Coldplay, Il Loro Nuovo Album "Everyday Life": Incontro Tra Oriente
GIOVEDì 21 NOVEMBRE 2019 Esce domani, venerdì 22 novembre, l'ottavo album dei Coldplay, un album della durata di 53 minutidiviso in due parti: Sunrise e Sunset. Coldplay, il loro nuovo album Il giorno dell'uscita la band terrà due concerti esclusivi in diretta "Everyday Life": incontro tra streaming su YouTube dalla Giordania. Coldplay: Everyday Life - Live in oriente ed occidente con ospiti Jordan si terrà ad Amman e rispecchierà le due metà del doppio album: speciali e molte particolarità Sunrise e Sunset. Il concerto Sunrise inizierà alle ore 5 del mattino (ora italiana) e il concerto Sunset seguirà alle ore 15:00. È questa la prima volta che la band si esibisce in Giordania. Il 25 novembre, invece si esibiranno a Londra nel suggestivo scenario del Museo di storia naturale. Everyday Life è stato prodotto da The Dream Team e vede la CRISTIAN PEDRAZZINI partecipazione di ospiti speciali come Stromae, Femi Kuti(musicista nigeriano figlio di Fela Kuti), Tiwa Savage(cantante, compositrice e attrice nigeriana) e Jacob Collier (giovane musicista già vincitore di due Grammy nel 2017), ma molte sono le curiosità di questo nuovo lavoro che è stato annunciato in modo originale, attraverso inserzioni [email protected] pubblicitarie sulle pagine dei quotidiani di tutto il mondo. SPETTACOLINEWS.IT In questo album i Coldplay uniscono le culture orientali ed occidentali e si mostrano attenti ai problemi della povertà del mondo, dei diritti umani e delle discriminazioni sociali e religiose. Un brano ha il titolo in arabo e riprende un famoso poema di un poeta iraniano, un altro, "Trouble in Town", vede la partecipazione nel coro dei bambini di una onlus in Sud Africa a cui andranno i ricavi del pezzo. -
Rosa Aparecida Do Couto Silva Fela Kuti
1 UNIVERSIDADE ESTADUAL PAULISTA “JÚLIO DE MESQUITA FILHO” FACULDADE DE CIÊNCIAS HUMANAS E SOCIAIS ROSA APARECIDA DO COUTO SILVA FELA KUTI: CONTRACULTURA E (CON)TRADIÇÃO NA MÚSICA POPULAR AFRICANA FRANCA 2015 2 ROSA APARECIDA DO COUTO SILVA FELA KUTI: CONTRACULTURA E (CON)TRADIÇÃO NA MÚSICA POPULAR AFRICANA Dissertação apresentada à Faculdade de Ciências Humanas e Sociais, Universidade Estadual Paulista “Júlio de Mesquita Filho”, como pré-requisito para a obtenção do título de Mestre em História. Orientador: Prof. Dr. José Adriano Fenerick FRANCA 2015 3 Silva, Rosa Aparecida do Couto. Fela Kuti : contracultura e (con)tradição na música popular africana / Rosa Aparecida do Couto Silva. – Franca : [s.n.], 2015. 129 f. Dissertação (Mestrado em História). Universidade Estadual Paulista. Faculdade de Ciências Humanas e Sociais. Orientador: José Adriano Fenerick. 1. Contracultura. 2. Música popular. 3. Pan-africanismo. I. Título. CDD – 780 4 ROSA APARECIDA DO COUTO SILVA FELA KUTI: CONTRACULTURA E (CON)TRADIÇÃO NA MÚSICA POPULAR AFRICANA Dissertação apresentada à Faculdade de Ciências Humanas e Sociais, Universidade Estadual Paulista “Júlio de Mesquita Filho”, como pré-requisito para a obtenção do título de Mestre em História. BANCA EXAMINADORA Presidente: _________________________________________________________________ Prof. Dr. José Adriano Fenerick (UNESP – Franca) 1ª Examinadora: ____________________________________________________________ Profa. Dra. Márcia Tosta Dias (UNIFESP – Guarulhos) 2º Examinador: _____________________________________________________________ Prof. Dr. Marcos Sorrilha Pinheiro (UNESP – Franca) Franca, 17 de agosto de 2015. 5 Aos queridos Ângela, Antônio, Miguel, Ana Carolina e Matheus W. 6 AGRADECIMENTOS No processo de pesquisa de mestrado do qual este trabalho é fruto tive a sorte de encontrar pessoas que me auxiliaram de diversas maneiras e às quais eu serei eternamente grata. -
Finding Aid to the Historymakers ® Video Oral History with James Poyser
