DOCSLIB.ORG

Planning Statement 08 Contents

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

SCREEN HUB UK September 2020 Screen Industries Global Growth Hub DOCUMENT Planning Statement 08 Contents 1. Introduction 1 2. Pinewood Studios 4 3. Site Description 8 4. Planning History 10 5. The Proposals 11 6. Planning Policy Context 16 7. Policy Assessment of the Proposals 27 8. Green Belt 45 9. Third Parties 60 10. The Planning Balance 63 Appendix 1: Planning history 67 Appendix 2: Planning policy matrix 70 Appendix 3: Residential amenity assessment 82 Appendix 4: Third party letters of support 84 Stuart / Irvine Sara Dutfield Client Pinewood Group Limited Our reference PINS3003 September 2020 1. Introduction Introduction 1.1 This Planning Statement is submitted on behalf of Pinewood Group Limited (PGL) to Buckinghamshire Council (BC) in support of an outline planning application for the development of a Screen Industries Global Growth Hub (Screen Hub UK) on land to the south of Pinewood Studios. 1.2 The application site comprises c.32ha of land which has formerly been worked for gravel extraction, with restoration approaching completion. 1.3 The proposal is described as: “Outline planning application with all matters reserved (except for principal points of access) for the phased development of a screen industries global growth hub of up to 750,000 sq ft (70,000 sq m) comprising: A visitor attraction of 350,000 sq ft comprising a series of buildings 350,000 sq ft of film production buildings (including sound stages, workshops, offices and an external film backlot) An education hub (25,000 sq ft) A business growth hub (25,000 sq ft) Associated parking and servicing Green Infrastructure” 1.4 This Planning Statement identifies and appraises all the relevant planning policy considerations associated with the proposed development, and should be read in conjunction with the other documents and drawings submitted in support of the application, including: • Document 01 - Planning application forms including associated certificates • Document 02 - Community Infrastructure Levy Form 1 • Document 03 – Site location plan • Document 04 – Site plan • Document 05 - Parameter plans: PP1A Site context (existing levels) PP1B Site context (proposed levels) PP3 Development zones PP3A Land use PP3B Land Use PP4 Green infrastructure PP5 Access and movements PP6A Building heights PP6B Building heights PP7 Development numbers and yield 1 • Document 06 - Illustrative masterplans: Illustrative Masterplan (A) 3770-FBA-XX-00-DR-A-01_110 Illustrative Masterplan (B) 3770-FBA-XX-00-DR-A-01_111 • Document 07 – The Case for Growth and Recovery • Document 08 – Planning Statement • Document 09 - Development Framework and Design & Access Statement • Document 10 - Transportation Assessment (inc. Framework Travel Plan) • Document 11 – Landscape Strategy • Document 12 – Arboricultural Report • Document 13 – Environmental Statement (NTS, Volumes 1 and 2) • Document 14 – Economic and Social Benefits Assessment • Document 15 – Flood Risk Assessment and Drainage Strategy • Document 16 – Consultation statement • Document 17 – Sustainability Statement 1.5 The application is in outline form with all matters reserved for future approval except principal means of access into the site. 1.6 In accordance with The Town and Country Planning (Development Management Procedure) (England) Order 2015, the application provides details of potential routes of access through the site on the Parameter Plans, although the fixed routes and designs will be secured through reserved matters. Context 1.7 This Statement is prepared to assist BC in its determination of the application having regard to the requirements of the Development Plan, the National Planning Policy Framework (the Framework) and Planning Practice Guidance (PPG) and other material considerations. It evaluates the proposed development against local and national planning policies and carries out an overall planning balance. Structure of Planning Statement 1.8 The remainder of the Statement is structured as follows: Section 2: Provides an introduction to Pinewood Studios as an iconic brand within the world film industry; its reputation, heritage, scale, facilities, significant offer and role both nationally and internationally; Section 3 and 4: a description of the site and its surroundings, planning designations and the relevant planning history is included; Section 5: details the proposed development in full; Section 6: a summary of the development plan policies, national policies, economic, and film and screen based media policy context, against which the development proposals will be assessed is provided; Section 7: provides an assessment of compliance with the Development Plan; 2 Section 8: provides a Green Belt assessment; Section 9: highlights the support received from third parties; and Section 10: provides an assessment of the overall planning balance. Environmental Impact Assessment 1.9 Schedule 2 of the Town and Country Planning (Environmental Impact Assessment) Regulations 2017 (hereafter referred to as the ‘EIA Regulations’) identifies projects where an EIA is required. The EIA Regulations implement the requirements of the European Community’s Directive on Environmental Assessment (85/337/EEC), as amended by the Council Directive No. 97/11/EC and 2011/92/EU. Further guidance is provided in the National Planning Practice Guidance (NPPG). 