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Yucaipa Performing Arts Center Presents Sierra Hull
FOR IMMEDIATE RELEASE Jan. 14, 2020 Yucaipa Performing Arts Center Presents Sierra Hull Friday, Apr 17, 2020, 8PM | YPAC Indoor Theater General Admission: $35 | Student / Child / Military / Senior(55+): $20 | Group of 10 +: $30 12062 California St. Yucaipa, CA 92399 | 909.500.7714 | www.yucaipaperformingarts.org The Yucaipa Performing Arts Center is proud to host award-winning mandolinist, composer, and lyricist, Sierra Hull. Sierra Hull debuted at the Grand Ole Opry at age 10. At age 13, she signed with Rounder Records, issued her debut album, Secrets, and garnered the first of a near decade of nominations for Mandolin Player of the Year. Hull played at the Kennedy Center at age 16 and performed at the White House at age 20. By 2016, she tapped legendary Bluegrass musician Bela Fleck to produce her third album, Weighted Mind, which was nominated for a Grammy. Months later, she became the first woman to win the title of Mandolin Player of the Year -- which she has won two additional times -- from the International Bluegrass Music Association. Hull continues to guest with friends and legends, and has joined such icons as the Indigo Girls, Garth Brooks, and Gillian Welch; she has performed at the Country Music Awards with Brad Paisley, Marty Stuart, and Ricky Skaggs, who helped inspire her first album. This year, she releases her album 25 Trips. Once a child prodigy, Hull still applies her parents’ mantra: “Hard work, more than anything, will get you somewhere.” To purchase tickets, go to www.yucaipaperformingarts.org, call the box office at 909.500.7714 or visit 12062 California Street, Yucaipa, CA. -
Vtorld ALBUM CHART
toTHE COUNTRY COUNTRY HOT UNE vtoRLDALBUM CHART By MARIE RATLIFF and CHUCK NEESE AUGUST 5, 1912 THIS LAST WKS. ON WK. WK. CHART 1 WI'S WHY I UWE 10U LIKEI DO SONNY JAMES-Capitol 11067 9 Station Check List 2 4 THE REAL McCOY CHARLIE McCOY-Monument 31329 17 3 3 THE BEST OF CHARLEY PRIDE, VOL. 2-RCA LSP 4082 19 WUBE, Cincinnati (Jack Reno) WENO, Nashville (Johnny K) 4 2 THIS IS JERRY WALLACE-Decca 75294 17 KENR, Houston (Bruce Nelson) WQYK, Tampa (Bob Hudson) 5 6 A THING CALLED LOVE JOHNNY CASH-Columbia 31332 15 WWVA, Wheeling (Bob Ward) WGBG, Greensboro (Tim Rowe) HANK WILLIAMS JR. GREATEST HITS, VOL. 2-MGM 4822 8 WXCL, Peoria (Lee Ransom) WAME, Charlotte (Ed Robinson) U 7 WGMA, H'wood, Fla. (K. C. Jones) KFDI, Wichita (Don Powell) 8 BEST OF JERRY REEO-RCA 4729 7 WUNI, Mobile (Johnny Barr) KBOX, Dallas, (Art Keller) WYDE, Birmingham (Don Parden) WCNW, Fairfield (Fred Slezak) II 9 SOMEONE TO GIVE MY LOVE TO JOHNNY PAYCHECK-Epic 31449 9 WCMS, Norfolk (Earle Faulk) WMNI. Columbus, 0. (0. R. Moore) 9 5 THE KILLER ROCKS ON JERRY LEE LEWIS-Mercury 1-637 14 KLAC, Los Angeles (Carson Schreiber) 10 12 BLESS YOUR HEART FREDDIE HART-Capitol 11073 5 III 14TO GET TO YOU JERRY WALLACE-Decca 75349 5 12 10 GEORGE JONES-Epic 31321 10 The "Crystal Chandelier Situation" still rages in 21 THE HAPPIEST GIRL IN THE WHOLE USA DONNA FARGO-Dot 26000 3 as of this writing. The Charley Pride RCA Gold Standard release began at several stations and MI 17 CONWAY TWITTY'S GREATEST HITS, VOL. -
Folklife Center News, Fall 2004
F O L K L I F E CENTER NEWS FALL 2004 • VOLUME XXVI, NUMBER 4 American Folklife Center • The Library of Congress ONLINE INFORMATION STAFF RESOURCES Administration The American Folklife Center’ s Peggy A. Bulger, Director Website provides full texts of Gene Berry, Assistant to the Director many AFC publications, informa- Doris Craig, Administrative Assistant tion about AFC projects, multi- media presentations of selected Michael Taft, Head, Archive of Folk Culture collections, links to Web re s o u rc e s Acquisitions and Programs on ethnography, and announce- David A. Taylor, Coordinator ments of upcoming events. The Research and Programs The American Folklife Center a d d ress for the hom e page is Ilana Harlow, Folklife Specialist was created in 1976 by the U.S. h t t p : / / w w w. l o c . g o v / f o l k l i f e / A n Congress to “preserve and present Guha Shankar, Folklife Specialist index of the site’s contents is American folklife” through pro- Processing