JEFFREY GIBSON Born 1972, Colorado Springs
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JACKIE SACCOCCIO 1963 Born in Providence, RI Lives and Works in Connecticut and New York, NY
JACKIE SACCOCCIO 1963 Born in Providence, RI Lives and works in Connecticut and New York, NY Training 1988 MFA School of the Art Institute of Chicago, Chicago, IL 1985 BFA Rhode Island School of Design, Providence, RI Solo Exhibitions 2018 The Club, Tokyo, JP Solo booth, ADAA Art Show, Van Doren Waxter, New York, NY 2017 Spectral Hole, Rhona Hoffman Gallery, Chicago, IL Sharp Objects & Apocalypse Confetti, Eleven Rivington, New York, NY 2015 Degree of Tilt, Eleven Rivington, New York, NY Degree of Tilt, Van Doren Waxter, New York, NY Echo, Corbett vs. Dempsey, Chicago, IL 2014 Jackie Saccoccio, Eleven Rivington, New York, NY Portraits, Brand New Gallery, Milan, IT Portrait Gallery, Museo d'Arte Contemporanea VILLA CROCE, Genoa, IT 2013 Portraits, Corbett vs Dempsey, Chicago, IL 2012 Portraits, Eleven Rivington, New York, NY Paintings, Philip Slein Gallery, St. Louis, MO 2010 One to One, Eleven Rivington, New York, NY 2008 Interrupted Grid, Eleven Rivington, New York, NY Wall Intervention, Beatrice Room, RISD Gallery, Rome, IT 2006 In Transparency, Black & White Gallery, New York, NY 2003 Portage, Galerie Michael Neff, Frankfurt, Germany Bowery Poetry Club, (curated by Elizabeth Murray), New York, NY 2001 White Columns, White Room Project, New York, NY 1997 Lauren Wittels Gallery, Project Room, New York, NY Two Person Exhibitions 2013 Polychrome Fiction: Joanne Greenbaum and Jackie Saccoccio, Nerman Museum of Contemporary Art, Kansas City, KS Group Exhibitions 2017 Annual Invitational Exhibition, American Academy of Arts & Letters, New -
JEFFREY GIBSON B. 1972, Colorado Lives and Works in New York
JEFFREY GIBSON b. 1972, Colorado Lives and works in New York EDUCATION 2016 Honorary Doctorate, Claremont Graduate University, Claremont, CA 1998 MA, Royal College of Art, London, United Kingdom 1995 BFA, The Art Institute of Chicago, Chicago, Illinois 1992 Studied with sculptor Ernest Mirabal, Nambe, New Mexico SOLO EXHIBITIONS 2019 Jeffrey Gibson: Like a Hammer, Seattle Art Museum, Seattle, WA, catalogue Jeffrey Gibson: Like a Hammer, Madison Museum of Art, Madison, WI, catalogue Jeffrey Gibson: This is the Day, Blanton Museum of Art, Austin, TX, 2018 Jeffrey Gibson: Like a Hammer, Denver Art Museum, Denver, CO, catalogue (touring) Jeffrey Gibson: Like a Hammer, Mississippi Museum of Art, Jackson, MS, catalogue Jeffrey Gibson: This is the Day, Ruth and Elmer Wellin Museum of Art, Clinton, New York, catalogue (touring) DON'T MAKE ME OVER, The de la Cruz Gallery of Art, Georgetown University, Washington, DC 2017 In Such Times, Roberts & Tilton, Culver City, CA Look How Far We've Come!, Haggerty Museum of Art, Milwaukee, WI Jeffrey Gibson: Speak to Me, Oklahoma Contemporary Arts Center, Oklahoma City, OK 2016 A Kind of Confession, Savannah College of Art and Design Museum, Savannah, Georgia (traveling to Atlanta, Georgia) 2015 MARC STRAUS, New York, New York A. Lange & Sohne, New York, New York 2014 MARC STRAUS, New York, New York 2013 Love Song, Institute of Contemporary Art, Boston, Massachusetts Said the Pigeon to the Squirrel, National Academy Museum, New York, New York Tipi Poles Performing as Lines, Cornell Fine Arts Museum, Winter -
Vol. 23, No. 8 August 2019 You Can’T Buy It
ABSOLUTELY FREE Vol. 23, No. 8 August 2019 You Can’t Buy It As Above, So Below Artwork is by Diane Nations and is part of her exhibit Under the Influence of Jung on view at Artworks Gallery in Winston-Salem, North Carolina through August 31, 2019. See the article on Page 28. