Index

Acconci, Vito, 68, 85, 234, 452 Artforum (Petasz), 402–403, 406n30, Ace Space Company, 399, 400 455 Actual número 1 (Maples Arce), 345– Artifact Recordings, 384 346, 348, 351, 364, 445 Artists’ Use of Telecommunications, Adjuncted Dislocations II (Export), 74 The, 78, 454 Adrian, Robert, 289–290. See also Artistamp News (Anna Freud Banana) Adrian X, Robert 248, 258, 465 Adrian X, Robert, 28, 77–79, 81, 82– Artistamps, 104, 106 83, 289–290, 292, 315, 319, 323, Artist postage stamps, 106, 450 453–454, 458, 467 Ashley, Robert, 227–228, 239, 241n2, Ambrosino, Guy, 241 243n6, 461 Amirkhanian, Charles, 239 Ashley, Sam, 237, 380, 457 Andersen, Eric, 129, 392 Ascott, Roy, 51–52, 59n53, 75, 80–82, Opus 13, 129 141–142, 146, 308, 315, 344, 458, Anderson, Laurie, 239 461, 463, 470 Arizona State University, 389 Aspects of Gaia: Digital Pathways across ARPANET, 286, 307, 396, 403n6, the Whole Earth, 292, 463 403n7, 448 Laboratoria Ubiqua, 81, 292 Art & Language, 14 La Plissure du Texte: A Planetary Fairy- Artaud, Antonin, 14–15, 208 tale, 146, 282–283, 290, 292–293, ARTBOX, 79, 289 308, 458 Art by Telephone, 48, 238–239 Planetary Network, 81–83, 292, 308, ARTEX (Artists’ Electronic Exchange 461 Program), 78, 81–83, 289–290, Ten Wings, 80, 458 307–308, 458 Aspects of Gaia: Digital Pathways across ART- ART-AMUSEMENT the Whole Earth (Ascott), 292, 463 (Maciunas), 132. See also Fluxus Assemblings, 13, 98, 234, 400, 402 Assembling (Kostelanetz), 234, 243n7 Media Suitcase, 73–74, 449 Commonpress (Petasz), 98, 401–402, Video Installation, 74 405n26, 406n29, 452 Behrman, David, 377–378 Smile, 98 Bell Labs, 9, 38, 55n14, Atchley, Dana, 399–400, 449 Bense, Max, 46, 51 Notebook I, 399–400, 449 Beuys, Joseph, 39, 248, 337, 398, 414, Space Atlas, 399–400, 449 428 Atchley, Kenneth, 239, 380, 457, 461 Bill, Max, 46 Audio collage, 177, 182, 186, 456, Bischoff, John, 31, 150, 237, 338–339, 474. See also Radio collage 375–376, 379, 382–383, 452–453, Automatic Painting Machine No. 1, 41– 456, 461–462, 471. See also The 42, 447 Hub; The League of Automatic Azarm, Ben, 380 Music Composers; Rota-League HubRenga, 386, 464 Bach, Gottfried, 78, 289, 453 Black Mountain College, 89, 253 Baldessari, John, 234, 235 Bleus, Guy, 106, 468 Banana, Anna Freud, 140, 142, 149, “Blue” Gene Tyranny, 237 247, 248, 449–451, 470 Bosshard, Andres, 318–320, 322, Artistamps News, 248, 249, 258, 465 327–30, 465, 476–468. See also Banana Communion, 258, 469 CHIP-RADIO; REALTIME Banana Olympics, 255, 451 Braun, Reinhard, 27–29, 31, 141, 150, Banana Splitz TV Game Show, 258, 469 471 Banana Syndrome, 247, 249, 467 Brecht, George, 39, 94, 124–125, 128, Banana Rag, 248, 254, 454, 470 130, 132, 133, 446 Encyclopedia Bananica, 248 Event Score, 130 Mona Banana Smile Test, 256 Games and Puzzles, 125, 128 Proof Positive That Is Going Water Yam, 124 Bananas, 247, 249–250, 258, 467 Word Event, 133 Town Fool Project, 253–254, 449, 470 Breer Robert, 43–44 VILE, 149, 248, 256–257, 450 Self-Propelled Styrofoam Floats, 43 World Series Performance, 258, 463 Bronson, AA, 92. See also General Idea banzai, 193, 195 Brown, Chris, 31, 150, 338, 339, 373, Barthes, Roland, 146, 282–284, 287– 376, 382, 388, 461–462, 471. See 288 also The Hub Bartlett, Bill, 78, 289, 453–454 Bruscky, Paulo, 140–141, 143, 261– Baumgärtel, Tilman, 27–29, 360, 470 267, 277, 277n1, 278n10, 450– Baxter, Iain, and Ingrid, 66–67, 447 451,453, 455. See also Fax Art, N.E. Thing Co., Ltd. (NETCO), 29, Art, Xerox Art 65–67, 447 Hoje a Arte é esse Comunicado (Today Art Bechtold, Gottfried, 28, 73, 449 Is the Message), 264–265

