ANALYTICAL FINDING LIST

ABED BEN HAROUN 1867 48 lines + N ‘Yet farther would I fly, 1867 59 lines ‘Abed Ben Houran (sic) the my Child,’ magnificent!’ A88 A87–2 Series: LYRICS 1867 59 lines ‘Abed Ben Haroun the 1867 48 lines + N ‘Still farther would I fly, magnificent!’ my Child,’ A87–1 A92 Series; ODES AND LYRICS ABORIGINAL DEATH SONG 1883 48 lines ‘Still farther would I fly, my 1858 15 lines ‘Behold, it is the camp-fire child,’ of our Brother!—’ Poems, p.100 Empire 6 Jan. Rpt. Popular Edition paperback 1899 No. III in Series: A GARLAND OF 1891 48 lines ‘Still farther would I fly, my WILD FLOWERS child,’ 1858 15 lines ‘Behold, it is the camp-fire A Century of Australian Song, p. 205 of our Brother!—’ C384 Unamended cutting Empire 6 ABSENCE see RECORDS OF A POET’S Jan. LOVE: XXI

AN ABORIGINAL MOTHER’S ABSENCE BY THE SEA-SIDE LAMENT 1846 32 lines ‘When the Night first waxes 1845 48 lines + N ‘Oh, I would further fly grey, Mary,’ my child’ Maitland Mercury 10 June Weekly Register 26 July Title: A SONG OF THE SEA SIDE Title: A WAIL FROM THE BUSH 1863 29 line fragments ‘When heaven is 1853 24 lines + N (p. 127) ‘O I would waxing grey, Mary,’ further fly, my child, to make thee A87–2 Ø (p. 622; cont. in C376 safer yet’ p. 535) Bushrangers, p. 113 Title: ABSENCE BY THE SEA 1853 24 lines + N (p. 103) ‘O I would SIDE further fly, my child, to make thee 1863 3 lines ‘And in the silent sea’ safer yet’ C376 A98–1 Unamended cutting Untitled fragment from end of poem. Bushrangers 1853 These appear to be the lines missing 1863 48 lines + N ‘Yet farther would I fly, from my Child,’ A87–2 above. A90 Series: LYRICS

1 2 THE POEMS OF CHARLES HARPUR

1863 32 lines ‘When heaven is waxing ADIEW see FAREWELL grey, Mary,’ A90 THE AFTER MEETING see RECORDS Series: LYRICS OF A POET’S LOVE: XXIV 1865 32 lines ‘When heaven is waxing grey, Mary,’ THE AGED BARD A95 1851 16 lines ‘The mirky cluds thrang No. XXVII in Series: LYRICS drizzlin’ ower,’ 1867 32 lines ‘When heaven is waxing C376 grey, Mary,’ No. V in Series: A STRING OF A88 GEMS Series: LYRICS 1867 16 lines ‘The mirky cluds thrang 1867 32 lines ‘When heaven is waxing drizzlin’ ower,’ grey, Mary,’ A96 A92 Series: POEMS IN EARLY LIFE Series: ODES AND LYRICS see also ‘SONG’ ‘When the night first AH, ME! see LOVE, FRIENDSHIP AND wears grey, Mary,’ FAITH

ABSENCE IN SORROW and ABSENCE ALAS! AFFLICTION’S CLOUD O’ER IN THE CITY see RECORDS OF A SHADOWS THEE see SONNET POET’S LOVE: XXIII and XXI ALL IS FOR THE BEST see THEODIC ACCUSATIONS see A LYRICAL LOVE OPTIMISM STORY 2: 2 ALL SIMPLE SIGHTS OF RURAL AN ACROSTIC LIFE… see A RURAL PICTURE 1851 13 lines ‘Mine be the beautiful Girl that I name not,’ ALLAN OF THE MILL: AN C376 Ø AUSTRALIAN BALLAD No. I in Series: A STRING OF 1843 80 lines ‘“Come, daughter, braid thy PEARLS glossy hair,’ 1855 9 lines ‘Mine be the beautiful Girl that Australasian Chronicle 23 Feb. I name not,’ 1860–61 88 lines ‘“Come Daughter braid B78 thy glossy hair,’ 1867 13 lines ‘Mine the beautiful Girl that I A87–2 Ø name not,’ 1867 88 lines ‘“Come Daughter braid thy A96 glossy hair,’ Series: POEMS IN EARLY LIFE A96 Series: POEMS IN EARLY LIFE THE ADDER: A SOLEMN “LYRICAL BALLAD” ALONE AGAIN see RECORDS OF A 1854 12 lines + N ‘An Adder there was in POET’S LOVE: XXVI the hole of a tree’ People’s Advocate 20 May 1854 12 lines + N ‘An Adder there was in the hole of a tree’ C376 Cutting PA 20 May with handwritten alterations to note AN ANALYTICAL FINDING LIST 3

THE ANCHOR ANDREW MARVEL (sic) 1855 Harpur sent copy (not extant) to 1845 14 lines ‘Spirit, that lookest from the Parkes in letter 4 March 1855, as a starry fold’ ‘Naval Ode’ with note re epithet Colonial Literary Journal 20 Mar. ‘able’ used in poem. Parkes Series: PASSING THOUGHTS. A Correspondence MS 947 SERIES OF SONNETS. 1855 40 lines ‘Strong trust of the bold 1845 14 lines ‘Spirit, that lookest from the sailor’ starry fold’ Empire 13 Mar. Thoughts, p. 9 1863 40 lines ‘Strong trust of the bold 1850 14 lines + N ‘Spirit, that lookest Sailor’ from the starry fold’ A90 Layman’s Prompter 8 Jan. Series: LYRICS Series: A LEAF FROM CHARLES 1865 40 lines ‘Strong trust of the bold HARPUR’S “WILD BEE OF Sailor’ AUSTRALIA” A95 Ø 1861 14 lines ‘Spirit, that lookest from the No. XII in Series: LYRICS starry fold’ 1866 20 lines ‘Strong trust of the bold C376 Ø Sailor on the shores of sudden storm’ No. 4 in Series: SONNETS: C381 Unidentified cutting ?Moruya DEDICATED TO WORDSWORTH Examiner Jan. with handwritten 1863 14 lines ‘Spirit, that lookest from the alterations. Date identified by starry fold’ lightbox reading A90 1867 40 lines ‘Strong trust of the bold No. VII in Series: SONNETS Sailor’ 1866 14 lines ‘Spirit, that lookest from the A88 starry fold’ Series: ODES A95 (p. 29) Ø 1867 20 lines ‘Strong trust of the bold No. VIII in Series: Sailor on the shores of sudden MISCELLANEOUS SONNETS storm,’ 1867 14 lines ‘Spirit, that lookest from the A92 starry fold’ Series: ODES AND LYRICS A95 (p. 123) 1880 20 lines ‘Strong trust of the bold Series: PERSONAL AND OTHER sailor on the shores of sudden storm,’ SONNETS Sydney Mail 17 July 1867 14 lines ‘Spirit, that lookest from the 1883 20 lines ‘Firm trust of the bold sailor starry fold’ on the shores of sudden storm,’ A87–1 Poems, p. 124 Series: PERSONAL AND OTHER Rpt. Popular Edition paperback 1899 SONNETS 1883 14 lines ‘Spirit, that lookest from the AND NOW THROUGH THE DIM starry fold’ HAZE… see FRAGMENT Poems, p. 233 Rpt. Popular Edition paperback 1899 AND WONDER YE NOT IF HIS SPEECH BE UNCOUTH see THE THE ANGEL OF NATURE KANGAROO HUNT 1851 17 lines ‘In the cool twilight let me aye’ C383 Title: EVENING HAUNTS 4 THE POEMS OF CHARLES HARPUR

1853 16 lines ‘In the cool Twilight let me ANTIPODEAN CONSISTENCY aye’ 1855–56 8 lines ‘In England Duffy stormed Empire 18 July (or else I dream)’ Title: TWILIGHT HAUNTS C376 1856–58 13 line untitled fragment ‘And in 1856 8 lines + N ‘In England Duffy their watery mirror clear’ stormed, or else I dream,’ A87–2 (p. 499) People’s Advocate 15 Nov. 1858 17 lines ‘In the cool twilight let me No. 17 Part III in Series: SONGS, use’ EPIGRAMS, NOTES, AND Empire 6 Jan. OPINIONS, ETC. No. IV in Series: A GARLAND OF WILD FLOWERS APOLOGETIC see MUSE-WORSHIP: 1 1860 17 lines ‘In the cool twilight let me use’ THE APOLOGY see A LYRICAL LOVE A87–2 (p. 405) STORY 2: 5 ? Series: RHYMES, HUMOUROUS (sic) POEMS, EPIGRAMS, ETC. in THE APPLE OF EDEN A87–1 1842 18 lines ‘That bright dream of passion which only may be’ ANGELS WITH COLOURED WINGS Australasian Chronicle 5 Nov. see A VISION OF AN ANGEL Title: THE APPLE OF LIFE 1843 18 lines ‘That bright dream of ANIMAL HUMAN BEAUTY see THE passion which only may be’ BEAUTIFUL: II Portland Guardian 21 Jan. Title: THE APPLE OF LIFE THE ANSWER see A POET’S WIFE 1851 18 lines ‘That bright dream of [A92 version] passion which only may be’ C376 Ø AN ANTHEM FOR THE Title: THE APPLE OF LIFE AUSTRALASIAN LEAGUE No. I in Series: A STRING OF 1851 32 lines + N ‘Shall we sing of GEMS “Loyalty,”’ 1866 18 lines ‘That bright faith of Fancy People’s Advocate 2 Aug. which only may be’ Title: LOYALTY. NATIONAL A87–2 Ø PAEAN 1867 18 lines ‘That bright faith of Fancy 1853 24 lines ‘Shall we sing of Loyalty’ which only may be’ Bushrangers, p. 114 A96 1853 8 line fragment ‘Shall we sing of Series: POEMS IN EARLY LIFE Loyalty’ A98–1 Unamended cutting THE APPLE OF LIFE see THE APPLE Bushrangers 1853 OF EDEN 1859 24 lines ‘Shall we sing of Loyalty’ Convention: and True Colonizer 14 ARE YOU TROUBLED BY MEN… see May HOW TO LESSEN A FLUX OF VISITORS ANTICIPATED SEPARATION see RECORDS OF A POET’S LOVE: XVIII AN ANALYTICAL FINDING LIST 5

ART, LABOR AND NATURE AUSTRALIA HUZZA 1856 6 lines ‘What can give beauty to a 1833 21 lines ‘Australia, how rapt can I shapeless log,’ wind by thy fountains,’ People’s Advocate 4 Oct. Currency Lad 4 May No. 13 Part VII in Series: SONGS, Title: AN AUSTRALIAN SONG EPIGRAMS, NOTES, AND 1835 24 lines ‘Australia, how ’rapt can I OPINIONS, ETC. wend by thy fountains,’ Sydney Monitor 26 Sept. AS MUSIC ASSUAGES see Title: MELODY FRAGMENT 1842 24 lines ‘Australia, how rapt can I stray by thy fountains,’ ASININE LOYALTY AND ABJECT Australasian Chronicle 6 Dec. PATRIOTISM No. 8 in Series: AUSTRALIAN 1856 4 lines + N ‘To Principles let us be LYRICS loyal alway,’ 1850/51 24 lines ‘Australia, how rapt can I People’s Advocate 1 Nov. stray by thy Fountains,’ No. 15 Part II in Series: SONGS, Broadsheet Songs of Australia. First EPIGRAMS, NOTES, AND Series OPINIONS, ETC. Sighted only by lightbox reading of 1856 4 lines + N ‘To Principles let us be pages in A92 loyal alway,’ 1851 24 lines ‘Australia, how rapt can I A87–2 Unamended cutting PA 1 Nov. muse by thy fountains,’ see also A POLITICAL GOSPEL C376 Ø Title: TWO NATIONAL SONGS TO ASK THE DOCTOR WHY MRS G’S THE SAME MEASURE I NOSE IS SO RED? see REASONS FOR 1867 24 lines ‘Australia, how rapt can I A RED NOSE muse by thy fountains,’ A96 ASKING IN VAIN Series: POEMS IN EARLY LIFE 1863 28 lines ‘Still his little grave she seeketh’ AN AUSTRALIAN NIGHT SCENE see A Sydney Morning Herald 8 May SUMMER NIGHT SCENE 1863 28 lines ‘Still his little grave she seeketh’ AUSTRALIAN SCENERY see THE A90 KANGAROO HUNT Series: LYRICS 1867 28 lines ‘Still his little grave she AN AUSTRALIAN SONG see seeketh’ AUSTRALIA HUZZA A88 Series: LYRICS AUSTRALIA’S FIRST GREAT POET 1867 28 lines ‘Still his little grave she 1845 14 lines ‘Glorious His lot whom seeketh’ Poesie shall name’ A87–1 Weekly Register 3 May Series: ODES AND LYRICS Title: THE FIRST GREAT 1883 24 lines ‘Still his little grave she AUSTRALIAN POET seeketh’ Poems, p. 114 Rpt. Popular Edition paperback 1899 6 THE POEMS OF CHARLES HARPUR

1845 14 lines ‘Glorious his lot whom 1867 14 lines ‘His lot how glorious whom Poesie shall name’ the Muse shall name’ Thoughts, p. 10 A95 (p. 112) Title: THE FIRST GREAT Series: PERSONAL AND OTHER AUSTRALIAN POET SONNETS 1849–50 4 line untitled fragment ‘Thence 1867 14 lines ‘His lot how glorious whom future Patriots too, the brave and the Muse shall name’ wise,’ A87–1 (p. 211/288) C376 (p. 586) Ø Series: PERSONAL AND OTHER [No.14] in incomplete Series SONNETS 1861 14 lines ‘His lot how glorious whom 1883 14 lines ‘His lot how glorious whom the Muse shall name’ the muse shall name’ C376 (p. 347) Ø Poems, p. 238 Title: THE FIRST GREAT Rpt. Popular Edition paperback 1899 AUSTRALIAN POET No. 3 in Series: SONNETS: AUTUMNAL LEAVES DEDICATED TO WORDSWORTH 1 1863 14 lines ‘His lot “how glorious” 1867 18 lines ‘Ah! that Death’ whom the Muse shall name’ Sydney Morning Herald 7 May A90 (p. 241) 1867 18 lines ‘Ah! that Death’ Title: THE FIRST GREAT A87–1 AUSTRALIAN POET see also GENIUS LOST. THE No. IV in Series: SONNETS SORROWS Part One: SEMI CHORUS 1866 14 lines ‘His lot how glorious whom 2 the Muse shall name’ 1853 11 lines ‘The manifold hills, forsaken A95 (p. 27) Ø of the sun,’ Untitled The Bushrangers, p. 106 No. V in MISCELLANEOUS Untitled SONNETS 1853–55 11 lines ‘The manifold hills, 1866 14 lines ‘His lot how glorious whom forsaken of the sun,’ the Muse shall name’ A98–1 Cutting Bushrangers 1853 A90 (p. 139) with handwritten alteration Untitled Untitled No. IV in Series: SONNETS ON 1867 15 lines ‘When/The manifold hills, POETS AND POETRY forsaken of the sun,’ 1866 14 lines ‘His lot how glorious whom Sydney Morning Herald 7 May the Muse shall name’ 1867 15 lines ‘When/The manifold hills, Sydney Morning Herald 7 Nov. forsaken of the sun,’ Untitled A87–1 No. X in Series: SONNETS see also GENIUS LOST. THE 1866 14 lines ‘His lot how glorious whom SORROWS Part Six: SEMI CHORUS the Muse shall name’ A87–1 (p. 199b) Unamended cutting SMH 7 Nov. Untitled AN ANALYTICAL FINDING LIST 7

3 1857 16 lines ‘Such is the swift succession 1851 16 lines ‘Be his rest who sleeps of our moods’ below,’ A87–2 (p. 691) People’s Advocate 28 May Title: MOODS Title: AN EPITAPH 1858 16 lines ‘Such is the strange No. 6 Part III in Series: BEING succession of our moods’ LEAVES FROM CHARLES Empire 8 Feb. HARPUR’S WILD BEE OF Title: MOODS AUSTRALIA 1858 16 lines ‘Such is the strange 1860 7 line fragment ‘Be his rest who succession of our moods’ sleeps below,’ C384 Ø Unamended cutting Empire C376 8 Feb. Title: AN EPITAPH Title: MOODS 1860 16 lines ‘Be his rest who sleeps 1867 18 lines ‘Such is the strange below,’ succession of our Moods’ A87–2 Sydney Morning Herald 7 May Title: AN EPITAPH 1867 20 lines ‘Such is the strange Series: BITS succession of our Moods’ 1861 16 lines ‘Be his rest who sleeps C381 Cutting SMH 7 May with below,’ handwritten alterations C384 Unamended cutting Braidwood 1867 20 lines ‘Such is the strange Dispatch Aug.? Paper and year succession of our Moods’ identified by lightbox reading A87–1 Title: AN EPITAPH 5 No. LIV in Series: BITS 1848 8 lines + N ‘A thousand million souls 1867 16 lines ‘Be his rest who sleeps arise’ below’ C382 Sydney Morning Herald 7 May Title: FRAGMENT 1867 16 lines ‘Be his rest who sleeps 1856 15 lines ‘A thousand million souls below’ arise’ A87–1 Empire 10 Mar. 1883 16 lines ‘Be his rest who sleeps Title: FRAGMENT below,’ 1856–58 8 lines + N ‘A thousand million Poems, p. 167 souls arise’ Untitled C376 Series: FRAGMENTS FROM Title: THE PASSING AWAY OF A “GENIUS LOST” (Not included by GENERATION Harpur in GL ) No. II in incomplete Series Rpt. Popular Edition paperback 1899 1860 21 lines ‘A thousand million souls see also GENIUS LOST. THE arise’ SORROWS Part Eight: CHORUS A87–2 (p. 404) 4 Title: THE SILENCE OF FAITH 1855–56 16 lines ‘Such is the swift ? Series: RHYMES, HUMOUROUS succession of our moods’ (sic) POEMS, EPIGRAMS, ETC. in A87–2 (p. 685) A87–1 Title: MOODS 1860 21 lines ‘A thousand millions (sic) souls arise’ Australian Home Companion Vol. 5 Title: THE SILENCE OF FAITH 8 THE POEMS OF CHARLES HARPUR

1863 21 lines ‘A thousand million souls THE BABYLONIAN CAPTIVITY arise’ (PSALM CXXXVII) A89 1851 40 lines ‘By Babylon’s strange Title: THE SILENCE OF FAITH streams we sate,’ 1867 20 lines ‘A thousand million souls C383 arise’ Title: 137th PSALM A87–2 (p. 444) 1856 44 lines + N ‘By far Euphrates’ Title: THE SILENCE OF FAITH stream we sate,’ 1867 20 lines ‘A thousand million souls Empire 13 May arise’ 1862–63 44 lines ‘By far Euphrates’ stream Sydney Morning Herald 7 May we sate,’ 1867 20 lines ‘A thousand million souls C384 Cutting Empire 13 May 1856 arise’ with handwritten alterations C381 Unamended cutting SMH 1866 44 lines ‘By far Euphrates’ stream we 7 May sate,’ 1867 20 lines ‘A thousand million souls C381 Cutting Moruya Examiner with arise’ handwritten alterations. Paper and A87–1 year identified by lightbox reading 1883 20 lines ‘A thousand million souls 1883 40 lines ‘By far Euphrates’ stream arise’ we sate,’ Poems, p. 195 Poems, p. 130 Title: SONG Rpt. Popular Edition paperback 1899 Rpt. Popular Edition paperback 1899 6 THE BALLOT 1853–54 25 lines + N ‘Since thou art 1856 4 lines + N ‘’Tis cowardly, cried dead!—since thou art dead,’ Mort, with aspect stout,’ C385 (pp. 101, 98–100) People’s Advocate 20 Sept. Title: FRAGMENT No. 12 Part III in Series: SONGS, 1854 25 lines ‘Since though (sic) art EPIGRAMS, NOTES, AND dead!—since though (sic) art dead,’ OPINIONS, ETC. People’s Advocate 6 May 1856 4 lines + N ‘’Tis cowardly, cried Title: ELEGIAC VERSES Mort, with aspect stout,’ 1867 25 lines ‘Since Thou art dead—since C376 Unamended cutting PA 20 Thou art dead,’ Sept. Sydney Morning Herald 7 May 1867 25 lines ‘Since Thou art dead—since THE BANQUET OF LOVE Thou art dead,’ 1834 95 lines ‘’Tis the hour of love, for C381 Cutting SMH 7 May with fair is the night—’ handwritten alteration Sydney Times 16 Sept. 1867 25 lines ‘Since Thou art dead—since Thou art dead,’ THE BARD OF HUMANITY see A A87–1 WORLD-POET 1883 25 lines ‘Since thou art dead—since thou art dead,’ THE BARD OF PARADISE Poems, p. 175 1836 31 lines ‘Mightiest of Poets! Bard of Series: MONODIES III Paradise!’ Australian 30 Dec. THE AWAKENING see MUSE- Title: MILTON WORSHIP: 2 AN ANALYTICAL FINDING LIST 9

1841 76 lines ‘Mightiest of Poets! Bard of THE BATTLE OF INKERMANN (THE Paradise!’ TRUEST VERSION) Sydney Herald 12 Feb. 1855 60 lines + N ‘Sebastopol lay Title: MILTON grinning’ Pseudonym: BY AN AUSTRALIAN People’s Advocate 19 May 1863 210 lines + N ‘Blind Seer with the soul’s all-piercing eyes!’ THE BATTLE OF LIFE A89 1855 20 lines ‘Never give up: though Life 1864 210 lines + N ‘Blind Seer with the be a battle’ soul’s all-piercing eyes!’ Empire 20 Nov. Sydney Times 14 and 21 May 1855 20 lines ‘Never give up: though Life 1866 213 lines + N ‘Blind Seer with the be a battle’ soul’s all-piercing eyes!’ C384 Ø Unamended cutting Empire A87–1 (pp. 331–337) Cutting ST 1864 20 Nov. with handwritten alterations 1863 2 line untitled fragment ‘Never give 1866 4 line untitled fragment ‘Such as up: though Life be a battle’ intone the shining hours of Spring’ A87–2 A87–1 (p. 334) Series: SONGS, ODES, AND 1866 10 line untitled fragment ‘Whose OTHER LYRICS hoar deep/’ 1863 20 lines ‘Never give up: though Life A87–1 (p. 339) be a battle’ 1867 215 lines + N ‘Blind Seer with the A90 soul’s all–piercing eyes!’ Series: LYRICS A87–1 (p. 114/160) 1865 20 lines ‘Never give up: though Life be a battle’ A BASKET OF SUMMER FRUIT A95 1854 40 lines + N ‘First see these ample No. XIII in Series: LYRICS melons!—brinded o’er’ 1866 20 lines ‘Never give up: though life People’s Advocate 18 Mar. be a battle’ Subtitle: DEDICATED TO THE C381 Unamended cutting dated Aug, MAMMON-TRAPPED CLERKS… 1866. Moruya Examiner. Paper 1854–58 40 lines + N ‘First see these identified by lightbox reading ample melons!—brinded o’er’ 1867 20 lines ‘Never give up: though life C380 Cutting PA 18 Mar. with be a battle’ handwritten alterations A92 Subtitle: DEDICATED TO THE Series: ODES AND LYRICS MAMMON-TRAPPED CLERKS… 1883 20 lines ‘Never give up, though life 1863 44 lines ‘First see those ample be a battle’ melons—brinded o’er’ Poems, p. 59 A89 Rpt. Popular Edition paperback 1899 1867 44 lines ‘First see those ample melons—brinded o’er’ THE BATTLE OF THE WINDS A87–1 1842 56 lines ‘A mighty pother and dust,’ Australasian Chronicle 23 Aug. A BATCH see SONNETS DEDICATED TO AUSTRALIAN SENATORS: XVI A BATTLE PIECE FROM HOMER see A SUPERNATURALISED BATTLE- PIECE FROM HOMER/THE XVIII ILIAD 10 THE POEMS OF CHARLES HARPUR

BE HIS REST WHO SLEEPS BELOW 1866 14 lines ‘First in the human form and see AUTUMNAL LEAVES: 3 face so fair’ A87–2 BE PATIENT WITH A FOOL No. XIX in Series: SONNETS (IN 1856 4 lines ‘The wise man’s patience is CONTINUATION) the Fool’s mere due,’ 1867 14 lines ‘First in the human form and People’s Advocate 29 Nov. visage fair’ No. 18 Part III: BITS OF A95 PHILOSOPHY, CAUSTIC AND 1867 14 lines ‘First in the human form and OTHERWISE in Series: visage fair’ SONGS, EPIGRAMS, NOTES, A87–1 (p. 223/300) AND OPINIONS, ETC. Series: PERSONAL AND OTHER 1860 7 lines ‘The wise man’s patience is a SONNETS fool’s mere due,’ The Spirit of Beauty (This is a titled A 87–2 Ø (p. 410) extension of I: Beauty) No. IV in Series: BITS 1849 21 lines ‘The Spirit of Beauty/ is the 1860 8 lines ‘The wise man’s patience is a soul of all’ fool’s mere due,’ C376 A87–2 (p. 410) Untitled No. IV in Series: BITS Series: CHARLES HARPUR’S WILD BEE OF AUSTRALIA THE BEAUTIFUL 1855 14 lines ‘And in this Southern Land I: Beauty there yet shall be’ 1845 14 lines ‘First in the human form and B78 face so fair,’ 1856 35 lines + N ‘The Spirit of Beauty is Colonial Literary Journal 20 Mar. the soul of all’ Series: PASSING THOUGHTS. A Empire 12 Sept. SERIES OF SONNETS 1856 35 lines ‘The Spirit of Beauty is the 1845 14 lines ‘First in the human Form soul of all’ and Face so fair’ A92 Unamended cutting Empire 12 Thoughts, p. 6 Sept. 1849 14 lines + N ‘First in the human form II: The Terrors of Beauty and face so fair’ 1846 14 lines ‘Thy fairy feet, thy sylphic C376 waist,’ Series: CHARLES HARPUR’S Maitland Mercury 18 Nov. WILD BEE OF AUSTRALIA 1847 19 lines + N ‘Thy fairy feet, thy 1856 14 lines + N ‘First in the human form sylphic waist,’ and aspect fair’ C382 Empire 12 Sept. 1849 19 lines + N ‘Thy fairy feet and 1856 14 lines + N ‘First in the human form sylphic waist,’ and aspect fair’ C376 A92 Cutting Empire 12 Sept. with Series: CHARLES HARPUR’S handwritten alteration to note WILD BEE OF AUSTRALIA 1866 14 lines ‘First in the human form and 1855 30 lines + N ‘Thy faery feet, and face so fair’ sylphic waist,’ A87–1 (p. 328) B78 1856 34 lines + N ‘Thy airy gait and form divine’ Empire 12 Sept. AN ANALYTICAL FINDING LIST 11

1856 34 lines ‘Thy airy gait, and form 1856 24 lines + N ‘Helen, though divine’ matchless are thine eyes’ A92 Cutting Empire 12 Sept. with Empire 13 Oct. handwritten alterations VI: Love the Exalter of Nature Animal Human Beauty (This is a 1857 24 lines + N ‘Off from all Being, as a titled extension of The Terrors of worn-out part,’ Beauty) Empire 17 Sept. 1850–55 15 lines + N ‘I knew a Youth, in Part VI in Series: THE BEAUTIFUL feature and in form’ 1857 24 lines + N ‘Off from all Being, as a C376 worn-out part,’ 1856 15 lines + N ‘I knew a Youth, in A92 Cutting Empire 17 Sept. with feature and in form’ handwritten alterations Empire 12 Sept. VII: To a Girl 1856 15 lines + N ‘I knew a Youth, in 1855–57 20 Lines + incomplete N ‘Dear feature and in form’ Mary, I have often thought’ A92 Unamended cutting Empire 12 A87–2 Sept. Part 6 in incomplete unnamed series III: A Lady by Moonlight (probably THE BEAUTIFUL) 1855–56 29 lines + incomplete N ‘A 1857 24 lines + N ‘Dear Maiden, I have splendid Vision of delight,’ often thought’ A87–2 Empire 17 Sept. Part 3 in incomplete unnamed series Part VII in Series: THE (probably THE BEAUTIFUL) BEAUTIFUL 1856 29 lines + N ‘A splendid Vision of 1857 24 lines + N ‘Dear Maiden, I have delight,’ often thought’ Empire 13 Oct. A92 Unamended cutting Empire 17 IV: A Youth of the Utopian Era Sept. 1855–56 22 lines + N ‘He stands before his see also TO A GIRL Bride in passion’s purple light,’ VIII: Lines and Figures A87–2 (pp. 696, 693) 1857 20 lines + N ‘There is no curve of Part 4 in incomplete unnamed series sea or sky,’ (probably THE BEAUTIFUL) Empire 17 Sept. 1856 22 lines + N ‘He stands before his 1857 20 lines + N ‘There is no curve of Bride in passion’s purple light,’ sea or sky,’ Empire 13 Oct. A92 (p. 169) Cutting Empire 17 V: To Helen Sept. with handwritten alterations 1855–56 20 line fragment + N ‘Ellen, 1867 20 lines ‘There is no curve of sea or though matchless are thine eyes’ sky’ A87–2 A92 (p. 249/259) Title: TO ELLEN Series: ODES AND LYRICS Part 5 in incomplete unnamed series IX: Dawn in the Australian Forest (probably THE BEAUTIFUL) 1851 23 lines ‘It is the Morning Sar (sic), 1855–56 6 line untitled fragment ‘Yet only arising slow’ the unblest can doubt you’ People’s Advocate 19 Apr. C376 Title: DAWN IN THE FOREST Title: TO BE ADDED TO THE No. 4 Part II in Series: BEING LINES TO ELLEN LEAVES FROM CHARLES HARPUR’S WILD BEE OF AUSTRALIA 12 THE POEMS OF CHARLES HARPUR

1853–54 c. 40 lines ‘It is the Morning Star, 1857 4 lines ‘It is well for our minds to arising slow’ discern’ C385 Empire 6 June Title: DAWN IN THE FOREST No.VII in Series: 1855–57 40 lines + N ‘It is the Morning CHARACTERISTICS AND BITS Star, arising slow’ OF PHILOSOPHY A87–2 1860 4 lines ‘’Tis well for our minds to Title: DAWN IN THE FOREST discern’ Part 7 in incomplete unnamed series A87–1 (probably THE BEAUTIFUL) Series: RHYMES, HUMOUROUS 1857 40 lines + N ‘It is the Morning Star, (sic) POEMS, EPIGRAMS, ETC. arising slow’ 1860 4 lines ‘’Tis well for our minds to Empire 17 Sept. discern’ Title: DAWN IN THE FOREST A87–2 (p. 414) 1857 24 lines (incomplete) ‘It is the Series: BITS Morning Star, arising slow’ 1861 4 lines ‘It is well for our minds to A92 Cutting Empire 17 Sept. with discern,’ handwritten alterations C384 Unamended cutting Braidwood Title: DAWN IN THE FOREST Dispatch July. Paper and date 1867–68 42 lines ‘It is the Morning Star, identified by lightbox reading arising slow’ No. XVIII in Series: BITS A97 1883 40 lines ‘It is the morning star, THE BIRDS THEIR PRISTINE GLEES arising slow’ PROLONG Poems, p. 208 1860–63 6 line untitled fragment ‘The birds Title: DAWN IN THE their pristine glees prolong’ MOUNTAINS A91 ? Intended for THE BUSH- Rpt. Popular Edition paperback 1899 RANGERS or THE KANGAROO HUNT A BEAUTIFUL MISTRESS see also A SIGH FOR THE COMPARED… see RECORDS OF A FORTHCOMING POET’S LOVE: XIV BISHOP BERKELY THE BEAUTIFUL SQUATTER see 1855 10 lines ‘I love him mightily, and SQUATTER SONGS: I fain would know’ A87–2 BEAUTY see THE BEAUTIFUL: I 1857 10 lines ‘I love him mightily, and fain would know’ BEHIND WHICH, RESTING IT UPON Empire 6 June THE GROUND see FRAGMENT No. II in Series: CHARACTERISTICS AND BITS THE BEST KNOWLEDGE OF PHILOSOPHY 1855 4 lines ‘’Tis well for our minds to 1860 10 lines ‘I love him mightily, and discern’ fain would know’ A87–2 (p. 670) A87–1 (p. 395) Title: EPIGRAM Series: RHYMES, HUMOUROUS (sic) POEMS, EPIGRAMS, ETC. AN ANALYTICAL FINDING LIST 13

1862–63 12 lines ‘I love him mightily, and 1857 74 lines ‘Blindness to Merit! ’tis an fain would know’ irksome fact’ C384 Cutting Braidwood Dispatch Empire 4 Dec. Aug.? 1861 with handwritten 1863 87 lines ‘Blindness to Merit! ’tis an alterations. Paper and year identified ugly fact’ by lightbox reading A89 No. XXXVI in Series: BITS 1867 87 lines ‘Blindness to Merit! ’tis an 1867 12 lines ‘I love him mightily, and ugly fact’ fain would know’ A87–1 A87–1 (p. 251/328) Series: BITS THE BOLD EYED MARINER 1849 12 line fragment ‘I knew a bold-eyed BITS OF PHILOSOPHY, CAUSTIC Mariner, who held’ AND OTHERWISE see HOW TO C376 LESSEN A FLUX OF VISITORS; Series: CHARLES HARPUR’S WISDOM’S DWELLING; BE PATIENT WILD BEE OF AUSTRALIA WITH A FOOL; LUCK OUT OF SEASON; THERE’S NOTHING IN THE BOOK see GENIUS LOST. THE NATURE—FREE NATURE—THAT’S SORROWS Part Two WRONG; THE TRUTH OF NATURE BOTH SIDES OF THE MEDAL A BLANK VERSE PARAPHRASE OF I THE 51st PSALM 1861 52 lines ‘Who ne’er treats a friend 1836–66 36 line untitled fragment ‘O God, with proud rudeness,’ according to thy loving kindness,’ Empire 26 Mar. A87–2 ? Part of KING SAUL Title: THE OBVERSE II A BLIGHTED PROMISE 1861 46 lines ‘A strong man and a boy’ 1865 18 lines ‘Little Dan Deniehy!’ Empire 26 Mar. Harpur to Kendall Correspondence, Title: THE REVERSE 17 Dec. Latrobe Library, Vic. M 5099 (1) THE BOWER and BOWER BUILDING Title: TO MY YOUNG see A LYRICAL LOVE STORY 1: 6 COUNTRYMAN D. H. D. 1866 18 lines ‘Little Dan Deniehy,’ THE BOWER BY MOONLIGHT see A A87–2 Ø LYRICAL LOVE STORY 1: 9 1867 18 lines ‘Little Dan Deniehy,’ A96 A BOWER OF BLOOMS see RECORDS Series: POEMS IN EARLY LIFE OF A POET’S LOVE: XIII

BLINDNESS TO MERIT THE BOWER OF LOVE 1856 4 lines + N ‘Dogs and cats will after 1838 16 lines ‘Awake my Muse! Love is kind,’ the chosen theme—’ People’s Advocate 6 Dec. A87–2 No. 19 Part II in Series: SONGS, EPIGRAMS, NOTES, AND THE BOY’S EVENING SONG OPINIONS, ETC. 1846 36 lines ‘O Sister! see the great red Sun’ Maitland Mercury 15 July 14 THE POEMS OF CHARLES HARPUR

THE BROKEN HEART’S CAROUSE 1867 255 lines ‘’Tis nine o’clock—to bed! see A LYRICAL LOVE STORY 3: 2 cried Egremont,’ A95 THE BROOK 1867 255 lines ‘’Tis nine o’clock—to bed! 1847 56 lines ‘Back from a distant Shore’ cried Egremont,’ Maitland Mercury 13 Jan. A87–1 Title: THE OLD BROOK 1860 56 lines + N ‘Home from a distant BUSH JUSTICE see SQUATTER shore’ SONGS: VI C376 Ø 1867 56 lines ‘Home from a distant shore’ THE BUSHRANGERS A96 1853 1967 lines + N ‘There is no question Series: POEMS IN EARLY LIFE but you met their’ The Bushrangers. A Play in Five Acts BURNS see RHYMED CRITICISMS: IX 1853–55 c. 1500 lines ‘So they took none o’ them?’ THE BURTHEN WORST TO BEAR A98–1 Cutting Bushrangers 1853 1851 24 lines + N ‘Tho’ Fate should with substantial handwritten signalise our lot’ alterations C383 see also earlier version THE TRAGEDY see also LONELINESS OF HEART… OF DONOHOE and later versions THE BUSH-RANGERS and STALWART THE THE BUSH FIRE BUSHRANGER 1851 144 lines + N ‘“’Tis nine o’clock:— to bed!” cried Egremont,’ THE BUSH-RANGERS People’s Advocate 15 Mar. 1860 c. 2197 lines + N ‘Beyond all No. 2 in Series: BEING LEAVES question, you have ably met’ FROM CHARLES HARPUR’S A91 WILD BEE OF AUSTRALIA 1860–63 18 lines ‘What though we see 1853 144 lines + N ‘“’Tis nine o’clock:— forthcoming,’ to bed!” cried Egremont,’ A91 (p. 71) The Bushrangers, p. 72 Untitled fragment of Mary’s song, 1853–55 144 lines + N ‘“’Tis nine Act One Scene Two o’clock:—to bed!” cried Egremont,’ see also earlier versions THE TRAGEDY A98–1 Cutting Bushrangers 1853 OF DONOHOE and THE with handwritten alterations BUSHRANGERS and later version 1855 19 line fragment ‘On all hands STALWART THE BUSHRANGER blazing! Though far off the dells’ B78 BYRON see RHYMED CRITICISMS: X 1863 24 line untitled fragment ‘The white heat seething from its spouty flows,’ CALMING DOWN see A LYRICAL A87–2 LOVE STORY 3: 3 Series: SONGS, ODES, AND OTHER LYRICS CAPITAL PUNISHMENT 1863 241 lines + N ‘’Tis nine o’Clock—to 1855–57 5 lines ‘Putting to death for the bed! cried Egremont,’ very worst crime’ A89 A87–2 (p. 726) AN ANALYTICAL FINDING LIST 15

1857 5 lines ‘To string up a man up for the CASTLE CARNAL very worst crime,’ 1855 186 lines ‘It is the House of Riot— Empire 6 June the chosen place’ No. X in Series: B78 CHARACTERISTICS AND BITS Title: THE HOUSE OF RIOT OF PHILOSOPHY 1863 262 lines ‘Full in the centre of a 1860 7 lines ‘To string up a man for the region named’ very worst crime,’ A89 A87–1 (pp. 395, 394) Title: THE HOUSE OF FOLLY Series: RHYMES, HUMOUROUS 1865–66 262 lines ‘Full in the centre of a (sic) POEMS, EPIGRAMS, ETC. region named’ 1860 8 lines ‘To string a man up for the A93 very worst crime,’ A87–2 (p. 413) THE CEMETERY see GENIUS LOST. Series: BITS THE SORROWS Part Seven 1862–63 8 lines ‘To string a man up for the very worst crime,’ CHANGE AND DEATH C384 (p. 99) Cutting Braidwood 1856 10 lines ‘We build but for Change Dispatch July 1861 with handwritten and for Death:’ alterations as below. Paper and date People’s Advocate 26 Apr. identified by lightbox reading No. V in Series: EPIGRAMS, No. XVII in Series: BITS NOTES, AND OPINIONS 1862–63 14 lines ‘To string a man up for the 1856 10 lines ‘We build but for Change very worst crime,’ and for Death:’ C384 (pp. 100, 98) C380 Unamended cutting PA 26 Apr. 1867 8 lines ‘To string up a man for the 1860 10 lines ‘We build but for Change very worst crime’ and for Death:’ A87–1 (p. 249/326) A87–2 Untitled ? Series: RHYMES, HUMOUROUS Series: BITS (sic) POEMS, EPIGRAMS, ETC. in A87–1 THE CAROUSE and THE CAROUSE 1883 10 lines ‘We build but for change OF DESPAIR see A LYRICAL LOVE and for death,’ STORY 3: 2 Poems, p. 133 Rpt. Popular Edition paperback 1899 A CASE FOR THE LAWYERS 1860 4 lines ‘Roe says one Doe’s a scurvy A CHARACTERISTIC EPITAPH FOR rogue—for why?’ A LATELY DECEASED ABLE DEALER A87–2 1855 51 lines ‘Here out of memory is Series: BITS stealing,’ 1861 4 lines ‘Roe says one Doe’s a scurvy People’s Advocate 31 Mar. rogue—for why?’ No. I in Series: SATIRICAL C384 Unamended cutting Braidwood EFFUSIONS Dispatch Aug.? Paper and year see also ON A DEFUNCT MISER identified by lightbox reading No. XXXVII in Series: BITS CHARACTERISTICS see MY FRIEND JACQUES 16 THE POEMS OF CHARLES HARPUR

CHARITY THE CHILLY MAN’S LAMENT: A 1842 14 lines ‘What were this world MOCK SONNET without thee, spirit pure?—’ 1849 14 lines ‘I don’t like cold—I never Australasian Chronicle 29 Sept. did. Perhaps’ 1845 14 lines ‘Man were a grinding C376 Niggard, lean and hoar’ Series: A PORTION OF CHARLES Thoughts, p. 10 HARPUR’S WILD BEE OF 1849 14 lines + N ‘Man were a grinding AUSTRALIA niggard, lean and hoar’ C376 (p. 515) CHORUS see GENIUS LOST. THE Series: CHARLES HARPUR’S SORROWS: CHORUS OF THE HOURS WILD BEE OF AUSTRALIA 1861 14 lines ‘Man, even in his youth, at CHORUS (FROM THE SORROWS OF heart were hoar,’ CHATTERTON) see GENIUS LOST. C376 (p. 357) Ø Part One No. 8 in Series: SONNETS: DEDICATED TO WORDSWORTH CHORUS OF SPIRITS OF THE EARTH 1863 14 lines ‘Man, even in his youth, at see GENIUS LOST. Parts Two, Four and heart were hoar,’ Eight A90 No. XII in Series: SONNETS CHORUS OF THE HOURS 1866 14 lines ‘Man, even in his youth, at (FRAGMENTS FROM GENIUS LOST) heart were hoar,’ see GENIUS LOST. THE SORROWS: A95 (p. 29) Ø SEMI CHORUS No. IX in Series: MISCELLANEOUS SONNETS THE CLOSE OF THE FESTIVAL 1866 14 lines ‘Man, even in his youth, at SCENE ENDING THE III ACT see heart were hoar,’ KING SAUL A87–2 No. XX in Series: SONNETS (IN THE CLOUD CONTINUATION) 1851 64 lines + N ‘One sultry morn, out of 1867 14 lines ‘Man, even in his youth, at the sea wave wild’ heart were hoar,’ People’s Advocate 19 Apr. A95 (p. 122) No. 4 Part I in Series: BEING Series: PERSONAL AND OTHER LEAVES FROM CHARLES SONNETS HARPUR’S WILD BEE OF 1867 14 lines ‘Man, even in his youth, at AUSTRALIA heart were hoar,’ 1851 64 lines + N ‘One sultry morn, out of A87–1 the sea wave wild’ Series: PERSONAL AND OTHER C376 SONNETS 1857 64 lines ‘One sultry morn, out of the sea waves wild’ THE CHARMER see A LYRICAL LOVE Empire 25 May STORY 1: 1 1859 76 lines ‘One sultry morn, out of the sea-waves wild’ CHAUCER see RHYMED Australian Home Companion Vo l. 4 CRITICISMS: I 1863 80 lines ‘One Summer morn, out of the sea waves wild’ A89 AN ANALYTICAL FINDING LIST 17

1863–66 83 lines ‘One Summer morn, out THE COCK OF THE WALK of the sea-waves wild’ 1856 6 lines ‘That self-sufficient, self- A92 Unidentified cutting ?Moruya reliant, doughty Martin marvellous—’ Examiner or ?Braidwood People’s Advocate 18 Oct. Independent with handwritten No. 14 Part IV in Series: SONGS, alterations EPIGRAMS, NOTES, AND 1866 83 lines ‘One summer morn, out of OPINIONS, ETC. the sea waves wild’ A93 partly Ø COINS AND ROSES 1867–68 85 lines ‘One Summer morn, out 1856 6 lines ‘If coins are beautiful as of the sea-waves wild’ roses’ A97 People’s Advocate 21 June 1874 83 lines ‘One summer morn, out of Title: “COINS ARE BEAUTIFUL the sea waves wild’ AS ROSES” Sydney Mail 24 Jan. No. IV Part II in Series: 1883 74 lines ‘One summer morn, out of EPIGRAMS, NOTES, AND the sea-waves wild,’ OPINIONS, ETC. Poems, p. 43 1856 6 lines ‘If coins are beautiful as Rpt. Popular Edition paperback 1899 roses,’ 1888 74 lines ‘One summer morn, out of C380 Unamended cutting PA 21 June the sea-waves wild,’ Title: “COINS ARE BEAUTIFUL Australian Poets 1788–1888, p. 210 AS ROSES” 1891 74 lines ‘One summer morn, out of 1860 10 lines ‘If, as sage Emerson the sea-waves wild,’ supposes,’ A Century of Australian Song, p. 187 A87–2 ? Series: RHYMES, HUMOUROUS COAST SCENERY see A COAST VIEW (sic) POEMS, EPIGRAMS, ETC. IN A87–1 A COAST VIEW No. XXIII in Series: BITS 1857 90 lines ‘High ’mid the shelves of a 1862–63 12 lines ‘If, as sage Emerson grey cliff; that yet’ supposes,’ Empire 28 Mar. C384 Cutting Braidwood Dispatch Title: COAST SCENERY July 1861 with minor handwritten 1863 106 lines ‘High ’mid the shelves of a alterations. Paper and date identified grey Cliff, that yet’ by lightbox reading A89 No. XXIII in Series: BITS 1867–68 106 lines ‘High ’mid the shelves of a grey Cliff, that yet’ COINS ARE BEAUTIFUL AS ROSES A97 see COINS AND ROSES 1883 23 lines ‘High ’mid the shelves of a grey cliff, that yet’ COLERIDGE and COLERIDGE’S Poems, p. 203 CHRISTABEL see RHYMED Rpt. Popular Edition paperback 1899 CRITICISMS: XIII

COLLINS see RHYMED CRITICISMS: VIII 18 THE POEMS OF CHARLES HARPUR

A/THE COMBAT 1850 28 lines + N ‘The day must come— 1847 30 lines + N ‘A Trooper of France, in for Freedom must keep pace’ desperate need,’ People’s Advocate 28 Sept. C382 Series: A SCRAP FROM CHARLES No. III in Series: RHYMES HARPUR’S “WILD BEE OF 1847 30 lines + N ‘A Trooper of France, in AUSTRALIA” desperate need,’ 1851–53 49 lines + N ‘The day must Sydney Chronicle 16 Nov. come—for Freedom must keep pace’ 1847 12 line fragment + N ‘Then passed C376 with a vengeful clash’ Series: A PORTION OF CHARLES C376 Unamended incomplete cutting HARPUR’S WILD BEE OF SC 16 Nov. AUSTRALIA 1853 30 lines ‘A Trooper of France, in desperate need’ A COMMON REGRET see A REGRET Bushrangers, p. 123 Untitled COMPANION PIECES see RECORDS 1853–55 30 lines ‘A Trooper of France, in OF A POET’S LOVE: I, III, XVIII, XIX, desperate need’ XX, XXIV, XXXI, XXXII, XXXIII A98–1 Cutting Bushrangers 1853 with handwritten alterations COMPENSATION Untitled 1856 24 lines ‘A sylphic form and angel 1860 37 lines ‘A Trooper of France, in face,’ desperate need’ Empire 10 Mar. A87–1 (p. 384) 1863 24 lines ‘A sylphic form and angel Series: RHYMES, HUMOUROUS face,’ (sic) POEMS, EPIGRAMS, ETC. A90 1860–61 13 lines fragment ‘A Trooper of Series: LYRICS France, in desperate need’ 1867 24 lines ‘A sylphic form and angel A87–2 face,’ 1863 41 lines ‘A Trooper of France, in A88 desperate need,’ Series: LYRICS A90 1867 24 lines ‘A sylphic form and angel Series: LYRICS face,’ 1866 41 lines ‘A Trooper of France, in A92 desperate need,’ Series: ODES AND LYRICS Moruya Examiner Oct. Paper and date identified by lightbox reading THE COMPLAINT see PETRARCHIAN 1866 41 lines ‘A Trooper of France, in MUSINGS desperate need,’ C381 Cutting dated Oct. 1866 ME THE CONFESSION and THE with handwritten alterations. CONFIRMER see RECORDS OF A 1867 37 lines ‘A Trooper of France, in POET’S LOVE: XII, VIII desperate need,’ A87–1 (p. 154/198) CONSOLATION 1845 14 lines ‘Mine heart is heavy with an THE COMING ON OF FREEDOM ancient Sorrow,’ 1846 27 lines ‘The Day must come,—for Thoughts, p. 12 Freedom must keep pace’ Maitland Mercury 13 June AN ANALYTICAL FINDING LIST 19

1851 14 lines + N ‘Mine heart is heavy 1867 24 lines ‘No Hero is the man who with an ancient sorrow,’ draws’ C376 (p. 157) A92 1853 14 lines ‘Mine heart is heavy with an Series: ODES AND LYRICS ancient sorrow,’ Bushrangers, p. 113 CONTRARY WAYS see POPULAR 1853 14 lines ‘Mine heart is heavy with an FURORES ancient sorrow,’ A98–1 Unamended cutting A CONTRAST Bushrangers 1853 1849–50 14 lines ‘God help the Poor!—I 1861 14 lines ‘Mine heart is heavy with an saw a Widow stand’ ancient sorrow,’ C376 C376 (p. 361) Ø No. 10 in Series: SONNETS: CORA DEDICATED TO WORDSWORTH 1856 52 lines ‘Of Cora with the shining 1863 14 lines ‘Mine heart is heavy with an hair’ ancient sorrow,’ Empire 26 Apr. A90 1863 4 line untitled fragment ‘Or should No. XIII in Series: SONNETS the bright time of her birth,’ 1866 14 lines ‘Mine heart is heavy with an A87–2 ancient sorrow,’ Series: SONGS, ODES, AND A95 OTHER LYRICS Untitled 1863 100 lines ‘Of Cora, once so dearly No. XII in Series: ours,’ MISCELLANEOUS SONNETS A90 1866 14 lines ‘My heart is heavy with an Series: LYRICS ancient sorrow–’ 1863 100 lines ‘Of Cora, once so dearly A87–2 ours,’ Untitled Sydney Morning Herald 8 Dec. No. XVIII in Series: SONNETS (IN 1863 100 lines ‘Of Cora, once so dearly CONTINUATION) ours,’ 1867 14 lines ‘Mine heart is heavy with an A87–1 Unamended cutting SMH 8 ancient sorrow,’ Dec. A87–1 1867 100 lines ‘Of Cora, once so dearly ours,’ THE CONSUMMATION see RECORDS A92 OF A POET’S LOVE: XXXIV (a) Series: ODES AND LYRICS 1883 56 lines ‘Of Cora, once so dearly CONTEMPORARY PRAISE ours,’ 1856 4 lines + N ‘He is no Hero—he who Poems, p. 102 draws’ Rpt. Popular Edition paperback 1899 People’s Advocate 4 Oct. No. 13 Part II in Series: SONGS, CORA’S SIRE EPIGRAMS, NOTES, AND 1855 40 lines ‘Sir Gilbert is a happy OPINIONS, ETC. knight,’ 1857 24 lines ‘No hero is the Man who Empire 21 Dec. draws’ Title: SIR GILBERT Empire 3 Dec. 20 THE POEMS OF CHARLES HARPUR

1855–58 40 lines ‘Sir Gilbert is a happy 1846 15 lines ‘—the Universe appeared’ knight,’ Untitled extract qtd. by Harpur in C380 Cutting Empire 21 Dec. with Penny Saturday Journal 4 Apr. handwritten alterations 1848 4 line untitled fragment from Part I Title: SIR GILBERT ‘—westward the high massing 1863 49 lines ‘Sir Gilbert is a happy wood,’ Knight,’ C382 Ø A90 1849 c. 139 line fragment ‘I verse a Title: SIR GILBERT Settler’s Tale of the Old Times—’ Series: LYRICS C376 1865 48 lines ‘Sir Gilbert Blount is a Series: CHARLES HARPUR’S merry Knight,’ WILD BEE OF AUSTRALIA A95 (p. 68) 1850/51 389 lines ‘I verse a Settler’s tale of Title: SIR GILBERT BLOUNT the olden times,—’ No. VIII in Series: LYRICS Songs of Australia Broadsheet. 1867 48 lines ‘Sir Gilbert Blount’s a happy Second Series? Knight,’ 1853 270 lines ‘I verse a Settler’s Tale of A87–2 the old times,—’ Title: SIR GILBERT BLOUNT Bushrangers, p. 63 1867 48 lines ‘Sir Gilbert is a happy man,’ 1853–55 298 lines ‘I verse a Settler’s Tale A88 of the old times,—’ Series: LYRICS A98–1 Cutting Bushrangers 1853 1867 48 lines ‘Sir Gilbert is a happy man,’ with handwritten alterations A92 1855 104 line fragment ‘I verse a Settler’s Series: ODES AND LYRICS tale of the old times,—’ B78 COULD WE, AS MORTALS see 1861–63 c. 407 lines ‘I verse a Settler’s tale TAKING TOO MUCH THOUGHT OF of the olden times,—’ TO-MORROW C384 Printed version with handwritten alterations (Braidwood COUNTRY LOVERS Dispatch Broadsheet 1861?) 1842 40 lines + N ‘She—Where have you Title: THE CREEK OF THE been all the day?’ GRAVES Australasian Chronicle 22 Nov. 1866 8 line untitled fragment ‘Bestrewn No. 6 in Series: AUSTRALIAN with leaves, and withered spraylets, LYRICS stript’ A93 THE CREED OF LIBERTY see MY 1867 410 lines ‘I verse a Settler’s tale of POLITICAL BELIEF olden times—’ A95 THE CREEK OF THE FOUR GRAVES 1867 410 lines + N ‘I verse a Settler’s tale 1845 209 lines ‘I tell a settlers (sic) tale of of olden times—’ the old times,’ A87–1 Part One, Weekly Register 9 Aug.; 1883 273 lines + N ‘A settler in the olden Part Two, 16 Aug.; Part Three, 23 times went forth’ Aug. Poems, p. 47 Subtitle: A TALE OF THE BUSH. Rpt. Popular Edition paperback 1899 Erratum WR 30 August AN ANALYTICAL FINDING LIST 21

1891 273 lines ‘A settler in the olden times CRITICAL RHYMES ON GREY see went forth’ RHYMED CRITICISMS: VII A Century of Australian Song, p. 190 CRITICAL RHYMES ON SOME OF THE CREEK OF THE GRAVES see THE ENGLISH CRITICAL REVIEWS THE CREEK OF THE FOUR GRAVES see RHYMED CRITICISMS: XV

A CRITIC AT THE TOP OF HIS CRITICAL RHYMES ON LADDER WORDSWORTH see RHYMED 1856 6 lines + N ‘Every Sect will have its CRITICISMS: XII canters;’ People’s Advocate 30 Aug. CROWDS Title: VICIOUS TASTE 1855–57 12 lines + N ‘I’m not unsocial, yet No. 11 Part I in Series: SONGS, dislike a Crowd:’ EPIGRAMS, NOTES, AND A87–2 OPINIONS, ETC. 1860 12 lines ‘Every Sect will have its THE CROWN OF NATURE and THE canters;’ CROWNING CHARM OF NATURE see A87–1 (p. 389) RECORDS OF A POET’S LOVE: VIII Series: RHYMES, HUMOUROUS (sic) POEMS, EPIGRAMS, ETC. A CUT-AND-DRIED EPITAPH FOR 1860–63 12 lines ‘Every sect will have its T.C., WHENEVER IT MAY PLEASE canters;’ THE DEVIL TO TAKE HIM A90 1860 10 lines ‘Within this tomb lies grim Part of Note 12 to THE ‘NEVERS’ and cold’ OF POETRY A87–1 1865–66 12 lines + N ‘Every sect will have Series: RHYMES, HUMOUROUS its canters,’ (sic) POEMS, EPIGRAMS, ETC. A87–1 (p. 273) Part of Note (m) to THE ‘NEVERS’ DAWN AND SUNRISE IN THE SNOWY OF POETRY MOUNTAINS 1860 20 lines ‘A few thin strips of fleecy CRITICAL POWER cloud, lie long’ 1856 4 lines + N ‘The mind that’s wisely C376 critical, must grow’ 1867 20 lines ‘A few thin strips of fleecy People’s Advocate 26 July clouds lie long’ No. 7 Part I in Series: SONGS, A87–1 EPIGRAMS, NOTES, AND OPINIONS, ETC. DAWN IN THE AUSTRALIAN FOREST 1856 4 lines + N ‘The mind that’s wisely and DAWN IN THE FOREST and critical, must grow’ DAWN IN THE MOUNTAINS see THE A92 Unamended cutting PA 26 July BEAUTIFUL: IX

CRITICAL RHYMES ON CRITICAL A DAY-DREAM OF LOVE AND REVIEWS see RHYMED CRITICISMS: HAPPINESS see RECORDS OF A XV POET’S LOVE: VII 22 THE POEMS OF CHARLES HARPUR

‘DEAR HENRY, WHY SHOULD YOU 1883 87 lines ‘Fit winding-sheet for thee’ COMPLAIN?’ Poems, p. 186 1846 24 lines ‘Dear Henry, forbear to Rpt. Popular Edition paperback 1899 complain’ Maitland Mercury 18 Nov. THE DEATH OF SHYLOCK Title: STANZAS 1866 95 lines ‘The officers of justice No. XXXVI in untitled Series. dogged me home!’ 1851 24 lines ‘Dear Henry, why should A93 you complain,’ 1867 112 lines ‘The officers of Justice C376 dogged me home!’ Untitled A87–2 No. II in Series: A STRING OF 1867 112 lines ‘The Officers of Justice PEARLS dogged me home!’ A87–1 THE DEATH OF A BOY 1866 14 lines ‘“Whom the Gods love die THE DEATH OF SISERA young”, the ancients said,’ 1856 12 lines ‘When the Prophetess A95 Deborah ruled in the land’ Title: ON THE DEATH OF A BOY Empire 9 Apr. No. XXVIII in Series: Title: DEBORAH (FROM KING MISCELLANEOUS SONNETS SAUL) 1867 14 lines ‘“Whom the Gods love die 1867 12 lines ‘When the prophetess young”, the ancients said.’ Debora ruled in God’s land,’ A87–1 A92 Series: PERSONAL AND OTHER Series: ODES AND LYRICS SONNETS 1883 12 lines ‘When Deborah the prophetess ruled in God’s land,’ THE DEATH OF SHELLEY Poems, p. 127 1847 102 lines + N ‘Fit shroud for Thee’ Rpt. Popular Edition paperback 1899 C382 Title: ON THE DEATH OF DEBORAH (FROM KING SAUL) see SHELLEY THE DEATH OF SISERA No. VII in Series: RHYMES 1851–53 109 lines + N ‘Fit shroud for Thee’ DEDICATION TO WILLIAM C376 WORDSWORTH and DEDICATORY Series: A PORTION OF CHARLES see TO WILLIAM WORDSWORTH HARPUR’S WILD BEE OF AUSTRALIA DELIA 1857 109 lines ‘Fit shroud for thee’ 1837 14 lines ‘From where the streaky Empire 27 May gates of light unfold,’ 1863 125 line ‘Fit winding sheet for thee’ Australian 24 Jan. A89 see also RECORDS OF A POET’S 1867 125 line ‘Fit winding-sheet for thee’ LOVE: XVI and MUSE-WORSHIP 4 A88 Series: ODES DESCRIPTION OF A TROPICAL 1867 125 lines ‘Fit winding sheet for thee’ ISLAND… see THE SLAVE’S STORY A87–1 AN ANALYTICAL FINDING LIST 23

DESCRIPTIVE OF THE PROSPECT 1863 12 line untitled fragment ‘Or when FROM MOUNT VIEW the forest shadows’ 1843 14 lines ‘Hurrah!—Below—around A90 (p. 10) me—in one view,’ Series: LYRICS Australasian Chronicle 2 Aug. 1863 33 lines ‘A Huntress born to Nature 1849–50 14 lines ‘Hurrah!—Below— through the might of olden lore,’ around me—in one view’ A90 (p. 128) C376 Series: LYRICS No. 7 in incomplete Series. 1865 33 lines ‘A Huntress born to Nature’ A95 DESIDERIUM see LIFE’S FIRST No. I in Series: LYRICS DESPAIR 1866 30 lines ‘A Huntress born to Nature/ Through the might of older lore,’ DESPAIR see GENIUS LOST. THE A93 partly Ø SORROWS Part Eight: WHITHER? 1867 33 lines ‘A Huntress born to Nature’ A88 THE DEVIL AND THE EDITOR [Satiric Series: LYRICS verse drama] 1867 33 lines ‘A Huntress born to Nature’ 1845 73 lines ‘And He has triumph’d, and A92 by truth, while I’ Series; ODES AND LYRICS Weekly Register 5 July 1881 33 lines ‘A Huntress born of Nature’ Unsigned. ?Harpur or William Sydney Mail 26 Feb. Forster. Title: DIANA

THE DEVIL’S OWN GLEE; OR, THE DIANA see DIAN MIDNIGHT VOICES OF THE REVENUE HELLS A DILETTANTE see MY FRIEND 1854 25 lines ‘Hark, hark! in the dead of JACQUES the night,’ Empire 7 Sept. THE DISQUISITION see RECORDS OF A POET’S LOVE: XXXI DIAL (sic) see DIAN THE DISTANCE OF THE DEAD DIAN 1863 14 lines ‘How far off in a moment 1855 16 lines ‘A Huntress, like Diana,’ are the Dead!’ B78 A90 Title: A SYLVAN VISION No. XX In Series: SONNETS 1858 22 lines ‘A huntress, born of Fancy,’ 1866 14 lines ‘How far off in a moment Freeman’s Journal 8 Sept. are the Dead!’ 1861–62 36 lines ‘A Huntress born to A95 Ø Nature’ No. XIX in Series: A87–2 (pp. 428, 423) MISCELLANEOUS SONNETS 1862 33 lines ‘A Huntress born of fancy’ 1866 14 lines ‘How distant in a moment Empire 20 Mar. are the dead!’ Title: DIAL (sic) A87–2 (p. 554) Ø 1863 42 lines ‘A Huntress born to Nature’ Untitled A90 (p. 8) No. XVII in Series: SONNETS (IN Series: LYRICS CONTINUATION) 24 THE POEMS OF CHARLES HARPUR

1867 14 lines ‘How distant in a moment 1863 32 lines ‘It was, I well remember,’ are the dead!’ A90 A87–2 (p. 484) Series: LYRICS Untitled 1867 32 lines ‘It was, I well remember,’ No. VII in Series: DOMESTIC A88 SONNETS Series: LYRICS 1867 16 lines ‘It was, I well remember, the DOING AND BEING merry Springtime, when’ 1856 4 lines + N ‘The common man’s of A92 (p. 233) value to the race’ Series: ODES AND LYRICS People’s Advocate 28 June 1883 16 lines ‘It was, I well remember, the Title: A TRUTH THAT SMALL merry springtime when’ GREAT MEN WON’T LIKE Poems, p. 74 No. 5 Part III in Series: SONGS, Rpt. Popular Edition paperback 1899 EPIGRAMS, NOTES, AND 1888 16 lines ‘It was, I well remember, the OPINIONS, ETC. merry springtime when’ 1856 4 lines + N ‘The common man’s of Australian Poets 1788–1888, p. 197 value to the race’ C380 Unamended cutting PA 28 June DOUBTS see A LYRICAL LOVE Title: A TRUTH THAT SMALL STORY 2: 1 GREAT MEN WON’T LIKE 1857 4 lines ‘The common man’s of value DOWNWARD, THROUGH THE to the race,’ BLOOMY ROOFAGE see A Empire 8 July SIMILITUDE No. XI in Series: RHYMED APHORISMS AND BITS OF DR JOHNSON PHILOSOPHY 1856 12 lines ‘A Man lump of Learning, in 1860 9 lines ‘The common Man’s of value scholarly garments,’ to the race’ People’s Advocate 20 Sept. A87–2 No. 12 Part IV in Series: SONGS, ? Series: RHYMES, HUMOUROUS EPIGRAMS, NOTES, AND POEMS, EPIGRAMS, ETC. in A87–1 OPINIONS, ETC. 1861 9 lines ‘The common man’s of value 1857 28 lines ‘A man-lump of Learning in to the race’ scholarly garments,’ C384 Unamended cutting Braidwood Empire 6 June Dispatch Aug.? Paper and year No. I in Series: identified by lightbox reading CHARACTERISTICS AND BITS No. XLVIII in Series: BITS OF PHILOSOPHY 1860 28 lines ‘A man-lump of Learning in DORA scholarly garments,’ 1855 24 lines ‘It was (I well remember)’ A87–1 B78 Series: RHYMES, HUMOUROUS Title: SONG (sic) POEMS, EPIGRAMS, ETC. 1856 24 lines ‘It was, I well remember,’ Empire 2 June THE DREAM Title: SONG 1836 16 lines ‘While Augusta my dream I 1856–57 24 lines ‘It was, I well remember,’ relate thee in numbers,’ A92 (p. 145) Cutting Empire 2 June Sydney Times 24 Sept. 1856 with handwritten alterations AN ANALYTICAL FINDING LIST 25

1843 16 lines ‘While Fanny, my dream, I A DREAM OF THE ORIENT relate thee in numbers’ 1856 28 lines ‘With a splendid Eastern Australasian Chronicle 25 Feb. bride,’ 1850/51 16 lines ‘While Fanny, my Dream, People’s Advocate 2 Aug. I relate thee in numbers,’ No. 8 Part II in Series: SONGS, Songs of Australia. First Series EPIGRAMS, NOTES, AND Sighted only partially by lightbox OPINIONS, ETC. reading of pages in A92. 1858 28 lines ‘With a splendid Eastern bride’ THE DREAM see RECORDS OF A Empire 5 Mar. POET’S LOVE: IX 1863 33 lines ‘With a splendid Eastern bride’ THE DREAM BY THE FOUNTAIN A90 1843 72 lines ‘Thought-weary and sad I Series: LYRICS reclined by a fountain’ 1865 35 lines ‘With a resplendent Eastern Australasian Chronicle 10 June bride’ 1851–53 4 lines from final stanza ‘And A95 since, or in cities or solitudes dreary,’ No. IX in Series: LYRICS C376. Untitled fragment [preceding 1867 35 lines ‘With a resplendent Eastern pages missing] bride’ Series: A PORTION OF CHARLES A88 HARPUR’S WILD BEE OF Series: LYRICS AUSTRALIA 1867 35 lines ‘With a resplendent Eastern 1853 92 lines ‘Thought-weary and sad I bride’ reclined by a Fountain’ A92 Bushrangers, p. 106 Series: ODES AND LYRICS 1853–55 92 lines ‘Thought-weary and sad I 1883 35 lines ‘With a resplendent Eastern reclined by a Fountain’ bride,’ A98–1 Cutting Bushrangers 1853 Poems, p. 121 with handwritten alterations Rpt. Popular Edition paperback 1899 1863 92 lines + N ‘Thought-weary and sad, I lay down by a Fountain’ THE DREAMS OF THE BELOVED see A89 RECORDS OF A POET’S LOVE: XI 1866 68 lines + N ‘Thought-weary and sad, I reclined by a Fountain’ DRESSED ALL IN SNOWY WHITE!… A87–2 see RECORDS OF A POET’S LOVE: IV 1867 98 lines + N ‘Thought-weary and sad, I reclined by a Fountain’ THE DROWNED, ALIVE A87–1 1855 92 lines ‘I was once so deeply 1883 80 lines ‘Thought-weary and sad, I drowned,’ reclined by a fountain’ B78 Poems, p. 136 1856 92 lines ‘I was once so deeply Rpt. Popular Edition paperback 1899 drowned,’ Empire 2 Feb. 1863 131 lines ‘I was once so deeply drowned,’ A89 26 THE POEMS OF CHARLES HARPUR

1866 134 lines ‘I was once so deeply 1865 18 lines ‘’Tis the Early Summer drowned,’ season’ A93 A95 1867 136 lines + N ‘I was once so deeply Series: LYRICS drowned,’ 1867 18 lines ‘’Tis the early Summer A88 season’ 1867 136 lines + N ‘I was once so deeply A88 drowned,’ Series: LYRICS A87–1 1867 9 lines ‘’Tis the early Summer 1883 113 lines ‘I was once so deeply season when the skies are clear and drowned,’ blue,—’ Poems, p. 66 A92 Rpt. Popular Edition paperback 1899 Series: ODES AND LYRICS 1883 9 lines ‘’Tis the early summer THE DRUNKARD season, when the skies are clear and 1842 40 lines ‘Disease was lurking in the blue,’ cup!’ Poems, p. 134 Australasian Chronicle 13 Oct. Rpt. Popular Edition paperback 1899

DRYDEN see RHYMED CRITICISMS: V EARLY SUMMER see SPRINGTIME GLADNESS THE DYING SORROW OF THE WIDOW’S BOY see THE WIDOW’S THE EASTER ILLUMINATION OF ST. BOY PETER’S AT ROME see ON THE EASTER ILLUMINATION OF ST. EARLY AND LATE ART PETER’S AT ROME 1856 2 lines + N ‘When Art is young, it slighteth Nature;’ ECCE HOMO People’s Advocate 26 Apr. 1845 18 lines ‘A Man of Sorrows, and No. III in Series: EPIGRAMS, with Grief acquainted,’ NOTES, AND OPINIONS, ETC. Weekly Register 19 July 1856 2 lines + N ‘When Art is young, it Title: THE MAN GOD slighteth Nature;’ (COMPOSED AFTER A PERUSAL A92 Unamended cutting PA 26 Apr. OF THE GOSPELS) 1846 18 lines ‘A Man of sorrows and with EARLY SUMMER grief acquainted,’ 1855 16 lines ‘’Tis the early summer Maitland Mercury 8 July season’ Title: THE MAN GOD B78 1858 18 lines ‘A Man of Sorrows and with 1856 16 lines + N ‘’Tis the Early Summer grief acquainted,’ season’ Empire 19 Mar. Empire 2 June Title: THE MAN GOD 1856 16 lines + N ‘’Tis the Early Summer 1863 24 lines ‘A Man of Sorrows and with season’ grief acquainted,’ C384 Unamended cutting Empire 2 A90 (pp. 84, 85) June Series: LYRICS 1859 16 lines + N ‘’Tis the early summer season’ Australian Home Companion Vol. 4 AN ANALYTICAL FINDING LIST 27

1867 24 lines ‘A Man of Sorrows and with 1856 15 lines + N ‘It is not Systems—it is grief acquainted,’ Men who teach:’ A88 People’s Advocate 31 May Series: ODES No. II Part I in Series EPIGRAMS, 1867 24 lines ‘A Man of Sorrows and with NOTES, AND OPINIONS ETC. grief acquainted,’ A92 THE EGOTISM OF POETS see MUSE- Series: ODES AND LYRICS WORSHIP: I 1881 24 lines ‘A man of sorrow and with grief acquainted,’ ELEGIAC VERSES see AUTUMNAL Sydney Mail 9 Apr. LEAVES: 6 1883 18 lines ‘A man of sorrows and with grief acquainted,’ ELEGY… see ON THE DEATH OF AN Poems, p. 132 INFANT RELATIVE Rpt. Popular Edition paperback 1899 EMBLEMS EDEN LOST 1846 12 lines ‘A Streamlet is a bright and 1851 42 lines + N ‘The only faithless thing beautiful creature,’ is Man,’ Penny Saturday Journal 21 Mar. C376 1851 12 lines ‘A Streamlet is a bright and Title: OUT OF EVIL GOOD SHALL beautiful creature,’ COME C376 1851 42 lines + N ‘The only faithless thing No. IV in Series: A STRING OF is man,’ PEARLS People’s Advocate 8 Mar. 1853 12 lines ‘A streamlet is a bright and Title: A SIGH FOR THE beauteous creature’ FORTHCOMING The Bushrangers, p. 103 No. 1 in Series: BEING LEAVES 1853 12 lines ‘A streamlet is a bright and FROM CHARLES HARPUR’S beauteous creature’ WILD BEE OF AUSTRALIA A98–1 Unamended cutting 1863 36 lines ‘The only faithless thing is Bushrangers 1853 Man,’ 1863 12 lines ‘A Streamlet is a bright and A90 beauteous creature’ Series: LYRICS A90 1867 36 lines ‘The only faithless thing is Series: LYRICS Man,’ 1865 12 lines ‘A Streamlet is a bright and A88 beautiful creature,’ Series: ODES A95 1867 36 lines ‘The only faithless thing is No. IV in Series: LYRICS Man,’ 1866 12 lines ‘A Streamlet is a bright and A87–1 beautiful creature,’ Series: ODES AND LYRICS A93 1867 12 lines ‘A Streamlet is a bright and EDUCATIONAL MOTTOES beauteous creature’ 1851 4 lines ‘It is not Methods—it is Men A88 that teach;’ Series: LYRICS Normington Rawling Papers MS 1326 (11) Box 2. Letter to G W Rusden, 14 June 28 THE POEMS OF CHARLES HARPUR

1867 12 lines ‘A Streamlet is a bright and 1866 14 lines ‘His genius types the mind beauteous creature’ of Time’s bold youth,’ A92 A95 Series: ODES AND LYRICS No. XLV in Series: MISCELLANEOUS SONNETS EMERSON see EMERSON AT THE BEST and EMERSON AT THE WORST THE EMIGRANT GIRL’S DEPARTURE see THE ENGLISH EMERSON AT THE BEST EMIGRANT GIRL’S DEPARTURE 1855 14 lines + N ‘The Old World, sectioned with its dull dead walls’ THE EMIGRANT’S VISION B78 1846 40 lines ‘As our bark dashed away Title: TO THE AMERICAN, o’er the night-shrouded deep,’ EMERSON Penny Saturday Journal 28 Feb. 1856 14 lines + N ‘The Old World, 1846 40 lines ‘As our Bark dashed away sectioned by its dull dead walls’ o’er the night-shrouded Deep,’ People’s Advocate 21 June Maitland Mercury 27 June. Erratum Title: EMERSON MM 8 July. No. IV part III in Series: 1846 40 lines ‘As our Bark dashed away EPIGRAMS, NOTES, AND o’er the night shrouded deep,’ OPINIONS, ETC. The Sentinel 2 July 1856 14 lines + N ‘The Old World, 1846 40 lines ‘As our Bark dashed away sectioned by its dull dead walls’ o’er the night shrouded deep,’ C380 Unamended cutting PA 21 June Age (Sydney) 4 July Title: EMERSON 1846 40 lines ‘As our Bark dashed away 1863 14 lines ‘The Old World, sectioned o’er the night shrouded deep,’ by its cold dead walls’ Port Phillip Herald 16 July A90 1849 40 lines + N ‘As our bark dashed No. XXXIII in Series: SONNETS away o’er the night shrouded deep,’ 1866 14 lines ‘The Old World, sectioned C376 by its cold dead walls’ Series: CHARLES HARPUR’S A95 WILD BEE OF AUSTRALIA No. XLIV in Series: 1861 40 lines ‘As our bark dashed away MISCELLANEOUS SONNETS o’er the night-shrouded deep,’ Empire 28 Feb. EMERSON AT THE WORST 1863 40 lines ‘As our Bark dashed away 1856 12 lines + N ‘His Genius types the o’er the night-shrouded deep,’ Mind of the world’s youth,’ A90 People’s Advocate 20 Sept. Series: LYRICS Title: EMERSON 1868 40 lines ‘As our Bark dashed away No. 12 Part I in Series: SONGS, one (sic) the night-shrouded deep,’ EPIGRAMS, NOTES, AND A97 OPINIONS, ETC. 1883 40 lines ‘As his bark dashed away on 1863 14 lines ‘His genius types the mind the night-shrouded deep,’ of Time’s bold youth,’ Poems, p. 197 A90 Rpt. Popular Edition paperback 1899 No. XXXIV in Series: SONNETS THE END OF THE BOOK see ON COMPLETING A BOOK AN ANALYTICAL FINDING LIST 29

ENDURING PROSE AND VERSE 1867 12 lines ‘Tell me not of maids Italian 1857 4 lines ‘That generous wine-like or the stately dames of Spain,’ Prose will never die’ A96 Empire 6 June Series: POEMS IN EARLY LIFE Title: ENDURING PROSE AND 1867 12 lines ‘Tell me not of maids VITAL VERSE Italian, or the stately dames of No. VIII in Series: Spain,’ CHARACTERISTICS AND BITS A88 OF PHILOSOPHY Series: LYRICS 1860 4 lines ‘That generous wine-like Prose will never die,’ THE ENGLISH EMIGRANT GIRL’S A87–1 (p. 383) DEPARTURE Title: ENDURING PROSE AND 1855 40 lines ‘She is going in the beauty’ LIVING VERSE A87–2 (p. 668) Series: RHYMES, HUMOUROUS Title: THE EMIGRANT GIRL’S (sic) POEMS, EPIGRAMS, ETC. DEPARTURE 1861 4 lines ‘That generous wine-like 1857 20 lines ‘She is going in the beauty Prose will never die,’ and the freshness of her youth’ C384 Unamended cutting Braidwood A87–2 (p. 689) Dispatch Aug. Paper and date 1867 40 lines ‘She is going in her identified by lightbox reading beauty,—’ No. XXX in Series: BITS A96 1867 4 lines ‘That generous, wine-like Series: POEMS IN EARLY LIFE Prose will never die,’ A87–1 (p. 250/327) THE ENQUIRY see A LYRICAL LOVE Untitled STORY 2: 1 Series: BITS EPIGRAM ENDURING PROSE AND LIVING 1855–57 4 lines ‘There are Nations of VERSE and ENDURING PROSE AND slaves that were once nobly free,’ VITAL VERSE see ENDURING PROSE A87–2 AND VERSE EPIGRAM see THE BEST ENGLISH BEAUTY KNOWLEDGE; ON HEARING THAT 1856 12 lines ‘Tell me not of maids CERTAIN LOW FELLOWS…; THE Italian, or the stately dames of VALUE OF FRANKNESS QUEERLY Spain;’ TESTED Empire 9 Apr. 1856–58 12 lines ‘Tell me not of maids EPIGRAM ON A LAW-MAD BUSH Italian, or the stately dames of JUSTICE see ON A SUPER-LEGAL Spain;’ MAGISTRATE C380 Cutting Empire 9 Apr. with handwritten alterations EPILOGISTIC TO THE WHOLE see 1865 12 lines ‘Tell me not of maids PREFATORY TO A MS. VOLUME Italian, or the stately dames of Spain!’ EPITAPH A95 1855 9 lines ‘He who once was Thomas Series: LYRICS Cullen’ A87–2 30 THE POEMS OF CHARLES HARPUR

AN EPITAPH see AUTUMNAL EVASION LEAVES: 3 1851 8 lines ‘Oh, that I had in my fist but a dagger,’ EPITAPH FOR A MISER see ON A C376 DEFUNCT MISER 1851 8 lines ‘Oh, that I had in my fist but a dagger!’ EPITAPH FOR AN ABLE DEALER see People’s Advocate 1 Mar. A CHARACTERISTIC EPITAPH… No. II in Series: A STRING OF EPIGRAMS (FROM CHARLES EPITAPH ON/FOR A SAILOR HARPUR’S WILD BEE OF 1846 8 lines ‘In Port at last! Around HIS AUSTRALIA) Bark no more’ 1860 8 lines ‘Oh! wronged as I am, if I Maitland Mercury 4 Nov. had but a dagger,’ See C376 (p. 524) prose ‘Note to the A87–1 Epitaph for a Sailor’ c.1849 Series: RHYMES, HUMOUROUS 1857 10 lines ‘In port at last. Around his (sic) POEMS, EPIGRAMS, ETC. bark no more’ Empire 6 June EVENING AND EARLY NIGHT see A 1860 10 lines ‘In port at last. Around his POET’S HOME bark no more’ A87 EVENING HAUNTS see THE ANGEL Series: BITS OF NATURE 1861 10 lines ‘In port at last. Around his bark no more’ EVENING IN THE COUNTRY C384 Ø Unamended cutting 1855–57 11 lines ‘Hail, to the shadowy Braidwood Dispatch Aug.? Paper Hour whose gleamy wings’ and year identified by lightbox A87–2 (p. 718) reading 1866 45 lines ‘Hail to the shadowy Hour! No. XXXV in Series: BITS whose gleamy wings’ A87–2 [partly illegible, partly scored EVA GRAY through] (p. 615) 1853 18 lines ‘Paler, paler, day by day,’ Untitled [VI in Series not extant] Bushrangers, p. 101 1853 18 lines ‘Paler, paler, day by day,’ THE EVENING SCENE A98–1 Unamended cutting 1842 35 lines ‘Here, by the brook, at eve Bushrangers 1853 to meet’ 1863 20 lines ‘Paler, paler, day by day,’ Australasian Chronicle 10 Nov. A90 No. 4 in Series: AUSTRALIAN Series: LYRICS LYRICS 1867 20 lines ‘Paler, paler, day by day,’ A88 THE EVENING STAR see RECORDS Series: LYRICS OF A POET’S LOVE: XVII 1867 20 lines ‘Paler, paler, day by day’ A92 THE EVER-INFLUENCING BARD IS Series: ODES AND LYRICS ONE see A WORLD-POET