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - Artworks Gallery (Winston-Salem) - Diane Nations Page 3 - Ella Walton Richardson Fine Art Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site Page 5 - Wells Gallery at the Sanctuary & Halsey MCallum Studio Page 4 - Redux Contemporary Art Center & Charleston Artist Guild Page 6 - Thomas Dixon for Mayor & Jesse Williams District 6 Page 5 - Charleston Museum & Robert Lange Studios Page 7 - Emerge SC, Helena Fox Fine Art, Corrigan Gallery, Halsey-McCallum Studio, Page 6 - Robert Lange Studios cont., Ella Walton Richardson Fine Art & Rhett Thurman, Anglin Smith Fine Art, Halsey Institute of Contemporary Art, Lowcountry Artists Gallery The Wells Gallery at the Sanctuary & Saul Alexander Foundation Gallery Page 9 - Lowcountry Artists Gallery cont. & Halsey Institute / College of Charleston Page 8 - Halsey Institute / College of Charleston Page 10 - Halsey Institute / College of Charleston & Art League of Hilton Head Page 9 - Whimsy Joy Page 11 - Art League of Hilton Head cont. & Society of Bluffton Artists Page 10 - Halsey Institute -
Marc Straus Gallery.” Droste Effect
MARC STRAUS Jeffrey Gibson b. 1972, Colorado Lives and Works in New York EDUCATION 1998 MA, Royal College of Art, London, United Kingdom 1995 BFA, The Art Institute of Chicago, Chicago, Illinois 1992 Studied with sculptor Ernest Mirabal, Nambe, New Mexico SOLO EXHIBITIONS 2018 Jeffrey Gibson, Ruth and Elmer Wellin Museum of Art, Clinton, New York (forthcoming) 2017 Travelling Retrospective, Denver Art Museum (forthcoming) 2016 Savannah College of Art and Design Museum, Savannah, Georgia (traveling to Atlanta, Georgia) 2015 MARC STRAUS, New York, New York A. Lange & Sohne, New York, New York 2014 MARC STRAUS, New York, New York 2013 Love Song, Institute of Contemporary Art, Boston, Massachusetts Said the Pigeon to the Squirrel, National Academy Museum, New York, New York Tipi Poles Performing as Lines, Cornell Fine Arts Museum, Winter Park, Florida The Spirits Refuse Without a Body, Shoshana Wayne Gallery, Santa Monica, California 2012 MARC STRAUS, New York, New York one becomes the other, Participant Inc, New York, New York one becomes the other, American Contemporary, New York, New York 2011 Jeffrey Gibson, 222 Shelby Street, Santa Fe, New Mexico 2010 Submerge, Arin Contemporary Art, Laguna Beach, California 2009 Totems, Sala Diaz, San Antonio, Texas 2007 Scope, Samson Projects, New York, New York 2006 Talkin’ Smack, Samson Projects, Boston, Massachusetts 2005 Indigenous Anomaly, American Indian Community House, New York, New York curated by Kathleen Ash-Milby 2004 The Urge That Binds, Samson Projects, Boston, Massachusetts, curated -
XIII. Supplemental Information (PDF)
Annual Budget Process The City of Durham’s annual budget process is the framework for communicating major financial operational objectives and for allocating resources to achieve them. This process is a complex undertaking involving the whole government. The process begins in October and runs until the end of June. By state law, the City must adopt an annual budget ordinance by June 30 of each year. Coordination of the process is essential to the building of the budget. To achieve coordination, a calendar of activities is summarized on this page. Once the budget is approved, the focus of the budget becomes control. Ongoing monitoring of expenditures and revenues throughout the year is a responsibility shared by department heads and the Budget Department. The Accounting Services Division ensures that changes are correctly entered and payments are appropriate. The Budget and Management Services Department reviews all requests from departments to make sure that sufficient appropriations have been budgeted. All funds are reviewed on a regular basis, and a budget report is submitted to the City Council on a quarterly basis. The City Manager has the authority to transfer budgeted amounts between departments within any function. However, transfers between functions, additions or deletions require a budget amendment. To amend the budget, a revised budget ordinance must be approved by the City Council. January February March Department budgets submitted Coffees with Council continue. Budget kick-off. City Manager to Budget office. explains financial and City Council retreat to discuss City Council retreat to discuss operational objectives. vision and service issues. financial issues. Public input on budget sought Budget office projects revenues. -