Index

477 Bruscky, Paulo (continued ) Computer Technique Group, 41, 447. Re-Composição Postal, 264 See also CTG Sem Destino, 264, 451 Conceptual Art, 14, 44, 48–50, 57n34, Xerofilms, 266 65, 66, 74–77, 394, 432, 450 Xeroxperformance, 266 conceptual artists, 65, 460 Bull, Hank, 200, 202 conceptualism, 14, 32, 36, 45, 47–50, Burch, Kathleen, 239–240, 242n4, 432 244n12 Conversation (Kac), 273 Burnham, Jack, 35, 43–44, 48–49, Cook, Rustie, 234–235 51–52, 57n32, 57n34, 59n53, 448. Copland, Aaron, 378 See also Postformalism software Corner, Phil, 120, 124, 127 Burning Books, 236–241, 458, 461, Correspondence art, 97–98, 100, 247, 472 393, 399–402. See also Crane, Mike, 98, 100, 113n36 Café de Nadia, El (Vela), 346, 353 CTG, 41–42, 447. See also Computer Cage, John, 15–16, 51, 90, 119, 127, Technique Group 133, 141, 206, 231, 234, 237, 239– Cubitt, Sean, 337–338, 472 240, 241n2, 242, 243n6, 247, 265, Customer Is Always Right, The (Klinkow- 373–375, 452–453, 461 stein), 80 California Institute of the Arts, 389 Cybernetics, 36, 46, 51, 284–285, 287, Carnahan, Melody Sumner, 141–142, 470 227–244, 452, 456–457, 472. See Cyborg (Kac), 275, 459 also Burning Books; M.U.S.I.C. The Form 1970–1979, 235–236, 239, , 12, 14–15, 17, 89, 98, 140, 142, 452 234, 236, 243, 248n8, 360 The guests go in to supper (with Sumner Dalò, Roberto Paci, 316, 322–323, and Burch), 239–240, 461 327–328, 468 The Time Is Now, 228, 239, 242n4, 472 Danto, Arthur C., 92, 94, 97 Carrión, Ulises, 93, 110 Davies, Sheila, 239 Center for Contemporary Music, Mills Davis, Douglas, 14, 287 College, 227–228, 237, 377, 471 Day, Don, 378 CHIP-RADIO, 84, 145, 315, 317–322, Deep Dish TV (DDTV), 143, 147, 325–326, 331, 332n11, 333n18, 211, 213–216, 218, 220, 222–223, 465, 467 460, 465 Cloidt, Jay, 237, 380 Deleuze, Gilles, 3, 208, 252 Cohen, Ronny, 102–104, 459 Denman, Erv, 377 Collins, Nic, 383 Derrida, Jacques, 8, 15, 64, 146, 287– Commonpress (Petasz), 98, 401–402, 288, 344 405n26, 406n29, 452. See also D/eu/s (Kac), 271, 460 Assemblings Dial-a-Poem (Giorno), 238, 446