EVA GREY see EVA GRAY AN ANALYTICAL FINDING LIST 31

“EVERY TRUE FACT IS A LAW” 1865–66 32 lines ‘The winter wind is 1856 5 lines + N ‘To say that every Fact’s numbing,’ a law’ C381 Unamended cutting ?Moruya People’s Advocate 29 Nov. Examiner No. 18 Part 1 in Series: SONGS, Title: FALLEN AWAY EPIGRAMS, NOTES, AND 1867 24 lines ‘The winter wind is OPINIONS, ETC. numbing,’ A96 EXPEDIENCY see GREAT TRUTH Series: POEMS IN EARLY LIFE SEERS THE FAMOUS NIGHT SCENE IN THE EXPOSTULATORY see SONNETS VIII ILIAD DEDICATED TO AUSTRALIAN 1855 22 lines ‘The mouth-chafed and SENATORS: VIII sweat-foaming horse (sic) forthwith from their traces are loosened’ EXTREME COMPARISONS B78 1860 10 lines ‘For shame, Snooks! What? 1858 46 lines ‘The mouth-chafed and pretend to me’ foam-sweating steeds’ A87–2 Empire 5 Mar. Series: BITS Title: A NIGHT SCENE FROM HOMER FAILURE AND DEFECTION see 1862–63 46 lines ‘The mouth-chafed and MUSE-WORSHIP: 8 foam-sweating steeds’ C384 Cutting Empire 5 Mar. 1858 FALLEN AWAY see FALLING AWAY with minor handwritten alterations Title: A NIGHT SCENE FROM FALLING AWAY HOMER 1851 24 lines ‘The wintry wind is 1865 numbing,’ I 23 lines + N ‘Mouth-chafed and People’s Advocate 3 May sweating, the steeds forthwith from Title: SONG their traces are loosened,’ No. 5 Part II in Series: BEING Subtitle: AS PARAPHRASED IN LEAVES FROM CHARLES DACTYLIC HEXAMETERS HARPUR’S WILD BEE OF II 30 lines ‘The sweating steeds are AUSTRALIA loosened from the yoke’ 1863 24 lines ‘The wintry wind is Subtitle: AS MORE CLOSELY numbing,’ RENDERED IN BLANK VERSE A90 III 26 lines ‘The sweating steeds are Series: LYRICS loosened from the cars’ 1865 8 line fragment ‘It is not that we are Subtitle: THE SAME, IN HEROIC losers’ RHYME A87–2 Sydney Morning Herald 22 Feb. 1865 32 lines ‘The wintry wind is Untitled numbing,’ A95 Title: FALLEN AWAY No. XX in Series: LYRICS 32 THE POEMS OF CHARLES HARPUR

1866 III 26 lines ‘The sweating steeds are I 16 lines ‘Chafed and sweating, the loosened from the cars,’ horses straight from the traces are Subtitle: THE SAME IN HEROIC loosened,’ RHYME A87–2 (p. 516) IV 150 words (prose) + N ‘And they Title: THE FAMOUS NIGHT loosed from the yoke the sweating SCENE IN THE ILIAD steeds,’ Subtitle: AS PARAPHRASED IN Subtitle: THE SAME VERY HOMERIC HEXAMETERS LITERALLY 1866 A87–2 (pp. 455–458) I 26 lines + N ‘Chafed and sweating, 1868 the horses straight from their traces I 26 lines + N ‘Chafed and sweating, are loosened,’ the horses straight from the traces are Subtitle: AS PARAPHRASED IN loosened,’ HOMERIC HEXAMETERS Subtitle: AS PARAPHRASED IN II 30 lines ‘The sweating steeds are HEXAMETERS loosened from the yoke,’ II 30 lines ‘The sweating steeds are Subtitle: AS MORE CLOSELY loosened from the yoke,’ RENDERED IN BLANK VERSE Subtitle: AS MORE CLOSELY III 26 lines ‘The sweating steeds are RENDERED IN BLANK VERSE loosened from the cars,’ III 26 lines ‘The sweating steeds are Subtitle: THE SAME IN HEROIC loosened from the cars,’ RHYME Subtitle: THE SAME IN HEROIC IV 25 lines ‘And they loosed from the RHYME yoke the sweating steeds,’ IV 150 words (prose) + N ‘And they Subtitle: THE SAME VERY loosed from the yoke the sweating LITERALLY steeds,’ A87–1 Subtitle: THE SAME VERY 1867 LITERALLY I 23 lines ‘Mouth-chafed and A87–2 (pp. 445–448) sweating, the steeds forthwith from 1883 their traces are loosened,’ I 26 lines ‘Chafed and sweating, the Subtitle: AS PARAPHRASED IN horses straight from their traces are DACTYLIC HEXAMETERS loosened,’ II 30 lines ‘The sweating steeds are Subtitle: PARAPHRASED IN loosened from the yoke’ HOMERIC HEXAMETERS Subtitle: AS MORE CLOSELY II 30 lines ‘The sweating steeds are RENDERED IN BLANK VERSE loosened from the yoke,’ A87–2 (pp. 459–460) Ø Subtitle: THE SAME, MORE 1867 CLOSELY RENDERED IN BLANK I 26 lines + N ‘Chafed and sweating, VERSE the horses straight from their traces III 26 lines ‘The sweating steeds are are loosened’ loosened from the cars,’ Subtitle: AS PARAPHRASED IN Subtitle: THE SAME, IN HEROIC HEXAMETERS RHYME II 30 lines ‘The sweating steeds are loosened from the yoke,’ Subtitle: AS MORE CLOSELY RENDERED IN BLANK VERSE AN ANALYTICAL FINDING LIST 33

IV 25 lines ‘And they loosened from the 1867 14 lines ‘We love, and thence are yoke the sweating steeds’ blest in plenteous measure;’ Subtitle: THE SAME, VERY A87–1 LITERALLY Series: SONNETS INSPIRED BY Poems, pp. 307–320 LOVE AND BEAUTY Rpt. Popular Edition paperback 1899 FAST AND SLOW FANCY NEVER DREW A FAIRER 1857 4 lines ‘The man who is steady and 1851 16 lines ‘Fancy never drew a fairer,’ slow, though he sin,’ C383 Empire 8 July Untitled No. III in Series: RHYMED APHORISMS AND BITS OF FAREWEL (sic) see FAREWELL PHILOSOPHY 1860 4 lines ‘The slow-going man, FAREWELL howsoever his sins’ 1846 14 lines ‘We love, and we are blest in A87–2 over measure:’ No. III in Series: BITS Maitland Mercury 9 Sept. 1861 4 lines ‘The slow-going man, 1846 14 lines ‘We love, and we are blest in howsoever he sins,’ over measure:’ C384 Unamended cutting Braidwood C376 Unamended cutting MM 9th Dispatch July. Paper and date Sept. identified by lightbox reading 1858 14 lines ‘We love, and we are blest in plenteous measure;’ THE FATE OF POETIC GENIUS IN A Empire 6 Jan. SORDID COMMUNITY see MUSE No. VI in Series: A GARLAND OF WORSHIP: 7 WILD FLOWERS 1860–61 14 lines ‘We love, and we are THE FESTIVAL see GENIUS LOST. blest in over measure;’ Part One A87–2 (p. 641) Title: “ADIEW” FILTHY LUCRE see SIMONY Series: MISCELLANEOUS SONNETS FINAL SEPARATION see RECORDS 1863 14 lines ‘We love, and we are blest in OF A POET’S LOVE: XVIII plenteous measure;’ A90 A FINAL TRILOGY see RECORDS OF No. XXXVI in Series: SONNETS A POET’S LOVE: XXXI, XXXII and 1863 14 lines ‘We love, and we are blest in XXXIII plenteous measure;’ A87–2 (p. 500) FINALE TO THE SONNETS OF LOVE 1866 14 lines ‘We love, and thence are see RECORDS OF A POET’S LOVE: blest in plenteous measure;’ XXIX A95 No. XLVII in Series: FINALITY MISCELLANEOUS SONNETS 1847 72 lines ‘A load-like desolate sense of Life’ Atlas 21 Aug. 34 THE POEMS OF CHARLES HARPUR

1851–53 60 lines + N ‘A heavy and THE FIRST GREAT AUSTRALIAN desolate sense of Life’ POET see AUSTRALIA’S FIRST C376 GREAT POET Series: A PORTION OF CHARLES HARPUR’S WILD BEE OF FIRST LOVE see GENIUS LOST. THE AUSTRALIA SORROWS Part One 1853 72 lines ‘A heavy and desolate sense of life’ FIRST-LOVE AND COURTSHIP Bushrangers, p. 111 1838 40 lines ‘With my Idalia, Oh! how 1853–55 72 lines ‘A heavy and desolate soon’ sense of life’ Literary News 6 Jan. A98–1 Cutting Bushrangers 1853 Pseudonym: STEBII with handwritten alteration 1859 42 lines ‘There’s nothing under the THE FIRST THRILL see A LYRICAL godlike sun’ LOVE STORY 1: 2 Convention: and True Colonizer 28 May THE FLIGHT OF FAITH see GENIUS Title: MUSINGS (?NOT LOST. THE SORROWS Part Two HARPUR’S TITLE) THE FLIGHT OF PEACE FINISH OF STYLE 1852 24 lines ‘Trust and Treachery, 1856 4 lines + N ‘A last fine touch must Wisdom, Folly,’ add to, not diminish,’ Empire 19 Apr. People’s Advocate 4 Oct. 1853 24 lines ‘Trust and Treachery, No. 13 Part I in Series: SONGS, Wisdom, Folly,’ EPIGRAMS, NOTES, AND Bushrangers, p. 125 OPINIONS, ETC. 1853 2 line fragment + N ‘Dwelling there 1857 4 lines ‘A last fine touch will add to, with Faith, and viewing’ not diminish,’ C376 Empire 3 July 1853–55 24 lines + N ‘Trust and Treachery, 1857 28 lines ‘A last fine touch will add Wisdom, Folly,’ to, not diminish’ A98–1 Cutting Bushrangers 1853 Empire 4 Dec. with handwritten alterations 1862 32 lines ‘A last fine touch will add 1863 39 lines ‘Trust and treachery, to, not diminish,’ wisdom, folly,’ Empire 31 July A90 Ø 1863 32 lines ‘A last fine touch will add Series: LYRICS to, not diminish,’ 1865 39 lines ‘Trust and treachery, A89 wisdom, folly;’ 1866 32 lines ‘A last fine touch will add A95 to, not diminish,’ No. XXII in Series: LYRICS A93 1867 39 lines ‘Trust and treachery, 1867 32 lines ‘A last fine touch will add wisdom, folly,’ to, not diminish’ A88 A87–1 Series: ODES 1867 39 lines ‘Trust and treachery, THE FIRST DESPAIR see LIFE’S wisdom, folly,’ FIRST DESPAIR A87–1 Series: ODES AND LYRICS AN ANALYTICAL FINDING LIST 35

1870 39 lines ‘Trust and treachery, 1860 6 lines ‘Could half the foolish things wisdom, folly,’ that might be told’ C381 Cutting dated 4 May 1870 A87–2 (p. 409) ?Moruya Examiner No. I in Series: BITS 1883 32 lines ‘Trust and treachery, 1860 6 lines ‘Yea: did a Solomon but wisdom, folly,’ speak the truth’ Poems, p. 72 A87–1 Ø Title: THE HOME OF PEACE Series: RHYMES, HUMOUROUS Rpt. Popular Edition paperback 1899 (sic) POEMS, EPIGRAMS, ETC. 1862–63 6 lines ‘Could half the foolish A FLIGHT OF WILD DUCKS things that might be told’ 1845 39 lines ‘Far up the river, hark! ’tis C384 Cutting Braidwood Dispatch the sharp boom,’ July 1861with handwritten Weekly Register 4 Oct. alterations. Paper and date identified 1853–55 44 lines + N ‘Far up the River, by lightbox reading hark! ’tis the sharp boom,’ No. I in Series: BITS C383 1860 46 lines ‘Far up the River—hark! ’tis FOR THE WRATH OF LOVE see LOVE the loud shock’ THE IDEALISER 4 A87–2 partly Ø ? Series: RHYMES, HUMOUROUS FOR THOUGH MAN MAY BE (sic) POEMS, EPIGRAMS, ETC. in PRIVILEGED see THE KANGAROO A87–1 1863 49 lines ‘Far up the River—hark! ’tis THE FORGING OF THE ARMOUR OF the loud shock’ ACHILLES A90 1866 225 lines + N ‘Her then thus answered the illustrious Vulcan:’ FLORIDNESS OF DICTION Sydney Morning Herald 5 July 1855 5 lines + N ‘A common brown bush 1866 225 lines +N ‘Her then thus will better beguile’ answered the illustrious Vulcan:’ A87–2 (p. 668) A93 Cutting SMH 5 July with 1855 5 lines + N ‘A real brown bush will handwritten alterations better beguile’ A87–2 (p. 661) THE FORGOTTEN 1847 12 lines + N ‘He shone in the senate, FLOWERS WILL COME AGAIN WITH the camp, and the grove,’ SPRING see HOPE ON C382 1863 12 lines ‘He shone in the senate, the FOOLS ALL camp, and the grove,’ 1855 6 lines ‘Yea; did a Solomon but A90 Ø speak the truth’ Series: LYRICS A87–2 (p. 666) 1868 12 lines ‘He shone in the senate, the 1857 6 lines ‘Yea: did a Solomon but camp, and the grove,’ speak the truth’ A97 Empire 6 June 1883 12 lines ‘He shone in the senate, the No. IV in Series: camp, and the grove,’ CHARACTERISTICS AND BITS Poems, p. 40 OF PHILOSOPHY Rpt. Popular Edition paperback 1899 36 THE POEMS OF CHARLES HARPUR

FORM OF A SONG see LOVE IN THE FRAGMENT PAST 1849–50 4 lines ‘And now through the dim haze, there falls’ FORTUNATE AND UNFORTUNATE C376 (p. 531) 1856 8 lines + N ‘All some men touch, turns straight to gold,’ FRAGMENT People’s Advocate 23 Aug. 1853–55 c. 10 lines ‘Illustrious oft, when No. 10 Part II in Series: SONGS, loveliest in themselves,’ EPIGRAMS, NOTES, AND A98–1 (p. 108) OPINIONS, ETC. 1856 8 lines + N ‘All some men touch, FRAGMENT turns straight to gold,’ 1855 4 lines ‘As music assuages’ A87–2 Unamended cutting PA A87–2 (p. 756) ?From version of 23 Aug. ‘Never Mind’

FORWARD HO! FRAGMENT 1857 12 lines + N ‘Forward ho! forward 1855–58 4 lines ‘The moon rose like a ho! soldiers of Liberty!’ wasted Lady when’ C376 Unidentified newspaper cutting A87–2 (p. 643) with handwritten alterations to note. ? People’s Advocate FRAGMENT 1863 12 lines ‘Forward ho! forward ho! 1856–57 3 lines ‘Mix sweetly with the Soldiers of Liberty!’ gurgling interflows’ A90 A87–2 (p. 799) Series: LYRICS 1866 12 lines ‘Forward ho! forward ho! FRAGMENT soldiers of liberty!’ 1856–58 12 lines ‘Behind which, resting it A93 upon the ground,’ 1868 12 lines ‘Forward ho! forward ho! C376 (p. 597) Soldiers of Liberty!’ A97 FRAGMENT see also AUTUMNAL 1883 12 lines ‘Forward ho! forward ho! LEAVES and GENIUS LOST soldiers of liberty,’ Poems, p. 200 FREEDOM IN FAITH see Rpt. Popular Edition paperback 1899 INTELLECTUAL GREATNESS see also MUSE’S ETHICS: IV A FRIEND IN NEED FRAGMENT 1855 81 lines ‘I was needing—not needy, 1849 16 lines ‘Methinks I know the signs but just at a rise’ of passion well’ B78 C376 (p. 677). ?Fragment from same 1867 119 lines ‘I was needing—not needy, poem as C376 p. 669 below. but just at a rise’ A96 FRAGMENT 1849 25 lines ‘Well, I scarce need say’ FROM GENIUS LOST, A C376 (p. 669). ?Fragment from same PSYCHOLOGICAL POEM… see poem as C376 p. 677 above. GENIUS LOST. THE SORROWS Part Eight: CHORUS AN ANALYTICAL FINDING LIST 37

FULL FIFTY MILES OF HILL AND 1867–68 34 lines ‘Is there no dawning of a DALE see SQUATTER SONGS: IV better morrow?’ A97 GENIUS LOST The Sorrows: Semi Chorus Earlier version The Sorrows of Chatterton 1855 15 lines ‘Ah! that Death!’ 2534 lines B78 (1855) shows some sections B78 in different order. Harpur included 1856 15 lines ‘Ah, that Death!’ additional extracts drafted in B78 in later Empire 26 Apr. A97 Title: CHORUS (FROM) Prelude 1867–68 15 lines ‘Ah! that Death’ 1835 36 lines ‘Behold the young Minstrel A97 in life’s first essay,’ 1883 8 lines ‘Ah! that Death/Should ever, Sydney Times 21 Mar. like a drear, untimely night,’ Title: THE MINSTREL Poems, p. 152 1847 xx lines ‘I see the Boy-Bard ’neath Title: CHORUS OF THE HOURS life’s morning skies’ (Fragments from “Genius Lost”) ?Sydney Chronicle Unsighted Rpt. Popular Edition paperback 1899 1855 52 lines + N ‘See the young Poet in The Sorrows Part Two: The Book life (sic) first essay,’ 1853 18 lines ‘As through an ocean of B78 uprolling mist’ Title: VESTIBULARY STANZAS Empire 3 Nov. 1867–68 52 lines ‘I see the Boy-Bard Title: THE FLIGHT OF FAITH ’neath life’s morning skies,’ 1855 147 lines ‘Away, fond Book! thou A97 talkst of mirth and joy’ 1883 48 lines ‘I see the boy-bard ’neath B78 (pp. 31–37, 115–117) life’s morning skies,’ Title: THE SORROWS PART Poems, p. 146 THREE Title: PRELUDE (Fragments from 1867–68 32 lines ‘Thus, in the morning of “Genius Lost”) my life, have I’ Rpt. Popular Edition paperback 1899 A97 (p. 75/112) Unidentified cutting, The Sorrows Part One: The Festival ?Braidwood Dispatch or Sydney 1855 179 lines ‘And this has been a day of Mail, poem dated Oct. 1865 with Festival’ handwritten alteration B78 (pp. 24–29, 110–113, 151) Title: THE FLIGHT OF FAITH Title: THE SORROWS PART TWO (FROM GENIUS LOST.) 1867–68 196 lines ‘And this has been a day 1867–68 162 lines ‘Away fond Book! thou of dance and song’ talkst of mirth and joy,’ A97 A97 1883 58 lines ‘I, even when a child,’ 1883 31 lines ‘Thus in the morning of my Poems p. 149 life have I’ Title: FIRST LOVE (Fragments from Poems, p. 152 “Genius Lost”) Untitled (Fragments from “Genius Rpt. Popular Edition paperback 1899 Lost”) The Sorrows: Chorus of the Hours Rpt. Popular Edition paperback 1899 1855 31 lines ‘Is there no dawning of a brighter morrow?’ B78 Title: CHORUS 38 THE POEMS OF CHARLES HARPUR

The Sorrows Part Two: Chorus of the 1856 16 lines ‘As the moaning wild waves Hours ever’ 1847 26 lines + N ‘Ah! that Childhoods Empire 9 Apr. (sic) happiest days’ Title: WOE IS ME Sydney Chronicle 21 Dec. 1867–68 16 lines ‘As the moaning wild Title: CHORUS OF SPIRITS OF waves ever’ THE EARTH. FROM THE A97 “SORROWS OF CHATTERTON” 1883 16 lines ‘As the moaning wild waves 1847 26 lines + N ‘Ah! that Childhoods ever’ (sic) happiest days’ Poems, p. 154 C376 Unamended cutting SC 21 Dec. Title: MISERY (Fragments from Title: CHORUS OF SPIRITS OF “Genius Lost”) THE EARTH. FROM THE Rpt. Popular Edition paperback 1899 “SORROWS OF CHATTERTON” The Sorrows Part Three: Chorus of the 1855 35 lines ‘Ah, that a happy Hours Childhood’s happiest days’ 1855 43 lines ‘Alas! the veriest human B78 (pp. 37–39, 117) clod’ Title: CHORUS B78 1867–68 36 lines ‘Ah, that a happy Title: THE SORROWS PART childhood’s happiest days’ FOUR: CHORUS A97 1867–68 42 lines ‘Alas! the veriest human The Sorrows Part Three: The Muse’s clod’ Firstlings A97 1847 12 lines + N ‘Once, did I only stand 1883 26 lines ‘Alas! the veriest human in thought beside’ clod’ Poems, p. 155 C382 Title: CHORUS OF THE HOURS Title: JOURNEYING AWAY (Fragments from “Genius Lost”) 1855 188 lines ‘Simple Effusions of my Rpt. Popular Edition paperback 1899 earlier days,’ The Sorrows Part Four: Looking Beyond B78 (pp. 65–72, 117–120) 1847 14 lines + N ‘The vulgar Satirist I Title: THE SORROWS PART SIX detest; The mean’ 1855 3 line untitled fragment ‘Obscenities Sydney Chronicle 23 Nov. so vile, that even their names’ Title: SATIRE B78 (p. 1) 1849 14 lines + N ‘The vulgar Satirist I 1867–68 193 lines ‘Simple Effusions of my detest! The mean’ earlier days,’ C376 Cutting Sydney Chronicle A97 23 Nov. 1847 with handwritten 1883 12 lines ‘Once,—did I only stand in alterations thought beside’ Title: SATIRE Poems, p. 153 1855 c. 20 line untitled fragment ‘…as Untitled (Fragments from “Genius born on airs’; 3 line fragment ‘Of Lost”) their celestial birth;—breathe, born Rpt. Popular Edition paperback 1899 abroad’ The Sorrows Part Three: Misery A87–2 (p. 754) 1855 16 lines ‘As the moaning wild waves 1855 222 lines ‘Yes, it is well amid the ever’ rigid, cold’ B78 B78 (pp. 13–21, 114–115, 151, 152– Title: THE SORROWS PART 153) FOUR: MISERY Title: THE SORROWS PART ONE AN ANALYTICAL FINDING LIST 39

1867–68 295 lines ‘Yes, it is well amid the The Sorrows Part Six: The Stranger cold and grim’ 1855 174 lines ‘’Tis late—for it is A97 midnight when the Moon’ 1883 110 lines ‘Yes, it is well, in this our B78 (p. 54) cold grim earth’ Title: [THE SORROWS PART] V Poems, p. 156 1855 8 line untitled fragment ‘Her azure Title: LOOKING BEYOND eyes’ (Fragments from “Genius Lost”) B78 (p. unnumbered) Rpt. Popular Edition paperback 1899 1867–68 185 lines ‘’Tis late—for it is The Sorrows Part Four: Chorus of the midnight when the Moon’ Hours A97 1855 45 lines ‘O why is not this beauteous The Sorrows Part Six: Chorus of the Earth’ Hours B78 1855 27 lines ‘No rest, no love, is in thy Title: THE SORROWS PART 1: bosom, Earth,’ CHORUS OF SPIRITS OF THE B78 (pp. 63–64, ii) EARTH Title: [THE SORROWS PART] V: 1867–68 47 lines ‘O why is not this CHORUS beauteous Earth’ 1867–68 18 lines ‘No rest —no love —is in A97 thy bosom, Earth,’ 1883 32 lines ‘O why is not this beauteous A97 earth’ The Sorrows Part Six: Semi Chorus Poems, p. 161 1853 11 lines ‘The manifold hills, forsaken Title: CHORUS OF THE HOURS of the sun,’ (Fragments from “Genius Lost”) Untitled Rpt. Popular Edition paperback 1899 The Bushrangers, p. 106 The Sorrows Part Five: Life’s First and 1855 15 lines ‘When/The manifold/hills Second birth into the World forsaken of the sun’ 1855 301 lines ‘Oh, the wild joys of B78 (p. iv) Boyhood! when our life’ 1867–68 15 lines ‘When/The manifold B78 (pp. 76–89, 149–150, 155) hills, forsaken of the sun,’ Title: THE SORROWS PART A97 SEVEN see also AUTUMNAL LEAVES: 2 1862 107 lines ‘This then was the world’ The Sorrows Part Six: Chorus (in Empire 2 June continuation) Title: A PASSAGE FROM 1855 39 lines ‘Yet shall the morning of a “GENIUS LOST” happy change’ Includes lines from Part VIII see B78 (pp. 64–65, iii–iv) below. Title: [THE SORROWS PART] V: 1867–68 286 lines ‘Oh! the wild joys of SEMI CHORUS Boyhood! when our life’ 1867–68 19 lines ‘Yet shall the morning of A97 a happy change’ 1883 34 lines ‘Ah! my heart/Is like a core A97 of fire within my breast,’ The Sorrows Part Seven: The Cemetery Poems, p. 163 1855 252 lines ‘I love to muse—too much Untitled (Fragments from “Genius now love to muse’ Lost”) B78 (pp. 39–40, 2, 40–52)) Rpt. Popular Edition paperback 1899 Title: THE SORROWS PART FOUR 40 THE POEMS OF CHARLES HARPUR

1867–68 269 lines ‘I love to muse—too 1883 20 lines ‘O! then, farewell,/Fancy much now love to muse’ and Hope, twin angels of the past!’ A97 Poems, p. 164 1883 19 lines ‘Here, only here/In the dark Untitled (Fragments from “Genius dwellings of this silent city’ Lost”) Poems, p. 165 Rpt. Popular Edition paperback 1899 Title: THE CEMETERY (Fragments The Sorrows Part Eight: Chorus of the from“Genius Lost”) Hours Rpt. Popular Edition paperback 1899 1855 46 lines ‘Ah, swoll’n Luxury with its The Sorrows Part Seven: Chorus of the masked uncleanness’ Hours B78 1855 36 lines ‘Lo, pampered Privilege Title: THE SORROWS PART securely squanders’ SEVEN: CHORUS B78 (pp. 52–54) 1867–68 31 lines ‘Ah, that swoll’n luxury Title: THE SORROWS PART with its masked uncleanness’ FOUR: CHORUS A97 1867–68 40 lines ‘Lo, legal Privilege 1883 13 lines ‘Alas! these thoughts are securely squanders’ storming all my soul’ A97 Poems, p. 166 Manuscript A97 has no Part Eight but Title: WHITHER? (Fragments from Harpur’s list of contents (A97 p. 239) “Genius Lost”) numbers as follows: Rpt. Popular Edition paperback 1899 The Sorrows Part Eight: Whither? The Sorrows Part Eight: Semi Chorus 1846 44 lines ‘Terrible is thy grandeur, O 1867–68 c. 14 lines ‘Crowned heads and Despair!’ mitred dignities—’ Maitland Mercury 28 Oct. A97 (p. 70/310) Title: DESPAIR The Sorrows Part Eight: Chorus (in 1851 22 line untitled fragment + N ‘Yet continuation) were he safe from aught of further ill’ 1861 36 lines ‘I was weary—I was weary’ C376 C384 Unidentified cutting 1855 275 lines ‘How terrible is thy ?Braidwood Dispatch or Braidwood grandeur, O Despair!’ Independent with handwritten B78 (pp. 91–106, 153–54) alterations Title: THE SORROWS PART Title: FROM GENIUS LOST, A EIGHT PSYCHOLOGICAL POEM, 1855 3 line untitled fragment ‘Albeit FOUNDED ON THE TEXT OF Regret, moves like a ghost within’ WORDSWORTH B78 (p. 148) 1867–68 108 lines ‘Then fail ye not to 1862 64 lines ‘It yet shall largely profit me heed,’ that thus’ A97 Empire 2 June The Sorrows Part Eight: The Hours in Title: A PASSAGE FROM Final Chorus “GENIUS LOST” 1855 44 lines ‘Where’s the young Bard’ 1867–68 325 lines ‘How terrible is thy B78 (pp. 107–109) Prose postscript grandeur, O Despair!’ (pp. 121–147, 148–149) A97 Title: SPIRITS OF THE EARTH IN FINAL CHORUS AN ANALYTICAL FINDING LIST 41

1867–68 44 lines ‘Where’s the young Bard’ 1851–53 145 lines + N ‘I had well-nigh A97 Prose postscript follows from fared through a summer day’ this entry C376 see also AUTUMNAL LEAVES: 3 and Series: A PORTION OF CHARLES THE LAMENT OF THE BARD HARPUR’S WILD BEE OF AUSTRALIA GEOLOGIA see THE WORLD AND 1857 161 lines ‘I had well nigh fared THE SOUL through a summer day’ Empire 17 Mar. GEORGE WASHINGTON 1863 211 lines ‘I had well-nigh fared 1855 24 lines ‘Ev’n as the one sole star of through a Summer day’ morning,’ A89 Parkes Correspondence MS 947 1866 211 lines ‘I had well-nigh fared Letter 15 March through a summer day’ 1855 24 lines ‘Even as the one sole star of A93 Ø morning,’ 1867–68 215 lines ‘I had well-nigh fared People’s Advocate 26 May through a summer day’ Title: THE NAME OF A97 WASHINGTON. TWO POETICAL see also THE GRAVE OF CLEMENTS LYRICS I 1862–63 24 lines ‘Even as the one sole star GLORY TESTED of morning,’ 1845 14 lines ‘How long shall splendid C384 Ø Cutting PA 26 May 1855 guilt mankind deceive?’ with handwritten alterations Colonial Literary Journal 20 Mar. Title: THE NAME OF Title: TRUE AND FALSE GLORY WASHINGTON Series: PASSING THOUGHTS. A 1863 24 lines ‘Even as the one sole star of SERIES OF SONNETS morning’ 1845 14 lines ‘How long shall Splendid A90 Guilt mankind deceive?’ Series: LYRICS Thoughts, p. 7 1867 24 lines ‘Even as the one sole star of Title: TRUE AND FALSE GLORY morning’ 1851 14 lines + N ‘How long shall A96 splendid guilt mankind deceive?’ Series: POEMS IN EARLY LIFE C376 (p. 139) Title: TRUE AND FALSE GLORY THE GIRL I LEFT BEHIND ME see 1861 14 lines ‘How long shall Man in LOVE IN THE PAST: 3 splendid wrong believe?’ C376 (p. 359) Ø THE GLEN OF THE WHITE MAN’S Title: TRUE AND FALSE GLORY GRAVE No. 9 in Series: SONNETS: 1846 141 lines ‘I had well-nigh fared DEDICATED TO WORDSWORTH through a summer day’ 1863 14 lines ‘How long shall Man in Maitland Mercury 1 July. Erratum splendid wrong believe?’ MM 22 July A90 1847 137 lines + N ‘I had well-nigh fared No. V In Series: SONNETS through a summer day’ C382 (pp. 19–22, 31) Series: RHYMES 42 THE POEMS OF CHARLES HARPUR

1866 14 lines ‘In splendid wrong how THE GRAVE OF CLEMENTS pronely men believe!’ 1833 14 lines + N ‘O, sympathy! so A95 (p. 58) gratifying thou art,’ No. LV in Series: Currency Lad 11 May MISCELLANEOUS SONNETS see also THE GLEN OF THE WHITE 1867 14 lines ‘How pronely men in MAN’S GRAVE splendid wrong believe!’ A95 (p. 131) GRAY/ GREY see RHYMED Series: PERSONAL AND OTHER CRITICISMS: VII SONNETS GREAT AND BOUNTIFUL see THE 1867 14 lines ‘How pronely men in POET splendid wrong believe!’ A87–1 THE GREAT AND LITTLE Series: PERSONAL AND OTHER 1851 8 lines + N ‘How vast, how SONNETS complicate, to finite eyes,’ C376 GOD’S MAN Series: A PORTION OF CHARLES 1856 20 lines ‘Who before the Lord shall HARPUR’S WILD BEE OF stand?’ AUSTRALIA Empire 2 June 1856–58 20 lines ‘Who before the Lord THE GREAT CHANGE shall stand?’ 1850 20 lines ‘Men of prophetic might!’ C380 Cutting Empire 2 June with People’s Advocate 2 Mar. handwritten alterations 1866 24 lines + N ‘Who before the Lord THE GREAT FISH OF THE SEA (SEE) shall stand?’ 1853 10 lines ‘Your Jesuit, in the Pope’s A87–2 infallibility’ C376 (p. 563) GOOD NIGHT Title: THE GREAT FISH OF THE 1849 8 lines ‘To speak the words my lips SEE (SEA) are slow—’ 1853 10 lines + N ‘Your papist, in the A92 [See A87–2 p. 759 for note] Pope’s infallibility,’ C376 (p. 577) THE GOOD OPINION OF THE WORLD see THE WORLD’S OPINION THE GREAT FORTUNE 1861–65 26 lines + N ‘Let wise men THE GOSPEL ACCORDING TO LAW worship only the Great Fortune.’ 1867 7 lines ‘I’ve said he’s a Vagrant, and A87–2 made good what I said, sir,’ A87–2 THE GREAT GUN OF THE No. II in Series: A STRING OF AUSTRALIAN-CRIMEAN-WAR-FUND, EPIGRAMS BROUGHT SUGGESTIVELY TO A QUEER TEST GRAMACHREE see A LYRICAL LOVE 1855 15 lines ‘Jack Sham, with many STORY 2: 3 duties lying’ A87–2 Title: THE GREAT GUN OF THE PATRIOTIC FUND BROUGHT TO A QUEER TEST AN ANALYTICAL FINDING LIST 43

1855 15 lines ‘Squire Sham, with many 1856 4 lines + N ‘Great truths are plain but duties lying’ to the few’ People’s Advocate 31 Mar. People’s Advocate 18 Oct. Title: THE GREAT GUN OF THE Title: EXPEDIENCY PATRIOTIC FUND BROUGHT TO No. 14 Part I in Series: SONGS, A QUEER TEST EPIGRAMS, NOTES, AND No. IV in Series: SATIRICAL OPINIONS, ETC. EFFUSIONS 1856 4 lines + N ‘Great truths are plain but 1855 5 lines ‘But to its store’ to the few’ C380 Unamended cutting of A92 Unamended cutting PA 18 Oct. Harpur’s letter to Editor of the PA Title: EXPEDIENCY correcting a misprint in version 1860 4 lines ‘Great Truths are plain but to printed 31 Mar. the few’ 1860 c. 24 lines ‘Squire Sham, with many A87–1 duties lying’ Series: RHYMES, HUMOUROUS A87–1 (sic) POEMS, EPIGRAMS, ETC. [Alternative title: THE MERIT OF THE GREAT GUN OF THE GREATNESS see INTELLECTUAL CRIMEAN WAR FUND GREATNESS SUGGESTIVELY SUBJECTED TO A QUEER TEST OR THE GRIEF REFINING INTO WIDOW’S MITE IN A NEW MELANCHOLY see A LYRICAL LOVE LIGHT] STORY 3: 4 Series: RHYMES, HUMOUROUS (sic) POEMS, EPIGRAMS, ETC. A “GRIEVANCE” FIFTY MILES LONG see SQUATTER’S SONGS: IV THE GREAT GUN OF THE PATRIOTIC FUND BROUGHT TO A A GROAN IN SPIRIT QUEER TEST see THE GREAT GUN 1860 27 lines ‘A Laborer’s groan in spirit,’ OF THE AUSTRALIAN-CRIMEAN- A87–1 WAR-FUND… Series: RHYMES, HUMOUROUS (sic) POEMS, EPIGRAMS, ETC. THE GREAT GUNS OF SQUATTOCRACY see SQUATTER A GUESS AT A WHY? SONGS: V 1860 9 lines ‘A bit of mischief shakes with every one of us:’ GREAT TRUTH SEERS A87–2 1851 4 lines + N ‘Great Truths are plain Series: BITS but to the Few’ 1861 9 lines ‘A bit of mischief’s dear to C376 every one of us:’ Title: EXPEDIENCY C384 Unamended cutting Braidwood No. II in Series: A STRING OF Dispatch Aug.? Paper and year PASSING THOUGHTS (WITH OR identified by lightbox reading WITHOUT COMMENT) No. XLII in Series: BITS

HAIL TO THE SHADOWY HOUR!… see EVENING IN THE COUNTRY 44 THE POEMS OF CHARLES HARPUR

HALF AND HALF FREEDOM see HAPPY SPITE HYBRID FREEDOM 1853 8 lines ‘Love is wayward, Beauty wilful,’ THE HAND OF GOD Bushrangers, p. 106 1856 16 lines ‘If with a philosophic quest’ Untitled People’s Advocate 26 Apr. 1853–55 8 lines ‘Love is wayward; Beauty Part VI in Series: EPIGRAMS, wilful;’ NOTES, AND OPINIONS, ETC. A98–1 Cutting Bushrangers 1853 1856–58 20 lines ‘If with a philosophic with minor handwritten alterations quest’ Untitled C380 Cutting PA 26 Apr. with 1862–63 11 lines ‘Love is wayward, handwritten alterations Beauty wilful,’ 1863 24 lines ‘When with a philosophic C384 Cutting Braidwood Dispatch quest’ July 1861 with minor handwritten A90 alterations. Paper and date identified Series: LYRICS by lightbox reading 1867 24 lines ‘When with a philosophic No. XV in Series: BITS quest’ A96 HAVE FAITH Series: POEMS IN EARLY LIFE 1847 36 lines + N (incomplete) ‘Have 1867 24 lines ‘When with a philosophic Faith in God! for surely He’ quest’ C382 A88 1847 36 lines + N ‘Have Faith in God! for Series: ODES surely He’ Sydney Chronicle 20 Nov. HAPLESS IS HE WHO MEDITATES 1861 27 lines ‘Have faith in God! for THE NINE see MUSE WORSHIP: 7 surely He’ Australian Home Companion Vo l. 6 HAPPINESS AND FAITH 1861 27 lines ‘Have faith in God! for 1856 24 lines ‘No man, no woman, can be surely He’ wholly happy.’ C384 Unamended cutting AHC Vol. 6 People’s Advocate 26 July No. 7 Part II in Series: SONGS, HAYNAU IN DEATH EPIGRAMS, NOTES, AND 1853 14 lines ‘The tiger-man is dead— OPINIONS, ETC. Haynau accurst!’ 1859 46 lines ‘No man, no woman, can be Empire 6 Aug. worldly happy.’ Australian Home Companion Vo l. 4 THE HEAVENLY VOICE 1859–63 66 lines ‘No man, no woman, can 1846 18 lines ‘Through the discord and be worldly happy!’ din’ C384 Ø Unidentified cutting with Penny Saturday Journal 14 Mar. handwritten alterations 1846 15 lines ‘Through the discord and 1863 72 lines ‘No man, no woman, can be din of Error and Sin,’ worldly happy!’ Maitland Mercury 25 July A89 1867 72 lines ‘No man, no woman, can be THE HECTIC TO HER NURSE worldly happy!’ 1835 56 lines ‘And is it true that he hath A87–1 ta’en’ Australian 22 May AN ANALYTICAL FINDING LIST 45

HER EYES see PETRARCHIAN 1867 71 lines ‘O Goddess, sing the much- MUSINGS and RECORDS OF A destroying wrath’ POET’S LOVE: III A87–2 (p. 538 )

HER IMAGE and HER IMAGE HONEST POVERTY HAUNTS ME! see RECORDS OF A 1847 24 lines + N ‘While some for wealth, POET’S LOVE: X-XI and some for birth,’ Sydney Chronicle 13 Nov. HER PERFECTION see PETRARCHIAN MUSINGS and THE HONESTY OF HEROHOOD see RECORDS OF A POET’S STRAIGHTFORWARDNESS LOVE: II THE HONEY BIRD HER PRESENCE see RECORDS OF A 1853 12 lines ‘Wherever in some POET’S LOVE: I wildwood bower’ The Bushrangers, p. 105 HERE, IN THE MOANING WIND see Untitled RECORDS OF A POET’S LOVE: 1853 12 lines ‘Wherever in some [EPILOGUE] wildwood bower’ A98–1 Unamended cutting HIS ANCIENT MARINER see Bushrangers 1853 RHYMED CRITICISMS: XIII Untitled 1861 12 lines + N ‘Wherever in some HIS LOT HOW GLORIOUS WHOM wildwood bower’ THE MUSE SHALL NAME see Australian Home Companion Vol. 6 AUSTRALIA’S FIRST GREAT POET 1861 12 lines + N ‘Wherever in some wildwood bower’ HIS MIND ALONE IS GREAT, WHO C384 Ø Unamended cutting AHC (THOUGH BUT ONE) see Vo l. 6 INTELLECTUAL GREATNESS 1865 12 lines + N ‘Wherever in some wildwood bower’ HIS MINOR POEMS see RHYMED A95 CRITICISMS: III No. XXX in Series: LYRICS 1867 12 lines + N ‘Wherever in some HIS POETIC/POETICAL GENIUS; HIS mountain bower’ RAPE OF THE LOCK; and HIS A97 SATIRICAL MASTERY see RHYMED 1867 12 lines + N ‘Wherever in some CRITICISMS: VI mountain bower’ A88 THE HOME OF PEACE see THE Series: LYRICS FLIGHT OF PEACE THE HONY (sic) BIRD see THE HONEY HOMER’S ILIAD. BOOK I BIRD 1851 c. 50 lines ‘Thus spake he, lonely praying: and to him’ HOPE FOREGONE see RECORDS OF A87–2 (p. 577) A POET’S LOVE: XXVII Untitled lines from Book I 46 THE POEMS OF CHARLES HARPUR

HOPE ON 1883 32 lines ‘Power’s a cheat, success 1847 13 lines ‘Gold’s a cheat there’s no but trying,’ denying’ Poems, p. 196 C382 (p. 182) Rpt. Popular Edition paperback 1899 1847 15 lines ‘Joy’s a cheat there’s no denying;’ HOPE’S PERSUASION and HOPE’S C382 (0pp. p. 196 b) Ø PHILOSOPHY see HOPE ON Title: “FLOWERS WILL COME AGAIN WITH SPRING” THE HOURS IN FINAL CHORUS see 1849 8 line untitled fragment + N GENIUS LOST. THE SORROWS Part ‘Friendship turns, itself denying—’ Eight C376 (p. 671) Series: A PORTION OF CHARLES THE HOUSE OF FOLLY and THE HARPUR’S WILD BEE OF HOUSE OF RIOT see CASTLE AUSTRALIA CARNAL 1849 21 lines + N ‘Gold’s a cheat, there’s no denying,’ HOW BEAUTIFUL DOTH THE C376 (p. 462) MORNING RISE see RECORDS OF A Series: CHARLES HARPUR’S POET’S LOVE: VIII WILD BEE OF AUSTRALIA 1851 21 lines + N ‘Gold’s a cheat, there’s HOW BEAUTIFUL IS THAT FIRST no denying,’ ADVANCE OF LIGHT see MORNING D19 Included in letter to Bernard HOW COMES IT? McMahon 12 June 1851 1849 c. 3 lines ‘How comes it, that the 1853 21 lines ‘Gold’s a cheat, there’s no titled panders’ denying;’ C376 (p. 673) Empire 5 Feb. 1855–57 23 lines + N ‘How comes it, that Title: HOPE’S PHILOSOPHY the special panders’ 1853 8 lines ‘All is dream-like; all is C376 (pp. 650, 649) fleeting;—’ C376 (p. 30) HOW DISTANT IN A MOMENT ARE 1858 32 lines ‘Power’s a cheat, success THE DEAD! see THE DISTANCE OF but trying,’ THE DEAD Empire 19 Mar. Title: HOPE’S PHILOSOPHY HOW FULL OF GOD see A THOUGHT- 1863 32 lines + N ‘Power’s a cheat, STING success but trying,’ A90 HOW GREAT OR SMALL MAY BE Series: LYRICS THE PANG OF DEATH see THE PANG 1866 32 lines ‘Power is risk, success but OF DEATH trying,’ A93 HOW I HATE THOSE MODERN Title: HOPE’S PERSUASION POEMS see MODERN POETRY 1868 32 lines ‘Power’s a cheat, success but trying,’ HOW I WOO’D AND WON MY TRUE A97 LOVE see A LYRICAL LOVE STORY 1:3 AN ANALYTICAL FINDING LIST 47

HOW STRIPPED OF ALL… see 1859 33 lines ‘I dreamt I was a Sculptor, SONNETS TO AUSTRALIAN and had wrought’ SENATORS: IX Stenhouse Correspondence MS27 Letter to Stenhouse 12 Nov. HOW TO LESSEN A FLUX OF 1863 34 lines ‘I dreamt I was a Sculptor, VISITORS and had wrought’ 1856 4 lines ‘Are you troubled by men A87–2 (p. 603) with a visiting itch,’ Series: SONGS, ODES, AND People’s Advocate 29 Nov. OTHER LYRICS No. 18 Part III: BITS OF 1863 39 lines ‘I dreamt I was a Sculptor, PHILOSOPHY, CAUSTIC AND and had wrought’ OTHERWISE in Series: A89 SONGS, EPIGRAMS, NOTES, 1867 50 lines ‘I dreamt I was a sculptor, AND OPINIONS, ETC. and had wrought’ 1857 4 lines ‘Are you troubled by men A87–2 (p. 441) with a visiting itch,’ 1867–68 51 lines ‘I dreamt I was a Empire 8 July Sculptor, and had wrought’ No. IV in Series: RHYMED A97 APHORISMS AND BITS OF 1883 36 lines ‘I dreamed I was a sculptor, PHILOSOPHY and had wrought’ 1860 6 lines ‘Are you troubled by men Poems, p. 201 with a visiting itch,’ Rpt. Popular Edition paperback 1899 A87–2 No. II in Series: BITS HUMANLY CREATIVE OR ARTISTIC 1861 6 lines ‘Are you troubled by men TRUTH with a visiting itch’ 1851 8 lines + N ‘Beauty in the mind’s C384 Unamended cutting Braidwood youth,’ Dispatch July. Paper and date C376 identified by lightbox reading No. IV in Series: BITS THE HUNTER’S INDIAN DOVE 1867 6 lines ‘Are you troubled by men 1862 18 lines + N ‘Dark is her cheek—but with a visiting itch,’ her blood’s rich blush,’ A87–1 Empire 20 Mar. Untitled 1863 18 lines + N ‘Dark is her cheek, but Series: BITS her blood’s rich blush’ A90 HOW VAIN SEEMS LIFE… see LIFE Series: LYRICS WITHOUT AND WITHIN 1865 18 lines + N ‘Dark is her cheek, but her blood’s rich blush’ THE HUMAN NECESSITY OF A95 PRAYER see PRAYER No. XXIX in Series: LYRICS 1865–66 18 lines + N ‘Dark is her cheek, “HUMANITY” but her blood’s rich blush’ 1858 29 lines ‘I dreamt I was a Sculptor, C381 Cutting ?Moruya Examiner and had wrought’ with handwritten alterations Empire 8 Feb. 1867 18 lines + N ‘Dark is her cheek, but her blood’s rich blush’ A88 Series: LYRICS 48 THE POEMS OF CHARLES HARPUR

1867 18 lines + N ‘Dark is her cheek, but I WANDERED EAST, I WANDERED her blood’s rich blush’ WEST see LOVE IN THE PAST: 3 A92 Series; ODES AND LYRICS I WOULD GET ME A NEW LOVE 1883 18 lines ‘Dark is her cheek, but her 1855 12 lines ‘I’ll get me a new love,—the blood’s rich blush’ old is worn out;’ Poems, p. 120 B78 Rpt. Popular Edition paperback 1899 Title: SONG see also MY SABLE FAIR 1863 32 lines ‘I would get me a new love,’ A90 HYBRID FREEDOM Series: LYRICS 1856 6 lines + N ‘Freedom that’s half a 1867 32 lines ‘I would get me a new love,’ fact and half a fiction,’ A96 People’s Advocate 16 Aug. Series: POEMS IN EARLY LIFE Title: POLITICAL 1867 16 lines ‘I would get me a new love, CONTRADICTION the old fire is out!’ No. 9 Part I in Series: SONGS, A88 EPIGRAMS, NOTES, AND Series: LYRIC OPINIONS, ETC. 1860 10 lines ‘Freedom that’s half a fact THE IDEAL see IDEALITY and half a fiction,’ A87–2 (p. 417) Ø IDEAL VAGUENESS… see VAGUE Title: HALF AND HALF BEAUTY IN POETRY FREEDOM Series: BITS IDEALITY 1860 18 lines ‘Freedom that’s half a fact 1844 73 lines ‘Spirit of Dreams!—when and half a fiction,’ many a wander’d height’ A87–2 (p. 419) Weekly Register 24 Aug. PART I Series: BITS 1844 99 lines ‘With stilly step, when from the eastern height’ I BOUGHT FIVE THOUSAND Weekly Register 28 Sept. PART II SHEEP… see SQUATTER SONGS: III 1863 185 lines ‘Spirit of Dreams! When many a wandered height’ I COULD NOT BE SO MERE AN ASS A89 see ON HEARING THAT CERTAIN 1867 192 lines ‘Spirit of Dreams! When LOW FELLOWS HAD DEFAMED ME many a wandered height’ A87–2 I HAD A NOBLE STATION see 1867 192 lines ‘Spirit of Dreams! when SQUATTER SONGS: II many a wandered height’ A87–1 I LOVE HIM SO see VIRGINAL LOVE 1883 127 lines ‘Spirit of Dreams! when many a toilsome height’ I SEE, AS IN A VISION, HOW FACE TO Poems, p. 94 FACE I STOOD see YON GREEN Title: THE IDEAL WOOD Rpt. Popular Edition paperback 1899

I (sic) SLEEP MY BRAIN WAS WITH A SWEET PANG WRUNG see RECORDS OF A POET’S LOVE: IX AN ANALYTICAL FINDING LIST 49

IGNORANCE IMPROMPTU. ON READING A 1847 36 lines + N ‘What stoned the CRITIQUE IN THE EMPIRE ON THE Prophets of the olden time,’ WENTWORTH MEDALLION,… Sydney Chronicle 30 Dec. 1855 2 line untitled fragment + N ‘And if 1847 36 lines + N ‘What stoned the so, what a creature of genius was Prophets of the olden time,’ foaled’ C376 (pp. 452, 457) Unamended C376 cutting SC 30 Dec. 1855 6 lines ‘Some hold that the power showing feature the nose is,’ ILLUSTRIOUS OFT, WHEN People’s Advocate 31 Mar. LOVELIEST IN THEMSELVES see No. III in Series: SATIRICAL FRAGMENT EFFUSIONS 1855 6 lines ‘Some hold that the power IMPROMPTU showing feature the nose is,’ 1854 8 lines + N ‘I like you friends (sic) C384 Ø Unamended cutting PA Parkes, but don’t like the morality’ 31 Mar. People’s Advocate 13 May 1854 8 lines + N ‘I like you friends (sic) IMPROMPTU, ON READING IN AN Parkes, but don’t like the morality’ ARTICLE OF THE MELBOURNE C376 Unamended cutting PA 13 May ARGUS THE NAMES OF JULIUS CAESAR AND MR. XXX COUPLED IMPROMPTU TOGETHER 1855–56 7 lines + N ‘The Empire boasts 1855–57 14 lines + N ‘What fanfarronade that England’s ruled’ (sic) ’tis’ C376 C376

IMPROMPTU: (COMPOSED WITHIN IMPROMPTU STANZAS: ADDRESSED THE VERGE OF A BEAUTIFUL BIT TO A COLLECTION OF THE OF WOODLAND SCENERY) AUTHOR’S EARLIEST POEMS, 1853–54 16 lines ‘This tasty bit of scenery’ WHILE COMMITTING THE C376 Ø MANUSCRIPTS TO THE FLAMES Title: WRITTEN ON THE 1849–50 9 line fragment ‘Ye records of VERGE…AT GRANBELANG Visions that fled’ 1855 20 lines + N ‘This lovely bit of C376 woodland view’ B78 IMPROMPTU: WRITTEN ON THE 1860 20 lines + N ‘This lovely bit of VERGE… see IMPROMPTU: woodland view’ (COMPOSED WITHIN THE VERGE Empire 26 Apr. OF A BEAUTIFUL BIT OF 1862–63 20 lines + N ‘This lovely bit of WOODLAND SCENERY) woodland view’ C384 Cutting Empire 26 Apr. 1860 THE INCUMBENCY OF A HABIT OF with minor handwritten alterations LABOUR 1856 4 lines + N ‘Whatever in life to mankind may befall,’ People’s Advocate 21 June No. IV Part IV in Series: EPIGRAMS, NOTES, AND OPINIONS, ETC. 50 THE POEMS OF CHARLES HARPUR

1856 4 lines + N ‘Whatever in life to 1860 12 lines ‘Another night is passed— mankind may befall,’ and yet’ A92 Cutting PA 21 June with minor C376 handwritten alterations to note No. V in Series: A STRING OF EPIGRAMS (GIVEN WITHOUT THE INEFFABLE COMMENT) 1856 4 lines + N ‘Words are the special dies of Thought,’ THE INFERENCE see RECORDS OF A People’s Advocate 16 Aug. POET’S LOVE: XXXIII Title: THOUGHT, FEELING, AND LANGUAGE THE INFINITE see THE INFINITE IN No. 9 Part III in Series: EPIGRAMS, SPACE (FROM THE GERMAN) NOTES, AND OPINIONS, ETC. 1857 48 lines ‘Words are the special dies THE INFINITE IN SPACE (FROM THE of Thought,’ GERMAN) Empire 8 June 1866 114 lines ‘Up from his dreams, as Title: THOUGHT—FEELING— slumbering soft he lay,’ AND LANGUAGE A93 (p. 31) 1863 60 lines ‘Words are the special dies Title: THE INFINITE of Thought,’ 1866 114 lines ‘Up from his dreams, as A90 slumbering soft he lay,’ Series: LYRICS A93 (p. 27) 1865 60 lines ‘Words are the special dies Title: THE INFINITE. of Thought,’ 1866 114 lines ‘Up from his dreams, as A95 slumbering soft he lay,’ No. XXXI in Series: LYRICS Sydney Morning Herald 27 Aug. 1867 60 lines ‘Words are the special dies 1866 114 lines ‘Up from his dreams, as of Thought,’ slumbering soft he lay,’ A88 C381 Cutting SMH 27 Aug. with Series: ODES handwritten alterations 1867 60 lines ‘Words are the special dies of Thought,’ THE INFLUENCE OF LOVE A92 THROUGH MEMORY see RECORDS Series: ODES AND LYRICS OF A POET’S LOVE: XXV 1874 60 lines ‘Words were the special dies of Thought,’ INSCRIPTION FOR THE PORTRAIT Sydney Mail 14 Feb. OF SIR CHARLES NICHOLSON 1883 12 lines ‘In vain, when music’s 1856 6 lines + N ‘The semblance of a seraph-fire’ senatorial spirit’ Poems, p. 193 People’s Advocate 26 Apr. Title: MUSIC No. IV in Series: EPIGRAMS, Rpt. Popular Edition paperback 1899 NOTES, AND OPINIONS, ETC. 1856 6 lines + N ‘The semblance of a AN INFALLIBLE SOPORIFIC senatorial spirit’ 1846 12 lines ‘Another night is past, and A92 Unamended cutting PA 26 Apr. yet’ Maitland Mercury 15 July AN ANALYTICAL FINDING LIST 51

AN INTELLECTUAL BELIEF 1867 14 lines ‘His mind alone is great, 1846 31 lines ‘Truth, in its universality, is who (though but one)’ God’ A95 (p. 115) Maitland Mercury 11 July. Erratum Series: PERSONAL AND OTHER MM 22 July SONNETS 1867 14 lines ‘His mind alone is great, INTELLECTUAL GREATNESS who (though but one)’ 1845 14 lines ‘His Mind alone is Kingly, A87–1 (p. 214/291) who (though one)’ Series: PERSONAL AND OTHER Thoughts, p. 8 SONNETS Title: INTELLECTUAL MAJESTY 1883 14 lines ‘That man is truly great, and 1853 14 lines ‘His mind alone is kingly he alone’ who (though one)’ Poems, p. 241 Bushrangers, p. 110 Title: GREATNESS Title: FREEDOM IN FAITH Rpt. Popular Edition paperback 1899 1853 14 lines ‘His mind alone is kingly who (though one)’ INTELLECTUAL LIBERTY and A98–1 Unamended cutting INTELLECTUAL MAJESTY see Bushrangers 1853 INTELLECTUAL GREATNESS Title: FREEDOM IN FAITH 1861 14 lines ‘His mind alone is Kingly, INTROSPECTIVE see MUSE- who (though one)’ WORSHIP: 5 C376 Ø Title: INTELLECTUAL LIBERTY THE IRONBARK—A RUDE HARD No. 6 in Series: SONNETS: NAME, BUT APT, DEDICATED TO WORDSWORTH 1860 5 lines ‘The ironbark—a rude hard 1863 14 lines ‘His mind alone is kingly, name, but apt’ who (though one)’ Australian Home Companion Vol. 5 A90 Untitled poem in Notes to THE Title: INTELLECTUAL LIBERTY KANGAROO HUNT. PART II No. VI in Series: SONNETS 1860–63 5 lines ‘The ironbark—a rude 1866 14 lines ‘His mind alone is great, hard name, but apt’ who (though but one)’ A91 A93 Ø Untitled poem in Notes to THE 1866 14 lines ‘His mind alone is great, KANGAROO HUNT. PART II who (though but one)’ A95 (p. 27) Ø IS SAUL ALSO AMONG THE No. VI in Series: PROPHETS? see SONNETS MISCELLANEOUS SONNETS DEDICATED TO AUSTRALIAN 1866 14 lines ‘His mind alone is great, SENATORS: IV who (though but one)’ Sydney Morning Herald 7 Nov. IS WENTWORTH A PATRIOT? see Untitled SONNETS DEDICATED TO No. II in Series: SONNETS AUSTRALIAN SENATORS: I 1866 14 lines ‘His mind alone is great, who (though but one)’ IT IS NOT THAT WE ARE LOSERS A87–1 (p. 199a) Unamended cutting 1860 8 lines ‘It is not that we are losers’ SMH 7 Nov. A87–2 Untitled 52 THE POEMS OF CHARLES HARPUR

IT WAS A TALE OF PASSION… see 1867 14 lines ‘Should Switzerland’s rude RECORDS OF A POET’S LOVE: VI rocks be held the throne’ A95 (p. 118) IT’S NO GO! see SONNETS Series: PERSONAL AND OTHER DEDICATED TO AUSTRALIAN SONNETS SENATORS: IX 1867 14 lines ‘Should Switzerland’s rude rocks be held the throne’ JAMES NORTON ESQ. see TO JAMES A87–1 NORTON ESQ. Series: PERSONAL AND OTHER SONNETS JOB A REVIEWER 1883 14 lines ‘Should Switzerland’s rude 1860 8 lines ‘“O that mine enemy would rocks be held the throne’ write a book!”’ Poems, p. 244 A87–1 Rpt. Popular Edition paperback 1899 Series: RHYMES, HUMOUROUS (sic) POEMS, EPIGRAMS, ETC. JOHN HIKI see JOHN HEKI 1861 8 lines ‘“Oh, that mine enemy would write a book!”’ A JOLLY GOOD FELLOW C384 Unamended cutting Braidwood 1860 58 lines ‘Who n’er treats a friend Dispatch July. Paper and date with proud rudeness’ identified by lightbox reading A87–1 No. V in Series: BITS Series: RHYMES, HUMOUROUS (sic) POEMS, EPIGRAMS, ETC. JOHN HEKI 1860–63 7 line untitled fragment ‘Who 1847 14 lines + N ‘Should Switzerland’s never abandons an old friend’ rude rocks be named the throne’ C384 C382 (p. 173 Ø; p. 174) 1861 64 lines ‘Who ne’er treats a friend 1847 14 lines + N ‘Should Switzerland’s with proud rudeness’ rude rocks be named the throne’ A92 Amended cutting ?Braidwood Sydney Chronicle 7 Dec. Independent or ?Braidwood 1849 14 lines + N ‘Should Switzerland’s Dispatch April. Paper partly rude rocks be named the throne’ identified by lightbox reading C376 Cutting SC 7 Dec. 1847 with minor handwritten alterations JONES THE IMMIGRANT 1863 14 lines ‘Should Switzerland’s rude 1845 24 lines + N ‘At Auburn lived Jones, rocks be held the throne’ in a little thatched cot,’ A90 Weekly Register 10 May No. XVIII in Series: SONNETS Unsigned. ?Harpur 1866 14 lines ‘Should Switzerland’s rude rocks be held the throne’ JOSEPHINE A95 (p. 34) Ø 1856–58 35 lines + N ‘The suns of many No. XVII in Series: years have rolled away;’ MISCELLANEOUS SONNETS C376 (p. 598) 1867 14 lines ‘Should Switzerland’s rude No. III in incomplete Series. rocks be held the throne’ A87–2 No. X in Series: A STRING OF PERSONAL SONNETS AN ANALYTICAL FINDING LIST 53

1856–58 13 line untitled fragment ‘The 1859 116 lines + N ‘A pretty playful suns of many years’ Kangaroo’ C376 (p. 600) Australian Home Companion Vol. 4 No. IV in incomplete Series. Note p. 598 explains III and IV are THE KANGAROO HUNT OR A blank verse and rhymed versions of MORNING IN THE MOUNTAINS same poem. 1834 30 lines ‘When the day-star has sunk o’er the hills of the west’ JOSHUA Sydney Monitor 22 Nov. 1854 50 lines ‘When Joshua in the days of 1843 81 lines + N ‘At length, a belt of old’ cedars tall’ People’s Advocate 1 July Weekly Register 18 Nov. 1865 50 lines ‘When Joshua in the days of Title: AUSTRALIAN SCENERY old’ 1860 669 lines + N ‘Here, in the Forest, C381 Parts I–V. Cutting dated 7 Aug. afar and free’ Moruya Examiner with handwritten Australian Home Companion Vol. 5 alteration. Paper identified by pp. 297; 345; 397; 438; 469; 512 lightbox reading 1860–63 1138 lines + N ‘Here in the 1867 50 lines ‘When Joshua in the days of Forest, afar and free’ old’ A91 A88 1863 1157 lines + N ‘Here in the Forest, Series: ODES afar and free’ 1867 50 lines ‘When Joshua, in the days of C377 old,’ 1867–68 1022 lines + N ‘Here in the A87–1 Forest, afar and free’ 1883 40 lines ‘When Joshua in the days of A97 old’ 1883 14 lines ‘And wonder ye not if his Poems, p. 127 speech be uncouth,’ Rpt. Popular Edition paperback 1899 Untitled. Lines used as epigraph for see also KING SAUL this edition Poems, p. 2 JOURNEYING AWAY see GENIUS Rpt. Popular Edition paperback 1899 LOST. THE SORROWS Part Three: see also THE IRONBARK; THE BIRDS THE MUSE’S FIRSTLINGS THEIR PRISTINE GLEE… and MORNING JUDGMATICAL SELF REFERENCE see SELF REFERENCE A KEEN see A LAMENT

THE KANGAROO: A BALLAD FOR THE KEEPSAKE ROSE see RECORDS LITTLE BOYS OF A POET’S LOVE: XIX 1855 100 lines + N ‘A pretty playful kangaroo’ KING SAUL A87–2 (pp. 685–83) 1838 c. 1200 lines ‘My crown! My 1855 100 lines + N ‘A pretty playful crown!—’Tis mine alone!’ kangaroo’ A87–2 (pp. 559–564; 565–569; 575– A87–2 (pp. 679–75) 576; 585–598) 1855 17 line untitled fragment ‘For though man may be privileged’ A87–2 (p. 661) 54 THE POEMS OF CHARLES HARPUR

1852 44 lines ‘Let the son of Jessie (sic)’ THE LAMENT OF THE BARD C376 (p. 659) (SUGGESTED BY THE STORY OF Title: THE CLOSE OF THE CHATTERTON) FESTIVAL SCENE ENDING THE 1837 40 lines ‘I am weary,—I am weary’ III ACT. Australian 11 Aug. see also JOSHUA; A SONG OF DAVID see also GENIUS LOST. THE INCITING TO DANCE and ZILLA’S SORROWS Part Eight: CHORUS (IN SONG CONTINUATION)

THE KNIGHT OF BUNKUM THE LASS OF EULENGO see MARY 1854 42 lines ‘Well stored with fees, a OF EULENGO plain M.D.’ People’s Advocate 11 Feb. THE LAST HOPE 1842 8 lines ‘Uprising from the bed of KOSSUTH see TO KOSSUTH care,’ Australasian Chronicle 26 Nov. A LADY BY MOONLIGHT see THE 1856 8 lines ‘Wildly upstarting from the BEAUTIFUL: III bed of care,’ Empire 2 June A LADY IN WHITE see RECORDS OF 1862–63 8 lines ‘Wildly upstarting from A POET’S LOVE: IV the bed of care,’ C384 Ø Cutting Empire 2 June 1856 A LAMENT with handwritten alterations 1855 73 lines ‘Flowers in their gladness are flushing the earth,’ A LAW-MUNCHING BUSH JUSTICE A87–2 (pp. 682, 681, 680) see ON A SUPER-LEGAL Title: A REQUIEM—A KEEN MAGISTRATE 1856 72 lines ‘Flowers in their freshness are flushing the earth,’ LAYS FOR THE ANTI-CONVICT Empire 27 June ASSOCIATION see WAR SONGS FOR Title: A KEEN THE AUSTRALIAN LEAGUE 1863 20 line fragment ‘If I ask of my heart, why is it not cheery?’ THE LEAF-GLANCING BOUGHS… C376 see A LYRICAL LOVE STORY 1: 9 1863 84 lines ‘Flowers in their freshness are flushing the earth,’ A LESSON FROM NATURE A90 1846 21 lines ‘O ’tis a happy thing with Series: LYRICS thee’ 1867 84 lines ‘Flowers in their freshness Maitland Mercury 27 June are flushing the earth’ A87–1 LIBERTY see MY POLITICAL BELIEF 1883 44 lines ‘Flowers in their freshness are flushing the earth,’ THE LIBERTY OF GOODNESS Poems, p. 41 1856 8 lines ‘The purest glory to which Rpt. Popular Edition paperback 1899 Man can rise’ Empire 2 June AN ANALYTICAL FINDING LIST 55

1856 8 lines ‘The purest glory to which LIFE WITHOUT AND WITHIN Man can rise’ 1860 6 lines ‘How vain seems life, how C384 Ø Unamended cutting Empire worthless, when we scan’ 2 June A87–2 Series: BITS LIFE AND DEATH 1861 6 lines ‘How vain seems life, how 1862 12 lines ‘A little light, heat, motion, worthless, when we scan’ breath—’ C384 Unamended cutting Braidwood Empire 20 Mar. Dispatch Aug.? Paper and year 1863 18 lines ‘A little light, heat, motion, identified by lightbox reading breath—’ No. L in Series: BITS A90 1867 6 lines ‘How vain seems life, how Series: LYRICS worthless, when we scan’ 1867 18 lines ‘A little light, heat, motion, A87–1 breath,’ Untitled A88 Series: BITS Series: ODES 1867 18 lines ‘A little light, heat, motion, LIFE’S FIRST DESPAIR breath,’ 1858 18 lines ‘’Tis thirty years ago—and A87–1 yet’ Series: ODES AND LYRICS Empire 19 Mar. 1869 18 lines ‘A little light, heat, motion, 1860 30 lines ‘’Tis long ago—but oft, breath—’ even yet,’ C381 Cutting Moruya Examiner 26 Southern Cross 14 Apr. July. Paper and date identified by Title: THE FIRST DESPAIR lightbox reading 1863 30 lines ‘’Tis long ago—but oft, 1883 18 lines ‘A little light, heat, motion, even yet,’ breath;’ A90 Poems, p. 126 Title: DESIDERIUM Rpt. Popular Edition paperback 1899 Series: LYRICS 1867 30 lines ‘’Tis long ago—but oft, LIFE ETHICS see THE MUSE’S even yet,’ ETHICS: II A88 Series: ODES LIFE IS A FEARFUL THING!—TO BE 1867 30 lines ‘’Tis long ago—but oft, 1844 21 lines ‘Life is a fearful thing!—to even yet,’ be,’ A87–1 Maitland Mercury 11 May Series: ODES AND LYRICS Untitled LIKE CASES, WITH A DOSE… see A LIFE SAVED SONNETS TO AUSTRALIAN 1861 8 lines ‘A fat wealthy baillie was SENATORS: V plucked from the Forth’ C384 Unamended cutting Braidwood LIKE HIM WHO GREAT REPORTS Dispatch July. Paper and date OF TILTH REJECTS… see SOUL- identified by lightbox reading MEASURERS No. VII in Series: BITS LINES AND FIGURES see THE BEAUTIFUL: VIII 56 THE POEMS OF CHARLES HARPUR

LINES. OCCASIONED BY HEARING LONELINESS OF HEART AN AIR… see A MUSICAL (COMPOSED WHILE WANDERING REMINISCENCE OVER A BEAUTIFUL SCENE ON THE BANKS OF THE HUNTER) LINES SUGGESTED BY A NEWLY 1843 36 lines ‘Oh, who would bear a INVENTED SORT OF PICKLE-DISH lonely heart’ 1856 12 lines ‘Well done, Improvement! Australasian Chronicle 4 Feb. thou dost even out-race’ see also THE BURTHEN WORST TO People’s Advocate 16 Aug. BEAR No. 9 Part II in Series: SONGS, EPIGRAMS, NOTES, AND A LOOK FROM THE NORTH HEAD OPINIONS, ETC. see A LOOK O’ER THE SEA 1860 27 lines ‘Well done, Improvement! thou dost even outrace’ A LOOK O’ER THE SEA A87–1 1856 10 lines + N ‘I looked from the Series: RHYMES, HUMOUROUS North Head—and saw the sea’ (sic) POEMS, EPIGRAMS, ETC. People’s Advocate 30 Aug. Title: A LOOK FROM THE NORTH LINES SUGGESTED BY THE HEAD APPEARANCE OF A COMET see TO A/ No. 11 Part III in Series: SONGS, THE COMET EPIGRAMS, NOTES, AND OPINIONS, ETC. LINES TO HENRY HALLORAN 1860 16 lines ‘I stood upon a Cliff, from 1847–48 6 lines + N ‘My Life indeed has which the Sea’ not been, nor may be’ A87–1 C382 Series: RHYMES, HUMOUROUS Qtd. in prose note ‘To the Lines to (sic) POEMS, EPIGRAMS, ETC. Henry Halloran’ LOOKING BEYOND see GENIUS LITERARY PICKING AND STEALING LOST. THE SORROWS Part Four 1856 5 lines + N ‘Who steals our cash, steals fairly;’ LORD GEORGE People’s Advocate 12 July 1856 16 lines ‘Two Butchers, bluff fellows No. 6 Part IV in Series: SONGS, in aprons of blue’ EPIGRAMS, NOTES, AND People’s Advocate 12 July OPINIONS, ETC. No. 6 Part I in Series: SONGS, 1856 5 lines + N ‘Who steals our cash, EPIGRAMS, NOTES, AND steals fairly;’ OPINIONS, ETC. C376 Cutting PA 12 July with 1856 8 line fragment ‘Lord George! now handwritten alterations to note you’re joking, Sam! Aint you, though, raily?’ LONENESS OF HEART and THE A92 Unamended cutting PA 12 July LONENESS OF SORROW see A LYRICAL LOVE STORY 2: 6 LORD POTATHER 1867 16 lines + N ‘There’s the great Lord LONELINESS IN ABSENCE. TO— see Potather,’ RECORDS OF A POET’S LOVE: XXII A87–1 AN ANALYTICAL FINDING LIST 57

THE LOSSES OF THE PAST 1849 22 lines + N ‘A Voice forever sweet 1846 36 lines ‘The World is emptied of the and low,’ living gladness’ C376 Maitland Mercury 24 June Series: CHARLES HARPUR’S 1862 42 lines ‘The world is emptied of the WILD BEE OF AUSTRALIA mystical gladness’ 1858 22 lines ‘A Voice forever sweet and Sydney Morning Herald 22 Sept. low,’ No. I in Series: POEMS OF Empire 6 Jan. MELANCHOLY No. V in Series: A GARLAND OF 1862 42 lines ‘The world is emptied of the WILD FLOWERS mystical gladness’ 1862–63 22 lines ‘A Voice forever sweet Unamended cutting SMH 22 Sept. and low,’ No. I in Series: POEMS OF C384 Cutting Empire 6 Jan. 1858 MELANCHOLY with handwritten alterations Pasted into endpapers Bushrangers 1867 22 lines ‘A Voice for ever sweet and 1853 low’ 1863 42 lines ‘The world is emptied of A88 that mystical gladness’ Series: LYRICS A89 1867 22 lines ‘A Voice for ever sweet and 1867 42 lines ‘The world is emptied of low’ that mystic gladness’ A92 A88 Series: ODES AND LYRICS Series: ODES 1867 42 lines ‘The world is emptied of LOUIS KOSSUTH see TO KOSSUTH that mystic gladness’ A87–1 LOVE 1856 18 lines ‘O Love is passing sweet,’ LOST IN THE BUSH People’s Advocate 30 Aug. 1842 97 lines ‘Lost in the bush—the night Title: SONG encroaching fast,’ No. 11 Part IV in Series: SONGS, Australasian Chronicle 12 Nov. EPIGRAMS, NOTES, AND 1851 115 lines + N ‘Lost in the Bush—the OPINIONS, ETC. night approaching fast,’ 1863 18 lines ‘Oh, Love is passing sweet,’ C376 A90 1857 115 lines + N ‘Lost in the Bush—the Series: LYRICS night approaching fast,’ 1865 18 lines ‘Oh, Love is passing sweet,’ Empire 27 Apr. A95 1863 131 lines + N ‘Lost in the Bush!— No. XVIII in Series: LYRICS the night approaching fast,’ 1867 18 lines ‘O love is passing sweet,’ A89 A88 1867 131 lines + N ‘Lost in the Bush! the Series: LYRICS night approaching fast,’ 1867 18 lines ‘O Love is passing sweet,’ A92 A92 Series: ODES AND LYRICS THE LOST VOICE 1845 22 lines ‘A voice forever sweet and LOVE see LOVE THE IDEALISER: 1 low’ Weekly Register 22 Feb. Title: SONG 58 THE POEMS OF CHARLES HARPUR

LOVE AND SONG LOVE AT ITS HEIGHT see A LYRICAL 1855 24 lines ‘The dulcimer was LOVE STORY 1: 10 sounding’ B78 LOVE BUDDED see A LYRICAL LOVE Title: THREE THOUSAND YEARS STORY 1: 4 AGO 1856 24 lines ‘The dulcimer was LOVE BUDDING see A LYRICAL sounding’ LOVE STORY 1: 3 People’s Advocate 31 May Title: THREE THOUSAND YEARS LOVE CONFIDENT see A LYRICAL AGO LOVE STORY 1: 5 No. II Part III in Series: EPIGRAMS, NOTES, AND A LOVE-DREAM see RECORDS OF A OPINIONS, ETC. POET’S LOVE: IX 1858 24 lines ‘The dulcimer was sounding’ LOVE DREAMING OF DEATH Empire 5 Mar. 1855 28 lines ‘I dreamt my little Boys Title: THREE THOUSAND YEARS were dead,’ AGO Empire 20 Nov. 1863 16 lines incomplete ‘The dulcimer 1863 40 lines ‘I dreamt my little boys were was sounding’ dead,’ A87–2 A90 Title: LOVE’S EVERLASTING Series: LYRICS IDENTITY 1867 56 lines ‘I dreamt my little boys were Series: SONGS, ODES, AND dead,’ OTHER LYRICS A87–1 1863 32 lines ‘The dulcimer was Series: ODES AND LYRICS sounding’ 1868 91 lines ‘I dreamt my little boys were A90 dead,’ Title: LOVE’S EVERLASTING Australian Home Companion Vo l. 1 IDENTITY 1880 91 lines ‘I dreamt my little boys were Series: LYRICS dead,’ 1865 40 lines ‘The dulcimer was Sydney Mail 26 June sounding’ 1883 56 lines ‘I dreamt my little boys were A95 dead’ No. II in Series: LYRICS Poems, p. 111 1867 32 lines ‘The dulcimer was Rpt. Popular Edition paperback 1899 sounding’ 1888 56 lines ‘I dreamt my little boys were A96 dead’ Series: POEMS IN EARLY LIFE Australian Poets 1788–1888, p. 205 1867 40 lines ‘The dulcimer was sounding’ A LOVE-FANCY see RECORDS OF A A88 POET’S LOVE: XVII Series: LYRICS 1867 20 lines ‘The dulcimer was sounding LOVE, FRIENDSHIP, AND FAITH from within a mystic grove’ 1855 16 lines ‘What so sweet upon the A92 earth’ Series: ODES AND LYRICS A87–2 AN ANALYTICAL FINDING LIST 59

1855 16 lines ‘What so sweet upon the 2 earth’ 1851 24 lines + N ‘Ah, many and many a Empire 20 Nov. day is gone,’ 1863 16 lines ‘What so sweet upon the C376 earth’ Title: UNDER THE WILD-FIG A90 TREE Series: LYRICS 1863 33 lines ‘Many and many a day hath 1866 16 lines ‘What so sweet upon the flown’ earth’ Sydney Morning Herald 8 May A93 Title: UNDER THE WILD FIG Title: ‘AH, ME!’ TREE 1867 16 lines ‘What so sweet upon the 1863 33 lines ‘Many and many a day hath earth’ flown’ A88 Victorian 12 Sept. Series: LYRICS Title: UNDER THE WILD FIG 1867 16 lines ‘What so sweet upon the TREE earth’ 1863 33 lines ‘Many and many a day hath A92 flown’ Series: ODES AND LYRICS A90 Title: UNDER THE WILD-FIG LOVE IN EXCESS TREE 1849 15 lines + N ‘The Passion that utterly Series: LYRICS conquers our reason,’ 1865 27 lines ‘Many and many a day hath C376 flown’ Series: CHARLES HARPUR’S A95 (p. 66) Ø WILD BEE OF AUSTRALIA Title: LOVE IN THE LONG AGO No. VI in Series: LYRICS LOVE IN THE LONG AGO see LOVE 1865 54 lines ‘Many and many a day has IN THE PAST: 2 flown’ A95 (p. 103) LOVE IN THE PAST Series: LYRICS 1 1867 48 lines ‘Many and many a day has 1865 24 lines ‘What now in all the world flown’ might move’ A88 A95 Series: LYRICS Series: LYRICS 1867 54 lines ‘Many and many a day has 1867 24 lines ‘Ah! what in all the world flown’ might move’ A92 A88 Series: ODES AND LYRICS Series: LYRICS 3 1867 24 lines ‘Ah! what in all the world 1855 24 lines ‘I wandered east, I wandered might move’ west,’ A92 A87–2 Series: ODES AND LYRICS Untitled see also MORNING LOVE 1857 24 lines ‘I wandered east, I wandered west,’ Empire 25 May Title: THE GIRL I LEFT BEHIND ME 60 THE POEMS OF CHARLES HARPUR

1859 24 lines ‘I wandered east, I wandered 1863 21 lines ‘One Summer evening west,’ passed beside yon river’ Southern Cross 1 Oct. A90 (p. 60) Title: NEW WORDS TO AN OLD Series: LYRICS AIR 1863 21 lines ‘One evening passed beside 1863 24 lines ‘I wandered east, I wandered my native river’ west,’ A90 (p. 309) A90 Sub-titled Part III ‘to be the 1st’ Title: THE MAIDEN I LEFT ?Intended as addition or amendment BEHIND ME to A LYRICAL LOVE STORY Series: LYRICS 1865 24 lines ‘I wandered east, I wandered LOVE IN THE SPRINGTIME (FROM west’ SOLOMON’S SONG) A95 1857–63 12 lines ‘With the light of the Series: LYRICS morning, a Voice, like a ray,’ 1867 24 lines ‘I wandered east, I wandered C384 Unamended unidentified west’ cutting ?People’s Advocate 1857 A88 Series: LYRICS LOVE IN VISION see A LYRICAL 1867 24 lines ‘I wandered east, I wandered LOVE STORY 1: 7 west,’ A92 LOVE IS SIMPLE Series: ODES AND LYRICS 1857 8 lines ‘So long as our wine in its 4 nature be good’ 1865 18 lines ‘Heaven’s whole round was Empire 4 Dec. bright as now,’ 1857 8 lines ‘So long as our wine in its A95 nature be good,’ Series: LYRICS A87–2 1867 18 lines ‘Heaven’s whole round was 1860 8 lines ‘So long as our wine in its bright as now,’ nature be good,’ A88 A87–1 (p. 400) Series: LYRICS Series: RHYMES, HUMOUROUS 1867 18 lines ‘Heaven’s whole round was (sic) POEMS, EPIGRAMS, ETC. bright as now,’ 1862–63 8 lines ‘So long as our wine in its A92 nature be good,’ Series: ODES AND LYRICS C384 Cutting Braidwood Dispatch July 1861 with handwritten LOVE IN THE PAST alterations. Paper and date identified 1853–54 12 lines + N ‘One happy evening by lightbox reading passed beside yon river’ No. X in Series: BITS C385 1867 8 lines ‘So long as our wine in its Untitled poem in prose note: FORM nature be good,’ OF A SONG A87– 1 (p. 249/326) 1856 12 lines + N ‘One summer evening, Untitled passed beside yon river,’ Series: BITS People’s Advocate 8 Nov. Poem in prose note to No. 16 Part I LOVE IS WAYWARD, BEAUTY in Series: SONGS, EPIGRAMS, WILFUL see HAPPY SPITE NOTES, AND OPINIONS, ETC. AN ANALYTICAL FINDING LIST 61

LOVE PASSING THROUGH NATURE 1863 20 lines ‘My soul is raying like a see LOVE THE IDEALISER: 2 star,’ A90 A LOVE PERPLEXITY Title: “YES” 1846 28 lines ‘In vain, my Charmer, words Series: LYRICS I’d find’ 1864 Variant version qtd in article, Maitland Mercury 26 Aug. ‘Native-Born Australian Poets’, Sydney Morning Herald 29 Sept. A LOVE SONG see THE DREAM. A untraced in mss or published LOVE SONG versions. 1865 28 lines ‘My soul is raying like a LOVE SONNETS see RECORDS OF A star—’ POET’S LOVE: VIII, I, III, X, X-XI, XII, A95 XIV, XV, XX, XXI, XXXI, XXXII, Title: “YES” (Love the Exalter) XXXIII Series: LYRICS 1867 20 lines ‘My Soul is raying like a LOVE THE CROWN OF NATURE see star’ RECORDS OF A POET’S LOVE: VIII A96 Title: “YES” LOVE THE EXALTER see LOVE THE Series: POEMS IN EARLY LIFE IDEALISER 1867 32 lines ‘My soul is raying like a star!’ LOVE THE EXALTER OF NATURE see A88 THE BEAUTIFUL: VI 1867 32 lines ‘My soul is raying like a star!’ LOVE THE IDEALISER A87–1 1 1883 20 lines ‘My soul is raying like a 1847 20 lines + N ‘My soul is raying like a star,’ star—’ Poems, p. 135 C382 Title: LOVE Title: “YES” Rpt. Popular Edition paperback 1899 1847 20 lines + N ‘My soul is raying like a 2 star—’ 1856 20 lines + N ‘Why smile you, as in Sydney Chronicle 27 Nov. sweet amaze,’ Title: “YES” People’s Advocate 6 Dec. 1847 20 lines + N ‘My soul is raying like a Title: LOVE PASSING THROUGH star—’ NATURE C376 Unamended cutting SC 27 Nov. No. 19 Part I in Series: SONGS, Title: “YES” EPIGRAMS, NOTES, AND 1853 20 lines ‘My soul is raying like a OPINIONS, ETC. star,’ 1859 40 lines ‘Why smile you, as in sweet Bushrangers, p. 103 amaze,’ Title: “YES” Southern Cross 8 Oct. 1853–55 20 lines ‘My soul is raying like a 1863 48 lines ‘Why smile you, as in sweet star,’ amaze,’ A98–1 Cutting Bushrangers 1853 A90 with handwritten alteration Series: LYRICS Title: “YES” 62 THE POEMS OF CHARLES HARPUR