1.10 The size of the Site is above the 0.5ha ‘threshold’ for an urban development project, as set out in category 10b of Schedule 2 of the EIA Regulations, and therefore the need for EIA must be considered. The proposed development has not been the subject of screening but on review by EIA experts it was considered to be EIA development requiring an Environmental Statement (ES). 1.11 The structure of the ES which accompanies this application is as follows: Non-technical summary Chapter 1 – Introduction Chapter 2 – Approach to EIA Chapter 3 – Description of the Site and Surrounding Area Chapter 4 – The Proposed Scheme Chapter 5 – Consideration of Alternatives Chapter 6 – Socio-Economics and Human Health Chapter 7 – Landscape and Visual Chapter 8 – Biodiversity Chapter 9 – Transport Chapter 10 – Climate Change Chapter 11 – Air Quality Chapter 12 – Noise and Vibration Chapter 13 – Assessment of Cumulative Effects Chapter 14 – Summary of ES and Schedule of Mitigation 3 2. Pinewood Studios 2.1 This section of the Planning Statement provides an overview of Pinewood Studios and its evolution into one of the leading players in the international film, high end TV and screen based media industry. 2.2 Pinewood has enjoyed an unparalleled reputation in the world film industry since it was established in 1936. It has become a market leader with a global reputation. It is the largest and most prolific film and television studio in the UK and one of the leading providers of production facilities to the screen-based creative industries in the world. It operates as the hub of the West London film and television production cluster. 2.3 Its status is clear from the following achievements and features: Over 2,000 films have been produced at Pinewood Studios, winning 167 Oscars and 228 BAFTAs. In the past year alone, PGL’s UK-based studios have been home to many highly acclaimed productions such as Rocketman, No Time To Die, Fast & Furious Presents: Hobbs & Shaw, Dumbo, Mary Poppins Returns, Mary Queen of Scots and Star Wars: The Rise of Skywalker. Pinewood is the first and only facility in the world to receive an award from the British Academy of Film and Television Arts (BAFTA) in 2009 for Outstanding British Contribution to Cinema. It offers a wide range of facilities essential for film, television and screen based production, on a scale that is currently rivalled by few studios worldwide and none in the UK. 2.4 The range of production facilities, services and skills available at Pinewood, is one of the most comprehensive in the world and provides a unique offer that attracts the best international producers and directors to make their films in the UK. Pinewood also accommodates a community of specialist businesses, enterprises and suppliers. 2.5 A unique feature of Pinewood’s offer is the co-location of stages with workshops and production offices and the essential array of specialist technicians, trades and crafts people who invest their extraordinary creativity, experience and skill into the myriad aspects of making a modern motion picture. 2.6 In granting outline planning permission on appeal for the Pinewood Studios Development Framework (‘PSDF’) development in 2014, the Secretary of State recognised the status of Pinewood, concluding that it ‘has a leading global status’ and ‘is an essential component of the UK film industry’. 4 The Pinewood Brand and its history 2.7 The history of Pinewood Studios began in 1934 when the Sheffield building tycoon Charles Boot purchased a Victorian manor house and estate in Buckinghamshire with the intention of creating Britain’s first international film studios to rival Hollywood. He formed a partnership with the flour millionaire J Arthur Rank and jute heiress Lady Yule, and together they invested £1 million in the design and construction of Pinewood Studios, which was opened on 30th September 1936. 2.8 There were twenty studios in the London area making films at that time, but what set Pinewood apart, was that it was a purpose-built new model in studio design; its design and functionality influenced by the operating methods of the Hollywood studios, and both Boot and Rank’s experience of the efficiencies
Recommended publications
  • Newsletter Index May 2021