Index

478 Dirty Water (Vautier), 126 Facing a Family (Export), 75 Distance art, 3–4, 10–11, 17–18, Fault Press, The, 234–236, 243n8 24n42, 26, 31–32, 141, 149, 339, Fax Art, 106, 267, 278n10, 428 439, 441, 442–443 Fernández, María, 27, 336, 338, 472 Distance art/activism, 3, 11, 14, 17– FidoNet, 78, 82, 307 18, 26, 31, 148, 150, 441–442 FIERCE/InterRave, 148, 305–306, Distance art and activism, 3–4, 10–11, 467 17, 26, 32, 439, 441 FILE, 94, 256, 450 Distributed authorship, 78, 167, 283, Filliou, Robert, 89, 90, 92, 94, 102, 289, 292 110, 127, 414. See also Eternal Drew, Jesse, 143, 147, 150, 202, 472 Network Drucker, Johanna, 27, 30, 472 Fischer, Hervé, Art and Marginal Com- Duchamp, Marcel, 45, 65, 89, 98–99, munication, 91, 113n36 130, 263, 432, 460 Fluxchess (Shiomi), 125. See also Fluxus Duration Piece No. 13 (Huebler), 76, Flux Clippings (Friedman), 126. See also 448 Fluxus Flux Corsage (Friedman), 128. See also Electronic Cafe-84 (Galloway and Rabi- Fluxus nowitz), 147, 164, 171, 459, 475 Flux ESP Kit (Riddle), 128. See also Encyclopedia Bananica (Anna Freud Fluxus Banana), 248 FLUXFILMS, 125. See also Fluxus Epistemic Videotechnology (Weibel), 74 FLUXKIT, 125. See also Fluxus Estridentismo, 343, 345, 347–348, Fluxlist, 117. See also Fluxus 352, 362 Flux Mail-Order Warehouse, 131. See Estridentistas, 27, 336, 343–344, 346– also Fluxus 349, 351–352, 358, 360, 362–363, Fluxshoe, 95, 100. See also Fluxus 364n14, 365n23, 366n32, 445 Fluxstamps (Watts), 125 See also Fluxus Eternal Network, 89–90, 94–95, 100, Fluxus, 4, 7, 18, 27, 28–31, 39, 42, 45, 102, 110, 414–415. See also Filliou, 47, 74, 77, 89, 92, 99–100, 106, Robert 117–136, 141, 143, 149, 192, 203, Euler, Leonhard, 377 205–206, 248, 263, 337–338, 392– Event Score (Brecht), 130 396, 411,413, 415, 418–419, 428– “Exemplativist Manifesto, An,” (Hig- 429, 445, 473, 475 gins), 122 Fluxus I, 125, 395–396, 445. See also exemplativist works, 123 Fluxus Expanded Cinema (Youngblood), 37, 74 Fluxus II, 395–396, 445. See also Fluxus expanded cinema, 75, 77 Fluxus West, 99, 418. See also Fluxus Export, Valie, 74, 75, 78, 454 Fluxus Yearbooks, 121, 445. See also Adjuncted Dislocations II, 74 Fluxus Facing a Family, 75 FLUX YEARBOX 2, 125. See also Fluxus

