pretty brown eyes free mp3 download Cody Simpson. Cody Simpson (born 11 January 1997) is an Australian pop/R&B singer- from Gold Coast, Queensland, Australia who is currently signed to U.S. . Simpson began to record songs in his bedroom during the summer of 2009 on YouTube, performing 's "I'm Yours", "Cry Me a River" by , and his own songs, "One" and "Perfect". He was subsequently discovered on YouTube by Shawn Campbell, a Grammy-nominated who has produced for Jay-Z and other artists. Simpson's rise to recognition was featured on The 7.30 Report in December 2009. "iYiYi" is already a top 20 hit and "Summertime" is his second single. According to Songfacts, Cody performed "iYiYi" at the 2010 Australian Kids' Choice Awards as the closing act, where he won the Fresh Aussie Musos Award. Cody was a national-level swim champion before his rise to stardom. However, when he was asked to move to the U.S with his family to pursue his music career, he made the decision to give up his swimming. cody simpson free mp3 download. Artist: Cody Simpson : Surfer’s Paradise Released: 2013 Style: Pop. Format: MP3 320Kbps / FLAC. Tracklist: 01 – La Da Dee 02 – Pretty Brown Eyes 03 – No Ceiling 04 – Sinkin’ In 05 – Summertime Of Our Lives 06 – Imma Be Cool (Ft. ) 07 – If You Left Him For Me 08 – Love (Ft. Ziggy Marley) 09 – Better Be Mine (Bonus Track) 10 – Children Of The Ocean (Bonus Track) 11 – Rainy Day (Bonus Track) 12 – Awake All Night (Bonus Track) Pretty Brown Eyes (Acoustic) - Cody Robert Simpson (sinh ngày 11 tháng 1, 1997) là một pop Úc ca sĩ-nhạc sĩ từ Gold Coast, Queensland , người hiện đang ký hợp đồng với hãng thu âm Mỹ ghi Đại Tây Dương . Simpson đã bắt đầu cover các bài hát trong mùa hè năm 2009 trên YouTube, thực hiện "i'm Yours" của Jason Mraz, [7] "Cry Me a River" [8] và "Senõrita". Xem toàn bộ. Cody Robert Simpson (sinh ngày 11 tháng 1, 1997) là một pop Úc ca sĩ-nhạc sĩ từ Gold Coast, Queensland , người hiện đang ký hợp đồng với hãng thu âm Mỹ ghi Đại Tây Dương . Simpson đã bắt đầu cover các bài hát trong mùa hè năm 2009 trên YouTube, thực hiện "i'm Yours" của Jason Mraz, [7] "Cry Me a River" [8] và "Senõrita" [9] bởi Justin Timberlake, "" của Jackson 5, [10] và bài ​hát của riêng mình "One" [11] và "Perfect" [12] anh sau đó đã được phát hiện trên YouTube bởi Shawn Campbell, một nghệ sĩ giải Grammy được đề cử ghi nhà sản xuất đã sản xuất cho Jay-Z và các nghệ sĩ khác. SoundWave9 – New Music! SoundWave 9 starts off as per tradition with the uplifting synth-pop outing “Pretty Boy” from Montreal-based outfit Young Galaxy, the first single off their fourth and newest album, Ultramarine. Young Galaxy’s sound has matured, and the gorgeously crafted tracks on this album show a sophistication heretofore unseen. “Pretty Boy” starts off with one of the best backings of pitter-pattering drum machines and atmospheric synths that I’ve heard in a while. The 30- second intro initiates an effervescent, slow-burning aesthetic that drives the heart of this song, an austereness that serves mainly to showcase the warm vocals of lead singer Catherine McCandless. There is a fascinating dichotomy to this track, with McCandless’ earnest yet enigmatic lyrics drawing you into the emotional heart of the song while the fluorescent synth arrangements and minimalistic production hold you at a distance. This juxtaposition of yearning emotionality set within a stark, artistic musicality works perfectly here, giving “Pretty Boy” a sort of postmodern resonance that reveals universal human longings even in the most electronic of spheres. “I don’t care if the disbelievers don’t understand / You’re my pretty boy, always.” There is an addictive, hypnotic quality here that will draw you in and make you put this song on repeat, which I thoroughly encourage. AND THE BEAT GOES ON. London’s four-piece Clean Bandit are unlike I’ve heard before, and I’d the same holds true for you (dear listener). In “Mozart’s House,” they manage to blend together two fascinatingly disparate varieties of music – classical string arrangements and electronic beats – thereby crafting a seamless crossover genre all of their own. It’s music after my own heart, I must say, and I’m not even a huge