    Newsletter Index May 2021

    Wycombe Wildlife Group (WWG) newsletter index (Revised 26 May 2021) Wycombe Wildlife Group has produced a newsletter 3 times a year since the Group was formed, initially as Wycombe Urban Wildlife Group, in 1989. Copies of all the newsletters issued have been placed on this website to provide a record of the history of the Group and some of its achievements and failures in carrying out its planned objectives. This index includes reports and articles published in the newsletters containing material relating to wildlife species and their conservation, wildlife habitats and their management, as well as listing past activities such as walks, talks and visits. The list is divided into categories to make it easier to find items on particular subjects. Each item on the list shows the number of the newsletter in which it was published.By selecting the relevant issue number from the list of issued newsletters, you can view or, if necessary, download that issue. This index will be updated following the issue of each future newsletter, and amended to take account of any changes considered necessary following the receipt of comments and/or suggested changes from members. Index of WUWG/WWG newsletter items (Revised May 2021) Group activities 24 hour Wildlife Watch Marathon (Issues 5, 6 and 24) Chair Museum wildlife garden (Issue 8) Create a Hedgerow project (Issue 34) Creation of bat hibernaculum at Booker (Issue 6) Grange Farm and Terriers Farm - fauna and flora surveys (Issue 35) Hang on to hedgerows project (Issues 30-32) Hedgehog survey (Issues 5
  • The James Bond Quiz Eye Spy...Which Bond? 1

    The James Bond Quiz Eye Spy...Which Bond? 1

    THE JAMES BOND QUIZ EYE SPY...WHICH BOND? 1. 3. 2. 4. EYE SPY...WHICH BOND? 5. 6. WHO’S WHO? 1. Who plays Kara Milovy in The Living Daylights? 2. Who makes his final appearance as M in Moonraker? 3. Which Bond character has diamonds embedded in his face? 4. In For Your Eyes Only, which recurring character does not appear for the first time in the series? 5. Who plays Solitaire in Live And Let Die? 6. Which character is painted gold in Goldfinger? 7. In Casino Royale, who is Solange married to? 8. In Skyfall, which character is told to “Think on your sins”? 9. Who plays Q in On Her Majesty’s Secret Service? 10. Name the character who is the head of the Japanese Secret Intelligence Service in You Only Live Twice? EMOJI FILM TITLES 1. 6. 2. 7. ∞ 3. 8. 4. 9. 5. 10. GUESS THE LOCATION 1. Who works here in Spectre? 3. Who lives on this island? 2. Which country is this lake in, as seen in Quantum Of Solace? 4. Patrice dies here in Skyfall. Name the city. GUESS THE LOCATION 5. Which iconic landmark is this? 7. Which country is this volcano situated in? 6. Where is James Bond’s family home? GUESS THE LOCATION 10. In which European country was this iconic 8. Bond and Anya first meet here, but which country is it? scene filmed? 9. In GoldenEye, Bond and Xenia Onatopp race their cars on the way to where? GENERAL KNOWLEDGE 1. In which Bond film did the iconic Aston Martin DB5 first appear? 2.
  • Wycombe District Local Plan Revised Habitats Regulations Assessment

    Wycombe District Local Plan Revised Habitats Regulations Assessment

    Wycombe District Local Plan Revised Habitats Regulations Assessment Report – including Appropriate Assessment January 2019 Wycombe District Local Plan– Revised Habitats Regulations Assessment Report (January 2019) This page is left intentionally blank. 2 Wycombe District Local Plan– Revised Habitats Regulations Assessment Report (January 2019) Contents Chapter 1 – Introduction .................................................................................. 7 HRA and other assessments .......................................................................... 7 Legislative context .......................................................................................... 7 Sites integrity .................................................................................................. 9 Chapter 2 – Methodology ............................................................................... 12 Stages of HRA .............................................................................................. 12 Scope of the Report ..................................................................................... 13 Assessment Steps ........................................................................................ 15 Chapter 3 – Special Areas of Conservation ................................................... 17 SACs assessed in this Report - Overview .................................................... 17 Site Improvement Plans ............................................................................... 19 Aston Rowant SAC ......................................................................................
  • E-Guide Filming in London & the South East

