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Wwe 2016 Trending Schedules - Basis of Presentation
WWE 2016 TRENDING SCHEDULES - BASIS OF PRESENTATION WWE's operations are organized around four principal activities in ten reportable segments: The ten reportable segments of the Company now include the following: Network, Television, Home Entertainment and Digital Media are individual segments that comprise the Media Division; Live Events; Licensing, Venue Merchandise and WWEShop are individual segments that comprise the Consumer Products Division; WWE Studios and Corporate and Other. Media Division Network Segment revenues consist principally of subscriptions to WWE Network, fees for viewing our pay-per-view programming, and advertising fees. Television Segment revenues consist principally of television rights fees and advertising. Home Entertainment revenues consist principally of sales of WWE produced content via home entertainment platforms, including DVD, Blu-Ray, and subscription outlets. Digital Media revenues consist principally of advertising sales on our websites and third party websites, including YouTube, and sales of various broadband and mobile content. Live Events Revenues consist principally of ticket sales and travel packages for live events. Consumer Products Division Licensing Segment revenues consist principally of royalties or license fees related to various WWE themed products such as video games, toys and apparel. Venue Merchandise revenues consist of sales of merchandise at our live events. WWE Shop revenues consist of sales of merchandise on our websites, including through our WWEShop Internet storefront. WWE Studios Revenues consist of amounts earned from investing in, producing and/or distributing filmed entertainment. Corporate and Other Revenues consist of amounts earned from talent appearances. Expenses include corporate overhead and certain expenses related to sales and marketing, including our international offices, and talent development functions. -
Grappling with Race: a Textual Analysis of Race Within the Wwe
GRAPPLING WITH RACE: A TEXTUAL ANALYSIS OF RACE WITHIN THE WWE BY MARQUIS J. JONES A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Communication April 2019 Winston-Salem, North Carolina Approved By: Ronald L. Von Burg, PhD, Advisor Jarrod Atchison, PhD, Chair Eric K. Watts, PhD ii ACKNOWLEDGEMENTS I would first like to thank my thesis advisor, Dr. Ron Von Burg of the Communication Graduate School at Wake Forest University. Dr. Von Burg’s office was always open whenever I needed guidance in the completion of this thesis. He consistently allowed this paper to be my own work, but steered me in the right direction whenever he thought I needed. I would also like to thank Dr. Jarrod Atchison and Dr. Eric Watts for serving as committed members of my Graduate Thesis Committee. I truly appreciate the time and energy that was devoted into helping me complete my thesis. Finally, I must express my very profound gratitude to my parents, Marcus and Erika Jones, for providing me with unfailing support and continuous encouragement throughout my years of sturdy and through the process of research and writing this thesis. This accomplishment would not have been possible without them. Thank you. I love you both very much. Thank you again, Marquis Jones iii TABLE OF CONTENTS ABSTRACT…………………………………………………………………..iv Chapter 1: INTRODUCTION………………………………………………Pg. 1 Chapter 2: HISTORY OF WWE……………………………………………Pg. 15 Chapter 3: RACIALIZATION IN WWE…………………………………..Pg. 25 Chapter 4: CONCLUSION………………………………………………......Pg. -
ALLISA SWANSON Costume Designer
