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Give Peace a Chance : Music and the Struggle for Peace : a Catalog of The

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Give Peace a Chance : Music and the Struggle for Peace : a Catalog of The GIVEP rjBCCOWES '^o,..&*:« . °%t . Give Peace a Chance A CATALOG OF THE EXHIBITION AT THE PEACE MUSEUM, CHICAGO Give Peace a Chance MUSIC AND THE STRUGGLE FOR PEACE CHICAGO REVIEW PRESS CHICAGO ILLINOIS 60610 MARIANNE PHILBIN EDITOR DEDICATION BY YOKO ONO Cover Credits Cover: front, from top—photo of U2 by Paul Natkin; poster, "From Vietnam Veterans to the World: A Night of Peace and Healing" (Vietnam Veterans Project); manuscript, "The Word," John Lennon and Paul McCartney (North- western University Libary); photo of Bob Marley by Bob Gruen, Radius Graphics; pro- gram for Peace Sunday (Lisa Law); photo of Bob Dylan and Joan Baez, taken at Peace Sunday, by Henry Diltz (Museum of Rock Art). Back cover—photo of John Lennon and Yoko Ono by Bob Gruen, Radius Graphics; manuscript for Joan Baez' "Cambodia"; sheet music, "The Let- ter That Never Reached Home," 1915. Photography of documents and solarization ef- fects by Ken Todd. ,C6P<{3 BRA' Contents Dedication YOKO ONO 1 Acknowledgments 3 Introduction MARIANNE PHILB1N 7 Give Peace a Chance: An Anthem for the Anti-War Movement JON WIENER 11 The Press Conference: John Lennon and Yoko Ono Talk About Peace from Rolling Stone 19 Surrender to Peace YOKO ONO 27 John Lennon and the FBI ROXANE ARNOLD 31 77ns Ain't No Foolin' Around: Giving Peace A Chance in the '80s TERRI HEMMERT 35 On Being Involved profiles 45 Musicians On Peace personal statements 55 Peace Sunday: "We Have A Dream ..." SALLEY RAYL 59 For Dr. King: A Holiday STEVIE WONDER 67 How Waist Deep in the Big Muddy Finally Got on Network Television in 1968 PETE SEEGER 71 Dear Anthony JOAN BAEZ 75 They All Sang Songs of Peace: Pacifism and Folk Music in the 1960s JEROME RODNITZKY 77 The Art of the Concert Poster and the Album Cover PAUL CARUSO 85 Origins and Inspirations of the Protest Song R. SERGE DENISOFF 87 Just a Song at Twilight: Old Man Atom vs. the Cold War VERN PARTLOW 93 Exhibition Highlights: A Selected List of Exhibit Objects Presented Alphabetically 97 A Brief Guide to Music for Peace: A Bibliography/Discography CLINTON F FINK 107 All otherwise uncredited material © 1983 by The Peace Museum, 364 West Erie, Chicago, Illinois 60610 "I See Rainbows" © 1982 by Ono Music "'Give Peace a Chance': An Anthem for the Anti-War Movement" © by Jon Wiener, 1983. "The Press Conference: John Lennon and Yoko Ono Talk About Peace" © 1970 by Rolling Stone. Reprinted by permission. "John Lennon and the FBI" © 1983 by The Los Angeles Times. Reprinted by permission. " 'This Ain't No Foohn' Around': Giving Peace a Chance in the '80s" © 1983 by Terri Hemmert. "For Dr. King: A Holiday" © 1982 by Stevie Wonder. Reprinted by permission from Essence magazine. "Dear Anthony" © 1983 by Joan Baez. "Origins and Inspirations of the Protest Song" © 1972 and 1977 by R. Serge Demsoff. "Just a Song at Twilight: Old Man Atom vs. the Cold War" © 1983 by Vern Partlow. "A Brief Guide to Music for Peace" © 1983 by Clinton F. Fink. Library of Congress 83-15117 ISBN 0-914091-35-2 All rights reserved. Printed in the United States of America First Edition Published by Chicago Review Press 213 West Institute Place Chicago, Illinois 60610 Cover photos: Bob Marley, John Lennon and Yoko Ono by Bob Gruen, Radius Gallery, New York: Joan Baez and Bob Dylan by Henry Diltz; U2 by Paul Natkin. Dove logo for The Peace Museum by Bobbie Bluestem. Exhibition Floor Plan rendering, p. 98, by Muller & Brown, Cincinnati. Photography by Ken Todd. Text designed by Arlene J. Sheer, Ampersand Book Design & Production, Chicago. Text composition by Better Graphics, Inc., Crystal Lake, Illinois. Display composition by J. M. Bundscho, Inc., Chicago. Dedication: To Visitors at The Peace Museum YOKO ONO To MY FAMILY I love you— if it were only for sharing this time of incredible challenge and great hope: the dawning of the age of peace. I know we'll make it. As our friend said, "There are no problems, only solutions." I SEE RAINBOWS It's getting cold around here People living in fear Whether it's a country or an island Frighten by death Holding our breath While our souls cry out I don't wanna be mugged by some mother I don't wanna be shot for ten dollar What's this talk about limited holocaust Have a heart, I don't even want my roof to leak I see rainbows I see tomorrow I see us sending rainbow love I see rainbows I see tomorrow I see us sending rainbow thoughts Copyright 1982 by Ono Music I don't wanna be part of terrorists I don't wanna be one of survivalists This is our world and it's beautiful I wanna survive survive