Mozart fan (blasphemy, I know). Fused hip-hop beats, cut-up vocals, and strings comprise the body and soul of this electro-classical culture-clash-of-an-outing. Jack Patterson’s vocals sparsely pepper the song here and there, while a skipped beat drives the song, and a melodious and light Mozart theme, provided by group members Grace Chatto and Neil Amin-Smith, rounds out the track, giving it a unique spark that has rocketed the band to the top of the UK charts. Nerdily, my favorite part is the verse that follows the stand-alone classic interlude. “Live or die try pizzicato / Relax the tempo, sip some movato / And if I get too animato / Tan my face with that paggiato / Aliente, mezzoforte, allegro or andante / I can make this voice da-da-to one two – music for legato.” Yes. Music terminology for the win! Hopefully, this is a sign of the of electronic music – or at least, this is a direction that music can go, and I look forward to more from the ever-innovative and incongruously named “Clean Bandit.” Oh, Jason Derulo – you do this to me every time. Ever since “Ridin’ Solo” premiered back in 2010, I’ve been hooked on this R&B singer/songwriter’s mindless pop escapades. “The Other Side” is the first single from his third studio album, and is quite the high-octane dance mix that will be sure to please steadfast fans and garner him some new ones. Don’t expect anything groundbreaking from this track, because you will be somewhat disappointed. “The Other Side” sees Jason on the same side of the musical scene as usual – which is somewhere in the urban-EDM-pop field – and it is in just such familiar musical territory that he thrives. Digital bass backs an acoustic guitar while Derulo croons about young love in the most simplistic and almost mundane of manners: “In the beginning / I never thought it would be you / When we were chillin’ / Smiling in the photo booth / But we got closer (Yeah) / ‘Til you were eating off my spoon.” Despite the somewhat lyrical banality, however, “The Other Side” is a fun pop confession for the week, chock full of upbeat verses and a roof- raising chorus slathered with dancehall synths and looped beats. No doubt this song will ease off relatively unnoticed into the sunset of musical retirement as the last days of summer die, but for now we can let Derulo “take [us] to the other side” – and fully enjoy the journey. How fun must it be to become a famous musician in an ensemble group and then be able to branch off on your own for a solo side project? That’s exactly what Joe King, the drummer for , has done to much success on “Need a Woman by Friday,” the standout track on his new EP “Breaking“. King and have split songwriting duties for The Fray thus far in their 11 year career, and so it’s not much of a surprise that “Need a Woman by Friday” is a radio-ready single that isn’t saddled with the characteristic growing pains of musicians just establishing themselves. King jumps right into things with this track, featuring production skills reminiscent of Imagine Dragons and a playful lyricism and vocalization that conjure images of (a toned down) Mika. This lightheartedness is aided somewhat by the addition of a few riffs from Trombone Shorty’s trombone (oddly enough), which I could definitely do without, but it by no means ruins the track as a whole. King sings that he gets “addicted to beginnings,” but I think that will hold true as well for his listeners, who should give King’s first solo musical outing quite an enthusiastic reception. Australian born singer Brooke Addamo, the face and voice behind Owl Eyes, has been acquiring more and more underground notice the past few years, but it was not until now, with “Hurricane” and a few other tracks off of her debut album “Nightswim,” that she has finally burst fully onto the musical scene. Though she is still mainly under the mainstream radar, my prediction is that she won’t be for long! Musically, Owl Eyes is what you would get if you mixed the production prowess of (likewise Australian-based) The Presets with the fragile yet strident vocals of Lily Allen. Her music contains the best aspects of both – sleek production skills with varied beats and electronic programming