ALLISA SWANSON Costume Designer https://www.allisaswanson.com/ Selected Television: FIREFLY LANE (Pilot, S1&2) – Netflix / Brightlight Pictures – Maggie Friedman, creator TURNER & HOOCH (Pilot, S1) – 20th Century Fox / Disney+ – Matt Nix, writer – McG, pilot dir. ALIVE (Pilot) – CBS Studios – Uta Briesewitz, director ANOTHER LIFE (Pilot, S1) – Netflix / Halfire Entertainment – Aaron Martin, creator ONCE UPON A TIME (S7 eps. 716-722) – Disney/ABC TV – Edward Kitsis & Adam Horowitz, creators *NOMINATED, Excellence in Costume Design in TV – Sci-Fi/Fantasy - CAFTCAD Awards THE 100 (S3 + S4) – Alloy Entertainment / Warner Bros. / The CW – Jason Rothenberg, creator DEAD OF SUMMER (Pilot, S1) Disney / ABC / Freeform – Ian Goldberg, Adam Horowitz & Eddy Kitsis, creators MORTAL KOMBAT: LEGACY (Mini Series) – Warner Bros. – Kevin Tancharoen, director BEYOND SHERWOOD (TV Movie) – SyFy / Starz – Peter DeLuise, director KNIGHTS OF BLOODSTEEL (Mini-Series) – SyFy / Reunion Pictures – Phillip Spink, director SEA BEAST (TV Movie) – SyFy / NBC Universal TV – Paul Ziller, director EDGEMONT (S1 - S5) – CBC / Water Street Pictures / Fox Family Channel – Ian Weir, creator Selected Features: COFFEE & KAREEM – Netflix / Pacific Electric Picture Company – Michael Dowse, director GOOD BOYS (Addt’l Photo. )– Universal / Good Universe / Point Grey Pictures – Gene Stupnitsky, dir. DARC – Netflix / JRN Productions – Nick Powell, director THE UNSPOKEN – Lighthouse Pictures / Paladin – Sheldon Wilson, director THE MARINE: HOMEFRONT – WWE Studios – Scott Wiper, director ICARUS/THE KILLING MACHINE – Cinetel Films – Dolph Lundgren, director SPACE BUDDIES – Walt Disney Home Entertainment – Robert Vince, director DANCING TREES – NGN Productions – Anne Wheeler, director THE BETRAYED – MGM – Amanda Gusack, director SNOW BUDDIES – Walt Disney Home Entertainment – Robert Vince, director BLONDE & BLONDER – Rigel Entertainment – Bob Clark, director CHESTNUT: HERO OF CENTRAL PARK – Miramax / Keystone Entertainment – Robert Vince, dir. -
WWE Global Adoption Curve
WWE Forward‐Looking Statements This news release contains forward‐looking statements pursuant to the safe harbor provisions of the Securities Litigation Reform Act of 1995, which are subject to various risks and uncertainties. These risks and uncertainties include, without limitation, risks relating to maintaining and renewing key agreements, including television distribution agreements; the need for continually developing creative and entertaining programming; the continued importance of key performers and the services of Vincen t MMhMcMahon; theconditions of themarktkets inwhic h we competeand acceptance of the Company's brands, media and merchandise within those markets; our exposure to bad debt risk; uncertainties relating to regulatory and litigation matters; risks resulting from the highly competitive nature of our markets; uncertainties associated with international markets; the importance of protecting our intellectual property and complying with the intellectual property rights of others; risks associated with producing and travelling to and from our large live events, both domestically and internationally; the risk of accidents or injuries during our physically demanding events; risks relating to our film business and any new business initiative which we may undertake; risks relating to the large number of shares of common stock controlled by members of the McMahon family and the possibility of the sale of their stock by the McMahons or the perception of the possibility of such sales; the relatively small public float of our -
January 26, 2018 VIA Electronic Delivery Chief, Freedom Of
January 26, 2018 VIA Electronic Delivery Chief, Freedom of Information/Privacy Acts Office U.S. Small Business Administration 409 3rd St. SW, 8th Floor Washington, DC 20416 Re: Freedom of Information Act Records Request Dear FOIA Officer: Pursuant to the Freedom of Information Act (the “FOIA”), 5 U.S.C. §§ 552 et seq., and Small Business Administration (“SBA”) regulations at 13 C.F.R. pt. 102, Democracy Forward Foundation submits this request for records. Records Requested On January 25, 2018, Vince McMahon, who is married to Linda McMahon, the Administrator of 1 the SBA, announced the re-launch of the XFL, to re-debut in 2020. Mr. McMahon’s new venture follows on the heels of President Trump’s repeated criticisms of the NFL, and of its players who have chosen to protest racial