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PORTRAITURE and the PRIZE ART an Education Kit for K–6 Creative Arts with KLA Links GALLERY and 7–12 Visual Arts NSW
PORTRAITURE AND THE PRIZE ART An education kit for K–6 Creative Arts with KLA links GALLERY and 7–12 Visual Arts NSW ARCHIBALD.PRIZE.2010 ART GALLERY OF NEW SOUTH WALES Toured by Museums & Galleries New South Wales www.thearchibaldprize.com.au PORTRAITURE AND THE PRIZE Contents General: the Archibald Prize and portraiture Who was JF Archibald? The Archibald Prize 1 A chronology of events Controversy and debate Portraiture as a genre: an overview Portraiture and the Prize: a selection of quotes List of winners since 1921 Syllabus connections: the Archibald Prize and portraiture Suggested case studies Years 7–12 Conceptual framework: the art world web Years 7–12 Framing the Archibald: questions for discussion Years 7–12 2 Portraiture: general strategies Years K–6 Vocabulary: portraiture Artists: portraiture References Syllabus connections: 2010 Archibald Prize Framing the Archibald: K–6 and 7–12 discussion questions and activities Analysing the winner K–6: Visual Arts and links with key learning areas 3 Years 7–12: The frames Focus works: K–6: Visual Arts and links with key learning areas 7–12: Issues for discussion 2010 Archibald Prize: selected artists Education kit outline This education kit has been prepared by the Public Programs Department of the Art Gallery of New South Wales in conjunction with Museums & Galleries New South Wales, to accompany the annual Archibald Prize exhibition. It has been designed to assist primary and secondary students and teachers in their enjoyment and understanding of the Archibald exhibition and the issues surrounding it, at the Art Gallery of NSW or throughout the 2010 Archibald Prize Regional Tour. -
Appendices 2011–12
Art GAllery of New South wAleS appendices 2011–12 Sponsorship 73 Philanthropy and bequests received 73 Art prizes, grants and scholarships 75 Gallery publications for sale 75 Visitor numbers 76 Exhibitions listing 77 Aged and disability access programs and services 78 Aboriginal and Torres Strait Islander programs and services 79 Multicultural policies and services plan 80 Electronic service delivery 81 Overseas travel 82 Collection – purchases 83 Collection – gifts 85 Collection – loans 88 Staff, volunteers and interns 94 Staff publications, presentations and related activities 96 Customer service delivery 101 Compliance reporting 101 Image details and credits 102 masterpieces from the Musée Grants received SPONSORSHIP National Picasso, Paris During 2011–12 the following funding was received: UBS Contemporary galleries program partner entity Project $ amount VisAsia Council of the Art Sponsors Gallery of New South Wales Nelson Meers foundation Barry Pearce curator emeritus project 75,000 as at 30 June 2012 Asian exhibition program partner CAf America Conservation work The flood in 44,292 the Darling 1890 by wC Piguenit ANZ Principal sponsor: Archibald, Japan foundation Contemporary Asia 2,273 wynne and Sulman Prizes 2012 President’s Council TOTAL 121,565 Avant Card Support sponsor: general Members of the President’s Council as at 30 June 2012 Bank of America Merill Lynch Conservation support for The flood Steven lowy AM, Westfield PHILANTHROPY AC; Kenneth r reed; Charles in the Darling 1890 by wC Piguenit Holdings, President & Denyse -
R-M-Mcgivern-Catalogue-2019.Pdf
23 November 2019 to 1 February 2020 ii Nicholas Aplin Kate Beynon Amber Boardman Angela Brennan Janet Burchill Dord Burrough Penelope Cain Hamish Carr Kevin Chin Nadine Christensen Dale Cox Nicola Dickson Fernando do Campo Briell Ellison Josh Foley Juan Ford Betra Fraval Deanne Gilson Helga Groves Stephen Haley Katherine Hattam Euan Heng Sophia Hewson Miles Howard-Wilks Deborah Klein Kate Kurucz Emma Lindsay Tony Lloyd Dane Lovett Simon MacEwan Jordan Marani Sam Martin Andrew Mezei Luke Pither Kenny Pittock Victoria Reichelt Mark Rodda Evangelos Sakaris Kate Shaw Shannon Smiley Julian Aubrey Smith Jacqui Stockdale Camilla Tadich Jelena Telecki