View Landscape Guidelines
UNIVERSITY Duke LANDSCAPE CHARACTER AND DESIGN GUIDELINES MAY 2014 1 2 TABLE OF CONTENTS INTRODUCTION 4 GUIDING PRINCIPLES FOR THE DUKE CAMPUS LANDSCAPE 5 DESIGN CHARACTER 26 MATERIAL COLOR RANGE 27 LANDSCAPE TYPOLOGIES HISTORIC LANDSCAPES 9 West Quad 10 East Quad 11 NATURALISTIC LANDSCAPES 13 Reforestation and Managed Woodlands 14 Ponds, Streams, Wetlands and Raingardens 15 Parkland 16 PUBLIC LANDSCAPES 17 Plazas 18 Gardens 19 Courtyards and Terraces 20 Pedestrianways 21 CAMPUS FABRIC 23 Streetscapes 24 Interstitial Spaces 25 DESIGN ELEMENTS 27 Paving Bluestone 28 Concrete Pavers 30 Exposed Aggregate Concrete 31 Brick Pavers 32 Miscellaneous 33 Sitewalls Duke Stone 34 Duke Blend Brick 38 Other Masonry 39 Concrete 40 Miscellaneous 41 Steps and Railings Steps 42 Railings 43 Accessibility 45 Fences and Gates 46 Site Furniture Seating 47 Bike Racks 48 Bollards 48 Exterior Lighting 49 Waste and Recycling Receptacles 49 3 Duke’s campus is relatively large and spread out compared to many other universities. The main part of campus - aside from the Duke Forest and other properties - is nearly 2000 acres, with approximately 500 acres of that being actively maintained. The large amount of tree coverage, road network, topography, and natural drainage system, along with extensive designed landscapes, athletic fi elds and gardens, makes the campus an incredibly rich and complex place. These guidelines are intended to be a resource for creating and maintaining a campus landscape with a certain level of consistency that exists across various precincts with specifi c contextual requirements. These guidelines will help to set the character for the different landscape types while also providing detailed recommendations and precedents for what has and has not worked on campus previously. -
Surface Work
Surface Work Private View 6 – 8pm, Wednesday 11 April 2018 11 April – 19 May 2018 Victoria Miro, Wharf Road, London N1 7RW 11 April – 16 June 2018 Victoria Miro Mayfair, 14 St George Street, London W1S 1FE Image: Adriana Varejão, Azulejão (Moon), 2018 Oil and plaster on canvas, 180 x 180cm. Photograph: Jaime Acioli © the artist, courtesy Victoria Miro, London / Venice Taking place across Victoria Miro’s London galleries, this international, cross-generational exhibition is a celebration of women artists who have shaped and transformed, and continue to influence and expand, the language and definition of abstract painting. More than 50 artists from North and South America, Europe, the Middle East and Asia are represented. The earliest work, an ink on paper work by the Russian Constructivist Liubov Popova, was completed in 1918. The most recent, by contemporary artists including Adriana Varejão, Svenja Deininger and Elizabeth Neel, have been made especially for the exhibition. A number of the artists in the exhibition were born in the final decades of the nineteenth century, while the youngest, Beirut-based Dala Nasser, was born in 1990. Work from every decade between 1918 and 2018 is featured. Surface Work takes its title from a quote by the Abstract Expressionist painter Joan Mitchell, who said: ‘Abstract is not a style. I simply want to make a surface work.’ The exhibition reflects the ways in which women have been at the heart of abstract art’s development over the past century, from those who propelled the language of abstraction forward, often with little recognition, to those who have built upon the legacy of earlier generations, using abstraction to open new paths to optical, emotional, cultural, and even political expression. -
Bulletin of Duke Divinity School 2020-2021