inequality and police brutality by kneeling during the 2 National Anthem. XFL players would be required to stand for the National Anthem, and those 3 with criminal records, including DUIs, would not be permitted to join the league. The return of the XFL, if successful, may provide tremendous upside to the McMahons. Commentators have suggested that Mr. McMahon’s venture might benefit from “[a] few tweets and public shows of support from [President] Trump,” which “would amount to tens of millions of free advertising for the new league,” and have even gone so far as to assert that any NFL rival “would almost assuredly be backed by the full faith and credit of the most powerful Twitter 4 account in the world” as well as the President’s “bully pulpit.” 1 https://www.reuters.com/article/us-football-xfl/vince-mcmahon-announces-return-of-reimagined-xfl-in-2020-idUSK BN1FE33Z. -
WWE Network Streaming Schedule - Week of February 22, 2021
WWE Network Streaming Schedule - Week of February 22, 2021 Monday, Feb 22 Tuesday, Feb 23 Wednesday, Feb 24 Thursday, Feb 25 Friday, Feb 26 Saturday, Feb 27 Sunday, Feb 28 Elimination Chamber WWE Photo Shoot WWE 24 WWE NXT UK 205 Live WWE's The Bump WWE 24 6AM 6AM 2021 Ron Simmons Edge Feb. 18, 2021 Feb. 19, 2021 Feb. 24, 2021 Edge R-Truth Game Show WWE's The Bump 6:30A The Second Mountain The Second Mountain 6:30A Big E & The Boss Feb. 24, 2021 WWE Chronicle Elimination Chamber 7AM 7AM Bianca Belair 2021 WWE 24 WrestleMania Rewind Elimination Chamber WWE NXT UK 7:30A 7:30A R-Truth 2021 Feb. 25, 2021 WWE NXT UK 8AM The Mania Begins 8AM Feb. 25, 2021 205 Live WWE NXT UK WWE 24 8:30A 8:30A Feb. 19, 2021 Feb. 18, 2021 R-Truth WWE Untold WWE NXT UK NXT TakeOver 9AM 9AM APA Feb. 18, 2021 Vengeance Day 205 Live Broken Skull Sessions 9:30A 9:30A Feb. 19, 2021 The Best of WWE Raw Talk WWE's THE BUMP WWE Photo Shoot 10AM Sasha Banks 10AM Feb 22, 2021 FEB 24, 2021 Kofi Kingston Elimination Chamber WWE Untold This Week in WWE 10:30A The Best of John Cena 10:30A 2021 APA Feb. 25, 2021 Broken Skull Sessions WWE 365 11AM 11AM Ricochet Elimination Chamber Liv Forever 11:30A Sasha Banks 11:30A 2021 205 Live SmackDown 549 WWE Photo Shoot 12N 12N Feb. 19, 2021 Feb. 26, 2010 Kofi Kingston WWE's The Bump Chasing The Magic WWE 24 12:30P 12:30P Feb. -
Wwe Network Announces Programming
For Immediate Release WWE® NETWORK ANNOUNCES PROGRAMMING LINEUP STAMFORD, Conn., February 19, 2014 – WWE Network, the first-ever 24/7 streaming network, has unveiled its programming lineup, which is highlighted by WrestleMania® 30 on Sunday, April 6 at 7 pm ET live from the Mercedes-Benz Superdome in New Orleans. In addition, for the first time ever, the WWE Hall of Fame Induction Ceremony will air live in its entirety on Saturday, April 5 at 9 pm ET on WWE Network. This year’s current inductees include The Ultimate Warrior, Jake “The Snake” Roberts and Lita. A one-hour special will also air on USA Network on Monday, April 7, immediately following Monday Night Raw®. WWE Network will officially launch on Monday, February 24 at 9 am ET and fans will instantly have access to live programming and the most comprehensive WWE video-on- demand library upon signing up exclusively at WWE.com. WWE Network will be available through the WWE App on TV via connected devices including Roku streaming devices, Sony PlayStation® 3, Sony PlayStation® 4 and Xbox 360. WWE Network will also be available through the WWE App on iOS devices, including Apple iPad and iPhone, Amazon’s Kindle Fire devices and Android devices, as well as on desktops and laptops via WWE.com. The programming line-up on WWE Network includes: WrestleMania 30 WWE’s pop-culture extravaganza, WrestleMania 30, will air live on Sunday, April 6 at 7 pm ET from New Orleans. More than 70,000 fans from all 50 states and more than 30 countries are expected to converge on the Mercedes-Benz Superdome with millions more watching around the world. -
PWTORCH NEWSLETTER • PAGE 2 Www