    E-Guide Filming in London & the South East

    e-Guide Filming in London & the South East London’s most iconic film locations Creating reality: What London’s studios can offer filmmakers The changing face of film: SFX, Make-up & Prosthetics Production Intelligence: What’s shooting? IN COLLABORATION WITH ... FILMING IN LONDON AND THE SOUTH EAST DESPITE VARIOUS HURDLES, LONDON AND THE SOUTH EAST STILL CREATE TOP PRODUCTIONS Britain’s TV and film production industry is on the rise. Recently the UK has seen a dramatic increase in the amount of home-grown and international productions that have been filming here, specifically at studios and locations in London and the South East. he worldwide reputation of the UK and Film London, said that drama as a filming destination has always production in London is up by 50% Tbeen strong, however, lately it on ten years ago. A huge margin if you has been so popular that line producers consider the major studios around the are worried the supply of great studios world which are readily available. and crew cannot match the increasing The thriving state of the industry also demand. throws a spanner into the works. At the same time, the recent closures With the high increase in productions of Teddington, Wimbledon, Waterloo filming, the demand for skilled crew has and other studio spaces signify the increased. Line producers have been increasing attitude of landlords to turn hard pressed at times to fill certain their land into real estate. The dramatic roles, as crew is frequently booked increase in house prices in areas on other projects. This is certainly associated with certain studios makes something the industry has to fix if it more feasible for land owners to cut London and the South East are going studios loose, thus capitalising on the to be seen as continuing dominant current revenue opportunities available.
  • Pinewood Gives Free Bfi Membership to All of Its Staff to Honour Studio's

    Pinewood Gives Free Bfi Membership to All of Its Staff to Honour Studio's

    PINEWOOD GIVES FREE BFI MEMBERSHIP TO ALL OF ITS STAFF TO HONOUR STUDIO’S 80TH YEAR London, 30th September 2016: Pinewood Studios has long been regarded as a jewel in the crown of the UK’s rich film heritage and as the iconic studio celebrates the start of its 80th anniversary year, it was announced today that all full-time staff across the group will receive free membership to the BFI to honour the date. Amanda Nevill, CEO of the BFI said: “Pinewood is part of our film heritage, and at 80 years old is more active and successful than ever and plays a huge role in the creative success of the UK film industry. We are very excited that they have chosen to mark this special birthday by giving the gift of BFI Membership to every single member of their staff! We so look forward to giving them all a very special 80th years across the BFI Player, BFI Southbank and the BFI London Film Festival. Happy Birthday Pinewood!” Commenting on marking the celebrations, Andrew M. Smith, Corporate Affairs Director for Pinewood Group plc said: “As we enter our 80th year, we felt it fitting to mark the occasion by giving colleagues membership of the BFI. Pinewood is a cornerstone of the film industry here in the UK and we are proud to have helped shape it.” The BFI membership will provide staff with the best way to enjoy the special events, previews and screenings at the BFI London Film Festival, BFI Flare: London LGBT Film Festival and at BFI Southbank all year round with priority booking, no booking fees, exclusive programme guides and 10% off food and drink at BFI Southbank.
  • Transatlantic Spaces: Production, Location and Style in 1960S-1970S Action- Adventure TV Series

    Transatlantic Spaces: Production, Location and Style in 1960S-1970S Action- Adventure TV Series

    Transatlantic spaces: production, location and style in 1960s-1970s action- adventure TV series Article Accepted Version Bignell, J. (2010) Transatlantic spaces: production, location and style in 1960s-1970s action-adventure TV series. Media History, 16 (1). pp. 53-65. ISSN 1469-9729 doi: https://doi.org/10.1080/13688800903395460 Available at http://centaur.reading.ac.uk/17666/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/13688800903395460 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Transatlantic spaces: Production, location and style in 1960s-70s Action-Adventure TV Series Jonathan Bignell Abstract This article argues that transatlantic hybridity connects space, visual style and ideological point of view in British television action-adventure fiction of the 1960s-70s. It analyses the relationship between the physical location of TV series production at Elstree Studios, UK, the representation of place in programmes, and the international trade in television fiction between the UK and USA. The TV series made at Elstree by the ITC and ABC companies and their affiliates linked Britishness with an international modernity associated with the USA, while also promoting national specificity. To do this, they drew on film production techniques that were already common for TV series production in Hollywood.
  • The Nation's Matron: Hattie Jacques and British Post-War Popular Culture