Index

479 Flynt, Henry, 124 Gekko, 80 Form 1970–1979, The (Carnahan), General Idea, 92, 94, 255, 418 229–236, 239, 452 “Geometry of Silence, The,” 315, 317 Forresta, Don, 81, 292, 461 Gift of Tongues (Williams), 129 Foucault, Michel, 3, 73, 287 Gins, Madeline, 241 Friedman, Ken, 99, 113n36, 121, 124, Ginsberg, Allen, 238 126, 128, 130, 263, 337, 339, 473 Giorno, John, 237–238, 446, 457 Flux Clippings, 126 (see also Fluxus) Dial-a-Poem, 238, 446 Flux Corsage, 128 (see also Fluxus) Giveaway Construction (Knowles), 129 Froeis, Romana, 145, 320, 323 Gold, Rich, 377–378 Fuller, Buckminster, 37, 55n11, 92, Golden, Barbara, 237–238, 380 284–285, 416 Gresham-Lancaster, Scot, 383, 385, Futurism, 12, 14–15, 89, 142, 236, 387 445 Gruendler, Seppo, 318–320, 322, 324, Italian, 11–12, 343, 345, 347, 361– 325, 333n17, 462, 466–467. See 362 also CHIP-RADIO; RAZIONALNIK; in Latin America, 360 REALTIME Russian, 11–12 Grundmann, Heidi, 78, 145, 149–150, 453, 473 Gaglione, Bill, 113n36, 248, 255, 257 Guattari, Félix, 84, 144, 199, 200– Galloway, Kit, 36, 61, 140, 143, 146, 201, 208, 252 153–158, 160, 163–165, 167–168, Guests go in to supper, The (Carnahan, 171–172, 344, 451, 454, 459, 473, Sumner, and Burch), 239–240, 461 475 Gulf Crisis TV Project, 143, 148, 211, Electronic Cafe-84 (with Rabinowitz), 216, 217–218, 220–221, 223, 465 147, 164, 171, 459, 475 Gutiérrez, Pedro Juan, 104, 464 Hole-in-Space (with Rabinowitz), 62, 146, 153–154, 163–165, 167, 169, Haacke, Hans, 48, 66 454 News, 66 Satellite Arts (The Image as Place) (with Visitors’ Profile, 48 Rabinowitz), 146, 153–154, 156– Halleck, Dee Dee, 200, 211, 217, 456 158, 160, 162–163, 451 Halprin, Ann, 158–159 Satellite Communication Sculpture, A Halprin, Lawrence, 158 (with Rabinowitz), 153 Harrison, Charles, 14 Games and Puzzles (Brecht), 125, 128 Harrison, Lou, 237,375, 457 Garcia, David, 80 Heflin, Lee, 130 Late Times Extra, 80 Ice Trick, 130 Garton, Andrew, 141, 144, 148, 300, Held, Jr., John, 27, 29–31, 107, 474 302, 309, 465, 467, 473. See also Hentschlaeger, Kurt, 323, 326–327, Toy Satellite 329, 331, 467

