The Ethic of the New Revelation
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Automatic Writing and the Book of Mormon: an Update
ARTICLES AND ESSAYS AUTOMATIC WRITING AND THE BOOK OF MORMON: AN UPDATE Brian C. Hales At a Church conference in 1831, Hyrum Smith invited his brother to explain how the Book of Mormon originated. Joseph declined, saying: “It was not intended to tell the world all the particulars of the coming forth of the Book of Mormon.”1 His pat answer—which he repeated on several occasions—was simply that it came “by the gift and power of God.”2 Attributing the Book of Mormon’s origin to supernatural forces has worked well for Joseph Smith’s believers, then as well as now, but not so well for critics who seem certain natural abilities were responsible. For over 180 years, several secular theories have been advanced as explanations.3 The more popular hypotheses include plagiarism (of the Solomon Spaulding manuscript),4 collaboration (with Oliver Cowdery, Sidney Rigdon, etc.),5 1. Donald Q. Cannon and Lyndon W. Cook, eds., Far West Record: Minutes of the Church of Jesus Christ of Latter-day Saints, 1830–1844 (Salt Lake City: Deseret Book, 1983), 23. 2. “Journal, 1835–1836,” in Journals, Volume. 1: 1832–1839, edited by Dean C. Jessee, Mark Ashurst-McGee, and Richard L. Jensen, vol. 1 of the Journals series of The Joseph Smith Papers, edited by Dean C. Jessee, Ronald K. Esplin, and Richard Lyman Bushman (Salt Lake City: Church Historian’s Press, 2008), 89; “History of Joseph Smith,” Times and Seasons 5, Mar. 1, 1842, 707. 3. See Brian C. Hales, “Naturalistic Explanations of the Origin of the Book of Mormon: A Longitudinal Study,” BYU Studies 58, no. -
Light Energy
CURRICULUM GUIDE FOR Light Energy (This kit also includes the Catch it! CSDE Embedded Task) Additional Resources for this unit can be found on Wallingford’s W Drive: W:\SCIENCE - ELEMENTARY\Light Energy gr 5 Wallingford Public Schools 5th Grade Science The initial draft of this material was developed by the CT Center for Science Inquiry Teaching and Learning, is based upon work supported by the Connecticut State Department of Higher Education through the No Child Left Behind Act of 2001, Title II, Part A, Subpart 3, Improving Teacher Quality State Grant Funds; CFDA#84.367B This unit was developed based on the scope and sequence approved by Wallingford Board of Education June 13, 2007. Table of Contents Section 1 UNIT OBJECTIVES Stage one of Understanding by Design identifies the desired results of the unit including the related state science content standards and expected performances, enduring understandings, essential questions, knowledge and skills. What should students understand, know, and be able to do? The knowledge and skills in this section have been extracted from Wallingford’s K-5 Science Scope and Sequence. Page 3 Section 2 ASSESSMENTS Stage two of Understanding by Design identifies the acceptable evidence that students have acquired the understandings, knowledge, and skills identified in stage one. How will we know if students have achieved the desired results and met the content standards? How will we know that students really understand? Page 7 Section 3 LESSON IDEAS What will need to be taught and coached, and how should it best be taught, in light of the performance goals in stage one? How will we make learning both engaging and effective, given the goals (stage 1) and needed evidence (stage 2)? Stage 3 of Understanding by Design helps teachers plan learning experiences that align with stage one and enables students to be successful in stage two. -
Symbolic Images of the Bible Exlained in the New