1865 32 lines ‘Why smile you, as in sweet 1867 24 lines ‘To have the heart misread amaze,’ by One’ A95 A87–1 No. XXVIII in Series: LYRICS 1867 28 lines ‘Why smile you, as in sweet LOVE TO THE LAST amaze’ 1858 16 lines ‘Wrongly she loveth, doth A88 true hearted Carry’ 1867 28 lines ‘Why smile you, as in sweet Empire 6 Jan. amaze,’ Title: SONG A87–1 No. II in Series: A GARLAND OF 3 WILD FLOWERS 1865 20 lines ‘It is the simple truth I sing’ 1858 16 lines ‘Wrongly she loveth, doth A95 true hearted Carry,’ No. XXVIII [sic] in Series: LYRICS C384 Ø Unamended cutting Empire 1867 24 lines ‘It is the happy truth I sing,’ 6 Jan. A88 Title: SONG 1867 24 lines ‘It is the happy truth I sing,’ 1863 16 lines ‘Wrongly she loveth, doth A87–1 true-hearted Carry,’ 4 A90 1856 12 lines ‘To have the heart misread Series: LYRICS by one’ 1865 16 lines ‘Wrongly she loveth, doth People’s Advocate 1 Nov. true hearted Carry,’ Title: THE WRATH OF LOVE A95 No. 15 Part V in Series: SONGS, No. XIX in Series: LYRICS EPIGRAMS, NOTES, AND 1867 12 lines ‘Wrongly she loveth, doth OPINIONS, ETC. true–hearted Carry,’ 1857 12 lines ‘To have the heart misread A88 by one’ Series: LYRICS Empire 8 June 1867 16 lines ‘Wrongly she loveth, doth Title: THE WRATH OF LOVE true-hearted Carry,’ 1863 12 lines ‘To have the heart misread A92 by one’ Series: ODES AND LYRICS A90 Title: THE WRATH OF LOVE LOVE UNTOLD see RECORDS OF A Series: LYRICS POET’S LOVE: X 1865 4 line fragment ‘Till Love, self- reconciled, again’ LOVE VINDICATED A95 1857–63 8 lines ‘By the good Love can Title: FOR THE WRATH OF LOVE only be felt, and but for the good;’ Series: LYRICS C384 Unamended unidentified 1867 12 lines ‘To have the heart misread cutting. ?People’s Advocate 1857 by one’ A96 A LOVER’S DAY AND NIGHT see Title: THE WRATH OF LOVE RECORDS OF A POET’S LOVE: XIV Series: POEMS IN EARLY LIFE and XV 1867 24 lines ‘To have the heart misread by One’ A LOVER’S LONGING… see A88 RECORDS OF A POET’S LOVE: V AN ANALYTICAL FINDING LIST 63

A LOVER’S QUARREL—AND THE 1857 6 lines ‘A pilgrim of old who was RESULT hungering madly,’ 1867 36 lines ‘She was all my heart’s C384 Ø (p. 31) Unamended cutting desire,’ Empire 8 July A96 1861 6 lines ‘A Pilgrim of old who was Series: POEMS IN EARLY LIFE hungering madly,’ C384 (p. 97) Unamended cutting LOVE’S DOINGS Braidwood Dispatch July. Paper and 1858 68 lines ‘I know not why it is so—’ date identified by lightbox reading Empire 15 Feb. No. XVI in Series: BITS 1860 68 lines ‘I know not why it is so—’ 1867 6 lines ‘A Pilgrim of old who was A87–2 hungering madly’ ? Series : RHYMES, A87–1 HUMOUROUS (sic) POEMS, EPIGRAMS, ETC. in A87–1 LUTHER AND KNOX 1863 14 lines ‘There are two kinds of LOVE’S EVEN SONG moral heroes. One’ 1837 24 lines ‘Fast fade the hues in the Sydney Morning Herald 27 May cheek of the west,’ 1863 14 lines ‘There are two kinds of Australian 18 July moral heroes. One’ A90 LOVE’S EVERLASTING IDENTITY No. XLII in Series: SONNETS see LOVE AND SONG 1866 14 lines + N ‘There are two kinds of moral heroes. One’ LOVE’S MEMORIES see A LYRICAL A95 (p. 41 ) LOVE STORY 3: 1 No. XXVII in Series: MISCELLANEOUS SONNETS LOVE’S STILL HOUR see A LYRICAL 1867 14 lines + N ‘There are two kinds of LOVE STORY 1: 8 Heroism. One’ A95 (p. 126) LOYALTY. (NATIONAL PAEAN) see Series: PERSONAL AND OTHER AN ANTHEM FOR THE SONNETS AUSTRALASIAN LEAGUE 1867 14 lines + N ‘There are two kinds of Heroism. One’ LUCK OUT OF SEASON A87–1 1856 6 lines ‘A pilgrim of old who was Series: PERSONAL AND OTHER hungering madly,’ SONNETS People’s Advocate 29 Nov. No. 18 Part III: BITS OF A LYRICAL LOVE STORY PHILOSOPHY, CAUSTIC AND 1: 1 The Charmer OTHERWISE in Series: SONGS, 1848 12 lines + N ‘Yonder’s my Chosen EPIGRAMS, NOTES, AND One—look boys!—yon Creature’ OPINIONS, ETC. C382 1857 6 lines ‘A pilgrim of old who was Untitled hungering madly,’ No. I in incomplete Series: SONGS Empire 8 July OF PASSION No. VIII in Series: RHYMED 1863 16 lines + N ‘Yonder’s the charming APHORISMS AND BITS OF One—look you! yon Creature’ PHILOSOPHY A90 64 THE POEMS OF CHARLES HARPUR

1867 16 lines ‘Yonder’s the charming 1: 6 Bower Building One—look you!—yon Creature’ 1842 36 lines ‘Idalia, in thy favorite shade’ A96 Australasian Chronicle 15 Oct. Series: POEMS IN EARLY LIFE Title: THE BOWER 1: 2 The First Thrill No.1 in Series: AUSTRALIAN 1863 14 lines ‘Her hand to mine was laid’ LYRICS A90 1842 34 lines ‘Idalia, in thy favourate (sic) 1867 14 lines ‘Her hand in mine was laid’ shade’ A96 Portland Guardian 26 Nov. Series: POEMS IN EARLY LIFE Title: THE BOWER 1: 3 Love Budding No. 1 in Series: AUSTRALIAN 1849 14 lines ‘I sang her bright songs, not LYRICS of splendor and fashion,’ 1863 25 lines ‘My sweet One, in our Parkes Correspondence MS 947 favorite shade’ Letter 28 June A90 Title: HOW I WOO’D AND WON 1867 25 lines ‘My sweet One, in our MY TRUE LOVE favorite shade’ 1863 14 lines ‘I sang her bright songs,— A96 not of splendor and fashion,’ Series: POEMS IN EARLY LIFE A90 1: 7 Love in Vision 1867 14 lines ‘I sang her bright songs,— 1863 16 lines ‘Three Visions of Love I not of splendor and fashion,’ have wrought into numbers’ A96 A90 Series: POEMS IN EARLY LIFE 1867 16 lines ‘Three Visions of Love I 1: 4 Love Budded have wrought into numbers’ 1863 24 lines ‘The mimosas are A96 blooming,’ Series: POEMS IN EARLY LIFE A90 1: 8 Love’s Still Hour 1867 24 lines ‘The mimosas are blooming’ 1858 25 lines ‘O come to the stream- A96 illumed grove, Lady!’ Series: POEMS IN EARLY LIFE Empire 6 Jan. see also A SONG FOR THE SPRING Title: THE STILL HOUR OF LOVE TIME No. I in Series: A GARLAND OF 1: 5 Love Confident WILD FLOWERS 1860–61 16 lines ‘I’m admired by the Girl I 1862–63 26 lines ‘O come to the stream- admire,’ illumined grove, Lady!’ A87–2 (p. 637) Ø C384 Ø Cutting Empire 6 Jan. 1858 Title: MUTUAL LOVE with handwritten alterations 1863 16 lines ‘I’m admired by the One I Title: THE STILL HOUR OF LOVE admire!’ 1863 33 lines ‘O come to the rill-girdled A90 grove—’ 1866 14 line untitled fragment ‘In the A90 Being that fills me with rapturous 1867 33 lines ‘O come to the rill-girdled fire’ grove—’ A87–2 (p. 615) A96 1867 16 lines ‘I’m admired by the one I Series: POEMS IN EARLY LIFE admire!’ A96 Series: POEMS IN EARLY LIFE AN ANALYTICAL FINDING LIST 65

1: 9 The Bower by Moonlight 1853–55 18 lines ‘O say, if into sudden 1851–53 10 lines ‘It is steeped rich in storm’ moonlight, this summer Alcove,—’ A98–1 Cutting Bushrangers 1853 C376 with handwritten alteration Series: A PORTION OF CHARLES Title: THE ENQUIRY HARPUR’S WILD BEE OF 1860–61 18 lines ‘If into desolating storm’ AUSTRALIA A87–2 1853 13 lines ‘The leaf-glancing boughs of Title: THE ENQUIRY the o’erdoming trees’ 1863 18 lines ‘O say, if into sudden storm’ Bushrangers, p. 110 A90 Untitled [Stanza 2 of the Bower by 1867 18 lines ‘O say, if into sudden storm’ Moonlight] A96 1853–55 13 lines ‘The leaf-glancing Series: POEMS IN EARLY LIFE boughs of the o’erdoming trees’ 2: 2 Accusations A98–1 Cutting Bushrangers 1853 1863 40 lines ‘Helouise, when faith is with handwritten alterations breaking,’ Untitled [Stanza 2 of the Bower by A90 Moonlight] 1867 40 lines ‘Helouise, when faith is 1860 35 lines ‘It is steeped rich in breaking’ moonlight, yon Summer alcove—’ A96 A87–2 Series: POEMS IN EARLY LIFE Series: BITS 2: 3 Gramachree 1862–63 5 line untitled fragment ‘And, mid 1847 32 lines + N ‘She said her heart was blooms of the garden, wild wholly mine,’ amaranths rare’ C382 C384 1863 32 lines ‘She said her heart was only 1863 36 lines ‘It is steeped rich in mine,’ moonlight, yon Summer alcove,’ A90 A90 1867 32 lines ‘She said her heart was only 1867 36 lines ‘It is steeped rich in mine,’ moonlight, yon Summer alcove’ A96 A96 Series: POEMS IN EARLY LIFE Series: POEMS IN EARLY LIFE 2: 4 Wilding Away 1: 10 Love at its Height 1863 32 lines ‘Ye woods where I’ve sung 1863 20 lines ‘When with my heart’s elect like a bird—’ One,—how’ A90 A90 1867 32 lines ‘Ye woods where I’ve sung 1867 20 lines ‘When with my heart’s elect like a bird—’ One,—how’ A96 A96 Series: POEMS IN EARLY LIFE Series: POEMS IN EARLY LIFE 2: 5 The Apology 2: 1 Doubts 1863 24 lines ‘If, when its highest tone’ 1853 18 lines ‘O say, if into sudden storm’ A90 Bushrangers, p. 105 1867 24 lines ‘If, when its highest tone’ Title: THE ENQUIRY A96 Series: POEMS IN EARLY LIFE 66 THE POEMS OF CHARLES HARPUR

2: 6 Loneness of Heart 1847 96 lines + N ‘Come Alan, I will 1858 16 lines ‘Ah! bid me not new flood the bowl,’ pleasures chase,’ C382 Empire 8 Feb. Title: THE CAROUSE OF Title: THE LONENESS OF DESPAIR [A LAY OF PASSION] SORROW 1863 96 lines ‘Come Alan, I will flood the 1858 16 lines ‘Ah! bid me not new bowl,’ pleasures chase,’ A90 C384 Ø Unamended cutting Empire 1867 96 lines ‘Come Alan, I will flood the 8 Feb. bowl,’ Title: THE LONENESS OF A96 SORROW Series: POEMS IN EARLY LIFE 1863 16 lines ‘Ah! bid me not new 3: 3 Calming Down pleasures chase,’ 1851 32 lines ‘Here would I solitary A90 range,’ 1867 16 lines ‘Ah! bid me not new C376 [Untitled: included in note to pleasures chase,’ CONSOLATION] A96 1863 28 lines ‘Here would I solitary Series: POEMS IN EARLY LIFE range’ 3: 1 The Message A90 1835 40 lines ‘You tell me, she yet talks of 1867 28 lines ‘Here would I solitary me,’ range’ Australian 12 June A96 Title: LOVE’S MEMORIES Series: POEMS IN EARLY LIFE 1842 50 lines ‘You tell me, yet to talk 3: 4 Grief Refining into Melancholy she’s prone’ 1863 15 lines ‘The Past is flowing through Australasian Chronicle 24 Nov. my thoughts—’ No. 7 in Series: AUSTRALIAN A90 LYRICS 1867 15 lines ‘The past is flowing through 1863 50 lines ‘You tell me she yet talks of my thoughts—’ me,’ A96 A90 Series: POEMS IN EARLY LIFE 1867 50 lines ‘You tell me she yet talks of see also THE PAST me,’ 3: 5 Relief at Last A96 1863 16 lines ‘Love not in over-measure,’ Series: POEMS IN EARLY LIFE A90 3: 2 The Carouse 1867 16 lines ‘Love not in over measure,’ 1835 47 lines ‘Come Alan I will fill the A96 bowl,’ Series: POEMS IN EARLY LIFE Australian 2 June see also STANZAS ‘Let pleasure be thy Title: THE BROKEN HEART’S duty’ and LOVE IN THE PAST A90 CAROUSE (p. 309) 1846 96 lines ‘Come Alan, I will flood the bowl,’ THE MAIDEN I LEFT BEHIND ME see Maitland Mercury 22 July LOVE IN THE PAST: 3 Title: THE CAROUSE OF DESPAIR (A LAY OF PASSION) AN ANALYTICAL FINDING LIST 67

A MAN CAN ONLY BE JUDGED BY 1847 14 lines ‘Want ground the faces of HIS PEERS the Prophets old;’ 1860 6 lines ‘My Lilius, never deign to Maitland Mercury 13 Jan. heed’ 1847 14 lines + N ‘Want ground the faces A87–2 of the Prophets old;’ Series: BITS C382 1861 6 lines ‘My Lilius, never deign to heed’ MARVELLOUS MARTIN I C384 Unamended cutting Braidwood 1853 2 lines Epigraph only: An old Dispatch July. Paper and date draught of him (from an unpublished identified by lightbox reading satire) as a new-fledged attorney and No. XXIV in Series: BITS sub-editor. People’s Advocate 17 Dec. THE MAN GOD see ECCE HOMO 1853–56 24 lines ‘I looked, and saw a low- browed Creature pass,’ A MAN SHALL BE A MAN YET C376 [Epigraph from People’s 1863 48 lines ‘It must be in Man’s Advocate with handwritten text fortunes,’ added] A90 see also THE TEMPLE OF INFAMY Series: LYRICS lines 132–156 1864 48 lines ‘It must be in man’s fortunes,’ MARVELLOUS MARTIN II Sydney Times 30 Apr. 1853 35 lines + N ‘Who sees him walk the 1864 48 lines ‘It must be in man’s street, can scarce forbear’ fortunes,’ People’s Advocate 17 Dec. A87–1 Unamended cutting ST 30 Apr. 1853 35 lines + N ‘Who sees him walk the 1867 48 lines ‘It must be in Man’s street, can scarce forbear’ fortunes,’ C376 Unamended cutting PA 17 Dec. A96 Series: POEMS IN EARLY LIFE MARY see TO MARY

THE MAN WHO DREAMT A MIGHTY MARY, BEFORE US SWELLS THE DREAM see SONNETS DEDICATED SEA see A POET’S WIFE TO AUSTRALIAN SENATORS: XII MARY ARDEN THE MANIFOLD HILLS, FORSAKEN 1863 44 lines ‘When a simple English OF THE SUN see AUTUMNAL Maiden’ LEAVES: 2 and GENIUS LOST. THE A90 SORROWS Part Six: SEMI CHORUS Series: LYRICS 1864 44 lines + N ‘When a simple English THE MARCH OF KNOWLEDGE see A maiden,’ WAR SONG FOR THE NINETEENTH Sydney Times 25 June CENTURY 1866 44 lines + N ‘When a simple English maiden,’ THE MARTYRS OF FORTUNE A87–1 Cutting ST 25 June 1864 with 1845 12 lines ‘Want ground the faces of minor handwritten alterations the Prophets old,’ Weekly Register 19 July Title: STANZES (sic) 68 THE POEMS OF CHARLES HARPUR

1866 44 lines (I–IV) ‘When a simple MARY OF EULENGO English maiden,’ 1851 24 lines + N ‘Of Womankind the C381 Unidentified cutting ?Moruya dearest,’ Examiner with minor handwritten C376 (p. 98) alterations 1867 44 lines + N ‘When a simple English MARY’S LOVE maiden’ 1851 12 lines ‘Forget him I cannot— A88 forsake him I will not!’ Series:LYRICS C376 Ø 1867 44 lines + N ‘When a simple English No. III in Series: A STRING OF maiden’ PEARLS A92 1867 12 lines ‘Forget him I cannot— Series: ODES AND LYRICS forsake him I will not!’ 1883 38 lines ‘When a simple English A96 maiden,’ Series: POEMS IN EARLY LIFE Poems, p. 89 Rpt. Popular Edition paperback 1899 THE MASTER MARINER’S SONG see 1888 38 lines ‘When a simple English OUTWARD BOUND maiden,’ Australian Poets 1788–1888, p. 212 MATINS see MUSE-WORSHIP: 4

MARY OF EULENGO MATRIMONIAL ASSORTMENT 1843 32 lines ‘Let those who worship 1856 4 lines + N ‘The strong are mated fashion sigh’ with the weak,’ Maitland Mercury 26 Aug. People’s Advocate 30 Aug. Title: THE LASS OF ULENGO (sic) No. 11 Part II in Series: SONGS, 1850/51 32 lines ‘Let those who worship EPIGRAMS, NOTES, AND Fashion sigh’ OPINIONS, ETC. Songs of Australia. First Series 1856 4 lines + N ‘The strong are mated Sighted only by lightbox reading of with the weak,’ pages in A92 A92 Unamended cutting PA 30 Aug. Title: THE LASS OF EULENGO 1851 32 lines + N ‘Let those who worship THE MEDITATED DECLARATION see Fashion sigh’ RECORDS OF A POET’S LOVE: X C376 (p. 95) Title: THE LASS OF EULENGO MEER (sic) ART MAY MAKE A POEM 1863 32 lines ‘Let those who worship SMOOTH AS SATIN… see THE Fashion sigh’ PATHETIC A87–2 Series: SONGS, ODES, AND MELODY see AUSTRALIA HUZZA OTHER LYRICS 1869–70 32 lines + N ‘Let those who MELODY. TO THE HARP OF worship Fashion sigh’ AUSTRALIA see TO THE LYRE OF C381 Cutting ?Moruya Examiner AUSTRALIA Title: THE LASS OF EULENGO MEMORY’S GENESIS 1835 35 lines ‘Few men methinks can look behind,’ Australian 10 July AN ANALYTICAL FINDING LIST 69

1847 29 lines + N ‘How few through METHINKS I KNOW THE SIGNS OF Memory’s dreamy scope,’ PASSION WELL see FRAGMENT C382 (pp. 18, 23) No. V in Series: RHYMES THE MIDNIGHT MOON IS RIDING 1847 29 lines + N ‘How few through RIGHT ALOFT Memory’s dreamy scope,’ 1855 6 lines ‘The midnight Moon is right Sydney Chronicle 30 Nov. aloft,’ 1849 29 lines + N ‘How few through B78 Memory’s dreamy scope,’ Untitled C376 Cutting SC 30 Nov. 1847 with 1867 6 lines ‘The midnight moon is riding handwritten alterations right aloft,’ 1853 29 lines ‘How few through A87–1 Memory’s dreamy scope,’ Untitled Bushrangers, p. 91 Series: BITS 1853–55 29 lines + N ‘How few through Memory’s dreamy scope,’ A MID-SUMMER NOON IN THE A98–1 Cutting Bushrangers 1853 AUSTRALIAN FOREST with handwritten alterations 1851 32 lines ‘Not a bird disturbes (sic) 1863 34 lines ‘How few with Memory the air,’ musing mute,’ C383 A87–2 Ø Title: NOON IN THE FOREST AT Series: SONGS, ODES, AND MIDSUMMER OTHER LYRICS 1858 40 lines ‘Not a bird disturbs the air,’ 1867 34 lines ‘How few with Memory Empire 28 Jan. mussing (sic) mute,’ Title: A MID-SUMMER NOON IN A96 THE FOREST Series: POEMS IN EARLY LIFE 1862 42 lines ‘Not a bird disturbs the air,’ Empire 31 July THE MERIT OF SOBRIETY 1863 42 lines ‘Not a bird disturbes (sic) 1857 6 lines ‘To him whose nature craves the air,’ not drink’ A89 Empire 8 July Title: A MID-SUMMER NOON IN No. XII in Series: RHYMED THE FOREST APHORISMS AND BITS OF 1867–68 42 lines ‘Not a bird disturbs the PHILOSOPHY air,’ 1861 6 lines ‘To him whose nature craves A97 not drink,’ 1883 42 lines ‘Not a sound disturbs the C384 Unamended cutting Braidwood air,’ Dispatch July. Paper and date Poems, p. 118 identified by lightbox reading. Rpt. Popular Edition paperback 1899 No. VI in Series: BITS 1888 42 lines ‘Not a sound disturbs the air,’ THE MERIT OF THE GREAT GUN OF Australian Poets 1788–1888, p. 208 THE CRIMEAN WAR FUND… see THE 1895 x lines ‘first line’, GREAT GUN OF THE AUSTRALIAN- Victorian Anthology 1837–1895 CRIMEAN-WAR-FUND… Not sighted

THE MESSAGE see A LYRICAL LOVE STORY 3: 1 70 THE POEMS OF CHARLES HARPUR

A MID-SUMMER NOON IN THE THE MINSTREL’S LAST LAY FOREST see A MID-SUMMER NOON 1835 117 lines ‘Yet once again my broken IN THE AUSTRALIAN FOREST lyre’ Sydney Monitor 23 May A MID-WINTER MORNING 1853 12 lines ‘It is Morn—and the frost- MISANTHROPICAL GOODNESS bleaching hills are all white,’ 1857 16 lines ‘A good man may be Empire 5 Feb. sometimes misanthropical:’ Title: A WINTER MORNING Empire 8 July 1858 12 lines ‘’Tis Morn—and the frost- No. X in Series: RHYMED bleached hills are all white,’ APHORISMS AND BITS OF Empire 28 Jan. PHILOSOPHY 1858 12 lines ‘’Tis Morn—and the frost- bleached hills are all white,’ MISERY see GENIUS LOST. THE C384 Unamended cutting Empire SORROWS Part Three 28 Jan. THE MISTAKE MILITARY MERIT 1851 8 lines ‘A poet once, who heard a 1856 2 lines + N ‘Were all men with true voice he thought he knew,’ courage fired,’ People’s Advocate 1 Mar. People’s Advocate 26 Apr. No. X in Series: A STRING OF No. II in Series: EPIGRAMS, EPIGRAMS (FROM CHARLES NOTES, AND OPINIONS, ETC. HARPUR’S WILD BEE OF 1861 12 lines ‘Were all men with true AUSTRALIA) courage fired’ C384 Unamended cutting Braidwood MIX SWEETLY WITH THE Dispatch July. Paper and date GURGLING INTERFLOWS see identified by lightbox reading FRAGMENT No. VIII in Series: BITS MODERN POETRY MILTON see A BARD OF PARADISE 1860 9 lines ‘How I hate those modern and RHYMED CRITICISMS: III Poems’ A87–2 MILTON’S POETICAL STYLE see Series: BITS RHYMED CRITICISMS: III 1861 9 lines ‘How I hate those modern Poems’ MINE AFTER ALL see RECORDS OF A C384 Ø Unamended cutting POET’S LOVE: XXXIV(a) Braidwood Dispatch Aug.? Paper and year identified by lightbox MINE HEART IS HEAVY WITH AN reading ANCIENT SORROW see No. XXXIX in Series: BITS CONSOLATION 1865–66 9 lines ‘How I hate those modern Poems’ A “MINION OF THE MOON” see A87–1 SONNETS DEDICATED TO Part of note (r) to THE “NEVERS” AUSTRALIAN SENATORS: XIII OF POETRY

THE MINSTREL see GENIUS LOST. PRELUDE AN ANALYTICAL FINDING LIST 71

MONODIES 1883 95 lines ‘My dear, dear Charley! can I it be that thou’ 1855 15 lines ‘I stand beside my Father’s Poems, p. 171 grave. He died’ Rpt. Popular Edition paperback 1899 A87–2 (p. 660) Title: OBITUARY LINES MONODIES III see AUTUMNAL 1857 45 lines ‘I stand beside my Father’s LEAVES: 6 grave. He died’ A87–2 (p. 689) MOODS see AUTUMNAL LEAVES: 4 Title: OBITUARY LINES 1861–62 59 lines ‘I stand in thought beside THE MOON ROSE LIKE A WASTED my Father’s Grave:’ LADY see FRAGMENT A87–2 (p. 424) Title: OBITUARY LINES MOORE see RHYMED CRITICISMS: 1862 63 lines ‘I stand in thought beside XI my father’s grave:’ Sydney Morning Herald 22 Sept. MORAL see THE MORAL GREAT AND Title: OBITUARY LINES SMALL No. II in Series: POEMS OF MELANCHOLY MORAL FAITH 1863 68 lines ‘I stand in thought beside 1860 6 lines ‘Oh, could we but greatly my Father’s grave:’ believe in others,’ A89 A87–2 Title: OBITUARY LINES Series: BITS 1867 68 lines ‘I stand in thought beside 1862–63 6 lines ‘Oh, could we but greatly my Father’s grave:’ believe in others,’ A87–1 C384 Cutting Braidwood Dispatch 1883 66 lines ‘I stand in thought beside Aug.? 1861 with handwritten my father’s grave:’ alterations. Paper and year identified Poems, p. 168 by lightbox reading Rpt. Popular Edition paperback 1899 No. XXXVIII in Series: BITS II 1867 6 lines ‘Oh, could we but greatly 1867 24 lines ‘My dear dear Charley, can believe in others,’ it be that thou’ A87–1 A87–2 Ø (p. 422) Untitled Title: OBITUARY LINES Series: BITS 1867 126 lines ‘My dear, dear Charley, can it be that thou’ THE MORAL GREAT AND SMALL A87–2 (p. 495) 1856 12 lines + N ‘As heathens (pious Title: OBITUARY LINES though they seem)’ 1867 18 lines ‘In vain we ask’ People’s Advocate 2 Aug. A87–2 (p. 701) extract Ø Title: MORAL 1867 126 lines ‘My dear dear Charlie! can Poem in Prose Note to it be that thou’ VALEDICTORY BOSH A87–1 No. 8 in Series: SONGS, EPIGRAMS, NOTES, AND OPINIONS, ETC. 72 THE POEMS OF CHARLES HARPUR

1857 12 lines ‘As heathens (pious though 1863 14 lines ‘How beautiful that earliest they seem),’ burst of light’ Empire 8 July A90 No. XIV in Series: RHYMED No. I in Series: SONNETS APHORISMS AND BITS OF 1866 14 lines ‘How beautiful is that first PHILOSOPHY advance of light’ A95 Ø MORNING No. I in Series: MISCELLANEOUS 1837 14 lines ‘Most glorious is that SONNETS firstling burst of light,’ 1866 14 lines ‘How beautiful is that first Literary News 2 Dec. advance of light’ Title: SONNET A87–2 (p. 549) Pseudonym: STEBII Untitled 1845 14 lines ‘How beautiful that earliest No. XI in Series: SONNETS (IN burst of light’ CONTINUATION) Thoughts, p. 5 1866 14 lines ‘How beautiful is that first 1849 14 lines + N ‘How beautiful that advance of light’ earliest burst of light’ A87–2 (p. 551) C376 (p. 461) Untitled Series: CHARLES HARPUR’S No. XI in Series: SONNETS (IN WILD BEE OF AUSTRALIA CONTINUATION) 1849 14 lines + N ‘Most beautiful that 1867 14 lines ‘How beautiful is that first earliest burst of light’ advance of light’ People’s Advocate 1 Dec. A87–1 Series: MORSELS FROM Series: PERSONAL AND OTHER CHARLES HARPUR’S “WILD SONNETS BEE OF AUSTRALIA” see also RECORDS OF A POET’S 1853 14 lines ‘How beautiful that earliest LOVE: VIII burst of light’ Bushrangers, p. 96 MORNING 1853–55 14 lines ‘How beautiful that 1856 16 lines + N ‘With purple-tinct earliest burst of light’ fingers, Aurora is drawing’ A98–1 Cutting Bushrangers 1853 People’s Advocate 7 June with handwritten alteration Poem in prose note to No. III Part IV 1861 14 lines ‘How beautiful that earliest in Series: EPIGRAMS, NOTES, burst of light’ AND OPINIONS, ETC. Australian Home Companion Vo l. 6 1856 16 lines + N ‘With purple-tinct 1861 14 lines ‘How beautiful that earliest fingers, Aurora is drawing’ burst of light’ C380 Unamended cutting PA 7 June C384 Ø Unamended cutting AHC 1860–63 16 lines + N ‘With purple-tinct Vo l. 6 fingers Aurora’s back drawing’ 1861 14 lines ‘How beautiful that earliest A91 burst of light’ 1863 16 lines + N ‘With purple-tinct C376 (p. 363) Ø fingers Aurora’s back drawing’ No. 11 in Series: SONNETS: C377 Part of note 17 to THE DEDICATED TO WORDSWORTH KANGAROO HUNT PART TWO AN ANALYTICAL FINDING LIST 73

1867–68 16 lines + N ‘With purple-tinct THE MURDER OF THE LAMB: A fingers Aurora is drawing’ LEGEND OF THE SHEEP FOLD A97 Part of note (p) to THE 1846 291 lines ‘Just o’er the dewy KANGAROO HUNT PART TWO mountains high’ see also THE KANGAROO HUNT Penny Saturday Journal 18 Apr.; 25 Apr.; 2 May MORNING LOVE Dedication: I dedicate this Poem to 1857 24 lines ‘What now in all the world my juvenile countrymen. might move’ 1860 344 lines + N ‘O’er the heavenmost Empire 3 July verge of a mountain high’ 1862–63 24 lines ‘What now in all the Australian Home Companion Vol. 5 world might move’ pp. 148; 200; 245 C384 Ø Cutting Empire 3 July 1857 1863 382 lines + N ‘O’er the hunch of a with minor handwritten alterations mountain piled to the sky,’ 1863 24 lines ‘What now in all the world A89 might move’ 1867 397 lines + N ‘O’er the hunch of a A90 partly Ø mountain piled to the sky,’ Series: LYRICS A95 1867 24 lines ‘What now in all the world 1867 397 lines + N ‘O’er the hunch of a might move’ mountain piled to the sky,’ A96 A92 Series: POEMS IN EARLY LIFE see also LOVE IN THE PAST: 1 MUSE-WORSHIP 1: Apologetic MR. MORT’S TESTIMONIAL 1857 4 lines ‘Though Bards be egotists, 1855 4 lines + N ‘The true man values ’twere wrong to din them’ Virtue for itself,’ Empire 8 July A87–2 (p. 670) Title: THE EGOTISM OF POETS Untitled No. II in Series: RHYMED 1857? 4 lines + N ‘The true man values APHORISMS AND BITS OF Virtue for itself’ PHILOSOPHY People’s Advocate Feb/Mar.? 1860 8 lines ‘Though Bards have egotism, No. 24 in Series: SONGS, never din them’ EPIGRAMS, NOTES AND A87–2 (p. 412) OPINIONS, ETC. Title: THE EGOTISM OF POETS 1857? 4 lines + N ‘The true man values Series: BITS Virtue for itself’ 1862–63 8 lines ‘Though Bards have A87–2 (p. 796) Unamended cutting. egotism, never din them’ PA 1857? C384 Cutting Braidwood Dispatch Aug. 1861 with minor handwritten THE MOUTH-CHAFED AND SWEAT- alterations. Paper and date identified FOAMING HORSE… and MOUTH- by lightbox reading CHAFED AND SWEATING, THE Title: THE EGOTISM OF POETS STEEDS… see THE FAMOUS NIGHT No. XXV in Series: BITS SCENE IN THE VIII ILIAD 1867 8 lines ‘Though Bards be Egotistic, never din them’ A87–2 (p. 541) 74 THE POEMS OF CHARLES HARPUR

2: The Awakening 1866 14 lines ‘O Poetry! what image may 1867 14 lines ‘Of many an Influence held I start’ good and fair’ A90 (p. 137) A95 (p. 2) Untitled Untitled No. II in Series: SONNETS ON Second in Series of two: SONNETS POETS AND POETRY RELATING TO POETRY AND 1867 14 lines ‘O Poesy! what image may I POETS start’ 1867 14 lines ‘Of many Influences held A87–2 good and fair’ 6: Spiritual Assurance at its height A87–2 (p. 541) 1863 14 lines ‘O for a golden pen to write see also RECORDS OF A POET’S of thee,’ LOVE: II A90 (p. 245) 3: Retrospective Title: MY FAITH IN POETRY 1867 14 lines ‘There was in the whole No. XI in Series: SONNETS world, I once did guess,’ 1866 14 lines ‘O for a golden pen to write A87–2 (p. 541) of thee,’ see also RECORDS OF A POET’S A93 Ø LOVE: VII Title: O FOR A GOLDEN PEN! 4: Matins 1866 14 lines ‘O for a golden pen to write 1867 14 lines ‘Unfolded are the crystal of thee,’ gates of Light,’ A95 (p. 26) Ø A95 (p. 1) Title: A POET’S FAITH IN Untitled POETRY First in Series of two: SONNETS No. IV in Series: RELATING TO POETRY AND MISCELLANEOUS SONNETS POETS 1866 14 lines ‘O for a golden pen to write 1867 14 lines ‘Unfolded are the crystal of thee,’ gates of Light,’ A90 (p. 139) A87–2 (p. 542) Untitled see also RECORDS OF A POET’S No. V in Series: SONNETS ON LOVE: XVI and DELIA POETS AND POETRY 5: Introspective 1867 14 lines ‘O for a golden pen to write 1863 14 lines ‘O Poesy! what image may I of thee,’ start’ A87–2 Sydney Morning Herald 27 May 7: Wintry Results Title: MY LOVE OF POESY 1845 14 lines ‘Hapless is he who 1863 14 lines ‘O Poesy! what image may I meditates the Nine’ start’ Thoughts, p. 12 A90 (p. 261) Title: THE FATE OF POETIC Title: MY LOVE OF POESY GENIUS IN A SORDID No. XXXII in Series: SONNETS COMMUNITY 1866 14 lines ‘O Poetry! what image may 1859 18 lines ‘Hapless is he who I start’ meditates the Nine’ A95 Ø (p. 35) Australian Home Companion Vo l. 4 Untitled Title: ON THE FATE OF POETIC No. XX in Series: GENIUS IN A SORDID MISCELLANEOUS SONNETS COMMUNITY AN ANALYTICAL FINDING LIST 75

1863 18 lines ‘Hapless is he who 1865 12 lines ‘Be loyal yourself, if you’d meditates the Nine’ prove’ A90 A96 (p. 11) Unamended cutting Title: THE FATE OF POETIC dated March 1865 ?Moruya GENIUS IN A SORDID Examiner COMMUNITY Series: POEMS IN EARLY LIFE No. XIV in Series: SONNETS (1867) 1866 14 lines ‘Hapless is he who 1867 12 lines ‘Be loyal yourself, if you’d meditates the Nine’ prove’ A95 Ø (p. 30) A96 (p. 16) Untitled III: The Muse’s Ethics No. X1 in Series: 1858 20 lines ‘Hold to the right, and be MISCELLANEOUS SONNETS loyal in all things!’ 1867 14 lines ‘Hapless is he who Empire 28 Jan. meditates the Nine’ Title: A SONG FOR THE TIMES A87–2 1863 24 lines ‘Hold to the right, and be 8: Failure and Defection loyal in all things:’ 1867 14 lines ‘There’s a worn sense of A90 failure in my brain,’ Series: LYRICS A87–2 1865 28 lines ‘Hold to the right, and be see also RECORDS OF A POET’S loyal in all things:’ LOVE: XXIX A95 No. XIV in Series: LYRICS THE MUSE’S ETHICS (Sequence and 1865 28 lines ‘Hold to the right, and be individual title) loyal in all things:’ I: Speak the Truth A96 (p. 11) Unamended cutting 1863 12 lines ‘Let the truth be always dated March 1865 ?Moruya Examiner told,’ Series: POEMS IN EARLY LIFE Sydney Morning Herald 8 May (1867) 1863 12 lines ‘Let the truth be always 1867 32 lines ‘Hold to the right, and be told,’ loyal in all things:’ A90 A88 Series: LYRICS Series: LYRICS 1865 20 lines ‘Let the truth be always 1867 32 lines ‘Hold to the right, and be told,’ loyal in all things—’ A95 A92 No. XV in Series: LYRICS Series: ODES AND LYRICS 1865 24 lines ‘Let the truth be always IV: [Untitled] told,’ 1865 20 lines ‘Forward ho! forward ho!’ A96 (p. 13) Unamended cutting A96 (p. 11) Unidentified cutting dated March 1865 ?Moruya ?Moruya Examiner Examiner Series: POEMS IN EARLY LIFE Series: POEMS IN EARLY LIFE (1867) (1867) see also FORWARD HO! II: Life Ethics 1863 12 lines ‘Be loyal yourself, if you’d prove’ A90 Series: LYRICS 76 THE POEMS OF CHARLES HARPUR

THE MUSE’S FIRSTLINGS see 1860 8 lines ‘A dilettante, deep in law and GENIUS LOST. THE SORROWS Part politics,’ Three A87–1 Title: A DILETTANTE MUSIC see THE INEFFABLE Series: RHYMES, HUMOUROUS (sic) POEMS, EPIGRAMS, ETC. A MUSICAL REMINISCENCE 1862–63 10 lines ‘A dilettante, deep in law 1846 35 lines + N ‘From the verandah of and politics,’ yon Cottage, clumped’ C384 Cutting Braidwood Dispatch Maitland Mercury 3 June July 1861 with handwritten Title: LINES. OCCASIONED BY alterations. Paper and date identified HEARING AN AIR ON THE by lightbox reading FLUTE, WHILST TRAVELLING No. XIII in Series: BITS ALONG THE HUNTER… 1867 10 lines ‘A dilettante, deep in law 1867 52 lines ‘Here, as I wander where the and politics,’ Hunter draws’ A87–2 A87–1 No. IV in Series: A STRING OF EPIGRAMS MUSINGS see FINALITY “MY FRIENDS” MUTUAL LOVE see A LYRICAL LOVE 1860 14 lines ‘’Tis a very sad thing to be STORY 1: 5 true,’ A87–1 MY FAITH IN POETRY see MUSE- Series: RHYMES, HUMOUROUS WORSHIP: 6 (sic) POEMS, EPIGRAMS, ETC.

MY FIRST SONG MY HEART IS HEAVY WITH AN 1858 20 lines ‘The voice of the city with ANCIENT SORROW— see pleasure is loud,’ CONSOLATION Empire 15 Feb. 1858 20 lines ‘The voice of the city with MY LOVE pleasure is loud,’ 1846 20 lines ‘She was not beautiful, they C384 Unamended cutting Empire 15 said,’ Feb. Maitland Mercury 9 Sept. 1846 20 lines ‘She was not beautiful, they MY FRIEND JACQUES said,’ 1856 Subtitles: Friend A: 4 lines ‘Were he C376 Unamended cutting MM 9 only in earnest as much as he seems;’ Sept. Friend B: 4 lines ‘Were his frame 1851 20 lines + N ‘She was not beautiful, like his mind, he were terribly tall!’ they said,’ Friend C: 8 lines ‘A dilettante, deep A87–2 in law and politics,’ 1851 20 lines + N ‘She was not beautiful, People’s Advocate 20 Sept. they said.’ Title: CHARACTERISTICS People’s Advocate 28 May No. 12 Part II in Series: SONGS, No. 6 Part II in Series: BEING EPIGRAMS, NOTES, AND LEAVES FROM CHARLES OPINIONS, ETC. HARPUR’S WILD BEE OF AUSTRALIA AN ANALYTICAL FINDING LIST 77

MY LOVE OF POESY see MUSE- 1866 14 lines ‘O Liberty! yet build thee an WORSHIP: 5 august’ A95 Ø MY ONLY HATE No. VII in Series: 1860 25 lines ‘I never thoroughly abhorred MISCELLANEOUS SONNETS a creature,’ A87–2 (p. 408) MY SABLE FAIR ? Series : RHYMES, HUMOUROUS 1849 24 lines + N ‘The Maidens of (sic), POEMS, EPIGRAMS, ETC. in Bushton are rare and bright,’ A87–1 C376 Ø 1861–62 25 lines ‘I never utterly abhorred Series: CHARLES HARPUR’S a creature,’ WILD BEE OF AUSTRALIA A87–2 (p. 427) see also THE HUNTER’S INDIAN DOVE MY OWN WILD BURNS… see RHYMED CRITICISMS: IX THE NAME OF MARY 1855–57 6 lines + N ‘“What’s in a MY POLITICAL BELIEF name?”—you know the rest,’ 1845 14 lines ‘O Liberty, yet build Thee an A87–2 august’ Thoughts, p. 13 THE NAME OF WASHINGTON see Title: LIBERTY GEORGE WASHINGTON 1851 14 lines + N ‘O Liberty, yet build thee an august’ NAPOLEON, THE CHILD OF People’s Advocate 27 Dec. DESTINY, THE ONLY LEGITIMATE Title: THE CREED OF LIBERTY KING see A ROYAL CHILD OF 1853 14 lines ‘O Liberty, yet build thee an DESTINY august’ Bushrangers, p. 114 NATIONAL SONG see NEVER MIND 1853–55 14 lines ‘O Liberty, yet build thee an august’ NATURE’S APPARENT WANT OF A98–1 Cutting Bushrangers 1853 BENEVOLENCE with handwritten alteration 1855 22 lines ‘The man by indigestion 1859 14 lines ‘O Liberty, yet build thee an smitten’ august’ A87–2 (pp. 663, 666) Convention: and True Colonizer 1857 22 lines ‘The man by indigestion 2 Apr. smitten,’ 1861 14 lines ‘Oh, Liberty! yet build thee Empire 6 June an august’ No. V in Series: C376 Ø CHARACTERISTICS AND BITS No. 5 in Series: SONNETS: OF PHILOSOPHY DEDICATED TO WORDSWORTH 1860 23 lines ‘The man by indigestion 1863 14 lines ‘O Liberty! yet build thee an smitten,’ august’ A87–1 A90 Series: RHYMES, HUMOUROUS No. IX in Series: SONNETS (sic) POEMS, EPIGRAMS, ETC. 78 THE POEMS OF CHARLES HARPUR

NATURAL PIETY 1856 12 lines + N ‘My country, though 1849–50 14 lines ‘Give me to wander oft, rude yet, and wild, be thy nature,’ in lone devotion,’ People’s Advocate 28 June C376 Ø Title: NATIONAL SONG No. 15 in incomplete Series. No. 5 Part I in Series: SONGS, EPIGRAMS, NOTES, AND NED CONNOR see THE SPECTRE OF OPINIONS, ETC. THE CATTLE FLAT 1863 12 lines ‘My Country, though rude yet, and wild, be thy nature,’ NEITHER WILL DO A90 1849 8 lines + N ‘Winter I hate thee! In Series: LYRICS thy frigid lot there is’ 1867 12 lines ‘My Country, though rude C376 (p. 459) yet, and wild, be thy nature,’ Title: WINTER & SUMMER OR A96 NEITHER WILL SUIT Series: POEMS IN EARLY LIFE Series: CHARLES HARPUR’S WILD BEE OF AUSTRALIA THE “NEVERS” OF POESY see THE 1851 8 lines + N ‘Winter I hate thee! In “NEVERS” OF POETRY thy frigid lot there is’ C376 (p. 114) THE “NEVERS” OF POETRY/POESY Title: WINTER AND SUMMER OR 1856 Prose version c. 500 words ‘Never NEITHER WILL DO say aught in verse that you would be 1856 8 lines ‘Winter, I hate thee! In thy ashamed to say in prose;’ chilly lot it is’ People’s Advocate 20 Sept. People’s Advocate 18 Oct. No. 12 in Series: SONGS, No. 14 Part V in Series: SONGS, EPIGRAMS, NOTES, AND EPIGRAMS, NOTES, AND OPINIONS, ETC. OPINIONS, ETC. 1857 86 lines ‘Never say aught in verse, or 1861 8 lines ‘Winter I hate thee! In thy grave or gay,’ chilly lot it is’ Empire 3 Dec. A91 1857 12 line untitled fragment ‘Never, like No. I in untitled series Bennett, that most ill–mixed mess’ 1862–63 8 lines ‘Winter, I hate thee! In thy C376 (p. 618) chilly lot it is’ 1858 133 lines + N ‘Never say aught in C384 Cutting Braidwood Dispatch verse, or grave or gay’ Aug.? 1861 with handwritten Empire 9 Mar. alterations. Paper and year identified Title: THE “NEVERS” OF POESY by lightbox reading [Republished, with Additions] No. XLVII in Series: BITS 1858 14 lines + N ‘Never with plundered imagery make’ NEVER MIND B78 (pp. 62–63) 1855–57 24 lines ‘My Country! though Title: EIGHT NEW LINES FOR wild yet,’ THE “NEVERS” A87–2 1858 8 line untitled fragment ‘Or with him think, the musical in style’ B78 (p. 77) AN ANALYTICAL FINDING LIST 79

1858 8 line fragment ‘Never write slip- A NEW SONG TO A QUEER TUNE slop—never, I would say,’; 4 line 1845 36 lines ‘When John Thomas fragment ‘Or which, at best, would Wilson, who bolted’ be as sweet as honey’; 6 line Weekly Register 1 Feb. fragment ‘Or that, at best, would be Pseudonym: BY A HAWKESBURY as sweet as hony (sic)’ (all untitled) BOY C380 (pp. 134, 157, 245) 1858 161 lines + N ‘Never say aught in NEW WORDS TO AN OLD AIR see Verse, or grave or gay,’ LOVE IN THE PAST: 3 C380 (pp. 138, 136–141) Cutting Empire 9 Mar. with handwritten A NICE CHILD alterations 1849 12 lines + N ‘Give me a Child that is 1863 8 lines ‘The musical in style’ yielding though shy,’ C376 (p. 227) in prose cutting SMH C376 2 Nov. Series: CHARLES HARPUR’S Title: ON BLANK VERSE (prose WILD BEE OF AUSTRALIA article) 1849 12 lines + N ‘Give me a child that is 1863–65 198 + N ‘Never say aught in yielding though shy,’ verse, or grave or gay,’; 4 lines People’s Advocate 8 Dec. ‘Never with Martin think that words Series: MORSELS FROM alone’; 6 lines ‘And were he dead to- CHARLES HARPUR’S “WILD morrow, this is what’ BEE OF AUSTRALIA.” A90 (pp. 163, 321, 321) Title: THE ‘NEVERS’ OF POETRY THE NIGHT BIRD (p.163); WERE MARTIN DEAD? 1847 42 lines + N ‘To cheer my lonely (p. 321) dwelling shed,’ 1864 76 lines + N ‘Never say ought (sic) C382 in verse, or grave or gay,’ 1854 36 lines + N ‘To cheer my lonely Sydney Times 2 Apr.; 89 lines + N dwelling shed,’ ‘Never deem harshness the best foil People’s Advocate 6 May to raise’ Sydney Times 9 Apr.; Prose 1855–63 36 lines + N ‘To cheer my lonely note continued in Sydney Times 16 dwelling shed,’ April A92 (pp. 173, 165) Cutting PA 6 May 1866 256 lines + N ‘Never say aught in 1854 with minor handwritten Verse, or grave or gay,’ alterations A87–1 1863 36 lines ‘To cheer my lonely 1883 122 lines ‘Never say aught in verse, dwelling shed,’ or grave or gay,’ A90 Poems, p. 180 Series: LYRICS Rpt. Popular Edition paperback 1899 1867 36 lines ‘To cheer my lonely see also POINT IN POETRY dwelling shed;’ A88 THE NEW LAND ORDERS see ON THE Series: ODES NEW LAND ORDERS 1867 36 lines ‘To cheer my lonely dwelling shed,’ A87–1 Series: ODES AND LYRICS 80 THE POEMS OF CHARLES HARPUR

THE NIGHT SCENE 1863 36 lines ‘There is no guage (sic) of 1842 27 lines ‘Come, my Idalia, forth!— worth’ the night’ A87–2 Australasian Chronicle 18 Oct. Series: SONGS, ODES, AND No. 2 in Series: AUSTRALIAN OTHER LYRICS LYRICS 1863 48 lines ‘There is no guage (sic) of see also A SUMMER NIGHT SCENE worth’ A90 THE NIGHT SCENE and A NIGHT Series: LYRICS SCENE FROM HOMER see THE 1865 36 lines ‘There is no guage (sic) of FAMOUS NIGHT SCENE IN THE VIII worth’ ILIAD A95 No. VII in Series: LYRICS NIGHT WAS NEW THRONED IN 1867 36 lines ‘There is no gauge of worth’ HEAVEN, see RECORDS OF A POET’S A92 LOVE: XVII Series: ODES AND LYRICS

NO MEAN DWELLING NOON, EVENING AND EARLY NIGHT 1856 12 lines + N ‘I envy no greatness, I see NOON, EVENING, AND NIGHT bow to no pride,’ People’s Advocate 1 Nov. NOON, EVENING, AND NIGHT No. 15 Part I in Series: SONGS, 1845 14 lines ‘With what content the EPIGRAMS, NOTES, AND Forest bowers are blest,’ OPINIONS, ETC. Thoughts, p. 6 1863 16 lines ‘I envy no greatness, I bow 1851 14 lines + N ‘With what content the to no pride,’ forest bowers are blest,’ A90 People’s Advocate 28 May Series: LYRICS Title: NOON, EVENING AND 1865 16 lines ‘I envy no greatness, I bow EARLY NIGHT to no pride,’ No. 6 Part I in Series: BEING A95 LEAVES FROM CHARLES No. XVII in Series: LYRICS HARPUR’S WILD BEE OF 1867 16 lines ‘I envy no greatness, I bow AUSTRALIA to no pride,’ 1861 14 lines ‘With what content the A88 forest bowers are blest’ Series: LYRICS Australian Home Companion Vo l. 6 1867 16 lines ‘I envy no greatness, I bow 1861 14 lines ‘With what content the to no pride,’ forest bowers are blest’ A87–1 C384 Ø Cutting AHC Vo l. 6 with Series: ODES AND LYRICS minor handwritten alterations 1861 14 lines ‘With what content the NOBILITY forest bowers are blest’ 1856 36 lines ‘There is no gauge of worth’ C376 Ø Empire 10 Mar. No. 12 in Series: SONNETS: 1856–58 36 lines ‘There is no gauge of DEDICATED TO WORDSWORTH worth’ 1863 14 lines ‘With what content the C380 Cutting Empire 10 Mar. with forest bowers are blest’ handwritten alterations A90 No. II in Series: SONNETS AN ANALYTICAL FINDING LIST 81

1866 14 lines ‘With what content the OF MANY AN INFLUENCE HELD forest bowers are blest’ GOOD AND FAIR see MUSE- A95 Ø WORSHIP: 2 No. II in Series: MISCELLANEOUS SONNETS OH, COULD WE BUT GREATLY 1866 14 lines ‘With what content the BELIEVE IN OTHERS see MORAL forest bowers are blest’ FAITH A87–2 (p. 549) Untitled OLD BILLOWY HAWKESB’RY No. XII in Series: SONNETS (IN 1842 24 lines ‘Old billowy Hawkesb’ry, I CONTINUATION) see thee expanding’ 1866 14 lines ‘With what content the Australasian Chronicle 17 Nov. forest dells are blest’ No. 5 in Series: AUSTRALIAN A87–2 (p. 551) LYRICS Untitled 1850/51 24 lines ‘Old Billowy Hawkesb’ry, No. XII in Series: SONNETS (IN I see thee expanding,’ CONTINUATION) Songs of Australia. First Series. 1867 14 lines ‘With what content the Sighted only by lightbox reading of forest dells are blest’ pages in A92 A87–1 (p. 237/314) 1851 24 lines + N ‘Old billowy Series: PERSONAL AND OTHER Hawksb’ry, I see thee expanding’ SONNETS C376 Title: TWO NATIONAL SONGS TO NOON IN THE FOREST AT THE SAME MEASURE II MIDSUMMER see A MID-SUMMER 1863 24 lines ‘Old billowy Hawkesb’ry, I NOON IN THE AUSTRALIAN FOREST see thee expanding’ A87–2 NORA OR RECORDS OF A POET’S Series: SONGS, ODES, AND LOVE see RECORDS OF A POET’S OTHER LYRICS LOVE 1863 32 lines ‘Old Billowy Hawksb’ry, so bravely expanding,’ NOW SUNNY, AS THE NOONTIDE A90 HEAVENS, ARE see RECORDS OF A Series: LYRICS POET’S LOVE: III 1865 32 lines ‘Old billowy Hawksb’ry, so bravely expanding,’ O FOR A GOLDEN PEN! see MUSE- A95 WORSHIP: 6 No. XXI in Series: LYRICS 1867 32 lines ‘Old billowy Hawksbury so O POETRY! WHAT IMAGE MAY I bravely expanding,’ START see MUSE-WORSHIP: 5 A96 Series: POEMS IN EARLY LIFE OBITUARY LINES see MONODIES: I and II THE OLD BROOK see THE BROOK

THE OBVERSE see BOTH SIDES OF THE MEDAL: I

ODE TO THE MOON see TO THE MOON 82 THE POEMS OF CHARLES HARPUR

OLD RHYME: OR IF NEW, WHAT 1851 6 lines ‘’Tis held the wish, as ’tis the MATTER? lot’ 1849–51 4 lines ‘Though the Wild Bee may People’s Advocate 1 Mar. sting at times,’ No. V in Series: A STRING OF C376 (pp. 2, 29, 63) EPIGRAMS (FROM CHARLES Series: A PORTION OF CHARLES HARPUR’S WILD BEE OF HARPUR’S WILD BEE OF AUSTRALIA) AUSTRALIA 1860 6 lines ‘’Tis held the wish, as ’tis the lot,’ OLD SAM TERRY C376 1867 7 lines ‘Old Sam Terry went to a No. I in Series: A STRING OF Church meeting’ EPIGRAMS (GIVEN WITHOUT A88 COMMENT) 1861 6 lines ‘’Tis thought that when death THE OLDEN WARRIOR sends us packing,’ 1849 557 lines + N ‘Now shall the bold C384 (p. 101) Unamended cutting Invaders bleed!’ Braidwood Dispatch July. Paper and A92 date identified by lightbox reading No. XXI in series BITS THE OMNIPRESENCE OF GOD. 1862–63 8 line untitled fragment + N ‘And BEING A PARAPHRASE OF A PART now my text’ OF THE 139 PSALM C384 (p. 18) 1851 16 lines ‘Whither—whither might I see also A CHARACTERISTIC fly’ EPITAPH FOR A LATELY DECEASED C383 ABLE DEALER 1863 16 lines ‘Whither—whither might I fly’ ON A FAT OLD CHEAT WHO DIED OF A87–2 A SURFEIT 1866 16 lines ‘Whither—whither might I 1851 6 lines ‘He’s gone!—a sleek old fly’ sinner,’ C381 Unamended cutting Moruya People’s Advocate 1 Mar. Examiner. Paper identified by Title: ON THE DECEASE OF A lightbox reading FAT OLD RASCAL WHO DIED OF A SURFEIT ON— see TO W. A. DUNCAN ESQ. No. VI in Series: A STRING OF EDITOR… EPIGRAMS (FROM CHARLES HARPUR’S WILD BEE OF ON A BUSH JUSTICE LEARNED IN AUSTRALIA.) THE LAW see ON A SUPER-LEGAL 1860 4 lines ‘He’s gone!—a sleek old MAGISTRATE Sinner,’ C376 ON A DEFUNCT MISER Title: ON THE DECEASE OF A 1846 6 lines ‘’Tis held the wish, as ’tis the FAT OLD RASCAL WHO DIED OF lot,’ A SURFEIT Maitland Mercury 26 Aug. No. II in Series: A STRING OF Title: EPITAPH FOR A MISER EPIGRAMS (GIVEN WITHOUT 1847 14 lines + N ‘Here into dust is COMMENT) stealing’ C382 AN ANALYTICAL FINDING LIST 83

1860 6 lines ‘A crafty, sleek old sinner,’ 1861 10 lines ‘Squire Gabble’s A87–1 restlessness of jaw’ Series: RHYMES, HUMOUROUS C384 Unamended cutting Braidwood (sic) POEMS, EPIGRAMS, ETC. Dispatch July. Paper and date 1861 6 lines ‘A crafty, sleek old Sinner’ identified by lightbox reading C384 Unamended cutting Braidwood Title: A LAW-MUNCHING BUSH Dispatch July. Paper and date JUSTICE identified by lightbox reading No. III in Series: BITS No. XIV in Series: BITS 1867 10 lines ‘Squire Gabble’s 1867 6 lines ‘A crafty, sleek old Sinner,’ restlessness of jaw’ A87–2 A87–2 (p. 548) No. III in Series: A STRING OF No. V in Series: A STRING OF EPIGRAMS EPIGRAMS

ON A GAY PRINTER ON BLANK VERSE see THE “NEVERS” OF POETRY/POESY 1860 4 lines ‘One asked a Punster, whence could flow’ ON COMPLETING A BOOK C376 1851 14 lines ‘My work is finish’d that No. IV in Series: A STRING OF hath been to me’ EPIGRAMS (GIVEN WITHOUT Empire 5 Sept. COMMENT) Title: SONNET ON COMPLETING “THE WILD BEE OF AUSTRALIA” ON A LAW-MAD BUSH JUSTICE see Qtd in Deniehy’s lecture MODERN ON A SUPER-LEGAL MAGISTRATE ENGLISH POETRY 1853 14 lines ‘My Work is finished that ON A SUPER-LEGAL MAGISTRATE hath been to me’ 1855 8 lines ‘Poor ******’s rabidness of Empire 20 June jaw’ 1863 14 lines ‘My Work is finished that People’s Advocate 31 Mar. hath been to me’ Title: EPIGRAM ON A LAW-MAD A90 BUSH JUSTICE No. XXXIX in Series: SONNETS No. II in Series: SATIRICAL 1866 14 lines ‘My Work is finished that EFFUSIONS hath been to me’ 1855 8 lines ‘Poor ******’s rabidness of A95 (p. 37) jaw’ No. XXIII in Series: C380 Unamended cutting PA 31 Mar. MISCELLANEOUS SONNETS Title: EPIGRAM ON A LAW-MAD 1867 14 lines ‘My Work is finished that BUSH JUSTICE has been to me’ 1855 8 lines ‘Poor Gaggen’s rapid gift of A95 (p. 114) jaw’ Series: PERSONAL AND OTHER A87–2 (p. 686) SONNETS Title: ON A BUSH JUSTICE 1867 14 lines ‘My Work is finished that LEARNED IN THE LAW has been to me’ 1860 10 lines ‘Squire Gabble’s A87–1 restlessness of jaw’ Series: PERSONAL AND OTHER A87–2 (p. 411) SONNETS Title: ON A LAW-MAD BUSH JUSTICE Series: BITS 84 THE POEMS OF CHARLES HARPUR

1883 14 lines ‘My work is finished that ON HEARING THAT SIR CHARLES has been to me’ NICHOLSON WAS GOING TO Poems, p. 321 ENGLAND Title: THE END OF THE BOOK 1856 7 lines ‘So Sir Charles goeth home, Rpt. Popular Edition paperback 1899 with his coals to Newcastle,’ People’s Advocate 7 June ON FIRST SEEING ROSA see No. III Part II in Series: PETRARCHIAN MUSINGS and EPIGRAMS, NOTES, AND RECORDS OF A POET’S LOVE: I OPINIONS, ETC. 1856 7 lines ‘So Sir Charles goeth home, ON FIRST SEEING ROSA DRESSED with his coals to Newcastle,’ IN WHITE see RECORDS OF A POET’S C380 Unamended cutting PA 7 June LOVE: IV ON INTELLECTUAL PRIDE AND ON FIRST WALKING IN THE SELF-EXAGGERATION FIELDS… see RECORDS OF A POET’S 1843 30 lines ‘There is an enemy that LOVE: I dwells’ Maitland Mercury 30 Sept. ON HEARING THAT CERTAIN LOW FELLOWS HAD DEFAMED ME ON LEAVING XXX, AFTER A 1848 6 lines ‘I could not be so mere an RESIDENCE THERE OF SEVERAL ass’ MONTHS C382 1863 66 lines ‘Though well nigh one Title: EPIGRAM whole year I’ve dwelt’ 1851 6 lines ‘I could not be so mere an A87–2 partly Ø ass,’ Series: SONGS, ODES, AND C376 OTHER LYRICS Title: EPIGRAM 1867 66 lines ‘Though well nigh a whole 1851 6 lines ‘I could not be so mere an year I’ve dwelt’ ass,’ A96 People’s Advocate 1 Mar. Series: POEMS IN EARLY LIFE Untitled No. I in Series: A STRING OF ON NERVELESS, TUNELESS LINES EPIGRAMS (FROM CHARLES HOW SADLY see POSE POETRY HARPUR’S WILD BEE OF AUSTRALIA) ON SEEING HER DRESSED IN 1860 6 lines ‘I were indeed a very ass’ WHITE see PETRARCHIAN MUSINGS A87–2 and RECORDS OF A POET’S LOVE: IV ? Series : RHYMES, HUMOUROUS (sic) POEMS, ON THE DEATH OF A BOY see THE EPIGRAMS, ETC. in A87–1 DEATH OF A BOY

ON THE DEATH OF A YOUNG LADY 1837 32 lines ‘I saw thee late—a peerless maid,’ Literary News 9 Dec. Pseudonym: STEBII AN ANALYTICAL FINDING LIST 85

ON THE DEATH OF AN INFANT 1855 14 lines + N ‘I see the “old man RELATIVE eloquent” arise’ 1835 23 lines ‘And art thou gone? so early C381 Unamended cutting PA 5 May gone?’ Title: SONNET. ON THE Australian 12 May DISRESPECT WHICH CERTAIN Title: VERSES OCCASIONED BY MEMBERS OF THE THE DEATH OF A CHILD OF THE LEGISLATIVE COUNCIL ARE IN MEASLES THE VALIANT HABIT OF 1838 24 lines ‘And art thou gone? so early EVINCING TOWARDS DR. LANG gone!’ 1863 14 lines ‘I see the “old man Literary News 3 Feb. eloquent” arise’ Pseudonym: STEBII A90 1843 24 lines ‘And art thou gone, dear ON THE DISRESPECT WHICH child—so early gone?’ CERTAIN OF OUR LEGISLATORS Australasian Chronicle 18 Mar. ARE IN THE BRAVE AND Title: ELEGY: ON THE DEATH OF SEEMLY HABIT OF EVINCING ESTHER PALMER, MY SISTER’S TOWARDS DOCTOR LANG INFANT DAUGHTER No. XXIX in Series: SONNETS 1846 36 lines ‘And art thou gone—so 1866 14 lines ‘I see the “old man early gone? dear Child?’ eloquent” arise’ Maitland Mercury 5 Aug. A95 partly Ø No. XLIII in Series: ON THE DEATH OF SHELLEY see MISCELLANEOUS SONNETS THE DEATH OF SHELLEY ON THE DISRESPECT WHICH ON THE DECEASE OF A FAT OLD CERTAIN MEMBERS OF THE RASCAL … see ON A FAT OLD CHEAT LEGISLATIVE… see ON THE WHO DIED OF A SURFEIT DISRESPECT WHICH CERTAIN OF OUR LEGISLATORS… ON THE DISRESPECT WHICH CERTAIN OF OUR LEGISLATORS ON THE EASTER ILLUMINATION OF ARE IN THE UNSEEMLY HABIT OF ST. PETER’S AT ROME and THE SHOWING TOWARDS DOCTOR SAME SUBJECT CONTINUED LANG [1] 1855 14 lines + N ‘I see the “old man 1853 14 lines ‘Four thousand lamps of eloquent” arise’ gold and silver light’ People’s Advocate 5 May Empire 8 July Title: SONNET. ON THE 1863 14 lines ‘Four thousand lamps of DISRESPECT WHICH CERTAIN gold and silver light’ MEMBERS OF THE A90 Ø LEGISLATIVE COUNCIL ARE IN Title: THE EASTER THE VALIANT HABIT OF ILLUMINATION OF ST. PETER’S EVINCING TOWARDS DR. LANG AT ROME No. XXII in Series: SONNETS 1866 14 lines ‘Four thousand lamps of gold and silver light’ A95 (p. 46) No. XXXIII in Series: MISCELLANEOUS SONNETS 86 THE POEMS OF CHARLES HARPUR

1867 14 lines ‘Four thousand lamps of 1847 14 lines + N ‘I long did hope the soil gold and silver light’ of this bright clime’ A95 (p. 124) Sydney Chronicle 30 Oct Series: PERSONAL AND OTHER Title: TWO POLITICAL SONNETS I SONNETS 1847 14 lines + N ‘I long did hope the soil 1867 14 lines ‘Four thousand lamps of of this bright clime,’ gold and silver light’ C376 Unamended cutting SC 30 Oct. A87–1 Title: TWO POLITICAL SONNETS I Series: PERSONAL AND OTHER 1859 14 lines + N ‘I long did hope the soil SONNETS of this bright clime,’ 1883 14 lines ‘Four thousand lamps of Southern Cross 24 Dec. gold and silver light’ Pseudonym: A NATIVE BORN Poems, p. 243 AUSTRALIAN Rpt. Popular Edition paperback 1899 1863 14 lines ‘I long did hope the soil of [2] this bright Clime,’ 1853 14 lines ‘Transcends it? Yea! For A90 many myriads strive’ No. XL in Series: SONNETS Empire 8 July 1866 14 lines + N ‘I long did hope the soil 1863 14 lines ‘Transcends it?—Yea! For of this bright Clime,’ many myriads strive’ A95 A90 Ø No. XXIV in Series: No. XXIII in Series: SONNETS MISCELLANEOUS SONNETS 1866 14 lines ‘For myriads of thy children vainly strive’ ON THE POLITICAL AND MORAL A95 (p. 46) CONDITION OF AUSTRALIA IN 1845 No. XXXIV in Series: 1845 14 lines + N ‘My country! I am sore MISCELLANEOUS SONNETS at heart for thee!’ 1867 14 lines ‘For myriads of thy children Weekly Register 26 Apr. vainly strive’ 1845 14 lines ‘My Country, I am sore at A95 (p. 125) heart for Thee!’ Series: PERSONAL AND OTHER Thoughts, p. 13 SONNETS 1867 14 lines ‘For myriads of thy children ON THE PROPOSED RECURRENCE vainly strive’ TO TRANSPORTATION A87–1 1847 14 lines + N ‘The shame of Bondage Series: PERSONAL AND OTHER is upon the Land’ SONNETS C382 Title: THE PROPOSED ON THE FATE OF POETIC GENIUS… RECURRENCE TO see MUSE-WORSHIP: 7 TRANSPORTATION 1847 14 lines + N ‘The shame of bondage ON THE NEW LAND ORDERS is upon the Land’ 1847 14 lines + N ‘I long did hope the soil Sydney Chronicle 30 Oct. of this bright Clime,’ Title: THE PROPOSED C382 RECURRENCE TO Title: THE NEW LAND ORDERS TRANSPORTATION (1847) No. II of TWO POLITICAL SONNETS AN ANALYTICAL FINDING LIST 87

1849 14 lines + N ‘The shame of bondage 1863 20 lines + N ‘Why slight the Sonnet? is upon the Land’ Though one-thoughted, it’ C376 Cutting SC 30 Oct. 1847 with A90 minor handwritten alterations Title: ON THE SONNET Title: THE PROPOSED Series: SONNETS RECURRENCE TO 1866 20 lines + N ‘Why slight the Sonnet? TRANSPORTATION Though one-thoughted, it’ No. II of TWO POLITICAL A95 SONNETS Untitled 1863 14 lines ‘The shame of bondage is Series: MISCELLANEOUS upon the Land’ SONNETS A90 No. XXXI in Series: SONNETS ONE GREAT QUESTION ANSWERED 1866 14 lines + N (p. 59) ‘The shame of BY ANOTHER bondage is upon the Land’ 1856–58 2 lines + N ‘Why should some A95 (p. 40) suffering with each Living lot be’ No. XXV in Series: C376 MISCELLANEOUS SONNETS 1867 14 lines + N ‘The shame of bondage ONE HAPPY EVENING PASSED is upon the Land’ BESIDE YON RIVER see LOVE IN A87–1 THE PAST Series: PERSONAL AND OTHER SONNETS 131st PSALM see PSALM CXXXI

ON THE REPEAL MOVEMENT IN I37th PSALM see THE BABYLONIAN IRELAND CAPTIVITY 1847 14 lines + N ‘Since every drop of wrong-shed blood that cries’ THE ONE THING NEEDFUL Sydney Chronicle 23 Dec. 1843 84 lines ‘Good living is prime 1849 14 lines + N ‘Since every drop of without doubt,’ wrong-shed blood that cries’ Maitland Mercury 9 Dec. C376 Cutting SC 23 Dec. 1847 with minor handwritten alterations ONE TRUE TO HIS LOOK see also THE WRONGS OF POLAND 1860 8 lines ‘’Twas asked once of a Gallic wit’ ON THE SONNET A87–2 1858 13 lines ‘Why scorn the Sonnet? Series: BITS Though one-thoughted, it’ 1861 8 lines ‘’Twas asked once of a Gallic Empire 8 Feb. wit,’ Title: THE SONNET C384 Unamended cutting Braidwood 1860 20 lines ‘Why scorn the Sonnet? Dispatch July. Paper and date Though one-thoughted, it’ Ø (p. 382); identified by lightbox reading 20 lines ‘Why slight the Sonnet: No. XIX in Series: BITS Though one-thoughted, it’ (p. 388) A87–1 Title: THE SONNET Series: RHYMES, HUMOUROUS (sic) POEMS, EPIGRAMS, ETC. 88 THE POEMS OF CHARLES HARPUR

ONESIDEDNESS 1888 40 lines ‘Have the blasts of sorrow 1856 4 lines + N ‘There’s nothing straitens worn thee,’ judgement more,’ Australian Poets 1788–1888, p. 198 People’s Advocate 4 Oct. No. 13 Part VI in Series: SONGS, ORATORY EPIGRAMS, NOTES, AND 1860 6 lines ‘Good Prose is fine; good OPINIONS, ETC. Poetry is finer;’ 1856 4 lines + N ‘There’s nothing straitens A87–1 judgement more,’ Series: RHYMES, HUMOUROUS A92 Unamended cutting PA 4 Oct. (sic) POEMS, EPIGRAMS, ETC. 1861 6 lines ‘Good Prose is fine; good ONWARD Poetry is finer;’ 1854 81 lines ‘Progress! ’tis the life that C384 Unamended cutting Braidwood rages’ Dispatch Aug. Paper and date People’s Advocate 14 Jan. identified by lightbox reading 1854–58 81 lines ‘Progress! ’tis the life that No. XXXI in Series: BITS rages’ C380 Cutting PA 14 Jan. with OUR PERCEPTION AND ADMISSION handwritten alterations OF MORAL DIFFERENCES THE 1860–63 80 lines ‘Progress! ’tis the life that FOUNTAIN OF INDIVIDUAL rages’ LIBERTY C384 Ø Unamended unidentified 1851 8 lines + N ‘He is not truly wise, cutting ?Braidwood Independent or who looking through’ ?Braidwood Dispatch C376 1863 100 lines ‘Onward! ’tis the life that No. VI in Series: A STRING OF rages’ PASSING THOUGHTS (WITH OR A89 WITHOUT COMMENT) 1865 100 lines ‘Progress! ’tis the life that rages’ OUT OF EVIL GOOD SHALL COME A95 see EDEN LOST No. XXIV in Series: LYRICS 1867 80 lines ‘Progress! ’tis the life that OUTWARD BOUND rages’ 1846 24 lines ‘Away—away She plunges’ A88 Maitland Mercury 12 Aug. Series: ODES Title: THE MASTER MARINER’S 1867 80 lines ‘Progress! ’tis the life that SONG (OUTWARD BOUND) rages’ 1851 24 lines + N ‘Away—away she A87–1 plunges’ Series: ODES AND LYRICS C376 1870 100 lines ‘Progress! ’tis the life that Title: THE MASTER MARINER’S rages’ SONG (OUTWARD BOUND) Sydney Mail 26 Nov. 1851 24 lines ‘Away—away she plunges’ 1880 80 lines ‘Progress! ’tis the life that Empire 25 Sept. rages’ Title: THE MASTER MARINER’S Sydney Mail 31 July SONG (OUTWARD BOUND) 1883 40 lines ‘Have the blasts of sorrow 1853 24 lines ‘Away, away she plunges’ worn thee,’ Bushrangers, p. 109 Poems, p. 75 Title: THE MASTER MARINER’S Rpt. Popular Edition paperback 1899 SONG (OUTWARD BOUND) AN ANALYTICAL FINDING LIST 89

1853 24 lines ‘Away, away she plunges’ 1866 14 lines ‘For Outward Show we A98–1 Cutting Bushrangers 1853 barter competence,’ with handwritten alterations A95 (p. 33) Title: THE MASTER MARINER’S No. XVI in Series: SONG (OUTWARD BOUND) MISCELLANEOUS SONNETS 1853–54 5 line untitled fragment ‘Now fill 1867 14 lines ‘For Outward Show we we a full measure’ bartar (sic) competence,’ C385. Partly illegible A95 (p. 127) 1860–61 7 line untitled fragment ‘As his Series: PERSONAL AND OTHER steed obeys the Arab, how she gives SONNETS to the hand!’ 1867 14 lines ‘For Outward Show we A87–2 bartar (sic) competence,’ 1864 Slightly variant version qtd in article, A87–1 ‘Native-Born Australian Poets’, Series: PERSONAL AND OTHER Sydney Morning Herald 29 Sept. SONNETS untraced in mss or published versions. PALE AM I, WITNESSING THE 1865 24 lines ‘Away—away she plunges’ THOUSAND ILLS A95 1866 14 lines ‘Pale am I, witnessing the Title: THE MASTER MARINER’S thousand ills’ SONG (OUTWARD BOUND) A95 No. XI in Series: LYRICS Untitled 1867 24 lines ‘Away—away she plunges,’ No. XIII in Series: A88 MISCELLANEOUS SONNETS Series: LYRICS 1867 24 lines ‘Away—away she plunges,’ THE PANG OF DEATH A92 1857 8 lines ‘How great or small may be Series: ODES AND LYRICS the pang of Death,’ 1883 16 lines ‘Away, away she plunges,’ Empire 8 July Poems, p. 123 No. XVI in Series: RHYMED Rpt. Popular Edition paperback 1899 APHORISMS AND BITS OF PHILOSOPHY OUTWARD SHOW 1862–63 8 lines ‘How great or small may 1845 14 lines ‘For outward show we barter be the pang of Death,’ competence,’ C384 Ø Cutting Empire 8 July 1857 Colonial Literary Journal 20 Mar. with handwritten alterations Series: PASSING THOUGHTS. A 1867 8 lines ‘How great or small may be SERIES OF SONNETS. the pang of Death,’ 1845 14 lines ‘For Outward Show we A87–1 barter Competence,’ Untitled Thoughts, p. 11 Series: BITS 1851 14 lines ‘For Outward Show we barter competence,’ PARADISE (FROM ‘THE MILTONIAD’, C376 Ø AN UNPUBLISHED POEM) 1863 14 lines ‘For Outward Show we 1843 51 lines ‘And now from Heaven, barter competence,’ descended to the bower’ A90 Australasian Chronicle 21 Feb. No. XVII in Series: SONNETS 90 THE POEMS OF CHARLES HARPUR

PARAPHRASE, PART and VERSION 1861 8 lines ‘Mere art can make a poem OF PSALMS see relevant PSALMS smooth as satin,’ C384 Unamended cutting Braidwood THE PARTING see RECORDS OF A Dispatch Aug.? Paper and year POET’S LOVE: XX identified by lightbox reading No. XLV in Series: BITS A PASSAGE FROM “GENIUS LOST” see GENIUS LOST. THE SORROWS THE PATRIOT OF AUSTRALIA. AN Parts Five and Eight HEROIC POEM IN TEN CANTOS 1845 78 lines ‘Great Oracle of Taste! THE PASSING AWAY OF A whose mind superb’ GENERATION see AUTUMNAL Weekly Register 22 Nov. LEAVES: 5 1845 78 lines ‘Great Oracle of Taste! whose mind superb’ THE PAST A92 Unamended cutting WR 22 Nov. 1856–58 15 lines ‘The Past is flowing through my thoughts—’ PETRARCHIAN MUSINGS; OR, THE C376 HUNDRED SONNETS OF LOVE 1867 15 lines ‘The Past is flowing through 1843 14 lines ‘Why tower my spirits thus? my thoughts—’ what means this wild’ A87–1 Weekly Register 2 Sept. Series: ODES AND LYRICS Title: ON FIRST SEEING ROSA 1883 15 lines ‘The Past is flowing through 1843 14 lines ‘I never saw but one of my thoughts—’ many fair’ Poems, p. 91 Weekly Register 2 Sept. Rpt. Popular Edition paperback 1899 Title: HER PERFECTION see also A LYRICAL LOVE STORY 3: 4 1843 14 lines ‘As lustrous as the noontide heavens are’ A PASTORAL PICTURE see A RURAL Weekly Register 2 Sept. PICTURE Title: HER EYES 1843 14 lines ‘Since fortune with her THE PATHETIC precious friendship crowned me,’ 1856 4 lines + N ‘Meer (sic) Art may Weekly Register 11 Nov. make a poem smooth as satin,’ Title: ROSA’S FRIENDSHIP People’s Advocate 20 Dec. 1843 14 lines ‘Dress ever thus should No. 20 Part III in Series: SONGS, Rosa! yes, to me,’ EPIGRAMS, NOTES, AND Weekly Register 11 Nov. OPINIONS, ETC. Title: ON SEEING HER DRESSED 1856 4 lines + N ‘Meer (sic) Art may IN WHITE make a poem smooth as satin,’ 1843 14 lines ‘Oh, restless, C380 Unamended cutting PA 20 Dec. unacknowledged love! my best’ Untitled Weekly Register 11 Nov. 1860 8 lines ‘Mere art can make a poem Title: THE COMPLAINT smooth as satin,’ see also RECORDS OF A POET’S A87–1 LOVE: I, II, III, IV and X Series: RHYMES, HUMOUROUS (sic) POEMS, EPIGRAMS, ETC. AN ANALYTICAL FINDING LIST 91

PETTY PRIDE POEMS OF MELANCHOLY see THE 1851–53 8 lines + N ‘If you long in state LOSSES OF THE PAST and bide’ MONODIES: I and II C376 Title: SMALL PRIDE POESIE see POETRY Series: A PORTION OF CHARLES HARPUR’S WILD BEE OF THE POET AUSTRALIA 1861–62 40 lines ‘Both great & bountiful is 1856 8 lines + N ‘If you would in state he,’ bide,’ A87–2 People’s Advocate 12 July Title: GREAT & BOUNTIFUL No. 6 Part II in Series: SONGS, 1862 40 lines ‘Both great and bountiful is EPIGRAMS, NOTES, AND he,’ OPINIONS, ETC. A Poet’s Home [pamphlet] Sydney. 1856 8 lines + N ‘If you would in state Hanson and Bennett, “Empire” Office bide,’ 1862 40 lines ‘Both great and bountiful is A92 Unamended cutting PA 12 July he,’ Sydney Morning Herald 25 Jan. A PICTURE OF LOVE see RECORDS Title: GREAT AND BOUNTIFUL OF A POET’S LOVE:XXXIII 1862–63 40 lines ‘Both great and bountiful is he,’ A PIECE OF ADVICE FOR ALL C384 Cutting SMH with minor YOUNG MAIDS WHO WISH NEVER handwritten alterations TO BE OLD ONES Title: GREAT AND BOUNTIFUL 1848 20 lines ‘In this precarious and 1867 45 lines ‘Both great and bountiful is chance-turning world,’ he,’ A92 (pp. 48, 43) A88 Series: LYRICS THE PIRATE 1867 45 lines ‘Both great and bountiful is 1846 20 ‘See! far in the west, and from he,’ under yon cloud’ A92 Atlas, 9 May Series: ODES AND LYRICS Unsigned. ?Harpur THE POET see A RHYME ‘Blissless am THE PIRATES I, except in this’ 1834 Receipt of poem acknowledged by Sydney Times 23 Sept. Published A/THE POET BOY’S LOVE WISHES version (if any) unsighted see YEARNINGS

THE PLACID EVENING AND THE A POET TO— see TO— TWILIGHT GREY 1859 12 lines ‘The placid evening and the POETIC TRUTH twilight grey’ 1860 10 lines ‘The Poet speaketh well and Southern Cross 5 Nov. Harpur’s truly,’ paraphrase of Milton qtd in report on A87–1 Lecture on Poetry Title: A TRUTH FOR THE TRUE POET POEM ON A POEM see RHYMED Series: RHYMES, HUMOUROUS CRITICISMS: XIII (sic) POEMS, EPIGRAMS, ETC. 92 THE POEMS OF CHARLES HARPUR