Sarah Tomasetti Message from Maroondah City Councillors The inaugural R & M McGivern Prize was held in 2003 and since this time has grown to become a prestigious national painting prize attracting artists from all over the country. Well-regarded Australian artists such as Martin King, Rose Nolan and Rosslynd Piggott have each been significant recipients of this award. Submissions to the R & M McGivern Prize this year were of outstanding range and quality, with a record number of 450 entries. Thank you to all of the artists who entered. We are honoured to have three distinguished judges for this year’s prize: Charlotte Day, Director, Monash University Museum of Art; Ryan Johnston, Director, Buxton Contemporary; Penny Teale, Bunjil Place Gallery Curator. The winning recipient of the Prize receives $25,000, and the work is acquired by Council to become part of the Maroondah City Council Art Collection. This is a distinguished collection maintained by Council for the enjoyment of the Maroondah community and wider audiences. -
Scientists' Houses in Canberra 1950–1970
EXPERIMENTS IN MODERN LIVING SCIENTISTS’ HOUSES IN CANBERRA 1950–1970 EXPERIMENTS IN MODERN LIVING SCIENTISTS’ HOUSES IN CANBERRA 1950–1970 MILTON CAMERON Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Cameron, Milton. Title: Experiments in modern living : scientists’ houses in Canberra, 1950 - 1970 / Milton Cameron. ISBN: 9781921862694 (pbk.) 9781921862700 (ebook) Notes: Includes bibliographical references and index. Subjects: Scientists--Homes and haunts--Australian Capital Territority--Canberra. Architecture, Modern Architecture--Australian Capital Territority--Canberra. Canberra (A.C.T.)--Buildings, structures, etc Dewey Number: 720.99471 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Sarah Evans. Front cover photograph of Fenner House by Ben Wrigley, 2012. Printed by Griffin Press This edition © 2012 ANU E Press; revised August 2012 Contents Acknowledgments . vii Illustrations . xi Abbreviations . xv Introduction: Domestic Voyeurism . 1 1. Age of the Masters: Establishing a scientific and intellectual community in Canberra, 1946–1968 . 7 2 . Paradigm Shift: Boyd and the Fenner House . 43 3 . Promoting the New Paradigm: Seidler and the Zwar House . 77 4 . Form Follows Formula: Grounds, Boyd and the Philip House . 101 5 . Where Science Meets Art: Bischoff and the Gascoigne House . 131 6 . The Origins of Form: Grounds, Bischoff and the Frankel House . 161 Afterword: Before and After Science . -
North Shore Houses Project
NORTH SHORE HOUSES, State Library of New South Wales Generously supported by the Upper North Architects Network (SPUN), Australian Institute of Architects. Compiled by John Johnson Arranged alphabetically by architect. Augustus Aley Allen & Jack Architects (Russell Jack) Allen, Jack & Cottier (Russell Jack) Sydney Ancher Adrian Ashton Arthur Baldwinson Arthur Baldwinson (Baldwinson & Booth) John Brogan Hugh Buhrich Neville Gruzman Albert Hanson Edward Jeaffreson Jackson Richard Leplastrier Gerard McDonnell D.T. Morrow and Gordon Glen Murcutt Nixon & Adam (John Shedden Adam) Pettit, Sevitt & Partners Exhibition Houses Ross Brothers (Herbert Ernest Ross and Colin John Ross) Ernest A Scott (Green & Scott) Harry Seidler Harry and Penelope Seidler Douglas Snelling John Sulman War Service Homes Commission Leslie Wilkinson Wilson & Neave (William Hardy Wilson) Architect: Augustus Aley ‘Villa Maria’ (House for Augustus Aley), 1920 8 Yosefa Avenue, Warrawee Architect Augustus Aley (1883-1968) built 4 houses in Yosefa Avenue, Warrawee (Nos. 7, 8, 9, 11) two of which were constructed for himself. He and wife Beatrice (1885?-1978) moved into Villa Maria in 1920 and developed a fine garden. In 1929 they moved to a new house, Santos, at 11 Yosefa Ave. “Mr Aley, the architect, and incidentally the owner, has planned both house and garden with the utmost care, so that each should combine to make a delightful whole. The irregular shape and sloping nature of the ground presented many difficulties, but at the same time abounded with possibilities, of which he has taken full advantage. The most important thing, in a house of this sort, and indeed in any house, is aspect, and here it is just right. -