Index

480 Higgins, Dick, 13, 15–16, 117, 119– Intermedial Object No. 1 (for Dick 127, 129, 234, 263, 339, 411–412, Higgins) (Armleder and Lucchini), 418, 445, 452 412 “Exemplativist Manifesto, An,” 122 International Cyclopedia of Plans and Intermedial Object #1, 411–412 Occurrences, An, 99–100 Hoertner, Hörst, 318–320, 322–323, 327–328, 330, 332, 466–468. See Johnson, Ray, 89–92, 94–100, 104, also CHIP-RADIO; REALTIME 255, 263, 393–394, 439–440, 445, Hoje a Arte é esse Comunicado (Today Art 447–448. See also New York Corre- Is the Message) (Bruscky), 264–265 spondance School Hole-in-Space (Galloway and Rabi- Joyce, Don, 140, 144, 149, 456, 474 nowitz), 62, 146, 153–154, 163– 165, 167, 169, 454 Kac, Eduardo, 140, 147, 261–262, Holopoetry (Kac), 269, 270 268–277, 278n10, 279n21, Horton, Jim, 376–380, 452–453 279n22, 455, 458, 459–463 Hub, The, 339, 374–376, 382–389 Conversation, 273 Huebler, Douglas, 44, 75–76, 448 Cyborg, 275, 459 Duration Piece No. 13, 76, 448 D/eu/s, 271, 460 holopoetry, 269, 270, 248 Icaza, Xavier, 356–357, 369n53 Ornitorrinco Project, 275, 463 Magnavoz, 356–357 RC Robot, 275–276, 461 Ice Trick (Heflin), 130 Retrato Suposto-Rosto Roto, 273–274, Image Bank, 92, 95, 99, 248, 255, 418 463 Immatériaux, Les, 28, 29, 62–65, 68– Tesão, 271–272 69, 69n4, 460 Kahn, Douglas, 343, 351, 356 Information, 43–44. See also McShine, Kalbach, Paul, 377 Kynaston Khlebnikov, Velimir, 352, 356 Information art, 45, 47, 66 Kittler, Friedrich, 6, 63, 316 inside-outside (Kriesche), 75 Klammer, Joseph, 318, 324–325, Instruction No. 2 (Patterson), 126 333n17, 462, 466 Interart Box Number: Project Mail Klein, Yves, 40, 89 Art, 104, 464. See also Gutiérrez, Void, 40 Pedro Juan Klinkowstein, Tom, 80, 292 Intermedia, 13, 15, 30, 37, 121, 125, Customer Is Always Right, The, 80 126–128, 130, 135, 150, 257, 329, Knowles, Alison, 129, 134, 257 331, 339, 392, 394, 396, 403n8, Giveaway Construction, 129 411–413, 418, 472 Performance Piece #8, 134 intermedial, 126–127 Kogawa, Tetsuo, 140, 144–145, 150– Intermedial Object #1 (Higgins), 411– 151, 191, 457, 468, 474. See also 412 Mini-FM

Index

481 Kostelanetz, Richard, 231, 234, Maciunas, George, 39, 117–121, 124– 242n6, 243n7, 247, 452 125, 131–133, 206, 396, 418, 445 Assembling, 234, 243n7 ART-FLUXUS ART-AMUSEMENT Kostolowski, Andrzej, 395, 404, 449 132 (see also Fluxus) Kosugi, Takehisa, 129, 206 Maeda, Toshiyuki, 200–201, 204 Theater Music, 129 Magnavoz (Icaza), 356–357 Kozlowski, Jaroslaw, 395, 404, 449 Mail Art, 3–5, 7–8, 21n11, 30, 39, 42, KPFA-FM radio, 177, 184, 237, 386, 75, 77, 89–95, 97–104, 106–110, 456, 464 131, 141–143, 149, 234, 243n8, Krauss, Rosalind, 68 247–248, 253, 255–258, 262–265, Kriesche, Richard, 28, 75, 78, 316, 267, 339, 402, 418, 428–429, 439, 322, 333n14, 453–454, 462 443, 445, 449–451, 454–455, 459, inside-outside, 75 461, 464, 466, 468,470, 474 KUNSTRADIO, 145, 149, 316–319, Mail Artists, 7, 27, 29, 31, 89, 92, 94, 325, 328, 466–467, 473 101–103, 105–107, 109–110, 140, Kyn Taniya, 346, 355–356, 358, 338, 461, 466, 468 364n13, 366n28 Mail Art Then and Now, 102, 459. See also Cohen, Ronny La Barbara, Joan, 237 Manet, Edouard, 229 Laboratoria Ubiqua (Ascott), 81, 292 Maples Arce, Manuel, 345–351, 353– Labyrinth, 35–36, 448 356, 364n15, 365n23, 367n35, 445 Lara, Mario, 101, 454 Actual número 1, 345–346, 348, 351, Last Correspondance Show, The, 95, 447 364, 445 Late Times Extra (Garcia), 80 “Como una Gotera,” 350 League of Automatic Music Composers, Poemas Interdictos, 347 The, 339, 374–375, 378–379, 388– “Prisma,” 350, 365n23 389, 453, 457, 471 “T.S.H.-Telegrafía sin hilos,” 346, Levine, Les, 44 354–355 Live Wires, 44 Vrbe, 346 Lewis, George, 237 Marinetti, F. T., 345, 347–348, 352, Lewitt, Sol, 41, 433 354, 358, 360–362 Licklider, J.C.R., 393 Marx, 131, 357, 428, 430, 432 Lippard, Lucy, 14, 65 First International, 428, 430 List Arzubide, Germán, 346, 348, 353, Lenin, 357, 359, 430–431 364n15 Leninist, 192 Live Wires (Levine), 44 Marxism, 268, 288, Loeffler, Carl, 78, 82, 344, 454 Marxist, 14, 131, 192, 278, Lovely Music, 378 Marxistic, 131 Lyotard, Jean-François, 29, 62–64, 68, Second International, 431, 435 460 Mayakovsky, Vladimir, 11, 22n22