1861 10 lines ‘The Poet speaketh well and 1866 14 lines ‘Rising and setting suns of truly,’ Liberty;’ C384 Unamended cutting Braidwood A90 (p. 138) Dispatch Aug.? Paper and year Untitled identified by lightbox reading No. III in Series: SONNETS ON No. XLIV in Series: BITS POETS AND POETRY 1866 14 lines + N ‘Rising and setting suns POETICAL STUDIES see RHYMED of Liberty;’ CRITICISMS WITH PROSE NOTES Sydney Morning Herald 7 Nov. Untitled POETRY No. 1 in Series: SONNETS 1845 14 lines ‘Rising and setting suns of 1866 14 lines ‘Rising and setting suns of liberty;’ Liberty;’ Colonial Literary Journal 20 Mar. A87–1 (p. 199a) Unamended cutting Title: POESIE SMH 7 Nov. Series: PASSING THOUGHTS. A Untitled SERIES OF SONNETS 1867 14 lines + N ‘Rising and setting suns 1845 14 lines ‘Rising and setting Suns of of Liberty;’ Liberty;’ A95 (p. 111) Thoughts, p. 7 Series: PERSONAL AND OTHER Title: POESIE SONNETS 1853 14 lines ‘Rising and setting suns of 1867 14 lines + N ‘Rising and setting suns Liberty—’ of Liberty;’ –1 Bushrangers, p. 92 A87 (p. 210/287) 1853 14 lines ‘Rising and setting suns of Series: PERSONAL AND OTHER Liberty—’ SONNETS A98–1 Unamended cutting POETRY AND BREAD Bushrangers 1853 1855–56 4 lines + N ‘Although we cannot 1861 14 lines ‘Rising and setting suns of eat, in very deed,’ Liberty;’ A87–2 C376 Ø 1856 4 lines + N ‘Although we cannot eat, No. 2 in Series: SONNETS: in very deed,’ DEDICATED TO WORDSWORTH People’s Advocate 1 Nov. 1863 14 lines ‘Rising and setting suns of No. 15 Part IV in Series: SONGS, Liberty;’ EPIGRAMS, NOTES, AND A90 (p. 240) OPINIONS, ETC. No. III in Series: SONNETS 1866 14 lines ‘Rising and setting suns of POETRY AND PROSE Liberty;’ 1856 8 lines + N ‘What is the true A95 (p. 26) Ø difference’ No. III in Series: People’s Advocate 6 Dec. MISCELLANEOUS SONNETS No. 19 Part III in Series: SONGS, 1866 14 lines ‘Rising and setting suns of EPIGRAMS, NOTES, AND Liberty;’ OPINIONS, ETC. A87–2 1857 8 lines ‘What is the true difference’ Untitled Empire 8 July No. XV in Series: RHYMED APHORISMS AND BITS OF PHILOSOPHY AN ANALYTICAL FINDING LIST 93

1857 8 lines ‘What is the true difference’ 1867–68 340 lines + N ‘Here in this lonely C384 Ø Unamended cutting Empire rill-engirdled spot,’ 8 July A97 1867 4 lines ‘What is the true difference ’twixt Prose and Rhyme,’ A/THE POET’S WIFE A87–1 1849 32 lines ‘Mary, before us swells the Untitled sea’ Series: BITS A92 (pp. 15, 16, 18) Title: STANZAS THE POETRY OF LOVE see RECORDS 1851 32 lines + N ‘Mary, before us swells OF A POET’S LOVE: XXXIV the sea’ C383 partly Ø THE POET’S BURIAL 1863 32 lines ‘O wert thou mine, belovëd 1867 18 lines ‘Not in the shadow of your Girl,’ pompous fanes’ A87–2 A96 1863 32 lines ‘O wert thou mine, belovëd Series: POEMS IN EARLY LIFE Girl!’ A90 A POET’S FAITH IN POETRY see Series: LYRICS MUSE-WORSHIP: 6 1867 32 lines ‘Oh wert thou mine, beloved Girl!’ A POET’S HOME A96 1842 42 lines ‘Here, in this lonely, rill Series: POEMS IN EARLY LIFE engirdled spot,’ 1867 32 lines + N ‘O wert thou mine, Australasian Chronicle 27 Sept. beloved Girl!’ Title: THE POET’S WISH. A A88 FRAGMENT Series: LYRICS 1846 42 lines ‘Then woodward whilst I drove the unharnessed steer,’ THE POET’S WISH see A POET’S Penny Saturday Journal 4 April HOME Title: EVENING AND EARLY NIGHT POINT IN POETRY 1853 144 lines ‘Here in this lonely rill- 1855 2 lines + N ‘The Muse’s work, engirdled spot,’ however fine each joint,’ Bushrangers, p. 96 A87–2 1853–55 158 lines ‘Here in this lonely rill- 1857 27 lines ‘The Poet’s work, however engirdled spot,’ fine each joint,’ A98–1 Cutting Bushrangers 1853 Empire 3 July with handwritten alterations 1862–63 27 lines ‘The Poet’s work, 1862 240 lines ‘Here in this lonely rill- however fine each joint,’ engirdled spot,’ C384 partly Ø Cutting Empire 3 July A Poet’s Home [pamphlet] Sydney. 1857 with minor handwritten Hanson and Bennett, “Empire” alterations Office 1863–65 25 lines ‘Never too much affect 1867 346 lines + N ‘Here in this lonely that polished thing’ rill-engirdled spot,’ A90 A95 see also THE “NEVERS” OF POETRY 94 THE POEMS OF CHARLES HARPUR

POINT TAKING 1860 8 lines ‘When the world’s way is 1856 4 lines + N ‘Who takes a point running East’ beyond his right,’ A87–2 (p. 416) People’s Advocate 30 Aug. Series: BITS No. 11 Part V in Series: SONGS, 1861 8 lines ‘When the world’s way is EPIGRAMS, NOTES, AND running east,’ OPINIONS, ETC. C384 Unamended cutting Braidwood Dispatch Aug. Paper and date POLEMICAL TRACTS see RHYMED identified by lightbox reading CRITICISMS: XVI Title: CONTRARY WAYS No. XXIX in Series: BITS POLITICAL CONTRADICTION see 1867 8 lines ‘When the whole world is HYBRID FREEDOM running east,’ A87–2 (p. 547) A POLITICAL GOSPEL No. I in Series: A STRING OF 1857 24 lines ‘The world’s heart is EPIGRAMS kindless and grey and unholy’ Empire 3 July THE POSTMASTER GENERAL’S 1863 24 lines ‘The world’s heart is BONES kindless and grey and unholy’ 1855–56 18 lines + N ‘And so at the heel of A90 a dollop of jaw’ Series: LYRICS A87–2 1868 24 lines ‘The worlds (sic) heart is kindless and grey and unholy’ THE POVERTY OF GENIUS and THE A97 POVERTY OF GREATNESS see WHY? 1883 24 lines ‘The world’s heart is kindless and grey and unholy,’ PRAISE LYETH WIDE IN POESY’S Poems, p. 145 DOMINION, Title: SONG 1864 8 lines ‘Praise lyeth wide in Poesy’s Rpt. Popular Edition paperback 1899 dominion,’ see also ASININE LOYALTY and A93 ABJECT PATRIOTISM Untitled epigraph to RHYMED CRITICISMS POPE see RHYMED CRITICISMS: VI PRAYER POPULAR FURORES 1851 16 lines ‘Wherever, Youth, thy lot 1856 4 lines + N ‘When the World’s way may fall,’ is running East,’ A87–2 People’s Advocate 12 July Title: THE HUMAN NECESSITY Title: THE WORLD’S WAY OF PRAYER No. 6 Part V in Series: SONGS, 1851 16 lines + N ‘Wherever, Youth, thy EPIGRAMS, NOTES, AND lot may fall,’ OPINIONS, ETC. C376 1856 4 lines + N ‘When the World’s way 1854–58 16 lines ‘Wherever, youth, thy lot is running East,’ may fall,’ A92 Unamended cutting PA 12 July C380 Unamended unidentified Title: THE WORLD’S WAY cutting AN ANALYTICAL FINDING LIST 95

PREFATORY TO A M.S. VOLUME 1856 4 lines + N ‘To hold that wealth is 1866 14 lines ‘These Sonnets! Let the funded nous,’ worldling, if he will,’ C380 Unamended cutting PA 26 Apr. A95 Ø 1860 12 lines ‘To hold that pelf is funded Title: EPILOGISTIC TO THE nous’ WHOLE A87–2 (p. 414) Ø No. LVI in Series: Series: BITS MISCELLANEOUS SONNETS 1860 15 lines ‘To hold that pelf is funded 1866 14 lines ‘These Poems! Let the nous’ Worldling, if he will,’ A87–2 (p. 415) A87–2 Series: BITS No. XV in Series: SONNETS (IN 1867 15 lines ‘To hold that pelf is funded CONTINUATION) nous’ 1867 14 lines ‘These Poems! Let the A87–1 Worldling, if he will,’ A87–1 [in four drafts] p. 14 appears THE PROPOSED RECURRENCE TO to be the earliest version; p. 13 is 2nd TRANSPORTATION see ON THE version; p. 16 is 3rd version and PROPOSED RECURRENCE TO identical with 4th version on p. 36 TRANSPORTATION Untitled 1868 14 lines ‘These Poems! Let the PROSE POETRY Worldling, if he will,’ 1856 7 lines + N ‘On edgeless, tuneless A97 lines, how sadly’ Untitled People’s Advocate 2 Aug. No. 8 Part III in Series: SONGS, PRELUDE (FRAGMENTS FROM EPIGRAMS, NOTES, AND “GENIUS LOST”) see GENIUS LOST. OPINIONS, ETC. PRELUDE 1857 8 lines ‘On pithless, tuneless lines how sadly’ PRESSURE FROM WITHOUT Empire 6 June 1856 4 lines + N ‘The surest means to No. VI in Series: solve’ CHARACTERISTICS AND BITS People’s Advocate 8 Nov. OF PHILOSOPHY No. 16 Part II in Series: SONGS, 1860 8 lines ‘On nerveless, tuneless lines EPIGRAMS, NOTES, AND how sadly’ OPINIONS, ETC. A87–1 (p. 383) 1856 4 lines + N ‘The surest means to Series: RHYMES, HUMOUROUS solve’ (sic) POEMS, EPIGRAMS, ETC. A92 Cutting PA 8 Nov. with 1861 8 lines ‘On nerveless, tuneless lines handwritten alterations to note how sadly’ C384 Unamended cutting Braidwood “PROPERTY IS FUNDED TALENT” Dispatch Aug.? Paper and year 1856 4 lines + N ‘To hold that wealth is identified by lightbox reading funded nous,’ No. XXXIV in Series: BITS People’s Advocate 26 Apr. 1867 8 lines ‘On nerveless, tuneless lines No. I in Series: EPIGRAMS, how sadly’ –1 NOTES AND OPINIONS, ETC. A87 (p. 250/327) Untitled Series: BITS 96 THE POEMS OF CHARLES HARPUR

1883 8 lines ‘On nerveless, tuneless lines 1866 28 lines ‘O Lord how excellent is thy how sadly’ name!’ Poems, p. 84 C381 Cutting Moruya Examiner with Untitled handwritten alterations. Paper Rpt. Popular Edition paperback 1899 identified by lightbox reading

PROTECTIVE DUTIES VERSUS PSALM XIII PREMIUMS see WHAT’S THE 1853–56 6 lines ‘Even God hath judged us DIFFERENCE? in the right,’ C383 PROVIDENTIAL DESIGN Untitled lines from end of Psalm XIII 1856 11 lines + N ‘Sense and passion, 1866 20 lines ‘How long, O Lord, wilt instinct, reason,’ thou forget’ People’s Advocate 26 July C381 Cutting Moruya Examiner with No. 7 Part III in Series: SONGS, handwritten alterations. Paper EPIGRAMS, NOTES, AND identified by lightbox reading OPINIONS, ETC. 1856 11 lines + N ‘Sense and passion, PSALM XXIII instinct, reason,’ 1851 24 lines ‘My Shepherd is the Lord A92 Cutting PA 26 July with minor most high,’ handwritten alterations to note C383 1866 24 lines ‘My Shepherd is the Lord THE PRURIENCY OF DANDYISM most high,’ 1851 4 lines + N ‘Why will you so stare at C384 Unidentified cutting ?Moruya Beau Prettiman, girls?’ Examiner with minor handwritten C376 alterations No. VIII in Series: A STRING OF PASSING THOUGHTS (WITH OR PSALM LVII WITHOUT COMMENT) 1853–60 30 lines ‘O God, most merciful and just,’ PSALM I A87–2 1851 24 lines ‘That man is blessëd who ?Part of KING SAUL alway’ C383 PSALM CXIII Title: PARAPHRASE OF THE I 1851 24 lines ‘Praise God, ye servants of PSALM his will,’ 1866 24 lines ‘That man is happy who C383 alway’ 1866 24 lines ‘Praise God, ye servants of C381 Unamended cutting Moruya his will,’ Examiner. Paper identified by C381 Cutting Moruya Examiner with lightbox reading handwritten alterations. Paper identified by lightbox reading PSALM VIII 1851 28 lines ‘O Lord how excellent is thy PSALM CXXXI name!’ 1851 12 lines ‘O Lord, no more my heart C383 is proud,’ Title: PARAPHRASE OF THE VIII C383 PSALM AN ANALYTICAL FINDING LIST 97

1866 12 lines ‘O Lord, no more my heart 1849 10 lines + N ‘’Mid this rustical party, is proud,’ a model for painter, see,’ C381 Unamended cutting Moruya People’s Advocate 8 Dec. Examiner. Paper identified by Series: MORSELS FROM lightbox reading CHARLES HARPUR’S “WILD BEE OF AUSTRALIA” PSALM CXXXVII see THE BABYLONIAN CAPTIVITY (PSALM R *****, PRETEND TO WHAT THOU CXXXVII) WILT… see AN UGLY CHARACTER

PSALM CXXXIX see THE RADICAL BOB. A NEW SONG OMNIPRESENCE OF GOD 1853 18 lines + N ‘“Radical Bob?” Then surely he’s one’ PSALM, A BLANK VERSE Empire 20 Sept. PARAPHRASE OF THE 51ST 1836 c. 47 lines ‘O God, according to thy THE RAPE OF THE LOCK see loving kindness,’ RHYMED CRITICISMS: VI A87–2 (pp. 576–575) ?Part of KING SAUL THE REAL CAUSE 1860 5 lines ‘Terry died, and his nephew PURSE DISPLAY see PURSE PRIDE cried!’ A87–1 PURSE PRIDE Series: RHYMES, HUMOUROUS 1856 2 lines + N ‘A special though (sic) POEMS, EPIGRAMS, ETC. inflated nurse’ 1861 5 lines ‘Terry died, and his nephew People’s Advocate 6 Dec. cried!’ Title: PURSE DISPLAY C384 Unamended cutting Braidwood No. 19 Part V in Series: SONGS, Dispatch Aug. Paper and date EPIGRAMS, NOTES, AND identified by lightbox reading OPINIONS, ETC. No. XXXII in Series: BITS 1861 14 lines ‘There is no trait which telleth worse’ THE REASON see RECORDS OF A C384 Unamended cutting Braidwood POET’S LOVE: XXXI Dispatch Aug.? Paper and year identified by lightbox reading THE REASON RESUMED see No. LII in Series: BITS RECORDS OF A POET’S LOVE: XXXII 1862 14 lines ‘There is no trait, which telleth worse’ REASONS FOR A RED NOSE A87–2 1846 6 lines ‘Ask the Doctor why Mrs. G’s nose is so red?’ A QUEER COMPARISON Maitland Mercury 9 Sept. 1849 10 lines + N ‘’Mid this rustical party, 1846 6 lines ‘Ask the Doctor why Mrs. a model for painter, see’ G’s nose is so red?’ C376 (pp. 480, 477) C376 (p. 445) Unamended cutting Series: CHARLES HARPUR’S MM 9th Sept. WILD BEE OF AUSTRALIA 98 THE POEMS OF CHARLES HARPUR

1851 6 lines ‘Ask the doctor why Mrs. 1853 14 lines ‘Why tower my spirits, and G.’s nose is so red?’ what means this wild’ Untitled C383 No. IX in Series: A STRING OF Title: ON FIRST WALKING IN EPIGRAMS (FROM CHARLES THE FIELDS WITH ROSA HARPUR’S WILD BEE OF No. 1 in Sequence: ROSA: OR AUSTRALIA) SONNETS OF LOVE 1860 6 lines ‘Ask the Doctor why Mrs. 1861 14 lines ‘Why tower my spirits, and G’s nose is so red?’ what means this wild’ C376 (p. 373) C376 No VI in Series: A STRING OF No. 1 in Sequence: NORA OR EPIGRAMS (GIVEN WITHOUT RECORDS OF A POET’S LOVE COMMENT) 1866 14 lines ‘Why tower my spirits, and 1860 7 lines ‘Ask the Doctor why Mrs. what means this wild’ G’s nose is so red,’ A95 A87–1 No. 1 in Sequence: RECORDS OF A Series: RHYMES, HUMOUROUS POET’S LOVE (sic) POEMS, EPIGRAMS, ETC. 1866 14 lines ‘Why tower my spirits, and 1861 6 lines ‘Ask Gossip why Mrs. G.’s what means this wild’ nose is so red?’ A87–2 (p. 552) Ø C384 Unamended cutting Braidwood Title: COMPANION PIECES I: Dispatch Aug. Paper and date HER PRESENCE identified by lightbox reading No. XIII in Series: SONNETS (IN No. XXXIII in Series: BITS CONTINUATION) 1867 14 lines ‘Why tower my spirits, and A RECORD what means this wild’ 1858 48 lines ‘I had wandered, a wild A88 sinner,’ Title: HER PRESENCE. Band of Hope Journal Vol. 3 COMPANION PIECES 1 1867 14 lines ‘Why tower my spirits, and RECORDS OF A POET’S LOVE what means this wild’ Versions included in Thoughts: A Series of A87–1 (p. 239/316) Sonnets (Sydney, 1845); Rosa: or Sonnets Title: COMPANION PIECES 1 of Love C383 (1853); Nora or Records of Series: SONNETS INSPIRED BY a Poet’s Love C376 (1861); Records of a LOVE AND BEAUTY Poet’s Love A95 (1866) and in other 1867 14 lines ‘Why tower my spirits, and sequences and series listed below. what means this wild’ I A87–1 (p. 201) 1843 14 lines ‘Why tower my spirits thus? No. 2 in Series: LOVE SONNETS what means this wild’ 1883 14 lines ‘Why tower my spirits, and Weekly Register 2 Sept. what means this wild’ Title: ON FIRST SEEING ROSA Poems, p. 220 Series: PETRARCHIAN MUSINGS; No. II in Sequence: LOVE OR, THE HUNDRED SONNETS SONNETS OF LOVE Rpt. Popular Edition paperback 1899 AN ANALYTICAL FINDING LIST 99

II 1866 14 lines ‘Now sunny as the noontide 1843 14 lines ‘I never saw but one of heavens are’ many fair’ A87–2 (p. 552) Ø Weekly Register 2 Sept. Title: COMPANION PIECES II: Title: HER PERFECTION HER EYES Series: PETRARCHIAN MUSINGS; No. XIV in Series: SONNETS (IN OR, THE HUNDRED SONNETS CONTINUATION) OF LOVE 1867 14 lines ‘Now sunny as the noontide 1853 14 lines ‘Many of Womankind most heavens are’ sweet and fair’ A88 C383 Title: HER EYES. COMPANION Title: ROSA’S PERFECTION PIECES II No. II in Sequence ROSA: OR 1867 14 lines ‘Now sunny as the noontide SONNETS OF LOVE heavens are’ 1861 14 lines ‘Many of womankind most A87–1 (p. 239/316) sweet and fair’ Title: COMPANION PIECES 2 C376 Series: SONNETS INSPIRED BY No. 2 in Sequence: NORA OR LOVE AND BEAUTY RECORDS OF A POET’S LOVE 1867 14 lines ‘Now sunny, as the noontide 1866 14 lines ‘Many an influence held heavens, are’ good and fair’ A87–1 (p. 203) A95 Ø No. 3 in Series: LOVE SONNETS No. II in Sequence: RECORDS OF 1883 14 lines ‘Now sunny, as the noontide A POET’S LOVE heavens, are’ see also MUSE-WORSHIP: 2 Poems, p. 221 III No. III in Series: LOVE SONNETS 1843 14 lines ‘As lustrous as the noontide Rpt. Popular Edition paperback 1899 heavens are’ IV Weekly Register 2 Sept. 1843 14 lines ‘Dress ever thus should Title: HER EYES Rosa! yes, to me,’ Series: PETRARCHIAN MUSINGS; Weekly Register 11 Nov. OR, THE HUNDRED SONNETS Title: ON SEEING HER DRESSED OF LOVE IN WHITE 1853 14 lines ‘As sunny as the noontide Series: PETRARCHIAN MUSINGS; heavens are’ OR, THE HUNDRED SONNETS C383 OF LOVE Title: ROSA’S EYES 1853 14 lines ‘Thus should she always No. III in Sequence: ROSA: OR dress! in white.’ SONNETS OF LOVE C383 1861 14 lines ‘Now sunny as the noontide Title: ON FIRST SEEING ROSA heavens are’ DRESSED IN WHITE C376 No. IV in Sequence: ROSA: OR No. 3 in Sequence: NORA OR SONNETS OF LOVE RECORDS OF A POET’S LOVE 1861 14 lines ‘Thus always should she 1866 14 lines ‘Now sunny as the noontide dress—in white. To me,’ heavens are’ C376 A95 No. 4 in Sequence: NORA OR No. III in Sequence: RECORDS OF RECORDS OF A POET’S LOVE A POET’S LOVE 100 THE POEMS OF CHARLES HARPUR

1861–63 c. 9 line untitled fragment 1866 14 lines ‘As one who o’er the ‘Dressed all in snowy white! I saw Arabian wilderness’ her so,’ A95 (p. 5) A91 No. V in Sequence: RECORDS OF 1866 14 lines ‘Thus always should she A POET’S LOVE dress—in white! To me,’ 1866 14 lines ‘As one who o’er the A95 (p. 4) Ø Arabian wilderness’ No. IV in Sequence: RECORDS OF A87–2 (p. 556) Ø A POET’S LOVE Title: TO— 1866 14 lines ‘Dressed all in snowy white! No. XXII in Series: SONNETS (IN I saw her so,’ CONTINUATION) Sydney Morning Herald 7 Nov. 1867 14 lines ‘As one who o’er the No. VI in Series: SONNETS Arabian wilderness’ 1866–67 14 lines ‘Dressed all in snowy A87–2 (p. 468) white! I saw her so,’ Title: TO— A87–1 (p. 199b) Cutting SMH 7 Nov. No. XIV in Series: A STRING OF with handwritten alterations PERSONAL SONNETS 1867 14 lines ‘Dressed all in snowy white! 1867 14 lines ‘As one who o’er the I saw her so,’ Arabian Wilderness’ A95 (p. 119) A95 (p. 118) Title: A LADY IN WHITE Title: TO— Series: PERSONAL AND OTHER Series: PERSONAL AND OTHER SONNETS SONNETS No. VI in Series: SONNETS 1867 14 lines ‘As one who o’er the 1867 14 lines ‘Dressed all in snowy white! Arabian wilderness’ I saw her so,’ A87–1 (p. 217/294) A87–1 (p. 217/294) Title: TO— Title: A LADY IN WHITE Series: PERSONAL AND OTHER Series: PERSONAL AND OTHER SONNETS SONNETS VI V 1853 14 lines ‘It was a Tale of passion that 1845 14 lines ‘As one who o’er the we read—’ Arabian Wilderness’ C383 Thoughts, p. 14 Title: TEAR Title: A LOVER’S LONGING FOR No VI in Sequence: ROSA: OR THE SOCIETY OF HIS MISTRESS SONNETS OF LOVE No. 1 in Sequence: SPECIMENS OF 1861 14 lines ‘It was a tale of passion that LOVE SONNETS we read—’ 1853 14 lines ‘As one who o’er Arabian C376 wilderness’ No. 6 in Sequence: NORA OR C383 RECORDS OF A POET’S LOVE Title: ROSA’S EVENING SOCIETY 1866 14 lines ‘It was a tale of passion that No. V in Sequence: ROSA: OR we read—’ SONNETS OF LOVE A95 Ø (p. 5) 1861 14 lines ‘As one who o’er the No. VI in Sequence: RECORDS OF Arabian wilderness’ A POET’S LOVE C376 No. 5 in Sequence: NORA OR RECORDS OF A POET’S LOVE AN ANALYTICAL FINDING LIST 101

1866 14 lines ‘It was a tale of passion that VIII we read—’ 1843 14 lines ‘Delightful ’tis to mark the Sydney Morning Herald 7 Nov. morning rise’ No. VIII in Series: SONNETS The Maitland Mercury 28 Oct. 1866 14 lines ‘It was a tale of passion that Title: THE CROWNING CHARM we read—’ OF NATURE. (FROM “ROSA; OR A87–1 (p. 199b) THE HUNDRED SONNETS OF Unamended cutting SMH 7 Nov. LOVE”) 1867 14 lines ‘It was a tale of passion that 1853 14 lines ‘’Tis beautiful to mark the we read—’ Morning rise’ A95 (p. 121) C383 Title: THE TEAR Title:THE CROWNING CHARM Series: PERSONAL AND OTHER OF NATURE SONNETS No. VIII in Sequence: ROSA: OR 1867 14 lines ‘It was a tale of passion that SONNETS OF LOVE we read—’ 1858 14 lines ‘’Tis beautiful to mark the A87–1 (p. 219/296) Morning rise’ Title: THE TEAR Empire 8 Feb. Series: PERSONAL AND OTHER Title: THE CROWNING CHARM SONNETS OF NATURE 1883 14 lines ‘It was a tale of passion that 1861 14 lines ‘’Tis beautiful to mark the we read—’ Morning rise’ Poems, p. 239 C376 Title: THE TEAR No. 8 in Sequence: NORA OR Rpt. Popular Edition paperback 1899 RECORDS OF A POET’S LOVE VII 1866 14 lines ‘’Tis beautiful to mark the 1853 14 lines ‘I once did think there was Morning rise’ no happiness’ A95 (p. 6) partly Ø C383 Title: THE CROWN OF NATURE Title: A DAY-DREAM OF LOVE No. VIII in Sequence: RECORDS AND HAPPINESS OF A POET’S LOVE No VII in Sequence: ROSA: OR 1867 14 lines ‘How beautifully doth the SONNETS OF LOVE Morning rise’ 1861 14 lines ‘There was in the wide A95 (p. 193) world, I once did guess,’ Title: LOVE, THE CROWN OF C376 NATURE No. 7 in Sequence title: NORA OR 1867 14 lines ‘How beautifully doth the RECORDS OF A POET’S LOVE Morning rise’ 1866 14 lines ‘There was in the wide A87–1 (p. 238/315) world, I once did guess,’ Title: THE CONFIRMER A95 Ø Series: SONNETS INSPIRED BY No. VII in Sequence: RECORDS OF LOVE AND BEAUTY A POET’S LOVE 1867 14 lines ‘How beautiful doth the 1866 14 lines ‘There was in the whole morning rise’ world, I once did guess,’ A87–1 (p. 201) A87–2 (p. 541) No.1 in Series: LOVE SONNETS Title: RETROSPECTIVE No. III in Series: MUSE-WORSHIP see also Muse-Worship: 3 102 THE POEMS OF CHARLES HARPUR

1883 14 lines ‘How beautiful doth the 1867 14 lines ‘In sleep my brain was with morning rise’ a sweet pang wrung,’ Poems, p. 219 A87–1 (p. 218/295) No. I in Series: LOVE SONNETS Title: A LOVE-DREAM Rpt. Popular Edition paperback 1899 Series: PERSONAL AND OTHER see also MORNING SONNETS IX X 1843 14 lines ‘In sleep with a sweet pang 1853 14 lines ‘An unacknowledged hope my brain was wrung,’ lies in my breast’ Maitland Mercury 28 Oct. C383 Title: THE DREAM (FROM Title: THE MEDITATED “ROSA; OR THE HUNDRED DECLARATION SONNETS OF LOVE”) No. X in Sequence: ROSA: OR 1845 14 lines ‘In sleep with a sweet pang SONNETS OF LOVE my brain was wrung,’ 1861 14 lines ‘A vast and shadowy hope Thoughts, p. 15 breaks up my rest,’ Title: A LOVE-DREAM C376 No. III in Sequence: SPECIMENS No. 10 in Sequence: NORA OR OF LOVE SONNETS RECORDS OF A POET’S LOVE 1853 14 lines ‘In sleep with a sweet pang 1866 14 lines ‘A vast and shadowy hope my brain was wrung’ breaks up my rest,’ C383 A95 Ø Title: THE DREAM Title: A TRILOGY I. LOVE No IX in Sequence: ROSA: OR UNTOLD SONNETS OF LOVE No. X in Sequence: RECORDS OF 1861 14 lines ‘In sleep my brain seemed A POET’S LOVE with a sweet pang wrung,’ 1867 14 lines ‘A vast and shadowy hope C376 breaks up my rest’ No. 9 in Sequence: NORA OR A88 RECORDS OF A POET’S LOVE Title: LOVE UNTOLD. A 1866 14 lines ‘In sleep my brain was with TRILOGY 1 a sweet pang wrung’ 1867 14 lines ‘A vast and shadowy hope A95 (p. 7) Ø breaks up my rest’ No. IX in Sequence: RECORDS OF A87–1 (p. 240/317) A POET’S LOVE Title: A TRILOGY 1 1866 14 lines ‘I (sic) sleep my brain was Series: SONNETS INSPIRED BY with a sweet pang wrung,’ LOVE AND BEAUTY Sydney Morning Herald 7 Nov. 1883 14 lines ‘A vast and shadowy hope No. VII in Series: SONNETS breaks up my rest’ 1866–67 14 lines ‘I (sic) sleep my brain Poems, p. 222 was with a sweet pang wrung,’ No. IV in Series: LOVE SONNETS A87–1 (p. 199b) Cutting SMH 7 Nov. Rpt. Popular Edition paperback 1899 with minor handwritten alterations see also PETRARCHIAN MUSINGS: 1867 14 lines ‘In sleep my brain was with THE COMPLAINT a sweet pang wrung,’ A95 (p. 119) Title: A LOVE-DREAM Series: PERSONAL AND OTHER SONNETS AN ANALYTICAL FINDING LIST 103

X–XI XII 1853 14 lines ‘Her image haunts me. Lo! I 1853 14 lines ‘She loves me! From her muse at even,’ own sweet timid lips’ Bushrangers, p. 104 C383 Title: DREAMS OF THE Title: THE CONFESSION BELOVED No. XII in Sequence: ROSA: OR 1853 14 lines ‘Her image haunts me. Lo! I SONNETS OF LOVE muse at even,’ 1861 14 lines ‘She loves me! From her A98–1 Unamended cutting own bliss-breathing lips’ Bushrangers 1853 C376 Title: DREAMS OF THE No. 12 in Sequence: NORA OR BELOVED RECORDS OF A POET’S LOVE 1853 14 lines ‘Her Image haunts me! Lo, I 1866 14 lines ‘She loves me! From her muse at even,’ own bliss-breathing lips’ C383 A95 Ø Title: ROSA’S IMAGE Title: A TRILOGY III. TO PAEAN No. XI in Sequence: ROSA: OR No. XII in Sequence: RECORDS OF SONNETS OF LOVE A POET’S LOVE 1861 14 lines ‘Her Image haunts me! Lo, I 1867 14 lines ‘She loves me! From her muse at even,’ own bliss-breathing lips’ C376 A88 No. 11 in Sequence: NORA OR Title: TO PEAN. A TRILOGY III RECORDS OF A POET’S LOVE 1867 14 lines ‘She loves me! From her 1866 14 lines ‘Her Image haunts me! Lo, I own bliss-breathing lips’ muse at even,’ A87–1 (p. 241/318) A95 Ø Title: A TRILOGY 3 Title: A TRILOGY II. HER IMAGE Series: SONNETS INSPIRED BY No. XI in Sequence: RECORDS OF LOVE AND BEAUTY A POET’S LOVE 1883 14 lines ‘She loves me! From her 1867 14 lines ‘Her Image haunts me! Lo, I own bliss-breathing lips’ muse at even,’ Poems, p. 224 A88 No. VI in Sequence: LOVE Title: HER IMAGE. A TRILOGY II SONNETS 1867 14 lines ‘Her Image haunts me! Lo, I Rpt. Popular Edition paperback 1899 muse at even,’ XIII A87–1 (p. 240/317) 1853 14 lines ‘There is one Spot my Title: A TRILOGY 2 grateful heart could deem’ Series: SONNETS INSPIRED BY C383 LOVE AND BEAUTY Title: THE SCENE OF THE 1867 14 lines ‘Her image haunts me! Lo! I CONFESSION muse at even,’ No. XIII in Sequence: ROSA: OR A 87–1 (p. 203) SONNETS OF LOVE No. 4 in Series: LOVE SONNETS 1861 14 lines ‘There is one spot my 1883 14 lines ‘Her image haunts me! Lo! I grateful heart could deem’ muse at even,’ C376 Poems, p. 223 No. 13 in Sequence: NORA OR No. V in Sequence: LOVE RECORDS OF A POET’S LOVE SONNETS Rpt. Popular Edition paperback 1899 104 THE POEMS OF CHARLES HARPUR

1866 14 lines ‘There is one Spot my 1867 14 lines ‘Fair as the Day—a genial grateful heart could deem’ day serene’ A95 Ø A87–1 (p. 242/319) Title: A BOWER OF BLOOMS Title: A LOVER’S DAY AND No. XIII in Sequence: RECORDS NIGHT 1 OF A POET’S LOVE Series: SONNETS INSPIRED BY 1867 14 lines ‘There is one Spot my LOVE AND BEAUTY greatful (sic) heart could deem’ 1883 14 lines ‘Fair as the day—a genial A88 day serene’ Title: WHERE MOST WE MET Poems, p. 225 1867 14 lines ‘There is one Spot my No. VII in Sequence: LOVE grateful heart could deem’ SONNETS A87–1 (p. 241/318) Rpt. Popular Edition paperback 1899 Title: WHERE MOST WE MET XV Series: SONNETS INSPIRED BY 1853 14 lines ‘Oh! lovely as the Night— LOVE AND BEAUTY with all the fires’ XIV C383 1845 14 lines ‘Fair as the Day!—a genial Title: ROSA COMPARED WITH day serene’ THE NIGHT Thoughts, p. 15 No. XV in Sequence: ROSA: OR Title: A BEAUTIFUL MISTRESS SONNETS OF LOVE COMPARED WITH A GENIAL 1861 14 lines ‘Fair as the Night—when all DAY the astral fires’ No. II in Sequence: SPECIMENS C376 OF LOVE SONNETS No. 15 in Sequence: NORA OR 1853 14 lines ‘Fair as the Day—a genial RECORDS OF A POET’S LOVE day serene’ 1866 14 lines ‘Fair as the Night—when all C383 the astral fires’ Title: ROSA COMPARED WITH A95 (p. 10) Ø THE DAY No. XV in Sequence: RECORDS OF No. XIV in Sequence: ROSA: OR A POET’S LOVE SONNETS OF LOVE 1867 14 lines ‘Fair as the Night—when all 1861 14 lines ‘Fair as the Day—a genial the astral fires’ day serene’ A95 (p. 191) C376 Title: A LOVER’S DAY AND No. 14 in Sequence: NORA OR NIGHT II RECORDS OF A POET’S LOVE 1867 14 lines ‘Fair as the Night—when all 1866 14 lines ‘Fair as the Day—a genial the astral fires’ day serene’ A87–1 (p. 242/319) A95 (p. 9) Ø Title: A LOVER’S DAY AND No. XIV in Sequence: RECORDS NIGHT 2 OF A POET’S LOVE Series: SONNETS INSPIRED BY 1867 14 lines ‘Fair as the Day—a genial LOVE AND BEAUTY day serene’ 1883 14 lines ‘Fair as the night—when all A95 (p. 191) the astral fires’ Title: A LOVER’S DAY AND Poems, p. 226 NIGHT I No. VIII in Sequence: LOVE SONNETS Rpt. Popular Edition paperback 1899 AN ANALYTICAL FINDING LIST 105

XVI 1867 14 lines ‘Night was new throned in 1853 14 lines ‘Unfolded are the streaky heaven, and we did rove’ gates of Light,’ A95 (p. 120) C383 Title: A LOVE-FANCY Title: ROSA AND THE MORNING Series: PERSONAL AND OTHER STAR SONNETS No. XVI in Sequence: ROSA: OR 1867 14 lines ‘Night was new throned in SONNETS OF LOVE heaven, and we did rove’ 1861 14 lines ‘Unfolded are the crystal A87–1 (p. 218/295) gates of Light,’ Title: A LOVE-FANCY C376 Series: PERSONAL AND OTHER No. 16 in Sequence: NORA OR SONNETS RECORDS OF A POET’S LOVE 1883 14 lines ‘Night was new-throned in 1866 14 lines ‘Unfolded are the crystal heaven, and we did rove’ gates of Light,’ Poems, p. 240 A95 Ø Title: A LOVE-FANCY No. XVI in Sequence: RECORDS Rpt. Popular Edition paperback 1899 OF A POET’S LOVE XVIII see also DELIA and MUSE-WORSHIP: 4 1853 14 lines ‘Dark days are coming, XVII Rosa,—dark and drear!’ 1844 14 lines ‘The stars were lit in heaven, C383 and we did rove,’ Title: ANTICIPATED SEPARATION Maitland Mercury 22 June No.XVIII in Sequence: ROSA: OR Title: THE EVENING STAR SONNETS OF LOVE 1853 14 lines ‘The stars were lit in heaven, 1861 14 lines ‘Dark days are coming, and we did rove,’ Nora,—dark and drear!’ C383 C376 Title: ROSA AND THE EVENING No. 18 in Sequence: NORA OR STAR RECORDS OF A POET’S LOVE No. XVII in Sequence: ROSA: OR 1866 14 lines ‘Dark days are coming, o’er SONNETS OF LOVE us,—dark and drear!’ 1861 14 lines ‘Night was new-throned in A95 (p. 11) Ø heaven, and we did rove’ No. XVIII in Sequence: RECORDS C376 OF A POET’S LOVE No. 17 in Sequence: NORA OR 1867 14 lines ‘Dark days again are RECORDS OF A POET’S LOVE coming—dark and drear!’ 1866 14 lines ‘Night was new throned in A95 (p. 193) heaven, and we did rove—’ Title: COMPANION PIECES III. A95 (p. 11) Ø FINAL SEPARATION No. XVII in Sequence: RECORDS 1867 14 lines ‘Dark days again are OF A POET’S LOVE coming—dark and drear!’ 1866 14 lines ‘Night was new throned in A87–1 (p. 244/321) heaven, and we did rove—’ Title: A SECOND TRILOGY 3 Sydney Morning Herald 7 Nov. Series: SONNETS INSPIRED BY No. IX in Series: SONNETS LOVE AND BEAUTY 1866 14 lines ‘Night was new throned in heaven, and we did rove—’ A87–1 (p. 199b) Unamended cutting SMH 7 Nov. 106 THE POEMS OF CHARLES HARPUR

XIX 1866 14 lines ‘To day we part! me far 1853 14 lines ‘O ’tis the most beautiful away to dwell’ Flower that blows’ A95 Ø (p. 12) C383 No. XX in Sequence: RECORDS OF Title: THE ROSE A POET’S LOVE No. XIX in Sequence: ROSA: OR 1866 14 lines ‘To day we part! me far SONNETS OF LOVE away to dwell’ 1861 14 lines ‘No Flower more beautiful, A87–2 none lovelier, blows’ Title: PARTING C376 No. XXV in Series: SONNETS (IN No. 19 in Sequence NORA OR CONTINUATION) RECORDS OF A POET’S LOVE 1867 14 lines ‘To day we part! me far 1866 14 lines ‘No Flower more beautiful, away to dwell’ none lovelier, blows’ A95 (p. 192) A95 Ø Title: COMPANION PIECES I. Title: COMPANION PIECES 1. PARTING THE KEEPSAKE ROSE 1867 14 lines ‘To day we part! me far No. XIX in Sequence: RECORDS away to dwell’ OF A POET’S LOVE A87–1 (p. 243/320) 1867 14 lines ‘No Flower more beautiful, Title: A SECOND TRILOGY 1 none lovelier blows’ Series: SONNETS INSPIRED BY A88 LOVE AND BEAUTY Title: THE KEEPSAKE ROSE. 1883 14 lines ‘To-day we part! I far away COMPANION PIECES I to dwell’ 1867 14 lines ‘No flower more beautiful, Poems, p. 227 none lovelier blows’ No. IX in Sequence: LOVE A87–1 (p. 244/321) SONNETS Title: THE KEEPSAKE ROSE Rpt. Popular Edition paperback 1899 Series: SONNETS INSPIRED BY XXI LOVE AND BEAUTY 1845 14 lines ‘Nightly I watch the Moon XX with silvery sheen’ 1845 14 lines ‘To day we part! Me far Thoughts, p. 16 away to dwell’ No. V in Sequence: SPECIMENS Thoughts, p. 16 OF LOVE SONNETS Title: THE PARTING 1853 14 lines ‘Nightly I watch the moon No. IV in Sequence: SPECIMENS with silvery sheen’ OF LOVE SONNETS Bushrangers, p. 104 1853 14 lines ‘To day we part! Me far Title: ABSENCE away to dwell’ 1853 14 lines ‘Nightly I watch the moon C383 with silvery sheen’ Title: THE PARTING A98–1 Unamended cutting No. XX in Sequence: ROSA: OR Bushrangers 1853 SONNETS OF LOVE Title: ABSENCE 1861 14 lines ‘To day we part! me far 1853 14 lines ‘Nightly I watch the Moon away to dwell’ with silvery sheen’ C376 C383 No. 20 in Sequence: NORA OR Title: ABSENCE RECORDS OF A POET’S LOVE No. XXI in Sequence: ROSA: OR SONNETS OF LOVE AN ANALYTICAL FINDING LIST 107

1861 14 lines ‘Nightly I watch the Moon 1866 14 lines ‘I’ve walked alone in with silvery sheen’ crowds when most my heart’ C376 A95 partly Ø No. 21 in Sequence: NORA OR No. XXII in Sequence: RECORDS RECORDS OF A POET’S LOVE OF A POET’S LOVE 1866 14 lines ‘Nightly I watch the Moon 1866 14 lines ‘I’ve walked alone in with silvery sheen’ crowds when most my heart’ A95 Ø A87–2 Title: ABSENCE IN THE CITY Title: TO THE SAME No. XXI in Sequence: RECORDS No. XXIII in Series: SONNETS (IN OF A POET’S LOVE CONTINUATION) 1867 14 lines ‘Nightly I watch the Moon XXIII with silvery sheen’ 1845 2 line fragment ‘Alas, that Love so A88 beautiful should be’ Title: ABSENCE IN THE CITY. Weekly Register 12 Apr. Qtd as COMPANION PIECES II epigraph to Parkes’ A PICTURE OF 1867 14 lines ‘Nightly I watch the Moon LOVE with silvery sheen’ Version used by Parkes not sighted A87–1 (p. 245/322) 1853 14 lines ‘A heavy loneliness Title: ABSENCE IN THE CITY benumbs my brain,’ Series: SONNETS INSPIRED BY C383 LOVE AND BEAUTY Title: ABSENCE IN SORROW 1883 14 lines ‘Nightly I watch the moon No. XXIII in Sequence: ROSA: OR with silvery sheen’ SONNETS OF LOVE Poems, p. 228 1861 14 lines ‘A heavy loneliness Title: ABSENCE benumbs my brain,’ No. X in Sequence: LOVE C376 SONNETS No. 23 in Sequence: NORA OR Rpt. Popular Edition paperback 1899 RECORDS OF A POET’S LOVE XXII 1866 14 lines ‘A heavy loneliness 1853 14 lines ‘I’ve walked alone in benumbs my brain,’ crowds when most my heart’ A95 C383 No. XXIII in Sequence: RECORDS Title: LONELINESS IN ABSENCE. OF A POET’S LOVE TO— XXIV No. XXII in Sequence: ROSA: OR 1853 14 lines ‘We met again! and oh, how SONNETS OF LOVE sweet that meeting!’ 1857 14 lines ‘I’ve walked alone in C383 crowds when most my heart’ Title: THE AFTER MEETING Empire 28 Mar. No. XXIV in Sequence: ROSA: OR Title: TO— SONNETS OF LOVE 1861 14 lines ‘I’ve walked alone in 1861 14 lines ‘We met again! and precious crowds when most my heart’ was that meeting!’ C376 C376 No. 22 in Sequence: NORA OR No. 24 in Sequence: NORA OR RECORDS OF A POET’S LOVE RECORDS OF A POET’S LOVE 108 THE POEMS OF CHARLES HARPUR

1866 14 lines ‘We met yet once again! At 1866 14 lines ‘Alone again! and Fortune’s which last meeting’ trouble comes’ A95 (p. 14) A95 partly Ø No. XXIV in Sequence: RECORDS No. XXVI in Sequence: RECORDS OF A POET’S LOVE OF A POET’S LOVE 1867 14 lines ‘We met yet once again: at see also WORLD-WEARINESS which last meeting’ XXVII A95 (p. 192) 1853 14 lines ‘My hope hath lagged Title: COMPANION PIECES II. RE- behind me and my heart’ MEETING C383 1867 14 lines ‘We met yet once again: at Title: THE RETROSPECTIVE which last meeting’ BROODINGS OF HOPELESS A87–1 (p. 243/320) LOVE Title: A SECOND TRILOGY 2 No. XXVII in Sequence: ROSA: OR Series: SONNETS INSPIRED BY SONNETS OF LOVE LOVE AND BEAUTY 1861 14 lines ‘My hope hath lagged XXV behind me, and my heart’ 1853 14 lines ‘How much of God’s great C376 world—Rosa, how much’ No. 27 in Sequence: NORA OR C383 RECORDS OF A POET’S LOVE Title: THE INFLUENCE OF LOVE 1866 14 lines ‘My hope hath lagged THROUGH THE MEMORY behind me, and my heart’ No. XXV in Sequence: ROSA: OR A95 SONNETS OF LOVE Title: I. HOPE FOREGONE 1861 14 lines ‘How much, my Nora, in No. XXVII in Sequence: RECORDS this world—how much’ OF A POET’S LOVE C376 1867 2 line fragment ‘My hope hath No. 25 in Sequence: NORA OR lagged behind me, and my heart’ RECORDS OF A POET’S LOVE A88 1866 14 lines ‘How much, oh Title: HOPE FOREGONE Wordsworth, in this world—how 1867 14 lines ‘My hope hath lagged much’ behind me, and my heart’ A95 A87–1 (p. 247/324) No. XXV in Sequence: RECORDS Title: HOPE FOREGONE OF A POET’S LOVE Series: SONNETS INSPIRED BY see also WORDSWORTH’S POETRY LOVE AND BEAUTY XXVI XXVIII 1853 14 lines ‘Alone again! and the 1853 14 lines ‘We must forget! Though world’s shadow comes’ harsh the sentence be’ C383 C383 Title: ALONE AGAIN Title: THE RESIGNATION No. XXVI in Sequence: ROSA: OR No. XXVIII in Sequence: ROSA: SONNETS OF LOVE OR SONNETS OF LOVE 1861 14 lines ‘Alone again! and Fortune’s 1861 14 lines ‘We must forget! Though trouble comes’ harsh the sentence be,’ C376 C376 No. 26 in Sequence: NORA OR No. 28 in Sequence: NORA OR RECORDS OF A POET’S LOVE RECORDS OF A POET’S LOVE AN ANALYTICAL FINDING LIST 109

1866 14 lines ‘We must forget! Though 1866 14 lines ‘Nora—my Nora! can you harsh the sentence be,’ doubt me—you’ A95 A95 Ø Title: II.THE RESIGNATION No. XXX in Sequence: RECORDS No. XXVIII in Sequence: OF A POET’S LOVE RECORDS OF A POET’S LOVE XXXI 1867 14 lines ‘We must forget! Though 1853 14 lines ‘There is a trying spirit in harsh the sentence be,’ the drift’ A87–1 (p. 247/324) C383 Title: THE RESIGNATION Title: THE DISQUISITION: OR Series: SONNETS INSPIRED BY WHY “THE COURSE OF TRUE LOVE AND BEAUTY LOVE NEVER DID RUN XXIX SMOOTH” 1849 14 lines + N ‘There is a pain of No. XXXI in Sequence: ROSA: OR poesie in my brain,’ SONNETS OF LOVE A92 1861 14 lines ‘There is a trying spirit in Title: FINALE TO THE SONNETS the drift’ OF LOVE C376 1853 14 lines ‘There is a pain of poesie in No. 31 in Sequence: NORA OR my brain,’ RECORDS OF A POET’S LOVE C383 1866 14 lines ‘There is a trying spirit in Title: THE REGRET the drift’ No. XXIX in Sequence: ROSA: OR A95 SONNETS OF LOVE Title: COMPANION PIECES I. THE 1861 14 lines ‘There is a pain of poesy in REASON my brain,’ No. XXXI in Sequence: RECORDS C376 OF A POET’S LOVE No. 29 in Sequence: NORA OR 1867 14 lines ‘There is a trying spirit in RECORDS OF A POET’S LOVE the drift’ 1866 14 lines ‘There’s a vague pain of A88 poësy in my brain,’ Title: THE REASON. A THIRD A95 Ø AND LAST TRILOGY 1 No. XXIX in Sequence: RECORDS 1867 14 lines ‘There is a trying spirit in OF A POET’S LOVE the drift’ see also MUSE-WORSHIP: 8 A87–1 (p. 245/322) XXX Title: A FINAL TRILOGY 1 1853 14 lines ‘And can you think me Series: SONNETS INSPIRED BY faithless.—Rosa?—you,’ LOVE AND BEAUTY C383 1883 14 lines ‘There is a trying spirit in Title: THE VINDICATION the drift’ No. XXX in Sequence: ROSA: OR Poems, p. 229 SONNETS OF LOVE No. XI in Sequence: LOVE 1861 14 lines ‘Nora—my Nora! Can you SONNETS doubt me? You’ Rpt. Popular Edition paperback 1899 C376 No. 30 in Sequence: NORA OR RECORDS OF A POET’S LOVE 110 THE POEMS OF CHARLES HARPUR

XXXII 1861 14 lines ‘Loss follows gain, and 1853 14 lines ‘The voyage to the haven of sadness waits on mirth,’ True Love’ C376 C383 No. 33 in Sequence: NORA OR Title: THE SAME SUBJECT IN RECORDS OF A POET’S LOVE ANOTHER VIEW 1866 14 lines ‘Loss follows gain, and No. XXXII in Sequence: ROSA: OR sadness waits on mirth,’ SONNETS OF LOVE A95 1861 14 lines ‘The voyäge to the haven of Title: COMPANION PIECES III. true love’ THE INFERENCE C376 No. XXXIII in Sequence: No. 32 in Sequence: NORA OR RECORDS OF A POET’S LOVE RECORDS OF A POET’S LOVE 1867 14 lines ‘Loss follows gain, and 1866 14 lines ‘The voyäge to the haven of sadness waits on mirth,’ true love’ A88 A95 Title: THE INFERENCE. A THIRD Title: COMPANION PIECES II. AND LAST TRILOGY 3 THE REASON RESUMED 1867 14 lines ‘Loss follows gain, and No. XXXII in Sequence: RECORDS sadness waits on mirth,’ OF A POET’S LOVE A87–1 (p. 246/323) 1867 14 lines ‘The voyage to the haven of Title: A FINAL TRILOGY 3 True Love’ Series: SONNETS INSPIRED BY A88 LOVE AND BEAUTY Title: THE REASON RESUMED. A 1883 14 lines ‘Loss follows gain, and THIRD AND LAST TRILOGY 2 sadness waits on mirth,’ 1867 14 lines ‘The voyäge to the haven of Poems, p. 231 True Love’ No. XIII in Sequence: LOVE A87–1 (p. 246/323) SONNETS Title: A FINAL TRILOGY 2 Rpt. Popular Edition paperback 1899 Series: SONNETS INSPIRED BY XXXIV (a) in ROSA: OR SONNETS OF LOVE AND BEAUTY LOVE 1883 14 lines ‘The voyage to the haven of 1853 14 lines ‘Mine after all!—my Mary! true love’ Why should I’ Poems, p. 230 C383 No. XII in Sequence: LOVE Title: THE CONSUMMATION SONNETS No. XXXIV in Sequence: ROSA: Rpt. Popular Edition paperback 1899 OR SONNETS OF LOVE XXXIII 1863 14 lines ‘Mine after all—my Mary! 1853 14 lines ‘Loss follows gain, and Why should I’ sadness waits on mirth;’ Sydney Morning Herald 27 May C383 Title: MINE AFTER ALL Title: THE SAME SUBJECT 1863 14 lines ‘Mine after all—my Mary! CONTINUED (IN THE MANNER Why should I’ OF SHAKSPEAR’S SONNETS) A90 No. XXXIII in Sequence: ROSA: Title: MINE AFTER ALL OR SONNETS OF LOVE No. XLVI in Series: SONNETS AN ANALYTICAL FINDING LIST 111

1866 14 lines ‘Mine after all—my Mary! 1866 14 lines ‘There’s a rare spirit of Why should I’ feeling that may be’ A95 Ø A87–1 (p. 199a) Unamended cutting Title: MINE AFTER ALL SMH 7 Nov. No. XLIX in Series: 1867 14 lines ‘There’s a rare spirit of MISCELLANEOUS SONNETS feeling that may be’ 1867 14 lines ‘Mine after all—my Mary! A95 (p. 116) Why should I’ Title: RECORDS OF ROMANTIC A87–2 (p. 485) PASSION No. 1 in Series: DOMESTIC Series: PERSONAL AND OTHER SONNETS SONNETS 1867 14 lines ‘Mine after all—my Mary! 1867 14 lines ‘There’s a rare spirit of Why should I’ feeling that may be’ A87–2 (p. 481) A87–1 (p. 215/292) No. 1 in Series: DOMESTIC Title: RECORDS OF ROMANTIC SONNETS PASSION XXXIV Series: PERSONAL AND OTHER 1845 14 lines ‘There’s a rare Soul of SONNETS Poesie which may be’ [Epilogue] Thoughts, p. 11 1861 11 lines ‘Here, in the moaning wind’ Title: THE POETRY OF LOVE C376 1853 14 lines ‘There’s a rare Soul of Poesy Sequence: NORA OR RECORDS which may be’ OF A POET’S LOVE Bushrangers, p. 124 1866 11 lines ‘Here, in the moaning wind’ Title: RECORDS OF ROMANTIC A95 PASSION Sequence: RECORDS OF A POET’S 1853 14 lines ‘There’s a rare Soul of Poesy LOVE which may be’ 1867 11 lines ‘Here, in the moaning wind’ A98–1 Unamended cutting A87–1 (p. 248/325) Bushrangers 1853 Untitled Title: RECORDS OF ROMANTIC Series: SONNETS INSPIRED BY PASSION LOVE AND BEAUTY 1861 14 lines ‘There’s a rare soul of poesy that may be’ RECORDS OF ROMANTIC PASSION C376 see RECORDS OF A POET’S LOVE: No. 34 in Sequence: NORA OR XXXIV RECORDS OF A POET’S LOVE 1866 14 lines ‘There’s a rare spirit of A REGRET feeling that may be’ 1849 14 lines ‘There’s a Regret that from A95 (p. 19) partly Ø my heart doth strain’ No. XXXIV in Sequence: A92 RECORDS OF A POET’S LOVE 1867 14 lines ‘There’s a Regret that from 1866 14 lines ‘There’s a rare spirit of my bosom aye’ feeling that may be’ A95 Sydney Morning Herald 7 Nov. Series: PERSONAL AND OTHER No. V in Series: SONNETS SONNETS 112 THE POEMS OF CHARLES HARPUR

1867 14 lines ‘There’s a Regret that from A REQUIEM—A KEEN see A LAMENT my bosom aye’ A87–1 THE RESIGNATION see RECORDS OF Series: PERSONAL AND OTHER A POET’S LOVE: XXVIII SONNETS 1883 14 lines ‘There’s a regret that from A RESOLUTION my bosom aye’ 1846 18 lines ‘What shall prevent me, if I Poems, p. 234 will that Homer,’ Rpt. Popular Edition paperback 1899 Maitland Mercury 8 Aug.

A REGRET RETROSPECTIVE see MUSE- 1856 6 lines + N ‘When the Father who WORSHIP: 3 and RECORDS OF A toiled for our welfare is dead,’ POET’S LOVE: VII People’s Advocate 15 Nov. Title: A COMMON REGRET THE RETROSPECTIVE No. 17 Part II in Series: SONGS, BROODINGS… see RECORDS OF A EPIGRAMS, NOTES, AND POET’S LOVE: XXVII OPINIONS, ETC. 1863 12 lines ‘When the Father who toiled THE REVERSE see BOTH SIDES OF for our welfare is dead,’ THE MEDAL: II C376 Ø 1867 12 lines ‘When the Father who toiled A RHYME for our welfare is dead,’ 1846 68 lines ‘Blissless am I, except in A96 this’ Series: POEMS IN EARLY LIFE Maitland Mercury 13 June Title: RHYMES THE REGRET see RECORDS OF A 1847 74 lines + N ‘Blissless am I, except POET’S LOVE: XXIX in this’ C382 RELIEF AT LAST see A LYRICAL Title: THE POET LOVE STORY 3: 5 No. I in Series: RHYMES 1858 104 lines ‘Blissless am I, except in A REPLY TO A CERTAIN ALTERED this’ VERSION OF BYRON’S ODE B78 (FOR SUCH ALTERED VERSION SEE Title: THE POET EMPIRE OF 22ND ULTIMO) 1858 94 lines + N ‘Blissless am I, except 1854 24 lines ‘“Will no one rise?” Wait ye in this’ till blood,’ Empire 28 May People’s Advocate 14 Jan. Parts 1–VI in Sequence: THE POET 1864 152 lines + 4 line epigraph ‘Blissless A REPUBLICAN LYRIC see A am I, except in this’ REPUBLICAN’S CREED D19 Unamended pamphlet published by Braidwood Dispatch A REPUBLICAN’S CREED 1864–67 24 line untitled fragment ‘While 1855 4 lines + N ‘How long shall there be for all spirits inginitely (sic) free’ Kings and Emperors,’ A87–2 B78 1867 183 lines + 4 line epigraph ‘Blissless am I, except in this’ A88 AN ANALYTICAL FINDING LIST 113

1867 183 lines + 4 line epigraph ‘Blissless 1863 129 lines + N ‘Standing alone, a am I, except in this’ study in itself,’ A87–1 A89 1866 132 lines + N ‘Standing alone, a A RHYME FOR CHILDREN see study in itself,’ VESPER A87–1 (p. 253b/ 285) No. II in incomplete untitled Series A RHYME OF LOVE IN LONELINESS 1866 4 line untitled fragment ‘Lost in his see A RHYME jealous madness, haply he’ A87–1 (n.p. precedes p. 287) RHYMED CRITICISMS, WITH PROSE 1866 147 lines ‘Standing alone, a Study in NOTES itself,’ [Introductory] Sydney Mail 11 Aug. 1863 8 lines + N ‘Praise lyeth wide in 1866 147 lines ‘Standing alone, a Study in Poesy’s dominion,’ itself,’ A89 C381 Cutting SM 11 Aug. with 1865–66 8 lines + incomplete N ‘Praise minor handwritten alterations lyeth wide in Poesy’s dominion,’ Series (incomplete): POETICAL A93 STUDIES: OR RHYMED I Chaucer CRITICISMS 1845 32 lines ‘Out standing from the 1867–68 147 lines ‘Standing alone, a Study twilight of his days’ in itself,’ Weekly Register 18 Oct. A97 Cutting SM 11 Aug. 1866 with No. 3 in Series: RHYMED minor handwritten alterations CRITICISMS 1883 115 lines ‘Standing alone, a study in 1847 32 lines + N ‘Outstanding from the itself,’ twilight of his days’ Poems, p. 210 C382 Rpt. Popular Edition paperback 1899 No. I in Series: CRITICAL III Milton RHYMES 1845 14 lines ‘In this, what a grave beauty 1863 36 lines + N ‘Outstanding from the claims our praise’ twilight of his days’ Weekly Register 25 Oct. A89 Title: MILTON’S POETICAL 1865–66 36 lines + N ‘Outstanding from STYLE the twilight of his days’ No. 4 in Series: RHYMED C381 CRITICISMS No. 1 in incomplete Series: 1845 26 lines ‘In this, what a grave beauty POETICAL STUDIES: OR claims our praise’ RHYMED CRITICISMS Weekly Register 8 Nov. II Shakespere/Shakspeare/Shakspere/ Title: MILTON. HIS POETICAL Shakespeare STYLE 1842 65 lines ‘Next, standing lone, a study No. 5 in Series: RHYMED in itself,’ CRITICISMS Australasian Chronicle 1 Dec. 1845 23 lines ‘As through some stream’s 1847 95 lines + N ‘Standing alone, a study most christal purity’ in itself,’ Weekly Register 8 Nov. C382 Title: HIS MINOR POEMS No. II in Series: CRITICAL No. 5 in Series: RHYMED RHYMES CRITICISMS 114 THE POEMS OF CHARLES HARPUR

1845 26 lines ‘In this, what a grave beauty 1863 24 lines + N ‘A prim, complacently claims our praise’ poetic wight,’ Geelong Advertiser 10 Dec. A89 Title: MILTON’S POETICAL V Dryden STYLE 1847 32 lines + N ‘Even as French 1847 27 lines ‘In this what a grave beauty frippery [engaged?] his times,’ claims our praise,’ C382 C382 No. V in Series: CRITICAL Title: MILTON [HIS POETICAL RHYMES STYLE] 1863 36 lines + N ‘Even as French No. III in Series: CRITICAL habitudes became the rage’ RHYMES A89 1847 42 lines + N ‘As through some VI Pope stream’s most christal purity,’ 1847 30 lines + N ‘Refinement’s Bard! my C382 study when a boy—’ Title: [HIS MINOR POEMS] Title: POPE [HIS POETICAL No. III in Series: CRITICAL GENIUS] RHYMES 17 lines ‘What silver peals of music 1853 2 line untitled fragment ‘Each being here are rung!’ (try them, all who yet may doubt’ Title: [HIS RAPE OF THE LOCK] Last two lines of HIS EPIC STYLE 26 lines + N ‘In this supreme! with 24 line untitled fragment ‘As through what a Jove-like ease’ some stream’s most christal purity’ Title: [HIS SATIRICAL MASTERY] C376 (p. 553) Ø C382 Title: II [HIS MINOR POEMS] No. VI in Series: CRITICAL 1863 Part 1: His Epic Style RHYMES 32 lines ‘In this what a grave beauty 1863 41 lines ‘Refinement’s Bard! my claims our praise’ study when a boy—’ Part 2: His Minor Poems Part 1. HIS POETIC GENIUS 50 lines + N ‘As through some virgin 17 lines ‘What silver peals of music Stream’s pellucid flow’ here are rung!’ A89 Part 2. THE RAPE OF THE LOCK 1866 32 lines ‘In this what a grave beauty 26 lines + N Ø ‘In this supreme! claims our praise’ With what a Jove–like ease,’ A87–1 Part 3. HIS SATIRICAL MASTERY Part 1: HIS EPIC STYLE A89 No. III in incomplete untitled Series VII Gray/Grey 50 lines + N ‘As through some virgin 1847 14 lines + N ‘The loud apt epithet, stream’s pellucid flow’ applying sure;’ A87–1 C382 Part 2: HIS MINOR POEMS No. VII in Series: CRITICAL No. III in incomplete untitled Series RHYMES IV Waller 1847 20 lines + N ‘A prim, complacently poetic wight,’ C382 No. IV in Series: CRITICAL RHYMES AN ANALYTICAL FINDING LIST 115

1851 14 lines + N ‘The loud, apt epithet, 1863 125 lines + N ‘A swift Imagination, applying sure;’ wildly free,’ People’s Advocate 3 May A89 Title: CRITICAL RHYMES ON XI Moore GREY (sic) 1845 55 lines ‘Bright sparkling Moore! No. 5 Part I in Series: BEING when first I heard him sing,’ LEAVES FROM CHARLES Weekly Register 11 Oct. HARPUR’S WILD BEE OF No. 2 in Series: RHYMED AUSTRALIA CRITICISMS 1863 14 lines + N ‘The loud, apt epithet, 1863 61 lines + N ‘Bright, sparkling applying sure;’ Moore! when first I heard him sing,’ A89 A89 VIII Collins XII Wordsworth 1857 12 lines + N ‘A Genius caged in 1845 57 lines + N ‘Lofty in sentiment, but niceties of art;’ narrow yet,’ Empire 8 June. Erratum Empire 3 Weekly Register 27 Sept. July No. 1 in Series: RHYMED 1863 12 lines + N ‘A Genius caged in CRITICISMS niceties of art;’ 1851 66 lines + N ‘Lofty and strenuous of A89 sentiment,’ IX Burns C376 1845 74 lines ‘Thus storying with Love his Title: CRITICAL RHYMES ON native Streams—’ WORDSWORTH Weekly Register 13 Dec. 1853 64 lines ‘Lofty and strenuous of No. 6 in Series: RHYMED sentiment’ CRITICISMS Bushrangers, p. 120 1846 138 lines ‘My own wild Burns! these 1853–55 64 lines ‘Lofty and strenuous of rude-wrought Rhymes of thine’ sentiment’ Maitland Mercury 30 Sept. Erratum A98–1 Cutting Bushrangers 1853 MM Supplement 17 Oct. with minor handwritten alterations 1853 146 lines + N ‘My own wild Burns! 1863 66 lines + N ‘Lofty and strenuous of these rude-wrought rhymes of thine’ sentiment,’ Bushrangers, p. 116 A89 1853–55 145 lines + N ‘Round national XIII Coleridge faith and patriotic pride’ 1852 30 lines ‘Mark yon runnel how ’tis A98–1 Cutting Bushrangers 1853 flowing,’ with handwritten alterations Empire 9 Mar. 1863 164 lines + N ‘My own wild Burns! Title: THE VERSE OF these rude-wrought rhymes of thine’ COLERIDGE’S ‘CHRISTABEL’ A89 1853 20 lines ‘Mark yon runnel how ’tis X Byron flowing,’ 1845 45 lines ‘A daring Intellect and Bushrangers, p. 122 fervent Soul,’ Title: THE VERSE OF Weekly Register 25 Oct. COLERIDGE’S ‘CHRISTABEL’ No. 5 in Series: RHYMED CRITICISMS 1847 89 lines ‘A vast Imagination, and a free’ Maitland Mercury 6 Jan. 116 THE POEMS OF CHARLES HARPUR

1853 20 lines ‘Mark yon runnel how ’tis 1867 44 lines ‘See yon Runnell, (sic) how flowing,’ ’tis flowing,’ A98–1 Unamended cutting A96 Bushrangers 1853 Title: COLDERIDGE’S (sic) Title: THE VERSE OF CHRISTABEL COLERIDGE’S ‘CHRISTABEL’ Series: POEMS IN EARLY LIFE 1856–58 38 lines ‘Mark yon Runnel how 1867 44 lines ‘See yon Runnel, how ’tis ’tis flowing’ flowing,’ C376 (p. 605) A95 Title: THE RUNNEL: OR A POEM Title: COLERIDGE’S CHRISTABEL ON A POEM 1883 39 lines ‘Mark yon runnel, how ’tis 1856–58 14 lines ‘Under a dim low sky of flowing,’ leaden hue’ Poems, p. 116 C376 (p. 631) Title: COLERIDGE’S CHRISTABEL Title: II HIS ANCIENT MARINER Rpt. Popular Edition paperback 1899 1859 42 lines ‘Mark yon Runnel how ’tis XIV Shelley flowing’ 1863 37 lines + N ‘Beautiful Shelley! he Stenhouse Correspondence 1853– who smote the lyre’ 1874, MS A100. Letter to Stenhouse A89 2 July XV Critical Rhymes on some of the Title: A POEM ON A POEM English Critical Reviews of the last Age 1861 44 lines ‘Mark yon Runnel how ’tis 1851–53 49 lines + N ‘Heaped in yon flowing,’ Corner, dusty as thy cell,’ Empire 28 Dec. C376 Title: COLERIDGE’S CHRISTABEL Title: CRITICAL RHYMES ON 1861 44 lines ‘Mark yon Runnel, how ’tis CRITICAL REVIEWS flowing,’ Series: A PORTION OF CHARLES Broadsheet Braidwood Dispatch HARPUR’S WILD BEE OF Title: COLERIDGE’S AUSTRALIA CHRISTABEL 1863 73 lines+ N ‘In yon dark corner, 1861 44 lines ‘Mark yon Runnel, how ’tis dusty as thy cell,’ flowing,’ A89 A92 Unamended broadsheet XVI Polemical Tracts Braidwood Dispatch (another copy 1863 59 lines + N ‘In worthy fellowship, in D19) see yonder strewn’ Title: COLERIDGE’S CHRISTABEL A90 1863 21 lines ‘A wizard Poet! One who No. XVI (only item) in incomplete found too late’ Series: RHYMED CRITICISMS Title: PART 1. HIS GENERAL ETC. CHARACTERISTICS 1866 59 lines ‘In worthy fellowship, see (PART 2 ONLY APPEARS AS A yonder strewn’ TITLE “HIS CHRISTABEL” p. 350) A93 7 lines + N ‘Hark! in the shadowy cool of golden eves,’ RHYMES see A RHYME and TO Title: PART III. HIS GENEVIEVE [HENRY PARKES ON READING…] A89 (pp. 346-348, 349-354) AN ANALYTICAL FINDING LIST 117

RHYMES TO A LADY, WITH A COPY 1861 8 lines ‘In vain let Logic prove’ OF LOVE POEMS C384 Unamended cutting Braidwood 1847 39 lines + N ‘Many a weary day and Dispatch Aug.? Paper and year night’ identified by lightbox reading C382 No. XLVI in Series: BITS Title: TO A LADY WITH A COPY OF LOVE-POEMS RISING AND SETTING SUNS OF No. IV in Series: RHYMES LIBERTY see POETRY 1850 39 lines + N ‘Many a weary day and night’ THE ROBBERS Layman’s Prompter 8 Mar. 1834 Glee from The Tragedy of Donahoe Series: A LEAF FROM CHARLES or The Bushrangers? Receipt of HARPUR’S “WILD BEE OF poem acknowledged by Sydney AUSTRALIA” Times 23 Sept. Published version (if 1855–56 35 lines + N ‘Many a weary day any) unsighted and night’ A87–2 Cutting LP 8 Mar.1850 with ROBERT EMMETT handwritten alterations 1844 16 lines ‘Oh, why the dark mantle of Series: A LEAF FROM CHARLES Silence be thrown’ HARPUR’S “WILD BEE OF Morning Chronicle 11 May AUSTRALIA” 1844 20 lines + Ed.’s note ‘Oh, why 1867 34 lines ‘Many and many a day and should the cold chain of silence be night’ thrown’ A96 Morning Chronicle 25 May Series: POEMS IN EARLY LIFE 1867 34 lines ‘Many and many a day and A ROGUE-SAINT night’ 1851 4 lines + N ‘Of all the kinds of A95 Scoundrel, great and small,’ C376 RHYMES TO HENRY PARKES… see Title: ROGUISH PIETISM TO HENRY PARKES ON READING No. V in Series: A STRING OF HIS SONNET PASSING THOUGHTS (WITH OR WITHOUT COMMENT) THE RIGHTEOUSNESS OF NATURE 1860 6 lines ‘Of all the kinds of scoundrel, 1851 8 lines + N ‘In vain let Logic prove’ great or small,’ C376 A87–1 1857 8 lines ‘In vain let Logic prove’ Series: RHYMES, HUMOUROUS Empire 6 June (sic) POEMS, EPIGRAMS, ETC. No. IX in Series: 1861 6 lines ‘Of all the kinds of scoundrel, CHARACTERISTICS AND BITS great or small,’ OF PHILOSOPHY C384 Unamended cutting Braidwood 1860 8 lines ‘In vain let Logic prove’ Dispatch Aug.? Paper and year A87–1 identified by lightbox reading Series: RHYMES, HUMOUROUS No. XL in Series: BITS (sic) POEMS, EPIGRAMS, ETC. 118 THE POEMS OF CHARLES HARPUR

A ROGUISH EPIGRAM THE ROSE OF ABANA 1856 4 lines + N ‘The most accomplished 1849 17 line untitled fragment + N ‘And Rogue is one’ that her dove-like eyes, with People’s Advocate 1 Nov. nerveless lids,’ No. 15 Part III in Series: SONGS, C376 EPIGRAMS, NOTES, AND Series: CHARLES HARPUR’S OPINIONS, ETC. WILD BEE OF AUSTRALIA 1856 4 lines + N ‘The most accomplished 1857 123 lines ‘How beautiful was she Rogue is one’ whom men once called’ A87–2 Unamended cutting PA 1 Nov. Empire 21 Dec. 1860–63 151 lines ‘How beautiful was she ROGUISH PIETISM see A ROGUE- whom men once called’ SAINT A91 1863 154 lines ‘How beautiful was She ROSA AND THE EVENING STAR see whom men once called’ RECORDS OF A POET’S LOVE: XVII A89 1865–66 161 lines ‘How beautiful was she ROSA AND THE MORNING STAR see whom men once called’ RECORDS OF A POET’S LOVE: XVI A93 (p. 115) 1866 160 lines ‘How beautiful was she ROSA COMPARED WITH THE DAY whom men once called’ see RECORDS OF A POET’S LOVE: A93 (p. 22) XIV THE ROSE TREE ROSA COMPARED WITH THE NIGHT 1846 19 lines + N ‘A matchless Rose Tree! see RECORDS OF A POET’S LOVE: XV From the shaded mould’ Maitland Mercury 17 June ROSA: OR SONNETS OF LOVE see 1849 19 lines + N ‘A matchless Rose Tree! RECORDS OF A POET’S LOVE From the shaded mould’ C376 Cutting MM 17 June 1846 with ROSA’S EVENING SOCIETY see minor handwritten alterations RECORDS OF A POET’S LOVE: V 1866 20 lines + N ‘A matchless Rose Tree! From the shaded mould’ ROSA’S EYES see RECORDS OF A A87–2 POET’S LOVE: III No. IV in Series: BITS

ROSA’S FRIENDSHIP see ROUND NATIONAL FAITH AND PETRARCHIAN MUSINGS PATRIOTIC PRIDE see RHYMED CRITICISMS: IX ROSA’S IMAGE see RECORDS OF A POET’S LOVE: XI A ROYAL CHILD OF DESTINY 1855 20 lines + N ‘If never by the arms of ROSA’S PERFECTION see RECORDS Reason’ OF A POET’S LOVE: II People’s Advocate 26 May Title: NAPOLEON, THE CHILD THE ROSE see RECORDS OF A OF DESTINY, THE ONLY POET’S LOVE: XIX LEGITIMATE KING. TWO POETICAL LYRICS II AN ANALYTICAL FINDING LIST 119

1862–63 21 lines ‘If never by the arms of 1867 12 lines ‘All simple sights of rural Reason’ life to me’ C384 (pp. 35, 34) Ø Cutting PA 26 A87–1 May 1855 with handwritten Untitled alterations Series: BITS Title: NAPOLEON, THE CHILD OF DESTINY, THE ONLY SACRED TO THE MEMORY OF LEGITIMATE KING CHARLES CHIDLEY HARPUR, WHO 1863 22 lines ‘If never by the arms of DEPARTED THIS LIFE ON THE 2ND reason’ OF MARCH 1867. AGED 13 YEARS. A90 1867 4 lines ‘Human Affection would Series: LYRICS forever have held him’ 1867 22 lines ‘If never by the arms of C376 reason’ A96 A SAD CASE Series: POEMS IN EARLY LIFE 1863–65 28 lines ‘My consciousness seems getting right’ A RULE OF GOOD MANHOOD see A A87–1 SONG OF GOOD MANHOOD 1866 28 lines ‘My consciousness seems getting right’ THE RUNNEL: OR A POEM ON A A93 POEM see RHYMED CRITICISMS: see also THE TEMPLE OF INFAMY XIII Note 8

A RURAL PICTURE THE SAME SUBJECT CONTINUED 1856 12 lines ‘All simple sights of Rural see ON THE EASTER ILLUMINATION Life to me’ OF ST. PETER’S AT ROME: [2] People’s Advocate 12 July Title: A PASTORAL PICTURE THE SAME SUBJECT CONTINUED No. 6 Part III in Series: SONGS, (IN THE MANNER OF SHAKSPEAR’S EPIGRAMS, NOTES, AND SONNETS) see RECORDS OF A OPINIONS, ETC. POET’S LOVE: XXXIII 1860 12 lines ‘All simple sights of Rural life to me’ THE SAME SUBJECT IN ANOTHER A87–2 (p. 403) VIEW see RECORDS OF A POET’S ? Series : RHYMES, LOVE: XXXII HUMOUROUS (sic) POEMS, EPIGRAMS ETC. in A87–1 SAPHO (sic) TO HERSELF 1861 12 lines ‘All simple sights of rural 1867 62 lines ‘Musing of Love the life to me’ livelong day’ C384 Unamended cutting Braidwood A95 Dispatch Aug.? Paper and year 1867 62 lines ‘Museing (sic) of love the identified by lightbox reading livelong day’ No. LIII in Series: BITS A96 1866 12 lines ‘All simple sights of rural Series: POEMS IN EARLY LIFE life to me’ A87–2 (p. 492) No. III in Series: BITS 120 THE POEMS OF CHARLES HARPUR

SAPHO’S (sic) COMPARISON 1866 126 lines ‘Avast! I say, ye restless 1851 20 lines ‘This Rose impearled with things,’ Morning’s dew,’ A93 C376 Ø No. II in Series: A STRING OF THE SCENE OF THE CONFESSION GEMS see RECORDS OF A POET’S LOVE: 1867 20 lines ‘This Rose impaled (sic) XIII with Morning’s dew,’ A96 THE SCENIC PART OF POETRY see Series: POEMS IN EARLY LIFE WHAT’S POETIC

SATIRE see GENIUS LOST. THE A SCHOOL MOTTO SORROWS Part Four: LOOKING 1851 7 lines ‘I beat you for your good! the BEYOND Master cries:’ C376 SAUL’S DREAM see KING SAUL No. I in Series: A STRING OF PASSING THOUGHTS (WITH OR THE SCAMPER OF LIFE WITHOUT COMMENT) 1845 24 lines ‘Avast, ye restless things! 1851 7 lines ‘I beat you for your good! where are you all thus running to?’ The master cries:’ Weekly Register 6 Sept. People’s Advocate 1 Mar. 1845 45 lines ‘Avast, ye restless Things! No. XII in Series: A STRING OF where are you all thus running to?’ EPIGRAMS (FROM CHARLES Weekly Register 1 Nov. HARPUR’S WILD BEE OF Title: THE SCAMPER OF LIFE AUSTRALIA.) (REPUBLISHED WITH ADDITIONS) A SECOND TRILOGY see RECORD OF 1855–57 7 line untitled fragment ‘Till even A POET’S LOVE: XVIII; XX; XXIV his coachman father’s ghost,’ C376 partly Ø THE SEA CAPTAIN 1860 63 lines ‘Avast, I say, ye restless 1834 Glee. Receipt of poem acknowledged Things!/Where are you all thus by Sydney Times 23 Sept. Published running to?’ version (if any) unsighted A87–1 Series: RHYMES, HUMOUROUS A SECRET OF ENMITY (sic) POEMS, EPIGRAMS, ETC. 1851 5 lines + N ‘Why in the article of 1860 6 line untitled fragment ‘Yes! what a Enmity,’ bladder of the most’ C376 A87–2 (p. 738) No. III in Series: A STRING OF 1860–63 114 lines + N ‘Avast! I say, ye PASSING THOUGHTS (WITH OR restless things!’ WITHOUT COMMENT) A87–2 (p. 451) 1851 5 lines ‘Why in the article of 1866 6 line fragment + N ‘And when to Enmity,’ shield the sucking Duke’; 6 line People’s Advocate 1 Mar. fragment ‘And what shall No. XI in Series: A STRING OF Piddington’s passport plead’ (all EPIGRAMS (FROM CHARLES untitled) HARPUR’S WILD BEE OF A95 AUSTRALIA.) AN ANALYTICAL FINDING LIST 121

SELF-DEPENDENCE SELF REFERENCE 1853 14 lines ‘I who write this have 1851 4 lines + N ‘What an excellent practised what I preach,’ creature is dear Mrs G.’ Empire 20 June C376 1863 14 lines ‘I who write this have Title: SELF REFERENCE AND practised what I preach,’ PREFERENCE A90 No. VII in Series: A STRING OF No. XXV in Series: SONNETS PASSING THOUGHTS (WITH OR 1866 14 lines ‘I who write this have WITHOUT COMMENT) practised what I preach—’ 1851 4 lines ‘What an excellent creature is A95 (p. 48) Ø dear Mrs. G.,’ No. XXXVII in Series: People’s Advocate 1 Mar. MISCELLANEOUS SONNETS Title: SELF REFERENCE AND 1867 14 lines ‘I who write this have PREFERENCE practised what I preach—’ No. IV in Series: A STRING OF A95 (p. 130) EPIGRAMS (FROM CHARLES Series: PERSONAL AND OTHER HARPUR’S WILD BEE OF SONNETS AUSTRALIA) 1867 14 lines ‘I who write this have 1860 4 lines ‘What an excellent creature is practised what I preach—’ dear Mrs. G,’ A87–1 A87–1 (p. 390) Ø Series: PERSONAL AND OTHER Series: RHYMES, HUMOUROUS SONNETS (sic) POEMS, EPIGRAMS, ETC. 1860 4 lines ‘What an excellent creature is SELF-LIBERTY dear Mrs G,’ 1855 14 lines ‘I would not be dependent, A87–1 (p. 398) even for love,’ Title: JUDGMATICAL SELF Empire 21 Dec. REFERENCE 1863 14 lines ‘I would not be dependent Series: RHYMES, HUMOUROUS even for love,’ (sic) POEMS, EPIGRAMS, ETC. A90 1861 4 lines ‘What an excellent creature No. XXIV in Series: SONNETS is dear Mrs. G,–’ 1866 14 lines ‘I would not be dependent, C384 Unamended cutting Braidwood even for love,’ Dispatch July. Paper and date A95 (p. 47) partly Ø identified by lightbox reading No. XXXVI in Series: No. IX in Series: BITS MISCELLANEOUS SONNETS 1867 14 lines ‘I would not be dependent, SELF REFERENCE AND even for love,’ PREFERENCE see SELF REFERENCE A95 (p. 129) Series: PERSONAL AND OTHER SHADOWS OF DEATH SONNETS 1867 21 lines ‘“Go not far my darling 1867 14 lines ‘I would not be dependent, boy!’ even for love,’ A87–2 A87–1 Series: PERSONAL AND OTHER SHAKESPEARE/ SHAKSPERE/ SONNETS SHAKESPERE see RHYMED CRITICISMS: II 122 THE POEMS OF CHARLES HARPUR