Finding Aid to The HistoryMakers ® Video Oral History with James Poyser Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Poyser, James, 1967- Title: The HistoryMakers® Video Oral History Interview with James Poyser, Dates: May 6, 2014 Bulk Dates: 2014 Physical 7 uncompressed MOV digital video files (3:06:29). Description: Abstract: Songwriter, producer, and musician James Poyser (1967 - ) was co-founder of the Axis Music Group and founding member of the musical collective Soulquarians. He was a Grammy award- winning songwriter, musician and multi-platinum producer. Poyser was also a regular member of The Roots, and joined them as the houseband for NBC's The Tonight Show Starring Jimmy Fallon. Poyser was interviewed by The HistoryMakers® on May 6, 2014, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2014_143 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Songwriter, producer and musician James Jason Poyser was born in Sheffield, England in 1967 to Jamaican parents Reverend Felix and Lilith Poyser. Poyser’s family moved to West Philadelphia, Pennsylvania when he was nine years old and he discovered his musical talents in the church. Poyser attended Philadelphia Public Schools and graduated from Temple University with his B.S. degree in finance. Upon graduation, Poyser apprenticed with the songwriting/producing duo Kenny Gamble and Leon Huff. Poyser then established the Axis Music Group with his partners, Vikter Duplaix and Chauncey Childs. He became a founding member of the musical collective Soulquarians and went on to write and produce songs for various legendary and award-winning artists including Erykah Badu, Mariah Carey, John Legend, Lauryn Hill, Common, Anthony Hamilton, D'Angelo, The Roots, and Keyshia Cole. -
“Which Way Nigeria?”
J EAN-CHRISTOPHE S ERVANT “Which way Nigeria?” MUSIC UNDER THREAT: A QUESTION OF MONEY, MORALITY, SELF-CENSORSHIP AND THE SHARIA “WHICH WAY NIGERIA?” Music under Threat: A Question of Money, Morality, Self-Censorship and the Sharia by JEAN-CHRISTOPHE SERVANT Published by Freemuse Editor in Chief: Marie Korpe Translated from French by Daniel Brown ISSN 1601-2127 Layout: Sigrún Gudbrandsdóttir Cover illustration: Ali Bature Printed in Denmark 2003 by Handy-Print © Freemuse 2003 The views in the report do not necessarily represent the views of Freemuse. Report no. 04/2003 Freemuse Wilders Plads 8 H · 1403 Copenhagen K. · Denmark tel: +45 32 69 89 20 · fax: +45 32 69 89 01 e-mail: [email protected] web: www.freemuse.org OTHER PUBLICATIONS BY FREEMUSE: 1st World Conference on Music and Censorship (2001, ISBN: 87-988163-0-6) “Can you stop the birds singing?” – The Censorship of Music in Afghanistan, by John Baily (2001, ISSN: 1601-2127) “A Little Bit Special” – Censorship and the Gypsy Musicians of Romania, by Garth Cartwright (2001, ISSN: 1601-2127) Playing With Fire – Fear and Self-Censorship in Zimbabwean Music, by Banning Eyre (2001, ISSN: 1601-2127) TABLE OF CONTENTS PREFACE 5 ABSTRACT 7 5 CASE STUDY: FEMI KUTI - ABOUT THE AUTHOR 8 the banning of "Bang, Bang, Bang" MAP 9 5.1 Biography of Femi Kuti 56 INTRODUCTION 11 5.1.1 NBC vs. Femi Kuti 59 1 THE YEARS OF DEMOCRAZY: 6 GANGSTA RAP AND MAKOSSA 1999-2002 15 6.1 High moral grounds versus 65 the "Music of the Devil" 2 GENERAL BACKGROUND ON NIGERIA 2.1 Religion 17 7 SHARIAPHRENIA 2.2 -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Ajaja Gbara Eni : Exploring Citizen Rebellion in Post
AJAJA GBARA ENI1: EXPLORING CITIZEN REBELLION IN POST-COLONIAL NIGERIA Elom Tettey-Tamaklo Senior Thesis, 2019 Department of Political Science, Haverford College Dr. Susanna Wing, Advisor 1 Fighting Oppression/Liberation Struggles 1 TABLE OF CONTENTS Acknowledgements………………………………………………………………………….3 Introduction and Methodology ……………………………………………………………..4 The Post Colonial African Project ………………………………………………….5 CHAPTER 1: Literature Review …………………………………………………………..10 A: Theories of Resistance ………………………………………………………….12 B: Forms of Resistance …………………………………………………………….14 CHAPTER 2: Roots of Rebellion …………………………………………………………..28 Family Legacy ………………………………………………………………………28 Yoruba Influences …………………………………………………………………. 