Index

482 McLuhan, Marshall, 7, 13–14, 16, 37, Networked art, 26, 35, 43, 51, 247, 67, 155, 255, 284 248, 255, 324, 398, 404n11, 417, McMahon, Terrence. See Teuty, Ian 425, 462 McShine, Kynaston, 43–44 News (Haacke), 66 Media Suitcase (Bechtold), 73–74, 449 New York Correspondance School, 90, Meireles, Cildo, 262 92, 94–96, 99, 106, 255, 393, 445, Merleau-Ponty, Maurice, 144, 195, 447–448. See also Ray Johnson 196–197 New York Correspondence School, 89– Microradio, 191, 202 90. See also Ray Johnson Mills College, 375–378, 380, 389 Niblock, Phill, 383 Mills College Book Arts Program, 228, Notebook I (Atchley), 399–400,449 235, 239 Mini-FM, 144–145, 151, 191, 192, Oldenburg, Claes, 58, 121 197–200, 202–203, 205, 207, 209, Oliveros, Pauline, 243n6, 374 457, 468 Omaha Flow Systems, 99–100 Minitel, 64, 81, 272, 279–280, 460 Omnibus News, 396–398, 400, 404n14, Mobile Image, 62, 153, 163–164, 167. 446 See also Galloway, Kit; Rabinowitz, Ono, Yoko, 58n46, 125, 206–207, Sherrie 239, 240, 257, 461 Mobilus, 159, 160, 451 Opcode, 387 Morton, Cathy, 377 Opus 13 (Andersen), 129 Mumma, Gordon, 376 Ornitorrinco Project (Kac), 275, 463 M.U.S.I.C.: Marvelous Unlimited Osthoff, Simone, 31, 140–141, 143, Sounds in Concert, 237, 457 147, 474 Mutants, The, 236 Otaku, 193–194, 197–198 Mystery Food (Vautier), 124 Over the Edge, 145, 177, 184–186, 188, 189, 456, 474 National Aeronautics and Space Ad- ministration (NASA), 156–158, PacRim Slow Scan Project, 78, 453 160, 162, 265, 451, 453 Paik, Nam June, 46, 124, 129, 131, Negativland, 140, 144–145, 149, 411, 415–416, 446 177–181, 183, 187–189, 456, Utopian Laser Television, 415–416, 446 474 Zen for Film, 129 Nelson, Ted, 35, 53n2, 448 Paper Tiger TV, 143, 200, 211–213, Neo-Dada, 122, 206 220, 223, 456 NET (Kostolowski and Kozlowski), Paper Tiger West, 202 395, 399, 404, 449 Patterson, Ben, 124, 126, 129 N.E. Thing Co., Ltd. (NETCO), 29, 65– Instruction No. 2, 126 67, 447. See also Baxter, Iain, and Questionnaire, 129 Ingrid Payne, Maggi, 228, 237