SHELLEY see RHYMED CRITICISMS: 1868 12 lines + N ‘As when upon the XIV loud-resounding shore’ A87–2 (p. 523) SHEPHERD TEAR-AWAY’S BATTLE II WITH THE DEVIL, AS RELATED BY 1867 12 lines ‘Their bossy shields met HIMSELF TO HIS MUCH-BELIEVING clashing, and full loud’ FLOCK A87–2 (p. 529) 1855–57 72 lines ‘The Devil came to my 1867 12 lines ‘Their bossy shields met bedside last night,’ clashing, and full loud’ A87–2 A87–2 (p. 533) 1868 12 lines ‘Their bossy shields met SHORT ETHICS PRODUCED clashing, and full loud’ 1859 16 lines + N ‘A new Bard sings A87–2 (p. 524) “Rather be good than clever,’ III Australian Home Companion Vo l. 4 1867 12 lines ‘Thus sorely wounded, loud as thunder roared’ SHORTNESS OF LIFE A87–2 (p. 529) 1856 2 lines + N ‘Mourn not Life’s 1867 12 lines ‘Thus sorely wounded, loud shortness—life on earth’ as thunder roared’ People’s Advocate 31 May A87–2 (p. 533) No. II Part II in Series: EPIGRAMS, 1868 12 lines ‘Thus sorely wounded, loud NOTES, AND OPINIONS, ETC. as thunder roared’ 1856 2 lines + N ‘Mourn not Life’s A87–2 (p. 525) shortness—life on earth’ IV A92 Unamended cutting PA 31 May 1867 5 lines ‘The race of men is as the No. II Part II in Series: EPIGRAMS, race of leaves:’ NOTES, AND OPINIONS, ETC. A87–2 (p. 530) 1867 5 lines ‘The race of men is as the THE SHOW OF PHYSICAL race of leaves:’ STRENGTH see A TITAN INCOG. A87–2 (p. 534) 1868 5 lines ‘The race of men is as the A SIGH FOR THE FORTHCOMING see race of leaves:’ EDEN LOST A87–2 (p. 525) V THE SILENCE OF FAITH see 1867 9 lines ‘But blameless Gorgythèon in AUTUMNAL LEAVES: 5 the breast’ A87–2 (p. 530) SIMILES FROM HOMER 1867 9 lines ‘But blameless Gorgythèon in The ten parts of the Similes are the breast’ transcribed three times in MS A87–2 pp. A87–2 (p. 534) 523-536. Harpur dates later 1868 9 lines ‘But blameless Gorgythèon in transcriptions 1867 and 1868 the breast’ I A87–2 (p. 525) 1867 12 lines ‘As when upon the loud- VI resounding shore’ 1867 12 lines ‘But when they came to A87–2 (p. 529) where the assembled guards’ 12 lines ‘As when upon the loud- A87–2 (p. 530) resounding shore’ A87–2 (p. 533) AN ANALYTICAL FINDING LIST 123

1867 12 lines ‘But when they came to A SIMILITUDE where the assembled guards’ 1855 8 lines ‘As down through the leafy A87–2 (p. 534) roofage’ 1868 12 lines ‘But when they came to Empire 21 Dec. where the assembled guards’ 1860 8 lines ‘Downward, through the leafy A87–2 (p. 525) roofage’ VII A87–1 (p. 384) 1867 10 lines ‘Hector, advancing, carried Series: RHYMES, HUMOUROUS through the van’ (sic) POEMS, EPIGRAMS, ETC. A87–2 (p. 531) 1862–63 8 lines ‘Downward, through the 1867 10 lines ‘Hector, advancing, carried bloomy roofage’ through the van’ C384 Cutting Braidwood Dispatch A87–2 (p. 535) Aug.? 1861 with handwritten 1868 10 lines ‘Hector, advancing, carried alterations. Paper and year identified through the van’ by lightbox reading A87–2 (p. 526) No. XLIII in Series: BITS VIII 1867 8 lines ‘Downward, through the 1867 11 lines ‘As when upon a leafy forest bloomy roofage’ falls’ A87–1 (p. 250/327) A87–2 (p. 531) Untitled 1867 11 lines ‘As when upon a leafy forest Series: BITS falls’ 1883 8 lines ‘Downward, through the A87–2 (p. 535) blooming roofage’ 1868 11 lines ‘As when upon a leafy forest Poems, p. 88 falls’ Untitled A87–2 (p. 526) Rpt. Popular Edition paperback 1899 IX 1888 8 lines ‘Downward, through the 1867 17 lines ‘As when a stubborn ass, blooming roofage’ caught trespassing,’ Australian Poets 1788–1888, p. 201 A87–2 (p. 532) Untitled 1867 17 lines ‘As when a stubborn ass, caught trespassing,’ SIMONY A87–2 (p. 536) 1856 4 lines + N ‘Oh! how the Devil must 1868 17 lines ‘As when a stubborn ass, grin,’ caught trespassing,’ People’s Advocate 29 Nov. A87–2 (p. 527) Title: “FILTHY LUCRE” X No. 18 Part II in Series: SONGS, 1867 11 lines ‘Yet fear moved not EPIGRAMS, NOTES, AND Idomenëus – such’ OPINIONS, ETC. A87–2 (p. 532) 1856 4 lines + N ‘Oh! how the Devil must 1867 12 lines ‘Yet fear moved not grin,’ Idomenëus – such’ A92 Unamended cutting PA 29 Nov. A87–2 (p. 536) Title: “FILTHY LUCRE” 1868 11 lines ‘Yet fear moved not 1867 28 lines ‘How horribly Satan must Idomenëus – such’ grin,’ A87–2 (p. 527) A87–2 124 THE POEMS OF CHARLES HARPUR

SIMPLICITY VERSUS CRAFT THE SNOW CHILD 1850 4 lines + N ‘Simplicity enjoys while 1853 60 lines ‘Beware child, in your Craft contrives,’ gambols,’ C376 (p. 485) Page cross-written People’s Advocate 5 Nov. 1857 4 lines ‘Simplicity enjoys while Craft 1863 88 lines ‘Beware Child, in your contrives,’ gambols,’ Empire 8 July A90 No. VI in Series: RHYMED Series: LYRICS APHORISMS AND BITS OF 1867 88 lines ‘Beware Child in your PHILOSOPHY gambols’ 1861 4 lines ‘Simplicity enjoys while Craft A87–1 contrives,’ C384 Unamended cutting Braidwood SO BE IT Dispatch Aug. Paper and date 1857? 6 lines + N ‘To-day what’s unwise identified by lightbox reading may be wise to-morrow;’ No. XXVII in Series: BITS A92 Unamended unidentified cutting ?People’s Advocate SINCE EVERY DROP OF WRONG- SHED BLOOD THAT CRIES see THE SO LONG AS OUR WINE… see LOVE WRONGS OF POLAND IS SIMPLE

SINCE THOU ART DEAD… see SOCIAL CHARITY AUTUMNAL LEAVES: 6 1848 14 lines + N ‘’Tis Life’s prime household wisdom, not to scorn’ SIR GILBERT and SIR GILBERT C382 BLOUNT see CORA’S SIRE 1851 14 lines + N ‘’Tis Life’s prime household wisdom not to scorn’ THE SLAVE’S STORY C376 1855 c. 395 lines ‘It is an Indian Isle 1866 14 lines ‘’Tis life’s prime household reposed’ wisdom not to scorn’ A87–2 A95 (p. 45) 1863 418 lines ‘Behold an Indian Isle, No. XXXI in Series: reposed’ MISCELLANEOUS SONNETS A89 1867 14 lines ‘’Tis life’s prime household 1868 388 lines ‘Behold an Indian Isle, wisdom not to scorn’ reposed’ A95 (p. 128) A97 Series: PERSONAL AND OTHER 1883 90 lines ‘Behold an Indian isle, SONNETS reposed’ 1867 14 lines ‘’Tis Life’s prime household Poems, p. 140 wisdom not to scorn’ Title: DESCRIPTION OF A A87–1 TROPICAL ISLAND Series: PERSONAL AND OTHER Rpt. Popular Edition paperback 1899 SONNETS

SMALL PRIDE see PETTY PRIDE AN ANALYTICAL FINDING LIST 125

A SOCIAL SUGGESTION FOR THE 1863 24 lines ‘Oh, Love it is a pleasant FUTURE song’ 1851 12 lines ‘O, it is perilous to feel the A87–2 Ø weight’ Sub-title: [A PLEASANT SONG] C376 Series: SONGS, ODES AND No. IV in Series: A STRING OF OTHER LYRICS PASSING THOUGHTS (WITH 1867 24 lines ‘Oh Love it is a pleasant AND WITHOUT COMMENT) song’ A96 SONG Series: POEMS IN EARLY LIFE 1836 12 lines ‘When woman, fickle minded creature,’ SONG see also AUTUMNAL LEAVES: 5; Sydney Times 24 Sept. DORA; FALLING AWAY; I WOULD GET ME A NEW LOVE; THE LOST SONG VOICE; LOVE; LOVE TO THE LAST; 1837 20 lines ‘No more from thee Alen!— A POLITICAL GOSPEL; A SONG OF the spell now is broken’ SORROW; TO MARY ‘Where Beauty is Literary News 23 Dec. praising the songs that I sing’ Pseudonym: STEBII A SONG FOR THE SPRING TIME SONG 1843 18 lines ‘The mimosas are 1844 16 lines ‘When the night first wears blooming,’ grey, Mary,’ Maitland Mercury 16 Sept. Parramatta Chronicle 24 Aug. 1844 24 lines ‘The mimosas are see also ABSENCE BY THE SEA-SIDE blooming,’ Weekly Register 11 May SONG 1846 24 lines ‘The mimosas are 1847 24 lines + N ‘Oft he thought she blooming,’ could not love him!’ Penny Saturday Journal 21 Feb. C382 1850/51 24 lines + N ‘The mimosas are 1847 24 lines + N ‘Oft he thought she blooming’ could not love him!’ Songs of Australia. First Series Sydney Chronicle 11 Dec. Sighted only by lightbox reading of 1847 24 lines + N ‘Oft he thought she pages in A92 could not love him!’ see also A LYRICAL LOVE STORY 1: 4 C376 Cutting SC 11 Dec. with handwritten alterations to note A SONG FOR THE TIMES see THE MUSE’S ETHICS: III SONG 1849 40 lines ‘O, there’s nothing worth SONG (IMITATED/ FROM THE loving that money can buy!’ GERMAN OF SCHILLER) see A92 THEKLA’S SONG

SONG A SONG OF DAVID INCITING TO 1856 24 lines ‘O Love it is a pleasant DANCE. FROM KING SAUL song’ 1853 32 lines ‘Behold the Spring is with Empire 9 Apr. us!’ Empire 3 Jan. 126 THE POEMS OF CHARLES HARPUR

1853–60 32 lines ‘Behold the Spring is A SONG OF SORROW with us!’ 1866 20 lines ‘O this wearing influence of A87–2 Time’ 1866 32 lines ‘Behold the Spring is with C381 Cutting dated Sept. 1866 us!’ Moruya Examiner with handwritten A87–1 alterations. Paper identified by 1867 32 lines ‘Behold the Spring is with lightbox reading us!’ Title: SONG (amended to A SONG A92 OF SORROW) Series: ODES AND LYRICS 1880 32 lines ‘Behold the Spring is with THE SONG OF THE POET us,’ SHEPHERD’S WIFE Sydney Mail 2 Oct. 1853 24 lines ‘O weary sometimes seems 1880–90 32 lines ‘Behold the Spring is the day’ with us,’ Parkes Correspondence MS 947 C381 Cutting Moruya Examiner 20 Letter [10] July. Also in Harpur May, amended by unknown hand. Correspondence 1844-96 MS 947 Paper and date identified by lightbox reading A SONG OF THE SEA SIDE see see also KING SAUL ABSENCE BY THE SEA-SIDE

A SONG OF GOOD MANHOOD A SONG FOR THE TIMES see THE 1855 16 lines ‘Let nothing in fortune MUSE’S ETHICS: III ignore thee,’ B78 Ø (p. 49) SONNET Title: A RULE OF GOOD 1845 14 lines ‘What raises Man above his MANHOOD fellows here?’ 1855 18 lines ‘Let nothing in fortune Weekly Register 10 May. Unsigned ignore thee,’ B78 (p. 52) SONNET 1856 24 lines ‘Let nothing in fortune 1855 14 lines ‘Alas! Affliction’s cloud ignore thee,’ o’ershadows thee,’ People’s Advocate 7 June A87–2 No. III Part I in Series: EPIGRAMS, NOTES, AND OPINIONS, ETC. THE SONNET 1856 8 lines + N ‘’Tis not the bulk of any THE SONG OF LIFE thing on earth’ 1844 16 lines ‘Oh, glad are the notes of the People’s Advocate 18 Oct. springtime bird,’ No. 14 Part II in Series: SONGS, Maitland Mercury 25 May EPIGRAMS, NOTES, AND 1851 16 lines ‘O glad are the notes of the OPINIONS, ETC. Springtime bird,’ C376 Ø SONNET see MORNING ‘Most glorious No. IV in Series: A STRING OF is that firstling burst of light,’ GEMS THE SONNET see ON THE SONNET AN ANALYTICAL FINDING LIST 127

SONNET, DESCRIPTIVE OF THE 1850–55 14 lines ‘A Patriot is one who hath PROSPECT…see DESCRIPTIVE OF no aims’ THE PROSPECT… A92 II: A Windy Subject SONNET: ON THE DISRESPECT 1845 14 lines ‘The Devil, astride on a WHICH CERTAIN MEMBERS OF THE Brickfielder, drew’ LEGISLATIVE COUNCIL… see ON Weekly Register 15 Feb. THE DISRESPECT WHICH CERTAIN Pseudonym: THE CLERK OF THE MEMBERS… WEATHER 1850–55 14 lines ‘The Devil astride on a SONNET. SELF-VINDICATORY, AND “brickfielder”, drew’ BY WAY OF APPENDIX TO THE A92 FOREGOING SERIES see SONNETS III: Who’s the Man? DEDICATED TO AUSTRALIAN 1845 14 lines ‘A Doctor! One whose SENATORS: XVII mouth is filled with slang,’ Weekly Register 22 Feb. SONNET TO DOCTOR LANG see TO Pseudonym: THE RECORDER DOCTOR LANG and TO THE REV: 1850–55 14 lines ‘A Parson! one whose DOCTOR LANG ON READING ONE mouth is filled with slang,’ OF HIS BOOKS A92 IV: “Is Saul also among the Prophets?” SONNET TO DR. LANG (WRITTEN 1845 14 lines ‘With ample fortune, and no BEFORE HIS DEPARTURE FOR common mind,’ ENGLAND, AND NOW Weekly Register 22 Feb. REPUBLISHED) see TO THE REV: Untitled DOCTOR LANG ON READING… Pseudonym: TRUTH IN SEASON 1850–55 14 lines ‘With ample fortune and SONNET TO HENRY PARKES see TO no common mind,’ HENRY PARKES. BEFORE… A92 V: Like Cases, with a Dose of Physic SONNET TO MR. BOYCE 1845 14 lines + N ‘John Wroe mistook a 1850 14 lines + N ‘Thrice-valiant Boyce! drumming emptiness’ and so you are not merely’ Weekly Register 1 Mar. People’s Advocate 19 Oct. Pseudonym: ANTI-STATE- 1850 14 lines + N ‘Thrice-valiant Boyce! PHLEBOTOMY and so you are not merely’ 1850–55 14 lines ‘John Wroe mistook a drumming emptiness’ SONNETS DEDICATED TO A92 AUSTRALIAN SENATORS VI: [Who’d have] thought it!—why he Seventeen Sonnets in MS A92 1850-55. votes with the opposition Also in Weekly Register 8 Feb. to 31 May 1845 14 lines ‘Vote as thou wilt, D–! on 1845. Sonnets numbered below as in thy brow’ MSA92 Weekly Register 8 Mar. I: Is Wentworth a Patriot? Pseudonym: A SPIRIT OF THE 1845 14 lines ‘A Patriot is one who has no PAST aims’ 1850–55 14 lines ‘Vote as thou wilt Weekly Register 8 Feb. Dumeresq, on thy brow’ Pseudonym: AN AUSTRALIAN A92 128 THE POEMS OF CHARLES HARPUR

VII: A Thorough Woolgatherer XI: The Windy Subject again 1845 14 lines ‘Sure Cumberland, at length, 1845 14 lines ‘I’ve said how Belial with must feel ashamed’ the Patriot’s name’ Weekly Register 15 Mar. Weekly Register 31 May Untitled No. XVII in Series: SONNETS No. X in Series: SONNETS DEDICATED TO SENATORS DEDICATED TO SENATORS Pseudonym: THE CLERK OF THE Pseudonym: NO WOOL- WEATHER GATHERER 1850–55 14 lines ‘I’ve said, how Belial 1850–55 14 lines ‘Sure Cumberland, at with the Patriot’s name’ length, must feel ashamed’ A92 A92 XII: The Man who Dreamt a Mighty VIII: Expostulatory Dream 1845 14 lines ‘Most painful ’tis to see a 1845 14 lines ‘What brought yon broad man of merit’ brimm’d Statesman o’er the sea?’ Weekly Register 15 Mar. Weekly Register 19 Apr. No. IX in Series: SONNETS No. XIII in Series: SONNETS DEDICATED TO SENATORS DEDICATED TO SENATORS [Weekly Register numbering omitted Pseudonym: BILL ORR VIII] 1850–55 14 lines ‘What brought yon broad- Pseudonym: NOT TOM CAMPBELL brimm’d Statesman o’er the sea?’ 1850–55 14 lines ‘’Tis painful to behold a A92 man of merit’ XIII: A “Minion of the Moon” A92 1845 14 lines ‘The spirit of the moon, as to IX: “It’s no go!” and fro’ 1845 14 lines + N ‘How stripped of all that Weekly Register 26 Apr. giveth life to glow,’ Untitled Weekly Register 29 Mar. No. XV in Series: SONNETS Untitled DEDICATED TO SENATORS No. XI in Series: SONNETS Pseudonym: NO “MINION OF THE DEDICATED TO SENATORS MOON” 1850–55 14 lines + N ‘How stript of all that 1850–55 14 lines ‘The Spirit of the Moon, giveth Life to glow’ as to and fro’ [partly missing partly A92 decipherable by lightbox reading of X: Wentworth again cutting “The Lass of Eulengo” in 1845 14 lines ‘Once he would have the C381] Franchise low—For why?’ A92 Weekly Register 8 Mar. XIV: What next? Title: WENTWORTH AGAIN 1845 14 lines ‘Surely some spirit of Folly No. VII in Series: SONNETS that hates man’ DEDICATED TO SENATORS Weekly Register 5 Apr. Erratum WR Pseudonym: AN AUSTRALIAN 19 Apr. 1850–55 14 lines ‘Once he would have the Untitled Franchise low—For why?’ No. XII in Series: SONNETS A92 DEDICATED TO SENATORS Pseudonym: A HAWSKEBURY BOY AN ANALYTICAL FINDING LIST 129

1850–55 14 lines ‘[Surely some spirit of] SOUL-MEASURERS Folly that much hates man,’ [First 1860 8 lines ‘Like him who great reports line partly missing] of tilth rejects’ A92 A87–2 XV: Wentworth’s Council-Dream Series: BITS 1845 14 lines ‘After a brimstone speech in 1867 8 lines ‘Like him who great reports Council made,’ of tilth rejects,’ Weekly Register 3 May A87–1 No. XVI in Series: SONNETS Untitled DEDICATED TO SENATORS Series: BITS Pseudonym: MARTIN GALVIN 1883 8 lines ‘Like him who great reports 1845 14 lines ‘After a brimstone speech in of tilth rejects,’ Council made,’ Poems, p. 194 Port Phillip Patriot and Melbourne Untitled Advertiser 16 May Rpt. Popular Edition paperback 1899 No. XVI in Series: SONNETS DEDICATED TO SENATORS SPEAK THE TRUTH see THE MUSE’S Pseudonym: MARTIN GALVIN ETHICS: I 1850–55 14 lines ‘After a brimstone speech in Council made,’ SPECTRE OF THE CATTLE FLAT/ A92 NED CONNOR XVI: A Batch 1846 186 lines ‘’Twas Night—and where a 1845 14 lines ‘Hannibal!—(Ah! whereto watr’y sound’ must descend my theme?)’ Maitland Mercury 19 Aug. Weekly Register 19 Apr. 1853 210 lines ‘’Twas night—and where a No XIV in Series: SONNETS watery sound’ DEDICATED TO SENATORS Bushrangers, p. 81 Pseudonym: AN AUSTRALIAN 1853 210 lines ‘’Twas night—and where a 1850–55 14 lines ‘Macarthur!—(whereto watery sound’ must descend my Theme?)’ A98–1 Unamended cutting A92 Bushrangers 1853 [XVII]: Sonnet. Self-vindicatory, and by 1860–63 270 lines ‘’Twas night—and way of appendix to the foregoing series where a watery sound’ 1845 14 lines ‘Fat Fudge, the Publican A91 (and sinner), o’er’ 1863 282 lines ‘’Twas night—and where a Weekly Register 31 May watery sound’ Pseudonym: AUSTRALICUS A89 1850–55 14 lines ‘Fat Fudge the Publican 1867–68 330 lines + N ‘’Twas night—and (and sinner) o’er’ where a watery sound’ A92 A97

SONNETS DEDICATED TO THE THE SPIRIT OF BEAUTY see THE SQUATOCRACY (sic) see THE SPIRIT BEAUTIFUL: I OF SQUATTERY THE SPIRIT OF LOVE THE SORROWS and THE SORROWS 1853 20 lines ‘When broad o’er her hill- OF CHATTERTON see GENIUS LOST top’ Empire 5 Feb. 130 THE POEMS OF CHARLES HARPUR

1863 24 lines ‘When broad o’er her hill- SPIRITS OF THE EARTH… see top’ GENIUS LOST. THE SORROWS Part A90 Eight Series: LYRICS 1865 12 lines ‘When broad o’er her hill- SPIRITUAL ASSURANCE AT ITS top hangs Eve’s glowing star,’ HEIGHT see MUSE WORSHIP: 6 A95 No. XXV in Series: LYRICS THE SPOUSE OF INFINITUDE 1867 12 lines ‘When broad o’er her hill- 1856 14 lines ‘Behold, the moon is in the top hangs Eve’s glowing star,’ midst of heaven,’ A88 People’s Advocate 28 June. Poem in Series: LYRICS prose note 1867 12 lines ‘When broad o’er her hill- No. 5 in Series: SONGS, top hangs Eve’s glowing star,’ EPIGRAMS, NOTES, AND A92 OPINIONS, ETC. Series: ODES AND LYRICS 1856 14 lines ‘Behold, the moon is in the 1870 12 lines ‘When broad o’er the hill- midst of heaven,’ top hangs Eve’s glowing star,’ C380 Unamended cutting PA 28 June Sydney Mail 26 Nov. 1860 20 lines ‘Behold, the moon is in the 1880 12 lines ‘When broad o’er the hill- midst of heaven,’ top hangs Eve’s glowing star,’ A87–2 (p. 403) Sydney Mail 18 Sept. ? Series : RHYMES, HUMOUROUS (sic) POEMS, SPIRIT OF SQUATTERY WITH EPIGRAMS, ETC. in A87–1 REFERENCE TO A TEA- 1860 20 lines ‘Behold, the moon is in the ALLOWANCE TO HIRED SERVANTS midst of heaven’ 1845 14 lines + N ‘Why should hired Australian Home Companion Vo l. 5 laborers have Tea allowed?’ 1866 20 lines ‘Behold, the Moon is in the Weekly Register 14 June midst of heaven,’ No. I in Series: SONNETS A87–2 (p. 491) DEDICATED TO THE No. I in Series: BITS SQUATOCRACY (sic). No 1867–68 20 lines ‘Behold, the Moon is in further poems under this series title. the midst of heaven,’ Pseudonym: A SQUATTER OF THE A97 FIRST WATER 1851–53 14 lines + N ‘Why should hired SPRINGTIME GLADNESS laborers have Tea allowed?’ 1845 35 lines ‘Chasing cold Winter’s dull C376 sadness,’ Series: A PORTION OF CHARLES Weekly Register 31 May HARPUR’S WILD BEE OF Title: EARLY SUMMER AUSTRALIA 1846 34 lines ‘Chasing cold Winter’s dull sadness,’ THE SPIRIT OF THE BOWL Maitland Mercury 5 Sept. 1854 46 lines ‘A strong Man and a Boy,’ Title: EARLY SUMMER Empire 7 Sept. 1847 35 lines + N ‘Chasing cold Winter’s dull sadness,’ THE SPIRIT OF THE MOON… see C382 SONNETS TO AUSTRALIAN Title: EARLY SUMMER SENATORS: XIII No. VI in Series: RHYMES AN ANALYTICAL FINDING LIST 131

1866 38 lines ‘Chasing cold Winter’s dull V: The Great Guns of Squattocracy… sadness,’ 1845 100 lines ‘Squatter gentlemen; every A87–1 one’ Weekly Register 17 May SQUATTER SONGS: A “GRIEVANCE” 1845 100 lines ‘Squatter gentlemen; every FIFTY MILES LONG see SQUATTER one’ SONGS: IV Port Phillip Patriot and Melbourne Advertiser 2 June SQUATTER SONGS VI: Bush Justice I: The Beautiful Squatter 1845 24 lines ‘A Dealer, bewitched by 1845 32 lines ‘Where the wandering gain-promising dreams,’ Barwin delighteth the eye,’ Weekly Register 6 June Weekly Register 15 Mar. 1845 24 lines ‘A dealer, bewitched by Untitled gain-promising dreams,’ 1849 32 lines ‘Where the wandering Australian Journal 10 June Barwin delighteth the eye,’ 1845 24 lines ‘A Dealer, bewitched by C376 Ø gain-promising dreams,’ No. XLV but no other numbered A92 Cutting WR 6 June with minor pieces. handwritten alterations 1867 32 lines ‘Where the wandering Barwin delighteth the eye,’ STALWART THE BUSHRANGER A96 [Verse drama in five acts] Series: POEMS IN EARLY LIFE 1853–55 9 line untitled fragment (Act 5 II: Tom Brown or Haman in the Bush Scene 6) ‘Ask the unspancled horse,’ 1845 48 lines ‘I had a noble station’ A98–1 Weekly Register 5 Apr. 1867 c. 2537 lines + N ‘Beyond all Untitled question, you have ably met’ 1851–57 26 lines + N ‘I had a noble Station A94 once as any in the land’ see also earlier versions THE TRAGEDY C376 Unamended unidentified OF DONOHOE, THE BUSHRANGERS cutting, ?People’s Advocate AND THE BUSH-RANGERS III: Untitled 1845 48 lines ‘I bought five thousand STANZAS sheep on tick,’ 1855 16 lines ‘Let pleasure be thy duty’ Weekly Register 26 Apr. B78 IV: A “Grievance” fifty miles long see also A LYRICAL LOVE STORY 3: 5 1845 33 lines + N ‘Full fifty miles of hill and dale’ STANZAS Weekly Register 3 May 1838 36 lines ‘Thus let me solitary range,’ 1845 33 lines + N ‘Full fifty miles of hill Literary News 20 Jan. and dale’ Pseudonym: STEBII Port Phillip Patriot and Melbourne Advertiser 16 May STANZAS 1855–57 c. 33 lines ‘Full fifty miles of hill 1842 22 lines ‘Mine heart doth ever ache and dale’ to be’ A87–2 Australasian Chronicle 20 Oct. Untitled 132 THE POEMS OF CHARLES HARPUR

STANZAS 1891 148 lines ‘A lonely boy, far venturing 1846 24 lines ‘This World how bright!’ from home’ Maitland Mercury 10 June Title: A STORM ON THE 1847 24 lines + N ‘This World how MOUNTAINS bright!’ A Century of Australian Song, p. 199 C382 1851 24 lines + N ‘This World how STRAIGHTFORWARDNESS bright!’ 1851 4 lines + N ‘Straightforwardness, in C376 act and word and thought’ Part [V]of Series: A STRING OF C376 PEARLS Title: THE HONESTY OF HEROHOOD STANZAS see ‘DEAR HENRY, No. X in Series: A STRING OF FORBEAR TO COMPLAIN’ PASSING THOUGHTS (WITH OR WITHOUT COMMENT) STANZAS ‘MARY, BEFORE US 1860 8 lines ‘Straightforwardness in SWELLS THE SEA’ see A/THE POET’S thought & word & deed,’ WIFE A87–2 Series: BITS STANZES (sic) see THE MARTYRS OF 1861 8 lines ‘Straightforwardness in FORTUNE thought and word and deed,’ C384 Unamended cutting Braidwood THE STILL HOUR OF LOVE see A Dispatch Aug.? Paper and year LYRICAL LOVE STORY 1: 8 identified by lightbox reading No. LI in Series: BITS A STORM IN THE MOUNTAINS 1856 159 lines + N ‘A lonely Boy, far SUCH IS THE STRANGE venturing from his home,’ SUCCESSION OF OUR MOODS see Empire 15 July AUTUMNAL LEAVES: 4 1863 196 lines + N ‘A lonely Boy, far venturing from his home,’ A SUMMER-HOUSE TREAT A89 1853–56 16 lines ‘Take a flawless porcelain 1866 198 lines + N ‘A lonely Boy, far dish’ venturing from his home’ C383 A93 partly Ø 1860 24 lines ‘Take a flawless porcelain 1867 208 lines + N ‘A lonely Boy, far dish’ venturing from his home,’ A87–2 Sydney Morning Herald 14 Mar. ? Series : RHYMES, 1867–68 208 lines + N ‘A lonely Boy, far HUMOUROUS (sic) POEMS, venturing from his home,’ EPIGRAMS, ETC. in A87–1 A97 1861 24 lines ‘Take a flawless porcelain 1883 146 lines ‘A lonely boy, far venturing dish’ from home’ C384 Unamended cutting Braidwood Poems, p. 77 Dispatch July. Paper and date Rpt. Popular Edition paperback 1899 identified by lightbox reading 1867 24 lines ‘Take a flawless porcelain dish’ A87–1 AN ANALYTICAL FINDING LIST 133

A SUMMER NIGHT SCENE II 40 lines ‘Thus having spoken, the 1851 27 lines ‘Let us go forth, Belovëd! swift-footed One’ for the Night’ A93 Ø C376 Ø Subtitle: AS MORE CLOSELY Title: AN AUSTRALIAN NIGHT RENDERED IN BLANK VERSE SCENE 1866 No. III in Series: A STRING OF I 31 lines ‘Up, in his might, he GEMS arose,—Achilles, the favored of 1858 27 lines ‘Let us go forth Beloved! for heaven;’ the Night’ A87–1 Unidentified cutting with Empire 28 Jan. Erratum Empire 15 handwritten alterations Feb. Subtitle: AS PARAPHRASED IN 1863 18 lines ‘Let us go forth: for HOMERIC HEXAMETER beautiful is the night!’ II 42 lines ‘Thus having spoken, the A90 swift-footed One’ Series: LYRICS A87–1 Unidentified cutting with see also THE NIGHT SCENE ‘Come, my handwritten alterations Idalia, forth!—the night’ Subtitle: AS MORE CLOSELY RENDERED IN BLANK VERSE A SUPERNATURALISED BATTLE III 38 lines ‘Thus having spoken, the PIECE FROM HOMER see A swift-footed Iris departed;’ SUPERNATURALISED BATTLE- A87–1 Handwritten addition to above PIECE FROM THE XVIII ILIAD cuttings Subtitle: THE SAME AS A SUPERNATURALISED BATTLE- LITERALLY AS POSSIBLE PIECE FROM HOMER/THE XVIII 1883 ILIAD I 31 lines ‘Up, in his might, he arose— 1855 62 lines + N ‘Up he rose in the might Achilles, the favoured of heaven;’ of his soul,’ Subtitle: PARAPHRASED IN B78 HOMERIC HEXAMETERS Title: A BATTLE PIECE FROM II 36 lines ‘Thus having spoken, the HOMER swift-footed one’ 1860 62 lines ‘Up he rose in the might of Subtitle: THE SAME, MORE his soul,’ CLOSELY RENDERED IN BLANK Empire 30 Aug. VERSE 1862–63 62 lines ‘Up he rose in the might III 38 lines ‘Thus having spoken, the of his soul,’ swift-footed Iris departed;’ C384 Cutting Empire 30 Aug. 1860 Poems, p. 314 with handwritten alterations Subtitle: THE SAME, VERY 1866 LITERALLY I 31 lines ‘Up in the might of his soul, Rpt. Popular Edition paperback 1899 rose Achilles, the favored of heaven,’ A93 Ø SURE CUMBERLAND… see SONNETS Subtitle: AS PARAPHRASED IN TO AUSTRALIAN SENATORS: VII DACTYLIC HEXAMETERS SURELY SOME SPIRIT OF FOLLY… see SONNETS TO AUSTRALIAN SENATORS: XIV 134 THE POEMS OF CHARLES HARPUR

THE SWAMP OAK see THE VOICE OF 1867 4 lines ‘Talent is twelve pence to the THE SWAMP OAK shilling fair,’ A87–1 (p. 249/326) A SYLVAN VISION see DIAN Untitled Series: BITS TAKING TOO MUCH THOUGHT OF TO-MORROW THE TEAR see RECORDS OF A 1857 6 lines ‘Could we, as mortals, but our POET’S LOVE: VI end foresee,’ Empire 8 July TEETOTALISM see THE No. V in Series: RHYMED TEMPERANCE MOVEMENT APHORISMS AND BITS OF PHILOSOPHY THE TEE-TREE GROVE 1857 6 lines ‘Could we, as mortals, but our 1860–61 32 lines ‘Whene’er of one green end foresee,’ Spot afar’ C384 Ø Unamended cutting Empire A87–2 Ø 8 July 1867 32 lines ‘Whene’er of one green Spot 1867 6 lines ‘Could we, as mortals, but our afar’ end foresee,’ A96 A87–1 Series: POEMS IN EARLY LIFE Untitled Series: BITS THE TEMPERANCE MOVEMENT 1883 6 lines ‘Could we as mortals but our 1843 14 lines ‘A power is shed abroad—a end foresee,’ light has shone’ Poems, p. 216 Australasian Chronicle 20 July Untitled Title: TEETOTALISM Rpt. Popular Edition paperback 1899 1866 14 lines ‘A Power is stirring—a broad Light has shone’ TALENT AND GENIUS A95 (p. 54) 1856 4 lines ‘Talent is twelve pence to the No. XLVIII in Series: shilling fair,’ MISCELLANEOUS SONNETS People’s Advocate 20 Sept. 1867 14 lines ‘A Power is stirring—a No. 12 Part V in Series: SONGS, broad Light has shone’ EPIGRAMS, NOTES, AND A95 (p. 131) OPINIONS, ETC. Series: PERSONAL AND OTHER 1860 4 lines ‘Talent is twelvepence to the SONNETS shilling fair,’ 1867 14 lines ‘A Power is stirring—a A87–1 (p. 387) broad Light has shone’ Series: RHYMES, HUMOUROUS A87–1 (sic) POEMS, EPIGRAMS, ETC. Series: PERSONAL AND OTHER 1861 4 lines ‘Talent is twelve pence to the SONNETS shilling fair,’ 1883 14 lines ‘A Power is stirring—a C384 Unamended cutting Braidwood broad light has shone’ Dispatch July. Paper and date Poems, p. 235 identified by lightbox reading Rpt. Popular Edition paperback 1899 No. XII in Series: BITS AN ANALYTICAL FINDING LIST 135

THE TEMPLE OF INFAMY 1851 12 lines ‘The oak forest bellows, the 1849 34 lines ‘First come the Magnates— clouds gather o’er;’ lo, their Leader,—he,’ Empire 25 Sept. Parkes Correspondence MS 947 Title: SONG (FROM THE Letter 28 June GERMAN OF SCHILLER) Title: WENTWORTH 1858 12 lines ‘The oak forest bellows, the 1849 34 lines + N ‘First come the clouds gather o’er,’ Magnates—lo, their leader—he’ Empire 15 Feb. People’s Advocate 18 Aug. Title: SONG (IMITATED FROM Title: WENTWORTH THE GERMAN OF SCHILLER) 1849 34 lines + N ‘First come the 1866 24 lines ‘The oak forest bellows—’ Magnates—lo, their leader—he’ A87–2 C376 (p. 447) Cutting PA 18 Aug. Series: SONGS, ODES, AND with minor handwritten alterations OTHER LYRICS Title: WENTWORTH 1867 24 lines ‘The oak forest bellows—’ 1857 22 untitled final lines ‘Till, by the A96 virtue of her touch, a ray’ Series: POEMS IN EARLY LIFE C376 (p. 616) 1860–65 c. 479 lines + N ‘Weary of life THEODIC OPTIMISM almost, to think how Wrong’ 1854 25 lines ‘The world is but a boastful A87–1 weakness—’ 1866 511 lines + N ‘Weary of life almost, Parkes Correspondence MS 947 to think how Wrong’ Letter to James Norton 30 Nov. Also A93 in Harpur Correspondence 1844–96 see also A SAD CASE and YEA, THEY MS 947 ARE CLANNISH, AND, LIKE DEVILS, Title: ALL IS FOR THE BEST HATE 1855–56 25 lines ‘The world is but a boastful weakness—’ TERRIBLE TRUTH Unamended unidentified cutting 1855 47 lines ‘Lo, there are truths so Title: ALL IS FOR THE BEST terrible, they seem’ Pasted into endpapers Bushrangers A87–2 1853 1857 33 lines ‘The world is but a boastful THE TERRORS OF BEAUTY see THE weakness—’ BEAUTIFUL: II Empire 25 May Title: ALL IS FOR THE BEST THAT GENEROUS, WINE-LIKE 1863 42 lines ‘Man’s life is but a boastful PROSE… see ENDURING PROSE AND weakness,’ VERSE A90 Series: LYRICS THEKLA’S SONG (FROM THE 1867 45 lines ‘Man’s life is but a boastful GERMAN OF SCHILLER) weakness,’ 1851 12 lines ‘The oak forest bellows, the A96 clouds gather o’er;’ Series: POEMS IN EARLY LIFE C376 Ø 1867 45 lines ‘Man’s life is but a boastful Title: SONG. (FROM THE weakness,’ GERMAN OF SCHILLER) A88 136 THE POEMS OF CHARLES HARPUR

THERE’S A RARE SPIRIT OF 1864 24 lines ‘With alien hearts to frame FEELING… see RECORDS OF A our laws’ POET’S LOVE: XXXIV Sydney Times 4 June 1864 24 lines ‘With alien hearts to frame THERE’S NO WORLD LIKE THE ONE our laws’ THAT WE LIVE IN A87–1 Unamended cutting ST 4 June 1854 6 lines ‘There’s no world like the one 1867 24 lines ‘With clowns to make our that we live in,’ laws, and knaves’ C382 Amended cutting People’s A96 Advocate 6 May Series: POEMS IN EARLY LIFE Harpur added final couplet to an old rhyme A THOROUGH WOOL GATHERER see SONNETS DEDICATED TO THERE’S NOTHING IN NATURE— AUSTRALIAN SENATORS: VII FREE NATURE—THAT’S WRONG 1856 6 lines ‘There’s nothing in Nature— THOUGH WE CANNOT MAKE Free Nature—that’s wrong,’ WISDOM… see WISDOM NEVER People’s Advocate 29 Nov. WOOED IN VAIN No. 18 Part III: BITS OF PHILOSOPHY, CAUSTIC AND THOUGHT, FEELING AND OTHERWISE in Series: SONGS, LANGUAGE see THE INEFFABLE EPIGRAMS, NOTES, AND OPINIONS, ETC. A THOUGHT-STING 1863 20 lines ‘Ah me!—but in this sunset THESE POEMS! LET THE hour’ WORLDLING… see PREFATORY TO A A90 MS. VOLUME Series: LYRICS 1867 20 lines ‘Ah, me!—but in this sunset THIS DAY I’VE LOST MY OFFICE… hour,’ 1866 2 lines ‘This day I’ve lost my office, A88 and again am a free man,’ Series: LYRICS A 92 1867 20 lines ‘Ah, me!—but in this sunset Untitled hour,’ A87–1 THIS IS THE AUSTRALIAN… Series: ODES AND LYRICS 1850–60 12 lines (mostly illegible) ‘This is 1869 20 lines ‘Ah me!—but in this sunset the Australian [illegible]’ hour,’ A87–2 C381 Unamended cutting Moruya Untitled Examiner June. Paper and date identified by lightbox reading THIS SOUTHERN LAND OF OURS 1883 16 lines ‘How full of God those 1855 24 lines ‘With fools to make our evening skies,’ laws, and knaves’ Poems, p. 110 People’s Advocate 2 June Title: HOW FULL OF GOD 1863 24 lines ‘With clowns to make our Rpt. Popular Edition paperback 1899 laws, and knaves’ A90 A THOUSAND MILLION SOULS Series: LYRICS ARISE see AUTUMNAL LEAVES: 5 AN ANALYTICAL FINDING LIST 137

THREE THOUSAND YEARS AGO see TO— LOVE AND SONG 1842 56 lines ‘Long ere I saw thee—years of weary days—’ THUS SPAKE HE, LONELY PRAYING: Australasian Chronicle 15 Nov. AND TO HIM see HOMER’S ILIAD. 1853 56 lines ‘Long ere I knew thee— BOOK I years of loveless days—’ Bushrangers, p. 87 ’TIS VAIN TO ASK, WHY C*****, 1853–55 56 lines ‘Long ere I knew thee— THOUGH SO CIVIL, years of loveless days—’ 1860 6 lines ‘’Tis vain to ask, why A98–1 Cutting Bushrangers 1853 C*****, though so civil,’ with handwritten alteration C376 1863 66 lines ‘Long ere I knew thee— Untitled years of loveless days,’ No. VII in Series: A STRING OF A89 EPIGRAMS (GIVEN WITHOUT 1867 66 lines ‘Long ere I knew thee— COMMENT) years of loveless days,’ A88 A TITAN INCOG. Series: ODES 1856 4 lines + N ‘A dwarf will ever be 1867 66 lines ‘Long ere I knew thee— defiant’ years of loveless days,’ People’s Advocate 4 Oct. A87–1 Title: THE SHOW OF PHYSICAL 1883 54 lines ‘Long ere I knew thee— STRENGTH years of loveless days,’ No. 13 Part IV in Series: SONGS, Poems, p. 190 EPIGRAMS, NOTES, AND Title: A POET TO— OPINIONS, ETC. Rpt. Popular Edition paperback 1899 1856 4 lines + N ‘A dwarf will ever be defiant’ TO —see RECORDS OF A POET’S A92 Unamended cutting PA 4 Oct. LOVE: V; XXII; TO HENRY PARKES. Title: THE SHOW OF PHYSICAL BEFORE HAVING SEEN HIM…; TO STRENGTH HENRY PARKES ON READING…; TO 1857 4 lines ‘A Dwarf will ever be defiant’ W. A. DUNCAN ESQ. EDITOR OF THE Empire 8 July WEEKLY REGISTER Title: THE SHOW OF PHYSICAL STRENGTH TO A BLACK SWAN No. IX in Series: RHYMED 1861–63 14 lines + N ‘Beautiful Stranger! APHORISMS AND BITS OF from afar that comest,’ PHILOSOPHY A91 1860 6 lines ‘A Dwarf will ever be defiant’ A87–2 TO A CHILD SLEEPING Series: BITS 1857 27 lines ‘Do you dream of the future, 1861 6 lines ‘A dwarf will ever be defiant’ my boy?’ C384 Unamended cutting Braidwood Empire 3 July Dispatch Aug. Paper and date 1861 27 lines ‘Do you dream of the identified by lightbox reading Future, my boy?’ No. XXVIII in Series: BITS Australian Home Companion Vol. 6 138 THE POEMS OF CHARLES HARPUR

1861 27 lines ‘Do you dream of the future, 1867 106 lines + N ‘Thy purpose, my Boy?’ heavenly Stranger, who may tell’ Braidwood Independent 30 Aug. A87–1 Paper and date identified by lightbox 1883 52 lines ‘Thy purpose, heavenly reading stranger, who may tell’ 1861–63 27 lines ‘Do you dream of the Poems, p. 64 future, my Boy?’ Rpt. Popular Edition paperback 1899 C384 Ø Cutting BI 30 Aug. with handwritten alterations. TO A FRIEND, ON THE DEATH OF 1863 27 lines ‘Do you dream of the future, ONE OF HIS CHILDREN my Boy?’ 1863 14 lines ‘I know not, friend, what ’tis A90 partly Ø to lose a child,’ Series: LYRICS Sydney Morning Herald 27 May 1867 27 lines ‘Do you dream of the future, 1863 14 lines ‘I know not what it is to lose my Boy?’ a child,’ A88 A90 Series: ODES No. XLIV in Series: SONNETS 1867 27 lines ‘Do you dream of the future, 1866 14 lines ‘My Friend, though I have my Boy?’ never lost a child,’ A92 A95 Ø Series: ODES AND LYRICS No. XXXII in Series: MISCELLANEOUS SONNETS TO A/THE COMET 1846 44 lines ‘Thy purpose, heavenly TO A GIRL Stranger, who may know’ 1849 24 lines + N ‘Dear Mary, I have Maitland Mercury 2 Dec. often thought’ Title: LINES SUGGESTED BY C376 THE APPEARANCE OF A COMET Title: TO MY NEECE, (sic) MARY, 1853 44 lines ‘Thy purpose, heavenly THE DAUGHTER OF J. J. HARPUR Stranger, who may know’ Series: CHARLES HARPUR’S Bushrangers, p. 70 WILD BEE OF AUSTRALIA 1853–55 45 lines ‘Thy purpose, heavenly 1853 24 lines ‘Dear Mary, I have often Stranger, who may know’ thought’ A98–1 Cutting Bushrangers 1853 Empire 18 July with handwritten alterations Title: TO A LITTLE GIRL 1860–63 c. 85 lines ‘Thy purpose, heavenly 1867 24 lines ‘Dear Maiden, I have often Stranger, who may know’ thought’ C384 Ø Unidentified cutting with A92 handwritten alterations. ?Braidwood Series: ODES AND LYRICS Independent or ?Braidwood Dispatch see also THE BEAUTIFUL: VII 1867 c. 40 line fragment ‘Thy purpose, heavenly Stranger, who may know’ TO A GIRL WHO STOLE A YOUNG A87–2 Ø APPLE TREE Title: TO THE GREAT COMET OF 1851 6 lines ‘Alas! from the beginning,’ 1843 People’s Advocate 1 Mar. 1867 106 lines + N ‘Thy purpose, No. VIII in Series: A STRING OF heavenly Stranger, who may tell’ EPIGRAMS (FROM CHARLES A88 HARPUR’S WILD BEE OF AUSTRALIA) AN ANALYTICAL FINDING LIST 139

1860 6 lines ‘Alas! from the beginning’ 1867 14 lines ‘My heart aches, hearing C376 thou hast lost thy Child,’ No. VI (sic) in Series: A STRING A87–1 OF EPIGRAMS (GIVEN Series: PERSONAL AND OTHER WITHOUT COMMENT) SONNETS 1862–63 6 lines ‘Alas! from the beginning,’ C384 Cutting Braidwood Dispatch TO A LADY ON THE DEATH OF HER July 1861 with minor handwritten CHILD see TO A LADY: ON THE alteration. Paper and date identified DEATH OF A LITTLE GIRL by lightbox reading No. XI in Series: BITS TO A LADY WITH A COPY OF LOVE- POEMS see RHYMES TO A LADY TO A LADY FRIEND ON THE DEATH WITH A COPY OF LOVE POEMS OF A CHILD see TO A LADY: ON THE DEATH OF A LITTLE GIRL TO A LITTLE GIRL see TO A GIRL

TO A LADY, ON HEARING THAT SHE TO A RELATIVE, ON BEING REMARKED, WHILE CENSURING TWITTED BY HIM WITH NOT BEING CERTAIN SLIPS IN THE AUTHOR’S SUFFICIENTLY SENSIBLE OF SOME CONDUCT… SLIGHT BENEFITS 1847 16 lines + N ‘Though, Lady fair, thy 1848 8 lines + N ‘Indeed I cannot be your judgement’s more’ Slave’ C382 C382

TO A LADY: ON THE DEATH OF A TO AN ECHO ON THE BANKS OF LITTLE GIRL THE HUNTER 1866 14 lines ‘My heart aches, hearing 1843 52 lines ‘I hear thee, Echo; and I start thou has lost thy Child:’ to hear thee,’ A87–2 (p. 553) Australasian Chronicle 14 Mar. Title: TO A LADY FRIEND ON 1846 52 lines ‘I hear thee, Echo,—and I THE DEATH OF A CHILD start to hear thee’ No. XVI in Series: SONNETS (IN Maitland Mercury [Supplement] 17 CONTINUATION) Oct. 1867 14 lines ‘My heart aches, hearing 1849 52 lines ‘I hear thee, Echo, and I start thou has lost thy child,’ to hear thee,’ A87–2 (p. 464) People’s Advocate 20 Jan. Title: TO A LADY ON THE DEATH Note in C376 (1850) ‘To be added to OF HER CHILD the present Note on the Address to an No. VIII in Series: A STRING OF Echo’ PERSONAL SONNETS 1853 52 lines ‘I hear thee Echo! and I start 1867 14 lines ‘My heart aches, hearing to hear thee’ thou hast lost thy Child,’ Bushrangers, p. 76 A95 1853–55 52 lines ‘I hear thee Echo! and I Series: PERSONAL AND OTHER start to hear thee’ SONNETS A98–1 Cutting Bushrangers 1853 with partly illegible handwritten alterations 140 THE POEMS OF CHARLES HARPUR

1863 25 line fragment ‘I hear thee Echo! TO BEATRICE and I start to hear thee’ 1847 14 lines + N ‘Though orbed are thine A87–2 Ø eyes, like the moon,—and as bright’ Series: SONGS, ODES, AND C382 OTHER LYRICS 1863 58 lines ‘I hear thee, Echo! and I TO CERTAIN CRITICLINGS start to hear thee’ 1866 14 lines ‘Why howl ye at my Star? It A89 dooms you all!’ 1867 58 lines ‘I hear thee, Echo! and I A95 (p. 60) start to hear thee’ Title: TO THE CRITICLINGS OF A88 DOGGRELDOM Series: ODES No. XLIII (sic) in Series: 1867 58 lines ‘I hear thee, Echo! and I MISCELLANEOUS SONNETS start to hear thee’ 1866 14 lines ‘Why howl ye at my star? It A87–1 dooms you all!’ 1883 46 lines ‘I hear thee, echo! and I start C381 Unamended cutting Moruya to hear thee’ Examiner Aug. Paper and date Poems, p. 177 identified by lightbox reading Rpt. Popular Edition paperback 1899 Title: TO THE CRITICLINGS OF DOGGRELDOM TO AN OLD FRIEND 1867 14 lines ‘Why howl ye at my star? It 1863 14 lines ‘How are you? It is long— dooms you all!’ ’tis very long’ A95 (p. 132) Sydney Morning Herald 27 May Series: PERSONAL AND OTHER 1863 14 lines ‘How are you? It is long— SONNETS ’tis very long’ 1867 14 lines ‘Why howl ye at my star? It A90 dooms you all!’ No. XLV in Series: SONNETS A87–1 1866 14 lines ‘How are you? It is long— Series: PERSONAL AND OTHER ’tis very long’ SONNETS A95 Ø No. XL in Series: TO D. N. STENHOUSE see TO N. D. MISCELLANEOUS SONNETS STENHOUSE 1867 14 lines ‘How are you? It is long— ’tis very long’ TO DOCTOR LANG A87–2 1853 14 lines ‘Little perhaps thou valuest No. VII in Series: A STRING OF verse of mine—’ PERSONAL SONNETS A87–2 (p. 735) 1867 14 lines ‘How are you? It is long— Title: SONNET TO DR. LANG ’tis very long’ 1853 14 lines ‘Little perhaps, thou valuest A87–1 verse of mine—’ No. VII in Series: PERSONAL AND People’s Advocate 24 Dec. OTHER SONNETS Title: SONNET TO DR. LANG 1863 14 lines ‘Little perhaps thou valuest TO BE ADDED TO THE LINES TO verse of mine—’ ELLEN see THE BEAUTIFUL: V A90 No. XXVII in Series: SONNETS AN ANALYTICAL FINDING LIST 141

1866 14 lines ‘Little perhaps thou valuest TO H. PARKES verse of mine—’ 1849 43 lines ‘I sometimes wish my Muse A95 Ø a monthly Nurse’ No. XXXVIII in Series: Parkes Correspondence MS 947 MISCELLANEOUS SONNETS Letter 28 June 1867 14 lines ‘Little perhaps thou valuest 1851–57 43 lines + N ‘I sometimes wish verse of mine—’ my Muse a monthly nurse,’ A87–2 (p. 462) A87–2 Title: TO THE SAME No. IV in Series: A STRING OF TO HENRY PARKES PERSONAL SONNETS 1845 54 lines ‘Dear Henry, your letter has 1867 14 lines ‘Little perhaps thou valuest just come to hand’ verse of mine—’ Parkes Correspondence MS 947 A87–1 Letter 25 Aug. Series: PERSONAL AND OTHER Title: TO HENRY PARKES, ON SONNETS BOARD THE AMERICAN SHIP 1883 14 lines ‘Little, perhaps, thou valuest “ROBERT PULSFORD”, SYDNEY verse of mine—’ HARBOUR, 25 AUGUST 1845 Poems, p. 242 1849 48 lines ‘Dear Henry, your letter has Rpt. Popular Edition paperback 1899 just come to hand,’ People’s Advocate 7 Apr. TO DR LANG see TO THE REV: DOCTOR LANG ON READING ONE TO HENRY PARKES. BEFORE OF HIS BOOKS HAVING SEEN HIM… 1844 14 lines ‘Dear Henry, though thy TO ELLEN and TO HELEN see THE face I ne’er have seen,’ BEAUTIFUL: V Parkes Correspondence MS 947 Letter 21 March TO HENRY KENDALL Title: SONNET TO HENRY 1863 14 lines ‘Said Chaucer in his old PARKES days, when the sun’ 1860–61 14 lines ‘Dear Henry, though thy A90 Face I ne’er have seen,’ No. L in Series: SONNETS A87–2 (p. 640) 1866 14 lines ‘Said Chaucer in his old Series: MISCELLANEOUS days, when the sun’ SONNETS A95 Ø 1863 14 lines ‘Dear Henry, though thy No. LIII in Series: face I have not seen,’ MISCELLANEOUS SONNETS A90 1867 14 lines ‘Said Chaucer in his old No. XXX in Series: SONNETS days, when the sun’ 1866 14 lines ‘Dear Henry, though thy A87–2 face I have not seen,’ No. XII in Series: A STRING OF Parkes Correspondence MS 947 PERSONAL SONNETS Letter 17 Feb. 1867 14 lines ‘Said Chaucer in his old days, when the sun’ A87–1 Series: PERSONAL AND OTHER SONNETS 142 THE POEMS OF CHARLES HARPUR

1866 14 lines ‘Dear Henry, though thy 1867 88 lines ‘“Who would not be a face I have not seen,’ Poet?”—thus I read’ A95 (p. 36) Ø A88 Note: Alternative title and first line: Title: TO— TO—‘Although I never yet thy face Series: ODES have seen,’ not cancelled. 1867 89 lines ‘“Who would not be a No. XXI in Series: Poet?”—thus I read’ MISCELLANEOUS SONNETS A87–1 1867 14 lines ‘Although I never yet thy Title: TO face have seen,’ 1883 74 lines ‘“Who would not be a A87–2 (p. 461) poet?” thus I read’ No. I in Series: A STRING OF Poems, p. 85 PERSONAL SONNETS Title: TO— 1867 14 lines ‘Although I never yet thy Rpt. Popular Edition paperback 1899 face have seen,’ A95 (p. 111) TO I. N. see TO JAMES NORTON ESQ. Title: TO— Series: PERSONAL AND OTHER TO IMAGINATION SONNETS 1835 51 lines ‘Enchanting power! whose 1867 14 lines ‘Although I never yet thy rich effulgent ray’ face have seen,’ Australian 9 June A87–1 (p. 211/288) TO JAMES NORTON ESQ. TO HENRY PARKES, ON BOARD … 1856 14 lines ‘Think you I have not skill see TO HENRY PARKES to gather gold,’ People’s Advocate 28 June TO [HENRY PARKES ON READING/ Title: TO I. N. RE-READING HIS SONNET…] No. 5 part V in Series: SONGS, 1847 66 lines + N ‘“Who would not be a EPIGRAMS, NOTES, AND poet?”—thus I read’ OPINIONS, ETC. C382 1856–58 14 lines ‘Think you I have not No. II in Series: RHYMES skill to gather gold,’ 1849 62 lines ‘“Who would,not be a C380 Cutting PA 28 June with Poet?”—thus I read’ handwritten alterations Parkes Correspondence MS 947 Title: TO I. N. Letter 28 June 1863 14 lines ‘Think you I have not skill 1863 88 lines ‘“Who would not be a to gather gold,’ Poet?”—thus I read’ Sydney Morning Herald 27 May A89 1863 14 lines ‘Think you I have not skill Title: RHYMES: TO HENRY to gather gold,’ PARKES A90 1866 10 line fragment ‘Who would not be Title: JAMES NORTON ESQ. a Poet? thus I read’ No. XLIII in Series: SONNETS A87–2 1866 14 lines ‘Think you I have not skill Title: RHYMES TO HENRY to gather gold,’ PARKES ON READING… A95 (p. 44) Ø No. XXX in Series: MISCELLANEOUS SONNETS AN ANALYTICAL FINDING LIST 143

1867 14 lines ‘Think you I have not skill 1866 14 lines ‘Thou Man of moral majesty to gather gold,’ and might!’ A87–2 A87–1 (p. 199a) Unamended cutting No. VI in Series: A STRING OF SMH 7 Nov. PERSONAL SONNETS 1867 14 lines ‘Thou Man of moral majesty 1867 14 lines ‘Think you I have not skill and might!’ to gather gold’ A87–2 (p. 465) A95 (p. 114) No. IX in Series: A STRING OF Series: PERSONAL AND OTHER PERSONAL SONNETS SONNETS 1867 14 lines ‘Thou Man of moral majesty 1867 14 lines ‘Think you I have not skill and might!’ to gather gold,’ A95 (p. 115) A87–1 Series: PERSONAL AND OTHER Series: PERSONAL AND OTHER SONNETS SONNETS 1867 14 lines ‘Thou Man of moral majesty 1883 14 lines ‘Think you I have not skill and might!’ to gather gold,’ A87–1 (p. 214/291) Poems, p. 245 Series: PERSONAL AND OTHER Rpt. Popular Edition paperback 1899 SONNETS

TO KOSSUTH TO MARY 1853 14 lines ‘Thou man, of moral 1838 36 lines ‘Could I impose a heart on majesty and might,’ thee’ Empire 3 Nov. Australian 1 June Title: KOSSUTH 1855–57 14 lines + N ‘Thou Man of moral TO MARY majesty and might,’ 1844 24 lines ‘Where Beauty is smiling,’ A87–2 (p. 723) Weekly Register 6 July 1855–60 3 line untitled fragment 1847 12 lines + N ‘Where Beauty is ‘Victorious! thy vast eloquence so praising the songs that I sing,’ well’ C382 Ø A87–2 (p. 723) Title: SONG 1863 14 lines ‘Thou Man of moral majesty 1853 24 lines ‘Where Beauty is smiling’ and might,’ Bushrangers, p. 102 A90 1853–55 24 lines ‘Where Beauty is Title: LOUIS KOSSUTH (IN 1850) smiling’ No. XIX in Series: SONNETS A98–1 Cutting Bushrangers 1853 1866 14 lines ‘Thou Man of moral majesty with handwritten alterations and might,’ 1863 24 lines ‘Where Beauty is smiling’ A95 Ø (p. 34) A90 Title: LOUIS KOSSUTH (IN 1850) Title: MARY No. XVIII in Series: Series: LYRICS MISCELLANEOUS SONNETS 1864 Variant version qtd in article, 1866 14 lines ‘Thou Man of moral majesty ‘Native-Born Australian Poets’, and might!’ Sydney Morning Herald 29 Sept. Sydney Morning Herald 7 Nov. untraced in mss or published No. III in Series: SONNETS versions. 144 THE POEMS OF CHARLES HARPUR

1865 24 lines ‘Where Beauty is smiling’ 1866 14 lines ‘My Beautiful! For beautiful A95 thou art’ No. XXVI in Series: LYRICS A95 Ø 1867 24 lines ‘Where Beauty is smiling’ No. L in Series: MISCELLANEOUS A88 SONNETS Series: LYRICS 1867 14 lines ‘My Beautiful! for beautiful 1867 12 lines + N ‘Where Beauty is thou art’ smiling with love undenied,’ A87–2 (p. 485) A92 No. II in Series: DOMESTIC Series: ODES AND LYRICS SONNETS 1880 24 lines ‘Where beauty is smiling’ 1867 14 lines ‘My Beautiful! for beautiful Sydney Mail 16 Oct. thou art’ A87–2 (p. 481) TO MR. J. J. WALSH. IN ANSWER TO No. II in Series: DOMESTIC A LETTER OF ENCOURAGEMENT … SONNETS 1843 14 lines ‘Think you I grieve?—I’ll never grieve again!’ TO MY FRIEND, MR. J. J. WALSH.… Australasian Chronicle 11 May see TO MR. J. J. WALSH. IN Title: TO MY FRIEND, MR. J. J. ANSWER… WALSH ON HIS ADVISING ME… 1849–50 14 lines ‘Think you I grieve?—I’ll TO MY INFANT DAUGHTER “ADA.” never grieve again!’ AGED THREE YEARS C376 1861 36 lines ‘Child of my heart, my Title: TO MR. J. J. WALSH. IN loved one,’ ANSWER TO A LETTER OF… Australian Home Companion Vo l. 6 No. 13 in incomplete series 1860–61 14 lines ‘Think you I grieve?—I’ll TO MY LITTLE DAUGHTER MARY never grieve again!’ (1866) A87–2 1867 14 lines ‘My Second Mary! Can I choose but write’ TO MY FIRST BORN, WASHINGTON A87–2 (p. 703) HARPUR 1867 14 lines ‘My second Mary! Can I 1853 14 lines ‘My beautiful! For beautiful choose but write’ thou art’ A87–2 (p. 483) Bushrangers, p. 126 No. V in Series: DOMESTIC 1853 14 lines ‘My beautiful! For beautiful SONNETS thou art’ A98–1 Unamended cutting TO MY NEECE (sic), MARY, THE Bushrangers 1853 DAUGHTER OF J. J. HARPUR see TO 1853 14 lines ‘My beautiful! For beautiful A GIRL thou art’ C384 Unamended cutting TO MY SECOND BORN CHARLES Bushrangers 1853 CHIDLEY 1863 14 lines ‘My beautiful! For beautiful 1856 14 lines ‘Methought my first born, thou art’ Washington, had filled’ A90 People’s Advocate 8 Nov. No. XLVII in Series: SONNETS No. 16 Part III in Series: SONGS, EPIGRAMS, NOTES, AND OPINIONS, ETC. AN ANALYTICAL FINDING LIST 145

1856 14 lines ‘Methought my first born, 1866 14 lines ‘Who doubteth, when the Washington, had filled’ morning star doth light’ C384 Unamended cutting PA 8 Nov. A87–2 (p. 557) 1863 14 lines ‘I thought my first born, Title: TO MY YOUNG Washington, had filled’ COUNTRYMAN A90 No. XXIV in Series: SONNETS (IN No. XLIX in Series: SONNETS CONTINUATION) 1866 14 lines ‘I thought my first born, 1867 14 lines ‘Who doubteth when the Washington, had filled’ Morning Star doth light’ A95 Ø A87–2 (p. 461) No. LII in Series: No. II in Series: A STRING OF MISCELLANEOUS SONNETS PERSONAL SONNETS 1867 14 lines ‘I one time thought my first- 1867 14 lines ‘Who doubteth, when the born had imbued’ morning star doth light’ A87–2 (p. 486) A95 (p. 113) No. IV in Series: DOMESTIC Series: PERSONAL AND OTHER SONNETS SONNETS 1867 14 lines ‘I one time thought my first- 1867 14 lines ‘Who doubteth, when the born had imbued’ morning star doth light’ A87–2 (p. 482) A87–1 No. IV in Series: DOMESTIC Series: PERSONAL AND OTHER SONNETS SONNETS 1883 14 lines ‘Who doubteth, when the TO MY YOUNG COUNTRYMAN, morning star doth light’ D. H. D. Poems, p. 237 1851 14 lines ‘Who doubteth, when the Rpt. Popular Edition paperback 1899 Morning Star doth light’ Empire 16 Oct. TO MY YOUNG COUNTRYMAN, 1853 14 lines ‘Who doubteth when the D. H. D. see A BLIGHTED PROMISE Morning Star doth light’ Bushrangers, p. 123 TO MY YOUNG COUNTRYMAN, 1853–55 14 lines ‘Who doubteth when the DANIEL HENRY DENIEHY see TO MY Morning Star doth light’ YOUNG COUNTRYMAN, D. H. D. A98–1 Cutting Bushrangers 1853 with handwritten alterations TO MYSELF, JUNE 1855 1863 14 lines ‘Who doubteth, when the 1855 20 lines ‘What is this Eastern War to morning star doth light’ thee,’ A90 B78 Title: TO MY YOUNG 1856 20 lines ‘What is the Eastern War to COUNTRYMAN, DANIEL HENRY thee,’ DENIEHY People’s Advocate 2 Feb. No. XXXVIII in Series: SONNETS 1862–63 20 lines ‘What’s the Crimean War 1866 14 lines ‘Who doubteth when the to thee,’ morning star doth light’ C384 Cutting PA 2 Feb. 1856 with A95 (p. 37) handwritten alterations No. XXII in Series: MISCELLANEOUS SONNETS 146 THE POEMS OF CHARLES HARPUR

TO N. D. STENHOUSE TO ROBERT SYDNEY, THE INFANT 1863 14 lines ‘Kendall had written me: SON OF MY FRIEND, MR. HENRY “Alas! I fear’ PARKES Stenhouse Correspondence 1862–64 1844 14 lines ‘Ay, crow, rogue, crow! Thy MS A100. Letter to Stenhouse 14 July little Being thrilling is’ 1863 14 lines ‘Kendall had written me: Parkes Correspondence MS 947 Alas! I fear’ Letter 1 Oct. Also in Harpur A90 Correspondence 1844–96 MS 947 Title: TO D. N. STENHOUSE Title: TO ROBERT SYDNEY No. LI in Series: SONNETS PARKES, AGED 10 MONTHS 1866 14 lines ‘Kendall had written me: 1845 14 lines ‘Ay, crow away! Thy little Alas! I fear’ Being thrilling is’ A95 Ø Weekly Register 29 Nov. Title: TO D. N. STENHOUSE Title: TO THE INFANT SON OF No. LIV in Series: MY FRIEND, MR. HENRY MISCELLANEOUS SONNETS PARKES 1867 14 lines ‘Kendall had written me: 1849–50 14 lines ‘Ay, crow away! Thy “Alas! I fear’ little Being thrilling is’ A87–2 C376 No. XI in Series: A STRING OF PERSONAL SONNETS TO SAMUEL PROUT HILL ESQ. 1867 14 lines ‘Kendall had written me: AUTHOR OF “TARQUIN THE “Alas! I fear’ PROUD”… A87–1 1848 14 lines + N ‘Like Cowper, when he Series: PERSONAL AND OTHER first read Milton’s verses,’ SONNETS C382 1863–65 14 lines + N ‘Like Cowper, when TO PEAN. A TRILOGY: III see he first read Milton’s verses,’ RECORDS OF A POET’S LOVE: XII A90 Note (10) in THE ‘NEVERS’ OF TO POESY: DEDICATED POETRY. (IRONICALLY) TO JAMES MARTIN, 1865–66 14 lines + N ‘Like Cowper, when ESQ., M.L.C he first saw Milton’s verses’ 1847 54 lines + N ‘And wilt thou forsake A87–1 me now,’ Part of note (l) to THE “NEVERS” C382 OF POETRY Title: TO THE SPIRIT OF POESIE 1854 60 lines + N ‘And will thou forsake TO STRING UP A MAN FOR THE me now,’ VERY WORST CRIME see CAPITAL Empire 19 Aug. PUNISHMENT 1883 60 lines ‘And yet do not thou forsake me now,’ TO THE AMERICAN, EMERSON see Poems, p. 61 EMERSON AT THE BEST Rpt. Popular Edition paperback 1899 TO THE CRITICLINGS OF DOGGRELDOM see TO CERTAIN CRITICLINGS AN ANALYTICAL FINDING LIST 147

TO THE GREAT COMET OF 1843 see TO THE MOON TO A/THE COMET 1836–38 28 line untitled fragment ‘For ages shall have ceas’d to glow;—’ TO THE HON. JAMES MARTIN A87–2 (p. 559) 1867 14 lines ‘Be prudent yet not crafty. 1843 110 lines ‘Sultan of the stars! now Evermore’ steal’ A87–2 Weekly Register 9 Sept. No. XIII in Series: A STRING OF Title: ODE TO THE MOON PERSONAL SONNETS 1853 110 lines ‘With silent step behold her 1867 14 lines ‘Be prudent, yet not crafty. steal’ Evermore’ Bushrangers, p. 88 A87–1 1853–55 110 lines ‘With silent step behold Series: PERSONAL AND OTHER her steal’ SONNETS A98–1 Cutting Bushrangers 1853 with handwritten alteration TO THE INFANT SON OF MY 1860–61 30 line untitled fragment ‘And be FRIEND…see TO ROBERT SYDNEY… it humbling too, to know’ A87–2 (p. 639) TO THE LYRE OF AUSTRALIA 1863 111 lines ‘With silent step behold her 1835 24 lines ‘Wild Harp of Australia!— steal’ will none ravish thee’ A89 Sydney Monitor 19 Sept. 1866 10 line untitled fragment ‘And hence Title: MELODY. TO THE HARP OF it was that ever forth’ AUSTRALIA A92 1842 24 lines ‘Wild Lyre of Australia, will 1867 120 lines ‘With silent steps I watch none ravish thee’ thee steal’ Australasian Chronicle 27 Oct. A88 No. 3 in Series: AUSTRALIAN Series: ODES LYRICS 1867 120 lines ‘With silent steps I watch 1846 24 lines ‘Lyre of my country, thee steal’ remains it for me;’ A87–1 Penny Saturday Journal 7 Feb. Series: ODES AND LYRICS 1847 24 lines + N ‘Lyre of my Country, 1868–70 120 lines ‘With silent steps I remains it for me’ watch thee steal’ C382 C381 Cutting ?Moruya Examiner 1850/51 24 lines ‘Lyre of my Country, 1883 90 lines ‘With musing mind I watch remains it for me,’ thee steal’ Songs of Australia. First Series Poems, p. 204 Sighted only by lightbox reading of Rpt. Popular Edition paperback 1899 pages in A92. 1863 24 lines ‘Lyre of my Country, first TO THE REV: B. QUAIFE ON falls it to me,’ READING HIS LECTURES AND A87–2 LETTERS ON (AGAINST) THE Series: SONGS, ODES, AND “MORAL LAWFULNESS OF CAPITAL OTHER LYRICS PUNISHMENT” 1848 14 lines + N ‘The lack of hope hath left me oft supine,—’ A92 148 THE POEMS OF CHARLES HARPUR

1848 14 lines + N ‘The lack of hope hath 1866 14 lines ‘If a large love of the whole left me oft supine—’ human race,’ Atlas 2 Dec. A95 (p. 51) No. XLII in Series: TO THE REV: DOCTOR LANG ON MISCELLANEOUS SONNETS READING ONE OF HIS BOOKS 1867 14 lines ‘If a large love of the whole 1850 14 lines ‘Right onward! for the human race,’ genius of the land—’ A87–2 People’s Advocate 5 Oct. No. V in Series: A STRING OF Title: SONNET TO DOCTOR PERSONAL SONNETS LANG 1867 14 lines ‘If a large love of the whole 1854 14 lines ‘Right onward! For the human race,’ genius of the land—’ A95 (p. 113) People’s Advocate 11 Mar. Series: PERSONAL AND OTHER Title: SONNET TO DR. LANG SONNETS (WRITTEN BEFORE HIS 1867 14 lines ‘If a large love of the whole DEPARTURE…) human race,’ 1863 14 lines + N ‘Right onward! For the A87–1 genius of the land—’ Series: PERSONAL AND OTHER A90 SONNETS Title: TO DR LANG 1883 14 lines ‘If a large love of the whole No. XXXV in Series: SONNETS human race,’ 1866 14 lines ‘Right onward! For the Poems, p. 236 genius of the land—’ Rpt. Popular Edition paperback 1899 A95 Ø No. XLI in Series: TO THE SAME (1867) MISCELLANEOUS SONNETS 1867 14 lines ‘Since thus of thee, a fond 1867 14 lines ‘Right onward! For the paternal strain,’ Genius of the Land—’ A87–2 (p. 703) A87–2 1867 14 lines ‘Since thus of thee, a fond No. III in Series: A STRING OF paternal strain’ PERSONAL SONNETS A87–2 (p. 483) No. VI in Series: DOMESTIC TO THE REV. JOHN SAUNDERS: … SONNETS 1847 14 lines +N ‘If a large love of the whole human race,’ TO THE SAME see RECORDS OF A Sydney Chronicle 25 Dec. POET’S LOVE: XXII; and TO 1849 14 lines + N ‘If a large love of the DOCTOR LANG whole human race,’ C376 Cutting SC 25th Dec. 1847 TO THE SAME. A WHILE AFTER HIS with handwritten alterations RECOVERY FROM A DANGEROUS 1859 14 lines ‘If a large love of the whole SICKNESS see TO THE SAME. ON HIS human race,’ RECOVERY FROM SICKNESS Sydney Morning Herald 27 Sept. 1863 14 lines ‘If a large love of the whole TO THE SAME, AFTER HAVING human race,’ BEEN SICK see TO THE SAME. ON A90 HIS RECOVERY… No. XXVI in Series: SONNETS AN ANALYTICAL FINDING LIST 149

TO THE SAME. ON HIS RECOVERY TO THOSE WHO KNOW HOW ’TIS FROM SICKNESS TO FONDLY LOVE— 1857 14 lines ‘My manikin! my wilful, 1843 72 lines ‘To those who know how wayward pet!’ ’tis to fondly love—’ C376 Sydney Morning Herald 4 Feb. Title: TO WASHINGTON (20 Untitled MONTHS OLD) Pseudonym: AN AUSTRALIAN 1858 14 lines ‘My manikin! my wilful, wayward pet!’ TO TWANK Empire 28 Jan. 1867 16 lines ‘Ah! Daniel mine, some Title: TO WASHINGTON HARPUR Muse malign’ AGED TWO YEARS, … A96 1862–63 14 lines ‘My manikin! my wilful, Series: POEMS IN EARLY LIFE wayward pet!’ C384 Cutting Empire 28 Jan. 1858 TO W. A. DUNCAN ESQ. EDITOR OF with minor handwritten alteration THE WEEKLY REGISTER Title: TO WASHINGTON 1844 14 lines + N ‘In these unprosperous HARPUR, AGED TWO YEARS, … days of this crude State’ 1863 14 lines ‘My manikin! my wilful, Parkes Papers. MS Ah 131/3 Letter wayward pet!’ to Parkes 16 Aug. Parkes’ A90 transcription sent to Duncan 20 Aug. Title: TO WASHINGTON HARPUR, 1844 [AGED TWO YEARS, … Title: ON— [WHAT SHALL WE No. XLVIII in Series: SONNETS SAY?…] 1866 14 lines ‘My manikin! my wilful, 1845 14 lines ‘In these discordful days of wayward pet!’ this crude state,’ A95 (p. 56) Ø Weekly Register 21 June Title: TO THE SAME. AWHILE Title: TO— AFTER HIS RECOVERY FROM A 1860–61 14 lines ‘In these discordant days DANGEROUS SICKNESS of this crude State,’ No. LI in Series: A87–2 MISCELLANEOUS SONNETS In Series: MISCELLANEOUS 1867 14 lines ‘My manikin! my wilful, SONNETS wayward pet!’ A87–2 (p. 486) TO W. A. DUNCAN, ESQ. Title: TO THE SAME, AFTER 1856 14 lines + N ‘I thought you once a HAVING BEEN SICK sage, but soon found out’ No. III in Series: DOMESTIC People’s Advocate 8 Mar. SONNETS Title: TO W. A. DUNCAN, ESQ. 1867 14 lines ‘My manikin! my wilful, “PRINCIPAL OFFICER OF wayward pet!’ CUSTOMS…” A87–2 (p. 482) No. III in Series: DOMESTIC TO WASHINGTON HARPUR AGED SONNETS TWO YEARS, … and TO WASHINGTON (20 MONTHS OLD) see TO THE SPIRIT OF POESIE see TO TO THE SAME. ON HIS POESY: DEDICATED (IRONICALLY)… RECOVERY…) 150 THE POEMS OF CHARLES HARPUR

TO WILLIAM WORDSWORTH TOM BROWN, OR HAMAN IN THE 1845 14 lines ‘With Earth’s whole bulk BUSH see SQUATTER SONGS: II between us, I, a child’ Thoughts, p. 3 THE TORTURES OF LOVE Title: DEDICATION TO WILLIAM 1844 30 lines + N ‘My heart is like a WORDSWORTH captive bird,’ 1845 14 lines ‘With Earth’s whole bulk Maitland Mercury 1 June between us, I, a child’ C376 (p. 594) Unamended cutting THE TOWER OF THE DREAM Thoughts 1851–53 Part I Title: DEDICATION TO WILLIAM 161 lines ‘As in the death-like WORDSWORTH mystery of Sleep’ 1859 14 lines + N ‘With Earth’s whole Part II bulk between us, I, a child’ 181 lines + N ‘She ceased; and a Australian Home Companion Vo l. 4 deep tingling silence fell’ 1861 14 lines ‘With earth’s whole bulk C376 between us, I, a child’ Title: THE TOWER OF THE C376 (p. 343) Ø DREAM. A LAY OF THE LAND Title: DEDICATORY OF SLEEP No. 1 in Series: SONNETS: Series: A PORTION OF CHARLES DEDICATED TO WORDSWORTH HARPUR’S WILD BEE OF 1863 14 lines ‘With Earth’s whole bulk AUSTRALIA between us, I, a child’ 1857 Part I A90 154 lines ‘As in the death-like Title: TO WORDSWORTH mystery of Sleep’ No. XVI in Series: SONNETS Part II 1866 14 lines + N ‘With Earth’s whole 180 lines ‘She ceased: and a deep bulk between,—behold, a child’ tingling silence fell’ A95 (p. 33) Empire 21 Feb.; 10 Mar. Title: TO WORDSWORTH 1860–63 570 lines ‘How wonderful are No. XV in Series: Dreams! Yet, are they but’ MISCELLANEOUS SONNETS A91 (MS as one poem without Parts) 1866 4 line untitled fragment ‘And haply 1863 Part I that thy reverend head might bend’ c. 302 lines ‘How wonderful are A95 (p. 32) Dreams! Yet, are they but’ 1867 14 lines + N ‘With Earth’s whole Part II bulk between—behold, a child’ c. 298 lines ‘She ceased: and a deep A95 (p. 124) tingled silence fell’ Series: PERSONAL AND OTHER A89 SONNETS 1867 14 lines + N ‘With Earth’s whole bulk between—behold, a Child’ A87–1 Series: PERSONAL AND OTHER SONNETS

TO WORDSWORTH see TO WILLIAM WORDSWORTH AN ANALYTICAL FINDING LIST 151

1865 Part I Part III 149 lines ‘How wonderful are 170 lines ‘She ceased: and a deep dreams! Yet, are they but’ tingling silence fell’ Part II Part IV 175 lines ‘Within a circular balcony, 156 lines ‘At last, all suddenly, in the whose roof’ air aloft,’ Part III A97 Clarson, Shallard pamphlet with 170 lines ‘She ceased: and a deep handwritten alterations tingling silence fell’ 1883 Part I Part IV 86 lines ‘How wonderful are dreams! 153 lines ‘At last, all suddenly, in the If they but be’ air aloft,’ Part II Australian Journal 25 Nov.; 2 Dec. 139 lines ‘High up the tower, a 1865 Part I (pp. 1–7) circling balcony’ 149 lines ‘How wonderful are Part III dreams! Yet, are they but’ 129 lines ‘She ceased, and a deep Part II (pp. 8–13) tingling silence fell’ 175 lines ‘Within a circular balcony, Part IV whose roof’ 97 lines ‘At last, all suddenly, in the Part III (pp. 14–19) air aloft’ 170 lines ‘She ceased: and a deep Poems, p. 19 tingling silence fell’ Rpt. Popular Edition paperback 1899 Part IV (pp. 20–24) 153 lines ‘At last, all suddenly, in the THE TRAGEDY OF DONOHOE air aloft,’ 1835 c. 948 lines ‘The Owl hath hooted 24 page pamphlet. Rpt. from “The night away;’ Australian Journal”. Sydney And Sydney Monitor 7, 11, 14, 18, 21, 25 Melbourne: Clarson, Shallard, and and 28 Feb. Co., Printers. see also later versions THE 1865–66 Part I BUSHRANGERS, THE BUSH- 150 lines ‘How wonderful are RANGERS and STALWART THE Dreams! Yet, are they but’ BUSHRANGER Part II 176 lines ‘Within a circular balcony, TRANSLATIONS FROM HOMER see whose roof’ THE FAMOUS NIGHT SCENE IN THE Part III VIII ILIAD; THE FORGING OF THE 170 lines ‘She ceased: and a deep ARMOUR OF ACHILLES; SIMILES tingling silence fell’ FROM HOMER; and A Part IV SUPERNATURALISED BATTLE- 156 lines ‘At last, all suddenly, in the PIECE FROM THE XVIII ILIAD air aloft,’ C381 Clarson, Shallard pamphlet THE TREE OF LIBERTY with handwritten alterations 1845 32 lines ‘We’ll plant the Tree of 1867–68 Part I Liberty’ 150 lines ‘How wonderful are Weekly Register 20 Sept. Dreams! yet, are they but’ 1846 32 lines ‘We’ll plant the Tree of Part II Liberty’ 176 lines ‘Within a circular balcony, Maitland Mercury 4 Nov. whose roof’ 152 THE POEMS OF CHARLES HARPUR

