Volume 126, Number 52
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Not Another Trash Tournament Written by Eliza Grames, Melanie Keating, Virginia Ruiz, Joe Nutter, and Rhea Nelson
Not Another Trash Tournament Written by Eliza Grames, Melanie Keating, Virginia Ruiz, Joe Nutter, and Rhea Nelson PACKET ONE 1. This character’s coach says that although it “takes all kinds to build a freeway” he is not equipped for this character’s kind of weirdness close the playoffs. This character lost his virginity to the homecoming queen and the prom queen at the same time and says he’ll be(*) “scoring more than baskets” at an away game and ends up in a teacher’s room wearing a thong which inspires the entire basketball team to start wearing them at practice. When Carrie brags about dating this character, Heather, played by Ashanti, hits her in the back of the head with a volleyball before Brittany Snow’s character breaks up the fight. Four girls team up to get back at this high school basketball star for dating all of them at once. For 10 points, name this character who “must die.” ANSWER: John Tucker [accept either] 2. The hosts of this series that premiered in 2003 once crafted a combat robot named Blendo, and one of those men served as a guest judge on the 2016 season of BattleBots. After accidentally shooting a penny into a fluorescent light on one episode of this show, its cast had to be evacuated due to mercury vapor. On a “Viewers’ Special” episode of this show, its hosts(*) attempted to sneeze with their eyes open, before firing cigarette butts from a rifle. This show’s hosts produced the short-lived series Unchained Reaction, which also aired on the Discovery Channel. -
Exploring the Relationship Between State-Of-The-Art, Technological and Commercial Feasibility, and the Restatement’S Reasonable Alternative Design Requirement
“FASTEN YOUR SEAT BELT, ORVILLE!”: EXPLORING THE RELATIONSHIP BETWEEN STATE-OF-THE-ART, TECHNOLOGICAL AND COMMERCIAL FEASIBILITY, AND THE RESTATEMENT’S REASONABLE ALTERNATIVE DESIGN REQUIREMENT RICHARD C. AUSNESS* INTRODUCTION Of course Wilbur never told Orville to fasten his seat belt. Not only did the first Wright Flyer have no seat belts, it did not even have seats!1 Orville steered the Wright Flyer I from a prone position, not sitting up.2 Nor was the Wright brothers’ flying machine equipped with such useful safety features as brakes, landing gear, a radio, ailerons, or even much of a tail.3 In fact, if the truth be told, the Wright brothers’ airplane was a flying deathtrap. The good news for both modern pilots and their passengers is that aircraft technology, including safety technology, has progressed enormously since 1903. Aircraft manufacturers have now incorporated many forms of technology, such as radar, global positioning navigation systems, transponders, radios, anti-lock braking systems, and fire-resistant insulation in order to make their products safer. Unfortunately, progress has not been as impressive in other areas. Consider punch presses. Notwithstanding the fact that these machines cause hundreds of injuries in the workplace each year, many punch presses continue to employ Rube Goldberg-like devices such as “pullbacks” to protect punch press operators from serious injury.4 Why has safety technology improved so dramatically over the last hundred years for airplanes while punch press safety technology apparently has not? One explanation for this curious result is that product manufacturers effectively control the pace of technological development, including the development of safety-related technology by deciding how much to invest in research and development.5 At the same time, the experience of aircraft and punch press * Dorothy Salmon Professor of Law, University of Kentucky College of Law. -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
Bakalářská Práce