Index

483 PCM (pulse code modulation), 9–10, Questionnaire (Patterson), 129 22n20 Pegasus, 148, 299, 304, 306–308, 465 Rabinowitz, Sherrie, 36, 62, 140, Peppe, Michael, 239 143, 146, 153–158, 160, 163–165, Performance art, 45, 74, 145, 150, 167, 171–172, 344, 451, 454, 459, 195, 197–198, 203, 205–206, 208, 475 247–248, 250–251, 253, 306 Electronic Cafe-84 (with Galloway), Performance artists, 196, 203, 206, 147, 164, 171, 459, 475 208, 218, 316, 386 Hole-in-Space (with Galloway), 62, Performance Piece #8 (Knowles), 134 146, 153–154, 163–165, 167, 169, Perkins, Stephen, 31, 143, 337–338, 454 475 Satellite Arts (The Image as Place) (with Perkis, Tim, 376, 378–379, 382–384, Galloway), 146, 153–154, 156–158, 387, 461–462 160, 162 163, 451 Waxlips, 387–388 Satellite Communication Sculpture, A Perls, Fritz, 251 (with Galloway), 153 Petasz, Pawel, 401–403, 406n30, 452, Radio art, 3, 149,-150, 202, 207–208, 455 315–317, 323, 332n8, 443 Commonpress, 98, 401–402, 405n26, Radio collage, 177, 185. See also Audio 406n29, 452 collage Pittore, Carlo, 103, 459, Radio Home Run, 191, 199–201, 204, Planetary Network (Ascott) 81–83, 292, 457, 468. See also Kogawa, Tetsuo 308, 461 Radio of the Future, 352. See also Khleb- Plissure du Texte: A Planetary Fairytale, nikov, Velimir La (Ascott) 146, 282–283, 290, Radio party, 202, 205 292–293, 308, 458 Radio PolyBucket, 191, 198–199, 457. Poesia Pornô (Porno-Poetry) move- See also Kogawa, Tetsuo ment, 269, 455. See also Kac, Ray, Ru B. (Ruby), 234 Eduardo RAZIONALNIK, 324–325 Popper, Frank, 283, 458 RC Robot (Kac) 275–276, 461 P-Orridge, Genesis. See Throbbing REALTIME, 84, 315, 320–322, 325– Gristle 331, 331n2, 322n11, 333n17, Postformalism, 36, 44–45, 47–48 333n18, 468 Postformalism software, 35, 43, 448 Re-Composição Postal (Bruscky), 264 Proof Positive That Germany Is Going Reinbolt, Brian, 380 Bananas (Anna Freud Bananas), 247, Retrato Suposto-Rosto Roto (Kac) 273– 249–250, 258, 467 274, 463 Propp, Vladimir, 288, 293 Riddle, James, 128 Prueitt, Melvin, 38, 51 Riley, Terry, 228, 374