1847 32 lines + N ‘W’ll (sic) plant the THE TRUE MAN VALUES VIRTUE Tree of Liberty’ FOR ITSELF see MR. MORT’S C382 TESTIMONIAL 1849 32 lines + N ‘We’ll plant the Tree of Liberty’ THE TRUE POISE OF MANHOOD C376 1855 14 lines ‘Trust not too much in him Series: CHARLES HARPUR’S whose cold clear light’ WILD BEE OF AUSTRALIA A87–2 1849 32 lines + N ‘We’ll plant the tree of 1857 14 lines ‘Trust not too much in him Liberty’ whose cold clear light’ People’s Advocate 1 Dec. Empire 6 June Series: MORSELS FROM No. III in Series: CHARLES HARPUR’S “WILD CHARACTERISTICS AND BITS BEE OF AUSTRALIA” OF PHILOSOPHY 1853 40 lines ‘We’ll plant a Tree of 1857 14 lines ‘Trust not too much in him Liberty’ whose cold clear light’ Bushrangers, p. 115 C384 Ø Unamended cutting Empire 1853 40 lines ‘We’ll plant a Tree of 6 June Liberty’ 1863 14 lines ‘Trust not too much in him C384 Ø Unamended cutting whose cold clear light’ Bushrangers 1853 A90 1859 40 lines ‘We’ll plant a Tree of No. XXVIII in Series: SONNETS Liberty’ 1866 14 lines ‘Trust not too much in him Convention: and True Colonizer 26 whose cold clear light’ Feb. A95 (p. 49) Ø 1863 40 lines ‘We’ll plant a Tree of No. XXXIX in Series: Liberty’ MISCELLANEOUS SONNETS A90 1867 14 lines ‘Trust not too much in him Series: LYRICS whose cold clear light’ 1865 40 lines ‘We’ll plant a Tree of A95 (p. 130) liberty’ Series: PERSONAL AND OTHER A95 SONNETS No. XVI in Series: LYRICS 1867 14 lines ‘Trust not too much in him 1867 40 lines ‘We’ll plant a Tree of whose cold clear light’ Liberty’ A87–1 A96 (pp. 10 and 13) Series: PERSONAL AND OTHER Series: POEMS IN EARLY LIFE SONNETS

A TRILOGY see RECORDS OF A TRUST IN GOD POET’S LOVE: X; XI; XII 1853 14 lines ‘Deep trust in God!—for that I still have sought’ A TROOPER OF FRANCE, IN Empire 20 June DESPERATE NEED see A/THE 1853–55 13 lines ‘Deep trust in God!—for COMBAT that I still have sought’ A98–1 Ø (p. 109) TRUE AND FALSE GLORY see GLORY 1853–55 14 lines ‘Deep trust in God!—for TESTED that I still have sought’ A98–1 (p. i) AN ANALYTICAL FINDING LIST 153

1859 14 lines ‘Deep trust in God!—for THE TRUTH OF NATURE that I still have sought’ 1856 8 lines ‘The frame of the World to its Australian Home Companion Vo l. 4 Maker is true,’ 1863 14 lines ‘Deep trust in God!—for People’s Advocate 29 Nov. that I still have sought’ No. 18 Part III: BITS OF A90 PHILOSOPHY, CAUSTIC, AND No. XXI in Series: SONNETS OTHERWISE in Series: 1866 14 lines ‘Deep trust in God!—for SONGS, EPIGRAMS, NOTES, that I still have sought’ AND OPINIONS, ETC. A95 (p. 43) 1857 10 lines ‘The frame of the world to No. XXIX in Series: its Maker is true,’ MISCELLANEOUS SONNETS Empire 8 July 1867 14 lines ‘Deep trust in God—for that No. XIII in Series: RHYMED I still have sought’ APHORISMS AND BITS OF A95 (p. 128) PHILOSOPHY Series: PERSONAL AND OTHER SONNETS A TRUTH THAT SMALL GREAT MEN 1867 14 lines ‘Deep trust in God—for that WON’T LIKE see DOING AND BEING I still have sought’ A87–1 TWENTY TO ONE Series: PERSONAL AND OTHER 1855 12 lines ‘My Zoilus, one unlucky SONNETS day,’ 1883 14 lines ‘Deep trust in God—for that B78 I still have sought’ Poems, p. 232 TWILIGHT HAUNTS see THE ANGEL Rpt. Popular Edition paperback 1899 OF NATURE

A TRUTH FOR THE TRUE POET see TWO NATIONAL SONGS TO THE POETIC TRUTH SAME MEASURE I and II see AUSTRALIA HUZZA and OLD TRUTH IS DEARER THAN BELIEF BILLOWY HAWKESB’RY 1860 8 lines ‘We’re simply hurt by one who won’t believe us,’ TWO POLITICAL SONNETS: I and II A87–2 see ON THE NEW LAND ORDERS and Series: BITS ON THE PROPOSED RECURRENCE TO TRANSPORTATION A TRUTH LITTLE UNDERSTOOD… 1845 15 lines ‘A sentence of the sage, or TWO SONNETS ADDRESSED TO of the bard’ JAMES MACARTHUR, ESQ., OF Weekly Register 12 July CAMDEN 1845 14 lines ‘I give thee credit for an A TRUTH MEN WON’T SEE honest aim,’ 1857 c. 42 lines ‘There are some truths 14 lines ‘Thou may’st not be a which that so wondrous ape—’ warrior, and a terror,’ A87–2 Weekly Register 22 Mar. Unsigned. ?Harpur 154 THE POEMS OF CHARLES HARPUR

AN UGLY CHARACTER VAGUE BEAUTY IN POETRY 1851 4 lines ‘R******, pretend to what 1856 6 lines + N ‘How oft has Song some thou wilt, but know’ beauty most divine,’ People’s Advocate 1 Mar. People’s Advocate 23 Aug. Untitled Title: IDEAL VAGUENESS, AN No. VII in Series: A STRING OF ELEMENT OF BEAUTY IN EPIGRAMS (FROM CHARLES POETRY HARPUR’S WILD BEE OF No. 10 Part I in Series: SONGS, AUSTRALIA) EPIGRAMS, NOTES, AND 1860 4 lines ‘R******, pretend to what OPINIONS, ETC. thou wilt, but know’ 1857 6 lines ‘How oft has Song some C376 beauty most divine,’ Untitled Empire 8 July No. III in Series: A STRING OF No. VII in Series: RHYMED EPIGRAMS (GIVEN WITHOUT APHORISMS AND BITS OF COMMENT) PHILOSOPHY 1860 6 lines ‘Narsus, pretend to what thou 1857 6 lines ‘How oft has Song some wilt—but see’ beauty most divine,’ A87–2 C384 Ø Unamended cutting Empire Title: AN UGLY PICTURE 8 July Series: BITS 1861 6 lines ‘Narsus, pretend to what thou VALEDICTORY BOSH wilt—but see’ 1856 10 lines + N ‘Some Jack the Tinker’s C384 Unamended cutting Braidwood “going home,”’ Dispatch Aug.? Paper and year People’s Advocate 2 Aug. identified by lightbox reading No. 8 Part I in Series: SONGS, No. XLI in Series: BITS EPIGRAMS, NOTES, AND OPINIONS, ETC. AN UGLY PICTURE see AN UGLY CHARACTER VALEDICTORY STANZAS TO A WANTON UNDER THE WILD FIG TREE see 1851–53 20 lines + N ‘To myself can I ever LOVE IN THE PAST: 2 atone’ C376 UNFOLDED ARE THE CRYSTAL Series: A PORTION OF CHARLES GATES OF LIGHT see MUSE- HARPUR’S WILD BEE OF WORSHIP: 4 AUSTRALIA

THE UNREPRESENTED IDEAL THE VALUE OF FRANKNESS 1847 17 lines + N ‘Thou who, whilst QUEERLY TESTED wandering in the pathless woods’ 1851 6 lines + N ‘Dan, turned insolvent, C382 swore thus—Blood an’ ’ounds!’ C376 Title: EPIGRAM 1860 12 lines ‘Dan, turned insolvent, blurted Blood and ’ounds!’ A87–1 Series: RHYMES, HUMOUROUS (sic) POEMS, EPIGRAMS, ETC. AN ANALYTICAL FINDING LIST 155

1860 12 lines ‘Dan, turned insolent, (sic) VIRGINAL LOVE blurted “blood and ’ounds!’ 1845 18 lines ‘I love Him so,’ Empire 26 Apr. Weekly Register 3 May Title: I LOVE HIM SO VANISHED AWAY 1846 18 lines ‘I love Him so,’ 1863 18 lines ‘Heaven’s face was starred Maitland Mercury 11 July as now,’ 1847 18 lines + N ‘I love Him so,’ A90 C382 Series: LYRICS 1853 18 lines ‘I love him so,’ 1867 18 lines ‘Heaven’s face was starred Bushrangers, p. 101 as now,’ 1853 18 lines ‘I love him so,’ A96 A98–1 Unamended cutting Series: POEMS IN EARLY LIFE Bushrangers 1853 1863 18 lines ‘I love him so,’ THE VERSE OF COLERIDGE’S A90 ‘CHRISTABEL’ see RHYMED Series: LYRICS CRITICISMS: XIII 1864 Variant version qtd in article, ‘Native-Born Australian Poets’, VERSES OCCASIONED BY THE Sydney Morning Herald 29 Sept. DEATH OF A CHILD OF THE untraced in mss or published MEASLES see ON THE DEATH OF AN versions INFANT RELATIVE 1865 18 lines ‘I love him so,’ A95 VERSIONS OF SOME OF THE No. V in Series: LYRICS PSALMS… see PSALM XXIII 1867 18 lines ‘I love him so,’ A88 VESPER: A RHYME FOR CHILDREN Series: LYRICS 1847 36 lines ‘Vesper—Evening’s lovely 1867 18 lines ‘I love him so,’ star,’ A92 C382 Series: ODES AND LYRICS Title: A RHYME FOR CHILDREN 1861 28 lines ‘Vesper!—Evening’s lovely VIRTUELESS PEOPLE/ VIRTUELESS star,’ PERSONS Australian Home Companion Vo l. 6 1857? 8 lines + N ‘O for a style like figured Title: A RHYME FOR CHILDREN silk, to dress’ 1862–63 32 lines ‘Vesper!—Evening’s A92 Unidentified cutting ?People’s lovely star’ Advocate with minor handwritten C384 Cutting AHC Vo l. 6 1861 with alterations to note handwritten alterations 1860 10 lines ‘How many amongst men are those who draw’ VESTIBULARY STANZAS see GENIUS A87–2 LOST, PRELUDE Series: BITS 1861 10 lines ‘How many amongst men VICIOUS TASTE see A CRITIC AT THE are those who draw’ TOP OF HIS LADDER C384 Unamended cutting Braidwood Dispatch Aug.? Paper and year THE VINDICATION see RECORDS OF identified by lightbox reading A POET’S LOVE: XXX No. XLIX in Series: BITS 156 THE POEMS OF CHARLES HARPUR

A VISION OF AN ANGEL 1883 108 lines ‘I sate upon a lonely peak,’ 1853–54 21 lines + N ‘I had a vision of an Poems, p. 105 Angel, who’ Rpt. Popular Edition paperback 1899 C385 1888 108 lines ‘I sate upon a lonely peak’ 1854 21 lines + N ‘I had a Vision of an Australian Poets 1788–1888, p. 202 Angel, who’ People’s Advocate 10 June THE VOICE OF THE SWAMP/NATIVE 1859 28 lines ‘I had a vision of an Angel, OAK who’ 1851 20 lines ‘Who hath laid him Southern Cross 3 Dec. underneath’ 1863 28 lines + N ‘I had a vision of an C383 (pp. 21, 22) Ø Angel, who’ 1851 24 lines ‘Who hath laid him A87–2 (p. 607) underneath’ Series: SONGS, ODES, AND Empire 13 Sept. OTHER LYRICS 1851 24 lines ‘Who hath laid him 1863 34 lines ‘I had a vision of an Angel, underneath’ who’ Bathurst Free Press 20 Sept. A89 1853 24 lines ‘Who hath lain him 1865 43 lines + N ‘I had a vision of an underneath’ Angel, who’ Bushrangers, p. 100 A87–2 (p. 437) 1853 24 lines ‘Who hath lain him 1865–67 43 lines ‘I had a vision of an underneath’ Angel, who’ A98–1 Unamended cutting A92 Unidentified cutting ?Moruya Bushrangers 1853 Examiner with handwritten 1865 32 lines + N ‘Who hath lain him alterations underneath’ 1867 45 lines ‘I had a vision of an Angel, A95 who’ No. X in Series: LYRICS A87–2 (p. 442) 1865–66 32 lines + N ‘Who hath lain him 1867–68 45 lines ‘I had a Vision of an underneath’ Angel—who’ C381 Cutting dated 13 March 1865 A97 Moruya Examiner with handwritten alterations to note. Paper identified THE VISION OF THE ROCK by lightbox reading 1842 108 lines ‘I sate upon a lonely peak,’ 1867 32 lines + N ‘Who hath lain him Australasian Chronicle 1 Sept. underneath’ 1849 72 lines ‘I sate upon a lonely peak,’ A92 People’s Advocate 10 Mar. 1883 32 lines ‘Who hath lain him 1853 108 lines ‘I sate upon a lonely peak,’ underneath’ Bushrangers, p. 93 Poems, p. 92 1853–55 108 lines ‘I sate upon a lonely Rpt. Popular Edition paperback 1899 peak,’ A98–1 Cutting Bushrangers 1853 A WAIL FROM THE BUSH see AN with handwritten alterations ABORIGINAL MOTHER’S LAMENT 1863 126 lines ‘I sate upon a lonely peak,’ A89 WALLER see RHYMED CRITICISMS: 1867 126 lines ‘I sate upon a lonely peak’ IV A87–1 AN ANALYTICAL FINDING LIST 157

THE WANTON 1854 32 lines + N ‘The march of 1849 17 lines + N ‘How bitter oft is Knowledge hasten,’ Truth.—Be sure of this,’ People’s Advocate 7 Jan. C376 Series: A PORTION OF CHARLES THE WAY OF THE WORLD AND THE HARPUR’S WILD BEE OF REMEDY AUSTRALIA 1856 4 lines + N ‘Who is a Hero, if he is not one,’ WAR People’s Advocate 4 Oct. 1846 53 lines ‘He who in battle slays his No. 13 Part V in Series: SONGS, fellow Man,’ EPIGRAMS, NOTES, AND Maitland Mercury 1 Aug. OPINIONS, ETC. 1851 Part I: Its General Effects 1856 4 lines + N ‘Who is a Hero, if he is 65 lines ‘He who in battle slays his not one,’ fellow man,’ A92 Unamended cutting PA 4 Oct. Part II: Its Particular Effects 36 lines + N ‘It is a Battle-field! WELL, I SCARCE NEED SAY see From sights severe,’ FRAGMENT C376 WELLINGTON WAR SONGS FOR THE AUSTRALIAN 1854 28 lines ‘Great captain, if you will! LEAGUE great duke! great slave!’ 1850 24 lines ‘Up Australians! hark, the A97 trumpet’ Included in letter to Edward Parnell People’s Advocate 5 Oct. 1854 28 lines + N ‘Great captain if you Title: LAYS FOR THE ANTI- will! great Duke! great Slave!’ CONVICT ASSOCIATION People’s Advocate 18 Feb. 1854 40 lines ‘Up Australians! Hark, the 1854–58 28 lines ‘Great captain if you will! trumpet’ great Duke! great Slave!’ People’s Advocate 11 Mar. C380 Cutting PA 18 Feb. with minor handwritten alteration A WAR SONG FOR THE 1860 59 lines ‘Great Captain, if you will! NINETEENTH CENTURY great Duke! great Slave!’ 1843 24 lines ‘The march of Knowledge Southern Cross 4 Feb. hasten;’ 1866 c. 53 lines ‘Great Captain, if you Australasian Chronicle 31 Jan. will! great Duke! great Slave!’ 1844 24 lines ‘The march of knowledge A87–2 (pp. 619, 617) Ø hasten!’ 1866 59 lines ‘Great Captain, if you will! Guardian 20 Apr. great Duke! great Slave!’ 1847 14 line fragment ‘The March of A87–2 (pp. 617, 618, 620) Knowledge hasten!’ C382 WENTWORTH see THE TEMPLE OF Title: THE MARCH OF INFAMY KNOWLEDGE 1850/51 24 lines ‘The march of Knowledge WENTWORTH AGAIN see SONNETS hasten:’ DEDICATED TO AUSTRALIAN Songs of Australia. First Series SENATORS: X Sighted only by lightbox reading of pages in A92 158 THE POEMS OF CHARLES HARPUR

WENTWORTH’S CONSTITUTIONAL 1860 8 lines ‘When sage Pope wrote MYTH. INTERPRETED BY A Whatever is, is Right,’ PARODY… A87–2 1853 12 lines + N ‘And O, Britannia, Series: BITS shouldst thou cease to have’ 1862–63 8 lines ‘When sage Pope wrote People’s Advocate 19 Nov. Whatever is is Right,’ C384 Cutting Braidwood Dispatch WENTWORTH’S COUNCIL DREAM Aug. 1861 with minor handwritten see SONNETS DEDICATED TO alterations. Paper and date identified AUSTRALIAN SENATORS: XV by lightbox reading No. XXVI in Series: BITS WERE MARTIN DEAD? see THE 1867 8 lines ‘When sage Pope wrote “NEVERS” OF POETRY Whatever is is Right,’ A87–1 (p. 250/327) WHAT IS THE TRUE DIFFERENCE… Untitled see POETRY AND PROSE Series: BITS

WHAT NEXT! WHAT’S A BOON? 1846 7 lines + N ‘’Twas Ewing’s to ask 1856 4 lines + N ‘“Our Constitution is a t’other night at the Lecture,’ Boon,” say noodles,’ C376 People’s Advocate 16 Aug. Included in incomplete untitled note No. 9 Part IV in Series: SONGS, [part of draft letter to the Spectator: EPIGRAMS, NOTES, AND unsighted] OPINIONS, ETC. 1856 4 lines + N ‘“Our Constitution is a WHAT NEXT! see SONNETS Boon,” say noodles,’ DEDICATED TO AUSTRALIAN C376 Unamended cutting PA 16 Aug. SENATORS: XIV WHAT’S POETIC? “WHATEVER IS, IS RIGHT” 1856 8 lines ‘What’s poetic. I ask, if a 1851 4 lines + N ‘When Pope declared, green Wood is not—’ Whatever Is, is Right,’ People’s Advocate 4 Oct. C376 TITLE: THE SCENIC PART OF No. IX in Series: A STRING OF POETRY PASSING THOUGHTS (WITH No. 13 Part III in Series: SONGS, AND WITHOUT COMMENT) EPIGRAMS, NOTES, AND 1851 4 lines ‘When Pope declared, OPINIONS, ETC. Whatever is, is Right’ 1863 40 lines ‘What’s Poetic? I ask, if a People’s Advocate 1 Mar. green wood is not,—’ No. III in Series: A STRING OF A90 EPIGRAMS (FROM CHARLES Title: THE SCENIC PART OF HARPUR’S WILD BEE OF POETRY AUSTRALIA) Series: LYRICS 1860 4 lines ‘When Dan Pope wrote 1865 80 lines ‘What’s Poetic? Think Whatever is, is right:’ whether the day-god is not,’ A87–1 (p. 398) A95 partly Ø Series: RHYMES, HUMOUROUS No. XXIII in Series: LYRICS (sic) POEMS, EPIGRAMS, ETC. AN ANALYTICAL FINDING LIST 159

1867 80 lines ‘What’s poetic? Think WHERE MOST WE MET see whether the day-god is not’ RECORDS OF A POET’S LOVE: XIII A87–1 Series: ODES AND LYRICS WHERE THE WANDERING BARWIN… see SQUATTER SONGS: I WHAT’S THE DIFFERENCE? 1855 6 lines + N ‘A fiddling difference WHERE’S THE DIFFERENCE? see once was said to be’ WHAT’S THE DIFFERENCE? A87–2 (pp. 674, 675) Title: PROTECTIVE DUTIES WHEREVER IN SOME WILDWOOD VERSUS PREMIUMS BOWER see THE HONEY BIRD 1856 6 lines + N ‘A fiddling difference once was said to be’ WHITHER? (Fragment from GENIUS People’s Advocate 20 Dec. LOST) see GENIUS LOST. THE Title: PROTECTIVE DUTIES SORROWS Part Eight: CHORUS OF VERSUS PREMIUMS THE HOURS No. 20Part I in Series: SONGS, EPIGRAMS, NOTES, AND OPINIONS, ETC. WHO LIVES BUT TO THE PRESENT 1856 6 lines + N ‘A fiddling difference IS A DUNCE once was said to be’ 1855–57 6 lines ‘Who lives but to the A87–2 (p. 707) Unamended cutting Present is a dunce;’ PA 20 Dec. C376 Title: PROTECTIVE DUTIES VERSUS PREMIUMS [WHO’D HAVE] THOUGHT IT? WHY, No. 20 Part I in Series: SONGS, HE VOTES WITH THE OPPOSITION! EPIGRAMS, NOTES, AND see SONNETS DEDICATED TO OPINIONS, ETC. AUSTRALIAN SENATORS: VI 1860 6 lines ‘A fiddling difference once was said to be’ WHOM SHOULD I HELP? A87–2 (p. 413) 1860 7 lines ‘Whom should I help? The Title: WHERE’S THE meritorious? They’ DIFFERENCE? A87–2 Series: BITS Series: BITS 1861 6 lines ‘A fiddling difference once 1861 7 lines ‘Whom should I help? The was said to be’ meritorious? They’ C384 Unamended cutting Braidwood C384 Unamended cutting Braidwood Dispatch July. Paper and date Dispatch Aug.? Paper and year identified by lightbox reading identified by lightbox reading No. XXII in Series: BITS No. LV in Series: BITS

WHEN SAGE POPE WROTE… see WHO’S THE MAN? see SONNETS WHATEVER IS, IS RIGHT DEDICATED TO AUSTRALIAN SENATORS: III WHEN THE DAY-STAR HAS SUNK… see THE KANGAROO HUNT

WHERE BEAUTY IS SMILING see TO MARY 160 THE POEMS OF CHARLES HARPUR

WHY? WHY TOWER MY SPIRITS, AND 1845 14 lines + N ‘Ah! me, I know not WHAT MEANS THIS WILD see why it should be so,’ RECORDS OF A POET’S LOVE: I Colonial Literary Journal 20 Mar. Title: THE POVERTY OF WICKLIFFE see WICLIFFE GREATNESS 1845 14 lines ‘Alas! I know not why it WICLIFFE should be so,’ 1863 14 lines ‘One star in heaven, when Thoughts, p. 8 the dank mists of earth’ Title: THE POVERTY OF Sydney Morning Herald 27 May GREATNESS Title: WICKLIFFE Series: PASSING THOUGHTS. A 1863 14 lines ‘One star in heaven, when SERIES OF SONNETS the dank mists of earth’ 1849 14 lines + N ‘Ah me, I know not why A90 it should be so!’ No. XLI in Series: SONNETS C376 (p. 468) 1866 14 lines ‘One star in heaven, when Title: THE POVERTY OF the dank mists of earth’ GREATNESS A95 (p. 41) Series: CHARLES HARPUR’S No. XXVI in Series: WILD BEE OF AUSTRALIA MISCELLANEOUS SONNETS 1861 14 lines ‘Haply the reason we in vain 1867 14 lines ‘One Star in heaven, when would know,’ the dank mists of earth’ C376 (p. 355) Ø A95 (p. 125) Title: THE POVERTY OF GENIUS Series: PERSONAL AND OTHER No. 7 in Series: SONNETS: SONNETS DEDICATED TO WORDSWORTH 1867 14 lines ‘One Star in heaven, when 1863 14 lines ‘Haply the reason we in vain the dank mists of earth’ would know’ A87–1 A90 Series: PERSONAL AND OTHER No. X in Series: SONNETS SONNETS 1866 14 lines ‘Haply the reason we in vain would know’ THE WIDOW (WITCH) OF HEBRON A95 see THE WITCH OF HEBRON No. X in Series: MISCELLANEOUS SONNETS THE WIDOW’S BOY 1843 24 lines ‘I do not fear to die, mother,’ WHY? Maitland Mercury 11 Nov. 1853 16 lines ‘Why Heloise—my Title: THE DYING SORROW OF Heloise!’ THE WIDOW’S BOY C376 1845 48 lines ‘“I do not fear to die, mother,’ WHY SHOULD HIRED LABORERS Weekly Register 8 Feb. HAVE TEA ALLOWED? see THE Title: THE DYING SORROW OF SPIRIT OF THE WIDOW’S BOY 1859 80 lines ‘I do not fear to die, WHY SLIGHT THE SONNET? see ON mother,—’ THE SONNET Australian Home Companion Vo l. 4 Title: THE DYING SORROW OF THE WIDOW’S BOY AN ANALYTICAL FINDING LIST 161

1863 80 lines ‘“I do not fear to die, 1867 7 lines ‘Though we cannot make mother,—’ Wisdom our mistress for aye,’ A90 A87–1 Series: LYRICS Untitled 1867 80 lines ‘I do not fear to die, Series: BITS Mother,—’ A87–1 WISDOM’S DWELLING 1856 2 lines ‘A mind that’s made turbid by THE WIDOW’S MITE IN A NEW Fortune may be’ LIGHT see THE GREAT GUN OF THE People’s Advocate 29 Nov. AUSTRALIAN-CRIMEAN-WAR-FUND No. 18 part III: BITS OF PHILOSOPHY, CAUSTIC, AND THE WILD CHERRY TREE: A LAY OF OTHERWISE LOVE In Series: SONGS, EPIGRAMS, 1847 56 lines + N ‘A woe-weary Man who NOTES, AND OPINIONS, ETC. had followed afar’ 1860 4 lines ‘A mind that’s made turbid by C382 Fortune, may be’ A87–1 WILDING AWAY see A LYRICAL Series: RHYMES, HUMOUROUS LOVE STORY 2: 4 (sic) POEMS, EPIGRAMS, ETC. 1862–63 4 lines ‘A mind that’s made turbid A WINDY SUBJECT and THE WINDY by fortune may be’ SUBJECT AGAIN see SONNETS C384 Cutting Braidwood Dispatch DEDICATED TO AUSTRALIAN July 1861 with minor handwritten SENATORS: II and XI alterations. Paper and date identified by lightbox reading WINTER & SUMMER, OR NEITHER No. XX in Series: BITS WILL DO/SUIT see NEITHER WILL DO THE WITCH OF HEBRON: A WINTER MORNING see A MID- RABBINICAL LEGEND WINTER MORNING 1867 c. 776 lines ‘From noon until the setting of the sun,’ WINTRY RESULTS see MUSE- A90 (p. 202) WORSHIP: 7 Title: THE WITCH (WIDOW) OF HEBRON WISDOM 1867 c. 17 lines ‘But interposed/ A certain 1837 18 lines ‘Say, what is Wisdom? Ah, space in front, and belting all’ ’tis but to know’ A90 (p. 140) Australian 11 July Untitled lines from Part I 1867 c. 219 lines + N ‘Again I lived— WISDOM NEVER WOOED IN VAIN again I felt. But now’ 1857 7 lines ‘Though we cannot make A90 (p. 141) Wisdom our mistress for aye,’ Untitled lines from Part V Empire 8 July 1867 269 lines ‘Within a rustic chamber, No. I in Series: RHYMED dark and low,’ APHORISMS AND BITS OF A90 (p. 150) PHILOSOPHY Title: Part VI 162 THE POEMS OF CHARLES HARPUR

1867 22 lines ‘Again I had some deep- WOMEN AND STARS down hold on being’ 1849 12 lines + N ‘I dote on Stars and A90 (p. 132) Belles; (Wherefore Love saith’ Title: Part VII C376 partly Ø 1867 15 lines ‘While within/ A brazen Title: WOMEN & STARS VERSUS trellis based with slabs of stone’ A BEEF STEAK C376 Series: CHARLES HARPUR’S Untitled lines from Part I WILD BEE OF AUSTRALIA 1867 c. 351 lines ‘From morn until the 1861 20 lines + N ‘I dote on Belles and setting of the sun’; ‘—but from his Stars! wherefore Love saith’ brow/There flashed as with the A91 lightning of a wrath’ and ‘And had No. II in untitled series strong symptoms of a “poison case”’; ‘And one too for himself, though, he WOMEN & STARS VERSUS A BEEF disliked them’; ‘What indeed are all STEAK see WOMEN AND STARS things, even those’ A87–2 (pp. 429, 699, 745, 700) WOMEN AS GLORIFYERS Untitled lines from Part I, Parts III 1853–54 15 lines ‘Even as the roarings of and IV, Part VI, Part VII the great blind sea’ 1867 33 lines ‘That filled me with much C376 thankfulness of heart.’ A94 (p. 97) WOODLANDS Untitled lines from end of Part VI 1855 20 lines ‘Sweet Woodlands! from thy and beginning of Part VII hospitable door’ 1867–68 1,687 lines ‘From morn until the Empire 21 Dec. setting of the sun’ A97 WORDS see WORDS ARE DEEDS 1883 1,241 lines ‘From morn until the setting of the sun’ WORDS ARE DEEDS. THE WORDS Poems, p. 249 WE HEAR Rpt. Popular Edition paperback 1899 1863–65 18 lines + N ‘Words are Deeds. The words we hear’ WITH AMPLE FORTUNE…see A90 SONNETS TO AUSTRALIAN Note (5) in THE ‘NEVERS’ OF SENATORS: IV POETRY 1864 18 lines ‘Words are Deeds. The WITH WHAT CONTENT… see NOON, words we hear’ EVENING, AND NIGHT Sydney Times 9 Apr. Note (4) in THE ‘NEVERS’ OF WOE IS ME see GENIUS LOST. THE POETRY SORROWS Part Three: MISERY 1865–66 18 lines ‘Words are Deeds! The words we hear’ WOMAN A87–1 1837 64 lines ‘Vain are the promptings of Note ([f] p. 263) in THE ‘NEVERS’ the Nine’ OF POETRY Australian 17 Feb. AN ANALYTICAL FINDING LIST 163

1883 16 lines ‘Words are deeds. The THE WORLD-BIRTH OF LOVE words we hear’ 1867 24 lines ‘Off from all Being, as a Poems, p. 179 worn-out part,’ Title: WORDS A92 Rpt. Popular Edition paperback 1899 Series: ODES AND LYRICS 1888 16 lines ‘Words are deeds. The words we hear’ A WORLD-POET Australian Poets 1788–1888, p. 209 1866 14 lines ‘The ever-influencing Bard Title: WORDS is one’ see also THE “NEVERS” OF POETRY A95 (p. 53) Title: THE BARD OF HUMANITY WORDSWORTH see RHYMED No. XLVI in Series: CRITICISMS: XII MISCELLANEOUS SONNETS 1866 14 lines ‘The ever-influencing Bard WORDSWORTH’S POETRY is one’ 1867 14 lines ‘How much, O Wordsworth! A90 (pp. 135, 137) in this world how much’ Untitled A95 (p. 190) No. I in Series: SONNETS ON 1867 14 lines ‘How much, O Wordsworth! POETS AND POETRY in this world how much’ 1866 14 lines ‘The ever-influencing Bard A87–1 is one’ Series: PERSONAL AND OTHER Sydney Morning Herald 7 Nov. SONNETS Untitled see also RECORDS OF A POET’S No. IV in Series: SONNETS LOVE: XXV 1866–67 14 lines ‘The ever-influencing Bard is one’ THE WORLD AND THE SOUL A87–1 (p. 199a) Cutting SMH 7 Nov. 1847 48 lines ‘From the crude records with minor handwritten alterations which mysterious Time’ Untitled Atlas 4 Sept. 1867 14 lines ‘The always-influencing Title: GEOLOGIA Bard is one’ 1849 50 line fragment ‘From the crude A95 (p. 117) records which mysterious Time’ Series: PERSONAL AND OTHER C376 SONNETS Title: GEOLOGIA 1867 14 lines ‘The always–influencing Series: CHARLES HARPUR’S Bard is one’ WILD BEE OF AUSTRALIA A87–1 (p. 216/293) 1863 [last 89 lines only] + N ‘Of life Series: PERSONAL AND OTHER enormous: but to perish, when’ SONNETS A87–2 1863 157 lines ‘From the crude records WORLD-WEARINESS which mysterious Time’ 1844 14 lines ‘There’s a world-weariness A89 that often comes’ 1867 214 lines ‘From the crude records Weekly Register 13 July which mysterious Time’ Sub-title: TO HER I LOVE A88 see also RECORDS OF A POET’S 1867 216 lines ‘From the crude records LOVE: XXVI which mysterious Time’ A87–1 164 THE POEMS OF CHARLES HARPUR

A WORLD-WIDE SURETY 1856 6 lines + N ‘As a down feather by 1860 13 lines ‘Address thyself right the wind’ manfully to what’ C376 (p. 187) Cutting PA 21 June A87–2 (p. 405) Ø with handwritten alteration to note ? Series : RHYMES, HUMOUROUS (sic) POEMS, THE WORLD’S VICTIMS EPIGRAMS, ETC. in A87–1 1846 48 lines ‘They tell me He in riot 1866 13 lines ‘Address thyself right now,’ manfully to what’ Maitland Mercury 29 Aug. Erratum A87–2 (p. 491) 30 Sept. No. II in Series: BITS 1847 48 lines + N ‘They tell me he in riot now,’ A WORLDLING C382 1845 14 lines ‘Worldly Prosperity is often 1851 48 lines + N ‘They tell me he in riot less’ now,’ Thoughts, p. 9 People’s Advocate 12 Apr. Title: WORLDLY SUCCESS No. 3 in Series: BEING LEAVES 1863 14 lines ‘Worldly prosperity is often FROM CHARLES HARPUR’S less’ WILD BEE OF AUSTRALIA A90 1860 48 lines + N ‘“They tell me He in No. XV in Series: SONNETS riot now,’ 1866 14 lines ‘Worldly prosperity is often C376 less’ 1867 48 lines ‘“They tell me he in riot A95 (p. 32) now,’ No. XIV in Series: A96 MISCELLANEOUS SONNETS Series: POEMS IN EARLY LIFE 1867 14 lines ‘Worldly prosperity is often less’ THE WORLD’S WAY see POPULAR A95 (p. 127) FURORES Series: PERSONAL AND OTHER SONNETS WORLDLY SUCCESS see A 1867 14 lines ‘Worldly prosperity is often WORLDLING less’ A87–1 THE WRATH OF LOVE see LOVE THE Series: PERSONAL AND OTHER IDEALISER: 4 SONNETS THE WRECK THE WORLD’S OPINION 1833 40 lines ‘Her sails are furled, and she 1856 6 lines ‘As a down feather by the lies along,’ wind’ Australian 20 Dec. C376 (p. 627) Title: THE GOOD OPINION OF WRITTEN ON THE VERGE…AT THE WORLD GRANBELANG see IMPROMPTU: 1856 6 lines + N ‘As a down feather by (COMPOSED WITHIN THE VERGE the wind’ OF A BEAUTIFUL BIT OF People’s Advocate 21 June WOODLAND SCENERY) No. IV Part I in Series: EPIGRAMS, NOTES, AND OPINIONS, ETC. AN ANALYTICAL FINDING LIST 165

THE WRONGS OF POLAND 1861 24 lines ‘“Ah, that yon Moon, when 1863 14 lines ‘Since every drop of wrong- thus silvery beaming,’ shed blood that cries’ Australian Home Companion Vol. 6 A90 Title: A POET BOY’S LOVE No. XXXVII in Series: SONNETS WISHES 1866 14 lines + N ‘Since every drop of 1862–63 c. 28 lines ‘“Ah! that yon Moon, wrong-shed blood that cries’ when thus silvery beaming,’ A95 (p. 47) Ø C384 Ø Cutting AHC Vo l. 6 1861 No. XXXV in Series: with handwritten alterations MISCELLANEOUS SONNETS Title: A POET BOY’S LOVE 1866 14 lines + N ‘Since every drop of WISHES wrong-shed blood that cries’ 1863 28 lines ‘“Ah, that yon Moon, when A87–2 thus silverly beaming,’ Untitled A90 No. XXI in Series: SONNETS (IN Series: LYRICS CONTINUATION) 1867 28 lines ‘“O that yon Moon, when 1867 14 lines + N ‘Since every drop of thus silverly beaming’ wrong-shed blood that cries’ A88 A95 (p. 123) Series: LYRICS Series: PERSONAL AND OTHER 1868 28 lines ‘“Ah, that yon Moon, when SONNETS thus silverly beaming,’ 1867 14 lines + N ‘Since every drop of A97 wrong-shed blood that cries’ A87–1 “YES” see LOVE THE IDEALISER: 1 Series: PERSONAL AND OTHER SONNETS YON GREEN WOOD see also ON THE REPEAL MOVEMENT 1857 32 lines ‘I see, as in a vision,’ IN IRELAND Empire 28 Mar. 1859 20 lines ‘I see, as in a vision, how YEA, THEY ARE CLANNISH, AND, face to face I stood’ LIKE DEVILS, HATE Southern Cross 12 Nov. 1862–63 9 line untitled fragment ‘Yea, they 1863 8 line untitled fragment ‘I see, as in a are clannish, and, like devils, hate’ vision, how face to face I stood’ C384 ?Intended for THE TEMPLE A87–2 OF INFAMY 1863 40 lines ‘I see, as in a vision,’ A90 YEARNINGS Series: LYRICS 1846 24 lines ‘“O that the moon now so 1865 20 lines ‘I see, as in a vision, how silverly beaming,’ face to face I stood’ Maitland Mercury 3 June A95 Title: THE POET BOY’S LOVE No. III in Series: LYRICS WISHES 1866 40 lines ‘I see, as in a vision,’ 1846 24 lines ‘O that the moon now so C381 Unamended cutting Moruya silverly beaming,’ Examiner. Paper identified by Hawkesbury Courier 30 July lightbox reading Title: THE POET BOY’S LOVE 1866 40 lines ‘I see, as in a vision,’ WISHES A93 166 THE POEMS OF CHARLES HARPUR

1867 40 lines ‘I see, as in a vision,’ YOUNG LOVE A88 1853–54 19 lines ‘How dear is Love to Series: LYRICS young beginners,’ 1867 20 lines ‘I see, as in a vision, how C376 face to face I stood’ A92 A YOUTH OF THE UTOPIAN ERA see Series: ODES AND LYRICS THE BEAUTIFUL: IV

YONDER’S MY CHOSEN ONE… see A ZILLA’S SONG (FROM KING SAUL) LYRICAL LOVE STORY 1: 1 1849 18 lines ‘When the heart’s paining’ A92 see also KING SAUL APPENDIX A

DESCRIPTION OF THE MITCHELL LIBRARY’S ARCHIVAL COLLECTIONS OF HARPUR MATERIAL WITH REFERENCE CHIEFLY TO VERSE

This is a description and enumeration of the contents of the Charles Harpur archival manuscript collection in the Mitchell Library, State Library of New South Wales, Sydney. Collection numbers are those of the Mitchell Library and reflect the Mitchell’s organisation of the materials. All dating in the following description is based on editorial comparison of texts and other internal evidence, on the physical evidence offered by the collections, on newspaper publications, and on Harpur’s dates on manuscripts. Use of the word ‘manuscript’ in the Harpur collections may be confusing. Harpur titled and numbered several collections ‘manuscript’, before giving titles and numbers to the ‘Major’ manuscripts in 1867–68. After Harpur’s death, Mrs Harpur and Washington also titled and numbered other collections ‘manuscript.’ The following conventions have therefore been adopted:

• The collections known as ‘Major’ Manuscripts are indicated in bold uppercase, e.g. MANUSCRIPT NO. 1. •Other collections titled and numbered by Harpur as manuscripts are indicated by unbolded lower case, e.g. Manuscript No. 1 • Collections titled and numbered by Mrs Harpur and Washington as manuscripts, which may not have Harpur’s authority as collections, are indicated by unbolded lower case and inverted commas, e.g. ‘Manuscript No. 1’. • Pages numbered both by Harpur and later by the Mitchell librarians are indicated by a slash: e.g. 26/301. Numbered pages are recorded in the Description below as (30); unnumbered pages and illegible pagination as [30], or where assignment of a page number is difficult as [np].

A87–1 Pages 1–[400]: date 1860–1868. Major part of this volume dates 1867. Some early inserted pages date 1868 and later pages probably 1860 and 1865–1866. Annotations by Mrs Harpur and Washington Harpur, and contents list for most collections by Mrs Harpur were added after Harpur’s death. Pagination is unreliable and some pages are double- numbered. Care should be taken when reading the pagination of the following notes which follow through the volume in the order in which the pages are bound. Format: Mitchell bound volume containing a number of gatherings of chiefly unlined foolscap pages of thick textured paper with miscellaneous pages and scraps and inserts bound in. The following pages are blank: 9–10, 12, 32, 34, 60, 104, 128, 172, even numbers between 196–206, 252, 288, even numbers between 292–300, 304, 330.

167 168 THE POEMS OF CHARLES HARPUR

A87–1 continued [62]: Mrs Harpur’s contents list, (63/ 113): Harpur’s title ‘Miscellaneous Pages i–[7] numbered on recto: Salier’s Poems continued’, (63/113–[66]/116): Notes; (1a/11): Harpur’s transcription of ‘The Dream by the Fountain’ with prose prose quote by E. A. Leslie, ‘A Critique note, (67/117–[72]/122): ‘A Rhyme’ on some of Harpur’s Lyrics’. annotated ‘1840’ [earliest extant version Maitland Mercury 13 June 1846], (73/ Pages 13–127: probably 1867 with 123–[78]/128): ‘The Drowned, Alive’ exceptions noted below dated 1868. with prose note, ([78]/128–[80]/130): Page [np]–13a: draft of letter [to Thomas ‘To—’ , ([80]/130–[82]/132): ‘The Sutcliffe Mort] who intended to sail to Losses of the Past’, ([82]/132–[84]/134): England, requesting Mort to carry MSS ‘To an Echo on the Banks of the of Harpur’s poems for possible English Hunter’, ([84]/134–[88]/138): ‘The publication. Pages 13, 14, 16: three Death of Shelley’, ([88]/138–[90]/140): copies of ‘These Poems! Let the ‘Happiness and Faith’, ([90]/140–[96]/ Worldling if he will’, [15]: prose address 146): ‘Monodies I and II’ annotated ‘To the English Reader’ annotated ‘1845’ (142) [earliest extant version ‘1867’, (17) in different format: prose A87–2 1855], ([96]/146)–([100]/150): ‘My own Poetry’, [18]: prose ‘Popular ‘Autumnal Leaves 1–6’, ([100]/150)– Irish Songs’ including Harpur’s verse [102]/152): series ‘Bits’: ([100]/150): ‘Lord Potather’, (19–[20]): prose note ‘All simple sights of rural life to me’, with instructions to an Editor annotated (101/151): ‘The midnight moon is riding ‘C. H.’, (21): title page of late version of right aloft’, ‘Though we cannot make prose ‘A Discourse on Poetry by Charles Wisdom our mistress for aye’, ‘Like him Harpur / Introductory to the whole of my who great reports of tilth rejects’, ‘Could Poems:—C. H./’, ([22]–31): prose ‘A we, as mortals, but our end foresee’, Discourse on Poetry’, (33): headed ([102]/152): ‘How great or small may be ‘Manuscript No. 1’ and brief Preface by the pang of death’, ‘What is the true Mrs Harpur written after Harpur’s death. difference ’twixt Prose and Rhyme’, ‘“Property is Funded Talent”’, (103/ Pages 35–23/59: MANUSCRIPT No. 1 [153]): ‘A Summer House Treat’, ‘Luck date 1867. Page 35: Harpur’s title page Out of Season’. ‘Poems: By Charles Harpur. An Australian’ annotated ‘Chas: Harpur. Pages 105–127/173: MANUSCRIPT No. 7 These Manuscripts are numbered from 1 date 1867. Page 105: Harpur’s title page to 18’, [36]: contents list for ‘Manuscript No 7 Poems: By Charles Miscellaneous Poems, and the poem Harpur. An Australian’ annotated ‘√ √ ‘These Poems! Let the Worldling, if he Chas: Harpur’, [106]: Mrs Harpur’s will’ transcribed probably by Mrs contents list, (107/153): Harpur’s title Harpur including annotation ‘Chas ‘Miscellaneous Poems continued’, (107/ Harpur’, (1/37): title ‘Miscellaneous 153–113/159): ‘The World and the Poems’, (1/37–14/[50]): The Creek of Soul’, ([114]/160–121/167): ‘The Bard the Four Graves’, (15/51–23/59): The of Paradise’ with prose note, (121/167– Bush Fire’, (23/59): ‘Dawn and Sunrise 125/171): ‘The Vision of the Rock’, in the Snowy Mountains’. (125/171–127/173): ‘A Musical Reminiscence’, (127/173): Pages 61–103/153: MANUSCRIPT No. 6 ‘Consolation’. date 1867. Page 61: Harpur’s title page ‘Poems: By Charles Harpur: An Australian’ annotated ‘Chas: Harpur’, APPENDIX A 169

Pages 129–171/215: MANUSCRIPT No. 8 and ‘1867’ [earliest extant version date 1867. Page 129: Harpur’s title page Empire 20 November 1855], ([192]/ ‘Manuscript No 8 Poems: By Charles 280–193/281): ‘The Past’, (193/281– Harpur. An Australian’ annotated √ √ [194]/282): ‘A Thought-Sting’, ([194]/ Chas: Harpur’, [130]: Mrs Harpur’s 282–195/283): ‘Asking in Vain’, (195/ contents list, (131/174) Harpur’s title: 283): ‘No Mean Dwelling’. ‘Miscellaneous Poems continued’, (131/ Inserted page 197: Mrs Harpur’s heading 174–137/180): ‘Ideality’ annotated and note: ‘Manuscript No. 11 Sonnets by ‘1843’ [earliest extant version Weekly Chas Harpur (Australian poet)’, pasted Register 24 August 1844], (137/180– cutting of extract from ‘Prefatory [140]/183): ‘A Lament’, ([140]/183– Remarks on the Sonnet’ Sydney Morning [144]/187): ‘To a Comet’ with prose Herald 7 November 1866 annotated by note, ([144]/187–[148]/192): ‘Love the Mrs Harpur ‘I have sent a few sonnets Idealiser 1–4’, ([148]/192–151/195): only as a specimen of the verse. M H’. ‘The Widow’s Boy’, (151/195–[154]/ Pages 199a –199b: amended cuttings of 198): ‘The Snow Child’, ([154]/198– ten sonnets from Sydney Morning 155/199): ‘A Combat’, (155/199)–[158]/ Herald 7 November 1866 all annotated 202): ‘To. Henry Parkes—’, ([158]/202– ‘Finally copied’, (199a): ‘I. Rising and 161/205): ‘Blindness to Merit’, (161/ setting suns of Liberty’, ‘II. His mind 205–163/207): ‘Joshua’, (163/207– alone is great, who (though but one)’, [164]/208): ‘A Basket of Summer Fruit’, ‘III. To Kossuth (in 1850.)’, ‘IV. The ([164]/208–[168]/212): ‘The Death of ever-influencing Bard is one’, ‘V. Shylock’, ([168]/212–[170]/214): There’s a rare spirit of feeling that may ‘Finish of Style’, ([170]/214–171/215): be’, (199b): ‘VI. Dressed all in snowy ‘Abed Ben Houran’. white! I saw her so’, ‘VII. I (sic) sleep Pages 173/[260]–195/283: MANUSCRIPT my brain was with a sweet pang wrung’, No. 10 date 1867. Page 173/[260]: ‘VIII. It was a tale of passion that we Harpur’s title page ‘Manuscript No. 10 read—’, ‘IX. Night was new throned in Poems: By Charles Harpur: An heaven, and we did rove—’, ‘X. His lot Australian’ annotated ‘√ √ Chas: how glorious whom the Muse shall Harpur’, [np]: Mrs Harpur’s contents name’. Pages 201–203: four poems list, (175/262): Harpur’s title ‘Odes and headed ‘Love Sonnets, by Chas. Harpur Lyrics continued’ [MANUSCRIPT No. an Australian’ transcribed by Mrs 9 in A92 contains earlier part of ‘Odes Harpur, (201): ‘1. How beautiful doth and Lyrics’], (175/262–[174]/263): ‘The the morning rise’, ‘2. Why tower my Flight of Peace’, ([174]/263–[180]/267): spirits, and what means this wild’, (203): ‘To the Moon’, ([180]/267–181/268): ‘3. Now sunny, as the noontide heavens, ‘Life’s First Despair’ re death of brother are’, ‘4. Her image haunts me! Lo! I James Henry [d. 1825] annotated ‘1846’ muse at even’. [earliest extant version Empire 19 March 1858], (181/268–[182/269]): ‘The Night Bird’ annotated ‘1867’ [earliest extant version C382 1847], (183/270): ‘Life and Death’, (183/270–[186]/273): ‘Onward’, ([186]/273–187/274): ‘Eden Lost’, (187/274–[190]/278): ‘What’s Poetic?’, (190/278–[192]/280): ‘Love Dreaming of Death’ annotated ‘1857’ 170 THE POEMS OF CHARLES HARPUR

A87–1 continued ([228]/307–[232]/309): ‘On the Proposed Recurrence to Transportation’ Pages 205–251/328: MANUSCRIPT No. with prose note, (231/308) text of ‘On 11 date 1867. Page 205: Harpur’s title the Proposed Recurrence to page ‘Manuscript No.11. Poems: By Transportation’, ([232]/309): ‘To Doctor Charles Harpur: An Australian’ Lang’, ([232]/309–233/310): ‘To Henry annotated ‘√√ Chas: Harpur’, (207/284): Kendall’, (233/310): ‘To N. D. Harpur’s title ‘Personal and other Stenhouse Esq.’, (233/310–[234]/311): Sonnets,’ (207/284–[210]/287): ‘To the Hon. James Martin’, ([234]/311): ‘Prefatory Remarks’ annotated ‘Euroma, ‘the (sic) Death of a Boy’, ([234]/311– Australia, 1867’, ([210]/287): ‘Poetry’, 235/312): ‘To certain Criticlings’, (235/ (211/288): ‘To.’ with title annotated by 312): ‘Glory Tested’, (235/312–[236]/ Mrs Harpur ‘Henry Parkes. Before 313): ‘To an Old Friend’, ([236]/313): having seen him, but after the passage of ‘Morning’, (237/314): ‘Noon, Evening, several letters and many friendly and Night’. tokens’, ‘Australia’s First Great Poet’, Pages [238]/315–[248]/325: date 1867. Page ([212]/289): ‘To my Young Countryman, [238]/315: Harpur’s title with note D. H. D.’, ‘To the Rev: John annotated ‘C. H.’ ‘Sonnets Inspired by Saunders…’, (213/290): ‘To James Love and Beauty’, ‘The Confirmer’, Norton Esq’, ‘On Completing a Book’, (239/316): Companion Pieces 1 and 2, ([214]/291): ‘Intellectual Greatness’, ‘To ([240]/317): ‘A Trilogy’ 1 and 2, (241/ Kossuth’, (215/292): ‘Records of 318): [‘A Trilogy] 3’, ‘Where most we Romantic Passion’, ‘To a Lady, on the Met’, ([242]/319): ‘A Lover’s Day and death of a little Girl’, ([216]/293): ‘A Night’ 1 and 2, (243/320): ‘A Second World-Poet’, ‘John Heki’, (217/294): Trilogy’ 1 and 2, ([244]/321): [‘A ‘To—’, ‘A Lady in White’, ([218]/295): Second Trilogy] 3’, ‘The Keepsake ‘A Love-Dream’, ‘A Love-Fancy’, (219/ Rose’, (245a/322): ‘Absence in the 296): ‘The Tear’, ‘A Regret’, ([220]/ City’, ‘A Final Trilogy 1’, ([246]/323): 297): ‘Charity’,([220/297–221/298): [‘A Final Trilogy’] 2 and 3, (247/324): ‘The Wrongs of Poland’ with prose note, ‘Hope Foregone’, ‘The Resignation’, (221/298–[222]/299): ‘Andrew Marvel’, ([248]/325): ‘“Farewell”’, ‘Here, in the ([222]/299): ‘To William Wordsworth’, moaning wind’. Pages 249/326–251/ ([222]/299–223/300): ‘Wordsworth’s 328: ‘Bits’ date 1867. Page 249/326: ‘So Poetry’, (223/300): ‘Beauty’, (223/300– long as our wine in its nature be good’, [224]/301): ‘On the Easter Illumination ‘To string a man up for the very worst of St. Peter’s at Rome’, ([224]/301): crime’, ‘Talent is twelve pence to the ‘The Same Subject Continued’ both shilling fair’, ‘Are you troubled be men annotated ‘1850’ [earliest extant version with a visiting itch’, ([250]/327): ‘When Empire 8 July 1853], (225/302): sage Pope wrote Whatever is is Right’, ‘Wicliffe’, (225/302–[226]/303): ‘Luther ‘That generous, wine-like Prose will and Knox’ with prose note. never die’, ‘On nerveless, tuneless lines Pages [226]/303–229/304: ‘A Worldling’, how sadly’, ‘Downward, through the (229/304): ‘Outward Show’, (229/304– bloomy roofage’, (251/328): ‘Oh, could [230]/305): ‘Social Charity’, ([230]/ we but greatly believe in others’, ‘How 305): ‘Trust in God’, ([230]/305–227/ vain seems life, how worthless, when we 306): ‘Self-Liberty’, (227/306): ‘Self- scan’, ‘Bishop Berkely’. Dependence’, (227/306–[228]/307): ‘The True Poise of Manhood’, ([228]/ 307): ‘The Temperance Movement’, APPENDIX A 171

Pages 253a–400: date 1860 to 1866. Some Page 329: Mrs Harpur’s heading ‘Man. No. items more precisely dated as shown 20’ and Harpur’s inscription: ‘Pieces in below. Pages 253a–328: date 1866. Page Verse & Prose, contributed to the 253a: Mrs Harpur’s heading ‘Manu. No. Sydney Times by Charles Harpur’. 17. Poems by Charles Harpur. An Pagination haphazard and does not Australian. Euroma, Eurobodalla, follow consecutive parts of prose N.S.Wales’, (253a–32/283): ‘The cuttings from the Sydney Times. Pages ‘Nevers’ of Poetry’ in Harpur’s writing 331–[352]: cuttings of Harpur’s poems with prose notes. Page 18/[270]: and prose published in the Sydney Times footnote l to ‘Nevers’ includes ‘To and Sydney Morning Herald in 1863 and Samuel Prout Hill Esq…’. 1864, some with holograph alterations. Pages 331–337: amended cutting ‘The [Page 253b inserted page headed by Mrs Bard of Paradise I–VIII’ with prose note Harpur ‘No.18 Poems by Charles ST 14, 21 May 1864, (337): cutting ‘A Harpur. An Australian. N.S.Wales’ and Man Shall Be a Man Yet’ ST 30 April annotated with indecipherable notes re 1864, [338–339a]: cutting ‘Cora’ SMH 8 ‘Milton’ and other poems. Harpur’s title December 1863, [339a]: 10 untitled ‘No. II. Shakespere’ and 25 lines, earlier holograph lines [‘The Bard of Paradise than version in Sydney Mail 11 August VIII’], (339–351): prose cutting 1866]. ‘Impressions of Emerson’, ST 23, 30 Page 285 inserted after page 317: Mrs April, 7 May 1864, (351): cutting ‘This Harpur’s jottings and heading ‘No 19 Southern Land of Ours’ ST 4 June 1864, 18’ and ‘Harpur M.S.’ Page [285b]: 4 [np]: slightly amended cutting ‘Mary lines [‘Shakspere’], (287–317): untitled Arden’ with prose note ST 25 June 1864 incomplete ‘Rhymed Criticisms with annotated ‘Finally Copied, C. H.’, (348): Prose Notes’ in Harpur’s writing. holograph prose, [six unnumbered pages]: prose and cuttings of prose ‘The Pages 319–323: ‘The Famous Night Scene Poet’s Moon’ ST 4, 11, and 18 June in the VIII Iliad’ in four different 1864, [np]: prose cutting ‘Poetry Versus versification, with introductory prose Music’ ST 28 May 1864. note and annotated ‘Not copied W. H.’, (323–[324]): slightly amended Pages 353–15/[380]: ‘The Temple of unidentified cuttings of translation ‘A Infamy’ possibly 1860–1865, earlier Supernaturalised Battle Piece (from the than A93 version dated 1866 which also XVIII Iliad)’ possibly the Moruya has a Preface annotated ‘1846’. Page Examiner July 1866, ([324]–325): 353: Harpur’s title ‘The Temple of holograph ‘III. The Same as Literally as Infamy: A Satire, by Charles Harpur’, possible’. Inserted [np]: lines from (353–[354]): prose ‘Preface’ annotated Milton’s Paradise Lost, apparently part ‘1846’ and [354] ‘C. H.’, (1/355–15/ of a prose note to ‘Rhymed Criticisms’. [380]): ‘The Temple of Infamy’ with prose notes, [380]: annotated ‘The End’. Pages 325–[326]: ‘A Song of David Inciting to Dance’ annotated by Harpur ‘Final Copy’, (327–[328]): ‘Springtime Gladness’, [328]: ‘Beauty’, with marginal annotation by Harpur ‘See elsewhere’ and annotated by Mrs Harpur ‘Chas Harpur, Euroma, Eurobodalla N.S. Wales’. 172 THE POEMS OF CHARLES HARPUR

A87–1 continued (389–[390]): ‘A Dilettante’, [390]: The Great Gun of the Australian-Crimean- Pages 381–[400]: ‘Rhymes, Humourous War-Fund brought suggestively to a (sic) Poems, Epigrams etc.’ probable queer Test’, cancelled lines ‘Self- date 1860. Page 381: title ‘Rhymes, Reference’, (391–[392]): ‘A Jolly Good Humourous (sic) Poems, Epigrams etc.’, Fellow’, [392]: ‘A cut-and-dried Epitaph A Jolly Good Fellow A Laborer’s Groan for T. C., …’, ([392]–393): ‘Evasion’, in Spirit’ and 24 lines, [382]: 3 lines (393–[394]): ‘Dr. Johnson’, [394]: concluding ‘A Groan in Spirit’, ‘The ‘Fools All’, ‘The Best Knowledge’, Sonnet’, ([382]–383): ‘A Look o’er the marginal lines from ‘Capital Sea’, (383): ‘Prose Poetry’ annotated ‘° Punishment’. in manuscript’, ‘Enduring Prose & Pages [(394]–395): ‘Nature’s Apparent Living Verse’, (383–[384]): ‘Oratory’, Want of Benevolence’, (395): ‘Capital [384]: ‘A Similitude’, ‘The Pathetic’, Punishment’, ‘The Righteousness of ([384]–385): ‘A Combat’, [386]: ‘A Nature’, (395–[396]): ‘Bishop Truth for the True Poet’, ‘“My Berkeley’, [396–398]: ‘The Scamper of Friends”’, (387): ‘Wisdom’s Dwelling’, Life’, [398]: ‘“Whatever Is is Right?”’, ‘Talent and Genius’, ‘On a Fat Old ‘Judgematical Self-Reference’, (399): Cheat who died of a surfeit’, ‘A Rogue- ‘Great Truth Seers’, ‘Reasons for a Red Saint’, [388]: ‘The value of Frankness Nose’, ‘Job a Retired Reviewer’, (399– under queer Tests queerly tested’, ‘The [400]): ‘Lines suggested by…’, [400]: Real Cause’, ([388]–389): ‘The Sonnet’, ‘Love is Simple’.

A87–2 Pages 401–799: continuing from A87–1. Dating haphazardly between 1836–1868. Specific and probable dates shown below. Format: Mitchell bound foolscap with miscellaneous inserts. Pages often follow in random order. The following pages are blank: 450, 480, 488, 494, 515, 517, 520, 546, 550, 570, 572, 581, 588, 688, 698, 737, 738b, 766, 770, 778, 784, 790.

Page i: Salier’s typescript title page. Pages Pages 409–[420]: ‘Bits’, probable date 401–409: probably the end of Series 1860. Page 409: ‘I. Fools All’, (409– ‘Rhymes, Humourous (sic) Poems, [410]):‘II. How to Lessen a flux of Epigrams etc.’ from A87–1 probable date Visitors’, [410]: ‘III. Fast and slow’, ‘IV. 1860. Pages 401–403: ‘Love’s Doings’, Be patient with a Fool’, (411): ‘On a [402]: marginal ‘Doing & Being’, (403): Law-mad Bush Justice’, (411–[412]: ‘A ‘Change & Death’, (403–[404]): ‘The Bower by Moonlight’, not elsewhere Spouse of Infinitude’, ([404]–405): ‘The included in series ‘Bits’ annotated ‘1844’ Silence of Faith’, (405): ‘A World-wide [earliest extant version C376 1851– Surety’, ‘The Angel of Nature,’ [406]: 1853], [412]: ‘The Egotism of Poets’, ‘Coins & Roses’, ‘On Hearing that (413): ‘An Epitaph’, ‘Capital certain low fellows had defamed me’, Punishment’, ‘Where’s the difference?’, ([406]–407): ‘A Flight of Wild Ducks’, [414]: ‘One true to his look’, ‘The best [408]: ‘A Summer House Treat’, ([408]– Knowledge’, ‘A man can only be judged 409)‘My Only Hate’. by his peers’, ‘“Property is Funded APPENDIX A 173

Talent”’, (415): ‘“Whatever is, is ‘II. A Vision of an Angel’, [444]: ‘III. Right”’, ‘Virtueless People’, ‘“Property The Silence of Faith’. is Funded Talent”’, [416]: ‘Contrary Pages 445–4/[448]: ‘The Famous Night Ways’, ‘A Titan Incog.’, ‘Extreme Scene in the VIII Iliad. By Charles Comparisons’, ‘Modern Poetry’, (417): Harpur’ in four parts with prose note and ‘Half and half Freedom’, ‘An Ugly annotated ‘Euroma, 1868’ [4/448]. Picture’, ‘Epitaph on a Sailor’, [418]: ‘A Page 449: opening of prose ‘An Oration case for the Lawyers’, ‘Truth is dearer on Teetotalism. By Charles Harpur’ than Belief’, ‘Soul-measurers’, ([418]– probable date 1860–1865, (451–[454]): 419): ‘A Guess at a Wherefore Why’, ‘The Scamper of Life’ with incomplete (419): ‘Moral Faith’, ‘Hybrid Freedom’, prose note, possible date 1860–1863, [420]: ‘Straightforwardness’, ‘Whom although 1860 more probable date, as a should I help?’, ‘Life without and fragment on (738) probably belongs to within’. these pages. Inserted page 421: ‘The Great Fortune’ Pages 455–[458]: ‘The Famous Night Scene annotated ‘Partly suggested by the death in the VIII Iliad. By Charles Harpur’ of Count Cavour & Lord Palmerston.’ earlier than those on (445–4/[448]), with [Cavour d. 2 June 1861, Palmerston d. prose note and annotated ‘Euroma, 18 October 1865]. The poem probably 1867’ [458]; (459–460): ‘The Famous dates from 1861 and the note (which Night Scene in the VIII Iliad’ I and II. appears to be written with a different Page format different from preceding pen) added later. Page [422]: ‘Obituary pages but same format as [516]. Lines’ on the death of Charles Chidley Probable date 1866. (d. 2 March 1867) annotated ‘Memo. Begun 22 May 1867.’ Pages 461–[468]: ‘A String of Personal Sonnets. By Charles Harpur’ numbered Pages 423–[428]: probable date 1861–1862. I–XIV, annotated ‘Euroma 1867’ [468]. Page 423: 6 lines of ‘Dian,’ completing Page 461: ‘To Henry Parkes’ annotated the version begun on page [428], (423– ‘Finally copied’ and ‘About 1845’ [424]): ‘Great & Bountiful’, [424–426]: [earliest extant version in Parkes ‘Obituary Lines’, [426]: ‘Purse Pride’, Correspondence MS 947 21 March (427): ‘My Only Hate’, [428]: ‘Dian’. 1844], (461–[462]): ‘To my Young Pages 429–8/[436]: ‘The Witch of Hebron’ Countryman D. H. D.’ annotated Part I annotated ‘To be continued’ (8/ ‘Finally copied’ and ‘About 1850’ [436]), (429): annotations ‘For the [earliest extant version Empire 16 Colonial Monthly Magazine’ and ‘wait October 1851], [462]: ‘To the Rev: Dr. his reply to letter mid-month’ may have Lang…’ annotated ‘Not copied’, ([462]– been added later: Colonial Monthly 463): ‘To the Same’ annotated ‘Not published September 1867–January Finally copied’, (463): ‘To the Rev: John 1870. Saunders…’ annotated ‘Finally copied’, Pages 437–[440]: ‘A Vision of an Angel. By (463–[464]): To James Norton Esq.’ Charles Harpur’ with prose note and annotated ‘Finally copied’, [464]: ‘To an annotated ‘Euroma, 1865’ [440], a Old Friend’ annotated ‘Not Finally reliable date. Page [440]: draft letter to copied’ and ‘Final Copy’, ([464]–465): Clements [at Moruya Examiner], (441– ‘To a Lady on the death of a child’ [444]): ‘Poems: By Charles Harpur’ annotated ‘Finally copied’, (465): ‘Louis annotated ‘Euroma 1867’ [444]. Pages Kossuth’ annotated ‘Finally copied’, 441–[442]: ‘I. “Humanity”’, [442–444]: [466]: ‘John Heki’ annotated ‘Finally 174 THE POEMS OF CHARLES HARPUR

A87–2 continued ‘Bits. By Charles Harpur’ annotated ‘Euroma, 10 Dec: 18656’ and with note copied’, ([466]–467): ‘To N. D. to editor (493). Page 491: ‘The Spouse Stenhouse Esq.’ annotated ‘Not of Infinitude’, (491–[492]): ‘A World copied’,(467): ‘To Henry Kendall’ Wide Surety’, [492]: ‘A Rural Picture’, annotated ‘See his Testament of Love’ ([492]–493): ‘The Rose Tree’ with prose and ‘Not copied’, (467–[468]): ‘To the note. Pages 495–[498]: ‘Obituary Lines’ Hon: James Martin’ annotated ‘1866’ annotated ‘Euroma, 1867’ [498]. and ‘Not copied’, [468]: ‘To—’ Pages 499–[500]: miscellaneous poems and annotated ‘Finally copied’. fragments in various styles of Harpur’s Pages 469–6/[474]: ‘Ideality (Written in writing. Page 499: fragment [from ‘The 1840?3.?) By Charles Harpur,’ annotated Angel of Nature’], possible date 1856– reliably by Harpur ‘Euroma 1867’ 1858, (499): ‘The Poet’s Wife’ in ([474]) [earliest extant version Weekly different writing style from [‘The Angel Register 24 August 1844]. Pages 475– of Nature’] possible date 1863. Page [478]: ‘The Death of Shilock (sic). By [500]: ‘The Omnipresence of God…’ Charles Harpur’ annotated ‘Euroma, and ‘“Farewel’’’ in same writing style as 1867’ [478]. Page 479: ‘Shadows of [‘The Angel…’] on (499), marginal Death’ transcribed by Mrs Harpur, (481– stanzas [‘Yon Greenwood’]. [484]): ‘Domestic Sonnets. By Charles Pages 501–12/[512]: prose ‘The Poet’s Harpur’ numbered I–VII, transcribed Morning. By Charles Harpur’ annotated and annotated by Harpur ‘Euroma, 1867’ in pencil ‘Euroma 1867’ [512]. Pages [484]. Page 481: ‘Mine after all—my 513–[514]: ‘Sir Gilbert Blount. By Mary! Why should I’, (481–4[82]): ‘To Charles Harpur,’ probable date 1867, my First-born, Washington’, [482]: ‘To marginal annotation by Mrs Harpur the Same. On his recovery from listing three titles. Page [516] in same sickness’, ([482]–483): ‘To my Second- page format as (459–[460]), first 16 born, Charles Chidley’, (483): ‘To my lines translation ‘The Famous Night little Daughter Mary (1866)’, (483– Scene in the Iliad’, probable date 1866. [484]): ‘To the Same (1867), [484]: ‘How distant in a moment are the dead!’ Page [518]: much amended draft ‘To the Great Comet of 1843’ probable date Pages 485–487: incomplete numbered 1867. Page 519: prose jottings, 521– earlier version ‘Domestic Sonnet. By [522]: ‘Simony,’ annotated ‘1853’ Charles Harpur’ probably 1867. Page ([522]) [first extant four-line version 485: ‘Mine after all—my Mary! Why titled ‘Filthy Lucre’ People’s Advocate should I’, (485–[486]): ‘To my First- 29 November 1856]. Probable date for born, Washington’, [486]: ‘To the Same ‘Simony’ is 1867. after having been sick’, ([486]–487): ‘To my Second-born, Charles Chidley’, Pages 523–[536]: three versions of ‘Similes (487): title only ‘To my little Daughter from Homer’ in reverse order of Mary (1866)’. transcription, annotated ‘Euroma, 1868’ and ‘Charles Harpur’ [528] and ‘Euroma Pages 489–[490]: ‘Poems by Charles 1867’ [532]. Harpur’ I and II with prose note annotated ‘C. H.’ and ‘Euroma, 1st June, Pages 537–541: incorrectly bound, (537): 1866’ [490]. Page 489:‘Rising and Harpur’s title ‘Poems by Charles setting suns of Liberty’, (489–[490]): Harpur’, (537 and [540]): ‘Abed Ben ‘God’s Man’. Pages 491–493: numbered Houran’, ([538]–539): ‘Homer’s Iliad APPENDIX A 175

Book I’, possible date 1867. Pages 541– Pages 559–[598]: include miscellaneous [544]: ‘Muse-Worship’ I–VIII annotated pages from earlier sources. Pages 559– ‘1847 Euroma’ ([544]) probably 569: written in very different (early) intended to be 1867 [Harpur built home style of Harpur’s writing. Page 559: called Euroma in 1863]. Page 545 prose final stanzas [‘To the Moon’] annotated introduction to ‘The Forging of the ‘Sydney 1836’ (559) but possibly 1836– Armour of Achilles…By Charles 1838 and predating version Weekly Harpur,’ probably 1867. Register 9 September 1843, (559– [564]): ‘Saul’s Dream’ annotated by Pages 547–548: numbered ‘A String of Harpur ‘Sydney 1838’ [564], [564]: only Epigrams. By Charles Harpur’ annotated extant version ‘The Bower of Love’, ‘Euroma, 1867’ (548). Page 547: ‘I. (565–[568])): untitled lines [‘Saul’s Popular Furores’, ‘II. The Gospel Dream’]. Pages 569 and 571: holograph according to Law’, (547–548): ‘III. On a fragment and cutting of letter by Harpur Fat Old Cheat who died of a Surfeit’, re authorship of ‘The Exile of Erin’ (548): ‘IV. My Friend Jaques’, ‘V. On a People’s Advocate 15 March 1851, Super-Legal Magistrate’. (573a–[573d]): holograph draft of Pages 549–[558]: ‘Sonnets by Charles Harpur’s letter ‘The Authorship of the Harpur (In continuation)’ annotated ‘“Exile of Erin”’ to Empire, annotated ‘Euroma, Dec. 1866’ [554] and ‘Charles Harpur’, probably 1851. ‘Euroma, 1866’ [558]. Page 549: ‘XI. Pages 575–[576]: untitled lines [from ‘King How beautiful is that first advance of Saul’] and paraphrase of Psalm 51, light’, ‘XII. With what content the forest possible date 1838. Pages 577–[578]: bowers are blest’, (551): title repeated untitled lines [from ‘Iliad Book I’] ‘Sonnets by Charles Harpur (In possible date 1851. continuation)’: ‘Companion Pieces’ XI and XII, [552]: ‘Companion Pieces I. Pages 579–[580]: untitled part of early draft Her Presence XIII’, ‘II. Her Eyes. XIV’, prose note [‘The World and the Soul’], (553): ‘XV. Prefatory to a M.S. Volume’, [580]: ‘My Love’ with prose note, ‘XVI. To a Lady Friend on the Death of probably provided copy for People’s a Child’, [554]: ‘XVII. How distant in a Advocate 28 May 1851. moment are the dead!’, ‘XVIII. My heart Pages [582], 583 and [584]: possibly 1853– is heavy with an ancient sorrow—’, 1860. Page [582]: ‘A Song of David (555): title repeated ‘Sonnets by Charles Inciting to Dance…’, (583–[584]): Harpur (In continuation)’: ‘XIX. Beauty’ ‘Psalm LVII’ probably later than Empire annotated ‘Finally Copied’, (555–[556]): 3 January 1853, (585–[598]): parts of ‘XX. Charity’ annotated ‘Finally ‘King Saul’ in handwriting style of Copied’, [556]: ‘XXI. Since every drop earlier pages which are annotated of wrong-shed blood that cries’ with ‘Sydney 1838’. prose note and annotated ‘Finally Copied’, ([556]–557): ‘XXII. To—’ Pages 599–[612]: probable date 1863. annotated ‘See Personal Sonnets’, (557): Harpur’s title ‘Songs, Odes, and Other ‘XXIII. To the Same’ annotated ‘See Lyrics’ annotated ‘uncopied’, (pages are Personal Sonnets’ and ‘Not Copied yet’, missing from this collection). Page 599: (557–[558]): ‘XXIV. To a my Young ‘To the Lyre of Australia’, annotated Countryman’ annotated ‘See Personal ‘1840’ [earliest versions ‘To the Lyre of sonnets’, [558]: ‘XXV. Parting’ Australia’ Sydney Monitor September annotated ‘Euroma, 1866’ and ‘Finally 1835, Australasian Chronicle October Copied’. 1842]. Pages [600]–601: ‘Nobility’, 176 THE POEMS OF CHARLES HARPUR

A87–2 continued MSC376 (535) possible date 1863. Pages 623–627: last 89 lines ‘The World (601–[602])): ‘Mary of Eulengo’ and the Soul’ with prose note completed annotated by Washington ‘uncopied’, on pages [628]–629, probably 1863 but [602]: incomplete ‘Love’s Everlasting earlier than A89 version. Pages [628– Identity’, [604]: final 27 lines 630]: ‘The Dream by the Fountain’, [‘Humanity’], ([604]–607): ‘On Leaving (631–[632]): ‘God’s Man’ title annotated XXX, …’ annotated by Washington ‘By Charles Harpur’, with prose ‘uncopied’, (607–[608]): ‘A Vision of an annotated ‘C. H. ‘ and Euroma, 1st June, Angel’ with prose note, (609–[610]): 1866. ‘Memory’s Genesis’ annotated by Pages 633–639: date 1860–1861, poems in Washington ‘uncopied’, [610]: different style of Harpur’s writing with incomplete ‘To an Echo on the Banks of pages missing. Pages 633–635: ‘Allan of the Hunter’, (611): untitled final 4 lines the Mill. An Australian Ballad’ [‘Cora’], ‘Song’ annotated by annotated ‘W. H.’, (635–[636]): ‘The Washington ‘Copied’, ‘uncopied’ and by Enquiry’ annotated ‘The last piece of the Harpur ‘A Pleasant Song’, [612]: ‘Old first Part of the Beautiful Bower’ [A Billowy Hawkesb’ry’, 2 lines only ‘The Lyrical Love Story 2: 1.’, [636]: first 13 Battle of Life’. lines ‘The Combat’, (637): last 7 lines Page 613: top marginal title ‘Poems by [‘Outward Bound’], ‘Mutual Love’, Charles Harpur’, (613): ‘I. The Apple of (637–[638]): ‘The Tee-tree Grove’ Eden’, (613–[614]): ‘II. Thekla’s annotated ‘copied W. H.’, (639): last 3 Song…’ annotated ‘Euroma, Nov. 1866’ stanzas [‘To the Moon’]. [614], (615): untitled [‘A Lyrical Love Pages [640–642]: incomplete series Story 1: 5’] lacking first two lines, (615– ‘Miscellaneous Sonnets,’ date 1860– [616]): untitled ‘VI.’ [‘Evening in the 1861. Page [640]: title ‘Miscellaneous Country’], possible date 1866, [616]: Sonnets’, ‘To Henry Parkes’ annotated title only ‘The Invocation’ [no extant ‘Jerry’s Plains, January, 1844’, ([640]– poem with this title, possibly ‘Prefatory 641): ‘To Mr. J. J. Walsh…’, (641): ‘To to a M.S. Volume’?] W. A. Duncan Esq.…’, (641–[642]): Pages 617–[620]: miscellaneous and ‘“Adiew”’ (sic), [642]: titles only ‘A disordered pages, possible date 1865– Contrast’, ‘Pain From Without’ [no 1866. Page 617: untitled lines 6–39 poem with this title extant]. [‘Wellington’], [618]: last 25 lines Pages 643–[686]: inserted narrow pages in [‘Wellington’], 5 lines titled different format from preceding and ‘Wellington’ annotated ‘uncopied’, following pages, and all in similar (619): title and approx. 30 lines writing style of Harpur, date 1855–1858. ‘Wellington’ with marginal additions, Page 643: titles only ‘The Slave’s [620]: untitled 20 lines [‘Wellington’], Story’, ‘Essays and Other Matters’ and 10 lines only ‘Rhymes to Henry ‘Character’, ‘A Burly Beast’, fragment Parkes…’, (621): untitled final stanza of verse ‘The moon rose like a wasted [‘Falling Away’], ‘Little Dan Deniehy’ Lady when’, [644]: four partially ‘A Blighted Promise. (1850)’ annotated illegible prose fragments, two re local ‘uncopied’, ‘Copied W. H.’ and by religious matters, two re ‘The Slave’s Harpur ‘1850’. Story, (645–[652]): ‘The Slave’s Story’, Page [622]: 29 lines ‘A Song of Absence by [652]: marginal ‘Love, Friendship, and the Sea Side’ completed by four lines in Faith’. Pages 653–[658]: prose ‘The APPENDIX A 177

Moon’, (659): list of subscribers approx. 11 untitled stanzas [‘The (possibly for proposed edition of poems, Kangaroo’], [684]: 9 stanzas ‘The e.g.‘The Wild Bee of Australia’?). Pages Kangaroo. A Ballad for Washington’ [660–686]: miscellaneous poems and completed page 683, (685): ‘Moods’, prose notes and memos, some illegible. ‘Poetry & Bread’ with prose note, [686]: Page [660]: title only ‘Morning’, partial ‘Epitaph’, ‘On a Bush Justice learned in subscription list?, untitled 24 lines the Law,’ ‘The great Gun of the Patriotic [‘Love in the Past’ Part 3], 15 lines Fund brought to a queer Test’, (687): ‘Obituary Lines’, (661): prose inserted page with prose note ‘Floridness of Diction’, untitled 17 lines ‘Condescension’. [‘The Kangaroo’], [662]: draft letter, 3 Pages 689–[692]: homogenous in writing stanzas ‘Nature’s Apparent Want of style, title ‘Poems (For the Empire)’, Benevolence’, ‘The True Poise of probable date 1857, some poems headed Manhood’, (663): prose fragments [re ‘For the Empire’ appeared in Empire late subscription list?], ‘Bishop Berkely’, 1857–early 1858. Page 689: ‘Poems by [664]: prose fragments [re subscription Charles Harpur’, ‘I. The English list], (665): subscription (?) list of Emigrant Girl’s Departure’, (689–691): names, [666]: ‘Fools All’, prose notes ‘II. Obituary Lines’, (691): ‘III. Moods’, [re subscription list], untitled lines [last ‘IV. Love is Simple’, [692]: ‘V. A Truth 7 lines ‘Nature’s Apparent Want of Men Won’t See’, (693–[696]): parts of Benevolence’], (667): prose ‘The Poetry [‘The Beautiful’] erratically numbered, of Coleridge’, [668]: ‘Floridness of probable date 1855–1856. Page 693: 13 Diction’ with prose note. untitled lines [‘A Youth of the Utopian Pages [668]–669: ‘The Emigrant Girl’s Era’], (693–[694]): prose note ‘5’, [694]: Departure’, (669): prose ‘A Queer Fish’, prose note continued, incomplete ‘To [670]: almost illegible prose fragment, Ellen’, (695): prose note ‘5’ continued, untitled lines [‘Mr Mort’s Testimonial’] (695–[696]): ‘3. A Lady by Moonlight’, with prose note, ‘Point in Poetry’, [696]: prose note ‘4’ and incomplete ‘A ‘Epigram’, [670–674]: prose ‘A queer Youth of the Utopian Era’, (697): 3 fish’ mostly illegible, [674]: almost incomplete untitled stanzas [‘A Rhyme’] illegible ‘Protective Duties versus probable date 1864–1867. Pages 699– Premiums’ with prose note, (675): 6 [700]: untitled lines [‘The Witch of untitled stanzas [‘The Kangaroo’], Hebron’], (701): untitled lines another almost illegible version [‘Monodies’], untitled lines [‘The Witch ‘Protective Duties versus Premiums’ of Hebron’], [702]: untitled lines [‘The with prose note, [676]: 11 untitled Witch of Hebron’], (703): ‘To my Little stanzas [‘The Kangaroo’], (677): almost Daughter Mary (1866)’, (703–[704]): illegible prose ‘The Battle of Bob ‘To the Same (1867)’. Ch…’, (677–[678]): almost illegible Pages 705–706: revert to writing style and prose [Protective Duties…’], [678]: paper texture of pages 689–697. Page illegible prose fragment, (679): 8 stanzas 705: prose ‘Newspaper Literature’, ‘The Kangaroo, A Ballad for Little (705–[706]):‘The Postmaster General’s Boys’ with prose note, [680]: 8 untitled Bones’ with prose note, (705–[706]): stanzas, partially illegible [‘A Lament’], disparate prose notes, ‘Three definitions (681): 9 untitled stanzas [‘A Lament’], of a Gentleman’, ‘The destiny of Truth’s [682]: 5 untitled stanzas [‘The social Mission’ including reference to Kangaroo’], title and 9 lines ‘A the debate on the new constitution, Requiem—A Keen’ [‘A Lament’], (683): suggesting date 1855–1856. 178 THE POEMS OF CHARLES HARPUR

A87–2 continued to Dr. Lang By Charles Harpur’ annotated ‘Granbelang 14 Decr.’, Page 707: titled cutting ‘Songs, Epigrams, probably provided copy for the version Notes, and Opinions, etc. By Charles in People’s Advocate 24 December Harpur No. 20, ‘I. Protective Duties 1853. versus Premiums’ with prose note Page [736]: prose ‘Note to the Satire on People’s Advocate 20 December 1856, Wentworth’, (738a): almost illegible prose only ‘II. Shakspear’s Songs‘, title prose fragment re Old Testament only ‘III. The Pathetic’, [708]: series annotated ‘CH’, c. 2 unidentified lines title ‘A Leaf from Charles Harpur’s probably not Harpur, (738): 6 untitled “Wild Bee of Australia”’ ([708]–709): lines with prose note [stanza 18 in ‘The amended cutting ‘Rhymes to a Lady Scamper of Life’ MSA93] date 1855– with a Copy of Love Poems’ with prose 1860. note Layman’s Prompter 8 March 1850, [710]: advertisements only possibly Page 739: prose ‘A Prayer’ annotated ‘27th Layman’s Prompter. Pages 711–[714]: July 1860. Araluen’. Page [740]: titles of on different paper. Pages 711–712: seven poems whose first extant versions incomplete letter to Samuel Bennett date 1842–1856. Pages 741–743: prose [editor of Empire] dated ‘Euroma, ‘Note to the poem “Yes”’ and (743– September 1867’, (713): draft of prose [744]): prose ‘Note to the poem called ‘Additional to the poem called “Geologia”’ both annotated ‘Charles Ignorance’ annotated ‘C H.’, ([714]) Harpur’ in roughly similar style of prose note ‘Will Worship’. Harpur’s writing, date 1847–1848. Pages 745–[746]: untitled extracts [‘The Witch Pages 715–732: poems and prose notes in of Hebron’] probable date 1867. roughly similar writing style and varied format, erratically numbered, date 1855– Pages 747–[752]: parts of Harpur’s draft 1857. Page 715: ‘To a Girl’, [716]: review of the November 1865 issue of partial prose note [‘To A Girl], ([716]– the Australian Monthly Magazine. 717): prose note ‘7’ [‘Dawn in the Pages 753–[756]: pages of different texture Forest’], (717–[718]):‘Dawn in the and format in various styles of Harpur’s Forest’, [718]: ‘Evening in the Country’, writing, poems and extracts possibly (719–721): ‘Shepherd Tearaway’s Battle date 1855. Page 753: ‘Sonnet’, [754]: with the Devil…’, [722]: ‘Squatter untitled lines [‘Genius Lost’], (755– Songs. No. IV’, (723): ‘To Kossuth’ [756]): ‘Terrible Truth’, [756]: 4 line annotated ‘(written in 1850)’, ‘1850’ and verse fragment ‘…As music assuages’ ‘(Addressed to him in 1850)’, with prose (Harpur‘s annotation 1837 not relevant note and 3 draft lines, [724]: prose note to dating transcription). ‘English Hymn Poetry’, ‘An Epigram’, Pages 757–76: fragments of prose in similar (725): ‘The Name of Mary’ with prose writing style, annotated ‘24 March 1850’ note, (726–727): ‘Capital Punishment’ or ‘1860’ [760]. Page 757: prose note ‘A with prose note, ([728]–730): prose re Critical Super-Subtlety’, (757–[758]): aspects of poetry, (731–[732]): ‘Never prose note ‘Providential Design’, [758]: Mind!’, (733): ‘Crowds’ with prose note. prose notes ‘A Saying of Coleridge Page 733: verso i.e.[734] draft memo of an imitated and amplified’, ‘The Blindness ‘Agreement’ dated 5 January 1855’ of Critics to the Niceties of Verse’, annotated ‘Patt McParlan’ and ‘Chas. ‘Purse Display’, (759–[760]): prose Harpur’, in writing style of (689–697), ‘Note the Song of “Good Night”’ possible date 1855–1857, (735): ‘Sonnet annotated ‘24th day of March, 18560’ APPENDIX A 179

and ‘God help me!’ ([760]): 12 partly Prayer’, (775–[776]): ‘To H. Parkes’ indecipherable untitled lines ‘This is the with incomplete prose note and Australian […]’. annotated ‘Charles Harpur’ possible date 1851, (777–[792]): miscellaneous letters Page 761: prose ‘Note to the last of the date 1862–1865. Political Sonnets called Thoughts’, ‘Add: to the Note to the Critical Rhymes Pages 793–[798]: cuttings from People’s on Pope…’, [762]: post office form with Advocate (PA) 1856–1857(?) and no writing, (763–764): end of draft letter miscellaneous prose and verse to an editor re Kendall’s submission of fragments. Page 793: cutting ‘Fortunate Harpur MSS to Empire or Sydney and Unfortunate’ with prose note PA 23 Times? signed ‘Chas: Harpur’, (765): August 1856, ([794]–795): almost draft letter to Joseph J. Harpur, Esq. illegible draft of letters re payment of Kiama dated 23 February 1868 and money owed by Government, [796]: signed Chas: Harpur, (767): handwritten ‘Mr. Mort’s Testimonial’ with prose note ‘Abstract’ of bank entries and ‘memo’ PA 1857?, (797): prose ‘Note I (To the 1862–1864, (768): ‘memo upon a Kangaroo Hunt etc’), [798]: cutting memo’ with reference to ‘the first half of ‘Asinine Loyalty and Abject Patriotism’ 1864’, (769): one page opening of with prose note, ‘A Roguish Epigram’, lecture on origin of life, possible date with prose note PA 1 November 1856, 1862–1868, (771–[774]): pages from (799): prose fragments re Harpur’s Letter Book date October–December poetry, 3 lines verse fragment ‘Mix 1862. sweetly with the gurgling interflows’. Pages 775–[776]: in different writing style, (775): ‘The Human Necessity of

A88 Pages 1–117: dated 1867 on page 4. All contents of this volume date 1867, some poems annotated with Harpur’s recollection of date of first (?) version; many poems annotated by Harpur ‘Final Copy’ but later copies and later versions usually exist: see pages 5, 7, 9, 12, 13, 15, 19, 23, 26, 29–31, 33, 34, 37, 38, 51, 62, 68, 73, 74, 78, 80–92, 94, 95, 98, 99, 101, 103, 107–116. ‘Copied into Manuscript(s)’ usually refers to manuscript A87–1. Format: Bound homogenous dark blue paper ruled vertically and horizontally. Some pages cut out. Numbers of excised pages insufficient to account for all poems on Contents List on page 3. The collection to which this Contents list applies has not been located. The following pages are blank: 2, 40, 42.