Mr Harry Seidler AC OBE
Mr Harry Seidler AC OBE The degree of Doctor of Science in Architecture (honoris causa) was conferred upon Harry Seidler at the Architecture ceremony held on 6 April 2000. Citation Chancellor I have the honour to present to you Harry Seidler for admission to the degree of Doctor of Science in Architecture, honoris causa. Harry Seidler was born in Vienna in 1923 and migrated to Britain when Austria was invaded shortly before the Second World War. In 1939, he was sent with other Germans and Austrians to Canada where he was admitted to study Architecture at the University of Manitoba. He graduated in 1944 and was accepted by the Harvard Graduate School of Design to do post-graduate work with Walter Gropius and Marcel Breuer. Later he spent some time with the painter Joseph Albers at Black Mountain College, North Carolina, and subsequently worked with Breuer in New York. He was also, for a brief time, with Oscar Niemeyer in Rio. In 1948, he came to Sydney, and in 1951, won the Sir John Sulman Medal for the first house he built in Australia, the Rose Seidler House at Turramurra. Seidler was exceptionally fortunate in his outstanding teachers, and his youthful international experience. Both influences made him sensitive to cultural differences, and throughout his career as an international architect, his buildings have acknowledged these. In his early years in Sydney, domestic architecture was his main preoccupation. He built houses and high rise apartment blocks in many Sydney suburbs, all of which are recognizable by their strong structural features. In 1960, Seidler began to work with the Italian engineer Pier Luigi Nervi, on the cylindrical tower for Australia Square. -
Jasper Knight Cv
JASPER KNIGHT BORN 1978 Sydney, Australia STUDIES 2002-2003 Master of Arts (majoring in painting + drawing) The College of Fine Arts, UNSW, Sydney 1997-1999 Bachelor of Visual Arts – electronic + temporal arts, Sydney College of the Arts,University of Sydney BACKGROUND Jasper’s work has blurred the boundaries between high art and amateur photography, between sculpture and painting. His works are often an assemblage of plywood, perspex, cardboard boxes, and old signs and are remanent of the found objects used in the Dada, Surrealist, Fluxus and Pop Art movements. However, Jasper has combined the industrial materials of his painting surface with traditional art methods, which provide a certain amount of texture and sculptural form while still having an important link to the subject. “My work has always straddled painting and the constructed object. In the past, my materials have added to the narrative content, or sometimes to the context, of the depicted scenes. My recent work has explored this relationship between material and subject, between constructed object and painted surface, in a more abstract way. The subject matter, from wharves to cars, from chairs to landscape, helps explore these binary concerns and is treated in a highly architectural and linear way.” His focus is often the busy waterway, machinery at work or the remnants of an old factory; painted in blocks of colour that drip and spill over his brightly coloured and shiny surfaces to give the illusion of movement within the landscape. Jasper has held successful exhibitions throughout Australia and in London, Berlin and Beijing. He has been a finalist in the Archibald, Wynne and Mosman Art prizes and is represented in corporate and private collections throughout Australia. -
William Edwin Pidgeon Was Born in 1909 at Paddington, Sydney