Index

484 Rota-League, 380, 382, 457 Stamp artist, 248 Rotary Club, The, 380, 457 Stein, Gertrude, 17, 241, 242n6 Rubber stamp art, 106 Steina (Vasulka), 239 Ruscha, Ed, 234 Stocker, Gerfried, 82, 318–320, 322– Rypson, Piotr, 394 323, 327–328, 330, 332n5, 466– 468. See also CHIP-RADIO; REAL- Saper, Craig, 4, 13, 140, 142, 398, TIME 404n11, 475 Sound Poles, 318, 466 Satellite Arts (The Image as Place) (Gal- ZERO—The Art of Being Everywhere loway and Rabinowitz), 146, 153– (with Robert Adrian X), 82, 323, 154, 156–158, 160, 162–163, 451 467 Satellite Communication Sculpture, A Stockhausen, Karlheinz, 124, 242 (Galloway and Rabinowitz), 153 Stone, Phil, 383, 385 Saunders, George, 227 Suess, Randy, 307 Sayre, Henry, 14, 23n33, 23n34 Sumner, Melody Carnahan. See Carna- Scheer, Edward, 15 han, Melody Sumner Search and Destroy magazine, 229 Sumner, Michael, 141, 227–241, Seawright, James, 46 242n4, 452 Watcher, 46 Surrealism, 15, 142, 206, 236 Sem Destino (Bruscky), 264, 451 “Systems Esthetics” (Burnham), 43 Sender, Ramon, 386 Shannon, Claude, 6–7, 22n19 Telematics, 109, 146, 283, 287–288, Sharits, Paul, 124–125 293, 470 Shiomi, Mieko (Chieko), 125, 206 Tesão (Kac), 271–272 Siegert, Bernhardt, 6–7, 9–10 Teuty, Ian (Terrence McMahon), 234, Situationism, 39 243n8 Situationist International, 14, 89 Theater Music (Kosugi), 129 SMILE, 98, 257, 450 Thing, The, 83–84 Smith, Owen, 27, 30–31, 475 Throbbing Gristle, 234, 235, 237 Sociopoetic, 13, 248, 250, 255, 398, Time Is Now, The (Carnahan), 228, 239, 402 242n4, 244n11, 272 Software, 35, 43, 448 Tone, Yasunao, 206 Sonami, Laetitia, 228 Town Fool Project (Anna Freud Banana), Sound Poles (Hoertner and Stocker), 253–254, 449, 470 318, 466 Toy Satellite, 144, 308, 310, 473 Space Atlas (Atchley), 399–400, 449 TRANSIT, 317–318, 323, 326, 467 Space Bodies (Zabelka), 316 Trayle, Mark, 382–384 Srita. Etcétera, La (Vela), 353 Tucker, Marcia, 95–96, 448 Stamp art, 247, 428 Tudor, David, 206, 242, 376

Index

485 Umbrella, 103–104, 459 World in 24 Hours, The (Adrian X), 79– Utopian Laser Television (Paik), 415– 81, 83, 141, 289, 319, 458 416, 446 X. See Adrian X, Robert Vallée, Jacques, 285–287 Xanadu, 35–36 Vasulka, Woody, 239 Xerofilms (Bruscky), 266 Vautier, Ben, 124, 126 Xerox Art, 265, 267 Dirty Water, 126 Xeroxperformance (Bruscky), 266 Mystery Food, 124 x-space, 322, 326–327. See also Hoert- Vela, Arqueles, 346, 353, 354 ner, Hörst; Stocker, Gerfried Video art, 62, 75, 77, 155, 158, 218 Video artists, 68, 347 Yam Festival, 94, 446, Video Installation (Bechtold), 74 Young, La Monte, 119, 374 VILE (Anna Freud Banana), 149, 248, Youngblood, Gene, 37, 51, 153, 161, 256–257, 450 164, 344 Virilio, Paul, 7, 63, 432 Visitors’ Profile (Haacke), 48 Zabelka, Mia, 316- 320, 322, 327– Void (Klein), 40 328, 464, 467–468. See also V TRE, 125 CHIP-RADIO; REALTIME Space Bodies, 316 Walkup, Kathy, 235, 239 Zen for Film (Paik), 129 Warhol, Andy, 234 ZERO—The Art of Being Everywhere Watcher (Seawright), 46 (Adrian X and Stocker), 82, 323, Water Yam (Brecht), 124 467 Watts, Robert, 89, 94, 106, 124–125, ZEROnet, 82–83, 323, 332n10, 467 446 Zines, 89, 93, 98, 106, 149 Fluxstamps, 125 Waxlips (Perkis), 387–388 Weibel, Peter, 74, 78, 454 Epistemic Videotechnology, 74 Welch, Chuck, 102 Western Front, 92, 258, 418, 463 Whitehill, Theresa, 239 Whitney Museum of American Art, 94–97, 99–100, 104, 220, 448 Wiener, Norbert, 46 Williams, Emmett, 127, 129 Gift of Tongues, 129 Woodman, Ned, 35, 448 Word Event (Brecht), 133

Index

486