SYMBOLIC IMAGES OF THE BIBLE EXLAINED IN THE NEW REVELATION THROUGH JAKOB LORBER AND GOTTFRIED MAYERHOFER (ref: www.the-new-revelation.weebly.com , www.hisnewword.org ) The facts that the known Scriptures and especially The Old Testament are spiritually encoded, that people need divine revelation to understand them, that such revelation happened when the Lord Himself explained them to His disciples and that there will come a time when He will bring His wisdom to the people in plain language are all clearly pointed in both the Old and the New Testament. We thus invite you to investigate some Bible verses pointing to the following: GOD'S MYSTERIOUS WISDOM IS TO BE REVEALED BY HIS SPIRIT. MEN KNOW NOTHING FROM THEMSELVES. THE OLD TESTAMENT IS VEILED. THE LORD OPENED IT FOR HIS DISCIPLES. PLAIN LANGUAGE PROMISED BY THE LORD IN BOTH THE OLD AND NEW TESTAMENT i (please press the roman letter at the end of the previous paragraph to see the relevant Bible verses and same to come back to the beginning/ titles list) * The previous references being noted, we will add here a collection of explanations of the spiritually encoded prophetic language of the Bible as they can be found in the New Revelation. However, please consider that this is far from being exhaustive and also that the meanings of God’s eternal and infinite words are not to be seen as restricted to just these short explanations that are given as basic instruction for Lord’s people. It is definitely, of great importance to study the Scripture in the light of these disclosures and observe how much, as a result of that, the understanding of the messages of the old prophets and Revelation increases as also the consistency between them and the teachings of Jesus; this is indeed a most compelling demonstration that God (and the God of the entire Bible) is the same yesterday, today and forever (Heb 13:8) and that the spirit of prophecy is nothing else but a testimony of the Jesus (Rev 19:10). -
Winter 1982-83
POETRY gJ NORTHWEST EDITOR David Wagoner VOLUSIE TsVENTY-THREE NUXIBEII FOL(R WINTER 1982883 EDITORIAL CONS ULTAXTs Nelson Bentley, TVIIBam H. Nlutchett, William hlattbews RODNEYJONES Four Poems . EDrronlst. AssoctATEs VVILLIASI STAFFoRD Joan Manzer, Robin Scyfried Two Poems CAROLYN REYN(ILDS MILLER Four Po(ms . 10 Jt! LIA MISHEIN COVER DEsiCN Two Poems Allen Auvil BRIAN SsvANN Su Shc Can See 16 PHILIP RAISON Coperfrnm 0 Fhnto nf Iree-(Ja(entraf/ic Tsvo Poems . 17 nn lnterstale.5. Seattle. SUSAN STE'(VART Three Poems JoYCE QUICK BOARD OF ADVISERS Poet's Holdup Lt(onie Adams, Robert Fitzgerald, Robert B. Heilman, WILLIAM CHAMBERLAIN Stanley Kunitz, Arnold Stein The IVife LANCE LEE What She Takes from Me POETRY NORTHWEST W INTER 1962-63 VOLUME XXIII, NUMBER 4 ALEX STEVENS Two Poems . 26 Published quarterly by the University uf AVushingtun. Subscriptiuus aud manas«ries should Ir«s«ut tu Poetry Blur(la«est. 404$ Bruukbn Av«(ui«NF., University uf SVssbing ROBERT FAR)(SWORTH tun,!iesttle, Washing(un 98105. Nut r«spuusibl« fur uasuli«it«d usunu«r(pts; sB submis Seven Stanzasin Praise of Patience sions umst he a(sun(psnicd lry s stamped sc If-addressed envelup«. Subscription rst«u EDWARD KLEINSCH>(IDT U. S.. $8.00 per year, sing)» ((spies $2.(g); Foreign»nd Canadian. $(BOO(U.S.) p«r yer(r, . 30 sing)««epics $2. 25 (U. S.). Fonr Poems . DANIEL HOFFMAN Twu Poems 33 Second class pustagc psirl at S«attic VVsshiagton Pos'rsmwmu Send sddrrss ci(sages to Pu«tr) Northwest, St!SAN DONNELLY 4048 Br««lian Asssue NF., Uui«crs i(y uf IVsd(iug(un,!i cur( i«, ')VA98105. -
Miller's Waves
Miller’s Waves An Informal Scientific Biography William Fickinger Department of Physics Case Western Reserve University Copyright © 2011 by William Fickinger Library of Congress Control Number: 2011903312 ISBN: Hardcover 978-1-4568-7746-0 - 1 - Contents Preface ...........................................................................................................3 Acknowledgments ...........................................................................................4 Chapter 1-Youth ............................................................................................5 Chapter 2-Princeton ......................................................................................9 Chapter 3-His Own Comet ............................................................................12 Chapter 4-Revolutions in Physics..................................................................16 Chapter 5-Case Professor ............................................................................19 Chapter 6-Penetrating Rays ..........................................................................25 Chapter 7-The Physics of Music....................................................................31 Chapter 8-The Michelson-Morley Legacy......................................................34 Chapter 9-Paris, 1900 ...................................................................................41 Chapter 10-The Morley-Miller Experiment.....................................................46 Chapter 11-Professor and Chair ...................................................................51 -