ISSUE #1255 - MAY 26, 2012 TOP FIVE STORIES OF THE WEEK PPV ROUNDTABLE (1) Raw expanding to three hours on July 23 (2) Impact going live every week this summer (3) Flair parting ways with TNA, WWE bound WWE OVER THE LIMIT (4) Raw going “interactive” with weekly voting Staff Scores & Reviews (5) Laurinaitis pins Cena after Show turns heel Pat McNeill, columnist (6.5): The main problem with WWE Over The Limit? The main event went over the limit of what we’ll accept from WWE. You can argue that there was no reason to book John Cena against John Laurinaitis on a pay-per-view, and you’d be right. RawHEA eDLxINpE AaNnALYdSsIS to thrhoeurse, a nhd uosuaullyr tsher e’Js eunoulgyh re2de3eming But on top of that, there was no reason to book content to make it worth the investment. But Cena versus Laurinaitis to go as long as any other three hours? Three hours of lousy content is By Wade Keller, editor major pay-per-view match. And there was no enough that next time viewers might just tune in reason for Cena to drag the match out. It didn’t fit If you follow an industry long enough, you’re for a just an hour instead of the usual two and the storyline. And it made John Cena look like a bound to see some bad decisions being made. certainly not commit to all three. Or they might chump. or like The Stinger, when Big Show turned Some are worse than others, but it’s rare when pick their segments, watching the predictably heel for the umpteenth time and cost him the you think you might be seeing the Worst newsmaking segments at the start of each hour match. -
PDF EPUB} Bluegrass Brawlers the Story of Professional Wrestling in Louisville by John Cosper ISBN 13: 9781500147655
Read Ebook {PDF EPUB} Bluegrass Brawlers The Story of Professional Wrestling in Louisville by John Cosper ISBN 13: 9781500147655. Bluegrass Brawlers: The Story of Professional Wrestling in Louisville. Cosper, John ; Bolin, Kenny. This specific ISBN edition is currently not available. As the Attitude Era drew to a close in the early 2000s, the WWE already had an eye to the future. The stars who would succeed the Rock, Stone Cold, and the Undertaker were already well on their way to the big time, and Louisville, Kentucky had a front row seat to the future. They were all here – Cena, Orton, Batista, Lesnar. They were all on display every Wednesday night for free at Ohio Valley Wrestling’s Davis Arena. Alongside established stars like the Big Show and Mark Henry, the Superstars of Tomorrow trained under the watchful eye of Jim Cornette and Danny Davis, waiting for their moment. More would follow in their footsteps. Some were already close by, like the brash young heel lighting it up every week for Southern Indiana’s IWA Mid-South promotion, CM Punk. As stunning as that time in history now appears, it was only one of many golden wrestling eras for Louisville, Kentucky, a city that has always loved its fight sports. “Bluegrass Brawlers: The Story of Professional Wrestling in Louisville” covers them all, from the earliest days when wrestling was king to the vibrant independent scene of today. Beginning in 1880 with tales of circus stars and barn-storming grapplers, “Bluegrass Brawlers” chronicles the evolution of a sport and the city that embraced it. -
Trevor Morris
TREVOR MORRIS COMPOSER Trevor Morris is one of the most prolific and versatile composers in Hollywood. He has scored music for numerous feature films and won two EMMY awards for outstanding composition for his work in Television. Internationally renowned for his music on The Tudors, The Borgias, Vikings and the hit NBC television series Taken, Trevor is a stylistically and musically inventive soundtrack creator. Trevor’s unique musical voice can be heard on his recent film scores which include The Delicacy, Hunter Killer, Asura, Olympus Has Fallen, London Has Fallen, and Immortals. And further Television compositions including Another Life, Condor, Castlevania, The Pillars oF the Earth for Tony and Ridley Scott, Emerald City and Iron Fist for Marvel Television. Trevor has also worked as a co-producer/ conductor/ orchestrator on films including Black Hawk