UNIVERZITA PALACKÉHO V OLOMOUCI FILOSOFICKÁ FAKULTA BAKALÁŘSKÁ PRÁCE Olomouc 2014 Michal Kadlec UNIVERZITA PALACKÉHO V OLOMOUCI FILOSOFICKÁ FAKULTA Katedra divadelních, filmových a mediálních studií POPULÁRNÍ OBRAZ LUDWIGA VAN BEETHOVENA VE FILMU POPULAR IMAGE OF LUDWIG VAN BEETHOVEN IN MOVIES (Bakalářská diplomová práce) Autor: Michal Kadlec Vedoucí práce: doc. Mgr. Zdeněk Hudec, Ph.D. Olomouc 2014 Univerzita Palackého v Olomouci Filosofická fakulta Tímto prohlašuji, že jsem bakalářskou diplomovou práci na téma Populární obraz Ludwiga van Beethovena ve filmu vypracoval samostatně pod odborným vedením vedoucího práce. V Olomouci, dne...................... Podpis:...................... Univerzita Palackého v Olomouci Filosofická fakulta Poděkování Rád bych poděkoval vedoucímu bakalářské práce doc. Mgr. Zdeňku Hudcovi, Ph.D. za od- borné vedení a pomoc při nalézání konečného tvaru práce. OBSAH OBSAH ...................................................................................................................................... 5 ÚVOD ........................................................................................................................................ 7 1. Téma ............................................................................................................................... 7 2. Cíl práce ......................................................................................................................... 7 2. VYHODNOCENÍ LITERATURY ..................................................................................... -
Ludwig Van Beethoven Im Film. Mit Filmographie 2018
Repositorium für die Medienwissenschaft Hans Jürgen Wulff Ludwig van Beethoven im Film. Mit Filmographie 2018 https://doi.org/10.25969/mediarep/12813 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Ludwig van Beethoven im Film. Mit Filmographie. Westerkappeln: DerWulff.de 2018 (Medienwissenschaft: Berichte und Papiere 179). DOI: https://doi.org/10.25969/mediarep/12813. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0179_18.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: eeichte:und:Papieee 179,:2018t:Ludwig:van: eethoven. Redaktion und Copyright dieser Ausgabe: Hans J. Wulf. ISSN 2 !!"!#$#. %R&: h'p:((beri)hte.der*ulf.de($+,-.+/.pdf. &et1te Änderung: 3+.+.2$+/. Hans J. Wulff: Ludwig van Beethoven im Film Wild und leidenscha3li)h. 4in 5etriebener. Rastlos, Was ist erfunden6 *as 7erb:rgt?: S)hon die biogra> )holerisch. %nd 7erz*ei0elt6 *eil ihn das S)hi)ksal phische &iteratur ist 7on trügerischer Pualit8t. Weil au0 die h8rteste aller 9roben stellte. %nglü)kli)hste si)h phantasierende Bythenbilder des ?:nstler-5e> &iebesbe1iehungen. %nb8ndig, schon der Haarschop0 nies in das Na)hdenken :ber den Bann hineindrän> ist ni)ht 1u b8ndigen. 4in ;emokrat und =reiheitslie> gen. Weil die 4rfahrung des 4rtaubens in der Ilüte> bender. -
Beethoven Deaf: the Beethoven Myth and Nineteenth-Century Constructions of Deafness
BEETHOVEN DEAF: THE BEETHOVEN MYTH AND NINETEENTH-CENTURY CONSTRUCTIONS OF DEAFNESS By DEVIN MICHAEL PAUL BURKE Submitted in partial fulfillment of the requirements For the degree of Master of Arts Thesis Adviser: Dr. Francesca Brittan Department of Music CASE WESTERN RESERVE UNIVERSITY May, 2010 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of ______________________________________________________ candidate for the ________________________________degree *. (signed)_______________________________________________ (chair of the committee) ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ (date) _______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. Table of Contents LIST OF FIGURES ................................................................................................ 2 Abstract ................................................................................................................... 3 Introduction ............................................................................................................. 4 Chapter 1: The Heiligenstadt Testament, the Emerging Social Category of “Deafness,” and the Dual Nature of Disability ......................................... 20 Private and Public Deafness and the -
Instructions
MY DETAILS My Name: Jong B. Mobile No.: 0917-5877-393 Movie Library Count: 8,600 Titles / Movies Total Capacity : 36 TB Updated as of: December 30, 2014 Email Add.: jongb61yahoo.com Website: www.jongb11.weebly.com Sulit Acct.: www.jongb11.olx.ph Location Add.: Bago Bantay, QC. (Near SM North, LRT Roosevelt/Munoz Station & Congressional Drive Capacity & Loadable/Free Space Table Drive Capacity Loadable Space Est. No. of Movies/Titles 320 Gig 298 Gig 35+ Movies 500 Gig 462 Gig 70+ Movies 1 TB 931 Gig 120+ Movies 1.5 TB 1,396 Gig 210+ Movies 2 TB 1,860 Gig 300+ Movies 3 TB 2,740 Gig 410+ Movies 4 TB 3,640 Gig 510+ Movies Note: 1. 