Page 1: Harpur’s title page: ‘Poems: By Pages 5–38: ‘Odes’; (5): ‘Exce (sic) Homo’ Charles Harpur.’ Page 3: bound into the annotated ‘Copied into Manuscript’ and MS: Harpur’s contents page of 15 poems ‘Final Copy’, (6–7): ‘The Flight of which do not refer to the poems which Peace’ annotated ‘Copied into follow in A88, and which have not been Manuscript’ and ‘Final Copy’, (7–9): located in any manuscript in this order. ‘The Ineffable’ annotated ‘Copied into Page 4: ‘Advertisement’, annotated Manuscript’ and ‘Final Copy’, (9–12): ‘Euroma, Australia, 1867’. ‘To—’ annotated ‘Copied into Manuscript’ and ‘Final Copy’, (13–15): ‘To an Echo…’ annotated ‘Copied into 180 THE POEMS OF CHARLES HARPUR

A88 continued Keepsake Rose & ‘Absence in the City’)’. Page 54: title ‘A Third and Last Trilogy’: ‘1. Manuscript’ and ‘Final Copy’, (15–19): The Reason’, (54–55): ‘2. The Reason ‘The Death of Shelley’ annotated Resumed’, (55): ‘3. The Inference’, ‘Copied into Manuscript’ and ‘Final incomplete ‘Hope Foregone’, (56): titles Copy’, (19–23): ‘To the Moon’ only ‘Companion Pieces 1. Hope annotated ‘Copied into Manuscript’ and Foregone’, ‘2. The Resignation’. ‘Final Copy’, (23–24): ‘Life’s First Pages 57–78: ‘Miscellaneous Poems’. 57: Despair’ annotated ‘Copied into Harpur’s title ‘Miscellaneous Poems’, Manuscript’ and ‘1846’ [earliest extant (57–62): ‘The Drowned, Alive’ with version Empire 19 March 1858], (24– prose note annotated ‘Copied into 25): ‘The Night Bird’ annotated ‘Copied Manuscripts’ and ‘Final Copy’, (63–68): into Manuscript’ and ‘1847’ [earliest ‘A Rhyme’ annotated ‘Copied into extant version C382 1847], (26): ‘Life Manuscripts’ and ‘Final Copy’, (69–73): and Death’ annotated ‘Final Copy’, (26– ‘Love the Idealizer’ annotated ‘Copied 29): ‘Onward’ annotated ‘Copied into into Manuscripts’ and ‘Final Copy’, (73– Manuscript’ and ‘Final Copy’, (29–30): 74); ‘Theodic Optimism’ annotated ‘Not ‘Eden Lost’ annotated ‘Copied into in Manuscript W. H.’ and by Harpur Manuscript’ and ‘Final Copy’, (30–31): ‘Final Copy. ed’ (sic), (75–78): ‘To a ‘The Hand of God’ annotated ‘Not in Comet’ with prose note annotated Manuscript W. H.’ and by Harpur ‘Final ‘Copied in Manuscript’ and ‘Final Copy’, (31–33): ‘The Anchor’ annotated Copy’. ‘Copied into Manuscript’ and ‘Final Copy’, (33–34): ‘Joshua’ annotated Pages 79–116: ‘Lyrics’. Page 79: Harpur’s ‘Copied into Manuscript’ and ‘Final title ‘Lyrics’, (79–80): ‘The Poet’ Copy’, (35–37): ‘To H. Parkes’ annotated ‘Copied in Manuscript’ and annotated ‘Copied into Manuscript’ and ‘Final Copy’, (80–81): ‘Eva Gray’ ‘Final Copy’, (38): ‘To a Child Sleeping’ annotated ‘Copied in Manuscript’ and annotated ‘Copied into Manuscript’ and ‘Final Copy’, (81–82): ‘Virginal Love’ ‘Final Copy’, (39): title only ‘What’s annotated ‘Copied in Manuscript’ and Poetic?’, (41): title only in Washington’s ‘Final Copy’, (82): ‘Emblems’ annotated writing ‘The Temple of Infamy’. ‘Copied in Manuscript’ and ‘Final Copy’, (82–83): ‘Outward Bound’ Page 43: Harpur’s title ‘Miscellaneous annotated ‘Copied in Manuscript’ and Poems’, (43–49): ‘The World and the ‘Final Copy’, (83–84): ‘Absence by the Soul’ annotated ‘Copied into Sea-Side’ annotated ‘Copied in Manuscript’, (50): Harpur’s title Manuscript’ and ‘Final Copy’, (84–85): ‘Companion Pieces’, ‘I. The Keepsake ‘To Mary’ annotated ‘Copied in Rose’, (50–51): ‘II. Absence in the City’ Manuscript’ and ‘Final Copy’, (85–86): annotated ‘Copied into Manuscripts’ and ‘Dian’ annotated ‘Copied in Manuscript’ ‘Final Copies’, (51): ‘(The Crown of and ‘Final Copy’, (86–87): ‘The Spirit Nature.) Companion Pieces’: ‘I. Her of Love’ annotated ‘Not copied WH’ and Presence’, (51–52): ‘II. Her Eyes’, (52): ‘Not in Manuscript W. H.’ and by ‘A Trilogy. I. Love Untold’, (52–53): ‘II. Harpur ‘Final Copy’, (87–88): ‘Love Her Image’, (53): ‘III. To Pean’, (53– and Song’ annotated ‘Copied in 54): ‘A Bower of Blooms’ ‘Where most Manuscript’ and ‘Final Copy’, (88–89): we Met’, (54): titles only ‘(A Lover’s ‘Early Summer’ annotated ‘Copied in Day & Night)’, ‘(A Second Trilogy. Manuscript’ and ‘Final Copy’, (89): ‘Parting etc’)’ ‘(Companion Pieces. The ‘English Beauty’ annotated ‘Not in APPENDIX A 181

Manuscripts WH’, (90): ‘Love’ Copies’, (107–108): ‘A Thought-Sting’ annotated ‘Copied in Manuscript’ and annotated ‘Copied in Manuscript’ and ‘Final Copy’, (90–91): ‘The Lost Voice’ ‘Final Copy’, (108–109): ‘Asking in annotated ‘Copied in Manuscript’ and Vain’ annotated ‘Copied into ‘Final Copy’, (91–92): ‘No Mean Manuscript’ and ‘Final Copy’, (109– Dwelling’ annotated ‘Copied in 110): ‘A Poet’s Wife’ annotated ‘Not in Manuscript’ and ‘Final Copy’, (92): Manuscripts W. H’ and by Harpur ‘Final ‘Love to the Last’ annotated ‘Copied in Copy’, (110–111): ‘I Would Get Me a Manuscript’ and ‘Final Copy’, (93–94): New Love’ annotated ‘Not in ‘Yon Green Wood’ annotated ‘Copied in Manuscripts W. H’ and by Harpur ‘Final Manuscrip (sic)’ and ‘Final Copy’, (94– Copy’, (110–111): note to ‘A Poet’s 95): ‘The Hunter’s Indian Dove’ with Wife’ annotated 1867 , but probable date prose note and annotated ‘Copied in is 1867, (111–112): ‘Yearnings’ Manuscrip (sic)’ and ‘Final Copy’, (95– annotated ‘Not in Manuscripts W. H’ 96): ‘Mary Arden’ with incomplete and by Harpur ‘Final Copy’, (112–113): prose note annotated ‘Copied in ‘Compensation’ annotated ‘Copied in Manuscript’. Manuscripts xxx’ and ‘Final Copy’, (113– 114): ‘Love, Friendship, and Faith’ Page 97: ‘A Dream of the Orient’ annotated annotated ‘Final Copy’ and ‘Copied in ‘Copied in Manuscript’ and ‘Final Manuscript’, (114–115): ‘The Honey Copy’, conclusion of note to ‘Mary Bird’ with prose note annotated and Arden’, (98–99): ‘Dora’ annotated ‘xxx’ ‘Not in Manuscripts W. H’ and by ‘Copied in Manuscript’ and ‘Final Harpur ‘Final Copy’, (115–116): ‘The Copy’, (99–101): ‘An Aboriginal Muse’s Ethics ’ annotated ‘Copied in Mother’s Lament’ with prose note and xxx Manuscript’ and ‘Final Copy’, (117): annotated ‘Copied in Manuscript’ and only extant version of ‘Ola [d] Sam ‘Final Copy’, (101–103): ‘Sir Gilbert Terry,’ possibly 1867, although Terry, a Blount Cora’s Sire’ annotated ‘Copied in wealthy Botany Bay charlatan, was Manuscript’ and ‘Final Copy’, (103– known to Harpur in the 1830s. 107): ‘Love in the Past’ annotated ‘Copied in Manuscript’ and ‘Final

A89 Pages I–379: date 1863. Some poems annotated by Harpur ‘Final Copy’ but later versions exist: 80, 133, 138, 143, 212, 219, 228. Annotations re copying of poems are by Harpur or Washington. Format: Exercise book, 18cm by 23cm, with inserts. Watermark on many pages ‘W. T. & Co. 1861.’ The following pages are blank: 26b, 364, 367, 370, 374; no pages numbered 69–79.

Page i: Harpur’s list of the first thirty-one of Page 1: Harpur’s note ‘This copy (intended the fifty poems in the manuscript. Page to be a final one)’ was made at Euroma ii: Salier’s contents page and annotations in 1863 Chas: Harpur’, (1–2): additional ‘dated Euroma 1863’ and ‘Notes comment that ‘for a period of over supplied by Mr. Salier. 2.1.1946’. twenty years’ the poems remained unpublished in a ‘presentable Book’ annotated ‘C. H.’ 182 THE POEMS OF CHARLES HARPUR

A89 continued ‘Happiness and Faith’ annotated ‘Final Copy’, (215–219): ‘Onward’ annotated Pages 3–379: chiefly longer poems which in pencil ‘Ode’ and large cross, (219– reliably date 1863. Pages 3–13: ‘The 222): ‘Obituary Lines’ annotated ‘Final Bard of Paradise’, (14–20): ‘The Copy’, (223–226): ‘To—’ annotated Drowned, Alive’, (21–30): ‘A Storm in ‘Finally Copied’ and ‘1845’ [earliest the Mountains’ with prose notes, (26a): extant version Australasian Chronicle 15 inserted page with four line alteration November 1842] (226–228): ‘The referring to lines on page 27, (31–40): Losses of the Past’ annotated ‘Finally ‘The Glen of the White Man’s Grave’, Copied’, (228–232): ‘Blindness to (41–47): ‘The World and the Soul’, (48– Merit’ annotated ‘Final copy’ and by 68): ‘The Slave’s Story’, annotated by Washington ‘copied into Manuscript’, Washington ‘Finally copied’, alterations (232–240): ‘Ideality (1837) Written in in pencil on pages 60 and 62, (68): 1840’, [earliest extant version Weekly Harpur’s pencil annotation ‘1840’ does Register 24 August 1844], (240–242): not refer to year of transcription [earliest ‘“Humanity”’ annotated with large cross, extant version A87–2 1855]. (242–243): ‘A Vision of an Angel’ annotated with large cross, (244): ‘The Pages 80–86: ‘Lost in the Bush’ with prose Silence of Faith’ annotated with large notes and annotated by Washington cross, (245–247): ‘A Basket of Summer ‘Finally copied’, and by Harpur ‘Final Fruit’ annotated by Washington ‘Not copy’, (87–109): ‘The Murder of the copied’, (247–249): ‘A Mid-Summer Lamb’ with prose notes and page 87 Noon in the Forest’ annotated by annotated with large cross, (110–116): Washington ‘not copied’, (249–251): ‘The Rose of Abana: (An Oriental ‘Finish of Style’ annotated with large Eclogue)’ annotated page 110 with large cross, (251): untitled prose note re usury cross, (117–120): ‘The Cloud’ annotated annotated ‘C.H’. page 117 with large cross, (121–132): ‘The House of Riot Folly’, (133–137): Pages 252–379: ‘Rhymed Criticisms, with ‘The Dream by the Fountain’ with prose Prose Notes’. Page 252: title page note and annotated ‘Final Copy’, (138– ‘Rhymed Criticisms, with prose notes’, 142): ‘A Coast View’ annotated ‘Final (252–254): ‘Advertisement’, (254–379): Copy’ and ‘Finally copied’, (143–149): text of ‘Rhymed Criticisms’ annotated ‘The Vision of the Rock’ annotated ‘All copied to this in this Book. (These ‘Final Copy’. criticisms not copied) W. Harpur’. Pages 150–176: ‘The Tower of the Dream’. Page 150: title ‘The Tower of the Dream’ with top marginal alterations and first 18 lines, (151–176): continuation of ‘The Tower of the Dream’, (177–192): ‘Ned Connor’ with mathematical calculation on page 192, (193–198): ‘The Death of Shelley’ annotated ‘Finally Copied’, (199–203): ‘Rhymes: To Henry Parkes’ annotated ‘Ode’ in pencil and ‘Finally Copied’, (203–209): ‘To the Moon’ annotated ‘Finally Copied’, (209–211): ‘To an Echo…’ annotated ‘Finally Copied’, (212–215): APPENDIX A 183

A90 Pages I–323: date 1860–1867 with substantial sections dated 1863 by Harpur. Harpur’s annotations ‘Final copy’ usually do not represent the last extant versions. Format: Several exercise books in similar format appear to have been bound together in Mitchell binding. Pages 132, 140–160 appear to belong with pages 203–232 and date 1867. The following pages are blank: 109–110, 112–113, 133–134, 136, 146, 161–162, 200b, 276, 322.

Page i: prose note ‘The Value of Prudence’. annotated ‘Finally copied’, (30–31): Pages ii–v: Salier’s typescript content’s ‘Vanished Away’ annotated ‘Not copied list annotated ‘Dated Euroma 1863’ and in Manuscript W. H.’, (31): ‘The Wrath dated 2.1.1946. of Love’ annotated ‘Not copied in Manuscript’, (32–33): ‘Falling Away’ Page 1: ‘This copy (intended to be a final annotated ‘Not in Manuscript’, (33–34): one) of [MS] of my Poems was made in ‘The Muse’s Ethics’ annotated with large my own house at Euroma, in 1863. cross, (35–36): ‘George Washington’ Chas: Harpur’ annotated ‘All copied in annotated ‘Not in Manuscript W. H.’, this book W. Harpur’. (36–37): ‘The A Royal Child of Destiny’ Page 2: title page ‘Lyrics. By Charles annotated ‘Not in Manuscript W. H.’, Harpur’. (37–38): ‘The Battle of Life’ annotated with large cross, (39): ‘No Mean Pages 3–131: lyrics and fragments date Dwelling’ annotated with large cross, 1863. Poems annotated as shown below (40): ‘Love’ annotated with large cross, ‘Not copied into manuscript’ and (41): ‘Love to the Last’ annotated with ‘Copied into Manuscript’ probably refer large cross, (42–43): ‘Old Billowy to copies placed in MSS (1867–1868) Hawks’bry’ annotated ‘Not in intended for English edition; annotation Manuscript W. H.’, (43–44): ‘The ‘Not copied in manuscript’ possibly Forgotten’ annotated ‘Not in copied in refers to poems omitted from final MSS manuscript W. H.’, (44–46): ‘The Flight and transcribed into A96. of Peace annotated with large cross’, Pages 3–4: ‘Hope On’ with prose note, (47–48): ‘To a Child Sleeping’ annotated annotated ‘Not copied in Manuscript W. with large cross, (48–50): ‘The Tree of H.’, (5): ‘Virginal Love’, (6–7): ‘Yon Liberty’ annotated ‘Not in Manuscript Green Wood’, (8–10): ‘Dian’, (11–12): W. H.’, (50–51): ‘Speak the Truth’ ‘Love’s Everlasting Identity’ annotated annotated with large cross and by with large cross and ‘Not copied in Washington ‘Not in Manuscript’, (51– Manuscript W. H.’, (13–18): ‘Cora’ 52): ‘This Southern Land of Ours’ annotated with large cross, (19–21): annotated with large cross and ‘Not in ‘Nobility’ annotated with large cross, Manuscript W. H.’, (52–53): ‘Forward (21–22): ‘Mary’ annotated with large Ho!’ annotated with large cross and ‘Not cross, (23–24): The Spirit of Love’ copied in Manuscript W. H.’, (53–54): annotated with large cross and ‘Never Mind’ annotated ‘Not in indecipherable letters, (24–26): ‘Sir Manuscript W. H.’, (54–56): ‘The Gilbert’ annotated with large cross, (27– ‘Emigrant’s Vision’ annotated ‘Not 28): ‘A Dream of the Orient’ annotated copied in Manuscript W. H.’, (56–58): with large cross, (28–30): ‘Dora’ ‘Eden Lost’ annotated ‘Finally copied’, 184 THE POEMS OF CHARLES HARPUR

A90 continued note and annotated ‘Finally copied’, (96–98): ‘The Hand of God’ annotated (58–59): ‘Life Ethics’ annotated ‘Not in by Harpur ‘ode’ and by Washington Manuscript’, (59–60): ‘Morning Love’ ‘Finally copied’, (98): ‘Emblems’ annotated with large cross, (60–61): annotated with large cross, (99–102): ‘Love in the Past’ annotated by ‘The Widow’s Dying Boy’ annotated Washington ‘cancelled in this place’. ‘Final Copy’, (103–104): ‘A Combat’ annotated ‘See’, (105–106): ‘Yearnings’ Pages 61–63: ‘Under the Wild-fig Tree’, annotated ‘Finally copied’ and ‘Not (63–64): ‘The Girl Maiden I left behind copied in Manuscripts W. H.’, (106– me’ annotated with large cross, (65–67): 108): ‘A Man shall be a Man yet’ ‘The Ineffable’ annotated with large annotated ‘Not in Manuscripts W. H.’. cross, (68–69): ‘The Scenic Part of Poetry’ annotated with large cross, (70– Page 111: prose ‘Advertisement to a Lyrical 72): ‘Love the Idealiser’ annotated with Love Story’ annotated ‘Euroma 1863’; two large crosses and ‘1850’ [earliest the next fourteen sheets are excised extant version People’s Advocate 6 (probably by Harpur). December 1856], (72–73): ‘The Pages 114–115: ‘I would get me a New Hunter’s Indian Dove’ with prose note Love’ annotated ‘Finally copied’, (115– and annotated ‘Finally copied’, (73–74): 117): ‘A Poet’s Wife’ annotated ‘Finally ‘Life and Death’ annotated ‘Finally copied’, (117–121): ‘The Snow Child’ copied’, (74–76): ‘All is for the Best annotated ‘Final Copy’, (121–122): ‘A Theodic Optimism’ annotated ‘Finally Thought-Sting’ annotated ‘Finally copied’, (76–77): ‘A Political Gospel’ copied’, (122–123): ‘Compensation’ annotated ‘Not copied in Manuscript W. annotated with large cross, (123–125): H.’, (77–79): ‘Love Dreaming of Death’ ‘The Anchor’ annotated ‘Finally copied’, annotated ‘18547’ [earliest extant (125–126): ‘Eva Gray’, (127–128): version Empire 20 November 1855], ‘“Yes”’, (128–129): ‘Dian’ annotated (79–81): ‘Asking in Vain’ annotated with large cross, (130–131): ‘Mary ‘Finally copied’, (81): title only ‘All is Arden’. for the Best’, (81–82): ‘Love, Friendship and Faith’ annotated with large cross, Pages 132, and 140–160, and 202–232 (82–83): ‘Absence by the Sea-side’ fragments and incomplete version of annotated with large cross, (84): ‘The ‘The Witch of Hebron,’ date 1867 (page Man-God Ecce Homo’ annotated details below). ‘Poems’ and ‘finally copied’, (85–86): Pages 135–140: ‘Sonnets on Poets and ‘Life’s First Despair Desiderium’ Poetry’ date 1866; (135): title ‘Sonnets annotated ‘Finally copied’, untitled on Poets and Poetry’. ‘I’. two lines [‘A marginal final stanza [‘Ecce Homo’], World-Poet’], (137): repeated title (86–88): ‘The Night Bird’ annotated ‘Sonnets on Poets and Poetry’ annotated ‘Finally copied’ and ‘Not in Manuscripts ‘Second’, ‘I’ untitled sonnet [‘A World- W. H.’, and ‘1847’ [earliest extant Poet’], (137–138): ‘II’. untitled sonnet version C382 1847], (88–92): ‘A [‘Muse-Worship 5’] annotated ‘Third’, Lament’ annotated ‘Final Copy’ and –2 (138–139): ‘III’. untitled sonnet ‘185/6?3’ [earliest extant version A87 [‘Poetry’] annotated ‘first’, (139): ‘IV’. 1855], (93): ‘A Summer Night Scene’ untitled sonnet [‘Australia’s First Great annotated with small cross and ‘Not in Poet’], (139–140): ‘IV V’. untitled Manuscripts W. H.’, (94–96): ‘An sonnet [‘Muse-Worship 6’]. Aboriginal Mother’s Lament’ with prose APPENDIX A 185

Page 140–160: untitled drafts [‘The Witch with large cross and ‘1843’ [earliest of Hebron’]. extant version C382 1847], (251–252): ‘XIX. Louis Kossuth (in 1850)’ Pages 163–39/201: ‘The ‘Nevers’ of Poetry’ annotated with large cross, (252): ‘XX. with prose notes annotated (163) ‘Not in The Distance of the Dead’ annotated Manuscripts W.H’. Date 1863–1865, with large cross, (252–253): ‘XXI. Trust possibly provided copy for Sydney Times in God’ annotated with large cross, version April 1864 with later additions (253–254): ‘XXII. The Easter and emendations. Page 202: Harpur’s Illumination of St. Peter’s at Rome’ title ‘The Widow Witch of Hebron. A annotated with large cross, (254): Rabbinical Legend’, five and a half lines ‘XXIII. The Same Subject Continued’ from beginning of poem, (203): annotated ‘1853’ [earliest extant version Harpur’s title ‘The Widow of Hebron’ Empire 8 July 1853], (255): ‘XXIV. Self and beginning of new draft annotated by Liberty’ annotated with large cross, Washington ‘Copied into Manuscript’, (255–256): ‘XXV. ‘Self Dependence’ (204–232): continues ‘The Widow of annotated with large cross, (256–257): Hebron’. ‘XXVI. To the Rev: John Saunders’ Pages 233–275: introductory note and fifty- annotated with large cross, (257): one numbered ‘Sonnets,’ annotated page ‘XXVII. To Doctor Lang’ annotated with 275 ‘Euroma, 3rd September 1863’. large cross, (257–258): ‘XXVIII. ‘The Pages 233–237 introduction, (233): True Poise of Manhood’ annotated with Harpur’s title ‘Sonnets’ annotated large cross, (258–259): ‘XXIX. On the ‘Copied in Manuscripts’, (237–238): 20 Disrespect …to Dr Lang’ annotated with lines ‘On the Sonnet’, (239) ‘I. Morning’ large cross, (259–260): ‘XXX. To Henry annotated with large cross, (239–240): Parkes:…’ annotated with large cross, ‘II. Noon, Evening, and Night’ annotated (260): ‘XXXI. On the Proposed with large cross, (240–241): ‘III. Poetry’ Recurrence to Transportation’ annotated annotated with large cross, (241): ‘IV. with large cross and ‘1842’ [earliest The First Great Australian Poet’ extant version C382 1847], (261): annotated with large cross, (241–242): ‘XXXII. My Love of Poesy’ annotated ‘V. True and False Glory Tested’, (242– with large cross, (261–262): ‘XXXIII. 243): ‘VI. Intellectual Liberty’ annotated Emerson at the Best’ annotated with with large cross, (243): ‘VII. Andrew large cross, (262–263): ‘XXXIV. Marvel’ annotated with large cross, Emerson at the Worst’ annotated with [sonnet VIII omitted], (244): ‘IX. My large cross, (263): ‘XXXV. ‘To Dr Lang’ Political Belief’ annotated with large annotated with large cross, (263–264): cross, (244–245): ‘X. The Poverty of ‘XXXVI. “Farewel”’ annotated with Genius’ annotated with large cross, large cross, (264–265): ‘XXXVII. The (245–246): ‘XI. My Faith in Poetry’ Wrongs of Ireland Poland’ annotated annotated with large cross, (246): ‘XII. with large cross, (265): ‘XXXVIII. To Charity’ annotated with large cross, My Young Countryman, Daniel Henry (247–247): ‘XIII. Consolation’, (247– Deniehy’ annotated with large cross, 248): ‘XIV. ‘The Fate of Poetic (266): ‘XXXIX. On Completing a Book’ Genius…’, (248–249): ‘XV. A annotated with large cross, (266–267): Worldling’ annotated with large cross, ‘XL. On the New Land Orders’ (249): ‘XVI. ‘To Wordsworth’ annotated annotated with large cross and with large cross, (250): ‘XVII. ‘Outward ‘1843’[earliest extant version C382 Show’ annotated with large cross, (250– 1847], (267–268): ‘XLI. ‘Wicliffe’ 251): ‘XVIII. ‘John Heki’ annotated annotated with large cross, (268): ‘XLII. 186 THE POEMS OF CHARLES HARPUR

A90 continued Pages 309–310: Harpur’s title and annotation ‘Part III. To be the 1st. Love Luther and Knox’ annotated with large in the Past,’ [possibly once intended to cross, (268–269): ‘XLIII. [T ?] James be part of ‘Love in the Past’ sequence. Norton Esq.’ annotated with large cross, All versions of this poem, independently (269–270): ‘XLIV. To a Friend, on the titled ‘Love in the Past’, are not part of Death of one of his Children’ annotated sequence]. Date 1863. with large cross, (270): ‘XLV. To an Old Page 311: Harpur’s title ‘Rhymed Criticisms Friend’ annotated with large cross, (271): ‘XLVI. Mine After All’ annotated etc. XVI. Polemical Tracts’ annotated with large cross, (271–272): ‘XLVII. To ‘Copied W. H.’ with 18 lines, (312–316): My First Born: Washington Harpur’ continues ‘Polemical Tracts’ with prose annotated with large cross, (272–273): note; date 1863–1865. ‘XLVIII. To Washington Harpur,…’, Pages 317–319: ‘A Flight of Wild Ducks’, (273): ‘XLIX. To My Second Born, (319–320): ‘Bits Point in Poetry’, (321): Charles Chidley Harpur’, (274): ‘L. To fragment untitled prose, verse ‘Were Henry Kendall’ annotated ‘1863’ Martin Dead?’ [‘The “Nevers” of [earliest extant version], (274–275): ‘LI. Poetry’]. [Inserted page 322]: part draft To D. N. Stenhouse’ annotated ‘1863’ of letter dated Gulph, 27 Novr. 1862, [earliest extant version Stenhouse (323): end-paper with mathematical Correspondence 14 July 1863?]. jottings and Mrs Harpur’s note re Pages 277–308: ‘A Lyrical Love Story,’ sending nine of Harpur’s poems to H. P. annotated ‘Euroma, 12 October 1863’. [Henry Parkes] for possible publication Page 277: Harpur’s title page ‘A Lyrical in England, annotated ‘June 16, 1892’. Love Story’ annotated ‘Not copied in Manuscripts W. H’.

A91 Two numbering sequences. Pages [i]–84 and pages [i]–83. Sequences based on recto and verso pages. Recto numbering [i]–84, verso numbering [i]–83. Recto and verso determined by Mitchell binding format. Pagination sometimes illegible or missing. Date 1860–1863. Format: Pages of approx. 58cm with inserts in various formats. The following pages are blank: 76–81, 82b in first numbering sequence. Some pagination missing or illegible in second sequence is supplied below. First numbering sequence (recto pages):

Page [i]: scribble only. calculation, (2–75): text of ‘The Bush- Rangers’ (75): final lines of play and Page [ii]: fragment of memorandum dated prose note ‘Finis’, and with reversed 17 August 1863 and numerical page two lines untitled prose. annotations. Pages [iii]–75: ‘The Bush- Rangers’ date 1860. Page [iii]: Harpur’s Pages 82a: untitled fragment [‘Records of a title page ‘The Bush=Rangers. (sic) A Poet’s Love No. IV’], (83): 5 untitled Play in Five Acts, By Charles Harpur,’ lines [part of ‘Women & Stars’ on page annotated ‘Final Copy. 1860. Made at 84], ‘To a Black Swan’ with prose note, Araluen’, [iv–v]: ‘Dramatis Personae’, (84): ‘I. ‘Neither Will Do’, ‘II. Women [1]: title ‘The Bush Rangers. Act I’ and & Stars’ with prose note; pages 82a–84 opening lines and mathematical date 1861–1863. APPENDIX A 187

Second numbering sequence (verso pages) notes, (55–[70]): ‘The Tower of the date 1860–1863: Dream’, [71–75]: ‘The Rose of Abana. An Oriental Eclogue’, [71]: untitled Page [i]: untitled fragment ‘The birds their marginal three stanzas [Mary’s Song pristine glees prolong’ [A Sigh for the from ‘Stalwart the Bushranger’ Act One, Forthcoming], possibly here intended for Scene Two, rewritten with amendments ‘The Bush-Rangers’ or a note in ‘The from the marginal transcription on page Kangaroo Hunt,’ [ii]: prose fragment re 10 in first numbering sequence.] ‘The Bush-Rangers’. Pages ([76]–83): ‘Ned Connor,’ [earlier Pages [iii]: Harpur’s title ‘The Kangaroo version of ‘The Spectre of the Cattle Hunt: or A Morning in the Mountains’ Flat’]. and first thirty lines of Part I, (1–54): text of ‘The Kangaroo Hunt’ with prose

A92 Pages 1–261/271: some pages double numbered. Date 1845–1868, pages 1–58: earlier than rest of A92. Specific and probable dates listed below. Format: Mitchell bound volume comprising two separate collections with three notebooks, 16.5 cm by 11.5 cm, pasted into the first collection. Page 84 has watermark ‘C.Whitman’, page 89 has watermark date ‘1854.’ The following pages are blank: [60a], [62b], 64, 66, 70, 72, 78, even numbers between 84–90, 94–104, 108, even numbers between 112–164, 166, 167, 170–178, 182, 184, 188, even numbers between 192–196, 224.

First notebook paginated 1–18, contains Love’, (14): torn page fragment of verse poems and prose notes, second notebook [ends of some lines from a version of paginated 19a–42 contains ‘The Olden ‘The Bush Fire’], (15): untitled prose re Warrior’ and miscellaneous prose notes. happiness and truth, (15–16): ‘Stanzas’ Date for notebooks one and two 1849, [‘A Poet’s Wife’] annotated ‘Feb 23/49’, confirming Harpur’s annotation ‘Feb. (16–17): ‘Song’, (18): prose fragment 23/49’ on page 16. ‘Wit and Humour’, final stanza [‘A Poet’s Wife’], cancelled title ‘The Poor Pages 43–58: third notebook, with prose Man’s Wife…’ [probably alternative title notes and some poems, dates 1848. to ‘A Poet’s Wife’], only extant version Pages 59–62: inserted pages in different ‘Stanzas Good Night etc’. Pages ii and format, pages 59–60: date 1849; page 19 endpages both annotated ‘D. S. 62: dates 1866, contains an additional Mitchell’. stanza to ‘To the Moon’. Page 19a–38: ‘The Olden Warrior’ with Page i: Salier’s notes annotated ‘2. 1. 1946’. prose notes annotated ‘C. H.’ on page Page 1: untitled prose re fickleness of 38, (39–40): prose ‘Memo’, (40): prose woman, (2): prose ‘Memo—a final par: note ‘Add: to “Love Vindicated”’, (41– To the “Fate of Poetic Genius in a 42): prose ‘Note to the Liberty of Sordid Com:”’, (3–5): ‘Finale to the Goodness’, (43): untitled last lines [‘A Love Sonnets’ [‘Records of a Poet’s Piece of advice for all young Maids…’], Love XXIX’] with prose note. Page 6: (43–44): prose ‘Additional to the Note ‘A Regret’, (6–11): prose ‘Memos’, on Burns’, [44]: prose ‘Memo. “Have (12–13): prose note ‘The Bosom of faith”’, (44–45): prose ‘Memo’, (45–46): 188 THE POEMS OF CHARLES HARPUR

A92 continued ‘Shelley’s “Cloud”’ PA 8 November 1856, prose cutting with added prose ‘Additional to the Note on Social holograph title ‘Be mindful of thy Charity’, (46–47): prose ‘Additional to Parents’…, [prose note to ‘A Common the sonnet on Andrew Marvel’, (47–48): Regret’] PA 15 November 1856, (113): prose ‘Additional. To be Inserted after cutting ‘Expediency’ with prose note PA the Note…on Shelley’, (48): ‘A Piece of 18 October 1856, (115): prose cutting advice for all young Maids’ completed with added holograph title ‘The Sonnet’ page 43, (49): prose fragment re PA 18 October 1856, (117): cutting ‘A religious practice, (49–56): prose ‘My Model Love Poem’ with prose note PA Daily Prayer’, (56): prose ‘Additional to 18 October 1856, ‘Filthy Lucre’ with the Note on the Sonnet “The Fate of prose note PA 29 November 1856, (119): Poetic Genius…”’ see earlier ‘Memo’ unidentified prose cutting with added page 2, (57–58): ‘Sonnet. To the Rev B. holograph title ‘Judgmatical Self- Quaife…’ with incomplete prose note, Reference’ [PA ? 1857?/ Empire?], (59–60): ‘Zilla’s Song’, (61): fragment ‘Critical Power’ with prose note PA 26 prose note re Byron, (62): prose note re July 1856, (121): cutting ‘Providential odes quoting E. A. Leslie, untitled Design’ with prose note PA 26 July 1856. fragment [‘To the Moon’]. Pages 123, 125 possibly cuttings from Page 63: Harpur’s couplet re loss of office issues of PA [1857?] presently ‘This day I’ve lost my office…’ unsighted, (123): cutting ‘Virtueless annotated ‘Charles Harpur. 1st July, Persons’ with prose note, (125) cutting 1866’. ‘So Be It’ with prose note. Pages 65–159: pages of an octavo notebook, Pages 125–131: amended cutting Weekly date 1854. Page 65: Harpur’s title Register 30 August 1845 of probably ‘Pieces in Prose: By Charles Harpur’ only extant short story by Harpur ‘The annotated ‘D. S. Mitchell’. The Importance of a Rhyme. A Story of the following cuttings include holograph Old Dock-Yard’. Watermark 1854 amendments. Pages 67–87: cutting ‘Mr suggests alterations may date 1855– Harpur’s Lecture’ on poetry Empire 3 1856. Page 133: prose cutting with October 1859, (89–107): untitled cutting added holograph title ‘Vicious Taste’ PA with opening sentences missing, [a 30 August 1856, cutting ‘Matrimonial report of Harpur’s lecture on poetry Assortment’ with prose note PA 30 delivered at Braidwood], Southern Cross August 1856. Pages 135–141: cutting 5 November 1859, copied from the Harpur’s account, dated August 22 and Braidwood Dispatch [1?/4?] November 24, of flooding on the Hunter affecting 1859. himself and other settlers, Empire 2 September 1857. [The following prose cuttings included in series ‘Songs, Epigrams, Notes, and Pages 141–143: prose cutting with added Opinions, Etc.’] Page 107: prose cutting holograph title ‘Bible Poetry & Piety’ with added holograph title [prose note to ‘The Babylonian ‘Contemporary Praise’ People’s Captivity’] Empire 13 May 1856, (143– Advocate (PA ) 4 October 1856, (109): 145): prose cutting ‘Form of a Song’ PA ‘Pressure from Without’ with prose note 8 November 1856, (145): cutting ‘Song’ PA 8 November 1856, (110): untitled Empire 2 June 1856, (145–147): prose holograph prose additions [‘Shelley’s cutting with first sentences missing and “Cloud”’], (111): prose cutting added holograph title ‘A Splendid is APPENDIX A 189

never a happy Land’ [note to ‘On the [‘Lord George’] PA 12 July 1856, (175) New Land Orders’] Southern Cross 24 amended cutting ‘A Jolly Good Fellow’ December 1859, (147): cutting ‘The possibly Braidwood Dispatch or World’s Way’ with prose note, PA 12 Braidwood Independent possible date 18 July 1856, (149): cutting ‘Shortness of April 1861. Life’ with prose note PA 31 May 1856, Pages 177–195: ‘Sonnets Dedicated to prose cutting ‘Talent and Genius’ PA 28 Australian Senators’ later than only June 1856, ‘Early and Late Art’ with other extant version WR February–May prose note PA 26 April 1856, (151): 1845, handwriting suggests very cutting ‘The Incumbency of a habit of tentative date 1850–1855. Holograph Labour’ with prose note PA 21 June sonnets pasted on back of broadsheets of 1856, cutting ‘The Show of Physical ‘Songs of Australia. First Series’ [1850/ Strength’ with prose note PA 4 October 1851] sighted only by lightbox reading. 1856, ‘The Way of the World and the Page 177: Harpur’s title ‘Sonnets…’ and Remedy’ with prose note PA 4 October prose note, (179): ‘I. Is Wentworth a 1856, (153): cutting ‘Onesidedness’ with Patriot?’, (179–180): ‘II. A Windy prose note PA 4 October 1856, (153– Subject’, (181): ‘III. Who’s the Man?’, 155): amended prose cutting ‘Edmund ‘IV. “Is Saul also among the Burke’ PA ? 1857?, (157): cutting ‘Petty Prophets?”’, (183): ‘V. Like Cases, with Pride’ with prose note PA 12 July 1856, a Dose of Physic’, (185): ‘VI. [Who’d (159): cutting ‘Inscription for the have] thought it!—Why he votes with portrait of Sir Charles Nicholson’ with the opposition’, (185–186): ‘VII. A prose note PA 26 April 1856. Thorough Woolgatherer’, (187): ‘VIII. Pages 161–175: in larger format include Expostulatory’, ‘IX. “It’s no go!”’, cuttings with holograph alterations from (189): ‘X. Wentworth Again’, ‘XI. The People’s Advocate, Empire and the Windy Subject Again’, (190): ‘XII. The Weekly Register [WR] and other Man who dreamt a mighty Dream’, newspapers, date 1845–1867. Page 161: (191): partly mutilated, ‘XIII. A “Minion cutting ‘A Vision of an Angel’ possibly of the Moon”’, ‘[XIV. What Nex]t?’, Moruya Examiner 1865–1867, untitled (193): ‘XV. Wentworth’s Council- incomplete prose cutting [‘Military Dream’, ‘XVI. A Batch’, (195): ‘Finis. Heroes and War’] PA 18 February 1854, Sonnet’. (163): amended cutting ‘The Beautiful’ Pages 197–71/222: Harpur’s Parts I and II, Empire 12 September MANUSCRIPT No. 3. Page 197: 1856, (165): cutting ‘The Cloud’ Harpur’s title page ‘Manuscript No. 3. possibly Moruya Examiner or Poems: By Charles Harpur, An Braidwood Independent 1863–1866, Australian’ annotated ‘Chas: Harpur’ cutting untitled fragment [‘The Night and ‘D. S. Mitchell’. Page 198: contents Bird’] PA 6 May 1854, (168–169): list of three poems appearing on pages amended cutting ‘The Beautiful’ Parts 48/199–71/222, date 1867 later than A95 VI–IX, Empire 17 September 1857, versions. Page 48/199: Harpur’s title (171): letter to Harpur from Oriental ‘Miscellaneous Poems continued’, (48/ Bank 12 June 1863, (173): cutting ‘The 199–53/204): ‘Lost in the Bush’ with Patriot of Australia…’ WR 22 November prose note, (54/205–68/219): ‘The 1845, cutting stanzas 1–3 ‘The Night Murder of the Lamb…’ with prose note Bird’ [concluded page 165] PA 6 May annotated ‘1867’ (56/207). Pages 69/ 1854, cutting ‘Squatter Songs. VI’ WR 6 220–71/222: ‘The Voice of the Swamp June 1845, cutting untitled fragment Oak’ with prose note. 190 THE POEMS OF CHARLES HARPUR

A92 continued ‘Eva Grey’, (227/238): ‘Love and Song’, (228/239–229/240): ‘A Dream of the Page 223: unamended broadsheet version of Orient’, (229/240–231/242): ‘An ‘Coleridge’s Christabel,’ published by Aboriginal Mother’s Lament’ with prose the Dispatch Office, Braidwood, note, (231/242): ‘Early Summer’, (231/ possibly 1861. 242–232/243): ‘Love’, (232/243–233/ 244): ‘The Lost Voice’, (233/244): Pages 225–261/271: Harpur’s ‘Dora’, (233/244–234/245): ‘The MANUSCRIPT No. 9. Page 225: Hunter’s Indian Dove’ with prose note, Harpur’s title page ‘Manuscript No. 9. (234/245–235/246): ‘Love to the Last’, Poems: By Charles Harpur: An (235/246–236/247): ‘To a Child Australian’ annotated ‘Chas: Harpur’ Sleeping’, (236/247–238/248): ‘A Song and ‘D. S. Mitchell’. Page 226: of David Inciting to Dance’, (238/248): Washington’s contents list of thirty- ‘The Death of Sisera’, (238/248–239/ seven poems, (216/227–261/271): ‘Odes 249): ‘Love, Friendship, and Faith’, and Lyrics’ 1867, later than A88 and (239/249–240/250): ‘Nobility’, (240/ A95 versions also 1867. Page 216/227: 250–241/251): ‘The Muse’s Ethics’, Harpur’s title: ‘Odes and Lyrics’, (216/ (242/252): ‘The Battle of Life’, (242/ 227–217/228): ‘The Poet’. 252–244/254): ‘Cora’s Sire’, (244/254– Pages 217/228–218/229: ‘Outward 248/258): ‘Cora’, (248/258–249/259): Bound’, (218/229–219/230): ‘Dian’, ‘The Anchor’, (249/259–250/260): (219/230–220/231): ‘The Spirit of ‘Lines and Figures’, (250/260–251/261): Love’, (220/231–221/232): ‘Yon Green ‘The World-Birth of Love’, (251/261– Wood’, (221/232–222/233): ‘Mary 252/262): ‘To a Girl’, (252/262–253/ Arden’ with incomplete prose note, 263): ‘Contemporary Praise’, (253/263): (223/234): ‘To Mary’, completion of ‘Compensation’, (254/264–258/268): prose note ‘Mary Arden’, (223/234–224/ ‘Love in the Past’, (258/268–259/269): 235): ‘Absence by the Sea-Side’, (225/ ‘Ecce Homo’, (259/269–261/271): ‘The 236): ‘Emblems’, (225/236–226/237): Ineffable’.[Series completed in Harpur’s ‘Virginal Love’, (226/237–227/238): MANUSCRIPT No. 10 in A87–1].

A93 Pages 1–121: date possibly 1864–1866, but more probable date 1865–1866. Format: Foolscap notebook format with pages in three different shades of blue. Pages 30–34 have watermark ‘Edinburgh 1864’. Pages 35–72 have Britannia symbol watermark inscribed ‘B & Co, East Malling, Kent’. Britannia/Kent paper occurs in different texture, colour and line format. The following pages are blank: 2, 4, 6, 8, 36, 69–72, 78.

Page i: Salier’s notes annotated ‘13 June Pages 9–19: ‘Castle Carnal’, pages 12 and 1946’. Pages 1–7: appear to be 13: annotations only ‘See next folio’ and misplaced. Page 1: Harpur’s title page ‘See next page’ respectively. Pages 9–16: ‘Rhymed Crticisms (sic), with Prose transcribed by Harpur with Mrs Notes’ annotated ‘Chas: Harpur’, (3): 8- Harpur’s annotation ‘No 6’, (17–19): lined epigraph ‘Praise lyeth wide in transcribed by Mrs Harpur. Possible date Poesy’s dominion’, (5): Harpur’s 1865–1866. incomplete ‘Advertisement’ to ‘Rhymed Criticisms’, (7): draft incomplete letter by unknown hand. APPENDIX A 191

Pages 20–114: date 1866. Pages 20–21: Pages 82–89: ‘The Glen of the White Man’s slightly amended cutting ‘The Forging Grave’, annotated by Washington of the Armour of Achilles’ with prose ‘Copied into Manuscripts’, (89–91): ‘A note Sydney Morning Herald 5 July Supernaturalised Battle-Piece…’, (91– 1866, (22–26): ‘The Rose of Abana’ in 92): ‘Dian’ annotated ‘Finaly (sic) Mrs Harpur’s writing, (27–30): ‘The copied W. H.’ (93–94): ‘Finish of Style’ Infinite’ in Harpur’s writing, (31–34): annotated ‘Final Copy’ and ‘Copied into ‘The Infinite’ also in Harpur’s writing, Manuscript’, (94–95): ‘O For a Golden (31): annotated ‘Not copied’ and Pen!’ [‘Muse-Worship 6’], (95–99): ‘The ‘Copied into manuscripts W. H.’ and by Drowned, Alive’ with marginal prose Harpur ‘See printed copy’ [i.e. Sydney note and annotated ‘Copied into Morning Herald 27 August 1866]. Manuscript’, (99–106): ‘A Storm in the Mountains’ with prose note and Page 35: Washington’s heading only annotated ‘Copied into Manuscript’, ‘Manuscript No. 18’. Pages 37–38: (107–110): ‘The Death of Shilock’ Washington’s transcription of title and annotated ‘Copied into Manuscript’, Preface ‘The Temple of Infamy’ (110–111): ‘Yon Green Wood’ annotated annotated ‘C. H.’ and ‘1846’ [earliest ‘Copied into Manuscript’, (112–113): extant version Parkes Correspondence 28 ‘Hope’s On Persuasion’ annotated ‘Not June 1849], (39–66): Washington’s copied W. H.’, (113): ‘Emblems’, (113– transcription ‘The Temple of Infamy’, 114): ‘Forward Ho!’ annotated ‘Not (67–68): ‘Polemical Tracts’ in copied W. H.’, (114): ‘Ah, Me!’ Washington’s writing, (73–77): ‘The annotated ‘Finally Copied’. Approx. 24 Scamper of Life’ in Mrs Harpur’s pages excised between pages 114 and writing, (79): ‘Intellectual Kingliness 115. Separate set of pages 115–120: Greatness’ in Harpur’s writing, (79–82): ‘The Rose of Abana’ annotated ‘Not ‘The Cloud’, annotated ‘Not elsewhere copied Copied into manuscript W. H.’, except printed’ [but see C376 1851 and date 1865–1866, earlier than Mrs A89 1863], and ‘Copied into Manuscript’ Harpur’s transcription page 22–26, [i.e. into Manuscript No. 11]. (121): prose memo ‘Account of Miner’s Rights & Business Licences’ dated 1865.

A94 Pages I–97: date 1867. Format: Account book with pages of 33 lines. About 21 pages, apparently containing lines of verse, have been excised. The following pages are blank: 21a, 58a.

Page i: Harpur’s title page ‘Stalwart the Harpur’s title ‘Stalwart the Bushranger. Bushranger. A Play in Five Acts’ A Play in Five Acts’ annotated ‘Chas: annotated ‘D. S. Mitchell’, (i–ii): Harpur. Author’. Pages 1–96 text of ‘Persons Represented’, (ii): Scene ‘Stalwart…’ with prose end-note, (94): setting, annotated ‘Chas: Harpur. prose note annotated ‘Euroma, 1867’ Author’ and by unknown hand [D. S. and ‘C. H.’, (97): untitled fragment Mitchell?] ‘A revision of “The [‘The Witch of Hebron’] written on recto Bushrangers” published in book form– of back cover of account book. Sydney–W R Piddington–1853’, (iii): 192 THE POEMS OF CHARLES HARPUR

A95 Pages 1–199: date 1865–1867 with cuttings from 1890s newspapers at end. Format: Foolscap pages bound in notebook format. The following pages are blank: 108, 138, 140, 196–197. Some pages unnumbered.

Page 1: Harpur’s title ‘Poems: By Charles copied’, marginal untitled four lines [‘To Harpur’ subtitle added later ‘Sonnets Wordsworth’], (33): ‘XV. To relating to Poetry & Poets.’, untitled Wordsworth’ annotated ‘23’ and ‘Finally poem [‘Muse-Worship 4’], (2): untitled copied’, (33–34): ‘XVI. Outward Show’ poem [‘Muse-Worship 2’] annotated by annotated ‘24’, ‘Not copied’ and ‘Finally Harpur ‘6th Jan. 1867’, [this updated copied’, (34): ‘XVII. John Heki (1845)’, version of poem on page 3 suggests (34–35): ‘XVIII. Louis Kossuth (in following pages 3–20 probably 1850)’, (35): ‘XIX. The Distance of the transcribed earlier, i.e. towards end of Dead’, (35–36): ‘XX. untitled [‘Muse- 1866], one line only ‘O for a golden pen Worship 5’], (36–37): ‘XXI. To Henry etc.’ Parkes’ annotated ‘Cancelled’ , (37): ‘XXII. To My Young Countryman, D. H. Pages 3–mid 60: date 1866. Pages 3–20: D.’ annotated ‘See Personal Sonnets’, ‘Records of a Poet’s Love I–XXXIV’, (37–38): ‘XXIII. On Completing a [20]: ‘Here, in the moaning wind’ [final Book’ annotated ‘Finally copied’, (38– lines of sequence], fragment of prose 40): ‘XXIV. On the New Land Orders’ note re sonnets. with prose note, annotated ‘Not copied’ Page 21–60: ‘Miscellaneous Sonnets with and ‘1843’, (40–41): ‘XXV. On the Prefatory Remarks,’ date 1866. Page 21: Proposed Recurrence to Transportation’ Harpur’s title ‘Miscellaneous Sonnets’ annotated ‘Not Final copiedy’ and with marginal annotation of list of titles, ‘Finally copied’ and Harpur’s (21–24): ‘Prefatory Remarks’, (24): annotations ‘1843’ and ‘See Note’ [i.e. untitled lines ‘Why slight the Sonnet? pages 59–60], (41): ‘XXVI. Wicliffe’ …’ , (25): ‘I. Morning’, top margin annotated ‘25’ and ‘Finally copied’, (41– annotation partly illegible list of poems, 43): ‘XXVII. Luther and Knox’ with (25–26): ‘II. Noon, Evening, and Night’, prose note and annotated ‘26’ and (26): ‘III. Poetry’, (26–27): ‘IV. My A ‘Finally copied’, (43): ‘XXVIII. On the Poet’s Faith in Poetry’, (27): ‘V. untitled Death of a Boy’ annotated ‘Not Finally sonnet [‘Australia’s First Great Poet’], copied’ and ‘Final copy’, (43–44): (27–28): ‘VI. ‘Intellectual Greatness’, ‘XXIX. Trust in God’ annotated ‘27’ and (28): ‘VII. My Political Belief’ ‘Finally copied’, (44): ‘XXX. To James annotated ‘Not copied’, (29): ‘VIII. Norton Esq.’, (44–45): ‘XXXI. Social Andrew Marvel’, annotated ‘19’ and Charity’ annotated ‘Not copied’ and ‘Finally copied’, (29–30): ‘IX. Charity’, ‘Finally copied’, (45): ‘XXXII. To a annotated ‘20’ and ‘Finally copied’, Friend, On the death of one of his (30): ‘X. The Poverty of Genius Why?’, Children’, (46): ‘XXXIII. On The Easter annotated ‘Not copied’, (30–31): ‘XI. Illumination of St. Peter’s at Rome’ untitled sonnet [‘Muse-Worship 7’], annotated ‘Not Finally copied’, (46–47): (31): ‘XII. untitled [‘Consolation’] ‘XXXIV. The same Subject continued’ annotated ‘21’, (31–32): ‘XIII. untitled annotated ‘Not Finally copied’, (47): ‘Pale am I, witnessing the thousand ills’ ‘XXXV. The Wrongs of Poland’ annotated ‘cancelled’, (32): ‘XIV. A annotated ‘28’ with marginal prose note, Worldling’ annotated ‘22’ and ‘Finally (47–48): ‘XXXVI. Self Liberty’ APPENDIX A 193

annotated ‘29’ and ‘Finally copied’, (65): ‘V. Virginal Love’ annotated (48): ‘XXXVII. ‘Self Dependence’ ‘Finally copied’, (66): ‘VI. Love in the annotated ‘30’ and ‘See’, (48–49): Long Ago’, (67–68): ‘VII. Nobility’ ‘XXXVIII. To Doctor Lang’, (49): annotated ‘Final copied’, (68–70): ‘VIII. ‘XXXIX. The True Poise of Manhood’ Sir Gilbert Blount’, (70–71): ‘IX. A annotated ‘31’ and ‘Finally copied’, (49– Dream of the Orient’ annotated ‘Finally 50): ‘XL. To an old Friend’ annotated copied’, (71–73): ‘X. The Voice of the ‘See Personal Sonnets’, (50): ‘XLI. To Swamp Oak’ with prose note and Dr Lang. On reading one of his Books’, annotated ‘Finally copied’, (74): ‘XI. (51): ‘XLII. To the Rev: John The Master Mariner’s Song (Outward Saunders…’, (51–52): ‘XLIII. On the Bound)’ annotated ‘Finally copied’, (75– disrespect …to Dr Lang’, (52): ‘XLIV. 76): ‘XII. The Anchor’ annotated Companion Pieces I. Emerson at the ‘Finally copied’ and ‘Published See’, Best’ annotated ‘Not copied’, (52–53): (76–77): ‘XIII. The Battle of Life’ ‘XLV. II. Emerson at the Worst’ annotated ‘Finally copied’, (77–78): annotated ‘Not copied’, (53): ‘XLVI. ‘XIV. The Muse’s Ethics’ annotated ‘The Bard of Humanity’, (53–54): ‘Finally copied’, (78): ‘XV. Speak the ‘XLVII. “Farewel”’ annotated ‘Not Truth’ annotated ‘(Life Ethics)’ in copied’ and (54) ‘Final copy’, (54): margin and ‘Not copied’, (79–80): ‘XVI. ‘XLVIII. The Temperance Movement’ The Tree of Liberty’ annotated ‘Not annotated ‘32’ and ‘Finally copied’, copied’, (80–81): ‘XVII. No Mean (55): ‘XLIX. Mine After All’ annotated Dwelling’ annotated ‘Finally copied’, ‘Finally Copied’, (55–56): ‘L. To my (81): ‘XVIII. Love’ annotated ‘Finally First Born, Washington Harpur’ copied’, (81–82): ‘XIX. Love to the annotated ‘Finally Copied’, (56): ‘LI. To Last’ annotated ‘Finally copied’, (82– the Same…,’ annotated ‘Finally 83): ‘XX. Fallen Away’ annotated ‘Not Copied’, (56–57): ‘LII. To my Second in manuscript W.H’, (83–84): ‘XXI. Old Born, Charles Chidley Harpur’ Billowy Hawksb’ry’ annotated ‘Not in annotated ‘Finally Copied’, (57): ‘LIII. manuscripts W. H.’, (85–86): ‘XXII. The To Henry Kendall’ annotated ‘1863’ and Flight of Peace’ annotated ‘ode’ and ‘See Personal Sonnets’, (57–58): ‘LIV. ‘Finally copied’, (86–89): ‘XXIII. To D. N. (sic) Stenhouse’ annotated What’s Poetic?’ annotated ‘ode’ and ‘1863’ and ‘See Personal Sonnets’, (58): ‘Copied’, (89–92): ‘XXIV. Onward’ ‘LV. Glory Tested’ annotated ‘Not annotated ‘ode’ and ‘Finally copied’, Finally copied’, (59): ‘LVI. Epilogistic (92–93): ‘XXV. The Spirit of Love’ to the Whole’ annotated ‘1865’ [earliest annotated ‘3 Lyrics’ and ‘Finally extant version A95 1866], (59–60): copied’, (93–94): ‘XXVI. To Mary’ prose ‘Note to the Sonnet on the annotated ‘Finally copied’, (94–95): proposed recurrence to Transportation’, ‘XXVII. Absence by the Sea-side’ (60): ‘XLIII [sic] To the Criticlings of annotated ‘Finally copied’, (95–97): Doggreldom’ annotated ‘33’. ‘XXVIII. Love the Idealiser’ annotated ‘Finally copied’, (97–98): ‘XXIX. The Pages 61–106: ‘Lyrics’ date 1865. Page 61: Hunter’s Indian Dove’ with prose note Harpur’s title ‘Lyrics’, (61–62): ‘I. Dian’ and annotated ‘Finally copied’, (98–99): annotated ‘Finally copied’, (62–63) ‘II. ‘XXX. The Hony (sic) Bird’ with prose Love and Song’ annotated ‘Finally note and annotated ‘Finally copied’, copied’, (63–64): ‘III. Yon Green Wood’ (99–101): ‘XXXI. The Ineffable’ annotated ‘Finally copied’, (64–65): ‘IV. annotated ‘ode’ and ‘Finally copied’, Emblems’ annotated ‘Finally copied’, (102–104): ‘Love in the Past’ annotated 194 THE POEMS OF CHARLES HARPUR

A95 continued (127): ‘A Worldling’, (127–128): ‘Outward Show’, (128): ‘Trust in God’, ‘Finally copied’, (104): ‘English Beauty’ (128–129): ‘Social Charity’, (129): annotated ‘Finally copied’ and ‘Not in ‘Self-Liberty’, (130): ‘Self- manuscripts W. H.’, (104–105): ‘Early Dependence’, ‘The True Poise of Summer’ annotated ‘Finally copied’ and Manhood’, (131): ‘The Temperance ‘Not in manuscript W. H.’, (106): Movement’, ‘Glory Tested’, (132): ‘To ‘“Yes”’ annotated ‘Love the Exalter’ and Certain Criticlings’ annotated by ‘Not in manuscript W. H.’, marginal Washington ‘(To be privously (sic) lines annotated ‘For the Wrath of Love’ introduced the Sonnet on “Beauty”, and [‘Love the Idealiser 4’]. the one entitled “Wordsworth’s Poetry’) and ‘(In all sq.)’. Page 107: untitled stanzas and note [‘The Scamper of Life’] (one stanza apparently Pages 133–137: date 1867, but A95 versions not in any extant version of the poem) earlier (possibly more reliable) than the date 1866. versions in A96 [see below ‘Poems in Early Life’]. Pages 133–135: ‘Sapho Pages 109–132: ‘Personal and Other (sic) to Herself’ annotated ‘Not in Sonnets’ date 1867, all annotated ‘Final manuscripts W. H.’, (135–136): copy’ but earlier than versions in A88, ‘Rhymes to a Lady with a Copy of Love A92 and A87–1. Poems’ annotated ‘Not in manuscripts Page 109: Harpur’s title ‘Personal and other W. H.’, (136–137): ‘Coleridge’s Sonnets’, (109–111): ‘Prefatory Christabel’ annotated ‘Not in manuscript Remarks,’ (111): ‘Poetry’, (111–112): W. H.’, (139): Harpur’s letter to Moxon ‘To—’, (112): ‘Australia’s First Great Publishers dated Euroma 1868. Poet’, (113): ‘To My Young Pages 141–194: ‘Miscellaneous Poems’ Countryman, D. H. D.’, (113–114): ‘To some dated 1867 and all annotated the Rev: John Saunders…’, (114): ‘To ‘Final Copy,’ but most transcriptions James Norton Esq.’, (114–115): ‘On earlier than A87–1. Page 141: Harpur’s Completing a Book’, (115): ‘Intellectual titles ‘Miscellaneous Poems’ and ‘The Greatness’, (115–116): ‘To Kossuth’, Creek of the Four Graves’, (141–154): (116): ‘Records of Romantic Passion’, text of ‘The Creek of the Four Graves’, (117): ‘To a Lady: On the death of a (154–162): ‘The Bush Fire’, (162): little Girl’, (117–118): ‘A World-Poet’, ‘Beauty’, (163–175): ‘A Poet’s Home’ (118): ‘John Heki’, (118–119): ‘To—’, with prose note, (176–190): ‘The (119): ‘A Lady in White’, (119–120): ‘A Murder of the Lamb’ with prose note, Love-Dream’, (120): ‘A Love-Fancy’, (190): ‘Wordsworth’s Poetry’, (191): ‘A (120–121): ‘A Regret’, (121): ‘The Lover’s Day and Night I and II’, (192– Tear’, (122): ‘Charity’, (122–123): ‘The 193): ‘Companion Pieces’, (192): ‘I. Wrongs of Poland’ with prose note, Parting’, (192–193): ‘II. Re-Meeting’, (123): ‘Andrew Marvel’, (124): ‘To (193): ‘III. Final Separation’, (193–194): William Wordsworth’ with prose note, ‘Love, the Crown of Nature’. (124–125): ‘On the Easter Illumination of St Peter’s at Rome’ and ‘The Same Page 195: inserted small page with prose Subject Continued’ both annotated lines from ‘Prefatory Remarks’. ‘1860’ [earliest extant version Empire 8 Pages 198–199: (six pages in all) cuttings July 1853, no extant version dating [Maitland Mercury] in haphazard order, 1860], (125–126): ‘Wicliffe’, (126–127): date 1897 and 1899. ‘Luther and Knox’ with prose note, APPENDIX A 195

A96 Pages I–74: date 1867. The volume is in Washington Harpur’s writing and transcription is not always reliable. (Washington was aged sixteen in 1867). A96 comprises chiefly ‘Poems in Early Life.’ Some poems extant only from 1850s. Transcription of these poems is sometimes from a very early version and A96 is not a reliable guide for date changes in other versions. [Salier in MS B994 (1946) suggests A96 is ‘a rewritten version of poems, compiled between Feb. 1860 and September 1863, and altered slightly about March 1865.’] However a more likely date for this rewriting is 1867. Format: Foolscap notebook with pale blue paper of 36 lines. The following page is blank: 12.

Page i: Salier’s typed comment ‘Obviously Page 14: ‘This Southern Land of Ours’, versions revised at a later date: See notes (14–15): ‘Never Mind’, (15–16): supplied by Mr. Salier 2.1.1946 placed ‘Morning Love’, (16): ‘Life Ethics’, at B994’. (16–17): ‘The Hand of God’, (17–19): ‘A Man Shall Be a Man Yet’, (19–20): ‘I Pages ii–iii: Salier’s typed list of ‘Contents’ dated 15 Feb 1946. Pages iv and v: Would get me a New Love’, (20–21): ‘A inserted scraps of darker blue paper Poet’s Wife’, (21–22): ‘“Yes”’, (22): apparently shortened by scissors or other ‘English Beauty’, (22–24): ‘Theodic instrument, (iv): untitled prose in Optimism’, (24–26): ‘Sapho (sic) to Harpur’s writing annotated ‘C. H. Herself’, (26–27): ‘Rhymes to a Lady Eurobodalla 22 Feby /67’, probably with a Copy of Love Poems’, (27–28): refers to the relevance of reissuing ‘the ‘Colderidge’s (sic) Christabel’, (29–50): following poem’ [‘A Friend in Need’?] ‘A Lyrical Love Story,’ title pasted in on despite its ‘oldness’, (v): incomplete dark blue paper (29), (51–52): ‘Love’s draft letter to ‘the Honorable the Everlasting Identity’, (52–53): ‘The Colonial Treasurer’ dated ‘Eurobodalla, English Emigrant Girl’s Departure’, 1st Feby: 1867’. (53–54): ‘A Lover’s Quarrel—And the Result’, (54–55): ‘To Twank’, (55–56): Pages 1–4: ‘A Friend in Need’ transcribed ‘Memory’s Genesis’, (56–57): ‘Song’, by Washington as are all following (57–58): ‘The Apple of Eden’, (58): poems. Pages 5–74: ‘Poems in Early ‘Thekla’s Song…’, (59–61): ‘On Life by Charles Harpur’ date 1867, title Leaving xxxxx after a residence there of cut from dark blue paper and pasted over Several Months’, (61–63): ‘Allan of the a possible earlier title. Page 5: ‘Vanished Mill’, (64–65): ‘The World’s Victims’, Away’, (5–6): ‘The Wrath of Love’, (6– (65–66): ‘The Poet’s Burial’, (66–68): 7): ‘Falling Away’, (7): ‘George ‘The Brook’, (68): ‘A Regret’, (68–69): Washington’, (8): ‘A Royal Child of ‘The Beautiful Squatter’, (69–70): Destiny’, (8–9): ‘Old Billowy ‘Sapho’s (sic) Comparison’, (70–71): Hawksb’ry’, (10 and 13): ‘The Tree of ‘The Aged Bard’, (71): ‘A Blighted Liberty’, (11): watermark ‘Avondale Promise’, (71–72): ‘An Acrostic’, (72– 1865’, cutting ‘The Muse’s Ethics II– 73): ‘The Tee-tree Grove’, (73): ‘Mary’s IV’, dated ‘Euroma, March. 1865’ Love’, (74): ‘Australia Huzza’. [Moruya Examiner?], (13): cutting with Harpur’s written title ‘Speak the Truth’, probably removed from position as untitled poem ‘I’ in published sequence on page 11, ‘The Muse’s Ethics’. 196 THE POEMS OF CHARLES HARPUR

A97 Pages I–324: date throughout 1867–1868, specific and probable dates listed below. Format: Foolscap with 34 lines on pages of various colours: pale blue, bright blue and cream or fawn. Page 148/165 has watermark with Britannia symbol inscribed ‘W T & Co. 1861’. Pages 86/107–318 have watermark with Britannia symbol inscribed ‘Edinburgh 1864’. Bound collection of pages compiled from seven gatherings stitched together. Letter to Mitchell Library, dated 1932, enclosing Harpur’s poem ‘Wellington’, as endpaper. Some pages are double numbered with Harpur’s numbering and numbers added later (by Mitchell librarian?). The following pages are blank: 28, 52, even numbers between 56–64, 76, 80, 102– 104, 106, 180, 235–236, 238, 240, 320, 322.

Pages 1–27/48: MANUSCRIPT No. 2 date Pages 53–75 /112: MANUSCRIPT No. 5. 1867–1868. Page i: Salier’s typed Page 53: Harpur’s title ‘MANUSCRIPT contents list dated 2.1.1946. Page 1: No. 5. Poems: By Charles Harpur: An Harpur’s title ‘MANUSCRIPT No. 2 Australian’ annotated ‘Chas: Harpur’ Poems: By Charles Harpur. An and ‘D. S. Mitchell’, (54): Mrs Harpur’s Australian’ annotated ‘Chas: Harpur’ contents list for pages 55/92–75/112, and ‘D. S. Mitchell’, (2): Harpur’s (55/92): Harpur’s title ‘Miscellaneous contents list for pages 3/24–26/[47], (3/ Poems continued’, 55/92–63/101: 24): Harpur’s title ‘Miscellaneous amended cutting‘The Tower of the Poems continued’ [i.e. from A87–1 Dream’ pamphlet ‘Clarson, Shallard & Manuscript No. 1 page 23/59]. Pages 3/ Co. Printers, Sydney and Melbourne’ 24–10/31: ‘A Storm in the Mountains’ [1865], (65/102–67/104): ‘The Cloud’, with prose note, (11/32–22/43): ‘The (68/105–69/106): ‘“Humanity”’, (69/ Spectre of the Cattle Flat’ with prose 106–71/108): ‘A Vision of an Angel’, note, (23/44–24/45): ‘Dawn in the (71/108): ‘The Spouse of Infinitude’, Australian Forest’, (25/46–26/47): ‘A (72/109–75/112): ‘A Coast View’, (75/ Mid-Summer Noon in the Australian 112): amended cutting ‘The Flight of Forest’, (26/47–27/48): ‘The Honey Faith…’ annotated ‘Euroma, October, Bird’ with prose note. 1865’, possibly Braidwood Dispatch or Sydney Mail. Pages 29/70–51/92: Harpur’s MANUSCRIPT No. 4. Page 29/70: Page 77: annotated by Mrs Harpur ‘No 12’ Harpur’s title ‘MANUSCRIPT No. 4. and signed ‘D. S. Mitchell’. Page 78: Poems: By Charles Harpur: An Mrs Harpur’s unpaginated contents list Australian.’ annotated ‘Chas: Harpur’, for pages 79–101. ‘D. S. Mitchell’ and illegible notation, Pages 79–101: date 1868. Page 79: (30): Harpur’s contents list for pages 31/ annotated by Washington ‘Manuscript 72–51/92, (31/72): Harpur’s title No. 12’ and title ‘The Slave (sic) Story ‘Miscellaneous Poems continued’, (31/ and other Poems by Charles Harpur’ and 72–37/78): ‘The Glen of the White by Mrs Harpur ‘An Australian’. Harpur Man’s Grave’, (38/79–50/91): ‘A Poet’s transcribed poem to Part II line 9, page Home’ with prose note, (50/91–51/92): 85. Page 81: ‘These Poems! Let the amended cutting ‘Shakspere’ [Sydney Worldling, if he will’ annotated ‘Final Mail 11 August 1866]. Copy’, (82): Harpur’s titles ‘Miscellaneous Poems.’ and ‘The Slav’s APPENDIX A 197

(sic) Story’ annotated by Mrs Harpur ‘Witch of Hebron’, ‘Castle Carnal’, ‘The ‘By Chas Harpur Euroma Eurobodalla Forging of the Armour of Achilles’, ‘The N. S. Wales copied by the Poet to the 9th Rose of Albana’ (sic), ‘The Infinate’ (sic). line in Part II. Continued the copy by his Page 179: Harpur’s title page ‘The Witch of son after his Father’s death’, and by Hebron: a Rabbinical Legend: By Washington ‘Not in Manuscripts W. H.’ Charles Harpur’ annotated by Mrs Pages 82–95: ‘The Slav’s (sic) Story’. Harpur ‘An Australian. Composed 1868’ Page 95: ‘The Forgotten’, (96–97): ‘The annotated ‘No. 14’ by Washington. Emigrants (sic) Vision’, (97): ‘Forward Pages 181–234: Harpur’s transcription Ho!’, (98–99): ‘Yearnings’, (99): ‘A of ‘The Witch of Hebron’ date 1867. Political Gospel’, (100–101): ‘Hope Pagination supplied [ ] for following pages On’, (105): annotated by Washington with no or illegible numbers. [Page ‘No 13’ and signed ‘D. S. Mitchell’. 239]: annotated ‘No. 16’ by Washington, Pages 86/107–158/175: ‘The Kangaroo with list of sections from ‘Genius Lost’ Hunt’ date 1867–1868. Poems in Harpur’s writing, signature ‘D. S. transcribed in foolscap book with printed Mitchell’. pagination, hence double numbering. Page [240a]: Harpur’s title page ‘Genius Page 86/107: Harpur’s title page ‘The Lost’ and 2 lines from Wordworth’s Kangaroo Hunt, or A Morning in the ‘Resolution and Independence’ re Mountains: A Descriptive Poem in Six Chatterton, annotated by Mrs Harpur Parts: By Charles Harpur’ annotated by ‘Poem by Chas. Harpur. An Australian. Mrs Harpur ‘An Australian’ and by Com. 1836’. Washington ‘Manuscript No. 13’. Pages 87/108: Harpur’s transcription of untitled Pages 2/241–[318]: Harpur’s transcription lines by George Wither, (88/109–92/ of ‘Genius Lost’ with prose notes. Pages 113): Harpur’s ‘Preface’ annotated 319 and 321: letter dated 1/9/25 to ‘Euroma, 1963’ (93/114–158/175): text Mitchell Librarian from W. H. Parnell re of ‘The Kangaroo Hunt’ with notes, Harpur poem. Page 323–324: Harpur’s (158/175): annotated ‘Final Copy.’ transcription of ‘Wellington’ addressed to Edward Parnell ‘with the author’s Page 177: marbled cover annotated by compliments’ probably transcribed 1854. Washington ‘No. 14’. Page 178: Mrs Harpur’s unpaginated list of poems: 198 THE POEMS OF CHARLES HARPUR

A98–1 Pages I–109: date 1853–1855. The numbering of the Mitchell volume is used below and for A98-1 references in the bibliography, not the original numbering of the printed Bushrangers. Format: Material in this volume is a copy of The Bushrangers, A Play in Five Acts, and Other Poems, 1853, with pages missing and extensive alterations and additions to the poems, and with poems written on endpapers. The following pages are blank in the printed format: 40, 56, 58, 107. Frontpaper (page i): annotated ‘D. S. Mitchell’ and note ‘Bought from Mrs Baldwin, Charles Harpur’s daughter.’ Page i: version of ‘Trust in God’ date 1853–1855, later than cancelled version on endpaper page 109, annotated by Mrs Harpur? ‘Charles Harpur’. Unless otherwise indicated, all texts below are the original printed version, with Harpur’s holograph amendments.

Pages 1–38: ‘The Bushrangers’ starting at lines [‘Autumnal Leaves 2’] with Act II, with extensive alterations and cancelled amendment. additions throughout. Some but not all Pages 84–87: ‘The Dream by the Fountain’, of the textual changes are incorporated (87–88): ‘The Master Mariner’s Song in the holograph The Bush-Rangers in (Outward Bound)’, (88): untitled lines MSA91 which is dated by Harpur 1860. [‘A Lyrical Love Story 1: 9’], ‘Freedom Page 39: title page ‘The Creek of the Four in Faith’, (89–90): ‘Finality’, (91): Graves’, (41–48): text of ‘The Creek of ‘Consolation’, (91–92): ‘An Aboriginal the Four Graves’, (48–49): ‘To the Mother’s Lament’, (92): ‘My Political Comet of 1843’, untitled holograph lines Belief’, (92): incomplete ‘An Anthem for [additional to ‘The Creek of the Four the Australasian League’, (93–96): Graves’]. These alterations and additions untitled incomplete lines [‘Rhymed are included in incomplete version of Criticisms…IX. Burns’] with prose note, ‘The Creek of the Four Graves’ in B78 (96–98): ‘Wordsworth’, (98–99): ‘The date 1855. Verse of Coleridge’s ‘Christabel’’, (99): ‘To My Young Countryman, D.H.D.’, Pages 50–53: ‘The Bush Fire’ with note, (99–100): untitled lines [A Combat], (54–55): ‘To an Echo on the Banks of the (100): ‘Records of Romantic Passion’, Hunter’, (57): title page ‘Ned Connor’, (101): ‘The Flight of Peace’ with 59–64: ‘Ned Connor’, (65–66): ‘To—’, holograph prose note, (102): ‘To My First (66–69): ‘To the Moon’, (69–70): Born, Washington Harpur’, (103): ‘Memory’s Genesis’, additional lines and ‘Notes’ for ‘An Aboriginal Mother’s note bottom margin and concluded page Lament’ and re rhyme scheme of sonnets 71, (70): ‘Poetry’, (71–73): ‘The Vision on listed pages, (104): endpaper, of the Rock’, (74): ‘Morning’, (74–78): holograph ‘Note to The A Poet’s Wish ‘A Poet’s Home’, (78–79): ‘The Voice of Home’, (105): endpaper, holograph prose the Native Oak’, (79): ‘Virginal Love’, notes re rhymes in ‘Wordsworth’, (106): (79–80): ‘Eva Gray’, (80–81): ‘To endpaper untitled holograph lines Mary’, (81): ‘Emblems’, (81–82): [‘Stalwart the Bushranger’ Act V Scene ‘“Yes”’, (82): ‘Dreams of the Beloved’, VI], (108): endpaper, c. 10 line holograph ‘Absence’, (83): untitled lines [‘The fragment ‘Illustrious oft, when loveliest Honey Bird’], ‘The Enquiry’, (84): in themselves’, (109): holograph ‘Trust in untitled lines [‘Happy Spite’], untitled God’ earlier than version page I. APPENDIX A 199

B78 Two numbering sequences: pages i–162 and pages i–78. Date 1855 for major part of B78. Pages i–162 in first sequence, and pages i–61 in second sequence date 1855. Page 44 in second sequence is annotated ‘May 1855’. Pages 62–78 in second sequence date 1858. Note on page 78 in second sequence gives Shearing Tallies for 1858. Format: Small leather-bound account book 16 cm by 10cm fastened with leather clasp. Written from front and also from back with book turned upside down. The following pages are blank: 156, [162a], [162c] and twelve pages between first and second sequence. First sequence: heavily amended draft ‘The Sorrows of Chatterton’ [‘Genius Lost’] date 1855.