Bulletin of Duke University Duke Divinity School 2020-2021 Bulletin of Duke University Duke Divinity School 2020-2021 Duke University Registrar Frank Blalark, Associate Vice Provost and University Registrar Coordinating Editor Bahar Rostami Publications Coordinator Keely Fagan Divinity School Editors G. Sujin Pak, Vice Dean of Academic Affairs Deborah Hackney, Senior Director of Academic Programs and Registrar Sherry Williamson, Associate Director of Communications Cover Photo Bill Snead Interior Photos Courtesy of Duke Divinity School and Duke University (Jared Lazarus, Megan Mendenhall, Bill Snead, Les Todd, and Sherry Williamson) The information in this bulletin applies to the academic year 2020-2021 and is accurate and current, to the greatest extent possible, as of July 2020. The university reserves the right to change programs of study, academic requirements, teaching staff, the calendar, and other matters described herein without prior notice, in accordance with established procedures. Duke University is committed to encouraging and sustaining a learning and work community that is free from prohibited discrimination and harassment. The institution prohibits discrimination on the basis of age, color, disability, gender, gender identity, gender expression, genetic information, national origin, race, religion, sex, sexual orientation, or veteran status, in the administration of its educational policies, admission policies, financial aid, employment, or any other institution program or activity. It admits qualified students to all the rights, privileges, programs, and activities generally accorded or made available to students. Sexual harassment and sexual misconduct are forms of sex discrimination and prohibited by the institution. Duke has designated the Vice President for Institutional Equity and Chief Diversity Officer as the individual responsible for the coordination and administration of its nondiscrimination and harassment policies. -
Hickory Museum of Art Page 14 - Mouse House / Susan Lenz & One Eared Cow Glass Page 18 - Hickory Museum of Art Cont., Blue Moon Gallery & Asheville Gallery of Art
ABSOLUTELY FREE Vol. 23, No. 1 January 2019 You Can’t Buy It Happy New Year! Artwork, Buffoon, is by Luis Ardila and is part of the exhibit ARTE LATINO NOW 2019 on view at the Max L. Jackson Gallery, Watkins building, Queens University of Charlotte, Charlotte, NC. This is the eighth annual exhibition featuring the exciting cultural and artistic contributions of Latinos in the United States. A reception will be held on January 17, 2019 from 5:30 - 7:30pm. Article is on Page 17. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - Queens University of Charlotte - Luis Ardila Page 3 - Karen Burnette Garner & Wells Gallery at the Sanctuary Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site Page 4 - Halsey-McCallum Studio & Whimsy Joy by Roz Page 3 - City of North Charleston Page 5 - Emerge SC Page 4 - Editorial Commentary & City of North Charleston cont. Page 5 - Editorial Commentary cont. Page 6 - Avondale Therapy / Susan Irish Page 6 - Charleston Artist Guild & Gibbes Museum of Art Page 7 - Helena Fox Fine Art, Corrigan Gallery, Halsey-McCallum Studio, Rhett Thurman, Page 8 - Coastal Discovery Museum Page 9 - Art League of Hilton Head x 2 & University of SC - Upstate Anglin Smith Fine Art, Spencer Art Galleries, The Wells Gallery at the Sanctuary, Page 11 - University of SC - Upstate cont. & West Main Artists Co-op & Saul Alexander Foundation Gallery Page 12 - West Main Artists Co-op, Converse College & Page 8 - Art League of Hilton Head USC-Upstate / UPSTATE Gallery on Main Page 13 - USC-Upstate / UPSTATE Gallery on Main cont. -
East Campus West Campus
16 1 5 - 5 0 1 Clocktower Duke Gardens East Campus Perkins Library Duke Chapel Wallace Wade Stadium Gargoyle Medical Center Sociology/Psychology Duke Forest Kilgo Quad Cameron Indoor Stadium Chapel Drive West Union Fitzpatrick Center Wilson Rec Duke Gardens Crowell Quad Levine Science Research West Union Quad East Campus Union The Ark Wilson Residence Hall East Campus Entrance Williams Field Baldwin Auditorium Lilly Library E R W I N R O A D M A R K H A M A V E N U E AST AMPUS uke University traces its roots to 1838, when it was established as Union Institute in Randolph County, North Carolina. In E C Branson 17 As you begin your East Campus tour near the North Theater 1892 the school—renamed Trinity College—relocated to Durham on what is now East Campus. In 1924, Trinity College, a Phyto Baldwin