32 CHAPTER 3: The State of The State………………………………………………………..43 Features of the Post-Colonial Nigerian Project……………………………………...47 CHAPTER 4 : Bridge Over Troubled Waters…………………………………………….....54 A: Civil Society ……………………………………………………………………..54 B: The Rise of Lone Wolf Citizen Activism………………………………………...62 CHAPTER 5: Fela’s Rebellion ……………………………………………………………..64 Fela: The Political Philosopher ……………………………………………………..67 Fela: The Political Griot …………………………………………………………….74 Fela: The Political Practitioner ……………………………………………………...94 Conclusion …………………………………………………………………………………102 2 ACKNOWLEDGEMENTS A popular African proverb says, “if you want to go fast, go alone, but if you want to go far, go together.” The journey of writing this thesis has been a long and hard road and it would not have been possible without the help of the following people. First of all, I want to thank my parents who have supported me through this process. Your late night calls, encouraging texts and words of affirmation made me believe that I could do it. Also, I thank my tribe; my family and close friends in and outside Haverford College who have helped me write this thesis. You have encouraged me, checked up on me, read my drafts with me, stayed through the night with me, prayed for me and believed in me. -
Questions and Answers: the Coronavirus Global Response
European Commission - Questions and answers Questions and answers: the Coronavirus Global response Brussels, 28 May 2020 The Coronavirus Global Response builds on the commitment made by G20 leaders on 26 March to present a united front against the pandemic. With this in mind, on 24 April, the World Health Organization (WHO) and an initial group of health actors launched a global collaboration for the accelerated development, production and equitable global Access to COVID-19 Tools – the ACT Accelerator. Together, they issued a call to action. The European Commission responded to this call by joining forces with global partners to host a pledging event – the Coronavirus Global Response Initiative – as of 4 May 2020. The pledging event was co-convened by the European Union, Canada, France, Germany, Italy (also incoming G20 presidency), Japan, the Kingdom of Saudi Arabia (also holding the G20 presidency), Norway, Spain and the United Kingdom. More than 40 countries, United Nations bodies and philanthropies made a pledge towards the research and development of coronavirus solutions at this global event – with €7.4 billion equivalent to $8 billion – raised that day. The European Commission committed €1 billion in grants and €400 million in guarantees on loans through reprioritisation of Horizon 2020 (€1 billion), RescEU (€80 million), the Emergency Support Instrument (€150 million). Raising €7.4 billion was an extraordinary achievement but it will not be enough to ensure the distribution of coronavirus health technologies worldwide, as this involves significant costs in terms of production, procurement and distribution. This is why, on 4 May, President von der Leyen invited people to continue joining the Coronavirus Global Response, “in a global mobilisation of hope and resolve.” More information is available on the website: europa.eu/global-response. -
Biographical Description for the Historymakers® Video Oral History with James Poyser
Biographical Description for The HistoryMakers® Video Oral History with James Poyser PERSON Poyser, James, 1967- Alternative Names: James Poyser; Life Dates: January 30, 1967- Place of Birth: Sheffield, England Work: Philadelphia, PA Occupations: Producer; Musician; Songwriter Biographical Note Songwriter, producer and musician James Jason Poyser was born in Sheffield, England in 1967 to Jamaican parents Reverend Felix and Lilith Poyser. Poyser’s family moved to West Philadelphia, Pennsylvania when he was nine years old and he discovered his musical talents in the church. Poyser attended Philadelphia