    The Nation's Matron: Hattie Jacques and British Post-War Popular Culture

    The Nation’s Matron: Hattie Jacques and British post-war popular culture Estella Tincknell Abstract: Hattie Jacques was a key figure in British post-war popular cinema and culture, condensing a range of contradictions around power, desire, femininity and class through her performances as a comedienne, primarily in the Carry On series of films between 1958 and 1973. Her recurrent casting as ‘Matron’ in five of the hospital-set films in the series has fixed Jacques within the British popular imagination as an archetypal figure. The contested discourses around nursing and the centrality of the NHS to British post-war politics, culture and identity, are explored here in relation to Jacques’s complex star meanings as a ‘fat woman’, ‘spinster’ and authority figure within British popular comedy broadly and the Carry On films specifically. The article argues that Jacques’s star meanings have contributed to nostalgia for a supposedly more equitable society symbolised by socialised medicine and the feminine authority of the matron. Keywords: Hattie Jacques; Matron; Carry On films; ITMA; Hancock’s Half Hour; Sykes; star persona; post-war British cinema; British popular culture; transgression; carnivalesque; comedy; femininity; nursing; class; spinster. 1 Hattie Jacques (1922 – 1980) was a gifted comedienne and actor who is now largely remembered for her roles as an overweight, strict and often lovelorn ‘battle-axe’ in the British Carry On series of low- budget comedy films between 1958 and 1973. A key figure in British post-war popular cinema and culture, Hattie Jacques’s star meanings are condensed around the contradictions she articulated between power, desire, femininity and class.
  • Gb 1456 Thomas

    Gb 1456 Thomas

    GERALD THOMAS COLLECTION GERALD THOMAS COLLECTION SCOPE AND CONTENT Documents relating to the career of director GERALD THOMAS (Born Hull 10/12/1920, died Beaconsfield 9/11/1993). When Gerald Thomas died, his producer partner of 40 years Peter Rogers said: ‘His epitaph will be that he directed all the Carry On films.’ Indeed, for an intense 20-year period Thomas directed the Carry On gang through their innuendo laden exploits, and became responsible, along with Rogers, for creating one of the most enduring and endearing British film series, earning him his place in British popular culture. Thomas originally studied to become a doctor, before war service with the Royal Sussex Regiment put paid to his medical career. When demobilised in 1946, he took a job as assistant in the cutting rooms of Two Cities Films at Denham Studios, where he took Assistant Editor credits on Laurence Olivier’s Hamlet (1948) and the John Mills thriller The October Man (1947). In 1949, he received his first full credit as editor, on the Margaret Lockwood melodrama Madness of the Heart (1949). During this time Peter Rogers had been working as associate producer with his wife, producer Betty Box, on such films as It’s Not Cricket (1949) and Don’t Ever Leave Me (1949). It was Venetian Bird in 1952 that first brought Thomas and Rogers together; Thomas employed as editor by director brother Ralph, and Rogers part of the producer team with Betty Box. Rogers was keen to form a director/producer pairing (following the successful example of Box and Ralph Thomas), and so gave Gerald his first directing credit on the Circus Friends (1956), a Children’s Film Foundation production.
  • Star Wars Episode Tunes: Live Performances Attack on the Score Around the Globe

    Star Wars Episode Tunes: Live Performances Attack on the Score Around the Globe

    v7n4cov 5/31/02 11:44 AM Page c1 ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV VOLUME 7, NUMBER 4 TV Music page 10 SUMMER MOVIESHOWDOWN THEAMAZING ELF-MAN Our friendly neighborhood super-scorer ATTACK ON THE CLONES John Williams’ score goes BOOM! LEGEND-ARY GOLDSMITH The lost fantasy returns on DVD ARTISTIC DEVOLUTION The indie life of Mark Mothersbaugh PLUS Lots of the latest CDs reviewed 04> 7225274 93704 $4.95 U.S. • $5.95 Canada v7n4cov 5/31/02 11:44 AM Page c2 The Symphony had almost no budget to design and produce a newsletter, but we thought it was important to publish one for subscribers and donors. Joe set up an attractive, versatile template for us and provided basic trainingFSMCD in Vol. Quark 5, No.and 7newsletter • Golden designAge Classics so that now we're able to produce a quarterly newsletter in-house.We get lots of compliments on our newsletter,On The and we Beach/The love having the tools Secret to do it ourselves. of Santa Vittoria by Ernest Gold FSM presents a film composer gravely unrepresented on CD with a doubleheader by Ernest Gold: On the Beach (1959) and The Secret of Santa Vittoria (1969), both films directed by Stanley Kramer, with whom Gold shared his most fruitful collaboration. On the Beach is an “event” picture dealing with the deadly aftermath of a nuclear war: Gregory Peck, Ava Gardner, Anthony Perkins and Fred Astaire star as among the last survivors of humanity, waiting for a radioactive cloud to engulf them on the Southern coast of Australia.
  • Burnham Beeches Wheelchair Walk