Page i: untitled lines [‘The Famous Night but probably irrelevant to dating of Scene…’], (1): untitled fragment poems, and fragment [‘Genius Lost. The [‘Genius Lost’ Part Three] annotated by Sorrows. Part VI’], (52–54): untitled unknown hand [Salier?] ‘Sorrows of lines completing lines on pages 39–51. Chatterton and other poems by Charles Pages 54–65: ‘V.’ annotated ‘(make this the Harpur. Authorship established by forth (sic) fifth)’, (65–75): ‘VI.’ comparison with other Harpur MSS.’ annotated ‘(make this the fifth forth)’, Page 2: untitled lines [‘Genius Lost Part (76–91): ‘VII.’ annotated ‘(make this the VII’], (3): illegible ‘Memo’, Harpur’s sixth)’, (91–106): ‘VIII.’, (106–109): title ‘The Sorrows of Chatterton’ and ‘The Spirits of the Earth in final Chorus’ epigraph, untitled fragment [of prose annotated ‘Finis’, (110–120): amended note begun page 4], (4): prose note ‘Add lines of ‘Monologues’ and ‘Chorus’ the following paragraph to the ‘Preface’, [additions to ‘Genius Lost’], (121–147): addition to prose note beginning page 5, prose ‘Postscript’ [‘Genius Lost’], (147– (5): title ‘The Sorrows of Chatterton, 148): ‘Semi Chorus to be added to the Preface, Genius Lost’ , (5–9): prose Chorus of the first Monologue’, (148– Preface, (9–13): ‘Introductory 155): amended and additional lines Vestibulary Stanzas’, (13–21): ‘The [‘Genius Lost’ Parts Eight, Five, Four, Sorrows. I’ annotated ‘(make this the One]. third)’, (21–24): ‘Chorus of the Spirit of Pages 157–162: draft of first 104 lines of the Earth’, (24–31): ‘II.’ annotated ‘The Creek of the Four Graves,’ ‘(make this the first)’, (31–39): ‘III.’ including amendments to cutting from annotated ‘(make this the second)’, (39– Bushrangers 1853 in A98–1, [162b]: 51): ‘IV.’ annotated ‘(make this the largely illegible list of costs. seventh)’, [np]: two loose inserted scraps with receipt dated January 15th 1860,

Second sequence: Pages i–iv: verse and prose fragments from Carnal’], (13): Title only ‘The Tower of ‘Genius Lost’ [Part VI], (v) ‘Acrostic’. the Dream. Part First.’ (13–18): ‘The Pages 1–2: ‘Impromptu. Composed Drowned, Alive’ [earlier than version within the Verge…’ with prose note, (3– Empire 2 February 1856], (18–22): 12): ‘The House of Revelry Riot,’ prose note ‘Virtueless Persons’, (22–25): [earliest extant version of ‘Castle prose note ‘The Good Opinion of the 200 THE POEMS OF CHARLES HARPUR

B78 continued untitled fragment [‘A Rule of Good Manhood’], (49): prose ‘(To be added to World’, (26–29): ‘A Friend in Need is a the Note on Crowds)’, (49–50): ‘A Rule Friend Indeed. There’s nothing but of Good Manhood’, (50–51): ‘Three Bunkum etc. An o’er true Story’, (30): Thousand Years Ago’, (52–53): ‘A Song prose notes and verse fragments [‘A of Good Manhood’, (53–54): ‘Song’, Friend in Need…’] annotated ‘CH.’, (55): fragment ‘The Bush Fire’, (56–60): untitled fragment [‘The Terrors of ‘A Scene Battle Piece from Homer’ with Beauty’] with prose note, (31): untitled prose note, (60): ‘Twenty to one’, and fragment [‘A Friend in Need…’ ], (31– untitled fragment [‘The midnight Moon 34): ‘The Terrors of Beauty’ with prose is riding right aloft’], (61): ‘A Sylvan note, (35): 14 lines ‘to be added to the Vision’ [Dian] with prose note, title only Spirit of Beauty (A Prophesy (sic))’, ‘Wierd (sic) Moonlight’. (36): ‘Stanzas’. The following pages date 1858: page 62: Page 37: ‘Song’, ‘A Republican’s Creed’, ‘Eight New Lines for the “Nevers”’ with (38–44): prose ‘Note to a Republican prose note annotated ‘CH’, (63): prose Lyric. (From a Colonial Newspaper)’ [no [‘The “Nevers”…’] annotated ‘CH’, two poem with this title sighted] annotated lines [‘The “Nevers”…’], (63–67): prose by Harpur ‘May 1855’, (44–45): ‘To note [‘The “Nevers”…’], (68–71): ‘The Myself June 1855’ re Crimean War, (46): Poet’, (72–76): mostly illegible prose ‘Early Summer’, (47–48): ‘To the [The “Nevers”…’], (77): untitled lines American, Emerson’ with prose note, [‘The “Nevers”…’], (78): ‘Shearing (48): prose ‘(Note to My only Hate)’, Tallies 1858’.

C376 Pages I–679. Major part of C376 dates 1849–1856; some pages date 1846–1892 in non– chronological sequence. Specific dates given below. Some pages are double numbered. Format: Miscellaneous pages of lined and unruled paper of different size, colour and texture, bound into volume approx. 20.5 cm by 15 cm. Pages appear to be inserted randomly and sometimes misordered and others missing. Page 1: Britannia watermark dated 1851. Pages 179–265: watermark ‘C. Whitman 1851’, page 237: part of Britannia watermark but no visible date, pages 589–590: watermark ‘E. Lowgood, 1853’, page 679: watermark ‘Patent 1851’. The following pages are blank: 2, 88, 120, 122, 170, even numbers between 180–212, even numbers between 218–224, 236, 238, 243–263, even numbers between 270–366, 382, 389, 392, 400, 418, 429, 432, 438, 487, 490, even numbers between 498–512, 522, 528, 534, 552, 560, 562, 566, 568, 569, even numbers between 572–576, 582, 612, 614, 617, 620, even numbers between 654–658, 662, 676.

Page i: Salier’s notes dated 2.1.1946, (1): with prose note ‘The True Finality’, (13– Harpur’s title page ‘A Portion of Charles 28): ‘The Death of Shelley’ with prose Harpur’s Wild Bee of Australia’ note, (28): ‘A Bower by Moonlight’, annotated ‘No. 8’ by Harpur, four line (29): Harpur’s title page ‘A Portion of epigraph ‘Though the Wild Bee may Charles Harpur’s Wild Bee of Australia’ sting at times’. Pages 3–28: date annotated ‘No. 5’ by Harpur and four possibly 1851–1853: (3–13): ‘Finality’ line epigraph ‘Though the Wild Bee may APPENDIX A 201

sting at times’, (30): ‘Additional Stanza prose note, (79–80): ‘VI. Our Perception for Hope’s Philosophy’, ‘Alteration in and Admission of Moral Differences …’ the concluding lines of the Flight of with prose note, (80–81): ‘VII. Self Peace’ with prose note, (31–46): ‘The Reference and Preference’ with prose Tower of the Dream. A Lay of the Land note, (81–82): ‘VIII. The Puriency of of Sleep’ with prose note, (47–52): Dandyism’ with prose note’, (82–83): ‘Critical Rhymes on Critical Reviews’ ‘IX. Whatever is, is Right (?)’ with prose with prose note annotated by Harpur note, (83–84): ‘X. The Honesty of ‘1845’ and ‘(1848)’ page 49 not accurate Herohood’ with prose note, (85): untitled dates of this transcription, (52–53): fragment [‘Genius Lost Part Eight’] with ‘Valedictory Stanzas to a Wanton’ with prose note, (86): ‘The Righteousness of prose note, (54–60): ‘The Glen of the Nature’ with prose note, (87): prose note White Man’s Grave’ with incomplete ‘An Epigrammatic Verity A Paradox’ prose note, [60a]: untitled prose cutting beginning ‘However Pseudos at the fact [note to ‘The Creed of Liberty’ People’s may cry “pish! “all,/ A friend once Advocate 27 December 1851], [60b]: observed to me, /“The greatest Artists untitled prose cutting not by Harpur, are the least artificial”’, (89–95): (61): prose note re Coleridge [‘Rhymed ‘Prayer’ with prose note including prose Criticisms…’], (62): annotated by ‘A Prayer’, (95–98): ‘The Lass of Harpur ‘January 31st 1851’, ‘The Great Eulengo’ with prose note annotated by and Little’ with prose note and four Harpur ‘1847’ and ‘P.S. (1850)’ possibly untitled lines [‘The Great and the not date of transcription, (98–99): ‘Mary Little’]. of Eulengo’ with prose note. Page 63: Harpur’s title page ‘A Portion of Pages 100–105: date 1851; (100): Harpur’s Charles Harpur’s Wild Bee of Australia’ title ‘A String of Pearls…’ , ‘I. An annotated ‘No. 6’ by Harpur and four Acrostic’ annotated ‘Copied WH’, (100– line epigraph ‘Though the Wild Bee may 101): ‘II. Dear Henry, why should you sting at times’, (64): untitled prose complain’, (101): ‘III. Mary’s Love’ fragment [‘Rhymed Criticisms’]. Pages annotated ‘Copied W. H’, (102): ‘IV. 65–116: possible date 1851,with pages Emblems’, (102–105): ‘[V.] Stanzas’ missing and others inserted randomly. with prose note, (105–106): ‘Two Pages (65–67): four untitled lines [‘The National Songs to the same measure. I. Dream by the Fountain’], prose note Australia Huzza’ annotated ‘Copied W. ‘Poetical Egotism’, (68–69): ‘Small H’, (106–109): ‘II. Old Billowy Pride’ with prose note, (70–75): ‘The Hawksbury’ with prose note, (109–110): Coming on of Freedom’ with prose note ‘Humanly Creative or Artistic Truth’ including (pages 74–75) fourteen with prose note, (110–111): ‘Epigram’ untitled lines [‘The Spirit of with prose note, (111–114): ‘Social Squattery’…]. Charity’ with prose note, (114–115): ‘Winter and Summer or Neither will do’ Pages 75–84: firmly date 1851; (75): with prose note, (116): ‘Outward Show’, Harpur’s title ‘A String of Passing (117): paper scrap with note in unknown Thoughts (With and without hand re ‘Wild Bee’ manuscripts ‘no 8, 5, comments.)’, ‘I. A School Motto’, (75– 6’ and list [of possible subscribers to 76): ‘II. Expediency’ with prose note, edition of ‘Wild Bee’?], (118): single (77): ‘III. A secret of illegible enmity’ line note in same? hand: ‘Balance sheet with prose note, (77–78): ‘IV. A Social of miner’s rights’, (119): prose fragment Suggestion for the Future’, (78–79): ‘V. in Harpur’s writing re ‘Similes from Roguish illegible Roguish Pietism’ with 202 THE POEMS OF CHARLES HARPUR

C376 continued prose note PA 12 July 1856, (187): ‘The World’s Opinion’ with amended prose Homer’, (121): prose fragment in note PA 21 June 1856, (189): Harpur’s writing re Wordsworth’s unidentified cutting ‘Tom Brown, or poetry. Haman in the Bush’ with amended prose note ‘The Big (bygone) Claims of the Pages 123–178: including series ‘A String Big Squatters’ annotated ‘1853’ [not date of Gems’ (147–151), date 1851; (123– of publication] PA ? 1857?, (191–195): 139) fawn unlined paper with Britannia cutting title and epigraph and holograph watermark: ‘War’ with prose note lines ‘[I.] Marvellous Martin I’, (191– concluded end page 140, (139–140): 195): cutting ‘II. Who sees him walk the ‘True and False Glory’. Pages 141–178: street, can scarce forbear’ with prose pale blue paper, (141–146): ‘Love in the note PA 17 December 1853, (197): Past Under the Wild-fig Tree’ with prose ‘Impromptu’ with amended prose note note, (147–151): ‘A String of Gems…’, PA 13 May 1854, (199): cutting ‘The (147–148): ‘I. The Apple of Life’ Adder’ with amended prose note PA 20 annotated ‘Copied W. H’, (148–149): ‘II. May 1854, (201): cutting “What’s a Sapho’s (sic) Comparison’ annotated Boon?’ with prose note PA 16 August ‘Copied W. H’, (149–150): ‘III. An 1856, (201–205): unidentified prose Australian Night Scene’, (150–151): ‘IV. cutting with holograph introduction The Song of Life’, (151): ‘V. The Aged ‘Characteristics of the Cockatoo’, (205): Bard’ annotated ‘Copied W. H’, (152– amended cutting with holograph title 157): ‘Lost in the Bush’ with prose note, ‘Duncan’s Plea for the New (157–160): ‘Consolation’ with prose Constitution’ annotated ‘1856’ [note to note, (159–160): prose note concluded ‘Sonnet to W. A. Duncan Esq.’] PA 8 with untitled lines [‘Lyrical Love Story March 1856, (207): cutting ‘The Ballot’ 3: 3’], (160–165): ‘Critical Rhymes on with prose note PA 20 September 1856, Wordsworth’ with prose note, (165– (209): unidentified amended cutting 166): ‘Song. /From the German of ‘Forward Ho!’ with amended prose note Schiller/’ annotated ‘Copied W. H’, PA ? 1857?, (211): amended cutting with (166–171): ‘A Sigh for the Forthcoming holograph title ‘Andrew Marvel’ [note to Out of Evil Good shall come’ with prose ‘Andrew Marvel’] Layman’s Prompter 8 note, (172–176): ‘The Cloud…’ with January 1850. prose note, (176): ‘Epigram’, (177–178): ‘The Master Mariner’s Song…’ with Pages 213–226: amended prose cutting prose note, (178): ‘Evasion’. ‘Morning’ PA 8 April 1854, 227–239: amended prose cutting ‘On Blank Verse’ Pages 179–265: ‘Pieces in Prose by Charles Sydney Morning Herald 2 November Harpur’ which include cuttings with 1863, (240–242, 264–266): untitled handwritten alterations from colonial holograph prose fragment [‘Discourse newspapers, chiefly PA 1851–1856. on Poetry. Part III’] earlier than C386 Unidentified cutting page 209 may be PA (1858–1859), (266): arithmetical 1857 presently unavailable. Alterations jottings. probably from 1851–1856. Pages 267–365 date 1861. Page 267: Page 179: Harpur’s title page ‘Pieces in Harpur’s title ‘Nora’, (268): Harpur’s Prose: By Charles Harpur’, (181–185): contents page of titled, numbered unidentified amended prose cutting ‘The ‘Sonnets’ partly referring to pages 341– Last Verses of Raleigh’, (185): ‘Literary 365. Page 269: Harpur’s title ‘Nora or Picking and Stealing’ with amended Records of a Poet’s Love’, (271–337): APPENDIX A 203

untitled sonnets 1–34, (339): endpiece Mercury [MM] and People’s Advocate ‘Here, in the moaning wind.’ [PA ], 1846–1849. Alterations probably from the same period. Page 439: untitled Page 341: Harpur’s title ‘Sonnets: incomplete prose cutting [note to ‘John Dedicated to Wordsworth’ on similar Heki’], (439–440): cutting ‘Song’ with paper to transcription ‘Nora’. Page 343: amended prose note SC 11. December ‘1. Dedicatory’, (345): ‘2. Poetry’, 1847, (441–442): amended cutting (347): ‘3. The First Great Australian Poet’, (349): ‘4. Andrew Marvel’, (351): ‘Satire’ with prose note SC 23 ‘5. My Political Belief’, (353): ‘6. November 1847, (442): cutting Intellectual Liberty’, (355): ‘7. The incomplete ‘John Heki’ with incomplete Poverty of Genius’, (357): ‘8. Charity’, prose note SC 7 December 1847, (443): (359): ‘9. True and False Glory’, (361): cutting last two stanzas [‘A/The ‘10. Consolation’, (363): ‘11. Morning’, Combat’] with amended prose note SC (365): ‘12. Noon, Evening, and Night’. 16 November 1847, (444): marginal holograph lines to conclude prose note Pages 367–380: new gathering of unlined to ‘A/The Combat’, amended cutting pale blue paper, transcriptions probable ‘Memory’s Genesis’ with incomplete date 1860–1861. Pages 367–371: ‘The prose note SC 30 November 1847, Brook’ annotated ‘Copied W. H.’ with (445): cutting titled ‘Poems by Charles prose note. Following pages date 1860 Harpur’, ‘XXVIII. My Love’, ‘XXIX. –2 but versions earlier than ‘Bits’ in A87 ; Farewel’, ‘XXX. Reasons for a Red (371): title ‘A String of Epigrams…’, ‘I. Nose’ MM 9 September 1846, (446): On a Defunct Miser’, ‘II. On the illegible holograph prose and cutting Decease of a Fat Old Sinner Rascal…’ , titled ‘Poems by Charles Harpur’, ‘VII. (372): ‘III. R xxxxxx, pretend to what The Rose Tree’ with prose note MM 17 thou wilt, but know’, ‘IV. On a gay June 1846, (447): amended cutting Printer’, ‘V. An Infallible Soporific’, ‘Wentworth’ with incomplete prose note (373): ‘VI. Reasons for a Red Nose’, PA 18 August 1849, (447a): holograph ‘VI. (sic) To a Girl who stole a young prose note ‘A Word more of Wentworth’, Apple Tree’, ‘VII. ’Tis vain to ask, why prose fragment ‘Why my friend Parkes Cxxxxx, though so civil’, (374): untitled (a much greater man)…’, (448): prose fragment re ‘truest kind of poetry’. incomplete prose cutting with holograph Pages 375–380: ‘The World’s Victims’ additions [re ‘Wentworth’] annotated annotated ‘Copied W. H.’ with prose ‘Sept 1849’, (449): cutting incomplete note, (380): incomplete ‘An Epitaph’. prose note [‘On the Repeal Movement in Pages 381–436: miscellaneous letters by Ireland’], (449–450): amended cutting and to Charles Harpur and Mary Harpur ‘To the Rev. John Saunders…’ with date 1867–1892. prose note SC 25 December 1847, (450): cutting title ‘Two Political Sonnets By Page 437: handwritten (possibly Parkes) Charles Harpur’, (450–451): cutting ‘I. draft title page ‘Gifted Australians. The New Land Orders’ with amended Charles Harpur, Daniel Deniehy, Henry prose note SC 30 October 1847, (451– Kendall, William Bede Dalley. Some 452): amended cutting ‘II. The Proposed recollections by Sir Henry Parkes Recurrence to Transportation’ with prose G.C.M.G. London.’ note SC 30 October 1847, (452): Pages 439–458: cuttings with Harpur’s incomplete cutting ‘Ignorance’ SC 30 handwritten alterations and additions December 1847, (453–454): cutting from Sydney Chronicle [SC], Maitland ‘Chorus of the Spirits of the Earth…’ 204 THE POEMS OF CHARLES HARPUR

C376 continued (481–482): untitled prose [draft of letter re Harpur’s judgements as Clerk of Petty [‘Genius Lost’] with prose note SC 21 Sessions at Braidwood c. 1866, (483): December 1847, (454): amended cutting draft epitaph ‘Sacred to the Memory of ‘On the Repeal Movement in Ireland’ Charles Chidley Harpur…’ date 1867, with incomplete prose note SC 23 (484): fragment of letter signed ‘T. December 1847, (455): amended Osborne’, (485): ‘Simplicity versus incomplete prose cutting [note Craft’ with prose note on cross-written ‘Memory’s Genesis’] SC 30 November page of letter, possibly 1850. 1847, (455–456): cutting ‘“Yes”’ with Pages 486–[496]: miscellaneous copybook prose note SC 27 November 1847, (457– page, balance sheets etc. with dates 458): untitled cutting last three stanzas 1840–1865, (486): copybook page [‘Ignorance’] with prose note SC 30 annotated ‘Thomas Simpson September. December 1947. 6th 1840’. Pages 1/459–30/480: in Harpur’s distinctive Pages 497–513: cuttings from [The writing style date 1849. Pages are Australian Home Companion?] part of numbered 1–32 by Harpur with some Harpur’s ‘An Oration on Teetotalism’ Mitchell misordering. Some poems and with handwritten alterations and notes incomplete and pages missing additions. Harpur annotates page 513: from end. Page 1/459: title ‘“Charles ‘Euroma 16 Feb. 1865’. Harpur’s Wild Bee of Australia, A Series of Poems, with Prose Notes”’, ‘Winter Page 514: blank annotated ‘Harpur M. S.’ & Summer, or Neither will suit’ with [D. S. Mitchell?]. Pages 515–679: prose note, (1/459–2/460): ‘Women & including loose pages from various Stars versus a Beefsteak’ with prose sources date randomly 1849–1868, more note, (2/460–3/461): ‘My Sable Fair’ specific dates noted below. Pages 515– with prose note, (3/461–4/462): 516: ‘Charity’ with prose note, (517): ‘Morning’ with prose note, (4/462–6/ annotated [Mrs Harpur?] ‘contains The [463]): ‘Hope on’ with prose note, (6/ Beautiful and the bold eyed Mariner’, [463]–7/[463]): ‘A Nice Child’ with and in Harpur’s writing incomplete ‘The prose note, (7/[463]–8/464): ‘The bold eyed Mariner’, (518): cutting Terrors of Beauty’ with prose note, (8/ fragment re ‘Approaching Land Sales’, 464–9/465): ‘To my Neece, (sic) Mary, (519–520): holograph letter signed …’ with prose note, (9/465–10/466): ‘Chas: Harpur’ dated January 1868. ‘Beauty’ with prose note, (10/466–12/ Page 521: untitled prose re Emerson, 468): ‘The Emigrant’s Vision’ with prose (523): incomplete untitled prose re love note, (12/468–13/469): ‘The Poverty of and marriage. Greatness’ with prose note, (13/469–14/ Pages 524–533 date 1849–1850. Page 524: 470): ‘The Lost Voice’ with prose note, ‘Note to the Epitaph for a Sailor’ signed (14/470–15/471): ‘Love in Excess’ with ‘Charles Harpur’, (525): incomplete prose note, (15/471–16/472): ‘The Tree ‘Impromptu Stanzas…’, (526): ‘To of Liberty…’ with incomplete prose Robert Sydney, the Infant Son…’, (527): note, (31/477): last two lines [‘A Queer prose note with title below ‘Note to the Comparison’] with prose note, (31/477– Sonnet called Natural Religion’. Pages 32/478): incomplete ‘Geologia’, (29/ 529–530: torn pages with writing style 479–30/480): untitled lines [‘The Rose suggesting following sonnets belong to of Abana’] with prose note, (30/480): incomplete and fragmented sonnet series first eight lines ‘A Queer Comparison’, on pages 585–586: (529): ‘7. Descriptive APPENDIX A 205

of the Prospect from Mount View’, Great Fish of the See’] annotated ‘2 (530): ‘A Contrast’, (531): 4 line March 1853’, (555–556): prose ‘Note to fragment ‘And now through the dim the Heavenly Voice’ annotated ‘CH’ and haze, there falls…’, prose note ‘A New irrelevant annotation re ‘General Post Definition of Cunning’ annotated ‘C. Office 29th June’, (557–558): prose H.’, (532): untitled prose fragment [note ‘Add to the Note on the Epigram “the ‘The Widow’s Boy’], (533): prose note Mistake”’, (558): prose ‘add to the Note ‘To be added to the present Note on the on the Rhymes to a Lady etc’, (559): Address to an Echo etc.’ internal date prose ‘The Two Great Moral Orders of 1850. Men’, (561): prose ‘Characteristic Sayings’, (563): ‘The Great Fish of the Page 535: three untitled lines [‘Absence by see (sea)’, (564): unidentified prose the Sea-side’] probably belong to A87–2 cutting re Bishop Broughton [Broughton [see above under A87–2] date 1863, returned to England 20 February 1853]. although paper texture a little different, ‘A Regret’ annotated ‘Uncopied’ and Pages 565–567: letter [to Harpur?] dated ‘Copied W. H.’, (535–536): incomplete Nov. 15 1860[2?]. ‘A Lament’, (537): last two stanzas Pages 570/571: ‘Dawn and Sunrise in the [‘The Beautiful Squatter’]. Snowy Mountains’ with possibly Page 538: ‘XLV. The Beautiful Squatter’ irrelevant annotation ‘1 June 186–’ and annotated ‘Copied W H’, date 1849 but ‘Final Copy’ (latest extant version A87–1 later than Weekly Register version 15 1867). March 1849. Pages 573–580: date 1853 although pages Page 539: prose fragment [‘Religious 577–580 on different paper. Page 573: Liberty’] and annotation ‘1849’ possibly ‘Why?’, (575): prose ‘Memo for the irrelevant, (540): prose fragment ‘Add to Note to the Fate of Genius…’, (577– the Note on [Worldly Prosperity]’, 579): ‘The Great Fish of the Sea (See)’ (541): prose fragments ‘[Poetic] with prose note, (580): prose fragment Descriptions of Violent Death’, (541– ‘The Great Fish of the Sea (See)’, (581); 542): transcribed lines from Milton’s untitled lines [‘The Witch of Hebron’ ‘Paradise Lost’, (543): prose note Part I] date 1867. ‘Descriptive Poetry’, (544): prose ‘A Bit Pages 583–584: fragments of notes from of Prose in the vein…’, (545–546): ‘Rhymed Criticisms…’ (584): on ledger prose ‘To the Printer…’ re translations record partially dated March 31 185—. of Homer; no extant published version of ‘Similes’ and earliest extant Pages 585–586 contain sonnets numbered holograph version A87–2 (1867–1868). 13 and 15, probably part of Series on same paper which included sonnets on Pages 547–548: prose ‘Note to ‘Worldly pages 529–530. Annotation ‘January Prosperity’, (549): untitled prose 1844’ on page 585 possibly not relevant [‘Rhymed Criticisms…XI Moore’], for dating and could be Harpur’s (550): prose fragment ‘Man’s Greatest recollection of first version of poem; Victory’, (551): prose fragment possible date 1849–1850. Page 585: ‘13. ‘Additional to the Note in the Temple of To Mr. J. J. Walsh’, (586): untitled last 4 Infamy…’ annotated ‘C. H.’ lines [from version of ‘Australia’s First Pages 553–564 date 1853. Page 553: Great Poet’ not extant?] indicating page untitled lines [‘Rhymed Criticisms…III missing from MS, ‘15. Natural Piety’. Milton’], (554): incomplete note [‘The 206 THE POEMS OF CHARLES HARPUR

C376 continued Beautiful VIII: Lines and Figures’], (609); prose note ‘(Add to the Note on Pages 587–590: poems in different writing Prayer—last par:)’, (610); untitled prose style possibly date 1853–1854 with fragment probably part of note on pages watermark [E. Towgood 1853], on page 601–602, (611): untitled incomplete 589. Pages 587–588: ‘Morning Young prose note re Tennyson’s poetry and Love’, (589): ‘Impromptu. Written on Halloran’s verse, (613): untitled prose the verge…’, (590): ‘Women as fragment part of note on pages 601–602 Glorifyers’. and 610. Pages 591–592: untitled prose fragments on Pages 615–626 date 1857. Page 615: prose Harpur’s ‘Mission’ re religious liberty, ‘Notes –Appendix’ and letter ‘To the (593): prose fragment in different Editor of the Spectator’ re ‘The Temple writing style re morality and happiness of Infamy’, (616): untitled lines [‘The [note to ‘Happiness and Faith’?]. Temple of Infamy’], (618–619): untitled Page 594: unamended cutting ‘Dedication to lines [‘The Nevers of Poetry’], (621): William Wordsworth’ [Thoughts. A untitled prose fragment part of note on Series of Sonnets, 1845]. pages 601–602, 610, 613, (622): prose ‘Note to the Sonnet to Hill’ [‘To Samuel Pages 595–596: prose fragments in different Prout Hill’], (623–624): prose ‘Add final writing styles of verse and prose from to the Note on the “Man God”’, (625): ‘The Beautiful,’ earlier than version in ‘To Washington. (20 Months Old)’, Empire 12 September 1856, possible (626): prose note ‘Popular Proverbs’. date 1850–1855, (596): ‘Animal Human Beauty’. Page 627: letter dated April 30 1856 cross- written with fragment of prose note re Pages 597–644: pages of miscellaneous true greatness, verse ‘The Good Opinion size, colour and texture containing of the World’ and random notation. Page poems, prose and fragments date 1856– 628: partly illegible prose note probably 1858, some pieces dating earlier as earlier part of fragment on page 627, below. Page 597: 12 untitled lines (629): untitled prose fragment re ‘Behind which, resting it upon the translating Homer’s similes, (630): ground’ [translation of Homer’s Iliad incomplete note ‘To the Printer’ re XVIII?], (597–598): ‘II. The Passing away of a generation’ [‘Autumnal heading for poems, (631–632): ‘II. His Leaves V’] with prose note, (598–599): The Ancient Mariner [‘Rhymed ‘III. Josephine’ in blank verse, (600): Criticisms…XIII Coleridge’] with prose note re verse form of ‘Josephine’ incomplete prose note annotated and incomplete rhymed ‘IV. ‘Charles Harpur’, (633–634): untitled [Josephine]’. Page 601–602: untitled prose note [‘Lost in the Bush’ but prose note re ‘source of constitutional published version of note not extant], Government’ [part of note to (635): prose note ‘A Perfect Poet’, ‘Marvellous Martin’], (603–604): prose (636): prose note ‘Self-dependence and note ‘Truth of it were treason’, (605– the habit of Labor’, (637–638): part 606): ‘The Runnel: or a Poem on a draft of letter [to Richard Thompson, Poem’ [last lines of first stanza in editor of The Spectator] re Ewing’s margin] , (606): ‘One Great Question lectures on modern poetry [Sydney answered by Another’ with prose note, School of Arts, June 1846], (638): lines (607–608): untitled prose note [‘The included in letter to Thompson ‘What APPENDIX A 207

Next!’, (639–640): incomplete untitled Pages 661–668: verse and prose on different prose note [‘The Creek of the Four paper from above but in similar writing Graves’], (640): Harpur’s transcription style, date 1855–1856. Page 661: ‘4.’ of lines [Milton’s ‘Paradise Lost’] and prose epigraph and title only ‘A Youth of brief note, (641–642): prose ‘Colonial the Utopian Era’, ‘7.’ prose epigraph [Definitions]’ re ‘A Shepherd’ and [The Beautiful IX: ‘Dawn in the ‘Master and Servants’ Act’, (643): Australian Forest’], (663): fragment of untitled verse ‘II.’ [‘The Past’], (644): prose [‘The Poet’s Moon’], (664): 2 lines prose fragment re Tennyson’s blank [Goldsmith’s ‘The Deserted Village’], verse, (645): prose note ‘Take no (665): prose ‘To be added to the Note on thought of tomorrow’ annotated Newspaper Literature’, (666): ‘To be ‘Granbelang, January 2nd, 1855’, (646): added to the lines To Ellen’, (667–668): 4 untitled lines [‘Impromptu (on reading ‘Impromptu’ with note signed ‘CH’, a critique…)’], (647): 2 lines [Milton’s (668): ‘Antipodean Consistency’. ‘Paradise Lost’] and brief note probably Pages 669–678: verse with a different continuation of page 640, (648): prose writing style and paper texture date draft re John Plunkett [version of letter 1849. Page 669: fragment ‘Well, I scarce to People’s Advocate 23 February 1856]. need say’, (670): inserted fragment of Pages 649–657 date 1855–1857. Page 649: partial cutting from unidentified Sydney untitled lines [‘How comes it?’] begin newspaper ‘Supplement’. Pages 671 and page 650 with prose note, (650): earlier 672: inserted pages on white paper, part of prose note on page 649, (671): untitled lines [‘Hope On’] with annotated ‘CH’, and first lines of ‘How note annotated ‘CH’, (671–672): ‘The comes it?’, (651–652): ‘Impromptu, on Wanton’ with note annotated ‘CH’, reading…’ with prose note, (653): part (673): ‘The Chilly Man’s Lament…’, draft of prose prayer, (655): untitled marginal lines [‘How comes it’], (674): fragment [‘The Scamper of Life’], (657): untitled prose fragment re ‘peacock’ 6 untitled lines ‘Who lives but to the verse, (675): prose fragment [translation Present is a dunce’. of simile from Homer?], (677): fragment ‘Methinks I know the signs of passion Pages 659–660: fragment ‘The close of the well’, (678): fragment of unidentified Festival Scene ending the III Act’ [‘King cutting re ‘new bishopric in Australia’, Saul’] date 1852, (660): fragments of (679): prose fragment re plagiarism and ‘King Saul’ written on portion of school the ‘true poet’s’ perception of poetry. fees invoice dated 5 April 1852. 208 THE POEMS OF CHARLES HARPUR

C377 Pages i–134: dated by Harpur 1863 on page 1. Format: Bound notebook approx. 18.5 cm by 11.5 cm. Paginated by Mitchell librarian and partly paginated possibly by Harpur. Except for jottings on pages i, 1 and 134, C377 contains only a complete copy of ‘The Kangaroo Hunt: or a Morning in the Mountains’ with notes.

Page i: sundry jottings re household Page 2: arithmetical jottings, (3): title items. Page 1: sundry jottings re apple page for ‘The Kangaroo Hunt… By harvest, Harpur’s note: ‘This copy Charles Harpur’, (5–14): Preface, (intended to be a final one) of the annotated ‘Euroma, 1863’ (13), (8/15– Kangaroo Hunt or a Morning in the 18/35): Part I with notes, (19/37–61): Mountains, was made in my own house Part II with notes, (63–84): Part III with at Euroma, in 1863. Chas: Harpur’. [The notes, (85–100): Part IV with notes, final version, however, is found in A97 (101–116): Part V with notes, (117– 1867–1868.] Harpur’s handwriting is 133): Part VI with notes, (134): jotting neat and consistent throughout the MS. re household items.

C380 Pages 1–245. Cuttings with various dates probably compiled 1858. Format: Edition of The Poetical Work of Thomas Parnell (1833) and Yalden’s Poetical Works. Size approx. 14.5 cm by 9 cm. Page i annotated ‘George Gascoigne Taylor, Jerry’s Plains, May 20/49’. [Taylor, a minor versifier from Nottingham living in the Hunter district, lent Harpur books]. The pagination given below was added by the Mitchell librarian. The following pages are blank: 2, 242–243. The following pages are original printed pages without cuttings: 5–6, 8, [10], 12, [14]–[16], [18–20], [22], [24], [26], [30], 33, 35, 37, [40–44], [46], [48], [50], [np, np], [52], [54], [56], [58], [60–62], [64], [66–74], [76], [78], [80, 82, 84], [86, 88], [90], [92], [94], [96], ([98]–133), [155, 156], [158]–241.

Page 1: note in unknown hand ‘Harpur— Advocate with some alterations and Scrap-book. This vol. belonged to Chas. additions by Harpur. Dates cover 1854– Harpur. He used it as a scrap-book in 1858. Page 7: unidentified cutting which to paste his own printed ‘Prayer,’ PA 1857?, (9): cutting contribution to the press.’ Annotated ‘“Property is funded talent”’ with prose ‘HM?W?’ (Henry Martin?). note PA 26 April 1856, (9, 11): prose cutting ‘Names of Colonial Birds’ with Page 3: printed title page of Parnell’s ‘The poem ‘Morning’ PA 7 June 1856, (11): Poetical Works’. cutting ‘Change and Death…’ PA 26 Page 4: untitled prose note [‘“Nevers”…’ April 1856, cutting ‘III. A Truth that Part 1 note j]. Small Great Men won’t like’ with prose note PA 28 June 1856, (13): cutting ‘The Pages 7–157: verse and prose cuttings Spouse of Infinitude’ PA 28 June 1856, mainly from Empire and People’s amended cutting ‘The Hand of God’ PA APPENDIX A 209

26 April 1856, cutting ‘On hearing that of the People’s Advocate’ PA April? Sir Charles Nicholson…’ PA 7 June 1855, and PA 21? April 1855 [issues not 1856, (17): untitled prose cutting extant?], (93): marginal jotting, (95, 97): [‘Educational Mottos’] PA 31 May 1856, slightly amended cutting ‘Wellington’ PA (21): prose cutting ‘To the Editor of the 18 February 1854, ([134]–137): untitled People’s Advocate’ PA 2 February 1856, lines [‘The “Nevers”…’], ([138]–141): (23): slightly amended cutting ‘To. I. N.’ amended cutting ‘The “Nevers” of PA 28 June 1856, (25): untitled prose Poesie’ Empire 9 March 1858, [141]– note [‘Never Mind’] PA 28 June 1856, [142]: amended cutting [‘The Pathetic’] slightly amended cutting ‘I. ‘God’s with untitled prose note PA 20 December Man…’ Empire 2 June 1856, (27–[28]): 1856, (143–145): amended untitled prose cutting signed and dated by Harpur incomplete prose cutting [‘Ideal 31 March ‘To Mr. J. J. Harpur…’ PA 12 Vagueness, an element of Beauty in April 1856, (29): amended prose cutting Poetry’, also ‘The “Nevers”…’ note c: ‘The Scenic part of Poetry’ PA 7 June PA 23 August 1856]. 1856, (31): cutting ‘Emerson’ with prose Pages [146]–154 contain disparate cuttings note PA 21 June 1856, ([32, 34, 36], 37, from various pieces of Harpur’s work, [38]): untitled prose fragments [re connected by holograph additions and colonial politicians likened to cockatoos inserts, to construct an essay re aspects ?] written across Parnell’s text. of poetry and criticism with some Page 39: amended cutting ‘I. English reference to rival colonial poets. Pages Beauty’ Empire 9 April 1856, cutting ‘II. ([146]–147): untitled holograph prose “Coins are Beautiful as Roses”’ PA 21 [‘The “Nevers”…’ notes e and f], (147): June 1856, (45): mainly illegible incomplete amended untitled prose marginal annotation, (47, 49): amended cutting [‘The “Nevers”…’ note h: cutting ‘Sir Gilbert’ Empire 21 Empire 9 March 1858], (147–[148]): December 1855, (51): title page ‘The incomplete amended untitled prose Poetical Works of John Pomfret…’, cutting [‘Prose Poetry’] PA 2 August (53): untitled prose jotting [continues 1856, (149): incomplete untitled prose page [38]?], (55, 57, 59): amended note [‘The “Nevers”…’ note r] Empire 9 cutting ‘Onward’ PA 14 January 1854, March 1858, ([150]–151): untitled (59): amended cutting ‘Nobility’ Empire holograph prose [‘The “Nevers”…’ note 10 March 1856, (63): cutting ‘Epigram. r], ([152]–153): amended untitled On a Law-Mad Bush Justice’ PA 31 cutting [‘The “Nevers”…’ note i] March 1855, (65): cancelled marginal Empire 28 May 1858, in note to ‘The prose jotting, (75, 77): amended Poet’, (153–[154]): holograph prose incomplete untitled cutting [note to ‘The continuing attack on Fowler and others. Night Bird’] PA 6 May 1854, (79, 81, Page 157: 4 untitled lines [‘The 83): amended cutting ‘A Basket of “Nevers”…’], [244]: untitled holograph Summer Fruit’ with prose note PA 18 prose fragment re poetic beauty, (245): 6 March 1854, (85, 87): marginal prose untitled lines [‘The “Nevers”…’]. jottings, (89, 91): cuttings ‘To the Editor 210 THE POEMS OF CHARLES HARPUR

C381 Pages 1–322: date chiefly 1865–1866. Some newspaper cuttings dated later. Cuttings appear in haphazard sequence, including items dated 1880s and 1890s. Some cuttings unidentified. Format: Notebook 18cm by 11cm, pages all homogenous and bound by Mitchell librarian. Contains holograph poems and notes and newspaper cuttings, some with handwritten alterations. The following pages are blank: 2, even numbers between 26–30, 34–82, 86–110, 114– 122, 128–146, 192–228, and all pages 124–126, 148–190, 232, 234–288, 290–313.

Page 1: Harpur’s title page ‘Poetical Green Wood’ Moruya Examiner Studies: or Rhymed Criticisms with annotated ‘Finally Copied’, (99): cutting Prose Notes. By Charles Harpur’, (3–4) ‘Psalm CXXXI’ Moruya Examiner incomplete ‘Prefatory Remarks Note’, 1866, amended cutting ‘Psalm XIII’ (5–6): ‘No. 1 Chaucer’ (7–25): ‘Note’ Moruya Examiner 1866, (101): amended [to ‘Chaucer’], (25): ‘Memo’ to the cutting ‘Psalm VIII’ Moruya Examiner printer [i.e. of Sydney Mail?], (27–29): 1866, (103): cutting ‘Psalm I’ Moruya slightly amended cutting ‘Shakspere’ Examiner 1866, (105): cutting ‘Part of Sydney Mail 11 August 1866. Psalm CXXXIX’ Moruya Examiner 1866, slightly amended cutting ‘Psalm Pages 31–33: slightly amended cutting ‘The CXIII’ Moruya Examiner 1866, (107– Infinite in Space…’ SMH 27 August 109): amended cutting ‘The Babylonian 1866, [np]: inserted page unidentified Captivity…’ Moruya Examiner 1866. 1878 cutting ‘In Memoriam Charles Harpur’, (35): cutting ‘To the Criticlings Pages 111–113: cutting dated ‘Euroma, of Doggreldom’ Moruya Examiner March 13 1865’ ‘The Voice of the 1866, (37): cutting dated ‘Euroma, Swamp Oak’ with amended prose note August 1866’ ‘The Battle of Life’ Moruya Examiner, (115): slightly Moruya Examiner. amended cutting ‘Mary Arden’ Moruya Examiner? 1866?. Pages 39–81: amended cutting ‘The Tower of the Dream’ [Clarson, Shallard Pages 117–119: slightly amended cutting pamphlet, 1865]. dated ‘Euroma, 7 August 1865’ ‘Joshua…’ Moruya Examiner, (121): Pages 83–84: amended cutting dated cutting ‘Sonnet on the Disrespect…’ ‘Euroma, September 1866’ ‘A Song of with prose note PA 5 May 1855, (123): Sorrow’ Moruya Examiner, (85–87): cutting dated ‘Euroma, May 4 1870’ amended cutting dated ‘Euroma Oct. ‘The Flight of Peace’ Moruya 1866’ ‘A Combat’ Moruya Examiner Examiner?, (127–131): cutting ‘Poem by annotated by Harpur ‘Final Copy’, (89): the Late Charles Harpur. To the Moon’ slightly amended untitled cutting ‘IV–VI Moruya Examiner? 1868–1870, (133): Autumnal Leaves’ SMH 7 May 1867, slightly amended prose cutting ‘Sonnets: (91): amended cutting ‘The Hunter’s With Prefatory Remarks…’ SMH 7 Indian Dove’ Moruya Examiner?, (93): November 1866 annotated ‘Finally cutting ‘Fallen Away’ Moruya Copied’, (135–137): prose cutting Examiner?, (95): amended cutting dated [Review] ‘Poems by Charles Harpur’ ‘Euroma, January 1866’ ‘The Anchor’ [from an English paper? 1883], (139): Moruya Examiner?, (97): cutting ‘Yon cutting ‘Obituary. Death of Mrs F. E J. APPENDIX A 211

Doyle’ annotated ‘December 2nd 1890’, Lines. Written over the Grave…of the (141): cutting ‘The Lass of Eulengo’ Late Charles Harpur…’ by ‘W. M. C. with prose note Moruya Examiner? Campbell’, (229): cutting signed ‘Henry 1869–1870?, (143): unidentified cutting Kendall’ ‘Charles Harpur’ SMH 7 July annotated ‘1890’ ‘Obituary on the death 1868, [230]: unidentified cutting of Mr. John Kennedy Howe’, (145): ‘Obituary, Death of Mr. Andrew cutting dated ‘Singleton 25 September M‘Dougall, J. P.’ annotated ‘died 29th 1890’ ‘Our Floral Treasures’ re rose May 1880’, (231): cutting re death of cultivated by Mrs Henry Browne, (147): ‘Charles Harpur’ from Punch, letter to Mrs Harpur dated ‘June 29th unidentified cutting ‘Death’ re Joseph J. 1889’ from John Shaw re his lecture at Harpur Esq., unidentified cutting ‘The Granville on ‘Three Australian Poets: death of Miss Frances Doyle’, (233): Harpur, Kendall, Gordon’, (191): cutting cutting amended by unknown hand ‘A ‘To Charles Harpur. By Henry Kendall’ Song of David… By the Late Charles SMH 2 May 1863. Harpur’ Moruya Examiner 20 May [1880–1890]. Pages 193–223: amended cuttings of prose notes [‘Rhymed Criticisms…’]. Pages Page 289: list of 10 titles and first lines in 193–201: ‘Shelley’s Poetry’ SMH 3 Washington’s handwriting, 7 of which October 1866, (203–213): ‘Chaucer’s appear in ‘Poems in Early Life.’ Page Poetry’ SMH 26 December 1866, (215– [314]: Washington’s title ‘List of poems 223): ‘Milton’s Poetry’ SMH 8 June copied into manuscript’, ([314]–318): 1867. collections No 1–11 annotated ‘1890’ and ‘To England’, ([318]–321): Mrs Page 225: cutting dated ‘Euroma July 7th Harpur’s continued transcription of 1869’ ‘A Thought Sting. By the Late collections Nos 12–20. See Appendix B Chas. Harpur’ Moruya Examiner June for detailed list. Page 322: title only ‘A 1869, cutting ‘Life and Death. By the Storm in the Mountains’ and illegible Late Chas. Harpur’ Moruya Examiner words. 26 July 1869, (227): unidentified cutting annotated ‘Eurobodalla’ ‘Tributary

C382 Pages I–200: date 1847–1850. Format: Bound notebook 18cm by 11.5 cm. Holograph transcriptions with several additional pages inserted, some original pages obviously missing. No page numbered 106.

Page i: prose notes ‘Additional to Chaucer’, incomplete prose ‘Preface’, (7–8): ‘To ‘Additional to the Criticisms on “Critical the Lyre of Australia’ with prose note Reviews”’, ii: Salier’s note ‘1847–1848 annotated ‘1847’ and ‘C. H.’, (8–32): Misc Poems…’ dated ‘2.1.1946’, (iii– partly numbered Series: ‘Rhymes’; (8– iv): ‘A Child’s Song A Poe Rhyme for 11): ‘I. The Poet’ with prose note Children’. annotated ‘C. H. 1847’, (11–13): ‘II. To Henry Parkes on re-reading…’ with Page 1: incomplete prose note [‘The Muse’s prose note annotated ‘C. H.’, (14–15): Ethics III’?], (2): signature ‘Mr. Harper’ ‘III. The Combat’ with prose note (sic), 3–50: ‘Miscellaneous Poems of annotated ‘C. H.’, (15–18): ‘IV. To a Charles Harpur’ date 1847; (3–6): 212 THE POEMS OF CHARLES HARPUR

C382 continued Liberty…’ with prose note annotated ‘C. H.’, (50): incomplete ‘The March of Lady with a Copy of Love=Poems (sic)’ Knowledge…’. with prose note annotated ‘1847’ and Pages 51–75: ‘Critical Rhymes’ [early ‘C. H.’, (18, 23): ‘V. Memory’s version of ‘Rhymed Criticisms with Genesis’, (19): incomplete untitled prose Prose Notes’], some notes without note [‘Honest Poverty’]. Pages 19–22: accompanying rhymed criticism and incomplete ‘The Glen of the White some reliably annotated by Harpur Man’s Grave’, (23): untitled final stanza ‘1847’. Page 51: Harpur’s title ‘Critical [‘Memory’s Genesis’] with prose note Rhymes’, (51–52): ‘I. Chaucer’ with annotated ‘C. H.’, (23–25): ‘VI. Early prose note annotated ‘C. H.’, (52–56): Summer’ with prose note annotated ‘II. Shakspeare’ with prose note ‘C. H.’, (25–30, 35): ‘VII. On the Death annotated ‘C. H.’, (56–60): ‘III. Milton’ of Shelley’ with prose note, (31–32): with prose note annotated ‘C. H.’, (60– untitled final stanza [The Glen of the 61): ‘IV. Waller’ with prose note White Man’s Grave’] with prose note annotated ‘C. H.’, (61–62): ‘V. Dryden’ annotated ‘C. H.’. with prose note annotated ‘C. H.’, (62– Pages 32–33: ‘Virginal Love’ with prose 65): ‘VI. Pope’ with prose note note annotated ‘C. H.’, (33–34): ‘The annotated ‘1847’ and ‘C. H.’, (65–66): Terrors of Beauty’ with prose note ‘VII. Grey’ with prose note annotated annotated ‘C. H.’, (34): ‘The Forgotten’ ‘C. H.’ and ‘1847’, (67–69): prose only with incomplete prose note, (35): ‘VIII. Burns’ annotated ‘C. H.’, (70–71): untitled conclusion to prose note [‘On prose only ‘Byron’ annotated ‘C. H.’, the Death of Shelley’] annotated ‘C. H.’, (71–72): prose only ‘Moore’ annotated (35–37): ‘The Night Bird’ with prose ‘C. H.’, (72–73): prose only note annotated ‘C. H.’ and ‘1847’, (37– ‘Wordsworth’ annotated ‘C. H.’, (73– 38): ‘Song’ with prose note annotated 75): prose only ‘Shelley’ annotated ‘C. ‘C. H.’ and ‘1847’, (38–39): ‘The H.’, (75–78): prose only ‘Love in the Martyrs of Fortune’ with prose note Past’ annotated ‘C. H.’, (78–79): annotated ‘C. H.’, (39–40): ‘To Beatrice’ cancelled prose only ‘An Intellectual with prose note annotated ‘C. H.’, (40– Belief’ with prose note annotated ‘C. 41): ‘The New Land Orders (1847)’ with H.’, (79): prose only ‘The Poverty of prose note annotated ‘C. H.’, (41–42): Greatness’ annotated ‘C. H.’, (79–80): ‘The Proposed Recurrence to prose only ‘The Creek of the four (sic) Transportation’ with prose note Graves (blank verse)’ annotated ‘C. H.’, annotated ‘C. H.’, (42–43): ‘Journeying (80): prose only ‘To the Song with the Away’ with prose note annotated ‘C. H.’, motto “out of the day and night” etc’ (43–45): ‘To the Spirit of Poesie’ with annotated ‘C. H.’, (80–81): prose only prose note annotated ‘C. H.’, (45–6): ‘War’ annotated ‘C. H.’, (81–82): prose ‘Have Faith’ with incomplete prose note, only ‘Final Note to the Mis: Poems’ (47): untitled conclusion to prose note annotated ‘C. H.’, (83): prose only ‘To [‘The Widow’s Boy’] annotated ‘C. H.’, the Stanzas on the death of an infant (47): incomplete prose note continued in relative’ annotated ‘1848’ and ‘C. H.’, margin [‘The Widow’s Boy‘], (83–84): prose only ‘To the Sonnet on incomplete ‘To a Lady on Hearing…’ the fate of Poetical Genius in a sordid (48): final stanzas [‘To a Lady on community’ annotated ‘1848’ and Hearing…’] with prose note annotated ‘C. H.’, (84): prose only ‘To the Lines ‘C. H.’, (49–50): ‘The Tree of on the Comet’ annotated ‘C. H.’, (85): APPENDIX A 213

prose only ‘Intellectual Greatness’ annotated ‘C.H’, (106–107): prose only annotated ‘C. H.’, prose only ‘To the ‘To Geologia’ annotated ‘C. H.’, (107– Sonnet on Andrew Marvel’ annotated 108): prose only ‘To the Epitaph for a ‘C. H.’, (86–87): prose only ‘To the Sailor’ annotated ‘C. H.’, (108): prose Sonnet on Liberty’ annotated ‘C. H.’, fragment [to ‘The World and the Soul’]. (87): prose only ‘To the Mistake’ Pages 109–130a: prose essay ‘Teetotalism’ annotated ‘C. H.’, (88): prose only ‘To annotated page 130 ‘Charles Harpur’ the Lost in the Bush’ annotated ‘C. H.’, and ‘Feb: 10: 1848’, (130a): prose illegible cancelled prose ‘To the fragment ‘To be added to the Note to the Emigrant’s Vision’ annotated ‘C. H.’, World’s Victims’ annotated ‘C. H.’. prose only ‘To Knowledge’ annotated Pages 131–137: prose only ‘To the ‘C. H.’, (89): prose only ‘My Sable Vision of the Rock’ annotated ‘C. H.’, Fair…’ annotated ‘C. H.’, prose only ‘To (137–139): prose only ‘To the Man-God’ The Emigrant’s Vision’ annotated (sic) annotated ‘C. H.’, (139): prose only ‘C. H.’, (89–90): prose only ‘To the ‘Additional to the note on Shelley’, Coming on of Freedom’ annotated (140): prose only ‘Additional to the Note ‘C. H.’. to the Man God’ annotated ‘C. H.’, Pages 91–92: prose only ‘To the Poet’s (140–141): ‘Fragment’ [‘Autumnal Wish’ annotated ‘C. H.’, (92–93): ‘To S. Leaves V’] with prose note annotated P. Hill Esq.’ with prose note annotated ‘C. H.’, (141–142): prose only ‘March, 1848’ and ‘C. H.’, (93–94): ‘Additional to the Last Par: but one of prose only ‘To An Intellectual Belief’ the note to the Vision of the Rock’, annotated ‘C. H.’, (94–96): prose only (142–143): ‘Songs of Passion’ [‘A ‘To Myrza’ re poetic imagery and Lyrical Love Story 1:1’] with prose note cremation versus interment [no extant annotated ‘C. H.’, (144): prose only ‘Additional to the Note to the Sonnet on poem with this title, possibly refers to the New Land Orders’ annotated ‘C. H.’, ‘Love in the Past 4’] annotated ‘C. H.’, prose only ‘To the House of Revelry’ (96): prose only ‘To the Old Brook’ [‘Castle Carnal’] annotated ‘C. H.’, annotated ‘C. H.’, (96–97): prose only (144–146): ‘To a Relative, on being ‘To the Sonnet to Walsh’ annotated ‘C. twitted by him…’ with prose note H.’, (97–98): ‘Social Charity’ with prose annotated ‘C. H.’, (146–147): prose only note annotated ‘C. H.’, (98–99): prose ‘Additional to the Preface, last Par: but only ‘To Australia Huzza’ annotated ‘C. one’ annotated ‘C. H.’, (147): prose only H.’, (100): prose only ‘To Love ‘Additional to the Stanzas on the death Vindicated’ annotated ‘C. H.’, prose of an Infant Relative’ annotated ‘C. H.’, only ‘To the Losses of the Past’ prose only ‘For a first Par: to the Note to annotated ‘C. H.’, (100–101): prose only an Intellectual Belief’, untitled fragment ‘Addition to the 2nd P: of the Note to [‘The Creek of the Four Graves’], (148): Death of Shelley’, (101–102): prose only prose only ‘Additional to the Criticism ‘A 6th P. to follow the 5th ending with on Wordsworth’ annotated ‘C. H.’, (148– the words “proper test”’, (102): prose 150): prose only ‘To the Criticism on only ‘Additional to the Note to the Shelley’ annotated ‘C. H.’, (150–151): criticism on Shelley’ annotated ‘1847’ prose only ‘Additional to the Wanton’, and ‘C. H.’, (103–105): prose only ‘To (151): prose only ‘Additional to the Note an Intellectual Belief’ annotated ‘C. H.’, on Shelley’, (152–156): prose only (105): ‘Epitaph for an Able Dealer’ with ‘Additional to Finality’, (156): prose prose note annotated ‘C. H.’, (106): only ‘Additional to Beatrice’ annotated prose only ‘To the Emigrant’s Vision’ ‘C. H.’. 214 THE POEMS OF CHARLES HARPUR

C382 continued only ‘The Stanzas’ annotated ‘C. H.’, (184–185): prose only ‘To Finality’ Pages 157–188: most poems date late 1847. annotated ‘C. H.’, (185): illegible prose These are probably poems to be included note annotated ‘C. H.’, (185–188): prose in ‘Miscellaneous Poems’ ending at page only ‘To the Lines to Henry Halloran’ 50. A note on page 194 is annotated ‘Jan. annotated ‘C. H.’, (187–188): 6 untitled 1848’. Page 157–161: ‘The Carouse of lines [‘Lines to Henry Halloran’ inserted Despair’ with prose note annotated in preceding note], (188): prose only ‘C. H.’, (161–164): ‘The Wild Cherry ‘additional to the Lass of Eulengo’ with Tree’ with prose note annotated ‘C. H.’, asterisk referring back to page 177, (165–166): ‘Gramachree’ with prose (189): prose only ‘To the Sonnet on note annotated ‘C. H.’ and ‘1847’, (166– Charity’, (190–192): prose only ‘Note to 168): ‘“Yes”’ with prose note annotated the Poesie Sonnet’ [‘Australia’s First ‘C. H.’, (168–170): ‘The World’s Great Poet’ or ‘Poetry’?] annotated ‘C. Victims’ with prose note annotated H.’, (193): prose only ‘Additional to the ‘C. H.’, (170): ‘The Unrepresented Poet’s Wish’ annotated ‘C. H.’, prose Ideal’ with prose note annotated ‘C. H.’, only ‘Note to the Note on the (171–172): ‘Stanzas’ with prose note Intellectual Belief’ annotated ‘C. H.’, annotated ‘C. H.’, (172–173): ‘Song’ (194): prose only ‘Note’ re submission with prose note annotated ‘C. H.’, (173– of ‘the foregoing poems to the Sydney 174): ‘John Hiki (1847)’ (sic) with prose Chronicle in the latter end of 1847’ note annotated ‘C. H.’, (174–175): ‘John annotated ‘Jan: 1848’ and ‘C. H.’, (195): Heki (1847)’ with prose note annotated slightly amended cutting ‘Sonnet to Mr. ‘C. H.’, (175–176): ‘The Lass of Boyce’ PA 19 October 1850 with prose Eulengo’ with prose note annotated note, incomplete holograph prose ‘C. H.’, (176): prose only ‘Mary of ‘Teetotalism’, ‘“Flowers will come Eulengo’ annotated ‘C. H.’, (177): prose again with Spring”’ with incomplete only ‘The Lass of Eulengo’ annotated prose note, (196): untitled prose only ‘1847’ and ‘C. H.’. [‘The Drowned, Alive’], [197]: untitled prose only re Shelley’s versification, Page 178–181: prose only ‘To the Rhymes (198): untitled incomplete prose only [re to a Lady with a Copy of Love Poems’ Dante’s ‘Purgatorio’?] annotated ‘C. H.’, annotated ‘C. H.’, (181): prose only untitled cancelled note [‘The Drowned, ‘Additional to the “World’s Victims”, Alive’], (199): fragment of business [?] (181–182): prose only [continued from letter, (200): untitled cancelled page 170] annotated ‘C. H.’, (182): incomplete prose re ‘vanity’ and other ‘Hope On’, (183): prose only ‘To the evils, annotated ‘C. H.’, verse Sonnet on Morning’ annotated ‘C. H.’, ‘Epigram’. (183–184): prose only ‘To the Sonnet on Noon, Evening, and Night’, (184): prose APPENDIX A 215

C383 Pages I–[73]: date 1851–1856. Format: Notebook 17.8 cm by 13.3 cm. Possibly originally Mrs Harpur’s. Some pages excised, some inserted. The following page is blank: 4 [pagination by Mitchell librarian irregular in early pages, missing page numbers supplied in description below].

Page i: mathematical jottings, signature ‘D. Pages [30]–35: ‘The Burthen worst to bear’ S. Mitchell’. with prose note, (35–[36]): ‘The 137th Psalm’, (36): title only ‘Motto’ and Page 1: annotated ‘Mary Harpur’, quotation from Wordsworth inserted in mathematical calculations, (2): knitting text of ‘137th Psalm’ [no extant poem pattern (?) and illegible data, (3): titled ‘Motto’], (37): Harpur’s title Salier’s notes dated ‘2.1.1946’, [no ‘Rosa: or Sonnets of Love’, (37–65): pages numbered 5, 5a, 5b, 5c], [5d–5e]: numbered and titled sequence ‘Rosa: or mostly illegible knitting pattern in Mrs Sonnets of Love’ in handwriting similar Harpur’s writing. to that on pages 2–35, probable date Pages 5f–5g: ‘Paraphrase of the VIII 1853 but later than love sonnets in Psalm’, (7–[8]): ‘Paraphrase of the Bushrangers, 1853, [66]: illegible, XXIII Psalm, ([8]–9): ‘Paraphrase of the cancelled prose ‘Note’ annotated ‘C. H.’, 1 Psalm’, (9–11): ‘Paraphrase of the 113 prose only in different style of Harpur’s Psalm’, (11): ‘131st Psalm’, [12]: ‘Fancy writing ‘Note to the Character’ never drew a fairer’, (13–15): prose only annotated ‘CH’ and ‘1856’, (67–[70]): ‘Note to the Paraphrases of the Psalms ‘A Flight of Wild Ducks’ with prose The Psalms of David and the Book of note, (71): untitled lines [‘Psalm XIII’], Job’, [16]: ‘Part of the 139 Psalm’ with ‘A Feast for a Sun-God’ Summer House marginal title ‘The Omnipresence of Treat’, [72]: untitled prose note God…’, (17): prose only ‘Praise of the [‘Chaucer’], [73]: annotated ‘30th Decr Deity’, (18–20): unsigned and undated 1851’ probably not relevant for dating draft of letter to ‘Mr. Pennington’, (21): texts, mathematical calculations. ‘The Voice of the Wild Native Oak’, (22): ‘The Voice of the Native Oak’ in different stanza form, (23–[24]): ‘Noon in the Forest at Midsummer’, [24]: ‘Evening Haunts’, (25–[30]): ‘The Poet’s Wife’ with prose note. 216 THE POEMS OF CHARLES HARPUR

C384 Pages i–[137]. Cuttings date 1855–1862. Compiled and amended 1862–1863. Some items identified by lightbox reading from Braidwood papers (Dispatch and Independent) and others as yet unsighted. Amended version of ‘The Creek of the Graves’ (sic) on pages 39–59 may be a broadsheet from the Braidwood Dispatch about 1861–1863. Harpur’s consistent handwriting style suggests that changes to this poem were made approximately within the same period. Format: Notebook, 13.5 cm by 8.2 cm, containing newspaper cuttings, many with handwritten alterations and additions. Some pages now loose. The following pages are blank: 4, 30, 56, 60, 84, 88, 90–91, 94–96, 104, 113, 117–133 even numbers between 8–14, 22–26, 38–42, 64–68 and 74–76.

Page i: preceded by printed title page Death Song’ Empire 6 January 1858, ‘Notes’, Mrs Harpur’s jotting ‘Harold cutting ‘The True Poise of Manhood’ Harpur’, (ii): domestic jottings Empire 6 June 1857, cutting ‘A Mid- annotated ‘1855’, (iii): financial record Winter Morning’ Empire 28 January dated ‘1862’. 1858, (25): cutting ‘Song’ Empire 6 January 1858, slightly amended cutting Page 1: cuttings from title page of ‘Point in Poetry’ Empire 3 July 1857, Bushrangers, 1853 to form title: ‘Poems. (27): cutting ‘To My First Born, By Charles Harpur’ with signature ‘D. S. Washington Harpur’ Bushrangers, 1853, Mitchell’ and Public Library of New cutting ‘To my second born, Charles South Wales stamp, annotation ‘printed Chidley Harpur’ PA 8 November 1856, extracts’, (2): slightly amended cutting (29): slightly amended cutting ‘To ‘Great and Bountiful’ annotated ‘The Washington Harpur…’ Empire 28 Poet’ SMH 25 January 1862, (3, 5): January 1858. amended cutting ‘A Supernaturalised Battle Piece from Homer’ Empire 30 Pages 28–29: amended cutting ‘The Lost August 1860, (6): account jottings dated Voice’ Empire 6 January 1858, (29): 12 July 1856, (7): cutting ‘Have Faith’ cutting ‘Vague Beauty in Poetry’ Empire Australian Home Companion [AHC] 8 July 1857, (31): cutting ‘Love 1861, (9): cutting ‘Impromptu…’ with Vindicated’ PA 1857?, cutting ‘Love in amended prose note Empire 26 April the Springtime (…)’ PA 1857?, cuttings 1860, (11): cuttings ‘Moods’ and ‘The ‘Luck out of Season’ and ‘Taking too Loneness of Sorrow’ Empire 8 February much Thought of To-morrow’ Empire 8 1858, (13): amended cutting ‘The Night July 1857, (32–33): amended cutting Scene from Homer’ Empire 5 March ‘The Babylonian Captivity (…)’ Empire 1858, (15): cutting ‘The Battle of Life’ 13 May 1856, (34–35): amended cutting ‘Napoleon, the Child of Destiny,…’ PA Empire 20 November 1855, (15–17): 26 May 1855, (35): amended cutting amended unidentified cutting ‘The Last Hope’ and cutting ‘The ‘Happiness and Faith’, (18–18a): Liberty of Goodness’ Empire 2 June untitled holograph lines [‘On a Defunct 1856, (36): untitled holograph fragment Miser’] with prose note, (18b–19): [probably intended for ‘The Temple of amended cutting ‘Morning Love’ Empire Infamy’] not found in any extant 3 July 1857, (20–21): cutting ‘Poetry version, (36a): slightly amended cutting and Prose’ Empire 8 July 1857, amended ‘Early Summer’ with prose note Empire cutting ‘The Still Hour of Love’ Empire 2 June 1856, (36b): untitled incomplete 6 January 1858, amended cutting ‘The holograph lines [‘Yearnings’] probably Pang of Death’ Empire 8 July 1857 with amendment to page 37, (37): cutting ‘A re-pasted title, (23): cutting ‘Aboriginal Poet Boy’s Love Wishes’ AHC 1861. APPENDIX A 217

Page 39–59: amended cutting ‘The Creek of Out of Season’ BD July 1861, (98–99): the Graves’ broadsheet Braidwood amended cutting ‘XVII. Capital Dispatch? 1861–1863?, (61, 63): cutting Punishment’ BD July 1861, (99): ‘The Tree of Liberty’ Bushrangers, cuttings ‘XVIII. The Best Knowledge’, 1853, (62): untitled holograph [‘A Jolly ‘XIX. One True to His Look’, slightly Good Fellow’], (65): cutting ‘The Honey amended cutting ‘XX. Wisdom’s Bird’ with prose note AHC 1861, (67): Dwelling’ BD July 1861, (100): slightly amended cuttings ‘Two Sonnets: holograph lines ‘Capital Punishment’, I. Morning, II. Noon, Evening, and (101): cuttings ‘XXI. On a Defunct Night’ AHC 1861, (69): amended cutting Miser’, ‘XXII. What’s the Difference?’, ‘The Name of Washington’ PA 26 May slightly amended cutting ‘XXIII. Coins 1855, cutting ‘Impromptu…’ PA 31 and Roses’, cutting ‘XXIV. A Man can March 1855, (71): amended cutting ‘To only be Judged by His Peers’ BD July Myself, June 1855’ PA 2 February 1856, 1861, (103): slightly amended cutting cutting ‘My First Song’ Empire 15 ‘XXV. The Egotism of Poets’ BD August February 1858, (72–73): amended 1861, (102–103): amended cutting cutting ‘To a Child Sleeping’ Braidwood ‘XXVI. “Whatever Is, Is Right”’ BD Independent 30 August 1861, (75–77): August 1861, (103): cuttings ‘XXVII. slightly amended cutting ‘Onward’ Simplicity versus Craft’, ‘XXVIII. A Braidwood Independent or Braidwood Titan Incog.’ BD August 1861, (105): Dispatch?, (78–79): amended cutting ‘A cuttings ‘XXIX. Contrary Ways’, ‘XXX. Rhyme for Children’ with new Enduring Prose and Verse’, ‘XXXI. holograph title ‘Vesper’ AHC 1861, (80– Oratory’, ‘XXXII. The Real Cause’, 83): amended cutting ‘To a Comet’ ‘XXXIII. Reasons for a Red Nose’ BD Braidwood Independent or Braidwood August 1861, (107): cuttings ‘XXXIV. Dispatch?, (84–85): amended cutting ‘A Prose Poetry’, ‘XXXV. Epitaph on a Summer-House Treat’ Braidwood Sailor’ BD August? 1861, (106–107): Dispatch July 1861 with holograph amended cutting ‘XXXVI. Bishop annotation ‘Final Copy’, (86): holograph Berkeely (sic)’ BD August? 1861, (107): lines ‘The Lyrical Love Story [1: 9]’. cutting ‘XXXVII. A Case for the Page 87–112: ‘Bits’ published Braidwood Lawyers’ BD August? 1861, (108): Dispatch (BD) July–August 1861; (87): amended cutting ‘XXXVIII. Moral amended cutting ‘I. Fools All’, cuttings Faith’, cutting ‘XXXIX. Modern Poetry’ ‘II. Fast and Slow’, ‘III. A Law- annotated ‘“Nevers”’, cuttings ‘XL. A Munching Bush Justice’, ‘IV. How to Rogue-Saint’, ‘XLI. An Ugly Character’ Lessen a Flux of Visitors’ BD 1861, BD August ? 1861, (109): cutting ‘XLII. (89): cuttings ‘V. Job a Reviewer’, ‘VI. A Guess at a Why?’, amended cutting The Merit of Sobriety’, ‘VII. A Life ‘XLIII. A Similitude’, cuttings ‘XLIV. Saved’, (89, 93): cutting ‘VIII. Military Poetic Truth’, ‘XLV. The Pathetic’ BD Merit’ BD 1861, (93): cutting ‘IX. Self August? 1861, (110): cutting ‘XLVI. The Reference’, amended cutting ‘X. Love is Righteousness of Nature’, amended Simple’, slightly amended cutting ‘XI. cutting ‘XLVII. Neither Will Do’, To a Girl who stole a Young Apple cutting ‘XLVIII. Doing and Being’ BD Tree’, cutting ‘XII. Talent and Genius’ August? 1861, (110–111): cutting BD July 1861, (97): amended cutting ‘XLIX. Virtueless People’ BD August ‘XIII. My Friend Jaques’, cutting ‘XIV. 1861, (111): cuttings ‘L. Life Without On a Fat Old Cheat…’, slightly and Within’, ‘LI. Straightforwardness’, amended cutting ‘XV. Happy Spite’ BD ‘LII. Purse Pride’, BD August 1861, July 1861, (97, 99): cutting ‘XVI. Luck (112): cuttings ‘LIII. A Rural Picture’, 218 THE POEMS OF CHARLES HARPUR

C384 continued slightly amended cutting ‘Versions of some of the Psalms. Psalm XXIII’ ‘LIV. An Epitaph’, ‘LV. Whom should I Moruya Examiner 1866?, (134): jottings help?’ BD August? 1861. [‘Summer and Winter and neither will do’], [136]: Mrs Harpur’s jotting Page 114–115: slightly amended cutting ‘Harold Harpur’. ‘From Genius Lost…’ Braidwood Independent? or BD? 1861?, (116):

C385 Pages I–112: date 1853–1854. Format: Octavo booklet 10 cm by 5.5 cm, bound at shorter end. ‘Notes and Observations’ inscribed in Harpur’s writing on back cover.

Page i: untitled semi-legible fragment happy evening passed beside yon river’ [‘Outward Bound’]. Pages 1–22: prose [‘Love in the Past’], (89–94): prose only only ‘The Moon’, (23–25): prose note ‘Prose and Poetry in contradistinction’ ‘Angels with colored wings’, (26–32): contradistinguished’, (94–96): prose ‘A Vision of an Angel’ with prose note only ‘Neatness in Prose’, (96–97): continuing note ‘Angels with colored memos re Washington and Charles wings’, (32–38): prose only ‘Private Chidley Harpur annotated ‘C. H.’ and Judgment’, (38–39): prose only ‘Byron’s ‘Aug 1854’. Imitators’, (40–41): incomplete prose Page 98–100: untitled incomplete fragments only ‘Point in Poetry’, (42–49): prose [‘Autumnal Lines 6’] with prose note, only ‘Military Heroes and War’, (50– (101–102): ‘Fragment’ [‘Autumnal 52): prose only ‘Point in Poetry’, (53– Leaves 6’], (103–106): ‘Dawn in the 58): prose only ‘“Knowledge is Power”’ Forest’, (107–110): illegible prose, and ‘“Want of Principle is Power”’, (59– (111): Mrs Harpur’s jottings annotated 66): prose only ‘The Pathetic’, (67–77): ‘7 November 1851’ and ‘8 November prose only ‘Pope’s Poetry’, (78–81): 1851’, (112): illegible prose, [np]: prose only ‘God’s Foreknowledge does Harpur’s title ‘Notes and observations’. not imply Destiny’, (82–88): prose ‘Form of a Song’ including poem ‘One

C386 Pages [i–144]: date 1859. Collection unpaginated and contains only holograph prose pieces. Format: notebook with mottled covers approx. 7 cm by 8.5 cm. Front cover has small handwritten label ‘Discourse on Poetry’. Page [1] recto and page [2] verso has been detached. The following page is blank: [2].

Page [i] verso cover: list of three cheque [1]: Harpur’s title ‘Notes and Opinions: numbers, four lines of prose Moral Critical and Personal. To which is [amendments to ‘Discourse on Poetry’], prefixed A Lecture on Poetry. By APPENDIX A 219

Charles Harpur’, list of three names [93–98]: ‘Honest Poverty’, [98–104]: [possibly payees or payers] with legible ‘Truth’, [104–111]: ‘Morning’, [111– dates ‘11th Jany.1858’ and ‘17 Jany. 118]: ‘Evening’, [118]: ‘Additional to be 1858’. inserted in the paper on Morning’, [119– 121]: ‘Solomon’s Song of Songs’, [122– Pages [3–26]: part ‘I’ of ‘Discourse’, [26– 124]: ‘Tennyson Browning’, [125–129]: 47]: part ‘II’ of ‘Discourse’, [47–73]: ‘Extracts from Solomon’s Song’, [129– part ‘III’ and conclusion of ‘Discourse’. 130]: ‘To conclude the Essay on blank Pages [74]–[78]: ‘The Poetry of the Verse’, [130–134]: ‘Ideal Vagueness’, Household Appetites’, [79–89]: ‘Blank [134]: ‘Virtue is Peace’. Verse’, [89–93]: ‘Metrical Liberties’,

*D19 Pages 1–32: date 1851–1927. Miscellaneous letters, broadsheets and documents; copy of the 1813 baptismal record for Charles Harpur. Format: Miscellaneous documents bound and paginated by Mitchell librarian. The following pages are blank: 2, 4, 8, 18, 24.

Page 1: part copy of Harpur’s letter of account sheet re sale of Harpur’s poems appointment [as Gold Commissioner] 31 dated ‘December 31st. 1890’, (19–22): August 1859. draft letter by Harpur to Stuart A. Donaldson re Subscription List for his Pages 3–5: letter from Kendall to Harpur poems, including report of some dated ‘Jan. 13. 1862’, ([6]): illegible assessments of the poems, dated ‘2 April/ fragment of list, (7): Harpur’s draft 57’, (23): copy, dated 25 October 1927, of reference re Ah Min, Chinese Harpur’s record of baptism on 23 May Interpreter, dated ‘Gulph, January 1864’, 1813 with marginal signature ‘A. G. (9–10): holograph ‘Memorandum of Stephens’ [?literary editor Bulletin]. Agreement’ dated ‘Euroma, 27 March, 1865’ and annotated ‘Witness Pages 25–27: Harpur’s letter to Bernard Washington Harpur’, (11–13): cutting ‘A McMahon, dated ‘Anvil Creek, 12 [or 13] Rhyme’ broadsheet Braidwood June, 1851’ including copy of ‘Hope On,’ Dispatch? 1864? (28): envelope cover addressed to ‘Bernard McMahon Esq.’, (29–32): Page 14: cutting ‘Coleridge’s Christabel’ Harpur’s letter with envelope cover to broadsheet ‘“Dispatch” office, Bernard McMahon dated ‘Anvil Creek 8 Braidwood’ possibly 1861. Sept 1851’. Pages 15–16: letter from James H. Doyle to Mary Harpur dated ‘July 3rd /91’, (17): APPENDIX B

This appendix locates in the listings in Appendix A: •‘Major’ manuscript collections authorised by Harpur •Other manuscript collections numbered by the Harpurs Mrs Harpur’s list of poems is also given here

1.‘MAJOR’ MANUSCRIPT COLLECTIONS AUTHORISED BY HARPUR The eleven collections transcribed by Harpur between 1867 and his death in 1868, and the twelfth collection completed by Washington, have come to be called the ‘Major’ Manuscripts. The poems were prepared specifically for an English edition. They are not necessarily the versions or the poems he may have preferred to include in a representative collection of his work. They exclude some of Harpur’s longer poems and include only some sonnets from the sequence ‘Records of a Poet’s Love’. The twelve collections, however, constitute the last known version of about half of his poems. MANUSCRIPTS 1–11. These collections have been collated haphazardly, possibly by an early Mitchell librarian. Nos. 1, 6, 7, 8, 10, and 11 are found in A87–1, Nos. 2, 4, and 5 are found in A97 and Nos. 3 and 9 are found in A92. . The collections numbered as ‘manuscripts’ by Washington, include ‘Manuscript No. 12’ in A97 which was transcribed by Harpur until his death in June 1868 and completed by Washington. An editor might consider this as No. 12 in the ‘major’ manuscripts authorised by Harpur.

2. OTHER MANUSCRIPT COLLECTIONS NUMBERED BY THE HARPURS

Three other collections, in addition to those already numbered in the ‘Major Manuscripts’, and also titled ‘manuscripts’ and transcribed during 1850–53, are extant in C376. Harpur numbered these: Manuscript No. 8, Manuscript No. 5 and Manuscript No. 6. Although they are not completely intact, they form part of a collection which Daniel Deniehy believed Harpur intended to publish as ‘The Wild Bee of Australia’. Washington and Mrs Harpur numbered other collections of Harpur’s transcriptions. These were probably numbered after Harpur’s death, and may have been in accordance with what Washington knew his father intended. These collections are also collated haphazardly. Nos. ‘12,’ ‘13’ and ‘14’ are found in A97, Nos. ‘1’, ‘17’ and ‘20’ are found in A87–2, Nos. ‘6’ and ‘18’ are found in A93. Two different collections in the Harpur archives are titled Manuscript No.11, two are titled Manuscript No. 8, and two are titled Manuscript No. 5. There are three collections titled Manuscript No. 6. An editor must decide how many of these collections could be regarded as groupings authorised by Harpur.

220 APPENDIX B 221

3. MRS HARPUR’S LIST

After the poet’s death, possibly well before the preparation for the edition published in 1883, Mrs Harpur and Washington drew up a list of poems in twenty groupings. This list is found in C381 pages [314]–321. Page [314] is annotated ‘1890’ and ‘* To England’. Some groupings and some individual poems are marked with an asterisk. See also Appendix A pages 210–11. A partially successful attempt, using the extant collections, can be made to reconstruct the 1–20 groupings copied by Washington and Mrs Harpur in C381. The titles in their collections 1–12 follow closely Harpur’s ‘major’ manuscripts but are not quite identical. Collections numbered 15, 16, 19 and 20 appear in Mrs Harpur’s list in C381 but there are no collections numbered 15, 16, 19 and 20 in the Harpur archives. Mrs Harpur’s collection No. 20 contains titles which are found in A87–1 under her heading ‘Man. No. 20’ and Harpur’s inscription: ‘Pieces in Verse & Prose, contributed to the Sydney Times by Charles Harpur.’

MRS HARPUR’S LIST OF POEMS C381 (Washington transcribed collections 1–11) The format of the original is followed as closely as practicable. Its annotations are given, and its spellings are used.

List of Poems. Copied into Manuscript )

1890 * To England)

No 1 Creek of the Four Graves The Bush Fire No 2 A Storm in the Mountains England *) The Spectre of the Cattle Flat Dawn in the Australian Forest Midsummer in the Forest No 4 England *) The Glen of Whiteman’s grave A Poets Home Shakespere No 3 * Lost in the Bush England) The Murder of the Lamb The Voice of the Swamp oak No 5 The Tower of The Dream To England *) The Cloud Humanity The Vision of an Angel The Spouse of The Infinitude A Coast View The Flight of Faith 222 THE POEMS OF CHARLES HARPUR

No 6th The Dream by the Fountain A Rhyme The Drowned Alive To H P The Losses of the Past To an echo on the Banks of Hunter The Death of Shelly Happiness & Faith Monodies Autumnal Leaves Bits Property is Funded Talent A Summer House Treat Luck out of Season No 7 The World and the Soul (To England) The Bard of Paradise * The Vision of the Rock A Musical Reminiscence Consolation No 8 Ideality (√) A Lament To a Comet Love The Idealiser (*To England) The Widow’s Boy The Snow Child A Combat To — Blindness of Merit √Joshua A Basket of Summer Fruit The Death of Shylock Finish of Style Abed Ben Houran No 9 √The Poet (*To England) √Oward Bound √Diana √Yon Greenwood √Mary Arden √Absence By The Sea-Side √To Mary √Emblems √Virginal Love √Eva Grey √Love & Song √The Dream of the Orient √An Aboriginal Mothers Lament √Early Summer Love APPENDIX B 223

√The Lost Voice √Dora √The Hunters Indian Dove √Love to The Last √To a Child Sleeping A Song of David etc The Death of Sisera √Love, Friendship & Faith Nobility The Muse’s Ethics The Battle of Life √Cora’s Sire Cora √The Anchor Lines & Figures The World Birth of Love To A Girl Contemporary Praise √Compensation √In the Past √Ecce Homo √ Ineffable* sent to England ______No 10 √The Flight of Peace √To The Moon √Life’s First Despair √The Night Bird √Life & Death √Onward √Eden Lost What’s Poetic Love dreaming of Death The Past √A Thought Sting √Asking In Vain √No Mean Dwelling No 11 Sonnets ______12 The Slav Story + sent to England The Forgotten Emigrants Vision Forward Ho! Yearnings A Political Gospel Hope on No 13 Kangaroo Hunt or Morg in the Mountain No 14 The Witch of Hebron * (To England) 224 THE POEMS OF CHARLES HARPUR

To England Castle Carnal The Forging of the Armers of Achilles The Rose of Albana The Infinite ______No 15 Satiria [?]* To England To Poesy War Song for the Australia League Elegiac Verses Educational Mottoes The Devils own glee Three thousand years ago A song of Manhood The one thing Needful Valedictery Bunkum A Characteristic Epitaph for an able dealer The Babylonian Captivity A Keen Both Sides of the Medal A Burley Beast A character Honest Poverty The Knight of Bunkum Virginal Love Change & death ______

(Poem) In an envelope) Gods Man Silmilies from Homer The famous Night Scene in VIII Iliad ______

[Pind? together] Domestic Sonnets} To the Lyre of Australia} No 16 Genius Lost—* To England Book Rhymed Criticisms etc. from notes Chaucer [Rhymed Criticisms to Critical Rhymes… are bracketed together] Shakespeare Milton Waller Dryden Pope Grey Collins Burns Byron APPENDIX B 225

Moore Wordsworth Coleridge Shelley Critical Rhymes on some of the Critical Reviews of the Last Ages No 17 Manuscript sent to Adelaide first to England *Satire Nevers of Poetry No 18 Temple of Infamy Polemical Tracts No 19 Shakespeare (* To England) Milton Famous Night scene in the VIII Iliad David Inciting to Dance Spring Time Gladness Beauty No 20 Book containing contributions to Sydney Times Bard of Paradise Impressions of Emerson The Southern Land of Ours Poetry Versus Music Mary Arden Cora