1st Come 1st Serve Policy 2. Number of Movies/Titles may vary depends on your selections 3. SD = Standard definition Instructions: 1. Please observe the Drive Capacity & Loadable/Free Space Table above 2. Mark your preferred titles with letter "X" only on the first column 3. Please do not make any modification on the list. 3. If you're done with your selections please email to [email protected] together with the confirmaton of your order. 4. Pls. refer to my location map under Contact Us of my website YOUR MOVIE SELECTIONS SUMMARY Categories No. of titles/items Total File Size Selected (In Gig.) Movies (2013 & Older) 0 0 2014 0 0 3D 0 0 Animations 0 0 Cartoon 0 0 TV Series 0 0 Korean Drama 0 0 Documentaries 0 0 Concerts 0 0 Entertainment 0 0 Music Video 0 0 HD Music 0 0 Sports 0 0 Adult 0 0 Tagalog 0 0 Must not be over than OVERALL TOTAL 0 0 the Loadable Space Other details: 1. -
How to Plan Your Own Event How to Plan Your Own
HOW TO PLAN YOUR OWN EVENT HOW TO PLAN YOUR OWN WIRED GeekDad is taking over Father’s Day on June 17, and it’s time for a celebration. Gather your family or invite your favorite geeky dads, moms, and EVENT kids to a nerd extravaganza. All you need is a theme, the right food, and some engaging projects that everyone can work on together. Here’s how. CHOOSE A THEME INVITE YOUR GUESTS Having a special theme can Since the day’s activities will be There are lots of options for Be sure your invitation clearly inspire you and help guide do-it-yourself, be sure to invite invitations. If you want to go states your theme and lets guests decisions about putting the party parents and kids who like getting the printed route, you can use know what to expect when they together. Pick something your their hands dirty. You don’t want the Zazzle website to design arrive. The basics: crew loves—and won’t get tired of anyone throwing a wrench in the your invites, keeping your theme • Date, start and end times, seeing. The options are limitless: fun, sitting on the sideline while in mind. For the more digitally party location science, robots, space, DIY, even everybody else is busy building. inclined, there’s always Evite, • Planned activities and a list Hollywood (science fiction, Also, make sure your guest list which lets you monitor RSVPs by of any tools or supplies they superheroes, zombies, fantasy, isn’t so large that the projects are iPhone or Android app. -
News Release
NEWS RELEASE Contact: Meridyth Moore, Public Relations Specialist, (281) 244-2139, [email protected] Discover Legendary Myths at Space Center Houston’s Summer Exhibit HOUSTON, April 15, 2016 – Uncover the truth behind popular myths by mixing scientific method with gleeful curiosity and old-fashioned ingenuity in Space Center Houston’s new summer exhibit, MythBusters: The Explosive Exhibition, presented by Coca-Cola May 28-Sept. 5. “Visitors will feel like they’re on the set of the TV show performing their own experiments,” said the nonprofit center’s President and CEO William T. Harris. “Visitors will investigate the myth, conduct an experiment and see many artifacts from the popular TV show.” As seen in the Discovery Channel’s Emmy®-nominated TV series “MythBusters,” the exhibition creates hands-on, interactive experiences for guests of all ages by combining scientific facts with innovative, family-friendly displays. For 14 years, the TV show featured 3,000 experiments in more than 260 episodes and tested more than 1,100 myths before ending its run in March. “MythBusters” episodes can now be seen on “Science Channel.” The show’s co-hosts Adam Savage, Jamie Hyneman, Tory Belleci, Kari Byron and Grant Imahara took scientific investigation to exciting new levels by proving or exploding myths using their highly experimental approach and extensive backgrounds in special effects. Savage and Hyneman were heavily involved throughout the development of the exhibition to ensure guests experience a true MythBusting encounter. "It’s exciting to see fans take on some of our favorite experiments from the show while drawing their own conclusions and data," said Savage. -
Production Sound Mixer Feature & TV Resume