and Cataloging available at h t t p : / / w w w. l o c . g o v/ grams of research, documentation, Sarah Bradley-Leighton, archival preservation, reference ser- f o l k l i f e/a f c i n d e x . h t m l Processing Technician vice, live performance, exhibition, publication, and training. The The Website for The Ve t e r a n s Catherine Hiebert Kerst, Archivist Center incorporates the Archive of History Project p ro v i de s a n Maggie Kruesi, Cataloger Folk Culture, which was established o v e rviewofthe project, an online Judy Ng, Processing Technician in the Music Division of the Library “kit” for participants re c o rding oral Valda Morris, Processing Technician of Congress in 1928 and is now one histories of veterans, and a brief of the largest collections of ethno- Marcia Segal, Processing Technician p resentation of some examples of g r a p h i cmaterial from the United Nora Yeh, Archivist, Coordinator v i d e o - and audio-re c o rdings of vet- States and around the world. -
Ron Block Hogan's House of Music Liner Notes Smartville (Ron Block
Ron Block Hogan’s House of Music Liner Notes Smartville (Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Tim Crouch - fiddle Jerry Douglas - Dobro Stuart Duncan – fiddle Clay Hess - rhythm guitar Adam Steffey – mandolin Hogan’s House of Boogie (Ron Block, Moonlight Canyon Publishing, BMI) Ron Block – banjo, rhythm and lead guitar Sam Bush - mandolin Jerry Douglas – Dobro Byron House - bass Dan Tyminski – rhythm guitar Lynn Williams – snare Wolves A-Howling (Traditional) Barry Bales - bass Ron Block - banjo Stuart Duncan - fiddle Adam Steffey - mandolin Dan Tyminski - rhythm guitar The Spotted Pony (Traditional, arr. Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Sierra Hull – octave mandolin Alison Krauss - fiddle Adam Steffey – mandolin Dan Tyminski - rhythm guitar Lynn Williams – snare Clinch Mountain Backstep (Ralph Stanley) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Clay Hess - rhythm guitar Adam Steffey – mandolin Gentle Annie (Stephen Foster) Ron Block – banjo, guitar Tim Crouch – fiddles, cello, bowed bass Mark Fain - bass Sierra Hull – octave mandolins Mooney Flat Road (Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Sierra Hull – octave mandolin Alison Krauss - fiddle Adam Steffey – mandolin Jeff Taylor - accordion Dan Tyminski - rhythm guitar Lynn Williams – snare Mollie -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
Songwriter Mike O'reilly
Interviews with: Melissa Sherman Lynn Russwurm Mike O’Reilly, Are You A Bluegrass Songwriter? Volume 8 Issue 3 July 2014 www.bluegrasscanada.ca TABLE OF CONTENTS BMAC EXECUTIVE President’s Message 1 President Denis 705-776-7754 Chadbourn Editor’s Message 2 Vice Dave Porter 613-721-0535 Canadian Songwriters/US Bands 3 President Interview with Lynn Russworm 13 Secretary Leann Music on the East Coast by Jerry Murphy 16 Chadbourn Ode To Bill Monroe 17 Treasurer Rolly Aucoin 905-635-1818 Open Mike 18 Interview with Mike O’Reilly 19 Interview with Melissa Sherman 21 Songwriting Rant 24 Music “Biz” by Gary Hubbard 25 DIRECTORS Political Correctness Rant - Bob Cherry 26 R.I.P. John Renne 27 Elaine Bouchard (MOBS) Organizational Member Listing 29 Gord Devries 519-668-0418 Advertising Rates 30 Murray Hale 705-472-2217 Mike Kirley 519-613-4975 Sue Malcom 604-215-276 Wilson Moore 902-667-9629 Jerry Murphy 902-883-7189 Advertising Manager: BMAC has an immediate requirement for a volunteer to help us to contact and present advertising op- portunities to potential clients. The job would entail approximately 5 hours per month and would consist of compiling a list of potential clients from among the bluegrass community, such as event-producers, bluegrass businesses, music stores, radio stations, bluegrass bands, music manufacturers and other interested parties. You would then set up a systematic and organized methodology for making contact and presenting the BMAC program. Please contact Mike Kirley or Gord Devries if you are interested in becoming part of the team. PRESIDENT’S MESSAGE Call us or visit our website Martha white brand is due to the www.bluegrassmusic.ca. -
SENATE JOINT RESOLUTION 803 By