Down, The Last Samurai, The Ring Two, Pirates of the Caribbean, and Batman Begins and collaborated with Tony and Ridley Scott, Neil Jordan, Luc Besson, Jerry Bruckheimer, Antoine Fuqua, Tarsem Singh Dandwar, as well as composers James Newton Howard and Hans Zimmer. Trevor is also a Concert Conductor, conducting his music in live concert performances around the globe, including Film Music Festivals in Cordoba Spain, Tenerife Spain, Los Angeles, and Krakow Poland where he conducted a 100-piece orchestra and choir for over 12,000 fans. Trevor has been nominated 5 times for the prestigious EMMY awards, and won twice. As well as being nominated at the World Soundtrack Awards in Ghent for the ‘Discovery of the Year ‘composer award for the film Immortals. Trevor is a British/Canadian dual citizen, based in Los Angeles. -
HOUSE RESOLUTION 85 by Terry A
<BillNo> <Sponsor> HOUSE RESOLUTION 85 By Terry A RESOLUTION to recognize and congratulate Richard Morgan Fliehr, better known as "Ric Flair," for his significant forty-year career in professional wrestling and sports entertainment. WHEREAS, it is most fitting that the members of this legislative body recognize those citizens who, through a lifetime of dedication, have become household names and earned international esteem in their fields, especially when the lives of millions are uplifted in the process; and WHEREAS, one such individual is Memphis native Richard Morgan Fliehr, better known by his internationally recognizable wrestling alias "Ric Flair," who has enjoyed a forty-year career in professional wrestling, during which time he has become a distinguished wrestling icon; and WHEREAS, known also by the moniker "Nature Boy," Mr. Flair has wrestled in many organizations, including the World Wrestling Federation (WWF), World Championship Wrestling (WCW), and World Wrestling Entertainment (WWE); and WHEREAS, Ric Flair, the "stylin', profilin', limousine-riding, jet-flying, kiss-stealing, wheelin' and dealin' son of a gun," made his WWE debut by winning the 1992 Royal Rumble and subsequently claiming the WWE championship; and WHEREAS, Mr. Flair has been officially recognized by Pro Wrestling Illustrated, Impact Wrestling (formerly TNA), and the WWE as having held sixteen World Heavyweight Championships; these titles include seven National Wrestling Alliance Championships, seven WCW Championships, and two WWF Championships and are the -
SENATE JOINT RESOLUTION 384 by Massey a RESOLUTION to Honor
<BillNo> <Sponsor> SENATE JOINT RESOLUTION 384 By Massey A RESOLUTION to honor Knox County Mayor Glenn Jacobs upon his Kane character being inducted into the World Wrestling Entertainment Hall of Fame. WHEREAS, the members of this General Assembly take great pleasure in recognizing an exceptional public servant who, in a previous career, created and played one of the most dynamic and most popular characters in the history of professional wrestling; and WHEREAS, Knox County Mayor Glenn Jacobs's wrestling persona, Kane, will be inducted into the World Wrestling Entertainment (WWE) Hall of Fame during WrestleMania festivities in Tampa, Florida; and WHEREAS, Kane, or The Big Red Machine, became a popular WWE wrestler from his very first appearance in the squared circle in 1997; after cycling through several characters earlier in his career, Mayor Jacobs assumed the persona of Kane, who was very popular with aficionados and quickly became one of the most iconic figures in professional wrestling history; and WHEREAS, Kane's shocking debut during a match between The Undertaker and Shawn "The Heartbreak Kid" Michaels is considered by many wrestling fans to be the greatest of all time; and WHEREAS, Kane began his career feuding with The Undertaker, his fictional brother and another popular WWE character; their intertwined storyline eventually created a friendship between the two, and they became twelve-time tag-team champions as The Brothers of Destruction; and WHEREAS, Kane also held the WWE Championship, World Heavyweight Championship, and Intercontinental