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An Unconstitutional Proposition. an Unprecedented Decision. an All-Star Production
An unconstitutional proposition. An unprecedented decision. An all-star production. THE AMERICAN FOUNDATION FOR EQUAL RIGHTS Dustin Lance Black Bruce Cohen Chad H. Griffin Jonathan D. Lewis Kenneth B. Mehlman Michele Reiner Rob Reiner Adam Umhoefer and BROADWAY IMPACT Gavin Creel Jenny Kanelos Rory O’Malley present written by Dustin Lance Black with Bob Balaban Ellen Barkin Matt Bomer Campbell Brown Anthony Edwards K. Todd Freeman Morgan Freeman Jayne Houdyshell Cheyenne Jackson Jay Armstrong Johnson Larry Kramer Christine Lahti Ken Leung John Lithgow Rory O’Malley Rob Reiner Ben Rosenfield Kate Shindle Yeardley Smith Stephen Spinella Bradley Whitford Scenic Design Lighting Design Projection Design Sound Design Scott Pask Benjamin Travis Howard Werner Brian Ronan Press Representative Advertising Researcher Boneau/Bryan-Brown SpotCo Kate Sullivan Gibbens Production Stage Manager Production Management Company Manager William Joseph Barnes Aurora Productions John E. Gendron Casting General Management Executive Producers Telsey + Company & Alan Wasser • Allan Williams Jenny Kanelos Jane Jenkins, CSA Aaron Lustbader Lane Marsh Adam Umhoefer directed by Joe Mantello Setting the Scene On election day 2008, Proposition 8 re-wrote the California state constitution to ban marriage for gay and lesbian citizens. In response, two couples, Sandy Stier & Kristin Perry and Jeff Zarrillo & Paul Katami, filed suit against Proposition 8 in Federal Court. Representing them were Ted Olson and David Boies, most famous for representing the opposing sides in Bush v. Gore. Olson and Boies argued in favor of broadcasting the trial live, and Republican-appointed Chief Judge Vaughn Walker agreed. But the opponents of marriage equality filed an emergency appeal to the Supreme Court of the United States, which blocked plans to broadcast the proceedings. -
Filmová Hviezda Joaquin Phoenix
Univerzita Palackého v Olomouci Filozofická fakulta Diplomová práca Filmová hviezda Joaquin Phoenix Bc. Peter Daniš Katedra divadelních a filmových studií Vedoucí práce: Mgr. Milan Hain, Ph.D. Studijní program: Filmová a divadelní studia Olomouc 2021 Prehlasujem, že som diplomovú prácu na tému Filmová hviezda: Joaquin Phoenix vypracoval samostatne s použitím v práci uvedených prameňov a literatúry. Ďalej prehlasujem, že táto práca nebola použitá k získaniu iného alebo rovnakého titulu. V Olomouci 29. apríla 2021 ................................................... Podpis Obsah Úvod ..............................................................................................................5 1. Teoretická časť .........................................................................................8 1.1. Predmetná literatúra ...........................................................................8 1.2. Metodológcká literatúra a metodológia práce....................................9 1.2.1. Sociologicko – semiotické hľadisko Richarda Dyera ......................9 Hviezdy ako sociálny fenomén ............................................................ 10 Hviezdy ako obrazy ............................................................................. 12 Hviezdy ako znaky .............................................................................. 14 1.2.2. Kultúrno ekonomický prístup Paula McDonalda ........................... 16 Hviezdny biznis ................................................................................... 17 Hviezdny -
Copyrighted Material
P A R T O N E Star Business COPYRIGHTED MATERIAL 1 Th e Symbolic Commerce of Hollywood Stardom Hollywood stardom is founded on the marketability of human identities. As one comment in a 1959 issue of the trade paper Variety noted, “ Always the same obvious truism – show business is a business of names, personali- ties, values generated by the traits and skills and charms of potent (at the box offi ce) individuals ” (Green, 1959 : 1). In the economics of Hollywood fi lm, stars are valued as a guard against risk. Regardless of whether the budget is a few million or in the hundreds of millions, feature fi lm produc- tion is an expensive enterprise. At the same time, the fi lm industry is constantly confronted by the fact that it is pouring money into making things that people don ’ t actually need, and so unlike other goods such as basic foodstuffs, consumer demand for fi lms is uncertain and capricious. With this mixture of high -cost investment and uncertain demand, the industry treasures concrete, material signs of content which consistently draw audiences. Popular cycles or genres can offer some certainties through the repetition of thematic and stylistic tropes, whereas the value of stars is tied up with how they represent versions of human identity. In the fi gure of the star, the symbolic/cultural and economic/commercial are inextrica- bly linked. Film stars have cultural signifi cance because they represent people and as those representations circulate in media markets, so they become fi gures for exchange. Since stars only portray certain categories or types of identity and not others, then stardom has symbolic and cultural power. -