Public Schools and graduated from Temple University with his B.S. degree in finance. Upon graduation, Poyser apprenticed with the songwriting/producing duo Kenny Gamble and Leon Huff. Poyser then established the Axis Music Group with his partners, Vikter Duplaix and Chauncey Childs. He became a founding member of the musical collective Soulquarians and went on to write and produce songs for various legendary and award- winning artists including Erykah Badu, Mariah Carey, John Legend, Lauryn Hill, Common, Anthony Hamilton, D'Angelo, The Roots, and Keyshia Cole. He was credited as writer/producer for multiple songs on Erykah Badu’s debut album, Baduizm; has writer, producer and musician credits on Lauryn Hill’s multiple Grammy-winning album, The Miseducation of Lauryn Hill; was a musician on Adele’s acclaimed album, 21; and served as executive co-producer and writer on Al Green’s Lay it Down. He was also the executive producer on Badu's highly celebrated albums, Mama's Gun and Worldwide Underground. He is an active session musician and has contributed to the works of other artists such as Norah Jones, Eric Clapton, Joss Stone, Ziggy Marley, Macy Gray and Femi Kuti. -
Femi Kuti: Afrobeat's Undisputed Heir
Report Femi Kuti: Afrobeat’s Nigerian ingenuity fuels Nollywood’s undisputed heir surge Okechukwu Umelo muscular and over-confident style that t’s 1992. A Nigerian businessman Fela fans had grown to know and love. desperately trying to sell a large shi- pment of blank video cassettes uses Distinct, with a familiar them to produce a cheap local film. hen Femi Kuti was 18 I‘Living in Bondage’, the story of a man fervour years old, his father, afro- haunted by his deceased wife’s ghost, beat pioneer Fela Kuti, Femi ended up leading the band for the becomes an instant hit, selling more gave him the opportunity next two years but broke away to form than half a million copies. Nollywood Wto perform a solo. The Nigerian musi- is born. his own group, ‘Positive Force’, upon his cian had been playing with his father’s father’s return in 1986. A major turning band since he was 16, so was no stran- point in Femi’s life was in 1997, when Nigeria’s film industry is the world’s ger to concerts. Today, Femi, now 49, his father died of complications from second largest in terms of the number inspires other types of shaking. His AIDS. Since that day, Femi has been the of films produced annually, surpas- music enthrals listeners with its uni- foremost standard bearer of afrobeat, sing Hollywood and hot on the heels of versal appeal, thanks to funky melodies, bringing it to new audiences. Bollywood. It is also one of the largest conscious lyrics and highly danceable employers in Nigeria. -
Nigeria's 'New Oil': Fueling the Growth of the Music
CASE STUDY NIGERIA’S ‘NEW OIL’: FUELING THE GROWTH OF THE MUSIC INDUSTRY IN LAGOS THROUGH ENTREPRENEURSHIP April 2018 Caroline Fry Georgina Campbell Flatter PhD Candidate, MIT Sloan Executive Director, The Legatum Center Senior Lecturer, MIT Sloan Sarah Jane Maxted Prof. Fiona Murray Executive Director, MIT REAP MIT Sloan Associate Dean for Innovation Co-Director, MIT Innovation Initiative Nigeria’s ‘New Oil’: Fueling the Growth of the Music Industry in Lagos through Entrepreneurship April 2018 Caroline Fry1, Georgina Campbell Flatter, Sarah-Jane Maxted, Fiona Murray This case study is dedicated to Bolaji Finnih, passed away unexpectedly in December 2017. He was a true example of the ways in which entrepreneurship can have impact. He will be remembered by all and in particular through everything he did for the MIT community as well as across the African entrepreneurship community, particularly his home city of Lagos, Nigeria. Bolaji was a 2015 MIT Sloan School of Management Fellow, 2015 MIT Legatum Center for Development and Entrepreneurship Fellow, and Team Champion of the MIT Regional Entrepreneurship Acceleration Program, Team Lagos. More than that he was a true champion of African