main bus stop, you’ll be in the midst of many of the Auditorium long-time beneficiary of Duke family generosity, became the nucleus of Duke University. With a $21 million gift from James tron VA Ho Greenhouses 5 East Campus residence halls, home to all first-year Biddle MORREENE RD Art D To Duke Forest/Primate Ctr sp WE Music Bldg. Bishop's House CIRCUIT DRIVE it Building 21 B. Duke, West Campus was created and East Campus was rebuilt. Today, Duke consists of a breathtaking 9,350-acre campus that LASALLE ST al students. Although students are assigned randomly WXDU Radio (Continuing Ed) . DRIVE s. French Science Center Eye Cente es r Re includes two undergraduate schools, seven graduate and professional schools, a world-renowned medical center, a 7,900-acre forest, Levine Sc to housing, they can state preferences T 22 (under construction) ienc To NC a15-501 n d I - 8 S e Research Hall Hall and a beautiful 55-acre garden. -
Jackie Saccoccio
! ! ! ! ! ! ! Jackie Saccoccio JACKIE SACCOCCIO Born 1963 in Providence, RI; lives and works in New York and Connecticut EDUCATION 1988 Master of Fine Arts in Painting, School of the Art Institute of Chicago, Chicago, IL 1985 Bachelor of Fine Arts in Painting, Rhode Island School of Design, Providence, RI SOLO AND TWO-PERSON EXHIBITIONS 2015 Degree of Tilt, Eleven Rivington, New York, NY Degree of Tilt, Van Doren Waxter, New York, NY Echo, Corbett vs. Dempsey, Chicago, IL Eleven Rivington, Solo booth, Art Brussels, Belgium 2014 Jackie Saccoccio, Eleven Rivington, New York, NY Portraits, Brand New Gallery, Milan, Italy Portrait Gallery, Museo d’Arte Contemporanea, Villa Croce, Genova, Italy, curated by Ilaria Bonacossa 2013 Portraits, Corbett v. Dempsey, Chicago, IL project Polychrome Fiction: Joanne Greenbaum and Jackie Saccoccio, Nerman Museum of Contemporary Art, Kansas City, KS 2012 Portraits, Eleven Rivington, New York, NY Paintings: Jackie Saccoccio, Philip Slein Gallery, St. Louis, MO 2010 One to One, Eleven Rivington, New York, NY The Shades: Jeffrey Gibson / Jackie Saccoccio, Samson Projects, Boston, MA 2008 Interrupted Grid, Eleven Rivington, New York, NY Wall Intervention, Beatrice Room, RISD Gallery, Rome, Italy 2006 In Transparency, Black & White Gallery, New York, NY 2003 Portage, Galerie Michael Neff, Frankfurt, Germany Bowery Poetry Club, curated by Elizabeth Murray, New York, NY 2001 White Columns (Project Room), New York, NY 1997 Lauren Wittels Gallery (Project Room), New York, NY GROUP EXHIBITIONS 2015 Abstraction: A -
Jackie Saccoccio
JACKIE SACCOCCIO Born 1963 in Providence, RI Lives and works in New York and Connecticut EDUCATION 1988 MFA Painting, School of the Art Institute of Chicago, Chicago, Il. 1985 BFA Painting, Rhode Island School of Design, Providence, RI. SOLO EXHIBITIONS 2020 Femme Brut, Van Doren Waxter, New York, NY and CHART, New York in conjunction with Van Doren Waxter 2019 Tennis Elbow, The Journal, New York, NY Art021 Solo booth, The Club, Shanghai 2018 Unbearable Lightness, The Club, Tokyo, Japan ADAA, Van Doren Waxter, New York, NY 2017 Rhona Hoffman Gallery, Chicago, IL 11R, New York, NY 2015 Degree of Tilt, 11R, New York, NY Degree of Tilt, Van Doren Waxter, New York, NY Echo, Corbett vs. Dempsey, Chicago, IL Eleven Rivington, Solo booth, Art Brussels, Belgium 2014 Jackie Saccoccio, Eleven Rivington, New York, NY Portraits, Brand New Gallery, Milan, Italy Portrait Gallery, Museo d’Arte Contemporanea, Villa Croce, Genova, Italy, curated by Ilaria Bonacossa 2013 Portraits, Corbett v. Dempsey, Chicago, IL project Polychrome Fiction: Joanne Greenbaum and Jackie Saccoccio, Nerman Museum of Contemporary Art, Kansas City, KS 2012 Portraits, Eleven Rivington, New York, NY Paintings: Jackie Saccoccio, Philip Slein Gallery, St. Louis, MO 2010 One to One, Eleven Rivington, New York, NY The Shades: Jeffrey Gibson / Jackie Saccoccio, Samson Projects, Boston, MA 2008 Interrupted Grid, Eleven Rivington, New York, NY Wall Intervention, Beatrice Room, RISD Gallery, Rome, Italy 2006 In Transparency, Black & White Gallery, New York, NY 2003 Portage, Galerie Michael