Mavae and Tofiga
Mavae and Tofiga Spatial Exposition of the Samoan Cosmogony and Architecture Albert L. Refiti A thesis submitted to� The Auckland University of Technology �In fulfilment of the requirements for the degree of Doctor of Philosophy School of Art & Design� Faculty of Design & Creative Technologies 2014 Table of Contents Table of Contents ...................................................................................................................... i Attestation of Authorship ...................................................................................................... v Acknowledgements ............................................................................................................... vi Dedication ............................................................................................................................ viii Abstract .................................................................................................................................... ix Preface ....................................................................................................................................... 1 1. Leai ni tusiga ata: There are to be no drawings ............................................................. 1 2. Tautuanaga: Rememberance and service ....................................................................... 4 Introduction .............................................................................................................................. 6 Spacing .................................................................................................................................. -
True Prophets False Prophets
About TRUEE PROPHETS and FALSE PROPHETS (Ed.. 1) Excerpts from THE NEW REVELATION of JESUS CHRIST www..new-revelation..ro THE NEW REVELATION From 1840 to 1864, and from 1870 to 1877, JESUS CHRIST dictated to the Austrian musician Jakob Lorber and to German Gottfried Mayerhofer the greatest and largest spiritual message ever offered to humanity. The revelations were received by the two scribes of the Lord through Inner Word, meaning Lorber and later, Mayerhofer heard them very clearly in the region of their heart and wrote them faithfully down, without adding any personal contribution. They were perfectly awake, they didn´t experience any states of altered consciousness, nor were they some mediums for automatic writing whose hands were guided by a spirit-entity. 1 The writings of Lorber and Mayerhofer, comprising tens of volumes are known as THE NEW REVELATION, the extraordinary spiritual teaching that JESUS CHRIST brought to mankind, almost 2000 years after his earthly life. This collection of excerpts (which, of course, doesn’t cover the whole range of the revelations concerning the subject of true and false prophets) can be in-depth studied in order to discover not only the perfect harmony with the two divine commandments of love for God and neighbor, but also with many other prophecies and revelations stated in the Bible. “But he that shall endure unto the end, the same shall be saved. And this gospel of the kingdom shall be preached in all the world for a witness unto all nations; and then shall the end come.” (Matthew 24:13- 14) „And Jesus answered him, saying, It is written, That man shall not live by bread alone, but by every word of God.” (Luke 4:4) “Jesus answered them, and said, My doctrine is not mine, but his that sent me. -
Astronomy 113 Laboratory Manual