entrepreneurship, working relentlessly to support our community, increase MIT’s engagement in Africa, and raise the profile of the African continent. Through his company, Techpreneur, he established a home and support platform for thousands of entrepreneurs across Africa. Bolaji’s dedication, optimism, and passion created a powerful dynamic both within MIT’s ecosystem and in the broader global innovation community. We celebrate his legacy by continuing to build this global community, by strengthening our commitment to developing innovation ecosystems, and by showcasing and celebrating the greatest examples of entrepreneurs, like Bolaji, doing what they do best—turning challenge into opportunity. -
Femi Kuti, La Legende De L'afrobeat, En Concert
2-5 juin 2020, Palais des Festivals, Cannes COMMUNIQUÉ DE PRESSE FEMI KUTI, LA LEGENDE DE L’AFROBEAT, EN CONCERT POUR LA PREMIERE FOIS AU MIDEM © Optimus Dammy Paris, le 24 février 2020 – Le Midem, rendez-vous incontournable de la communauté internationale de l’industrie de la musique, annonce aujourd’hui le tout premier concert de Femi Kuti au Midem, qui se tiendra du 2 au 5 juin 2020 au Palais des Festivals de Cannes. Femi Kuti, icône de l’Afrobeat, donnera son premier concert au Midem en juin prochain. Cet événement mémorable sera le premier concert jamais donné par un membre de la famille Kuti en 54 ans d’existence du Midem. Poursuivant son engagement en faveur des initiatives du Midem en Afrique – telles que le Midem African Tour qui parcourt le continent pendant trois jours, et l’African Music Forum à Cannes dont il a été l’Artiste Ambassadeur en 2019 – Femi Kuti fera ses premiers pas sur la Midem Beach à l’occasion de ce concert exceptionnel. Fils de Fela Kuti, l’un des artistes les plus iconiques d’Afrique, Femi Kuti a réussi à se distinguer de son père et à asseoir sa propre réputation en tant que maître incontesté de l’Afrobeat moderne. Elargissant sans cesse le répertoire du genre en y intégrant des touches punk et hip-hop, il parvient à conserver à la fois les bases traditionnelles et le message politique de ce style musical. Avec son groupe Positive Force, Femi Kuti s’inscrit en chef de file du phénomène Afrobeat. Plusieurs fois nommés aux Grammy Awards, il est également reconnu comme un leader de communauté et une inspiration pour la résistance africaine face aux vestiges de la mentalité coloniale et de la détresse économique. -
FELA and the Black President Film
The African e-Journals Project has digitized full text of articles of eleven social science and humanities journals. This item is from the digital archive maintained by Michigan State University Library. Find more at: http://digital.lib.msu.edu/projects/africanjournals/ Available through a partnership with Scroll down to read the article. I aacLJJm eside Forward HE following is a diary I kept between January 2nd to 28th 1977when I was acting in Fela's biographical film The Black President, co- produced by Fela Anikulapo-Kuti, Faisal Helwani, Alex Oduro and J.K. Braimah. I first saw Fela play in 1972 when he came to the University of Ghana Campus at Legon, where I was then an undergraduate. In November 1974 I stayed at his Africa Shrine (Empire Hotel) with members of Basa-Basa and the Bunzu Sounds, the resident groups at Faisal Helwanis Napoleon Club in Accra. Faisal and Fela co- produced two albums we recorded at the EMI studio in Apapa including two Afro- beats I played and composed jointly with the Bunzus. 'Onukpa Shwapo and Yeah Ku Yeah' were later released on the New York Makossa Lable as 'Makola Special' and 'Volta Suite' respectively. On the first day of our stay at the Shrine we were teargassed, as Fela's Kalakuta Republic across the road was attacked by sixty riot police trying to retrieve a runaway girl Fela had been harbouring. I stayed at the Shrine again in December 1 975, enroute to visit and play with Victor Uwaifo. It was on this occasion that I did the interview with Fela.