alongside heartfelt and poignantly sung lyrics. The backing track, which includes a variety of beats, sound bytes, and instruments, lends a unique and refreshing newness to the song, while simultaneously remaining focused on showcasing the soaring lifts and sighs of Addamo’s voice. Couple that with the complex web of layered vocal lines, and “Hurricane” becomes a massively successful outing for the young singer with promise of much more to come in the future. I know I’ll lose a few of you here once you see Lana del Rey’s name listed (I have a certain friend of mine in mind here), but honestly, this song deserves a listen or two. Get rid of any preconceived notions you have of her based on the image promulgated by her record label and the semi- fiasco of her SNL performance, and take a look at “Young and Beautiful,” a single off of the soundtrack to Baz Luhrmann’s upcoming blockbuster “The Great Gatsby” (at least, it’s being marketed as a blockbuster – let’s see if it’s actually any good when it comes out, or if it is a total bastardization of the novel…). For those who don’t know Lana, stage name of Elizabeth Woolridge Grant, check out some of her earlier releases. Her music spans genres, from hip-hop to retro-electronica, with hints of classical instrumentation throughout. The bone of contention with most listeners is her voice – you either love it or hate it. (For those concerned, “Young and Beautiful” doesn’t contain any of the cutesy/baby voice that garnered her much scorn in previous releases.) “Young and Beautiful,” penned by Lana and Luhrmann, details the reflections of a woman looking back on her life, wondering if she’ll have anything left when she’s “no longer young and beautiful.” Perfect fit for “The Great Gatsby,” which is all about the past and reflections on true fulfillment. The lyrics, in conjunction with an understanding of the novel’s main themes, are fascinating (at least to this Lit. major), and worth readlistening. As for the sound, “Young and Beautiful” contains is needed to make a Lana del Rey hit – eerie strings, ominous bells, a trip-hop drum beat, and, centrally, the smoky, sensual, fragile, and haunting siren-like voice of Lana. Overall, this song is an excellent preview of the newest cinematic take on Gatsby, a success for Lana as a singer/songwriter, and a fantastic track in its own right. PICK OF THE WEEK. Staying in Australia this week, we move on now to the pick of the week, brought to us by a 16-year-old, slightly (non-Canadian) accented sound-alike. Cody Simpson has impossibly enough been around for years, already having dropped a few successful singles, such as this one alongside , but I’m guessing that “Pretty Brown Eyes” will skyrocket his already remarkably successful career. While other young male pop vocalists like One Direction have been making a name for themselves in boy bands geared more towards garnering throngs of screaming teenage fans, Simpson has been packing in large venues by himself, based purely on his musical talent and voice. As you would expect from a teenager writing mindless , however, the lyrics to this song are more insipid than anything else, but since no one is listening to this for its deep musicality, we can ignore that and move on to why this is my pick of the week. “Pretty Brown Eyes” features everything you could ask for in an instant summer anthem: crisp guitar chords, excellent production work, and an addictive, buttery falsetto hook that drives the song on to the fantastically simplistic yet hypnotic chorus. After my first listen, I thought it was just a decently fun summer track. After three or four listens, however, I was hooked, and have had it on repeat since. It was blasting out of the windows of my car on my way to work this afternoon, and the old lady next to me had the audacity to shake her head at me in a mixture of annoyance and condescension. Condescension! Old women are the worst; who wouldn’t appreciate this fun gem of a song? She probably had Mozart on in her car. Pshhh. I’m not saying that “Pretty Brown Eyes” will have lasting power, or that it is redefining any genres – it’s pretty much exactly what it seems: sugary sweet pop music – but it is as good a venture in this style as you will find, and sometimes that’s all you need. Want to listen to all these songs at once? Check out my YouTube Playlist for this SoundWave! Pretty brown eyes cody simpson free mp3 download. Album: Cody Simpson-Surfers Paradise. 