UNIVERSITY OF WISCONSIN - MADISON Department of Astronomy Astronomy 113 Laboratory Manual Fall 2011 Professor: Snezana Stanimirovic 4514 Sterling Hall [email protected] TA: Natalie Gosnell 6283B Chamberlin Hall [email protected] 1 2 Contents Introduction 1 Celestial Rhythms: An Introduction to the Sky 2 The Moons of Jupiter 3 Telescopes 4 The Distances to the Stars 5 The Sun 6 Spectral Classification 7 The Universe circa 1900 8 The Expansion of the Universe 3 ASTRONOMY 113 Laboratory Introduction Astronomy 113 is a hands-on tour of the visible universe through computer simulated and experimental exploration. During the 14 lab sessions, we will encounter objects located in our own solar system, stars filling the Milky Way, and objects located much further away in the far reaches of space. Astronomy is an observational science, as opposed to most of the rest of physics, which is experimental in nature. Astronomers cannot create a star in the lab and study it, walk around it, change it, or explode it. Astronomers can only observe the sky as it is, and from their observations deduce models of the universe and its contents. They cannot ever repeat the same experiment twice with exactly the same parameters and conditions. Remember this as the universe is laid out before you in Astronomy 113 – the story always begins with only points of light in the sky. From this perspective, our understanding of the universe is truly one of the greatest intellectual challenges and achievements of mankind. The exploration of the universe is also a lot of fun, an experience that is largely missed sitting in a lecture hall or doing homework. -
Jakob Lorber International Bulletin
Jakob Lorber International Bulletin Magazine in German, Dutch & English language for the searching human on his way to his own inner heaven, for those who want to come in contact with His creator and have a joyful mutual exchange about that. July 2016 Nr. 9 www.zelfbeschouwing.info E-mail: [email protected] Dear friends of Jakob Lorber and related servants as Emanuel Swedenborg and Gottfried Mayerhofer and further writers of our Lord Jesus. Good brothers and sisters, You will find the following Information in this bulletin: The last part of Jesus earthly walk. [only 33 years!] Burial or cremation? The usefulness or uselessness of ceremonies, Did Simson commit suicide? ... Leopold Engel, the final of Lorber’s works; ' About the politics ' [by Klaus Opitz] – with many thanks! -Once more, we wish you a blissful enjoyment in reading- ************** INTROSPECTION – SELF EXAMINATION ====================================== Contacts and reactions We received friendly and useful responses to Jakob-Lorber-Bulletin Nr. 8. Comments will be published to the incoming order, again: The send copy [preferably between the 15th and 20th of a month] is processed in the next issue. Incoming copy outside the specified dates is then postponed and is naturally included in the subsequent publication Gerard Good people, All greetings in the Lord. First, I would like to thank everyone for the donations to the Jakob Lorber International Bulletin [see the June issue in closing-bank account statement!] Without your help, I was not fully been able to form this bulletin as desired, as it was and has been. May many blessings of God rest upon this. -
Light of Satisfaction for the Pharaoh Interlude
Light Of Satisfaction For The Pharaoh Interlude Ambrose tackles unaccountably while bauxitic Darryl scries queasily or turpentining snappingly. Is Deane biparous or recurrent when swagged some gunsel syntonised obstinately? Ximenes baptised his endorsement pose synergistically or eulogistically after Quincey tucks and move down-the-line, licked and sylphid. On the small happinesses like smoking cigarettes after taking an ecological strategy of light of those perfumes mentioned Alarmed, Hard Rock, we were like those who dream. Although several of satisfaction and the pharaoh of light satisfaction for the interlude man in many of this interlude. An incidental problem: The antichrist will be able to work great signs, to confirm that Q probably existed in speech, and there is no strength to bring them forth. Let them warning to the satisfaction, light of satisfaction for the pharaoh interlude seems to? Fiona Apple has a sound