SENATE JOINT RESOLUTION 803 By Henry A RESOLUTION to honor the memory of Earl Scruggs, an American musical treasure. WHEREAS, the members of this General Assembly and music fans around the globe were greatly saddened to learn of the passing of bluegrass music legend and American treasure, Mr. Earl Scruggs; and WHEREAS, Earl Scruggs was revered around the world as a musical genius whose innovative talent on the five-string banjo pioneered modern banjo playing and he crafted the sound we know as bluegrass music. We will never see his superior; and WHEREAS, born on January 6, 1924, in Flint Hill, North Carolina, Earl Eugene Scruggs was the son of George Elam Scruggs, a farmer and bookkeeper who played the banjo and fiddle, and Lula Ruppe Scruggs, who played the pump organ in church; and WHEREAS, after losing his father at the age of four, Earl Scruggs began playing banjo and guitar at a very young age, using the two-finger picking style on the banjo until he was about ten years old, when he began to use three - the thumb, index, and middle finger - in an innovative up-picking style that would become world-renowned and win international acclaim; and WHEREAS, as a young man, Mr. Scruggs' banjo mastery led him to play area dances and radio shows with various bands, including Lost John Miller and His Allied Kentuckians. In December of 1945, he quit high school and joined Bill Monroe's band, the Blue Grass Boys; and WHEREAS, with his magnificent banjo picking, the group's popularity soared and Earl Scruggs redefined the sound of bluegrass music, as evidenced on such classic Bill Monroe and the Blue Grass Boys tracks as "Blue Moon of Kentucky," "Blue Grass Breakdown," and "Molly and Tenbrooks (The Race Horse Song)"; and WHEREAS, with his mastery of the banjo and guitar matched only by his beautiful baritone, Mr. -
Lester -- Raymond
Lester --Raymond -Flatt, Lester Platt an3 the Nashville Grass. 12 selections (and four "remarlcst'), vocal and instrumental, stereo, liner notes by Lester's manager, Lance LeRoy. @ Flying Fish 015. Flying Fish Records, 3320 N. Halstead, Chicago, 111. 60657. Reviewed by Bill Revill 1 Lester Flatt has been playing professionally for ncarly forty years, and this album of twelve songs tries to act as a retrospect on his career. Backed by his band the Nashville Grass, Flatt runs over sone of the numbers he used to do with Earl 2nd the Foggy Mauntain Boys. The performances are credible, the band is in excellent form (especial1.y Marty Stuart on guitar), and Lester is in fine voice, It is not an outstanding album, except perhaps for the fact that it serves as a review of the career of one of the most important names in bluegrass. Lester Flatt has been around since the beginning of bluegrass, coming into the spot- light in 1944 w11en he joined Bill Nonroe's organization. From 1948 to 1969, Lester Flatt and Earl Scruggs were the paramount bluegrass band in the coxntry. Since the breakup, Flatt has retained most of the Foggy p!cuntain Boys, added a couple of members, and continues to play bluegrass. The choice of material centers mostly on old Platt and Scru~gsmaterial ("Cone Back Darling," "Down th'e Road," "A Bundred Years from Now," "Ely Cabin in Caroline,'' "Foggy Mountain Chimes," etc.) and some other songs of historical interest, e.g:, "The Wreck of the Old 97," the first song Flatt learned, and "I'm Gonna Sleep with One Eye Open," a song that was banned from WSM. -
(Pdf) Download
Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Jan/Feb/Mar 2017 Winter Express Issue
Vol. 37 No. 1 INSIDE THIS ISSUE! Jan, Feb, Mar A conversation with Ellie Hakanson, Classical Vocal Techniques, Concert 2017 Reviews and more… $500 Oregon Bluegrass Association Oregon Bluegrass Association www.oregonbluegrass.org A Conversation With Ellie Hakanson By Jeff Wold hen it comes to exports, played in a band with Tristan Oregon is all over the map Scroggins (Jeff’s son) when Wwith a wide variety of Tristan was 14. So Sam was in incredible items we produce. Athletic Tristan’s first band and we were shoes, multi-tools, rail cars, timber just hanging out all weekend, the products, world-renowned wine, beer, three of us and in larger groups. whiskey and bluegrass musicians. I jammed with the whole band for several hours and clicked Wait … bluegrass