OCTOBER 2007 Special Feature
contents VOLUME 24 ISSUE 7 OCTOBER 2007 special feature 16 Tribute’s Leading Ladies Career highlights of fall’s top screen sirens including: e Naomi Watts Marcia Gay Harden Renée Zellweger Angelina Jolie Nicole Kidman Julia Roberts 30 Beauty Cate Blanchett Hilary Swank Gwyneth Paltrow Fall colors Jennifer Garner Halle Berry anador/Corbis Outlin f 32 His Style New in grooming over photo:over A ©Ruvan Horoscope 30 C 33 What the stars have planned for you features 34 Trivia 12 Previviews Test your knowledge Your must-sesee movie list on fall films departments 35 Push Play TV The Sopranos, 4 Talk to us Entourage and Lost Your letterers and what’s 33 playing at tribute.ca 36 Push Play Spider-Man 3, 6 The A-list Fantastic 4: Rise of New books and cool stuff the Silver Surfer, Transformers and more 8 Scoopo The latest bubuzz in Hollywood 38 Last Take Reformed bad boys 10 Flash Stars at the Toronto 35 10 Film Fest 36 6 rate a movie • star bios • movie rundowns • showtimes • contests... it’s all at tribute.ca talk to us Letters Golden Age as Sir Walter Raleigh oppo- Editor-In-Chief site Cate Blanchett. Sandra I. Stewart Sci-fi fan Next year, he’ll appear Editor I heard that there in the dramas The Boys Toni-Marie Ippolito is going to be a Are Back in Town Assistant Editor sequel to the X-Files and The International. Emily Wexler Contributing Writers movie. Can you tell Then he will reprise Alexandra Heilbron, Susan Kelly, me if this is true? his role as Dwight in Bonnie Laufer-Krebs Cali the much-anticipated Production Manager Erik Blomkwist (Ext.138) Via email sequel to Sin City. -
Our Adventures Casting Some of Hollywood's Biggest Movies by Janet Hirshenson, Jane Jenkins for Online Ebook
A Star Is Found: Our Adventures Casting Some of Hollywood's Biggest Movies Janet Hirshenson, Jane Jenkins Click here if your download doesn"t start automatically A Star Is Found: Our Adventures Casting Some of Hollywood's Biggest Movies Janet Hirshenson, Jane Jenkins A Star Is Found: Our Adventures Casting Some of Hollywood's Biggest Movies Janet Hirshenson, Jane Jenkins For anyone who’s ever walked out of a movie and said, “That guy was all wrong for that part,” comes this first-of-its-kind look at how actors are chosen and careers are born. Two of the top casting directors in the business, who most recently cast the new James Bond, The Da Vinci Code, and the summer blockbuster Poseidon, offer an insider’s tour of their crucial craft—spotting stars in the making—in this lively memoir, full of the kind of backroom detail loved by movie fans and aspiring actors alike. Janet and Jane share the fascinating, funny stories of discovering and casting then-unknown stars like Julia Roberts, Tom Cruise, Leonardo DiCaprio, John Cusack, Matt Damon, Winona Ryder, Jennifer Connelly, Brendan Fraser, Virginia Madsen, Joaquin Phoenix, Meg Ryan, Benicio Del Toro, and the Harry Potter kids. Taking us from the first casting call through head shots, auditions, meetings, and desperate searches to fill a part, they give us behind-the-scenes access to the machinery of star-making. Films Include: The Da Vinci Code Friday Night Lights Something's Gotta Give A Beautiful Mind Harry Potter & the Sorcerer's Stone How the Grinch Stole Christmas The Perfect Storm Air Force One Jurassic Park Ghosts of Mississippi The American President Mrs. -
Jeremy Gordon Casting Director Resume CSA Version 12-19
1 Jeremy Gordon, CSA Office: 323.639.0823 [email protected] CASTING DIRECTOR DIVE CLUB (Australian TV Series) December 2019 Directors: Rhiannon Banneberg & Hayley Macfarlane, Producers: Steve Jaggi & Spencer McLaren Starring: currently casting ROMANCE ON THE MENU September 2019 Director: Rosie Lourde, Producer: Steve Jaggi Starring: Cindy Busby THE STAIRS July 2019 Director: Peter ‘Drago’ Tiemann, Producer: Amanda Jones Starring: Kathleen Quinlan, John Schneider, Stacey Oristano, Brent Bailey, Tyra Colar TWO EYES April 2019 Director: Travis Fine, Producers: Kristen Fine, Liam Finn Starring: Joshua Leonard, Jessica Allain, Uly Schlesenger, Ben Rigby COMMANDERS – SNAPCHAT SERIES October 2018 Director: Morgan Evans, Producers: Troy Miller, Evi Regev, Ian McLees, Richard Carl Starring: Cheri Oteri, Montana Roesch, Allen Alvarado, Anna Grace Barlow, Mike Gray, David Theune AMERICA 2.0 – #1 HIT PODCAST (CASTING DIRECTOR & PRODUCER) Nov 2017 Director: JS Mayank, Producers: JS Mayank, Spencer Garrett, Jeremy Gordon Starring: Laurence Fishburne, Patrick J. Adams, Kate Walsh, Steven Weber, Ming-Na Wen, Autumn Reeser, Spencer Garrett RIFT Nov 2017 Director: Rushikesh Bhadane Starring: Derek Phillips & Connor Cain OBSCURE Nov 2017 Director: Kunlin Wang, Producers: Xia Huang & Shengxiong Ni Starring: Kylr Coffman, Lorrell Dorfman & Chris Cleavland SURVIVAL SKILLS Nov 2017 Director: Quinn Armstrong Starring: Stacy Keach & Spencer Garrett RUST CREEK Nov 2016 Director: Jen Mcgowen, Producer: Stu Pollard Starring: Hermione Corfield, Micah