LORI DOVI cas Production Sound Mixer 310.351.7247 [email protected] Credits: Director: Production Co: SUICIDE SQUAD (Los Angeles) David Ayer Warner Bros. Feature-Jarred Leno, Will Smith NOCTURNAL ANIMALS Tom Ford NA Prods, Focus Features Feature-Jake Gyllenhall, Amy Adams THE TRIALS OF CATE MCCALL Karen Moncrieff Sunrise Productions Feature- Kate Beckinsale, James Cromwell, Nick Nolte Prod: Marc Bienstock FRIGHT NIGHT (3D Project) Craig Gillespie Dreamworks Feature-Colin Farrell, Toni Collette Ray Angelic, Michael DeLuca, Shelly Strong A SINGLE MAN Tom Ford Fade to Black Productions, Weinstein Co Feature starring Colin Firth & Julianne Moore Prod: Andrew Miano, Bob Salerno (Numerous Awards & Nominations) THE HARD TIMES OF RJ BERGER David Katzenburg MTV/ New Remote Productions TV Series Seth Grahame-Smith Prod: Craig Cannold TERMINATOR SALVATION (2nd Unit) McG & Charles Gibson The Halcyon Co & Warner Bros. Pictures Feature-Christian Bale, Helena Bonham Carter Prod: Jeffrey Silver, Moritz Borman THE BURNING PLAIN Guillermo Arriaga 2929 Productions Feature-Kim Basinger, Charlize Theron Prod: Walter Parkes, Laurie MacDonald, Ray Nominated Golden Lion-Venice Fest 500 DAYS OF SUMMER Marc Webb Fox Searchlight Pictures Feature-Zooey Deschanel, Joseph Gordon-Levitt Prod: Mason Novick, Nominated Best Sound-MPSE Golden Reel Jessica Tuchnisky, Mark Waters CARRIERS Alex & David Pastor Paramount Vantage/This is That Prod. Feature-Chris Pine, Piper Perabo Producers: Anthony Bregman, Ray Angelic SUNSHINE CLEANING Nominated Sundance Grand Jury Prize -
The Keep Eastern Illinois University
Eastern Illinois University The Keep 2007 Press Releases 9-21-2007 09/21/2007 - Mythbusters Cast Member To Lecture At EIU.pdf University Marketing and Communications Follow this and additional works at: http://thekeep.eiu.edu/press_releases_2007 Recommended Citation University Marketing and Communications, "09/21/2007 - Mythbusters Cast Member To Lecture At EIU.pdf" (2007). 2007. 61. http://thekeep.eiu.edu/press_releases_2007/61 This Article is brought to you for free and open access by the Press Releases at The Keep. It has been accepted for inclusion in 2007 by an authorized administrator of The Keep. For more information, please contact [email protected]. "Mythbusters" Cast Member to Lecture at EIU Sep-21-2007 You're minding your own business, filling up your gas tank, when your cell phone rings. Should you answer it? You've heard you shouldn't use cell phones near gas stations since they can produce small sparks that can ignite big fires. Can that be true? It's a tough job separating truth from urban legend, but that's exactly what the "MythBusters" do. And one Mythbuster will soon be on the campus of Eastern Illinois University to reveal some of the secrets behind the making of the popular Discovery Channel program. Kari Byron will lecture at 8 p.m. Wednesday, Sept. 26, in the Grand Ballroom, MLK Jr. Union. Admission is free and open to the public. The premise of "Mythbusters" is a simple one. Each week, special effects experts Adam Savage and Jamie Hyneman take on three myths and use modern-day science to show what's real and what's not. -
Street Kings
STREET KINGS Die Karriere des amerikanischen Filmemachers David Ayer ist noch recht jung. Dennoch zieht sich bereits jetzt ein (blut)roter Faden durch sein Schaffen. Ob seine Drehbücher zu TRAINING DAY (2001, Regie: Antoine Fuqua) oder DARK BLUE (2002, Ron Shelton) – stets geht es bei Ayer um LAPD-Cops zwischen Korruption und Selbstjustiz. So auch in seinem neuen Film STREET KINGS, der einst einmal „The Night Watchman“ betitelt war und von Spike Lee bzw. Oliver Stone inszeniert werden sollte. In STREET KINGS ist es Keanu Reeves, der den leidgeprüften Detective Tom Ludlow gibt, dessen Arbeit ständig die Grenzen der Legalität auslotet. Auch bei seinem jüngsten Alleingang zur Befreiung zweier entführter Mädchen hat er die Rückdeckung seines Captains. Großartig wird dieser von Forest Whitaker dargestellt, der – besonders gegen Ende des Films – zu wahrer schauspielerischer Klasse aufläuft. Bei der in den Medien gefeierten Befreiungsaktion gehen sämtliche der koreanischen Kinderschänder drauf – an gesetzmäßigen Verfahren ist die Truppe des Captains schon lange nicht mehr interessiert. Problematisch wird es für Tom erst, als sein Ex-Partner vor seinen Augen niedergeschossen wird – der ihn kurz zuvor bei der Dienstaufsicht angeschwärzt hatte. Plötzlich sieht sich Tom zwischen den Fronten der organisierten Kriminalität und allerlei korrupter Cops. Nach seinem Low-Budget-Debüt HARSH TIMES (2005) ist auch David Ayers zweite Regiearbeit STREET KINGS ein düsterer und atemloser Thriller mit rhythmischen Gewaltschüben, die es wahrlich in sich haben. Mit zunehmendem Finanzrahmen geht dabei jedoch auch die Rohheit seiner früheren Arbeit schrittweise verloren. Die verwackelte Handkamera ersetzt nun oft eine besser erträgliche Steadicam, die moralische Unterfütterung des allseitigen Chaos’ ist weitaus leichter zu verdauen.