William Edwin Pidgeon (WEP) 1909- 1981 Page | 1 Summary Bill Pidgeon’s career spanned from the mid-1920s through the 1970s. He started out in the newspaper industry and quickly forged a name in the local Sydney press, known as “Wep”. In 1933 he helped create the dummy for The Australian Women’s Weekly with his friend and the magazine’s first editor, George Warnecke. Working for Consolidated Press he became well known throughout Australia for his political cartoons, comic strips, illustrations, his covers and war paintings for The Australian Women’s Weekly, which are now collectables today. However, Bill’s true passion was his painting and in January 1949 he resigned from Consolidated Press to focus on winning Australia’s most prestigious prize for portraiture, the Archibald Prize. Not only did he achieve that aim but he won the award three times. However, his earlier career always overshadowed the success of his painting with headlines such as “Cartoonist wins Archibald.” In 1956 he was diagnosed with glaucoma in both eyes and underwent a total of six operations on his eyes to remove cataracts and ultimately his eye lenses. By the 1970s he was deemed legally blind. The difficulties he faced with his eyesight were always kept very private for fear of losing valuable commissions. Shortly after Bill’s glaucoma diagnosis he was invited by the Romanian Government to visit Romania on a Cultural Exchange trip. It was his only trip overseas despite a yearning to see the works of the great masters of Europe since the late 1920s. In addition to Romania, Bill took the opportunity to visit Rome and Venice in Italy, Munich in Germany, Vienna and Budapest whilst in transit to Bucharest, Romania. -
Searching for Annie Masefield: a Family History Journey
SEARCHING FOR ANNIE MASEFIELD: A FAMILY HISTORY JOURNEY Paper presented at the 2016 Annual History Colloquium, Darwin David Carment 1 Introduction I never knew my maternal great grandmother Annie Elizabeth Sulman, nee Masefield. She died at her Sydney home aged 85 on 26 December 1949, a day after I was born.1 From my mother Diana Carment and various other relations, however, I heard much about her as I grew up. Diana looked after some of Annie’s papers, including diaries, letters and photographs.2 The second wife of the Sydney architect, town planner and patron of the arts Sir John Sulman, at the age of six or seven Annie was adopted as an orphan into Sydney’s wealthy Walker family during 1871. Her life after then is quite extensively documented3 and was well known to her family. In addition to having four children with John and being the stepmother for the three children from his first marriage, she was active in the Red Cross and other charities, published two well- received books of Australian wildflower photographs,4 and was Vice-President of the New South Wales Women’s Liberal League.5 Her earlier childhood and family background, on the other hand, were largely unknown. My grandfather Tom Sulman was unable to provide the names of Annie’s parents for her death certificate. My mother, who lived with Annie during the mid 1940s, knew rather more. She told me that the latter’s father George Masefield ran a school in a house near Sydney’s Kings Cross that later became part of the Belvedere Hotel. -
1983 Vol.5 No1
Planning History Bulletin 1983 Volume 5 Number 1 Planning History Group PLANNING HISTORY BULLETIN 1983 Vo1.5 No.1 CONTENTS CHAIRMAN ' S NOTE TREASURER ' S NOTE MEETINGS AND CONFERENCES Planning 1930-1960 Planning History Group Meeting , Oxford, September 1983 Geddes at Dundee Planning f o r Health, 1850-1950 BOOK REVIEWS John Hall, The Geography of pLanning decisions (Derek Gunby) 4 Derek Fraser (ed) , Municipal. reform and the industria~ city 5 (Richard Dennis) F .M.L. Thompson (ed) , The rise of suburbia (James H. Johnson ) 6 THESES 8 PUBLICATIONS 10 NOTES AND NEWS 1 3 NEW MEMBERS 14 WORK IN PROGRESS 16 ARTICLES John Sulman and ' the laying out of towns'. 18 Robert Freestone. Site- planning and the contro l of social behaviour: the 24 'ideology' of residential areas. Gilles Barbey. Factory housing in early Victorian Lancashire. S.M. Gaskell. 29 Ostend and Antwer in the 33 e. A hundred years behind? Thomas Hall.· 38 Chairman's Note The term of office for the following members of the Executive will come to an end in August 1983: U.K. non-U.K. Or M. Cuthbert, Department of Town and Country Or M.J. Bannon, Department of Regional and Urban Planning, Heriot-Watt University Planning, University College Dublin Or S.M. Gaskell, Assistant Principal, City of Ms Eugenie Birch, Graduate Programme in Urban Liverpool College of Higher Education Planning, Hunter College New York Or M. Hebbert, London School of Economics Professor B.A. Brownell , Department of Urban Studies, University of Alabama Or R.J.P. Kain, Department of Geography, Uni versity of Exeter Mrs Christiane Col1ins, Adam L. -