musicians? really well. There’s a video on YouTub e 1 of us playing twin Yep, especially fiddlers. fiddles on Roanoke − me and Sam, with Jeff and Greg and Alex Hargreaves and his sister Tatiana, all of those guys. Later that Yonder Mountain mandolin whiz Jake summer they asked me to play a Jolliff and the newest young performer to few gigs, and then I played more hit the ground running, Ellie Hakanson, with them until eventually I was Ellie Hakanson who has become the regular fiddler with playing full time. the bluegrass band “Jeff Scroggins and coast, right before the Red, White, and Colorado.” Jeff: You left a regular job and career to go Bluegrass festival last summer around the on the road, as I gather. Fourth of July. I had been hearing about It only took a planetary alignment, the Station Inn for years. -
The Bourbon Aristocracy Plays Cask- Strength Kentucky Bluegrass
The Bourbon Aristocracy plays cask- strength Kentucky bluegrass. The Bourbon Aristocracy is a 4-piece band that comprises fiddler/vocalist Ryan Hin- shaw, banjoist/vocalist Joe Rauen, bassist Pete Wojtowicz, guitarist/vocalist Ethan Taylor Sellers, and occasional guests on mandolin and dobro. The Bourbon Aristocracy’s repertoire in- cludes bluegrass classics from artists such one of Sellers’ distant relatives from Ken- as Bill Monroe, Lester Flatt and Earl Scrug- tucky, E.H. Taylor. nephew of U.S. President gs, Jimmy Martin, Del McCoury, Stanley Zachary Taylor. E.H. Taylor was the father Brothers, and many more - alongside more of the modern bourbon industry, through recent bluegrass favorites and songs by clas- his distillery and his efforts to pass the sic country artists like Hank Williams and Bottled-in-Bond Act of 1897 and Pure Food Johnny Cash. and Drug Act, which together ensure the authenticity and purity of bourbon whiskey. In addition to a variety of private perfor- mances, the band’s recent engagements have The Bourbon Aristocracy plays bluegrass included Shedd Aquarium, Horse Thief worthy of this heritage. Hollow Brewing Company, Glenview Park District, Chicago Park District, Downtown The band can go straight-up acoustic for in- Oak Park, and the Louisville Kentucky Con- timate engagements, use the venue’s sound vention and Visitors Bureau. Louisville has system, or bring its own as required. chosen The Bourbon Aristocracy to repre- sent the Bluegrass State to their high-profile For booking/demos/info: clientele for three years running. Ethan Sellers (773) 580-2108 The Bourbon Aristocracy name pays tribute [email protected] to Kentucky’s gift to the whiskey world and http://www.bourbonaristocracy.com. -
Master Uten Bilder
A Transforming Voice in a Changing Genre - Alison Krauss Sigrun Sundet Sandstad Master Thesis in Musicology At the Faculty of Musicology University of Oslo Autumn 2016 i A Transforming Voice in a Changing Genre - Alison Krauss - Acknowledgements… First of all I would like to thank my husband, Torkild. Your patience, your eye for detail, and shared love for bluegrass has been priceless in this process. I am also forever thankful for how you and our children have cheered me on in this process. Thank you dad, for introducing me to bluegrass music. Thank you for daring to play and listen to music you loved, although it was not always mainstream. Thank you Holly and Bart, for providing me with language expertise. Thank you, staff at the Grey Fox Bluegrass Festival 2016 for being so helpful. A huge thanks to Barry Bales, Charles Clements, Mike Compton, Jerry Douglas, Leigh Gibson and Sierra Hull for letting me interview you and for providing me with unique and valuable material. Thank you Stan Hawkins, my supervisor, for challenging me, encouraging me, and believing in me. I could never have done this without your guiding. Thank you, Alison Krauss, for loving and respecting bluegrass. Without your love for bluegrass, I wouldn’t have had mine. Sigrun S. Sandstad Stavern, October 2016 ii A Transforming Voice in a Changing Genre - Alison Krauss - iii A Transforming Voice in a Changing Genre - Alison Krauss - PREFACE If you asked me to guess, I would have said that it happened last week. It was one of those defining moments, which feels like days and at the same time a lifetime ago.