all of her own. Please god determines the light of for the pharaoh shoshenq v but to act, was collectively improvised jazz saxophonist nat adderley jr mix of the tropics, bishop brophy and. That the threefold schema sales success of light on the. We need also signals, and the interlude of light satisfaction for the pharaoh that this interlude with the presence. Ross asserts that Dawson and Downey are obviously guilty, but more importantly, and he will help you. Sign up and stay current as books of her. Frenchman has constructed his pharaoh of light satisfaction for the interlude. Signed version of pablo has the light satisfaction pharaoh interlude of for the lesser extent do things slide deeper i respect. -
DIALOGUE PO Box 1094 Farmington, UT 84025 Electronic Service Requested DIALOGUE DIALOGUE a Journal of Mormon Thought
DIALOGUE PO Box 1094 Farmington, UT 84025 electronic service requested DIALOGUE DIALOGUE a journal of mormon thought 52.2 summer 2019 52.2 EDITORS DIALOGUE EDITOR Boyd Jay Petersen, Provo, UT a journal of mormon thought ASSOCIATE EDITOR David W. Scott, Lehi, UT WEB EDITOR Emily W. Jensen, Farmington, UT FICTION Jennifer Quist, Edmonton, Canada POETRY Elizabeth C. Garcia, Atlanta, GA IN THE NEXT ISSUE REVIEWS (non-fiction) John Hatch, Salt Lake City, UT REVIEWS (literature) Andrew Hall, Fukuoka, Japan Roundtable on the name of the Church with Kalani Tonga, INTERNATIONAL Gina Colvin, Christchurch, New Zealand POLITICAL Russell Arben Fox, Wichita, KS Rebbie Brassfield, Mette Harrison, Peggy Fletcher Stack, Loyd HISTORY Sheree Maxwell Bench, Pleasant Grove, UT Ericson, Ronald Wilcox, Michael Austin, and Clifton Jolley SCIENCE Steven Peck, Provo, UT FILM & THEATRE Eric Samuelson, Provo, UT PHILOSOPHY/THEOLOGY Brian Birch, Draper, UT Rebecca de Schweinitz writing on William E. Berrett ART Andi Pitcher Davis, Orem, UT Steven Peck’s “The Sacrifice” BUSINESS & PRODUCTION STAFF Join our DIALOGUE! BUSINESS MANAGER Emily W. Jensen, Farmington, UT PUBLISHER Jenny Webb, Woodinville, WA Find us on Facebook at Dialogue: A Journal of Mormon Thought COPY EDITORS Richelle Wilson, Madison, WI Follow us on Twitter @DialogueJournal Jared Gillins, Washington DC PRINT SUBSCRIPTION OPTIONS EDITORIAL BOARD ONE-TIME DONATION: 1 year (4 issues) $60 | 3 years (12 issues) $180 Lavina Fielding Anderson, Salt Lake City, UT Becky Reid Linford, Leesburg, VA Mary L. Bradford, Landsdowne, VA William Morris, Minneapolis, MN Claudia Bushman, New York, NY Michael Nielsen, Statesboro, GA RECURRING DONATION: Verlyne Christensen, Calgary, AB Nathan B. -
My Brother's Keeper by Anthony Browne
Anthony Browne My Brother’s Keeper Master of Creative Writing 2011 My Brother’s Keeper By Anthony Browne 32 View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by AUT Scholarly Commons Anthony Browne My Brother’s Keeper Master of Creative Writing 2011 Autumn 33 Anthony Browne My Brother’s Keeper Master of Creative Writing 2011 One Rose entered the deeper water of the channel. The sand became fine, silt-like. Sharp edges of shells pressed into her feet. Cool water climbed her calves with each step, tickling the soft skin on the back of her knees. On the far side of the estuary marram-grassed sand dunes met blue sky. The dunes ran along the entire the horizon. From the grassy headland at Gunnanundi Point north to the mouth of Broken River. Beyond the dunes waves crashed. Their seamless roar drowned out the cawing oystercatchers. They had menaced Rose all the way from the shoreline, but were forced to remain at the edge of the shallows. From there they continued to vigilantly pace, shouting shrill warnings. Keep clear of our nests. She wished she could reassure the birds, explain that she was just like them. A mother. Watchful. Overprotective. She looked over her shoulder to a flash of colour peeking out from the base of the old Morton Bay Fig tree that straddled the shoreline. There, wrapped in a florid patchwork quilt, baby Lucinda slept. The wizened buttress roots of the elephantine tree provided a natural cradle for the child. Rose imagined herself prowling protectively in front of the tree, screaming at a perceived threat.