Determination 2018 (No 2)
Australian Capital Territory Public Place Names (Taylor) Determination 2018 (No 2) Disallowable instrument DI2018–213 made under the Public Place Names Act 1989, s 3 (Minister to determine names) 1 Name of instrument This instrument is the Public Place Names (Taylor) Determination 2018 (No 2). 2 Commencement This instrument commences on the day after its notification day. 3 Determination of place names I determine the place names as indicated in the schedule. Ben Ponton Delegate of the Minister for Planning and Land Management 06 July 2018 Authorised by the ACT Parliamentary Counsel—also accessible at www.legislation.act.gov.au Schedule (see cl 3) Division of Taylor – Architects, town planners and urban designers The location of the public places with the following names is indicated on the associated diagram. NAME ORIGIN SIGNIFICANCE Arney Close Peter Arthur Architect Brent Arney Peter Arney trained in architecture with the Perth (c.1927 – 1996) based firm Oldham Boas Ednie-Brown, commencing in 1946. Mentored by Colin Ednie- Brown, Arney rose to become one of the firm’s lead design partners. He is remembered as a key driver of the firm until his retirement in the 1990s. Early in his career he designed the distinctive Parmelia Hotel in central Perth and was involved in many office building projects. He won acclaim for his design of the Cable Beach Club resort in Broome in the 1980s. The international resort’s architectural style uniquely drew upon Broome’s built heritage and associations with the pearling industry. Arney also specialised in the field of medical architecture, designing and building hospitals and homes for the elderly and disabled. -
ANNOUNCEMENT 2012 EXHIBITIONS Art Gallery Of
ANNOUNCEMENT MEDIA CONTACTS: Susanne Briggs 02 9225 1791 0412 268 320 [email protected] Claire Martin 02 9225 1734 0414 437 588 [email protected] 2012 EXHIBITIONS ART GALLERY OF NEW SOUTH Wales Picasso: Masterpieces from the Musée National Picasso, Paris 12 Nov 2011 – 25 Mar 2012 This landmark exhibition of the work of Pablo Picasso (1881–1973) – arguably the most radical and influential artist of the 20th century – is drawn from the collection of the Musée National Picasso in Paris – the largest and most important repository of the artist’s work in the world. The exhibition features more than 150 paintings, sculptures, drawings and prints, capturing every phase of his extraordinary career. Pablo Picasso Deux femmes courant sur la plage (La course) This unprecedented opportunity is possible because the Musée (Two women running on the beach (the race)) 1922 gouache on plywood. Pablo Picasso Bequest 1979 Picasso has recently closed for renovations, allowing this full-scale © Sucession Picasso, 2011/Licensed by Viscopy 2011 © Paris Réunion des Musées Nationaux/Jean Gilles Berizzi survey to travel for the first and, very likely, only time. Part of the © Musée National Picasso, Paris Sydney International Art Series, the exhibition is co-organised by the Musée National Picasso, Paris, the Art Gallery of NSW and Art Exhibitions Australia. The Art Gallery of NSW is the only venue in the southern hemisphere on its world tour. Making sense: contemporary LA photo artists 11 FEb – 13 MaY 2012 This exhibition presents 13 works from the Gallery’s collection by Uta Barth, Miles Coolidge, Shannon Ebner, Christina Fernandez, Ken Gonzales-Day, Anthony Hernandez, Sharon Lockhart, Catherine Opie and Mark Wyse – artists based in Southern California whose work deals with relations between landscape and architecture, high and low culture, representations of the body, politics and irony, word and image.