01) La Da Dee 02) Pretty Brown Eyes 03) No Ceiling 04) Sinkin’ In 05) Summertime of Our Lives 06) Imma Be Cool (ft Asher Roth) 07) If You Left Him For Me 08) Love (ft Ziggy Marley) Album: -. 01) Blurred Lines (ft T.I. & Pharrell) 02) Take It Easy On Me 03) Ooo La La 04) Ain’T No Hat 4 That 05) Get In My Way 06) Give It 2 U (ft ) 07) Feel Good 08) 4 The Rest Of My Life 09)Top Of The World 10) The Good Life. Album: -Trials and Tribulations. 01) Testimony 02) Trials & Tribulations 03) Another Statistic 04) Before The Rollie (ft ) 05) We Outchea (ft ) 06) We Them Niggas 07) The Come Up (ft Anthony Hamilton) 08) Rider (ft ) 09) Hope 10) Pray For Me 11) Bugatti (ft Future & ) 12) How I’m Raised 13) My Bible 14) Mama (ft Betty Wright) 15) Bugatti () (ft , T.I., Meek Mill, , , Future, DJ Khaled & ) 16) Fuck Da World 17) Have Mercy. Album: Despicable Me 2 Soundtrack. 01) Cee-Lo Green – Scream 02) The Minions – Another Irish Drinking Song 03) – Just a Cloud Away 04) Pharrell Williams – Happy 05) The Minions – I Swear 06) The Minions – Y.M.C.A. 07) Pharrell Williams – Fun, Fun, Fun 08) Pharrell Williams – Despicable Me 09) PX-41 Labs 10) The Fairy Party 11) Lucy and the AVL 12) Goodbye Nefario 13) Time For Bed 14) Break-In 15) Stalking Floyd Eaglesan 16) Moving To Australia 17) Going To Save the World 18) El Macho 19) Jillian 20) Take Her Home 21) El Macho’s Lair 22) Home Invasion 23) The Big Battle 24) The Minions – Ba Do Bleep (Bonus Track) Album: Skylar Grey-Don’t Look Down. 01) Back From The Dead (feat. & ) 02) Final Warning 03) Wear Me Out 04) Religion 05) C’mon Let Me Ride (feat. ) 06) Weirdo 07) Sunshine 08) Pulse 09) Glow In The Dark 10) Beautiful Nightmare 11) Shit, Man! (feat. Angel Haze) 12) Clear Blue Sky 13) Tower (Don’t Look Down) 14) White Suburban. Album: Jay-Z-. 01) Holy Grail (feat. Justin Timberlake) 02) 03) Tom Ford 04) FuckWithMeYouKnowIGotIt (feat. Rick Ross) 05) Oceans (feat. ) 06) F.U.T.W. 07) Somewhereinamerica 08) Crown 09) Heaven 10) Versus 11) Part II (On The Run) (feat. Beyonce) 12) Beach Is Better 13) BBC (ft , Beyonce, Justin Timberlake, Pharrell, & ) 14) Jay-Z Blue 15) La Familia 16) Nickels And Dimes. Album: Machine Gun Kelly-Black Flag. 01) Raise The Flag (Prod By Slim Gudz) 02) Breaking News (Prod By JP Did This 1) 03) Pe$o (Prod By Burd ) 04) Black Tuxedo (Prod By TrapMoneyBenny) 05) Mind Of A Stoner (Prod By Dre ki Brian Empire) 06) D & G (Prod By JP Did This 1) 07) Skate Cans (Prod By LT Moe) 08) 50 Interlude (Prod By Burd N Keyz) 09) Baddest (Prod By Chizzy Mike Bass Sarah J 10) (Prod By Dre ki) 11) Street Dreams (Prod By Slim Gudz 12) Swing Life Away (Prod By Cameron Mizell) 13) Home Soon (Prod By Skewby Ricky G) 14) Dark Side Of The Moon (Prod By Karbon) 01) Soulbird Intro 02) Just Do You 03) This Love 04) Nothing That I Love More 05) Flowers 06) Cocoa Butter 07) SoulBird Interlude_Trombone 08) Moved By You 09) Life I Know 10) Break the Shell 11) SoulBird Rise 12) Thy Will Be Done (ft Gramps Morgan) 13) Brothers’ Keeper 14) One 15) Soulbird Outro_Clarinet 16) I Am Light 17) SoulBird Reprise_Ney 18) Thank You 19) 6th Avenue 20) Strange Fruit. Album: Joe-Doubleback: Evolution of R&B. 01) Something For You 02) Easy 03) Baby 04) Compromise 05) Magic City 06) I’d Rather Have A Love 07) Love & Sex (feat. Fantasia Barrino) 08) Sexy 09) More 10) Mary Jane 11) 1 To 1 Ratio (feat. Too $hort) 12) Doubleback. Album: Asher Roth-The Greenhouse Effect Vol 2. 01) Maybe I Don’t Wanna (feat.. Tom Petty, Swv, The Beach Boys) 02) Paradise 03) Interlude 04) Party Girl (feat. Lil Wayne) 05) Pass That Dutch 06) Females Welcome 07) Healer 08) Treat Me Like Fire 09) Apples & Bananas 10) Numbers 11) Interlude 12) Eggs Florentine (feat. King Mez, Remy Banks) 13) Pop Radio 14) Pearly Gates 15) Monday Free 16) A-One 17) Interlude 18) Blurred Lines 19) Girlscout Cookies 20) Freaks 21) Fuck Up Da Fun 22) Actin Up (feat. , Justin Bieber, Chris Brown) 23) Lil Butt.