    Burnham Beeches Wheelchair Walk

    Burnham Beeches Walks Walks likely to be suitable for people with impaired mobility and users of wheelchairs, mobility scooters and pushchairs Burnham Beeches is a large area of ancient woodland open to the public and has been designated as a National Nature Reserve. It has been owned and managed by the City of London since 1880. There are many miles of trails through the woodland and there is car parking, toilets and refreshments available. i Path Information How to get there There are many paths with hard surfaces, including roads now closed to traffic and an Easy Access Path. A40 Beaconsfield M40 However Burnham Beeches is hilly and so there are M25 some steep slopes in places. There are no stiles and A40 Hedgerley the gates shown on the map are designed to allow Burnham Beeches Entrance wheelchairs and scooters. To help you decide which M40 Farnham A355 paths are suitable for you the map shows a selection Common Taplow Farnham of types of path marked with slopes, gates etc. For A4 Royal those wanting to explore there are also many natural Burnham Slough A4 challenging paths which are not shown on the map. M4 M4 Thames 0 1 2 3 4 5Miles For details of these paths please refer to the Burnham 0 1 2 3 4 5 6 7 8Km Beeches leaflet issued by the City of London www.cityoflondon.gov.uk/burnham Main access from Beeches i Visitor Information Road, just off the A355 in Farnham Common. Open from 8am until dusk. Buses stop in Farnham Public and disabled toilets.
  • 67890 Farnham Lane, East Burnham.Pdf

    67890 Farnham Lane, East Burnham.Pdf

    Wessex Archaeology East Burnham Quarry, Farnham Lane, East Burnham, Buckinghamshire Desk-based Assessment Ref: 67890.01 December 2007 EAST BURNHAM QUARRY, FARNHAM LANE, EAST BURNHAM, BUCKINGHAMSHIRE Desk Based Assessment Prepared on behalf of Summerleaze Limited 7 Summerleaze Road, Maidenhead, Berkshire SL6 8SP by Wessex Archaeology Unit 113 The Chandlery 50 Westminster Bridge Road LONDON SE1 7QY Report reference: 67890.01 December 2007 © Wessex Archaeology Limited 2007 all rights reserved Wessex Archaeology Limited is a Registered Charity No. 287786 Summerleaze Limited East Burnham Quarry, Buckinghamshire EAST BURNHAM QUARRY, FARNHAM LANE, EAST BURNHAM, BUCKINGHAMSHIRE Desk Based Assessment Contents 1 INTRODUCTION......................................................................................1 1.1 Project Background.................................................................................. 1 1.2 Landscape and Geology .......................................................................... 1 2 METHODOLOGY.....................................................................................2 2.1 Scope....................................................................................................... 2 2.2 Research ................................................................................................. 2 2.3 Legislative and Planning Background....................................................... 4 3 ARCHAEOLOGICAL AND HISTORICAL BACKGROUND.....................5 3.1 Palaeolithic..............................................................................................
  • Pinewood Group Presentation of FY 2018/19 Results Important Notice

    Pinewood Group Presentation of FY 2018/19 Results Important Notice

    Pinewood Group Presentation of FY 2018/19 results Important notice This presentation has been prepared by Pinewood Finco plc (the “Issuer) and Pinewood Group Limited (the “Company” and, collectively with the Issuer and its other subsidiaries, the “Group”) solely for information purposes. For purposes of this notice, the presentation that follows shall mean and include the slides that follow, the oral presentation of the slides by the Group or any person on behalf of the Group, any question-and-answer sessions that follows the oral presentation, hard and electronic copies of this document and any materials distributed at, or in connection with the presentation (collectively, the “Presentation”). This Presentation contains, and any related presentation may contain, financial information regarding the businesses and assets of the Group. Such financial information may not have been audited, reviewed or verified by any independent accounting firm. The inclusion of such financial information in this document or any related presentation should not be regarded as a representation or warranty by the Group or any other person as to the accuracy or completeness of such information’s portrayal of the financial condition or results of operations by the Group and should not be relied upon when making an investment decision. Certain financial data included in this presentation consists of “non‐IFRS financial measures” and “non-UK GAAP financial measures”. These non‐IFRS financial measures and non-UK GAAP financial measures, as defined by the Company, may not be comparable to similarly‐titled measures as presented by other companies, nor should they be considered as an alternative to the historical financial results or other indicators of the performance based on IFRS or UK GAAP.