survive together I see rainbows I see tomorrow I see us sending rainbow love I see rainbow I see tomorrow I see us sending rainbow thoughts fzTT-C ' y^* Yoko Ono New York City June 29, '83 Acknowledgments When we first started working on this exhibition, I don't think any of us had any idea how massive the project would eventually become. But as the project grew, so did the support we received from hundreds of people. Special thanks go first and foremost to Mark Rogovin, who started it all, never slowed down and already can't wait to jump into the next exhibition; and to Marjorie Benton, who made us believe that we could do anything. Both Mark and Marjorie have an ability to see unlimited potential in what others might mistake for limited resources, the resources in this case being a few people and a good idea. It is because of their extraordinary vision, drive and committment that an institution like The Peace Museum exists at all, and that an exhibition like Give Peace a Chance can be presented. Special thanks also go to Yoko Ono, whose early support helped make this exhibition a reality. Over a period of almost an entire year, Ms. Ono and her staff gave generously of their time and energy, suggesting possibilities, supplying information, and gath- ering materials. I am especially grateful to Sam Havadtoy and George Speerin for their gracious help and encouragement. Working with our initial ideas and taking them a step further, Cincinnati architects Paul Muller and Terry Brown designed the exhibit. Paul and Terry devoted thousands of hours to this project, overseeing everything from the floor plan to lighting to graphics on the wall. I am indebted to them for guiding me through many difficult decisions and for contributing their enormous talent to the design of the exhibition. Chief carpenters John Kesslering and Patrick Nelson turned the plans and sketches into walls and floors and ceilings, creating galleries as beautiful as the architects envisioned. John and Pat worked ten-hour days and supervised a crew of more than thirty volunteer carpenters and cabinet-makers, working in an un-aircon- ditioned space where temperatures sometimes rose as high as 105°. Quite simply, without their help, the exhibit could never have opened. There would have been little on the walls when the exhibit opened had it not been for the help I received from curatorial assistants Ruth Barrett and John Nawn. I could list hundreds of adjectives and still not even come close to describing how hard they worked and how much I came to depend on them. They were creative in the pursuit of even the strangest leads, calm under pressure, and organized to the last. In short, they never let me down. Special thanks also go to Kerry Cochrane for her skilled research and fine writing, for seeing exactly what was needed and producing it; to Susan O'Brien for taking a leave of absence from her advertis- ing agency and working full-time for us on publicity and promo- tions; to Sharon Queen for coordinating the volunteer program; Martin Moy for managing the museum store; to Sidney Schon- berger, Charles Thomas, Paul Nebenzahl and Paul Murphy, for somehow managing to make a very little go a very long way; to Jennifer Hill, Mary Anne Wolff, Lu Ann Lewandowski, Charlotte Kaufman and Eric Krystall for special projects; and to our board of directors for their support. Consultant Terri Hemmert of WXRT Radio became an honor- ary Peace Museum staffer during the last six months of prepara- tions, working as long and as hard as we did, and jumping into new projects with the kind of enthusiasm and energy that helped keep everyone going. Terri contributed to many aspects of the exhibi- tion, helping with research, acquisitions, promotion and special events. Equally helpful was consultant Dottie Jeffries, museum store manager at The Museum of Science and Industry. Dottie steered us through what was for us uncharted territory, advising us on special merchandising and the ins-and-outs of setting up a museum store. Expert advice and long hours of labor were also provided by audio-visual specialist John Boesche, who produced a fantastic slide show for the rock room; and sound engineer Mark Guncheon, who filled the galleries with music. I would also like to extend a special thank-you to Jann S. Wenner, editor and publisher of Rolling Stone. Jann provided not only valuable advice at the early stages of planning, he also pro- vided valuable materials for the exhibition itself. He and assistant Mary McDonald helped us find our way through the maze of the music industry, putting us in touch with the right people at the right places. Also helpful were Paul and Robin Caruso at The Museum of Rock Art in Hollywood.
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